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2002 - 03 Annual Report - Sbs

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CONTENTS<br />

Charter IFC<br />

SBS Overview 2<br />

Chairman’s Letter to the Minister 3<br />

Board of Directors 4<br />

Organisation Chart 6<br />

TELEVISION 7<br />

SBS Productions 8<br />

News and Current Affairs 10<br />

General Programming 12<br />

Sport 15<br />

SBS Independent 16<br />

Audiences 21<br />

Audience Opinion Surveys and Feedback 24<br />

Audience Feedback 26<br />

Television Transmission 26<br />

Feature: News and Current Affairs 28<br />

RADIO 31<br />

Programs 32<br />

National and International News 33<br />

Youth Programming 34<br />

Sport 34<br />

Radio Online 35<br />

Radioathons 35<br />

Outside Broadcasting 36<br />

Rescheduling and Program Development 37<br />

Audience Research 37<br />

Special Services 38<br />

New Technology 38<br />

Radio Transmission 39<br />

Awards 39<br />

Feature: News and Current Affairs 40<br />

NEW MEDIA 43<br />

SBS: Online to the World 44<br />

Major Program Websites 44<br />

Program Sites and Services 45<br />

SBS Services Online 45<br />

Youth Sites 45<br />

Youth Audiences 46<br />

In Production 46<br />

Information Systems and Services 46<br />

Feature: The World News Online 48<br />

CONTENTS | 1<br />

BUSINESS 51<br />

Television Advertising and Sponsorship 52<br />

Language Services 52<br />

Program Sales 53<br />

SBS Merchandising 54<br />

Radio Sales and Marketing 56<br />

Multilingual Subscriber Television Limited 56<br />

CORPORATION 57<br />

Corporate Governance 58<br />

Finanace Innovation 64<br />

Government Relations 65<br />

Community Relations 69<br />

Corporate and International Relations 72<br />

REPORT OF OPERATIONS 75<br />

<strong>Report</strong> of Operations <strong>2002</strong>-<strong>03</strong> 76<br />

Programs and Audiences 77<br />

Relationships with our Community 84<br />

SBS’s People 89<br />

Business Activities 91<br />

FINANCIAL STATEMENTS 93<br />

APPENDIX 127<br />

1. SBS Act – Compliance with Section 73 128<br />

2. SBS Television Services 129<br />

3. SBS Television – Languages Broadcast 132<br />

4. Top SBS Television Programs – By Category 133<br />

5. SBS Television Programs – By Classification 133<br />

6. SBS Independent 134<br />

7. SBS Radio – Broadcast Schedules 136<br />

8. SBS Radio Services 138<br />

9. SBS Radio – Languages Broadcast 139<br />

10. SBS Television – Sponsors 140<br />

11. SBS Television – Advertisers 141<br />

12. SBS Radio – Advertisers 142<br />

13. SBS Community Advisory Committee 143<br />

14. Awards 144<br />

INDEX 147


2 | VISION<br />

SBS OVERVIEW<br />

The Special Broadcasting Service (SBS) is<br />

Australia's multicultural and multilingual national<br />

public broadcaster.<br />

With television, radio and online services in English<br />

and more than 60 other languages, SBS is the most<br />

linguistically diverse broadcasting network in the world.<br />

SBS Television broadcasts in more than 60 languages<br />

and is watched by almost eight million Australians<br />

each week. SBS Radio is the world’s most<br />

linguistically diverse radio network, broadcasting in 68<br />

languages to a potential audience of more than 2.7<br />

million Australians who speak a language other than<br />

English in their homes.<br />

The radio network began in 1975 with two small radio<br />

stations – 2EA in Sydney and 3EA in Melbourne –<br />

broadcasting four hours a day in seven and eight<br />

languages respectively. It was a three months<br />

experiment in multilingual broadcasting confined to<br />

Australia’s two largest cities. SBS Radio today<br />

broadcasts 24 hours a day, seven days a week, on<br />

AM and FM frequencies in Sydney and Melbourne<br />

and is heard Australia-wide on a national signal that<br />

reaches all capital cities and many regional centres.<br />

All language programs are also available Online.<br />

SBS Television began in 1980, first in Melbourne<br />

and Sydney, and then progressively was extended<br />

throughout the nation. Today, SBS Television's analogue<br />

service is delivered via more than 360 terrestrial<br />

transmitters across Australia, and over 27 digital<br />

terrestrial transmitters deliver SBS's five distinct digital<br />

services: the main channel in widescreen, the World<br />

News Channel, SBS Essential (an electronic program<br />

and information guide), and two SBS Radio services.<br />

More than half of all SBS Television programs are in<br />

languages other than English. These programs are<br />

accessible to all Australians through SBS produced<br />

English language subtitles. With more than 400<br />

international and local program sources, SBS<br />

Television draws upon the largest range of source<br />

material of any television network in the world.<br />

SBS Online reaches audiences within Australia and<br />

overseas through comprehensive text, video and<br />

audio services across a broad spectrum of programs<br />

and special interest sites. The World News site and<br />

the World Game site are particularly popular and<br />

extend SBS's reputation for detailed coverage and<br />

analysis of international news and world soccer. The<br />

streaming of SBS Radio's 68 language programs<br />

make the SBS website the most linguistically diverse<br />

website in the world.


CHAIRMAN’S LETTER TO THE MINISTER<br />

Senator, the Honourable Richard Alston<br />

Minister for Communications, Information Technology and the Arts<br />

Parliament House<br />

CANBERRA ACT 2600<br />

Dear Minister,<br />

CHAIRMAN’S LETTER TO THE MINISTER | 3<br />

This was an important and productive year for SBS and I am pleased to present the Corporation’s <strong>Annual</strong> <strong>Report</strong><br />

<strong>2002</strong>-<strong>03</strong>.<br />

SBS Television, Radio and New Media – the program, content and service providers of SBS – all performed well,<br />

producing distinctive and creative content and, at the same time, meeting the challenges of a changing media<br />

environment and digitisation.<br />

As required, this <strong>Report</strong> has been prepared in accordance with the relevant requirements of the Commonwealth<br />

Authorities and Companies Act 1997 and the Special Broadcasting Service Act 1991. In addition, the <strong>Report</strong><br />

assesses the Corporation’s performance against four key goals contained in the SBS Corporate Plan 2001-<strong>03</strong>.<br />

The drafting of a new corporate plan, covering the period 2004-06, was commenced during the year.<br />

This <strong>Annual</strong> <strong>Report</strong> details the programming, content and services provided by SBS Television, Radio and New<br />

Media, the audience reach of these programs, and audience reaction. It also reports on SBS’s relations with the<br />

Government, the community and other stakeholders, and the way SBS manages its human, financial and<br />

technical resources, including its transmission services. A comprehensive analysis and assessment of the<br />

Corporation’s performance against the Corporate Plan’s four key goals is provided in the <strong>Report</strong> of Operations<br />

<strong>2002</strong>-<strong>03</strong>.<br />

In accordance with the requirements of the Commonwealth Authorities and Companies (<strong>Report</strong> of Operations)<br />

Orders <strong>2002</strong>, SBS reports that there were no relevant judicial decisions and reviews by outside bodies. Neither<br />

were there any ministerial directions under the Commonwealth Authorities and Companies Act 1997.<br />

I have the honour of presenting to you this <strong>Annual</strong> <strong>Report</strong> of the Special Broadcasting Service Corporation for the<br />

year ended 30 June 20<strong>03</strong>.<br />

Yours sincerely,<br />

Chairman<br />

Carla Zampatti


4 | BOARD OF DIRECTORS<br />

BOARD OF DIRECTORS<br />

CARLA ZAMPATTI NEVILLE ROACH JILLIAN BROADBENT PETER CARROLL<br />

Carla Zampatti AM / Chairman<br />

Appointed 17 December 1999 for five years. Ms<br />

Zampatti is Executive Chairman of the Carla Zampatti<br />

Group and holds directorships with Westfield<br />

Holdings Limited and Mc Donald's Australia Limited.<br />

She is also a Member of the Australian Graduate<br />

School of Management, Board of Management; a<br />

Trustee of the Sydney Theatre Company Foundation<br />

Trust; and a Member of the Development Committee<br />

of the Sydney Theatre Company.<br />

Neville Roach AO / Non-executive<br />

director and Deputy Chairman<br />

Appointed 31 August 1998 for three years and reappointed<br />

for a further two years in August 2001.<br />

Mr Roach is Chairman of Fujitsu Australia. He was<br />

Chairman of the Council for Multicultural Australia<br />

and the Business (Migration) Advisory Panel until<br />

January <strong>2002</strong>. He is Chairman of the Smart Internet<br />

Cooperative Research Centre; the national ICT<br />

Centre of Excellence; the Intelligent Island Board in<br />

Tasmania and the Australia India Business Council.<br />

Other appointments include membership of the<br />

Board of OneSteel Limited and Adjunct Professor at<br />

the University of NSW and the National Graduate<br />

School of Management at the Australian National<br />

University.<br />

Jillian Broadbent AO /<br />

Non-executive director<br />

Appointed 16 May <strong>2002</strong> for four years. Ms Broadbent<br />

is a member of the Board of the Reserve Bank of<br />

Australia and a Director of Woodside Petroleum Ltd,<br />

Coca-Cola Amatil Ltd and Westfield Management<br />

Ltd. She is Vice Chairman of the Art Gallery of NSW<br />

Foundation and has extensive experience in the<br />

banking and finance industry and a long-term<br />

involvement with the arts.<br />

Peter Carroll / Non-executive director<br />

First appointed 20 December 1996 for three years<br />

and twice re-appointed (December 1999 and<br />

December <strong>2002</strong>) for successive three year terms.<br />

Mr Carroll is a graduate of Sydney and NSW<br />

universities and of the Central School of Speech and<br />

Drama in London. He has an honorary doctorate of<br />

creative arts from the University of Wollongong. He<br />

was Head of Voice and Speech at the National<br />

Institute of Dramatic Art from 1970-73 and then began<br />

an extensive performing career as a company member<br />

of Sydney's Nimrod Theatre. He has worked in film<br />

and television and with all State and commercial<br />

theatre managements.<br />

Bob Cronin / Non-executive director<br />

Appointed 16 May <strong>2002</strong> for four years. Mr Cronin is a<br />

Perth-based media consultant. He was editor-in-chief<br />

of West Australian Newspapers (1987-1996), editor<br />

of The Sun in Melbourne (1985-86), deputy editor of<br />

The Courier-Mail (1984) and editor of the Border Mail<br />

in Albury (1974-1982). He was a member of the<br />

Australian Press Council from 1987-96 and a founding<br />

director of Information Radio in Perth in 1991. He is<br />

deputy chairman of Oz Concert Inc; a Governor of the<br />

Western Australian Museum Foundation; and a<br />

member of the Celebrate WA Council since 1999.


BOB CRONIN TED GREGORY JOSEPH ELU GERALD STONE NIGEL MILAN<br />

Joseph Elu / Non-executive director<br />

Appointed 30 May 2001 for five years. Mr Elu is<br />

Chairman of Indigenous Business Australia (formerly<br />

CDC), a position he has held since December 1996.<br />

He is also Chairman of Seisia Council in Cape York,<br />

a member of the Torres Strait Regional Authority and<br />

the elected Chairman of the Board of IBIS in the<br />

Torres Straits. Mr Elu is also Co-Chairman of the<br />

Voluntary Services to Indigenous Communities<br />

Foundation, and a member of the Board of<br />

Reconciliation Australia.<br />

Ted Gregory / Non-executive director<br />

Appointed 15 April 1999 for four years and<br />

re-appointed for a further five years in April 20<strong>03</strong>.<br />

Mr Gregory has extensive experience in the film,<br />

television, radio and home entertainment industries.<br />

He is Chief Executive of AAV Limited, an electronic<br />

communications, production, and electronic<br />

manufacturing company serving the film, television<br />

and advertising industries; a Director of DubSat Pty<br />

Ltd, a company specialising in the satellite<br />

distribution of TV commercials; and a Member of the<br />

Curriculum Advisory Board of the Television and Film<br />

School of the Victorian College of the Arts.<br />

Gerald Stone / Non-executive director<br />

Appointed 1 December 2000 for five years. Mr Stone<br />

is an author and journalist with wide experience in<br />

both the print and television media. He is a former<br />

editor-in-chief of The Bulletin magazine and was<br />

founding executive producer of 60 Minutes on the<br />

BOARD OF DIRECTORS | 5<br />

Nine Network. He has also served as a senior<br />

current affairs executive with both the Seven Network<br />

and the Fox Network in New York. Born in the US, Mr<br />

Stone migrated to Australia in 1962.<br />

Nigel Milan / Managing Director<br />

Appointed 2 February 1998 for five years and<br />

re-appointed for a further two years in February 20<strong>03</strong>.<br />

Mr Milan has a long association with broadcasting -<br />

public and commercial - and marketing. He was<br />

formerly Chief Executive of Australian Radio Network<br />

Ltd, one of Australia's largest commercial radio<br />

networks, and before that Chief Executive of Radio<br />

New Zealand. Mr Milan was previously Chief<br />

Executive of the Nine Network's Radio Division and<br />

Deputy General Manager of the Macquarie Network.<br />

He is Chairman of the Fred Hollows Foundation; a<br />

Director of the Australian Chamber Orchestra; a<br />

Counsellor of the Australian Business Arts<br />

Foundation; and a past member of the Advisory<br />

Board of the Walkley Awards.<br />

Board Dates and Attendances<br />

The SBS Board met nine times during the year: 5<br />

July <strong>2002</strong>; 16 August <strong>2002</strong>; 27 September <strong>2002</strong>; 8<br />

November <strong>2002</strong>; 13 December <strong>2002</strong>; 7 February<br />

20<strong>03</strong>; 21 March 20<strong>03</strong>; 2 May 20<strong>03</strong>; and 24 June<br />

20<strong>03</strong>. Carla Zampatti, Neville Roach, Gerald Stone,<br />

Bob Cronin, Peter Carroll and Nigel Milan attended<br />

all nine meetings. Ted Gregory, Jillian Broadbent and<br />

Joseph Elu attended eight meetings of the Board.


6 | ORGANISATION CHART<br />

SBS ORGANISATION CHART (as at 30th June 20<strong>03</strong>)<br />

MINISTER FOR COMMUNICATIONS,<br />

INFORMATION TECHNOLOGY AND THE ARTS<br />

Senator The Hon Richard Alston<br />

BOARD<br />

CHAIRMAN<br />

Carla Zampatti<br />

MANAGING DIRECTOR<br />

Nigel Milan<br />

HEAD OF<br />

TELEVISION<br />

Shaun Brown*<br />

NETWORK PROGRAMMER<br />

Mark Atkin (Acting)<br />

DIRECTOR NEWS &<br />

CURRENT AFFAIRS<br />

PROGRAMS<br />

Phil Martin<br />

GENERAL MANAGER SBS<br />

INDEPENDENT<br />

Glenys Rowe<br />

MANAGER TELEVISION<br />

ENGINEERING<br />

Hing Shek<br />

MANAGER OPERATIONS<br />

Tony Aslanidis<br />

MANAGER PRESENTATION<br />

& DESIGN<br />

John Stahel<br />

MANAGER LOCAL<br />

PRODUCTION<br />

Craig Collie<br />

MANAGER PROGRAM<br />

PURCHASING<br />

Jenny Allen<br />

MANAGER PUBLICITY<br />

Michael Field<br />

MANAGER SPORT<br />

Les Murray<br />

MANAGER SUBTITLING<br />

Gilbert Sant<br />

MANAGER TELEVISION<br />

RESOURCES<br />

Tim Burke<br />

MANAGER TELEVISION<br />

BUSINESS UNITS<br />

Tina Koutsogiannis<br />

MANAGER<br />

PROGRAM SALES<br />

Erika Honey<br />

*Peter Cavanagh<br />

(to 20 August <strong>2002</strong>);<br />

Rod Webb – acting –<br />

(to 19 January 20<strong>03</strong>)<br />

DIRECTORS<br />

Neville Roach, Jillian Broadbent, Peter Carroll, Bob Cronin,<br />

Joseph Elu, Ted Gregory, Nigel Milan, Gerald Stone<br />

HEAD<br />

OF RADIO<br />

Tuong Quang Luu<br />

NATIONAL EDITOR<br />

Diane Willman<br />

MANAGER NATIONAL<br />

RADIO SERVICES<br />

David Ingram<br />

CHIEF ENGINEER<br />

Yuan Chan<br />

PUBLICITY & MEDIA<br />

LIAISON MANAGER<br />

Eliza McCann*<br />

STATION MANAGER,<br />

SYDNEY<br />

Olya Booyar<br />

PROGRAM MANAGERS<br />

Anna Schinella,<br />

Beatriz Wagner*<br />

STATION MANAGER,<br />

MELBOURNE<br />

Mike Zafiropoulos<br />

PROGRAM MANAGERS<br />

Aynur Cagli, Wang Yi<br />

MARKETING MANAGER,<br />

SYDNEY<br />

Thang Ngo*<br />

MARKETING MANAGER,<br />

MELBOURNE<br />

Vivienne Kost<br />

*Acting<br />

HEAD OF NEW<br />

MEDIA AND<br />

DISTRIBUTION<br />

Will Berryman<br />

MANAGER NEW<br />

MEDIA AND IT<br />

Alex Surplice<br />

EXECUTIVE PRODUCER<br />

ONLINE<br />

Emma Harcourt<br />

BUSINESS DEVELOPMENT<br />

MANAGER<br />

Paul Vincent<br />

MANAGER INFORMATION<br />

RESOURCES<br />

David Lane<br />

MANAGER INFORMATION<br />

SYSTEMS<br />

Greg Koen<br />

MANAGER TRANSMISSION<br />

SERVICES<br />

Hugh James<br />

HEAD OF<br />

MARKETING<br />

Pat Quirke-Parry<br />

DIRECTOR MEDIA<br />

MARKETING<br />

Graham Butler<br />

MERCHANDISING<br />

MANAGER<br />

John Derry<br />

CORPORATE<br />

CHIEF FINANCIAL OFFICER<br />

Jon Torpy<br />

MANAGER CORPORATE<br />

SERVICES<br />

David Mapstone<br />

HEAD OF POLICY<br />

Julie Eisenberg<br />

MANAGER HUMAN<br />

RESOURCES<br />

Helen Mayne<br />

CORPORATE COUNSEL<br />

Lesley Power<br />

MANAGER CORPORATE<br />

COMMUNICATIONS<br />

Keith Dalton


OVERVIEW<br />

TELEVISION | 7<br />

TELEVISION<br />

SBS Television reached an average weekly audience of more than 7.7 million people in<br />

<strong>2002</strong>-<strong>03</strong>. More people watched SBS news and current affairs programs and SBS comedy<br />

and youth programs attracted new viewers. SBS digital, multi-channel services reached<br />

more people, and innovative drama, documentary and animation, commissioned from<br />

the nation's best independent filmmakers, captured the vivid images and told the unique<br />

stories of multicultural Australia.


8 | TELEVISION<br />

SBS PRODUCTIONS<br />

Pizza<br />

A third series of Pizza, the very popular cartoon<br />

reflection of contemporary multicultural Australia, was<br />

in production this year. The streetwise and politically<br />

incorrect sitcom about the perils of pizza delivery had<br />

some character changes with Pauly and Bobo joined<br />

by Davo Dinkum, and higher profile roles for scamartist,<br />

Habib, and his mate, Rocky. Series two was<br />

successfully repeated earlier in the year.<br />

(10 half-hour episodes produced for broadcast on Mondays from<br />

July 20<strong>03</strong>)<br />

The Movie Show<br />

In its 16th year, The Movie Show continued to regularly<br />

attract strong audience interest, consolidating its<br />

reputation as Australia's pre-eminent vehicle of popular<br />

cinema review. In addition to their film reviews, analysis<br />

and interviews, Margaret Pomeranz and David Stratton<br />

provided reports from international film festivals in<br />

Venice, Cannes and Berlin.<br />

(42 half-hour episodes, broadcast weekly on Wednesdays at 8pm)<br />

Life Support<br />

The program parodies the glibness and complacency<br />

of the lifestyle television genre, offering subversive<br />

advice and black comedy. Presented by four<br />

stereotypical 'experts', the advice is sometimes<br />

politically incorrect, routinely satirical and often just<br />

plain silly. The second series, from independent<br />

producers, McDonald Eastway, continued to push the<br />

boundaries of new Australian comedy. A third series of<br />

Life Support has been commissioned.<br />

(10 half-hour episodes broadcast Mondays in June-August <strong>2002</strong>)<br />

A Fork in Africa<br />

In his idiosyncratic examination of Africa, Pria<br />

Viswalingam looked for the exotic and the unexpected,<br />

steering us away from the more familiar images of civil<br />

war and famine and finding instead a rich culture and<br />

unique beauty in a range of locations from Mali and<br />

Madagascar to Tunisia and Capetown and even the<br />

African diaspora of Paris.<br />

(9 half-hour episodes broadcast Wednesdays in<br />

January-March 20<strong>03</strong>)<br />

Mum's The Word<br />

Following the success of the first series, another series<br />

of Mum's The Word was produced this year. Built on<br />

the notion of shared experience, a diverse range of<br />

mothers shared candid stories and opinions under the<br />

guidance of Rebecca Le Tourneau. Complementing<br />

the round-table tales were AJ Rochester's cameos with<br />

a range of fathers who discussed their personal<br />

experiences of parenthood.<br />

(8 half-hour episodes broadcast Tuesdays in April-May 20<strong>03</strong>)<br />

TwentyFourSeven<br />

Following in the wake of the critical success of Going<br />

Home, McElroy Television produced for SBS a new<br />

fast turnaround drama series, TwentyFourSeven. Set in<br />

the editorial office of a glossy magazine, the program<br />

featured the make believe personal and professional<br />

lives of the magazine staff. Artifice and reality were<br />

further blurred by SBS New Media publishing excerpts<br />

of the magazine on its website.<br />

(13 half-hour episodes broadcast on Wednesdays in August-<br />

November <strong>2002</strong>)<br />

Living Black<br />

The new indigenous magazine program, Living Black<br />

(developed from its predecessor ICAM) provided<br />

diverse and comprehensive reports from around<br />

Australia. The series dealt with indigenous issues such<br />

as foetal alcohol syndrome and fostering, as well as<br />

presenting weekly overviews of indigenous affairs in<br />

the news and in sport and arts/ culture. Living Black<br />

was hosted by Karla Grant.<br />

(10 half-hour episodes broadcast on Fridays in March-May 20<strong>03</strong>)


If Only...<br />

We have all done those things we come to regret and<br />

subsequently think: "If only I'd done that differently."<br />

This is the premise of the magazine style program<br />

If Only... produced in association with Becker<br />

Entertainment. Stories in the series cover the broad<br />

spectrum of human experience, from the emotional<br />

and tragic to the comical and embarrassing.<br />

(10 half-hour episodes produced for broadcast on Wednesdays<br />

from October 20<strong>03</strong>).<br />

The Food Lovers' Guide to Australia<br />

The third series of Maeve O'Meara's and Joanna Savill's<br />

The Food Lovers' Guide to Australia was broadcast in<br />

late <strong>2002</strong>. The program explores the nation's culinary<br />

delights from a diversity of cultural sources, from the<br />

outback to the ocean, from country farms and<br />

suburban backyards to kitchens, both five-star and<br />

home-style. A fourth series has been commissioned<br />

and will be in production in late 20<strong>03</strong>.<br />

(13 half-hour episodes broadcast Fridays in August-<br />

November <strong>2002</strong>)<br />

Stories From the Golf<br />

Some of life's defining moments take place in a<br />

small rental car. This is the premise of Stories From<br />

The Golf, a series of short, sometimes black, comedy<br />

pieces. It featured a cross-section of the southern city's<br />

leading comedians (including its creators) on location<br />

around Melbourne.<br />

(13 five-minute episodes produced for broadcast in late 20<strong>03</strong>)<br />

Viva<br />

Four musical Australians go back to the regions of their<br />

cultural origin and unearth their musical roots in Viva,<br />

a series of travel/music documentaries. Directed and<br />

photographed by independent producer, James<br />

Ricketson, the series vibrates with music and life over<br />

three continents, in Latin America, India and West Africa.<br />

(10 half-hour episodes produced for broadcast in early 2004)<br />

Subsonics<br />

Avant-garde music was presented in Subsonics in a<br />

format somewhere between music video and an arts<br />

magazine. Diverse, challenging, and sometimes<br />

musically confronting, Subsonics showcased<br />

experiments in both sound and image.<br />

(6 half-hour episodes broadcast Thursdays in June-July 20<strong>03</strong>)<br />

<strong>2002</strong> IF Awards<br />

The Inside Film magazine awards for independent film,<br />

hosted by Libbi Gorr, were an alternative to the more<br />

traditional AFI Awards. Telecast by SBS for the second<br />

year, the IF Awards were a tightly packaged one-hour<br />

presentation.<br />

(1 hour telecast in November <strong>2002</strong>)<br />

eat carpet<br />

After 13 years, eat carpet remains Australia's only<br />

regular television program to showcase short films and<br />

videos from across the nation and around the world.<br />

The unit produced the mini-mockumentary series,<br />

(S)truth, in association with Queensland's Pacific Film<br />

and Television Corporation for screening in late 20<strong>03</strong>.<br />

(1 hour series broadcast Fridays at 11 p.m.)<br />

TELEVISION | 9<br />

Global Village<br />

Presented by Silvio Rivier, Global Village is a series of<br />

mini-documentaries about people and places around<br />

the world. Compiled from a purchased series, it<br />

includes locally produced segments highlighting<br />

Australia's cultural diversity.<br />

(Half-hour episodes broadcast Monday-Saturday at 6 p.m.)<br />

Hotline<br />

SBS continues its dialogue with its audience with its<br />

weekly presentation of viewer feedback – both<br />

complimentary and critical – on Hotline. Presented by<br />

Electra Manikakis.<br />

(5 minute episodes, broadcast Mondays at 5.50 p.m. and<br />

repeated later in the week)


10 | TELEVISION<br />

NEWS AND CURRENT AFFAIRS SBS News and Current Affairs programs are unique<br />

DATELINE <strong>2002</strong>-<strong>03</strong><br />

on Australian television. They bring to the homes of all<br />

Australians a snapshot of world events while giving a<br />

national perspective to domestic political, economic<br />

Madagascar An island divided by politics and violence<br />

Russia Drugs and HIV in Russia today<br />

Iran Filmmakers versus the Mullahs<br />

Indonesia The sinking of Siev-X<br />

Sri Lanka The workings of an ancient gem industry<br />

Somalia An American warlord in Mogadishu<br />

Papau New Guinea Pigs and Politics – elections in the highlands<br />

Iraq Baghdad braces for war<br />

Turkey Asterix and the Turkish gold<br />

Israel Crisis of conscience for some soldiers<br />

India Gujarat – Tale of complicity?<br />

Chagos Islands Winning back paradise<br />

Indonesia God's Decision – the Abu Quassey Story<br />

Sudan Lord's Resistance Army – Christian child soldiers<br />

Hong Kong One Country – Split families<br />

East Timor Children held by Indonesian nationalists<br />

Afghanistan No Place Like Home – The refugees return<br />

Malawi Time Bomb Ticking – famine and AIDS<br />

Germany Der Waltzing Matildas – itinerant workers<br />

Iraq A tale of two cities – Baghdad's rich and poor<br />

Kyrgyzstan USA accused of propping up a dictator<br />

Vanuatu A neighbour accuses Australia of spying<br />

Israel Armenians claim their genocide denied<br />

Indonesia Behind Bali's bomb<br />

Venezuela Anatomy of a coup<br />

West Papua Secrets and Lies – the Freeport killings<br />

Zambia GM in Africa<br />

Saudi Arabia Jamal Khalifa – Osama's best friend<br />

Zimbabwe Mugabe's musicians<br />

INSIGHT <strong>2002</strong>-<strong>03</strong><br />

Islam Dreaming Indigenous Australians converting to Islam<br />

Forum: Anxious Nation Anxiety War Talk Australians discuss going to war in Iraq<br />

Green Desert A mutant seaweed escapes fish tanks into the ocean<br />

Labor Pains Branch stacking and factional warfare in the ALP<br />

Double Jeopardy An accused murderer convicted and acquitted twice<br />

Limited Generosity Disagreement over East Timor's oil and gas reserves<br />

Forum: Child Sex Abuse Specialists explore the issue of child sex abuse<br />

Wind Power Wind power is clean but coal is cheaper<br />

High Rise Safety Inner city dwellers' concerns about fire safety<br />

Shipping News Australian maritime unions fight against foreign crews<br />

Full Body Scans The latest fad divides medical authorities and doctors<br />

Forum: War? A specialist panel debates the case for war on Iraq<br />

Learning on the Job Traineeships under the microscope<br />

Disabilities & the Classroom Should children with disabilities be integrated into mainstream schools?<br />

Reinventing Mardi Gras Money trouble and the future of the gay movement<br />

Labor's Civil War Branch stacking and factional warfare benefit the Greens<br />

Sunken Treasure Organised crime and Australia's abalone industry


and business events. SBS has access to more<br />

international news sources than any other Australian<br />

network. During the year, 3,289 hours of news and<br />

current affairs programs were broadcast by SBS<br />

DATELINE cont...<br />

Canary Islands Is the US Navy's sonar killing whales?<br />

Nauru The problem for the Pacific solution<br />

Iraq Baghdad before the War<br />

Saudi Arabia Inside the hidden kingdom<br />

Nicaragua Ben Hur – chariot race for the poor<br />

USA New York State of Mind – Manhattan before the war<br />

Indonesia The practice of kidnapping a bride<br />

Morocco Warning Bells – another war on terror<br />

India Tehelka – the sting that stung<br />

Iraq Peace Bus – human shields travel to Iraq<br />

Iran The Shi'ite factor<br />

Hungary Iraqi exiles train for war<br />

Thailand Speed Kills – the bloody war on drugs<br />

Afghanistan Unfinished business<br />

USA The lawyer and the sheik<br />

Fiji British Bomb – Fijian compensation claims<br />

Slovakia Roma women allege forced sterilisation<br />

Iraq Kurds return to Kirkuk<br />

Kyrgyzstan Making plastic models out of human corpses<br />

Russia The Boris Berezovsky story<br />

Israel Human Shields – dying for the Palestinian cause<br />

Ethiopia Coffee growers grow poor<br />

Russia The Moscow theatre siege<br />

Iraq The war of the Mullahs<br />

Indonesia Krakatoa – the big bang<br />

India Bhopal – the toxic wait for justice<br />

New Zealand Pesticide in suburban Auckland<br />

Jordan Torn between Iraq and the USA<br />

INSIGHT cont...<br />

TELEVISION | 11<br />

Television. Forty-one episodes of the international<br />

current affairs program, Dateline, and 35 episodes<br />

of the national current affairs program, Insight,<br />

were broadcast in <strong>2002</strong>-<strong>03</strong>.<br />

Unorthodox Church The Macedonian Orthodox Church goes to court<br />

Leaving Tennant Creek Aboriginal students go to a Christian boarding school<br />

Forum: Fertility Strike? Experts debate Australia's low fertility rate<br />

The Menopause Dilemma Hormone Replacement Therapy versus alternative treatments<br />

Who Dares Win? Injured ex SAS members seek training compensation<br />

Pausing The Limit Teenagers under the influence of alcohol marketing<br />

David Hicks An Australian detained in Guantanamo Bay<br />

Unanswered Prayers Muslim prayer centre plans divide Sydney community<br />

Searching for Nabella A mother's search for her kidnapped daughter<br />

Coming, Ready or Not Opposition to the introduction of GM foods<br />

Mohammed and Juliet Mohammed Saleh's death in mandatory detention<br />

Australian Babylon Australian Iraqis discuss the future of Iraq<br />

Profit for Prophets Supporters and critics of a new church<br />

With Friends Like These The US influence in Australia and the defence alliance<br />

Forum: The Price of Education Experts and stakeholders debate planned changes to tertiary education<br />

Plea For Justice Plea bargaining – the case for and against<br />

The New Reformation Changes afoot in one of Australia's oldest churches


12 | TELEVISION<br />

GENERAL PROGRAMMING<br />

DOCUMENTARIES<br />

SBS Television broadcast more documentaries than<br />

any other Australian free-to-air network in <strong>2002</strong>-<strong>03</strong>.<br />

These documentaries, both commissioned and<br />

purchased from outside sources, covered a very<br />

broad range of subjects: current affairs and politics,<br />

human relationships, science, the arts, religion and<br />

spirituality, sexuality and gender issues, race and<br />

racism, culture, food and health, and ancient and<br />

modern history.<br />

History and archaeology-themed documentaries and<br />

documentary series were consistent ratings winners<br />

in our schedule. Among them were Meet the<br />

Ancestors, and Empires of Stone detailing the<br />

history of the Acropolis, the Coliseum and China's<br />

Great Wall; Ancient Discoveries which showed how<br />

robotics, computing and medicine all had their<br />

antecedents in the ancient world, Sea Kingdoms a<br />

history of the Celts' relationship with the sea, and the<br />

PBS series Empires: Rome in the First Century and<br />

Empires: Kingdom of David. Other documentaries<br />

included Mystery of the Persian Mummy, In Search<br />

of Ancient Ireland, The Human Odyssey and<br />

Germany's War.<br />

Programs acquired through an output deal with<br />

WGBH, the US-producer of Frontline, were<br />

scheduled in the Cutting Edge time slot. Among<br />

these were Bigger than Enron, American Porn,<br />

September 11: The Man Who Knew and In Search<br />

of Al Qaeda. Several documentaries which examined<br />

Iraq and achieved sizable audiences were The War<br />

Behind Closed Doors, After Saddam, Saddam's<br />

Friends, The Long Road to War and Blair's War.<br />

COMEDY<br />

Comedy programs are consistently among the most<br />

watched on SBS Television.<br />

New series of South Park and Quads! attracted<br />

good audiences, along with Crank Yankers, which<br />

features real crank calls by professional comedians,<br />

re-enacted by puppets.<br />

DRAMA (Feature films)<br />

In <strong>2002</strong>-<strong>03</strong>, SBS Television showed more films than<br />

any other free-to-air broadcaster in Australia, with<br />

an average of 18 films broadcast each week. Recent<br />

movies were presented each weeknight with specially<br />

selected 'cult' movies on Saturdays and 'classics' on<br />

Sundays. Among the most popular movies of the<br />

year were: The Devil's Nightmare, Erotic Ghost<br />

Story, The Libertine, The Secret, The Mating Game<br />

and Criminal Lovers.<br />

DRAMA SERIES<br />

Queer as Folk, a provocative drama series centred<br />

on the life and loves of seven gay people, has<br />

become an important and popular addition to SBS<br />

Television's Monday night line-up.<br />

The adventurous Austrian police drama, Inspector<br />

Rex, continues to build on its success, while a<br />

number of drama series from various countries were<br />

shown in the late night time slot.


ARTS PROGRAMS<br />

Opera seasons were the main feature of the Arts on<br />

Saturday time slot, complemented by documentaries<br />

about the composers, the conductors, or the artists<br />

who appeared in them. These seasons were in<br />

addition to SBS's regular arts programming, The<br />

Movie Show and the Masterpiece strand, in which<br />

artists from various disciplines are profiled.<br />

Masterpiece highlights in <strong>2002</strong>-<strong>03</strong> were: The<br />

Complete Beckett (all of Samuel Beckett's plays<br />

interpreted by some of the world's leading filmmakers),<br />

documentaries on the film-makers Jean<br />

Cocteau, Ingmar Bergman, Louis Malle and Pedro<br />

Almodovar, photographers Spencer Tunick and Peter<br />

Darren Moyle, painters Leonardo Da Vinci and Mark<br />

Rothko, architect Santiago Calatrava, conductor<br />

Daniel Barenboim and actor Bruce Lee.<br />

Many of the programs shown in Masterpiece and<br />

Arts on Saturday were scheduled to coincide with<br />

tours and performances around Australia.<br />

TELEVISION | 13<br />

SEASONS<br />

Throughout the year, a number of special seasons<br />

examined specific themes through a broad range of<br />

feature films, documentaries, short dramas and<br />

comedies. These seasons are unique to SBS and<br />

have proved very popular with viewers. Each season<br />

sees parts of the schedule devoted to a particular<br />

subject, enabling the topic to be thoroughly dissected<br />

and examined from a variety of perspectives, some<br />

serious and some in a lighter vein. July saw a special<br />

season on perhaps the most widely known and<br />

admired non-English speaking actor, Gérard<br />

Depardieu. Beginning with an intimate and revealing<br />

documentary portrait, the week long series of<br />

Depardieu movies culminated with the four-part<br />

series Les Miserables.<br />

In the lead-up to the anniversary of the terrorist<br />

attacks of 11 September 2001, a range of programs<br />

was scheduled to mark the event, including The Twin<br />

Towers: A History and Letter to America and Letter<br />

From America, which provided a human view of the<br />

consequences of 11 September.<br />

‘Middle East Perspectives', a season of programs<br />

dealing with the Israeli/Palestinian conflict,<br />

encompassed 11 programs across a variety of time<br />

slots to provide a broad range of viewpoints to the<br />

complex history and the evolving problems that have<br />

led to the current situation in Middle East.<br />

Steps for the Future, a collection of films from seven<br />

countries in the southern African region, dealt with<br />

the ever-present tragedy of HIV/AIDS in Africa, which<br />

were scheduled across a number of timeslots in the<br />

lead-up to AIDS Awareness Week.


14 | TELEVISION<br />

INDIGENOUS AUSTRALIANS<br />

SBS Television broadcasts more programs of interest<br />

to Aboriginals and Torres Strait Islanders than any<br />

other Australian free-to-air network: over 40 hours<br />

of material in the past year. Most significant among<br />

these was Living Black, 10 half-hour episodes of<br />

news, current affairs, interviews and review produced<br />

from an indigenous perspective for a general<br />

audience. SBS Independent also commissioned a<br />

number of relevant programs, most notably the sixpart<br />

series Everyday Brave, focusing on the lives<br />

of successful indigenous Australians.<br />

SPECIAL EVENTS<br />

NAIDOC Week<br />

Seven documentaries and one feature film with<br />

themes relating to indigenous Australians were<br />

scheduled during NAIDOC Week.<br />

Australia Day<br />

Australia Day was marked with two programs<br />

commissioned by SBS Independent: From Korea<br />

with Love, about an Australian family seeking to<br />

adopt a child from South Korea, and Two Thirds<br />

Sky, about Australian painters, both indigenous and<br />

non-indigenous, who have been inspired by<br />

Australia's desert landscape and two locally<br />

produced programs about Australian indigenous<br />

artistic practices.<br />

International Women's Day<br />

International Women's Day was marked with the<br />

documentary First Ladies, in which first ladies from<br />

Europe, Africa and Latin America discuss their roles<br />

as spouses of their countries' leaders.<br />

1 April<br />

Scheduled in the Cutting Edge time slot, Dark Side<br />

of the Moon was a hoax documentary alleging that<br />

the first moon landing never actually happened but<br />

was staged in a studio and filmed by Stanley Kubrick<br />

at the instructions of the US government.<br />

Holocaust Remembrance Day<br />

A number of documentaries were scheduled to coincide<br />

with Holocaust Remembrance Day, including Into the<br />

Arms of Strangers: Stories of the Kindertransport,<br />

Long Shadows: Stories from a Jewish Home, Visitor<br />

from the Living and Zygielbojm's Death.<br />

Anzac Day<br />

Two documentaries were scheduled for Anzac Day: The<br />

Kokoda Trail: More Than Just a War Memorial and<br />

John Simpson Kirkpatrick: The Man with the Donkey.


SPORT<br />

Building on the success of SBS's <strong>2002</strong> World Cup<br />

coverage, which reached a record national audience<br />

of 10.4 million, SBS launched in September its<br />

most ambitious weekly sports program to date:<br />

The World Game.<br />

The six-hour program of soccer games, highlights and<br />

analysis, established a deliberate and unique link with<br />

SBS's soccer website of the same name. The 'look' of<br />

the program utilised a number of creative elements<br />

associated with the highly successful website and,<br />

through cross-promotion, large audiences were<br />

attracted to both mediums. The World Game program<br />

also maintained strong links with SBS's nightly<br />

program, Toyota World Sports. Content, particularly<br />

breaking news stories, often flowed across the<br />

two shows.<br />

Two other pioneering SBS programs launched during<br />

the year involved cycling and American football.<br />

Following the signing of a strategic partnership<br />

between SBS and Cycling Australia, the network<br />

launched Cycling Weekly, an eight-episode series<br />

and the first regular cycling program on Australian<br />

television. NFL Touchdown, another half-hour weekly<br />

series, was produced in SBS's Melbourne offices and<br />

launched prior to SBS's live telecast of the NFL<br />

Superbowl in February.<br />

SPECIALS<br />

TELEVISION | 15<br />

SBS Television's annual broadcast of the Eurovision<br />

Song Contest, this time hosted for SBS by Des<br />

Mangan in Riga, saw a marked increase on the<br />

previous year's audiences.


16 | TELEVISION<br />

SBS INDEPENDENT<br />

In <strong>2002</strong>-<strong>03</strong>, SBS Independent (SBSi) maintained a<br />

dynamic profile in the Australian television and film<br />

industry, providing Australian audiences with high quality<br />

and innovative programs made by some of Australia's<br />

best independent filmmakers.<br />

Since its establishment in 1994, SBSi has<br />

commissioned more than 600 hours of remarkable,<br />

innovative programming. In this financial year, SBSi<br />

commissioned 92.5 hours of documentary, drama<br />

and animation and provided 44.5 hours of similarly<br />

diverse programming for broadcast on SBS<br />

Television. Over its lifetime, SBSi has commissioned<br />

film and television productions that have won more<br />

than 460 national and international awards.<br />

During the year, SBSi pioneered a new production<br />

model that won strong support from filmmakers<br />

and enthusiastic backing from Australian<br />

audiences. Instead of concentrating on single,<br />

'one-off' programs, SBSi turned its attention to the<br />

commissioning of series. A key part of this strategy<br />

involves linking experienced producers with groups<br />

of first-time filmmakers for the production of a<br />

number of four-part documentary series.<br />

SBSi believes these series have far wider audience<br />

appeal and greater potential for overseas sales than<br />

'one-off' programs. The success of these series also<br />

provides Australian producers entrée to international<br />

co-productions. A long-term benefit identified by<br />

filmmakers is the chance for up-and-coming film<br />

directors to receive wide-ranging mentoring by<br />

experienced producers. The SBSI commissioned<br />

Handle With Care, Hard Choices and Red Heart<br />

Hospital are examples of this new initiative.<br />

SBSi actively encourages producers and directors to<br />

multi-task. For example, the program, John Safran vs<br />

God has experienced director Richard Lowenstein as<br />

its Executive Producer, and the award-winning, Making<br />

Venus is produced by director, Tom Zubrycki, for firsttime<br />

director Gary Doust.<br />

In anticipation of changes to SBS's television schedule,<br />

SBSi commissioned 10 dramas, each of 50 minutes<br />

duration, from independent writers and directors.<br />

These dramas, to be broadcast in prime time, will give<br />

exposure to new talent and provide them with a<br />

stepping-stone from short dramas to full-length<br />

features. Other programs, previously scheduled for<br />

broadcast in <strong>2002</strong>-<strong>03</strong>, will be shown in the coming<br />

financial year, including the new strand, Aussie Docs,<br />

featuring 'blue chip' documentaries, many made under<br />

the film accord between SBSi and the Australian Film<br />

Finance Corporation.<br />

During the year, SBSi launched a database for film<br />

and television talent who are from non-English<br />

speaking backgrounds. The resource, which is a<br />

service to producers and writers, helps to promote<br />

Australia's diverse creative resources.<br />

A collaboration between the National Gallery of<br />

Victoria and the Australian Centre for the Moving<br />

Image will in 20<strong>03</strong>-04, produce a series of interstitials<br />

made by high profile visual artists.<br />

In line with its commitment to encourage and promote<br />

independent Australian filmmakers, SBSi regularly<br />

assists producers with sourcing international finance<br />

and sales for their projects by supporting them at film<br />

and television markets, and at venues such as the<br />

Amsterdam Forum and Sunnyside of the Doc at<br />

Marseille.<br />

Indigenous Productions<br />

SBSi continues to enthusiastically support Aboriginal<br />

and Torres Strait Island productions. In <strong>2002</strong>-<strong>03</strong>, a total<br />

of 17.5 hours of indigenous programs were<br />

commissioned and 6.5 hours were transmitted. In<br />

addition, work continued on the development of SBS's<br />

landmark series, First Australian Nations.<br />

The indigenous projects commissioned in <strong>2002</strong>-<strong>03</strong><br />

were: Cold Turkey (50 min.drama); Queen of Hearts<br />

(50 min. drama); Call Me 'Mum' (90 min. telemovie);<br />

Token Kooris: Blackfellas for Hire (6x26 min drama<br />

series); Red Heart Hospital (4x26 min. documentary<br />

series); The Circuit (6xOne hour drama series);<br />

Dramatically Black (6x26 min. drama series).


SBSi/Co-financing<br />

SBSi maintains funding and creative alliances with<br />

all Federal and State film and television agencies in<br />

order to maximise opportunities for Australian<br />

program makers.<br />

Australian Film Finance Corporation /<br />

SBSi Accords<br />

Eleven hours of documentary were made under the<br />

Accord. They were: The Tasty Bust Reunion;<br />

Sandman in Siberia; A Girl, A Horse, a Dream; The<br />

President versus David Hicks; Why Men Pay For It;<br />

Without Prejudice; Fine Line; Gough Whitlam: In His<br />

Own Words; Molly and Mobarak.<br />

Documentaries co-financed by the FFC, SBSi and<br />

other (usually international) financiers were: Selling<br />

Sickness, Dying To Leave, and Helen's War: Portrait<br />

of a Dissident. In addition, features commissioned<br />

by SBSi with further investment by the FFC were:<br />

More Than Scarlet and Illustrated Family Doctor.<br />

Australian Film Commission<br />

SBSi's collaboration with the AFC's Indigenous Unit<br />

resulted in the production of five 10-minute dramas:<br />

Mimi; Black Talk; Turn Around; Flat; and Shit Skin.<br />

Five National Indigenous Documentary Fund films<br />

are in production. SBSi's 'first look' deal with the AFC<br />

resulted in several 50-minute dramas, including Lennie<br />

Cahill Shoots Through and Preservation. In addition,<br />

SBSi and the AFC co-financed three, three-minute<br />

animation pilots – with a view to selecting the best to<br />

inspire a 13-part series in 2004 – and the 26-minute<br />

animation, The Mysterious Geographic Explorations<br />

of Jasper Morello.<br />

Pacific Film and Television Corporation<br />

Production began on the four-part documentary series,<br />

Hard Choices, featuring the landmark Trouble With<br />

George as well as the development of the mini-series,<br />

Triple Zed.<br />

TELEVISION | 17<br />

South Australian Film Corporation<br />

SBSi maintains an active engagement with the South<br />

Australian Film Corporation with a view to commissioning<br />

programs for the forthcoming documentary series,<br />

Inside Australia as well as feature films to be<br />

premiered at the Adelaide International Film Festival.<br />

Screenwest<br />

Along with the new four part series, Hard Choices,<br />

SBSi commissioned the international series Dinosaur<br />

Dealers; oversaw script development of the prime<br />

time series', The Getting of Wisdom and Post Reality;<br />

and jointly financed the half-hour documentary,<br />

Leederville 6007: The Club That Would Not Die,<br />

for the Australia By Numbers series, and Roll, a<br />

50-minute drama.<br />

Film Victoria<br />

Co-financing agreements covered Two Men and<br />

A Baby; Me! Me! Me! and A.H.A.D.; The Mombassa<br />

Manifesto; and the animation, The Mysterious<br />

Geographic Explorations of Jasper Morello.<br />

Screen Tasmania<br />

An increased amount of work was discussed during<br />

the year, and script development of the 50-minute<br />

drama, Cable, continued with a view to production<br />

in early 2004.<br />

NSW Film and Television Office<br />

Two dramas, So Close to Home and Preservation,<br />

as well as the series, Knot At Home, were<br />

co-financed with funds from the NSWFTO.<br />

State Agencies and Showtime<br />

Production was completed of the 50-minute drama,<br />

So Close to Home, which is part of the Friday night<br />

drama strand. Series three of Australia By Numbers<br />

gives filmmakers in all states the opportunity to<br />

document the real world behind the postcode.


18 | TELEVISION<br />

COMMISSIONED PROGRAMS<br />

General Production Fund<br />

Under its General Production Fund, SBSi commissioned 33 hours of Australian documentary.<br />

Documentaries produced under SBSi's Accord with the Australian Film Finance Corporation:<br />

The Tasty Bust Reunion You’ve got to fight for the right to party! In1994, the Victorian police raided a gay nightclub called<br />

The Tasty and strip-searched 463 patrons. This is their story. (52 min.)<br />

Sandman In Siberia Steve 'The Sandman' Abbott takes his mother back to their ancestral home in Siberia to meet his<br />

long lost relatives - or are they? Part documentary, part travelogue, part Beverley Hillbillies! (52 min.)<br />

A Girl, A Horse, A Dream The provocative story of Australia's talented women jockeys and their determination to win against<br />

the odds - in this case the men of Australian racing. (52 min.)<br />

The President versus David Hicks The story of Australian, David Hicks, imprisoned at Guantanamo Bay, Cuba without charges<br />

and awaiting trial by a military court. (52 min.)<br />

Why Men Pay for It Why do men visit brothels? Is it more than libido? (52 min.)<br />

Without Prejudice Real judges, real lawyers and real jurors, allow the audience into the real drama behind the<br />

scenes of a major criminal case. (52 min.)<br />

Fine Line Journalists speak of the ethics and work practices that govern their daily lives and the moral<br />

dilemmas on whether or not to report on some well-known events. (6x26 min. series)<br />

Gough Whitlam - In His Own Words The life and times of one of Australia's most famous prime ministers. (Feature length)<br />

Molly and Mobarak In the town of Young, a love story unfolds in a community beset by good intentions, a racist<br />

history and some newly arrived Afghan asylum seekers. (Feature length)<br />

Documentaries, or documentary series, commissioned by SBSi which involve pre-sale broadcast rights from other<br />

broadcasters, mostly international.<br />

Selling Sickness Is there a connection between the invention of pharmaceuticals and the discovery of new medical<br />

syndromes and conditions for which they might prove effective? (52 min.)<br />

Petra's Journey When a Melbourne couple decide to adopt Petra, a small Croatian girl, they embark on an<br />

emotional roller-coaster that uncovers a tragic past and raises some moral questions. (52 min.)<br />

From the Sky to the Sea The story of the Japanese midget submarine attack on Sydney Harbour in 1942. (52 min.)<br />

Designer Babies The technology exists to allow us to design our own babies and Australian doctors are in the<br />

forefront of the genetics race. But is it a good thing? (52 min.)<br />

Dying to Leave The human cost of international people smuggling and trafficking. (2x52 min.series)<br />

Convicts A history series based on the original letters and diaries of convicts transported to Australia.<br />

(3x52 min. series)<br />

Lilita Does Argentine presidential candidate, Lilita, have what it takes to save her nation from debt<br />

and corruption? (52 min.)<br />

Helen's War: Portrait of a Dissident The life of anti-nuclear campaigner, Dr Helen Caldicott. (52 min.)


TELEVISION | 19<br />

A new SBSi initiative resulted in the following documentary series being financed wholly in Australia.<br />

Hard Choices Stories of some big, life-changing decisions. (Made by new Queensland directors in conjunction<br />

with the PFTC.) (4x26 min. series)<br />

Hard Choices Stories of some big, life-changing decisions. (Made by new Western Australian directors in<br />

conjunction with Screen West.) (4x26 min. series)<br />

Bush Doctor A glimpse of the community of Walgett through the eyes of their doctor, Dr Vlad Matic<br />

(Part 1 of 2x26 min. programs.)<br />

Handle With Care The Newborn and Paediatric Emergency Transport Retrieval Team at work. (4x26 min. series)<br />

Inside Australia Grandpa's Games Did Grandpa really cheat to win his gold medal at the Veteran Olympics and<br />

does it really matter? (26 min.)<br />

The Godfather of Bodies George Tabban is retiring after years of playing godfather to<br />

Melbourne's female body building champions. (26 min.)<br />

Bob Brought the War Home For Bob and his family, the Vietnam War is still raging. (26 min.)<br />

Special Production Fund<br />

Under its Special Production Fund, SBSi commissioned a total of 56.5 hours of programs, including:<br />

Drama (29 hours); Documentary (26.5 hours); and Animation (1 hour).<br />

DRAMAS<br />

Cable Family conflict, Italian style, on a remote Tasmanian fishing island. (50 min.)<br />

Preservation In the dead heart of a taxidermist's shop the spark of love ignites. (50 min.)<br />

So Close to Home A chance encounter between two women on a train provokes a journey into the nature of exile and<br />

belonging. (50 min.)<br />

Cold Turkey Set in Alice Springs, one brother wants to go to Coober Pedy, but the other is determined to stop<br />

him. (52 min.)<br />

Queen of Hearts A young girl in Alice Springs learns about life and the value of family. (52 min.)<br />

DRAMA SERIES<br />

Post Reality The family has allowed a reality TV show into their home and lives and it's about to go to air.<br />

(6x26 min. series)<br />

Triple Zed Life at a radical Brisbane radio station during the time of Premier, Joh Bjelke Petersen.<br />

(6x26 min. series)<br />

Dramatically Black Indigenous drama series in development for production in 2004. (6x26 min. series)<br />

FEATURE FILMS<br />

More Than Scarlet In a winter landscape of rural Australia, an adolescent girl discovers the difference<br />

between sex and love.<br />

Call Me "Mum" One son, three mothers and many truths battle it out on the domestic front.


20 | TELEVISION<br />

DOCUMENTARIES<br />

Trash The story of the man who runs the only Freaky Cult trash video store in Brisbane.<br />

(An Accord documentary co-produced with the PFTC) (26 min.)<br />

The Mombassa Manifesto From Metals to Mambo, aliens to Jesus, the world of Reg Mombassa, artist and rock star<br />

comes to life. (26 min.)<br />

Big All At Once Life as it is for three18 year olds as they leave school and struggle to become instant adults.<br />

(52 min.)<br />

Tales From the Turnbuckle A glimpse into the arcane working class world of a professional wrestler. (52 min.)<br />

Troubled Minds The story of the discovery of Lithium, a drug that changed psychiatry and people's<br />

lives forever. (52min.)<br />

Silent Storm The secret story of nuclear testing in South Australia. (52 min.)<br />

Two Men and a Baby Two gay men buy a baby. A modern morality tale. (52 min.)<br />

DOCUMENTARY SERIES<br />

Knot at Home What causes drama at home and how to survive it. (8x26 min. series)<br />

The Colony Based on the experiences of a sailing ship that arrived in Sydney in1802.<br />

(In development.) (6x52 min. series)<br />

Under One Roof The Chakos Family The Chakos family of San Souci is three generations under one roof. (52 min.)<br />

The Puckeridge Family The Puckeridges of Concorde have five children under 10. (52 min.)<br />

The Kapsalides Family Mum and two daughters take pride in their achievements as a sole<br />

parent household. (52 min.)<br />

Little Siberia Oral and visual history of a Russian Aboriginal family that spans Australia's 20th century.<br />

(3x52 min. series)<br />

The Getting of Wisdom What's happening in Australia's public schools? (4x26 min. series)<br />

Divorce The law and divorce as seen across different cultural groups. (In development.) (6x26 min. series)<br />

Red Heart Hospital Life and death in the world's most remote major hospital. (4x26 min. series)<br />

Inside Australia The Trouble with George A recently separated woman continues to care for a homeless man. (26 min.)<br />

Matthew's Fight for Life A boy's survival as seen through the eyes of his parents and doctor. (26 min.)<br />

Prep for Life A man is shaken by an old TV show's footage of his dead brother. (26 min.)<br />

Over the Fence True stories from the Australian urban battlefield. (4x26 min. series)<br />

COMEDY SERIES<br />

John Safran vs God From Amishism to Zoroastrianism, religious zealot John Safran puts 10 faiths under<br />

the microscope. (10x26 min. series)<br />

ANIMATION<br />

The Mysterious Geographic<br />

Explorations of Jasper Morello A captivating tale of horror and adventure in a strange land. (26 min.)<br />

The Safe House When the lead characters from a real life spy drama move next door, a seven-year-old's life in<br />

never quite the same. (26 min.)


AUDIENCES<br />

REACH<br />

In <strong>2002</strong>, SBS Television was watched by more than<br />

7.7 million Australians each week. In the five major<br />

cities – Sydney, Melbourne, Brisbane, Adelaide and<br />

Perth – the average weekly reach was 5.4 million<br />

viewers. SBS Television's audience share of home<br />

viewing in these cities between 6 p.m. and midnight<br />

was 5.59%.<br />

WEEKLY REACH OF AUDIENCES<br />

TELEVISION | 21<br />

In those areas outside the five mainland capital<br />

cities, SBS Television reached an additional 2.2<br />

million people. These included: regional NSW<br />

(1.1 million); regional Queensland (510,000); regional<br />

Victoria (381,000); and Tasmania (200,000). Other<br />

areas not covered by audience reports, including<br />

Darwin and more than 150 self-help transmitters,<br />

would increase the average weekly SBS Television<br />

audience to more than 7.7 million.<br />

1998 1999 2000 2001 <strong>2002</strong><br />

Total people 000s 000s 000s 000s 000s<br />

FIVE MAJOR CITIES<br />

Sydney 1,305 1,378 1,293 1,796 1,798<br />

Melbourne 1,229 1,291 1,233 1,712 1,586<br />

Brisbane 723 785 756 804 863<br />

Adelaide 442 465 451 501 522<br />

Perth 505 540 517 581 632<br />

CITIES TOTAL 4,204 4,459 4,250 5,394 5,401<br />

REGIONAL AREAS<br />

NSW REGIONAL 874 910 970 1,133 1,148<br />

VICTORIA REGIONAL 189 261 271 351 381<br />

QUEENSLAND REGIONAL 363 360 457 494 510<br />

TASMANIA 194 188 186 2<strong>03</strong> 200<br />

NATIONAL TOTAL 5,824 6,178 6,134 7,575 7,640<br />

Areas for which audience reports are not received, such as<br />

Darwin and those covered by 176 ‘self-help’ transmitter services,<br />

would increase the average weekly SBS audiences to over 7.7<br />

million people.


22 | TELEVISION<br />

DEMOGRAPHICS<br />

People aged 40 years and above continued to be the biggest watchers of SBS Television. It was more popular<br />

among men over 18 years (49%) compared to women over 18 years (41%). The most regular viewers of SBS<br />

Television, both men and women, were aged 55 years and above.<br />

WEEKLY REACH BY KEY DEMOGRAPHICS<br />

Sydney, Melbourne, Brisbane, Adelaide and Perth combined<br />

BY AGE AND SEX Reach 000s Reach %<br />

Children 0 – 4 208,000 25.2<br />

Children 5 –12 348,000 25.2<br />

Teens 13 –17 269,000 29.9<br />

People 18 –39 1,760,000 39.4<br />

People 40+ 2,816,000 49.3<br />

Men 18 –24 259,000 37.5<br />

Men 25 –39 721,000 46.2<br />

Men 40 –54 7<strong>03</strong>,000 49.7<br />

Men 55+ 767,000 57.7<br />

Men 18+ 2,450,000 49.1<br />

Women 18 –24 183,000 27.4<br />

Women 25 –39 597,000 38.5<br />

Women 40 –54 592,000 41.3<br />

Women 55+ 754,000 49.2<br />

Women 18+ 2,126,000 41.0<br />

WEEKLY REACH BY ETHNICITY<br />

Sydney, Melbourne, Brisbane, Adelaide and<br />

Perth combined<br />

60%<br />

50%<br />

40%<br />

30%<br />

20%<br />

10%<br />

Born overseas in a non-English speaking country<br />

Total People<br />

Born in Australia or in an overseas English speaking country<br />

ETHNICITY<br />

Viewing of SBS Television by people born overseas<br />

in a non-English speaking country increased to 55.6%<br />

while slight declines were recorded among viewers<br />

either 'born in Australia' of 'born overseas in an<br />

English-speaking country'.<br />

1993 1994 1995 1996 1997 1998 1999 2000 2001 <strong>2002</strong><br />

55.6%<br />

40.6%<br />

38.1%


Over the past seven years, SBS has commissioned<br />

Quadrant Research to conduct 51 audience surveys<br />

of the viewing and listening patterns of many of the<br />

key language communities in Australia. These included:<br />

1996 - Arabic, Cantonese, Greek, Italian,<br />

Mandarin, Vietnamese<br />

1997 - Arabic, Cantonese, Khmer, Polish, Spanish<br />

1998 - Bosnian, Croatian, Korean, Macedonian,<br />

Maltese, Serbian, Slovenian<br />

1999 - French, German, Indonesian, Persian-Farsi,<br />

Dutch, Portuguese, Russian, Turkish, Ukrainian<br />

2000 - Assyrian, Thai, Bengali, Gujarati, Hindi,<br />

Hungarian, Kannada, Punjabi, Sinhalese,<br />

Tamil, Urdu<br />

2001 - Arabic, Armenian, Greek, Italian, Romanian,<br />

Vietnamese, Laotian, Samoan, Tongan<br />

<strong>2002</strong> - Turkish, Khmer, Cantonese, Mandarin<br />

The latest survey into the SBS viewing habits of the<br />

Turkish, Khmer, Cantonese and Mandarin speaking<br />

communities is analysed below.<br />

INDIVIDUAL LANGUAGE GROUPS<br />

Sydney, Melbourne, Brisbane, Adelaide<br />

and Perth combined<br />

NEWS AND CURRENT AFFAIRS<br />

TELEVISION | 23<br />

Both the nightly SBS World News at 6.30 p.m.<br />

and the weekday World News Tonight at 9.30 p.m.<br />

increased their overall annual audience reach in<br />

<strong>2002</strong>. All three news services were watched by an<br />

(unduplicated) audience during the year of more<br />

than 8.4 million people in the five major cities in<br />

<strong>2002</strong>. The percentage of people reached in these<br />

cities was 64%.<br />

The international current affairs program, Dateline,<br />

reached more than 4.3 million viewers in <strong>2002</strong> - a<br />

24% increase over the previous year. The national<br />

affairs program, Insight, reached 3.9 million over the<br />

year, a 12% increase over 2001.<br />

TURKISH KHMER CANTONESE MANDARIN<br />

% % % %<br />

Viewed SBS TV in the last 7 days 59 57 62 74<br />

Viewed 1– 5 programs in the last 7 days 56 43 55 45<br />

Viewed 6+ programs in the last 7 days 44 56 43 53<br />

Wouldn’t be without/find a lot of value in SBS TV 61 60 60 43<br />

Find some value in SBS TV 33 32 33 52<br />

Role of SBS TV in today’s culturally diverse society<br />

– Very important 56 46 56 61<br />

– Somewhat important 37 49 37 33


24 | TELEVISION<br />

AUDIENCE OPINION SURVEYS<br />

Over the past six years, SBS Television has<br />

commissioned Newspoll to conduct surveys into SBS's<br />

role and performance as a multilingual and multicultural<br />

It is important that SBS be available to provide an alternative to the commercial stations.<br />

Strongly agree 64.7<br />

Somewhat agree 23.8<br />

Total 'agree' 88.5<br />

Somewhat disagree 4.8<br />

Strongly disagree 2.4<br />

Neither/Don't know 4.3<br />

It is important that SBS be available to provide an alternative to ABC Television.<br />

Strongly agree 48.0<br />

Somewhat agree 31.7<br />

Total 'agree' 79.7<br />

Somewhat disagree 8.3<br />

Strongly disagree 5.1<br />

Neither/Don't know 6.9<br />

SBS has types of programs you would not see on other stations.<br />

Agree 87.2<br />

Disagree 2.5<br />

Neither/Don't know 10.3<br />

SBS has better coverage of overseas news than other stations.<br />

Agree 69.5<br />

Disagree 10.0<br />

Neither/Don't know 20.5<br />

SBS plays an important role in today's culturally diverse society.<br />

Very important 45.2<br />

Somewhat important 43.3<br />

Total 'important' 88.5<br />

Not important 6.0<br />

Don't know 5.5<br />

Value of SBS Television<br />

I wouldn't be without SBS 20.1<br />

A lot of value 9.9<br />

A reasonable amount of value 43.5<br />

Find Value in SBS 73.5<br />

Little value 21.4<br />

None/Don't know 5.1<br />

broadcaster. This year, the surveys of people 18 years<br />

of age and over, recorded the most positive responses<br />

ever given in the six categories canvassed.


TOP 50 PROGRAMS <strong>2002</strong><br />

TELEVISION | 25<br />

Programs Total people<br />

000s<br />

1 <strong>2002</strong> FIFA World Cup: Quarter Final – B Soccer 1,027<br />

2 A History of Britain Documentary Series 654<br />

3 World News Tonight News 564<br />

4 Roy Orbison: In Dreams Documentary Series 545<br />

5 Egypt’s Golden Empire Documentary Series 539<br />

6 South Park Comedy Series 532<br />

7 World News News 530<br />

8 Secrets of the Stone Age (Rpt) Documentary Series 507<br />

9 World News Saturday News 500<br />

10 Queen Victoria’s Empire Documentary Series 499<br />

11 World News Sunday News 478<br />

12 Hitler’s Holocaust Documentary Series 477<br />

13 Silent Scream The Cutting Edge 467<br />

14 The Twin Towers: A History As It Happened 463<br />

15 A History of Britain (Rpt) Documentary Series 457<br />

16 The Railwaymen As It Happened 429<br />

17 Passions for the Past (Rpt) Documentary Series 422<br />

18 Secrets of the Dead Documentary Series 418<br />

19 The New Energy Revolution David Suzuki Series 413<br />

20 Hitler’s Women Documentary Series 412<br />

21 Meet the Ancestors (Series 5) Documentary Series 400<br />

22 South Park (Rpt) Comedy Series 396<br />

23 Empires: Napoleon (Rpt) Documentary Series 388<br />

24 Erotic Tales Drama Series 383<br />

24 Phallacies (Rpt) David Suzuki Series 383<br />

26 The Hidden Killer: Portrait of an Epidemic (Rpt) David Suzuki Series 382<br />

27 Conspiracies Documentary Series 381<br />

28 Gough Whitlam: In His Own Words Documentary 379<br />

29 Life Support Comedy Series 378<br />

30 The World Cup Show Soccer 372<br />

31 Stonehenge (Rpt) Documentary Series 369<br />

32 Eurovision Song Contest Special 367<br />

33 The Unknown Peter Sellers Masterpiece 366<br />

34 Saddam Hussein: The Master of Baghdad As It Happened 363<br />

35 “Me, My Brain and I” David Suzuki Series 362<br />

36 Orgazmo (Rpt) Monday Movie 357<br />

37 John Safran’s Musical Jamboree Comedy Series 354<br />

38 Scandinavia’s Porn Revolution: Letting (Rpt) Documentary 350<br />

38 The Celts (Rpt) Documentary Series 350<br />

40 Crank Yankers Comedy Series 348<br />

40 Ancient Apocalypse Documentary Series 348<br />

42 Atlantis Uncovered (Rpt) As It Happened 343<br />

43 American Porn The Cutting Edge 342<br />

44 Martin Luther Documentary Series 341<br />

44 Neanderthal (Rpt) Drama Series 341<br />

46 Inspector Rex Drama Series 340<br />

47 The Mystery of the Tomb of Jesus As It Happened 336<br />

48 Chet Atkins: A Life in Music Documentary Series 334<br />

49 Movie Show Movie Show 333<br />

50 Florence Nightingale: Iron Maiden As It Happened 332


26 | TELEVISION<br />

AUDIENCE FEEDBACK<br />

SBS Television Programming branch responded to<br />

280 letters, comprising: 22 compliments; 60 requests<br />

for repeat transmissions; 30 programming suggestions<br />

or requests for programs with particular content; 27<br />

requests for further information about programs or<br />

about scheduling; 29 requests to acquire copies of<br />

programs; 106 comments critical of SBS programs;<br />

and six that were passed to other branches.<br />

A total of 1,386 letters was received by SBS Public<br />

Relations in <strong>2002</strong>-<strong>03</strong>. Of these: 560 were requests for<br />

information about various SBS programs, including<br />

the availability of video copies; 62 requested the<br />

repeat of a documentary, film or series; 160 were<br />

complimentary about SBS programming; 232 made<br />

general comments about SBS programming or the<br />

Corporation in general; 174 were comments critical of<br />

SBS programs or other aspects of SBS; and another<br />

198 were of a miscellaneous nature.<br />

More than 1,000 'viewer enquiry forms' – supplied by<br />

SBS and designed to streamline common viewer<br />

requests – were returned to SBS and answered by the<br />

SBS Public Relations Unit.<br />

The SBS switchboards remain a major source of<br />

feedback about programming, as well as a means of<br />

providing callers with information. Telephone<br />

comments from members of the public about<br />

programming continue to be distributed to SBS staff<br />

and management. Comments received via the SBS<br />

website are similarly distributed throughout the<br />

organisation.<br />

TELEVISION TRANSMISSION<br />

In <strong>2002</strong>-<strong>03</strong>, SBS Television transmitted its programs<br />

throughout Australia via:<br />

211 terrestrial transmitters that deliver its analogue<br />

service through contracts with four service providers,<br />

Broadcast Australia, Broadcast Engineering Services,<br />

Imparja, and Watson's Technical Services;<br />

more than 150 self-help transmitters owned and<br />

operated by local communities in mostly remote<br />

regions of Australia;<br />

twenty-seven digital terrestrial services which<br />

covered all capital cities and many regional centres,<br />

reaching an estimated 75% of the national<br />

population; and<br />

re-transmission services via the cable subscription<br />

services of Optus Vision and Foxtel and the satellite<br />

services of Austar Pay TV.<br />

Analogue transmission<br />

Additional Government funding has been provided<br />

to extend SBS coverage to areas with populations of<br />

5,000 or more. The first of these began service during<br />

the year and the remaining 20 are expected to begin<br />

during the 20<strong>03</strong>-04 financial year. Two of these services<br />

will be operated by a new transmission service<br />

provider, Watson's Technical Services. This will bring<br />

the total number of SBS analogue TV transmitters to 231.<br />

Self-help transmitters<br />

The Federal Government's Black Spot Program is<br />

providing funding for local communities to install selfhelp<br />

transmitter services in locations with poor<br />

reception. Of the sites identified, 234 have been<br />

licensed to commence SBS services with many<br />

already on air. When completed, the network of selfhelp<br />

transmitters will number almost 400.


The Self-Help Subsidy Scheme, funded by the<br />

Federal Government and administered by SBS,<br />

provides eligible self-help community groups or local<br />

government instrumentalities with 50% of their startup<br />

capital costs for transmitter installations. Two<br />

booklets, Self-Help Guide and Self-Help Subsidy<br />

Guidelines are available from SBS Transmission<br />

Services. In addition, PDF and HTML version are<br />

available on the SBS website.<br />

Digital transmission<br />

SBS's digital service, which began in January 2001,<br />

has continued to expand beyond the state and<br />

territory capitals. During the year, new services were<br />

launched in the Gold Coast, Currumbin, Illawarra,<br />

Wollongong, Bouddi, Gosford, Kings Cross, Kotara,<br />

Manly/Mosman, Merewether, Wyong, Stanwell Park,<br />

Gympie, Gympie Town, Noosa/Tewantin, Sunshine<br />

Coast, Ballarat and Western Victoria.<br />

By year's end, 27 digital transmitters were on air and<br />

a further 53 are in the design and construction<br />

phase. Plans are well advanced for the connection of<br />

Darwin's digital transmitter to Telstra's digital video<br />

network. This will provide Darwin, which currently<br />

receives a single standard definition digital channel,<br />

with the full suite of SBS digital services.<br />

In June 20<strong>03</strong>, SBS commenced the satellite<br />

distribution of digital services to the eastern states<br />

with South Australia and Western Australia scheduled<br />

thereafter. This will enable transmitter installation in<br />

more remote locations.<br />

SBS satellite services<br />

SBS continues to provide direct-to-home television<br />

and radio services through the Optus C1 satellite<br />

that has replaced its B3 satellite. One SBS service is<br />

also available to viewers of the Austar pay TV service<br />

and SBS is negotiating with Foxtel for the provision<br />

of SBS Television to Foxtel satellite subscribers. In<br />

addition, the SBS Western Australia service is<br />

available on the PanAmSat PAS 2 satellite.<br />

TELEVISION | 27<br />

Digital Capital Planning<br />

<strong>2002</strong>-<strong>03</strong> was the final year of SBS's five-year Phase<br />

One Digital Capital Plan. This plan provided for $22.7<br />

million over five years to convert SBS's standard<br />

definition television and radio studio equipment from<br />

analogue to digital technology. Of this amount, SBS<br />

contributed $5 million and the Government $17.7<br />

million.<br />

Expenditure in <strong>2002</strong>-<strong>03</strong> amounted to $8.24 million,<br />

comprising $3.19 million for television, $0.91 million<br />

for radio and $4.<strong>03</strong> million for the construction of<br />

digital broadcasting facilities in Federation Square,<br />

Melbourne.<br />

The <strong>2002</strong>-<strong>03</strong> financial year was the third year of<br />

SBS's Phase 2 Digital Television Strategy Plan. This<br />

plan covers the estimated expenditure requirements<br />

to convert SBS's transmission network, and related<br />

studio and distribution systems, from analogue to<br />

digital technology. The Phase 2 plan is scheduled to<br />

run for nine or more years.<br />

Phase 2 digital expenditure in <strong>2002</strong>-<strong>03</strong> was $16.91<br />

million, comprising $2.74 million of capital expenditure<br />

and $14.17 million in recurrent expenditure. The<br />

capital expenditure covered equipment requirements<br />

to enable the simultaneous play out of one high<br />

definition, three standard definition and two radio<br />

channels to seven geographical zones. Other upgrades<br />

and new facilities included: a number of camera<br />

upgrades to wide-screen capability; new non-linear<br />

editing booths; a rebuilt audio sweetening postproduction<br />

suite; a live broadcast-capable studio<br />

inside the newsroom; a high definition and multichannel<br />

playout centre; and an all digital television<br />

facility at SBS's new Melbourne premises at<br />

Federation Square.


28 | TELEVISION<br />

Miriam Corowa is one of three<br />

young people undertaking a oneyear<br />

journalism trainee course at<br />

SBS News and Current Affairs.<br />

On the phone, discussing the day’s<br />

line up, Chief Producer, David Foale<br />

coordinates news input and allocates<br />

stories to World News producers.<br />

Chief of Staff, Gordon Westcott, who’s<br />

responsible for national coverage, assigns<br />

a story to trainee, Miriam Corowa, for<br />

inclusion in SBS World News.


SBS TELEVISION NEWS<br />

AND CURRENT AFFAIRS<br />

Over the years, the flagship news programs, the nightly<br />

SBS World News at 6.30 p.m. and the weekday World<br />

News Tonight at 9.30 p.m. have secured SBS's<br />

reputation as the pre-eminent international news service<br />

on Australian free-to-air television. No other network<br />

provides such breadth of coverage and depth of<br />

analysis of world events.<br />

The bulletins summarise and analyse the breaking<br />

stories of the day. The daily agenda is determined by<br />

the SBS editorial philosophy to report the news most<br />

likely to have an impact on Australians and to provide<br />

an Australian context. Events in our region, stories that<br />

affect international security, developments that influence<br />

relations between countries, advances in science or<br />

medicine, and just plain interesting stories are some<br />

of the ingredients in the World News bulletins.<br />

SBS accesses more international news sources than<br />

any other Australian network. APTN, Reuters, ABC<br />

America, the BBC, AFP, AAP and daily satellite feeds<br />

from major broadcasters in Europe, the Middle East<br />

and Asia provide a formidable range of information<br />

and images. Every day, SBS records more than 50<br />

hours of satellite feeds to distil into the most succinct<br />

and powerful pictures to include in SBS World News<br />

and World News Tonight.<br />

The international coverage is supplemented with<br />

reports from our region by SBS journalists assigned to<br />

cover significant events, and the reporting of the three<br />

or four major news stories in Australia each day. The<br />

journalists who produce SBS World News and World<br />

News Tonight are among the most experienced in<br />

Australian media, and each bulletin that goes to air is<br />

CONTINUES...<br />

TELEVISION | 29<br />

09:27<br />

09:45 09:50 10:05 10:38


30 | TELEVISION<br />

the sum total of many parts: camera crews, tape<br />

editors, graphic designers, studio crews, make-up<br />

and presentation staff. Behind the scenes, for their<br />

advice and expertise, are lawyers and publicists.<br />

Supplementing the World News bulletins, and often<br />

providing exclusive vision, is the daily seven-hour<br />

news omnibus program, WorldWatch. Beginning at<br />

5.30 a.m. each day, a cavalcade of international news<br />

bulletins is broadcast.<br />

WorldWatch began in August 1993 with daily news<br />

bulletins from China, France, Germany and Russia.<br />

In <strong>2002</strong>-<strong>03</strong>, the WorldWatch schedule included 20<br />

different news services in 16 languages from 17<br />

countries. Daily satellite feeds are received from CCTV<br />

China, France 2, DW Germany, ERT Greece, ATV<br />

Hong Kong, TVRI Indonesia, RAI Italy, NHK Japan,<br />

NBN Philippines, NTV Russia, TVE Spain and PBS of<br />

the USA. In addition, five news review programs are<br />

airfreighted to SBS each week from TVN Chile, DTV<br />

Hungary, PBS Malta, Polsat Poland and MIST<br />

Ukraine. The programs – totalling more than 50 hours<br />

each week – are shown in the language of origin,<br />

unedited.<br />

In June <strong>2002</strong>, SBS's digital service, the World News<br />

Channel, began broadcasts. Based on the<br />

WorldWatch service, the World News Channel<br />

repeats some bulletins at different times of the day<br />

and offers new, updated bulletins from several<br />

countries. The World News Channel is on air 19<br />

hours each day with 29 news bulletins, delivering<br />

130 hours of news per week.<br />

Comprehensive analysis of major international news<br />

stories is provided each week by SBS's current affairs<br />

program, Dateline. The multiple award-winning<br />

program, which began in 1984, is Australia's longestrunning<br />

international current affairs program. It has a<br />

well-earned reputation for exclusive behind-the-scenes<br />

reportage and analysis of international events and<br />

their possible impact on Australia.<br />

SBS's other current affairs program, Insight,<br />

concentrates on investigating matters of national<br />

interest – political, economic, social and business. It<br />

too is a multi award-winning program with a particular<br />

interest in issues concerning multicultural Australia.<br />

Both Dateline and Insight are exponents of video<br />

journalism, the practice of one television journalist<br />

researching, reporting, filming with a small digital<br />

camera, and sometimes even editing a single story.<br />

This is counter to the usual practice of a reporter<br />

assisted in the field by a camera person, audio<br />

operator and, sometimes, a field producer.<br />

Video journalism brings to each story an intimacy not<br />

possible with multiple person crews because a video<br />

journalist, operating alone, can more easily and<br />

unobtrusively access locations and often stands a<br />

better chance of gaining the interviewee's confidence.<br />

First pioneered by Dateline, and subsequently<br />

adopted by Insight, video journalism has garnered<br />

increased audiences for both programs and many of<br />

the stories have won major national and international<br />

awards.


OVERVIEW<br />

RADIO | 31<br />

RADIO<br />

SBS Radio this year revised its broadcast schedule to meet changing community needs<br />

and audience demands. Extended broadcast hours were given to youth programming;<br />

a revamped World View program now concentrates on multicultural features; all 68<br />

language programs are streamed over the SBS website; a record 85 outside<br />

broadcasts were conducted nationwide; and the comprehensive news, features, music<br />

and information format remains the focus of each and every broadcaster.


32 | RADIO<br />

PROGRAMS<br />

SBS Radio is the world's most linguistically diverse<br />

broadcaster, transmitting more than 15,000 hours<br />

of individual programs each year in 68 languages,<br />

including English. Each week, professional<br />

broadcaster/journalists and other staff in SBS’s Sydney<br />

and Melbourne production centres make more than<br />

650 hours of Australian programming, including<br />

news and current affairs, interviews, talkback,<br />

community information, sport and music. Each day,<br />

SBS Radio broadcasts 36 unique news bulletins<br />

containing local, national and international news.<br />

Since its inception in 1975, as 2EA in Sydney and 3EA<br />

in Melbourne, SBS Radio has been a powerful tool in<br />

meeting the settlement, information and communications<br />

needs of Australians of non-English-speaking<br />

backgrounds. Increasingly, as society has become<br />

more complex and those needs have become more<br />

complicated, SBS Radio has developed a wider range<br />

of programming content and formats to its listening<br />

communities across Australia. As the composition of<br />

Australia's multicultural society changes, so too must<br />

SBS Radio's schedules. New, revised schedules to be<br />

implemented from July 20<strong>03</strong>, better reflect<br />

contemporary needs following extensive rescheduling<br />

consultations with communities during the year.<br />

These new schedules retain the hour-by-hour format<br />

that has been used since the last major schedule<br />

changes in 1994. Different languages are heard<br />

every hour on two frequencies in Sydney and<br />

Melbourne and on one frequency in the other major<br />

cities of Australia. Programs are based on language<br />

and not ethnicity. The major language programs are<br />

broadcast twice daily, seven days a week, while<br />

some smaller language groups broadcast only one<br />

hour a week.<br />

As well as reporting on Australian and world issues,<br />

all programs deliver information of specific interest to<br />

their language community – often through talkback,<br />

experts, panel discussions and street vox pops – and<br />

occasionally raise contentious community issues in<br />

order to engage listeners in an objective and fair<br />

manner. News stories and interviews provide<br />

background information, personal experiences and<br />

analysis of the events and issues, affecting their<br />

communities and shaping Australia.


National and International News<br />

SBS Radio on-air staff combine the skills of both<br />

broadcaster and journalist, supported by journalists<br />

in the National Radio Newsroom and by state<br />

corespondents in Canberra, Adelaide and Perth.<br />

During the year, the National Newsroom alone<br />

produced approximately 20,000 individual news stories<br />

and each month provided an average of 45 radio<br />

features to the program producers. These were in<br />

addition to the hundreds of segments produced by the<br />

language group broadcaster/journalists themselves.<br />

The World View program – broadcast twice daily –<br />

carried more than 1,800 features during the year.<br />

Of these, over 550 concerned the Middle East,<br />

mostly Iraq; the 'war on terrorism'; asylum seekers;<br />

the Israeli–Palestinian peace process; and national<br />

security issues. Another 50 stories covered the<br />

aftermath of the Bali bombings; 36 looked at the<br />

Sudden Acute Respiratory Syndrome (SARS); 24<br />

dealt with North Korea; 23 ranged across<br />

environmental issues; and 20 each about separatist<br />

fighting in the Indonesian province of Aceh and<br />

Australia's prolonged drought.<br />

The biggest news story of the year was the war in<br />

Iraq and none posed greater technical and logistic<br />

challenges in coverage. The distances and time<br />

zones involved and the need to rely on a variety of<br />

information sources posed their own unique<br />

problems. As soon as the fighting began, SBS<br />

Radio began a 24-hour-a-day, seven-days-a-week<br />

operation in both Sydney and Melbourne, and<br />

continued this until one week after the fall of Baghdad.<br />

RADIO | 33<br />

The Prime Minister's Address to the Nation on the<br />

Iraq war was broadcast live in the Arabic language<br />

program and Opposition Leader Simon Crean's reply<br />

was broadcast live in the Yiddish language program.<br />

The National Newsroom worked a 24-hour roster and<br />

used special link facilities to go 'live' to air with<br />

breaking news stories. In order to provide the most<br />

comprehensive service possible, extra programs<br />

were introduced. The Arabic language program<br />

produced five additional hours per week at 6.00 a.m.<br />

Monday to Friday, while the Assyrian, Turkish and<br />

Kurdish programs each produced one additional<br />

hour per week. The Radio Resource Centres<br />

provided a comprehensive list of useful web site<br />

links to assist broadcasters with their coverage and<br />

established an extensive reference collection.<br />

As well as the crisis in the Middle East, SBS Radio<br />

brought facts, detail and insight to other big events<br />

and issues facing multilingual, multicultural Australia<br />

during the year. These included the Bali bombings<br />

and their implications, where a number of experts in<br />

Australia and abroad were interviewed; the Canberra<br />

bushfires, with many interviews conducted in the<br />

language of selected fire victims; the outbreak<br />

of the SARS virus and the Victorian and NSW State<br />

Elections. In the latter, government and opposition<br />

leaders were invited to news conferences at SBS<br />

Radio to be cross-examined on their policies.<br />

SBS Radio continued to provide comprehensive<br />

and balanced coverage of a variety of other issues,<br />

including asylum seekers, anti-war rallies in Australia<br />

and abroad, detention centres, taxation, ageing,<br />

housing, health and education.


34 | RADIO<br />

Youth programming<br />

SBS Radio's youth program, Alchemy, broadcasts<br />

every evening on the FM frequencies in Sydney<br />

and Melbourne and on the National Radio Network.<br />

During the year, it further diversified its content<br />

by establishing separate programming concepts<br />

for each night. The new line-up includes Alchemy<br />

International, a music-talk program broadcast on<br />

Tuesday nights in which an international team of<br />

young broadcasters explores new music from<br />

around the globe and provides first-hand insights<br />

into the cultural environments in which the music<br />

was created. Each Wednesday, Alchemy Untitled,<br />

exposes non-traditional art forms and the work of<br />

young artists.<br />

In November, Alchemy began broadcasting<br />

overnight on Fridays and Saturdays, extending its<br />

potential to reach wider audiences. The Friday night<br />

shows feature music from around the world and<br />

interviews with international acts, while the Saturday<br />

night show is an up-beat music program featuring<br />

Australia's finest 'turntablists'.<br />

In <strong>2002</strong>-<strong>03</strong>, Alchemy featured a variety of stories that<br />

challenged common perceptions and offered different<br />

perspectives. These included: the civil war in Aceh<br />

through the eyes and music of an Indonesian punk<br />

artist; a behaviour modification centre in Jamaica for<br />

rampaging rich kids from the US; the repellent<br />

qualities on young people of classical music played at<br />

train stations; and lomography, an underground trend<br />

in photography, which is redefining the meaning of<br />

photographic art.<br />

A major initiative was Alchemy's partnership with the<br />

national youth festival NOISE and the joint presentation<br />

of Sonic Allsorts, a competition that profiled young<br />

creative artists who produce modern music in<br />

languages other than English.<br />

Alchemy joined the Womadelaide Festival,<br />

presenting WoZone, an event that explored the<br />

hybrid forms of modern world music. WoZone was<br />

simulcast nationally on Alchemy. The young<br />

broadcasters presented Alchemy live during outside<br />

broadcasts at Sydney's Royal Easter Show and also<br />

at Melbourne's Fringe Festival. Also in Melbourne, in<br />

cooperation with the Australian Centre for the Moving<br />

Image, Alchemy organized Skylab, transforming the<br />

Federation Square Plaza into a digital world of live<br />

cinema and music.<br />

Youth forums, held in SBS Radio's Sydney and<br />

Melbourne production centres, were attended by<br />

60 young broadcasters who received special training<br />

for the production of regular segments for Alchemy.<br />

Sport<br />

Major sporting events were covered during the year,<br />

including the Commonwealth Games in Manchester,<br />

Wimbledon, the Australian Open Tennis, the Australian<br />

Grand Prix, the French Rugby team's Australian tour<br />

and the Cricket World Cup matches in Zimbabwe.


RADIO ONLINE<br />

All SBS Radio broadcasts can now be heard over the<br />

Internet throughout the world. A joint effort between<br />

New Media and Radio developed a system for the<br />

computerised capture and storage of SBS Radio<br />

programs for later listening on the web, using Real<br />

Audio technology.<br />

By the end of February, the Streaming Radio project<br />

had captured all 68 SBS Radio languages in 72<br />

program streams with 230 program refreshes per<br />

week. Each program is stored for replay until<br />

replaced by the next edition of the program. In the<br />

case of twice-daily programs, both programs are<br />

stored until superseded.<br />

As well as the automatic replay of Radio programs<br />

over the Internet, individual features and segments<br />

are made available on the SBS website for longer<br />

periods. Broadcasters load approximately 1,000<br />

items per month.<br />

RADIOATHONS<br />

SBS Radio continued its fundraising with a number<br />

of successful radioathons. More than 25 language<br />

groups participated in radioathons and associated<br />

fundraising and secured pledges of more than<br />

$275,000 for community projects in Cambodia,<br />

road building in Armenia, relief work in Iraq, cataract<br />

treatment in Vietnam, cultural maintenance in Croatia,<br />

flood relief in Sri Lanka and funding support to the<br />

Refugee Council of Australia. Over the past six years,<br />

SBS Radio has helped to raise almost $5.5 million for<br />

a range of community development projects and<br />

disaster relief work in Australia and overseas.<br />

OUTSIDE BROADCASTING<br />

RADIO | 35<br />

During <strong>2002</strong>-<strong>03</strong>, SBS Radio staged 85 outside<br />

broadcasts around Australia. As well as using the<br />

two outside broadcast units based in Sydney and<br />

Melbourne, SBS Radio participated in a number of<br />

festivals and celebrations interstate, including the<br />

Royal Hobart Show, 'Queensland Week' celebrations<br />

in Brisbane and the Adelaide Festival. A team from<br />

Sydney also travelled to Young for the annual Cherry<br />

Festival to promote SBS Radio in the region and to<br />

discuss further expansion of the radio signal via the<br />

self-help scheme.


36 | RADIO<br />

SBS Radio Outside Broadcasts<br />

JULY<br />

Why Learn German?' forum, LaTrobe University, Melbourne<br />

AUGUST<br />

India Fair, Fairfield Showgrounds, Sydney<br />

China/Australia Day, Darling Harbour, Sydney<br />

Uruguayan Festival, Fairfield Showgrounds, Sydney<br />

Polish Festival, Bankstown, Sydney<br />

'Why Learn Korean, Indonesian and Chinese Languages?'<br />

forum, LaTrobe University, Melbourne<br />

Why Learn Japanese? forum, LaTrobe University, Melbourne<br />

SEPTEMBER<br />

'Why Learn Greek?' forum, LaTrobe University, Melbourne<br />

Brazilian Festival, Darling Harbour, Sydney<br />

Multicultural Children's Festival, Bankstown, Sydney<br />

Eurofest, Frenchs Forest, Sydney<br />

Viva La Gong, Wollongong, NSW<br />

Lebanese Day Celebrations, Darling Harbour, Sydney<br />

Multicultural Festival, Auburn, Sydney<br />

Melbourne Fringe Festival, Fitzroy, Melbourne<br />

Moon Lantern Festival, North Richmond, Melbourne<br />

Royal Melbourne Show, Melbourne Showgrounds, Melbourne<br />

OCTOBER<br />

Khmer Ancestor Festival, at Khemaraingsaram Temple, Bonnyrigg, Sydney<br />

Filipino Fiesta, Bankstown Paceway, Sydney<br />

Enthronement of Bishop, Arabic Coptic Church, Sydney<br />

Refugees' Week, Blacktown, Sydney<br />

Royal Hobart Show, Glenorchy, Hobart<br />

Hobart City Mall, Hobart<br />

Salamanca Markets, Hobart<br />

Turkish Australia Day, Broadmeadows, Melbourne<br />

Oktoberfest, Melbourne Showgrounds, Melbourne<br />

Sovereign Hill Rush for Gold Festival, Ballarat, Victoria<br />

Lygon Street Festival, Carlton, Melbourne<br />

Melbourne International Festival, Southbank, Melbourne<br />

NOVEMBER<br />

Fisher's Ghost, Campbelltown, NSW<br />

Boorowa Street Shopping Centre, Young, NSW<br />

Cherry Festival Fair, Carrington Park, Young, NSW<br />

Wangaratta Jazz Festival, Wangaratta, Victoria<br />

Port Philip Community Festival, East St Kilda, Melbourne<br />

Australian Thai Festival, Prahran, Victoria<br />

Beechworth Celtic Festival, Beechworth, Victoria<br />

Hispanic Fiesta, Fitzroy, Victoria<br />

Big West Festival - People's Day, Maribyrnong River, Victoria<br />

Sacred Kingfisher Festival, CERES Community Environment Park, Victoria<br />

DECEMBER<br />

Commemoration marking the 70th anniversary of the famine in Ukraine, Canberra<br />

FECCA Conference, Canberra<br />

French Language School, Telopea, Canberra<br />

City Walk, Canberra<br />

DECEMBER CONT...<br />

Sakyamuni Buddhist Temple, Canberra<br />

Vietnamese Language School, Canberra<br />

Filipino Musical Competition, Parramatta, NSW<br />

Monsalvat National Poets Festival, Eltham, Victoria<br />

Philippine Fiesta, Laverton, Victoria<br />

Scandinavian Christmas Bazaar, Swedish Church, Toorak, Melbourne<br />

JANUARY<br />

Epiphany Festival, La Perouse, Sydney<br />

Chinese New Year, Chinatown, Sydney<br />

Australia Day Celebrations, Tumbalong Park, Darling Harbour, Sydney<br />

Tamil Festival, Pendle Hill, Sydney<br />

Vietnamese New Year Tet Festival, Buddhist Phuoc Hue Temple,<br />

Wetherill Park, Sydney<br />

Lunar New Year, Richmond, Melbourne<br />

Vietnamese New Year Tet Festival, Docklands, Melbourne<br />

Australia Day, Federation Square, Melbourne<br />

Chinese New Year Festival and Flower Show, Box Hill, Melbourne<br />

FEBRUARY<br />

Vietnamese New Year, Warwick Farm, Sydney<br />

Canberra Multicultural Festival, Citywalk, Canberra<br />

Chinatown New Year Celebrations, Little Bourke Street, Melbourne<br />

Sustainable Living Festival, Federation Square, Melbourne<br />

Armenian Festival, Darling Harbour, Sydney<br />

MARCH<br />

Little Portugal Festival, Petersham, Sydney<br />

Indo-Fijian Street Festival, Liverpool, Sydney<br />

Greek Glendi Festival, Brighton Le Sands, Sydney<br />

Indonesian Festival, Darling Harbour, Sydney<br />

Womadelaide, Adelaide<br />

'In One Voice' Jewish Festival, Caulfield Park, Melbourne<br />

Federation Square Relocation, Federation Square, Melbourne<br />

Glendi Festival, Lonsdale Street, Melbourne<br />

Melbourne Food and Wine Festival, Federation Square, Melbourne<br />

APRIL<br />

Bengali Festival, Burwood, Sydney<br />

Royal Easter Show, Homebush, Sydney<br />

MAY<br />

Chestnut Festival, Marconi Club, Sydney<br />

Buddha's Birthday, Chinese Gardens, Darling Harbour, Sydney<br />

Portuguese Province Festival, Marrickville, Sydney<br />

JUNE<br />

Italian National Day, Circular Quay, Sydney<br />

Spanish Centre, Brisbane<br />

Queen Street Mall, Brisbane<br />

Italian Ball, Hilton Hotel, Brisbane<br />

Queensland Day Celebrations, Parliament House, Brisbane<br />

South Bank, Brisbane<br />

Japan Day, Box Hill, Melbourne


RESCHEDULING<br />

AND PROGRAM DEVELOPMENT<br />

By year’s end, SBS Radio was poised to launch its<br />

new program schedule, the first major re-allocation<br />

since 1994. Based on the 2001 National Population<br />

and Housing Census, the new schedule will introduce<br />

one-hour programs for Malay, Somali, Amharic and<br />

Nepalese speakers. All four communities had grown<br />

significantly and had serious information and<br />

education needs.<br />

SBS Radio was forced to cease broadcasting four<br />

other languages – Irish Gaelic, Scottish Gaelic, Welsh<br />

and Belarusian – where the numbers of speakers in<br />

Australia were now few and their information and<br />

education needs less acute.<br />

The changes followed one of the most extensive<br />

consultations ever undertaken by an Australian media<br />

organisation with its listening communities. The<br />

project team met more than 1,000 representatives<br />

from community organisations, umbrella bodies,<br />

service agencies and political leaders nationwide.<br />

The SBS Chairman, Carla Zampatti, the Managing<br />

Director, Nigel Milan, and other Board directors joined<br />

some of the consultations that were organised in all<br />

the state and territory capitals in partnership with the<br />

relevant ethnic or multicultural councils.<br />

The new schedules correct some inequities by giving<br />

one additional hour each to the Cantonese, Mandarin,<br />

Hindi, Filipino and Arabic (Melbourne-only) language<br />

communities. But because SBS Radio had no<br />

additional airtime to accommodate increased hours<br />

for these rapidly growing communities, Maltese,<br />

Portuguese, Yiddish, Turkish (Melbourne-only) and<br />

Hebrew were reduced by one hour each. Finnish lost<br />

one of its two national programs.<br />

RADIO | 37<br />

In order to keep abreast of audience demands, SBS<br />

Radio commenced a major review of programs to its<br />

largest listening communities with a view to revitalising<br />

program formats.<br />

Programming support, provided by the Radio<br />

Resource Centres in Sydney and Melbourne, included<br />

comprehensive lists of Internet websites as well as<br />

music, books, magazines and other multimedia<br />

materials. Between them, the two centres loan<br />

approximately 50,000 items each year.<br />

AUDIENCE RESEARCH<br />

By year’s end, SBS Radio was awaiting the results<br />

of the next round of audience polls of its listening<br />

communities; the first re-surveys in German, Spanish,<br />

Maltese, Polish and Korean.<br />

Since 1996, SBS Radio has commissioned McNair<br />

Research, formerly Quadrant Research, to conduct 51<br />

telephone surveys, involving 20,000 people. The<br />

surveys are probably the most intensive and extensive<br />

independent listening surveys conducted by any<br />

broadcaster in Australia. They are conducted in<br />

languages other than English with those households<br />

where the languages under review are spoken. In<br />

2001-02, SBS commenced re-surveying the major<br />

language communities, enabling SBS to monitor the<br />

effectiveness of improvements made to individual<br />

programs.<br />

Through its outside broadcasts, listener talkback<br />

programs, and telephoned comments, SBS Radio<br />

gains many valuable insights into the effectiveness<br />

and relevance of its programs.


38 | RADIO<br />

SPECIAL SERVICES<br />

During the year, SBS Radio continued to provide<br />

in-language community announcements and editorial<br />

segments to promote the services of health and<br />

disability agencies.<br />

SBS Radio produces for broadcast the Homereach<br />

multilingual information service segments that provide<br />

key information to housebound people and their<br />

carers. A special Homereach steering committee<br />

consisting of relevant government and nongovernment<br />

service providers select the content and<br />

the target languages for the series. In <strong>2002</strong>-<strong>03</strong>, the<br />

Homereach series targeted 10 languages – Turkish,<br />

Mandarin, Cantonese, Polish, Tongan, Arabic, Punjabi,<br />

Indonesian, Italian and Maltese.<br />

SBS Radio was also commissioned by the<br />

Transcultural Mental Health Centre of NSW to produce<br />

a series of information segments in nine languages –<br />

Arabic, Cantonese, Mandarin, Vietnamese, Spanish,<br />

Turkish, Hindi, Persian and Filipino. The series aired on<br />

SBS Radio between November and December <strong>2002</strong>.<br />

NEW TECHNOLOGY<br />

The biggest technological task for SBS Radio<br />

was building new studios and associated technical<br />

facilities at Federation Square. The new station<br />

has access to four satellite dishes to receive news<br />

broadcasts from overseas. The satellite dishes receive<br />

signals from Optus B3, AsiaSat 2, Thaicom and<br />

PanAmSat 2. Plans were finalised for a microwave link<br />

to send program signals from the studios directly to<br />

the FM transmitter site on Mount Dandenong.<br />

The studios and teledubbing booths in Melbourne<br />

have been installed with digital mixers and audio<br />

recording, storing, editing and play-out are all done<br />

digitally. A new digital switcher had been installed<br />

to route output from the studios to the AM and<br />

FM transmitters. The Sydney Station is now being<br />

similarly equipped.<br />

The operating system for the Netia digital audio server<br />

was upgraded, and both the database software and<br />

storage capacities of the servers expanded. Automatic<br />

satellite broadcast recording into the Netia system is<br />

being installed to record overnight feeds, and tests<br />

have begun on a remote automatic dial-in recording<br />

system which allows journalists to dial in and record<br />

reports directly into the Netia system. In addition. new<br />

telephone talkback systems using ISDN were installed<br />

in both production centres.


RADIO TRANSMISSION<br />

SBS directly operates 13 radio transmitters through<br />

contracts with Broadcast Australia. The five-signal<br />

network includes AM and FM services in Sydney and<br />

Melbourne and the national signal services every state<br />

and territory capital as well as several regional<br />

centres. Self-help transmitters bring SBS Radio to<br />

Young, Wagga Wagga and Bathurst.<br />

AWARDS<br />

SBS Radio’s first Walkley Award, which won the Best<br />

Radio Feature Documentary or Broadcast Special<br />

award, was presented to the Arabic language<br />

program’s Ghassan Nakhoul for his documentary,<br />

The Five Mysteries of SIEV X. It is the first Walkley<br />

ever awarded for a documentary in a language other<br />

than English.<br />

Sydney Greek language broadcaster/journalist,<br />

George Diamandoulis, received an award for the Best<br />

Radio <strong>Report</strong> by a Greek journalist abroad for<br />

a segment on the Greek youth program.<br />

The National Newsroom’s Sacha Payne won the<br />

prestigious John Douglas Pringle Award for a<br />

proposal for a series of stories comparing Britain’s<br />

treatment of refugees with Australia’s. As part of her<br />

prize, Sacha was to travel to the United Kingdom to<br />

research and collect material for her series.<br />

RADIO | 39<br />

Her colleague, Cathy Harper, won the Victoria Law<br />

Foundation’s prize for the best report in the<br />

multicultural media for her story on the legal<br />

ramifications of Australia joining the war against Iraq.<br />

Daniele Kemp, of the French language group, won<br />

first prize at the 14th Grand Prix International De La<br />

Radio Competition with her entry The Little History of<br />

Laughter, while May Hu of the Mandarin language<br />

group won the National Radio category of the Older<br />

People Speak Out (OPSO) Awards. Broadcaster Maila<br />

Taimre was awarded a White Star by the Estonian<br />

Government for her services to the Estonian people.<br />

SBS Radio was presented with an Award for<br />

Excellence in Broadcasting and <strong>Report</strong>ing on Women’s<br />

Issues in <strong>2002</strong> by the Ukrainian Women’s Association.<br />

The Vietnamese language program received an award<br />

from the Vietnamese Community in Australia (NSW<br />

Chapter) for its outstanding service to the community.


40 | RADIO<br />

Ayse Kemikoglu’s Turkish language<br />

program is one of 67 non-English<br />

language programs broadcast on<br />

SBS Radio.<br />

Michael Kenny is one of the SBS<br />

Radio’s team of news journalists whose<br />

job it is to compile updated news items,<br />

features and analysis of national and<br />

international news stories.<br />

Senior Journalist, Ron Sutton, confers<br />

with Turkish language broadcaster,<br />

Ayse Kemikoglu. Each year, more<br />

than 20,000 news stories are available<br />

on the computerised network.<br />

At the main desk of SBS Radio’s<br />

newsroom, Senior Journalist, Jodee<br />

Rogoff and her colleague, Michael Kenny,<br />

discuss the day’s main stories. Instead of<br />

a single bulletin, the newsrooms in<br />

Sydney and Melbourne maintain a<br />

continually updated news service.


SBS RADIO NEWS<br />

AND CURRENT AFFAIRS<br />

SBS Radio News is unlike other bureaus. It’s not<br />

focused on compiling a five-minute bulletin each hour,<br />

on the hour. Instead, it’s a service area for the 67<br />

non-English languages that make up SBS Radio.<br />

Seven days a week, 24 hours a day, SBS Radio news<br />

– with bureaus in Sydney and Melbourne – continually<br />

add and refresh national and international news items,<br />

features, background information and other material<br />

into a computerised network. It’s from here that the<br />

individual language groups can choose those items<br />

of interest to them and their listeners. In <strong>2002</strong>-<strong>03</strong>, the<br />

newsroom produced about 20,000 news stories as<br />

well as an average 45 features per month.<br />

The emphasis is on Australian news and major<br />

overseas stories. It makes sense to provide a general<br />

overview of national and international developments,<br />

and to leave country-specific or local community<br />

analysis to SBS Radio’s trained<br />

broadcaster/journalists. After all, a Greek-speaking<br />

broadcaster will have a better notion of the main<br />

stories in Greece, and what would interest their<br />

audience, than a journalist born and raised in<br />

Australia.<br />

Every language group is obligated to provide a<br />

news bulletin in each of their one-hour programs,<br />

although the length of the bulletin and the subject<br />

matters covered are left to the discretion of the<br />

program makers. Routinely, the language groups tend<br />

to handle their own homeland and community news<br />

unless the story is of general interest to all.<br />

CONTINUES...<br />

RADIO | 41<br />

12:30<br />

12:31 13:01 13:45


42 | RADIO<br />

This frees up the newsroom to pursue its other major<br />

obligation to language groups: background features<br />

and analysis. These require much more time to<br />

research, compile and write. The subjects can range<br />

from an in-depth analysis of the latest news stories,<br />

to the history of Australia or a country currently in<br />

the headlines.<br />

Over time, these features have secured a number<br />

of diverse awards for SBS Radio News, ranging<br />

from legal awards for explaining the legal issues<br />

surrounding asylum seekers, to awards for promoting<br />

understanding of conflict resolution.<br />

For most SBS Radio listeners, English is not their<br />

mother tongue and so the news bulletins and features<br />

have to be written in clear and precise terms, free<br />

of phrases or terminology in the Australian vernacular<br />

that could confuse listeners. The obligation on the<br />

Newsroom journalists is to get it right, and write it<br />

clearly, every time.<br />

Many of these features, as well as English language<br />

news bulletins and updates, are presented twice daily<br />

on the World View program. During <strong>2002</strong>-<strong>03</strong>,<br />

World View broadcast more than 1,800 reports on<br />

international and national political developments as well<br />

as economic and social matters and sporting events.<br />

In June 20<strong>03</strong>, World View introduced a revamped<br />

format, concentrating on multicultural features with<br />

each hour-long program made up of roughly four<br />

equal segments. Beginning with a bulletin of national<br />

and international news, the follow-up features vary<br />

each weekday.<br />

Mondays include current affairs and reports from SBS<br />

Radio’s interstate correspondents; international sports<br />

coverage on Sportsview; and a news feature;<br />

Tuesdays include news features and an exploration<br />

into issues of cultural identity and mores called<br />

What is...?;<br />

Wednesdays include anniversary or special<br />

commemoration features, conversations with a<br />

notable author, and an Audio Postcard from SBS<br />

Radio language broadcasters;<br />

Thursday’s line up alternates from one week to<br />

the next. Cultural Footprints is a fortnightly exploration<br />

of the impact of migration on the immigrants and the<br />

country. Every second week, a feature on a significant<br />

moment in the history of Australian settlement is<br />

broadcast. On other weeks, an English language<br />

documentary from Radio Netherlands provides a<br />

global perspective on immigration matters. A regular<br />

feature, Distant Relations, is an on-air conversation<br />

between non-English speaking residents in the city<br />

and the country. A business analysis program is<br />

another regular feature.<br />

Fridays are devoted to reports from overseas<br />

correspondents, a preview of major international<br />

sporting events and a movie review segment with<br />

SBS Television’s Margaret Pomeranz.


OVERVIEW<br />

NEW MEDIA | 43<br />

NEW MEDIA<br />

SBS New Media delivered positive results across its three functions. Online audiences<br />

increased, attracted by the range and sophistication of original program content,<br />

interactive features and innovative enhancements. Diverse musical and artistic talent<br />

was nurtured, particularly for young Australians. The IT infrastructure was strengthened<br />

and Internet publishing tools improved and widely employed. And analogue and digital<br />

transmission were extended on schedule.


44 | NEW MEDIA<br />

SBS: ONLINE TO THE WORLD<br />

WORLD NEWS<br />

SBS's international news website is an all-media<br />

production. It both reflects and extends the entire<br />

news and current affairs output of the Corporation,<br />

with continuous text updates of news stories by<br />

dedicated online journalists, daily streaming video<br />

bulletins, current audio features and stories,<br />

multimedia archives and world weather information.<br />

The site includes English translations of the main<br />

news stories from nine contributing networks to SBS-<br />

TV's global news program, WorldWatch; SBS Radio<br />

features from the World View program; video and<br />

transcripts from Dateline and Insight; and SBS World<br />

News transcripts. As a convenient backgrounder to<br />

the world news, an online search facility of the<br />

current SBS World Guide (published in print each<br />

year) provides a comprehensive collection of facts<br />

and figures on all the countries of the world.<br />

www.theworldnews.com.au<br />

WORLD SOCCER<br />

One of Australia's most comprehensive and<br />

successful sports websites, the SBS soccer site<br />

builds on SBS Television's long-standing reputation<br />

for its unrivalled national and international soccer<br />

coverage. The site has particularly strong crosspromotional<br />

links to its television namesake, The<br />

World Game. Viewer polls, competitions and<br />

program highlights are regularly complemented<br />

online with additional information and multimedia<br />

content. Improvement of the website's technical<br />

infrastructure, to service the growing online<br />

audience, was a priority during the year.<br />

www.theworldgame.com.au<br />

WORLD CUISINE<br />

Australia's ever increasing feast of international food<br />

and wine, with a focus on local produce, provides<br />

the theme for this website. It acts as a reservoir of<br />

content from the long-running SBS TV series Food<br />

Lovers' Guide to Australia and Wine Lovers' Guide<br />

to Australia and A Fork in the Road. The site<br />

continues to expand its extensive database of recipes,<br />

food facts and feature articles. It has begun a series of<br />

thematic content and original research that intensively<br />

explores a single national cuisine every two months.<br />

www.theworldfeast.com.au<br />

WORLD ARTS<br />

The Arts in Focus website provides a directory of arts<br />

happenings around Australia, including exhibitions,<br />

event listings and profiles of people in the arts as<br />

well as details of all world arts programming from<br />

SBS Television. The site also provides access to a<br />

regular email newsletter.<br />

www.sbs.com.au/artsinfocus )<br />

MAJOR PROGRAM WEBSITES<br />

The Movie Show website celebrated six years as<br />

SBS's longest running program website with an everexpanding<br />

repository of movie reviews, trailers, audio<br />

interviews and features. Flagship current affairs<br />

programs, Dateline and Insight were supported<br />

online with downloadable transcripts and lively<br />

discussion forums. The functionality of digital<br />

publishing system within SBS has been improved<br />

to the extent that sophisticated websites can be<br />

routinely designed and produced to complement all<br />

major productions such as Pizza, Life Support,<br />

Subsonics and Mum's the Word which included<br />

weekly live chat with program guests. Radio programs<br />

are also supported online with the capacity to stream<br />

audio in all 68 languages broadcast by SBS Radio.


PROGRAM SITES AND SERVICES<br />

In November <strong>2002</strong>, SBS New Media published the<br />

13th and final edition of a weekly online news and<br />

entertainment weekly magazine, TwentyFourSeven.<br />

The online publication enjoyed a name and a<br />

publishing life in parallel with the fictitious magazine<br />

featured in the 13-part drama on SBS Television.<br />

Each week, the topical issues driving the television<br />

plot became the online cover stories, supplemented<br />

with regular features, editorial pieces, readers' letters<br />

and, to complete the interactive loop, a viewers' poll<br />

on the direction of the plot for the following week's TV<br />

episode. The series was an intensive and innovative<br />

exercise in cross-platform production, crosspromotion<br />

and interactivity.<br />

SBS SERVICES ONLINE<br />

SBS's Marketing services gained new online facilities.<br />

An SBSin website, designed for media buyer and<br />

advertising agency usage, provides comprehensive<br />

information to facilitate sponsorship and advertising<br />

sales. Central access points were also created for all<br />

online merchandising, and for program sales activity<br />

and enquiries.<br />

During <strong>2002</strong>-<strong>03</strong>, new internal online services were<br />

introduced: SBS Independent implemented a<br />

complex workflow tracking system to monitor the<br />

progress of all projects from submission stage<br />

through to commissioning, budgeting and<br />

completion; and SBS Human Resources launched<br />

the HR Kiosk, an online self-service information<br />

system for SBS staff to access and use payroll and<br />

leave information.<br />

NEW MEDIA | 45<br />

SBS YOUTH SITES<br />

Whatever<br />

The Whatever website is a multimedia warehouse of<br />

new and diverse music, writing and interactive<br />

features. It is one of many new media initiatives<br />

dedicated to incubating emerging talent and<br />

connecting with youthful audiences. The Whatever<br />

site became the platform for launching the Whatever<br />

Music project that showcased young, emerging,<br />

Australian musicians. A series of live performances in<br />

Melbourne, culminated in the release of a double CD<br />

The Whatever Sessions with Universal Music in<br />

March 20<strong>03</strong>. A second phase was launched in <strong>2002</strong>-<br />

<strong>03</strong> and began with a national callout for young<br />

musical talent to record in the SBS studios in<br />

Melbourne and Sydney.<br />

Cornerfold<br />

This online monthly magazine offered Australian 'zine'<br />

makers the opportunity to work with new media<br />

designers on the production of original multimediarich<br />

fiction, comics, photo essays, and memoirs. The<br />

nine issues of Cornerfold had a different theme, and<br />

all commissioned contributions were given a unique<br />

new media design treatment using Flash animation<br />

or Quicktime video. The magazine offered a<br />

community forum for discussion between the<br />

contributing artists and their audience.<br />

Visit: www.sbs.com.au/ movieshow,<br />

www.sbs.com.au/ pizza, www.sbs.com.au/ dateline,<br />

www.sbs.com.au/ insight, www.sbs.com.au/ radio,<br />

www.sbs.com.au/ sbsin, www.sbs.com.au/ sbsshop


46 | NEW MEDIA<br />

YOUTH AUDIENCES<br />

The South Park website is an example of the essential<br />

online support and promotion that is regularly<br />

required to complement television programs aimed<br />

at a youth audience. The Alchemy website is targeted<br />

at a similar youth audience, in this case young<br />

listeners to SBS Radio's late night radio program,<br />

Alchemy. Its mix of international music, talk, arts<br />

and events is supported by the website's audience<br />

feedback. It is also a platform for SBS's involvement<br />

in annual Noise Festival projects.<br />

Visit: www.sbs.com.au/whatever<br />

www.sbs.com.au/cornerfold<br />

www.sbs.com.au/alchemy<br />

www.sbs.com.au/southpark<br />

IN PRODUCTION<br />

My Space is an Amazing Place<br />

This collaborative project with the South Australian<br />

Film Corporation was announced in April 20<strong>03</strong>. The<br />

project will enhance the professional development<br />

of nine new media practitioners in a production lab<br />

in Adelaide over 20 weeks, resulting in a series of<br />

innovative works for both television and the web.<br />

Each work will be a personal tour of special spaces<br />

– a town, suburb, street, room, head space – from<br />

men, women and children around Australia. The<br />

successful young participants will have a range of<br />

skills including writing, directing, camera operating,<br />

sound recording, photography, editing, animating,<br />

sound mixing, composing, flash designing, flash<br />

programming, web designing, web programming<br />

and writing html. They will work collaboratively to<br />

share knowledge skills and to explore new forms of<br />

interactivity in story telling.<br />

Animaterratica<br />

The Animaterratica project will use a collection of folk<br />

tales, sourced from Australia's ethnic communities,<br />

as the inspiration for a series of 20 short and<br />

stylistically diverse animations. A website will present<br />

the animations, voiced both in English and the<br />

original language, and will showcase the talents<br />

of young, emerging animators, and multimedia and<br />

games creators. The project began in early 20<strong>03</strong> and<br />

is the third major initiative in the SBS–Film Victoria New<br />

Media Funding Accord. Animaterratica's engaging<br />

multicultural stories will appeal to a wide television<br />

audience and to online education audiences nationally<br />

and internationally.<br />

Visit: www.sbs.com.au/myspace,<br />

www.sbs.com.au/animaterratica<br />

INFORMATION SYSTEMS AND RESOURCES<br />

The Resources Group of the New Media Division<br />

responded to the IT needs of all users through a<br />

team of business analysts and the Computer Help<br />

Desk service. The Systems Group maintained the<br />

SBS computing network and associated media<br />

systems, and provided programming expertise<br />

for digital publishing developments. After one year<br />

of operation, the Division's formal project management<br />

system had helped improve corporate efficiency.<br />

Day-to-day IT operations were supplemented<br />

by the management of more than 20 client-initiated<br />

development projects. The major projects are<br />

as follows:<br />

New Technology in News and Current Affairs<br />

New Media and Television staff extensively trialled<br />

the introduction of non-linear editing to the newsroom.<br />

The trial allows both New Media and newsroom staff<br />

to gain experience with various systems, live at the<br />

desktop. New Media staff and journalists also<br />

worked together to test and select a suitable Satellite<br />

News Gathering technology (SNG) for use in SBS.


New Systems for Media Production<br />

New Media worked with SBS Radio management<br />

and broadcasters to facilitate online audio streaming<br />

of the 68 language radio programs. All programs are<br />

now automatically streamed to the web. A tool was<br />

designed for Radio Operations to control the<br />

process in the event of schedule changes.<br />

A new audio upload tool provides an efficient way for<br />

stringers (casual reporters) to deliver inclusions to<br />

radio programming from remote locations. This<br />

facility was extended to assist with subtitling, and is<br />

now used for the distribution of audio extracts of<br />

movies or documentaries to external subtitlers for<br />

translation.<br />

The Pilat IBMS TV System went live in September<br />

<strong>2002</strong> to users in SBS Television's core business<br />

areas – Program Puchasing, Programming,<br />

Subtitling, Library and Publicity – as well as TV<br />

Production, SBS Independent and Sport.<br />

The relocation of SBS in Melbourne to Federation<br />

Square required complex coordination between all<br />

divisions. New Media relocated all computing<br />

services on schedule over the course of one<br />

weekend with no adverse impact on broadcast<br />

activities.<br />

SBS's digital multichannel, SBS Essential, combines<br />

international news headlines, weather, and SBS<br />

program information. In April, SBS commissioned<br />

new computer applications to fully automate the<br />

process for continuous updating of SBS Essential<br />

content.<br />

Information Management<br />

A number of infrastructure projects were instituted to<br />

meet the growth in Internet delivered services as well<br />

as the demand for SBS-hosted websites. The<br />

Computing Helpdesk was reorganised and handled<br />

8,000 calls during the year.<br />

In other developments: access was increased to the<br />

Telemonitor Rating systems and ratings data was<br />

made available to all staff via the SBS Intranet; the<br />

Internet requisitioning capabilities of the Oracle<br />

NEW MEDIA | 47<br />

Financials system was expanded; and systems and<br />

information security practices were improved.<br />

Transmission services<br />

The Transmission Services Group remained in<br />

regular contact with the Department of Information<br />

Technology and the Arts and other department and<br />

industry stakeholders as part of its coordinated<br />

financial and logistical management of SBS's<br />

broadcast distribution networks.<br />

A Managed Distribution Services Agreement was<br />

signed with Optus. This provides satellite distribution<br />

of our digital television service using Queensland<br />

and National beams currently, with the addition of<br />

South Australia and Western Australia beams in the<br />

future. (For analogue, digital and self-help<br />

transmission details see pages 26-27)<br />

New Technology<br />

In <strong>2002</strong>-<strong>03</strong>, the Transmission Services Group<br />

designed and commenced construction of a digital<br />

television research and development facility. This<br />

laboratory will allow SBS to investigate the potential<br />

of interactive television on both free-to-air and pay<br />

television platforms; explore options for SBS<br />

retransmission over cable and satellite digital<br />

networks; and examine innovative uses of digital<br />

television technology. Using this facility, the single<br />

frequency network capabilities of set-top boxes and<br />

integrated digital televisions will be examined.<br />

The Group engineered an interactive television<br />

application for the Austar digital satellite service<br />

involving The World Game television program and<br />

content and design features from the program's<br />

complementary website www.theworldgame.com.au.<br />

The Group also worked with SBS Radio to develop a<br />

low-power FM transmission facility for use by SBS<br />

Radio's outside broadcast vans.


48 | NEW MEDIA<br />

Vassil Malandris is responsible for the<br />

production, filming and editing of the daily<br />

World News Online bulletin that features<br />

prominently on the SBS website.<br />

It’s the job of Murray Cox to gather SBS’s many<br />

sources of news – text, audio and video – and<br />

compile concise bulletins for publication on the<br />

World News website.<br />

In the newsroom, Valerio Veo checks the script<br />

he’s about to record for the latest edition of the<br />

World News Online. Soon afterwards, it’s<br />

uploaded on the SBS website.


THE WORLD NEWS ONLINE<br />

www.theworldnews.com.au<br />

The comprehensive world news website combines the<br />

individual journalistic and technical resources of SBS<br />

Television, SBS Radio and SBS Online to deliver a<br />

unique cross-media news resource.<br />

Concentrating on international news reports and<br />

analysis, the World News website streams video and<br />

audio news bulletins and current affairs features,<br />

publishes regularly updated reports on breaking news,<br />

and carries exclusive English language news<br />

translations from nine overseas TV broadcasters as<br />

well as access to multimedia archives, news<br />

transcripts, and world weather information.<br />

SBS Television's World News Online team and<br />

journalists from SBS Radio deliver content to the site<br />

through self-publishing tools developed by SBS New<br />

Media.<br />

To compile the four-minute World News Online video<br />

bulletin, the small team of World News journalists<br />

check the overnight 'wire' stories from Reuters,<br />

Associated Press, Agence France Press, the<br />

international press, and satellite video feeds from<br />

major global networks and overseas broadcasters.<br />

Once all available material is assessed, and a lead<br />

'package' is chosen, a team member then writes the<br />

audio scripts that accompany the on-screen vision.<br />

Other sound 'grabs' and another short 'package' are<br />

compiled and the items are edited at the new 'Intails'<br />

facility in the newsroom. The online chief editor subs<br />

the scripts and supervises the finished bulletin which<br />

is then read to camera in the news room.<br />

CONTINUES...<br />

NEW MEDIA | 49<br />

15:2515:50 16:00 16:20 16:45


50 | NEW MEDIA<br />

After that, the finished product is delivered to New<br />

Media for uploading to the SBS World News Online<br />

website by 9.30 am.<br />

The site is constantly updated to include the latest,<br />

breaking news stories. Its particular strength is its<br />

international outlook. The home page has been split<br />

into six geographical categories: Europe, Africa,<br />

Asia/Pacific, The Americas, the Middle East and<br />

National. This last section, which covers the major<br />

Australian news stories of the day, is supplied and<br />

regularly updated by the SBS Radio newsroom.<br />

It's a flexible structure designed by the SBS online<br />

team to accommodate expanded coverage of major<br />

news events. For example, the website inserted a<br />

specific Iraq War site during the height of the conflict<br />

when demand for immediate news updates was<br />

greatest. The expanded volume of information – in<br />

text, audio and video – lifted the number of 'hits' to<br />

the site and the audience has been maintained.<br />

For subscribers, a daily emailed copy of the News<br />

Headlines is available, and the 'Your Say' click-through<br />

invites audience feedback about current events.<br />

Exclusive to the website are transcripts of the major<br />

news stories carried by nine of SBS's television news<br />

partners from around the globe. These daily bulletins<br />

– beamed by satellite to SBS from Greece, Germany,<br />

France, Spain, Russia, Italy, China, Indonesia and<br />

Japan – are broadcast on the Network's WorldWatch<br />

schedule. It's a unique service, offering a very<br />

different perspective to international news<br />

developments and, at the same time allowing<br />

SBS to reach an even broader audience.<br />

Online transcripts are also available of the daily SBS<br />

World News program, as well as SBS's current<br />

affairs programs, Dateline and Insight, providing an<br />

archived reference outlet for these popular<br />

programs. Video downloads of Dateline and Insight<br />

are also provided. For additional, encyclopaedic<br />

information about countries and world events, the<br />

SBS website provides access to the comprehensive<br />

850-page SBS World Guide.<br />

Click onto the SBS Radio site and you can access<br />

audio streaming of scores of features spoken in nine<br />

of the major languages broadcast on SBS Radio –<br />

Arabic, Cantonese, French, Germany, Indonesian,<br />

Italian, Korean, Mandarin and Vietnamese.<br />

Elsewhere, another click lets you scroll down a list of<br />

all 68 languages broadcast by SBS Radio and<br />

enables you to listen, whenever you choose, to the<br />

latest hour-long broadcast of that particular program.<br />

Audio features can also be downloaded from SBS<br />

Radio's English language program, World View.


OVERVIEW<br />

BUSINESS | 51<br />

BUSINESS<br />

Revenue from advertising, program sales, merchandising and language services<br />

provided crucial additional funds to program making in <strong>2002</strong>-<strong>03</strong>. Gross revenue<br />

increased; a revised marketing strategy committed SBS to directly sell its programs on<br />

the national and international marketplace; the merchandising catalogue grew rapidly;<br />

and SBS's two specialist multilingual providers, SBS Language Services and SBS Radio<br />

Sales and Marketing, secured new clients in Australia and abroad.


52 | BUSINESS<br />

TELEVISION ADVERTISING AND<br />

SPONSORSHIP<br />

Gross revenue for Television Advertising and<br />

Sponsorship in <strong>2002</strong>-<strong>03</strong> was $21.8 million, a 14%<br />

increase over the previous year, excluding The<br />

World Cup, despite a continuing downturn in the<br />

advertising market.<br />

This excellent result was due in part to SBS's retention<br />

of key clients and the successful targeting of major<br />

new accounts. Seven of the top 10 clients were the<br />

same as last year – Toyota, Telstra, the Federal<br />

Government, the New South Wales and Victorian<br />

governments, Western Union and Mitsubishi. The<br />

three new additions to the top listing were Coles Myer<br />

Group, Vodafone and Lexus. The top 20 clients<br />

accounted for 60% of Television revenue – a lower<br />

percentage than in previous years, indicating the<br />

achievement of a broader customer base. (See<br />

Appendix 10 'SBS Television Sponsors' and Appendix<br />

11 'SBS Television Advertisers')<br />

During the year, SBS Marketing maintained its high<br />

industry profile with a revamped SBS Credential<br />

Presentation, including the latest research figures,<br />

animated features and embedded audio-visual clips.<br />

The online service, SBSin, which is specifically<br />

designed for and restricted to advertising media<br />

buyers, was augmented with new features and<br />

continued to provide a sophisticated information source<br />

to clients. The 24-page publication, What's On, also<br />

provides a comprehensive monthly SBS program<br />

guide to media buyers and selected advertising clients.<br />

Young advertising executives and media buyers were<br />

particularly attracted to programs such as Pizza, Life<br />

Support, John Safran's Music Jamboree and Quads.<br />

For the third successive year, SBS Marketing staged<br />

its well-received information seminar, Strategy Force.<br />

The daylong gathering, preceded by a keynote dinner<br />

speech, attracted a wide range of people from the<br />

advertising sector and other industries who listened<br />

to six speakers from diverse industry and<br />

professional backgrounds.<br />

SBS Marketing also developed a unique advertising<br />

market presentation drawn from the findings of<br />

an SBS commissioned national survey into<br />

multiculturalism. The 76-page report, Living Diversity –<br />

Australia's Multicultural Future, found widespread<br />

support for immigration, cultural diversity and<br />

multiculturalism in Australia. Its analysis of five<br />

language communities and a cross-section of<br />

Indigenous Australians provided SBS Marketing<br />

clients with valuable insights into the country's diverse<br />

ethnic makeup.<br />

LANGUAGE SERVICES<br />

SBS's multilingual service, which specialises in more<br />

than 60 languages for voice-overs, subtitling, renarration,<br />

re-captioning, translations and typesetting for<br />

print and web text, returned gross revenue exceeding<br />

$1.5 million. Among the services provided were:<br />

A 400,000-word translation – from English to French –<br />

for a leading Australian software developer. Language<br />

Services managed this project, involving 20 translators<br />

and checkers, over a four month period.<br />

Translation, re-voicing (narration and animated<br />

characters), title and subtitle preparation for 52 children's<br />

science programs for an international broadcaster.<br />

Subtitling seven documentaries in simplified Chinese<br />

for the fourth China Shanghai International Arts<br />

Festival <strong>2002</strong>.<br />

Translation and typesetting in 20 languages, for print<br />

and the web, for a government department.<br />

A 30,000-word translation and typesetting assignment<br />

from English to Chinese, for a global financial institution.<br />

Subtitle preparation for the Oscar nominated film,<br />

Hero, in three versions – English and traditional and<br />

simplified Chinese<br />

English subtitle preparation for Danny Deck Chair and<br />

Swimming Upstream; French subtitle preparation for<br />

Cracker Bag; and post production script and English<br />

subtitles for DVD for Dirty Deeds.


PROGRAM SALES<br />

The SBS Program Sales department manages the<br />

sale of SBS programs, including some SBS<br />

Independent productions, to television markets in<br />

Australia and overseas.<br />

During the year, in accordance with a revised<br />

marketing strategy, SBS decided it would directly<br />

sell its programs in the local and international<br />

marketplace. In addition, producers with productions<br />

sympathetic to SBS's Charter-driven programming<br />

were offered the opportunity to be included in the SBS<br />

program sales catalogue and to have SBS act as their<br />

distributor. To date, SBS Program Sales is the sales<br />

distributor for 17 individual producers.<br />

The SBS Program Sales web-based catalogue of titles<br />

www.sbs.com.au/programsales was launched in<br />

November <strong>2002</strong>. It has been promoted to an extensive<br />

list of over 600 program buyers around the world. In<br />

<strong>2002</strong>-<strong>03</strong>, this catalogue comprised 133 hours of<br />

programming sourced from local production and SBS<br />

Independent productions, primarily made up of<br />

documentaries as well as lifestyle, travel, and comedy.<br />

The SBS Program Sales department also manages<br />

'non-theatrical' and 'home' video and DVD distribution,<br />

stock footage sales and the sale of SBS English<br />

language subtitles and closed captions. SBS Program<br />

Sales increased its gross revenue to $757,773.<br />

SBS Independent programs acquired by SBS<br />

Program Sales for distribution were:<br />

Birth Rites<br />

Love & Anarchy – the Wild Wild World of Jaimie Leonarder<br />

Doing Dimboola<br />

The Habits of New Norcia<br />

Indonesia: Art, Activism and Rock 'n Roll<br />

Jane Elliott's Australian Eye<br />

The Secret Side of Me<br />

Seeking Asylum<br />

Sixty Thousand Barrels<br />

Tales from a Suitcase Series One<br />

Into the Dark<br />

Painting with Light in a Dark World<br />

Non-Theatrical Sales<br />

BUSINESS | 53<br />

SBS Program Sales has sold SBS produced or<br />

licensed programs for more than 10 years to the nontheatrical<br />

market (schools, tertiary institutions including<br />

universities and TAFE colleges, libraries and other<br />

government and non-government institutions) in<br />

Australia and New Zealand through its agent Marcom<br />

Projects - www.marcom.com.au<br />

The non-theatrical title releases in <strong>2002</strong>-<strong>03</strong> included:<br />

Empires: Queen Victoria's Empire<br />

Empires: Martin Luther<br />

Empires: The Kingdom of David<br />

Empires: Peter and Paul and the Christian Revolution<br />

Food Lovers' Guide to Australia Series Three<br />

Tales from a Suitcase – The Afghan Experience<br />

A Fork in Africa


54 | BUSINESS<br />

Home Video Sales<br />

SBS Program Sales holds the distribution rights to a<br />

number of SBS produced or broadcast programs<br />

that are distributed under the SBS Video brand<br />

through major retail outlets including Dymocks<br />

bookstores, ABC Shops, ABC Centres, department<br />

stores and independent video retailers and via SBS's<br />

Online shop, www.sbs.com.au/sbsshop<br />

Programs released to the home video market by<br />

SBS Program Sales during the year were:<br />

Empires: Islam<br />

Empires: Martin Luther<br />

Empires: Napoleon<br />

Empires: Peter and Paul and The Christian Revolution<br />

Empires: Queen Victoria's Empire<br />

Empires: The Greeks<br />

Empires: The Kingdom of David<br />

Empires: The Roman Empire In 1st Century<br />

Food Lovers' Guide To Australia Series 2 (re-release)<br />

Food Lovers' Guide To Australia Series 3<br />

The Celts<br />

The Sea Kingdoms<br />

SBS MERCHANDISING<br />

SBS Merchandising is SBS's retail arm which has<br />

developed a special relationship with the Dymocks<br />

bookstore chain as SBS's retail partner. SBS continues<br />

to build up its catalogue of program related, logolicensed<br />

products such as books, CDs and VHS and<br />

DVD videos that are sold nationwide through<br />

Dymocks and other book, video and music retailers.<br />

During the year, the revenue from SBS merchandise<br />

increased by 87%.<br />

SBS expanded its logo licensing relationships with a<br />

number of book and music publishers including<br />

Random House, Hardie Grant, Allen & Unwin,<br />

Universal Music, BMG, Petrol Records and Madman<br />

Entertainment whereby, for a fee, SBS licenses the<br />

use of its logo on products that are either program<br />

related or are sympathetic to the SBS Charter. In<br />

<strong>2002</strong>-<strong>03</strong>, SBS logo licences were given to 14 books,<br />

40 CDs and six videos.


SBS VIDEOS, BOOK AND CD CATALOGUE<br />

In <strong>2002</strong>-<strong>03</strong>, titles promoted or logo licensed by SBS<br />

Merchandising included:<br />

CDS<br />

Africa: The Greatest Songs Ever<br />

Argentina: The Greatest Songs Ever<br />

Art Of Andreas Scholl, The<br />

Art of Cecilia Bartoli, The<br />

Autumn Leaves (Double)<br />

Berlioz: The Damnation Of Faust (Double)<br />

Blues: The Greatest Moments Ever<br />

Brazil: The Greatest Songs Ever<br />

Britannia: A Musical Odyssey (Double)<br />

Café de Flore<br />

Celts, The: A Musical Odyssey (Double)<br />

Cetic Harmonies<br />

Christmas Around The World<br />

Classical; The Greatest Moments Ever<br />

Cuba 2: The Greatest Songs Ever<br />

Cuba: The Greatest Songs Ever<br />

Dreaming (Double)<br />

Four Seasons, The (4CD set)<br />

France: The Greatest Songs Ever<br />

Greece: The Greatest Songs Ever<br />

Ireland: The Greatest Songs Ever<br />

Italy: The Greatest Songs Ever<br />

VIDEOS<br />

A History Of Britain (DVD)<br />

Animated Leunig (VHS & DVD)<br />

Celts, The (VHS)<br />

Empires: Islam (VHS)<br />

Empires: Martin Luther (VHS)<br />

Empires: Napoleon (VHS)<br />

Empires: Peter & Paul & The Christian Revolution (VHS)<br />

Empires: Queen Victoria's Empire<br />

Empires: The Greeks (VHS)<br />

Empires: The Kingdom of David<br />

BOOKS<br />

A History Of Britain<br />

Culture Smart: China<br />

Culture Smart: France<br />

Culture Smart: Germany<br />

Culture Smart: India<br />

Culture Smart: Ireland<br />

Jamaica: The Greatest Songs Ever<br />

Karajan: The Definitive Collection (Double)<br />

Latin: The Greatest Moments Ever<br />

Mexico: The Greatest Songs Ever<br />

Napoleon: A Musical Odyssey (Double)<br />

New Year's Concert 20<strong>03</strong> (Double)<br />

Once Upon A Summertime (Double)<br />

Opera: The Greatest Moments Ever<br />

Passion: Music That Changed Our World (Double)<br />

Portrait Of Kiri Te Kanawa, A (Double)<br />

Portrait Of Sumi Jo, A (Double)<br />

Queer As Folk: Music From The Original Series<br />

Queer As Folk: The Second Season<br />

Queer As Folk: The Third Season (Double)<br />

Romans, The: A Musical Odyssey (Double)<br />

Sacred Songs - Placido Domingo<br />

SBS Whatever Sessions, The (Double)<br />

Silver Moon (Double)<br />

Spain: The Greatest Songs Ever<br />

Under The Stars - Bryn Terfel & Renee Fleming<br />

World Music From Celestial Harmonies (Double)<br />

Utopia (Double)<br />

BUSINESS | 55<br />

Food Lovers' Guide To Australia Series 2 (VHS)<br />

Food Lovers' Guide To Australia Series 3 (VHS)<br />

Height Of Passion (DVD)<br />

John Safran's Music Jamboree (DVD)<br />

Quads (DVD)<br />

Roman Empire In 1st Century, The (VHS)<br />

Sea Kingdoms, The (VHS)<br />

Tales from a Suitcase Series 2<br />

Tales from a Suitcase: The Afghan Experience<br />

Tonight (DVD)<br />

Under The Stars – Bryn Terfel & Renee Fleming (VHS & DVD)<br />

Culture Smart: Japan<br />

SBS Atlas Of Languages<br />

SBS Australian Almanac 20<strong>03</strong><br />

SBS Complete Encyclopaedia Of Soccer<br />

SBS World Guide 10th Edition<br />

Sea Kingdoms, The<br />

Tour de France: The Illustrated Centenary History


56 | BUSINESS<br />

RADIO SALES AND MARKETING<br />

SBS Radio Sales and Marketing returned gross<br />

revenue of almost $1.5 million in a difficult and<br />

competitive advertising environment, particularly from<br />

other non-English language radio stations.<br />

The Melbourne Sales and Marketing office of SBS<br />

Radio reported increased revenue in both the<br />

government and the corporate sectors during the<br />

year. It secured a key media sponsorship with<br />

Australians Against Child Abuse for its campaign<br />

'Every Child Is Important'. SBS Radio, as the exclusive<br />

radio sponsor for the multicultural element of the<br />

campaign, promoted key messages of the campaign<br />

to the targeted Arabic and Chinese communities on<br />

its national network. Another important partnership<br />

was SBS Radio's sponsorship of the 1st International<br />

Mental Health Development Conference that was held<br />

in Melbourne.<br />

Sydney Radio Sales and Marketing continued its<br />

sponsorship of the Office of Fair Trading 'NSW<br />

Consumer Protection Awards', which recognises<br />

groups or individuals for their consumer protection<br />

policies targeted at all Australians, including those<br />

from ethnic and indigenous communities. Following<br />

the implementation of a new strategic plan, SBS<br />

Radio Sydney has attracted new bookings from<br />

several major clients.<br />

SBS Radio continued its media sponsorship of<br />

Womadelaide 20<strong>03</strong> and Sydney's Royal Easter Show.<br />

Its sponsorship of the Greek, Italian and Spanish film<br />

festivals raised the profile of particular broadcasters<br />

through the screening of 30-second profiles and this<br />

was complemented by the development of new<br />

promotional material and merchandise. (See<br />

Appendix 12 'SBS Radio Advertisers')<br />

MULTILINGUAL SUBSCRIBER<br />

TELEVISION LIMITED (MSTL)<br />

MSTL, a wholly-owned subsidiary company of SBS,<br />

maintained its 40% shareholding in PAN TV Ltd. The<br />

other shareholders are Australian Capital Equity and<br />

Australian Provincial Newspapers. PAN TV produces a<br />

multilingual movie channel (the World Movies Channel)<br />

which is sold throughout the year to Australian pay TV<br />

operators Foxtel, Austar and Optus Vision.<br />

MSTL's current corporate plan identifies three key<br />

objectives. These relate to meeting the changing<br />

needs of Australian audiences, good resources<br />

management, and the need to continue to explore<br />

business activities relevant to the MSTL charter. MSTL<br />

continues to perform according to its objectives.


OVERVIEW<br />

CORPORATION | 57<br />

CORPORATION<br />

SBS embraces good corporate governance and accountability in the running of the<br />

Corporation. Internal mechanisms, including audits and comprehensive risk<br />

management procedures, are reinforced by cross-divisional planning and strong<br />

adherence to human resources policies and legislation. Externally, SBS provides<br />

considered and strategic contributions to government decision-making, industry forums<br />

and community events and consultations.


58 | CORPORATION<br />

CORPORATE<br />

GOVERNANCE FINANCE<br />

Financial Results <strong>2002</strong>-<strong>03</strong><br />

The Corporation and its controlled entity, Multilingual<br />

Subscriber Television Ltd, finished the <strong>2002</strong>-20<strong>03</strong><br />

financial year with a surplus of $1.388 million after<br />

capital use charge (0.8 % of available resources).<br />

Contributing to the surplus was a higher than<br />

budgeted result in advertising.<br />

The Corporation's total assets increased during the<br />

financial year from $188.810 million to $196.644 million.<br />

The majority of this increase related to non-financial<br />

assets which increased from $106.722 million to<br />

$118.322 million (mainly due to equipment purchases<br />

relating to digital conversion and the move to Federation<br />

Square, as well as an increase in inventories).<br />

The bulk of the investment recorded at 30 June<br />

20<strong>03</strong> related to funds provided through the part sale<br />

of Telstra for the analogue extension program.<br />

The level of Equity Capital has increased from $46.199<br />

million to $54.779 million. This increase reflected a<br />

$8.580 million equity injection received in <strong>2002</strong>-20<strong>03</strong>.<br />

The bulk of this injection was for digital conversion.<br />

SBS Accounting Manual<br />

SBS's financial policies and procedures are<br />

contained in the SBS Accounting Manual which is<br />

widely distributed throughout the Corporation, both<br />

in written form and on the Intranet. Updates occur<br />

frequently throughout the year<br />

Interest<br />

Independent<br />

Sources<br />

Government<br />

Appropriation<br />

1%<br />

23%<br />

76%<br />

GOVERNANCE<br />

External and Internal Audit<br />

The audit of SBS's annual financial statements is<br />

carried out by the Australian National Audit Office<br />

(ANAO). The ANAO gave an unqualified opinion on<br />

the <strong>2002</strong>-<strong>03</strong> financial statements of the Corporation.<br />

During the year, SBS participated in an ANAO<br />

benchmarking study. This was on the Internal Audit<br />

Function in Commonwealth Organisations.<br />

The report included detailed information on the SBS<br />

performance against the sampled population.<br />

In general, SBS performed well against the benchmark<br />

measures. SBS also participated in a benchmarking<br />

study conducted by Comcover (an agency of the<br />

Department of Finance and Administration) on Risk<br />

Management Practices.<br />

The Internal Audit program was conducted by Deloitte<br />

Touche Tohmatsu on a contract basis. The company<br />

performed audits in accordance with the audit plan<br />

approved by the Audit and Finance Committee.<br />

In all cases, the results were satisfactory with<br />

recommendations for improvements to the control<br />

environment brought to management's attention.<br />

The audits conducted in <strong>2002</strong>-<strong>03</strong> were:<br />

Program Purchasing and Inventory Management,<br />

Digital Television Conversion Review, Television News<br />

and Current Affairs, Television Sport, Corporate<br />

Services, Human Resources, Information Technology<br />

Security Review, Information Technology Governance<br />

Review, Pay Television Contracts, Superannuation<br />

Delegations Review and Risk Management.<br />

Operating Systems Expenditure By Classification<br />

Employees<br />

Independent<br />

Sources<br />

Depreciation<br />

Interest<br />

37%<br />

57%<br />

5%<br />

1%


Audit and Finance Committee<br />

The SBS Audit and Finance Committee met four times<br />

during the year and considered audits conducted by<br />

both the Australian National Audit Office and the<br />

internal auditors, Deloitte Touche Tohmatsu.<br />

In addition to reviewing the findings and<br />

recommendations of the audits conducted, the Audit<br />

and Finance Committee considered and gave<br />

direction on a wide range of issues during the year<br />

including the approval of the annual internal audit<br />

program, investment and financing activities, risk<br />

management and discussion of the strategy for the<br />

preparations for the financial statements audit.<br />

The following is a list of Audit Committee attendees,<br />

their position within SBS, and the number of<br />

meetings they attended:<br />

Mr Neville Roach<br />

Deputy Chairman 4 of 4 meetings<br />

Ms Jillian Broadbent<br />

Board Member 4 of 4 meetings<br />

Mr Ted Gregory<br />

Board Member 3 of 4 meetings<br />

Mr Nigel Milan<br />

Managing Director 4 of 4 meetings<br />

In addition, the internal auditors attended two meetings<br />

of the SBS Board to present reports on their activities.<br />

The external auditor attended one SBS Board meeting<br />

to discuss the audit of the SBS financial statements<br />

and the financial control environment.<br />

Expediture By Classification <strong>2002</strong>-<strong>03</strong> 2001-02<br />

Interest<br />

Depreciation<br />

Suppliers<br />

Employees<br />

$20,000 $40,000 $60,000 $40,000 $100,000<br />

Major Investing and Financing Activities<br />

On 1 July 20<strong>03</strong>, SBS entered into a fully amortising<br />

loan with the Commonwealth. The loan amount of $24<br />

million has a loan period of 10 years and SBS will<br />

make total annual payments of $3.2 million payable<br />

quarterly in arrears.<br />

In 1999-2000, SBS received $70 million from the<br />

Government's Television Fund to meet the costs of<br />

analogue transmission services to areas of Australia<br />

with a population over 10,000 that did not have access<br />

to the signal. Contracts are now in place for the roll<br />

out of these services and funds that are not immediately<br />

required have been invested.<br />

SBS actively manages its finances. This involves<br />

preparation of estimates for appropriation and equity<br />

injection funding taking into account movements in<br />

the inflation parameter applicable to SBS. Cash<br />

holdings are monitored throughout the year and where<br />

funds are not immediately required for operational<br />

activities, investments are made. All investments have<br />

been made in accordance with the investing<br />

requirements of the Special Broadcasting Service<br />

Act 1991 and the Commonwealth Authorities and<br />

Companies Act 1997.<br />

Fraud Control<br />

CORPORATION | 59<br />

During the year, the SBS Fraud Control Plan was<br />

updated based on a fraud risk assessment<br />

(conducted using the methodology outlined in the<br />

Australian/New Zealand Standard (AS/NZS 4360:1999)<br />

Risk Management). The Managing Director is satisfied<br />

that SBS has in place appropriate fraud prevention,<br />

detection, investigation, reporting and data collection<br />

procedures and processes and that these comply<br />

with the Commonwealth Fraud Control Guidelines.


60 | CORPORATION<br />

Risk Management Plan<br />

The Risk Management Plan was updated during the<br />

year and identifies and addresses the management<br />

of the major risks and opportunities facing the<br />

Corporation. The goals behind Risk Management in<br />

SBS are:<br />

To provide an assurance that the organisation has<br />

identified its highest-risk exposures and has taken<br />

steps to properly manage these;<br />

To ensure that SBS's business planning processes<br />

include a focus on areas where risk management is<br />

needed;<br />

To ensure the integration of the various and many<br />

risk control measures that SBS already has in place;<br />

and<br />

To be comprehensive and effective. The identification<br />

of risks will allow for the redirection/focus of resources<br />

on high risks.<br />

Statement on governance<br />

Elements of good corporate governance that are in<br />

place at SBS include:<br />

corporate planning; business planning; an audit and<br />

finance committee; clear delegations of authority;<br />

project (program) management; policies for statutory<br />

compliance; codes of conduct and ethics; review<br />

processes; budget information linked to all planning<br />

processes; and regular monitoring and reporting to<br />

the SBS Board.<br />

Good corporate governance at SBS is also based<br />

on an acceptance by staff that the highest standards<br />

of integrity and ethical behaviour are expected of<br />

them, as well as transparency and consistency in all<br />

their actions.<br />

E-commerce<br />

In March 20<strong>03</strong>, SBS introduced its new Oracle<br />

browser-based e-commerce module, iProcurement.<br />

This enables online requisitions (from a catalogue of<br />

supplies), and online approvals, purchase orders,<br />

and receipting. This is a significant milestone in the<br />

e-commerce project that SBS is undertaking. SBS is<br />

one of four agencies selected (and funded) by The<br />

National Office for the Information Economy (NOIE)<br />

for this project, as part of the Government's initiatives<br />

to promote e-commerce.<br />

Indemnities and Insurance Premiums<br />

For Officers<br />

As part of its general insurance protection, SBS has<br />

a Directors and Officers Liability Insurance Policy in<br />

place. The cost of this policy for <strong>2002</strong>-<strong>03</strong> was $5,193<br />

(GST excluded).<br />

Ministerial Directions<br />

SBS has been notified that the following general<br />

policies of the Government apply to SBS: Competitive<br />

Neutrality Arrangements and Cost Recovery by<br />

Government Agencies.<br />

PROCESSES AND PEOPLE<br />

ABA investigations<br />

In <strong>2002</strong>-<strong>03</strong>, the Australian Broadcasting Authority<br />

(ABA) investigated four complaints against SBS for<br />

alleged breaches of its Codes of Practice. One case<br />

remained outstanding at the end of the reporting<br />

period. In all judgments the ABA found in favour of<br />

SBS, except for one case in which SBS conceded a<br />

breach for failing to provide a timely reply to the<br />

complaint.<br />

In one case, while finding in favour of SBS, the ABA<br />

noted that the appropriateness of the SBS Code<br />

relating to balance over time in news and current<br />

affairs coverage could be further tested in a review<br />

of the Code.


Freedom of Information<br />

One outstanding request for information under the<br />

Freedom of Information Act from June <strong>2002</strong> was<br />

finalised in July 20<strong>03</strong>. The request was declined on<br />

the basis that the material was commercial-inconfidence.<br />

There were no new requests in <strong>2002</strong>-<strong>03</strong>.<br />

Access and equity<br />

SBS believes all Australians should have access to<br />

its multilingual and multicultural services and works<br />

with the Government towards achieving this aim.<br />

SBS has established mechanisms to ensure that all<br />

people have access to its services regardless of<br />

cultural or linguistic diversity. As an employer, SBS<br />

encourages diversity in its workforce.<br />

Workplace diversity<br />

The SBS Diversity Program encourages workplace<br />

diversity (gender, age, cultural and professional)<br />

within the framework of merit selection. Statistical<br />

reports are provided to the Board for monitoring<br />

purposes.<br />

SBS's Workpace Diversity Plan complies with the<br />

Commonwealth Disability Strategy (see below) and<br />

its employment policies, procedures and practices<br />

meet the requirements of the Disability Discrimination<br />

Act 1992. During <strong>2002</strong>-<strong>03</strong>: there were no requests for<br />

recruitment information in accessible formats; SBS<br />

engaged consultants to assist with the reasonable<br />

adjustment to the workplace of a number of<br />

employees; training and development programs<br />

accommodated the needs of staff with disabilities;<br />

and SBS's regular induction program addressed the<br />

issue of workplace diversity including disability. SBS<br />

has grievance mechanisms, including access to<br />

external bodies, to address concerns raised by staff.<br />

SBS Human Resources policies have been reviewed<br />

and are flexible to allow SBS to meet individual<br />

employees' needs within the framework of SBS’s<br />

business needs.<br />

CORPORATION | 61<br />

Commonwealth Disability Strategy<br />

In <strong>2002</strong>-<strong>03</strong>, SBS provided services in line with its role<br />

as 'provider' under the Commonwealth Disability<br />

Strategy (CDS).<br />

SBS Radio continued to provide in-language<br />

community announcement and editorial segments<br />

to promote the services of health and disability<br />

agencies. These messages, broadcast nationally<br />

in 68 languages, ensured that essential information<br />

reached Australia's linguistically diverse audiences.<br />

SBS Radio continued to produce and air a series<br />

of Homereach multilingual information service<br />

segments, providing key information to housebound<br />

people and their carers. A special Homereach<br />

steering committee consisting of relevant government<br />

and non-government service providers selected the<br />

content and target languages for the series.<br />

SBS Radio was also commissioned by the Transcultural<br />

Mental Health Centre of NSW to produce a series of<br />

information segments in 10 community languages,<br />

which aired on SBS Radio between November and<br />

December <strong>2002</strong>.<br />

SBS Television provided closed captioning for television<br />

programs for people who are hearing impaired or deaf.<br />

Captioning was provided for programs other than non-<br />

English language programs and programs transmitted<br />

during the hours of 6 p.m. and 10:30 p.m. Television<br />

news and current affairs programs other than non-<br />

English language programs transmitted outside these<br />

hours were also captioned where practicable.


62 | CORPORATION<br />

In compliance with W3C international accessibility<br />

guidelines, SBS New Media has ensured that corporate<br />

documents available from its website are provided<br />

in both PDF and HTML versions and has continued to<br />

increase the amount of SBS programming<br />

available online.<br />

Throughout the year, SBS Publicity provided a TTY<br />

telephone service to ensure that people who are deaf<br />

or hearing impaired have an additional avenue for<br />

providing comment on SBS programming.<br />

SBS is aware of the need to be informed about access<br />

and equity issues relating to people with a disability<br />

and, among other things, actively seeks the opinions<br />

and guidance of one of its Community Advisory<br />

Committee members who works as a Disability<br />

Advocate with the Office of the Public Guardian.<br />

In early 20<strong>03</strong>, SBS participated in industry discussions<br />

about issues relating to disability and the media.<br />

In addition to these measures, SBS Television<br />

broadcast a number of programs consistent with its<br />

Charter obligations and the aims of the<br />

Commonwealth Disability Strategy. Among the<br />

programs screened were: Quads, an animated series<br />

using humour to explore the lives of people with<br />

various disabilities; Uneasy Riders, a film about<br />

disabled people fighting for the right to sex and love;<br />

and the Subsonics music series included a segment<br />

about intellectually disabled musicians. SBS<br />

Independent commissioned Preservation, a 50-minute<br />

drama written and directed by a profoundly deaf<br />

person. The SBS produced eat carpet also included<br />

programs about people with a disability, as did If<br />

Only..., a series about regrets scheduled for broadcast<br />

in October 20<strong>03</strong>.<br />

Disability Discrimination Act 1992<br />

In February 20<strong>03</strong>, SBS and other free-to-air<br />

broadcasters settled complaints brought by several<br />

deaf and hearing-impaired representative groups in<br />

the Human Rights and Equal Opportunity Commission<br />

(HREOC) under the Disability Discrimination Act.<br />

These complaints concerned the amount of closed<br />

captioning provided on Australian free-to-air television.<br />

As part of the settlement, SBS agreed to increase<br />

captioning levels to include a) 50% of programs<br />

broadcast on its main SBS TV channel from 6 a.m. to<br />

midnight by 31 December 2005; and b) 60% by 31<br />

December 2007.<br />

Due to SBS's funding constraints, it was agreed that<br />

further increases in captioning to the level committed<br />

by other free-to-air broadcasters (55% to 70%<br />

respectively) were contingent on SBS receiving<br />

increased funding under the Government's Triennial<br />

Funding Agreement. As new funding was not provided<br />

in the 20<strong>03</strong>-04 budget, SBS will continue to seek funds<br />

to enable the extension of this service in the future.<br />

Following the settlement, HREOC granted SBS and<br />

other free-to-air broadcasters a comprehensive<br />

exemption from the Disability Discrimination Act for<br />

the next five years and has terminated the complaints.<br />

Occupational Health and Safety<br />

New Health and Safety representatives were elected<br />

and trained in <strong>2002</strong>-<strong>03</strong>. The OH&S Committee<br />

oversaw a range of health and safety issues. There<br />

was one occurrence involving three employees that<br />

required the giving of notice under section 68 of the<br />

Occupational Health and Safety (Commonwealth<br />

Employment) Act 1991.


Certified Agreement<br />

The SBS Certified Agreement <strong>2002</strong> was certified in<br />

August <strong>2002</strong> and will remain in place for a three-year<br />

period. The new Agreement reflects the business<br />

needs of the output Divisions, and Radio and<br />

Television representatives were involved in the<br />

negotiations with the unions.<br />

SBS has common employment conditions and HR<br />

policies across the whole organisation to ensure<br />

consistency of approach throughout SBS.<br />

The Performance Management Program (PMP) was<br />

amended in the new Certified Agreement, reflecting<br />

the experience of the previous three years. PMP<br />

outcomes are monitored and reports provided. The<br />

PMP has proved effective in bringing about improved<br />

performance.<br />

Training<br />

Television<br />

SBS Television has a comprehensive and varied<br />

training program for staff and also conducts an annual<br />

journalism traineeship. In <strong>2002</strong>-<strong>03</strong>, three young people<br />

were chosen from more than 500 applicants to<br />

undertake the one-year trainee course.<br />

The trainees, who are based in the Sydney newsroom,<br />

also spend one month each in the Canberra and<br />

Melbourne bureaus as well as time with Dateline,<br />

Insight and the World News Online team. Under a<br />

mentor program, the trainees experience on-the-job<br />

instruction from senior staff and further develop their<br />

on-air skills with a professional presentation coach.<br />

The traineeship begins with a month-long course in<br />

journalism run by Fairfax newspapers (and thereafter<br />

one day a week) in which ethics, media law and<br />

shorthand, interviewing, researching and writing are<br />

taught. The traineeships carry no promise of on-going<br />

employment. However, the <strong>2002</strong> trainee is now a<br />

staff member.<br />

SBS staff likely to visit international trouble spots<br />

undertake a three-day training course in risk awareness<br />

and safety. Taught by ex-military personnel, the course<br />

includes risk awareness, battlefield skills, kidnap<br />

training, exposure to weapons effects and first aid.<br />

CORPORATION | 63<br />

In-house training for newsroom staff includes regular<br />

legal workshops on issues such as defamation and<br />

copyright. On-air staff are given presentation training<br />

and workshops in specific skills, such as video<br />

journalism, are regularly conducted.<br />

TV Operations provided comprehensive training to a<br />

media representative from East Timor, and SBS<br />

Subtitling hosted, for extended periods, fellow<br />

subtitlers from Germany and France.<br />

Radio<br />

SBS Radio Training designed and delivered new<br />

training courses as part of its commitment to<br />

improving programs. These included Building a Better<br />

Format, Talkback, Short Program Packages and<br />

Creating a Successful Outside Broadcast.<br />

Radio staff continued to receive core broadcast<br />

journalism training courses including Standards<br />

and Ethics, Programming Guidelines and Codes<br />

of Practice, Broadcast Law, Journalism, Interviewing<br />

Skills, Field <strong>Report</strong>ing, Writing for Radio and Voice<br />

Presentation, as well as Conflict Resolution and<br />

Effective Communication in the Workplace. Media training<br />

was also provided to a number of external clients,


64 | CORPORATION<br />

Other SBS Radio training activities during the<br />

year included:<br />

Lunchtime seminars to support broadcasters in<br />

covering the Iraq war and familiarisation courses on<br />

the world's major religions.<br />

Advanced training on the new Netia digital production<br />

and presentation system, accessing audio on the<br />

Internet and from other digital sound editing systems<br />

as well as SBS's new radio talkback system.<br />

Publication of all technical training material on the SBS<br />

Intranet.<br />

Familiarisation training for new studio and production<br />

suites at SBS's Melbourne offices at Federation<br />

Square.<br />

Human Resources<br />

HR continued to provide training to SBS managers<br />

and supervisors on the corporation's HR policies and<br />

procedures. It advised managers on appropriate<br />

external training to meet individual needs and during<br />

the year conducted courses on issues including<br />

recruitment and induction, occupational health and<br />

safety, the Performance Management Program, the<br />

Privacy Act, and various computing applications.<br />

SBS employees also attended external courses and a<br />

number of staff have been supported through the SBS<br />

Study Assistance policy to undertake external study.<br />

SBS is a member of the AFC-sponsored Women in<br />

Television network which conducted networking activities<br />

during the year for women in the television industry.<br />

INNOVATION<br />

Several SBS Radio language programs, including<br />

the Portuguese, Mandarin and German, provide<br />

hundreds of their listeners with an additional service:<br />

a weekly emailed newsletter.<br />

The Portuguese newsletter reaches members of the<br />

Portuguese, Brazilian and East Timorese communities<br />

in Australia as well as clubs, associations, soccer<br />

teams, embassies, consulates, artists and other media<br />

organisations. The email advises listeners of<br />

forthcoming program highlights and events as well<br />

as information about Online access.<br />

The Mandarin 'E-Magazine' has more than 500<br />

subscribers, including Chinese language media. The<br />

magazine includes program highlights, with links to<br />

audio reports and SBS Radio's Mandarin language<br />

website. Profiles of the broadcasters, scripts of<br />

popular program segments, and other background<br />

information are also provided.<br />

In the wake of the 11 September 2001 attacks, and<br />

in response to anti-Muslim sentiment, SBS Radio<br />

Training organised a series of lunchtime seminars on<br />

Hinduism, Buddhism, Islam, Christianity, Aboriginal<br />

Spirituality, Judaism and Buddhism/Taoism. The<br />

seminars were designed to give staff a greater<br />

understanding of the world's religions. They culminated<br />

in a multi-faith gathering of more than 700 people at<br />

Melbourne Town Hall on 11 September <strong>2002</strong>, during<br />

which 10 speakers, representing different religions,<br />

discussed the role of faith in building a harmonious<br />

multicultural society.<br />

SBS staff profile<br />

Male Female<br />

Exec/Policy 5 8<br />

Radio 157 145<br />

Television 233 213<br />

New Media 22 22<br />

Cross-Div 29 21<br />

Marketing 7 10


Relocation to Federation Square<br />

In March, all SBS operations in Melbourne – Radio,<br />

Television, New Media, Marketing and SBS<br />

Independent – relocated to new premises at<br />

Federation Square.<br />

The new facilities include digital broadcast radio<br />

studios, a music recording studio, a television studio<br />

and associated editing and post-production facilities<br />

on two levels of the Alfred Deakin building.<br />

A multimedia studio is also located on the ground<br />

floor of the building, offering the general public the<br />

opportunity to view programs being produced.<br />

The technical fit-out of the premises was undertaken<br />

in-house, through the efforts of the SBS's radio and<br />

television engineering units. This was followed by the<br />

weekend relocation from the former premises in<br />

Melbourne's Ballet Centre and involved more than 200<br />

SBS staff and contractors. By the start of the following<br />

week, programs were being broadcast from the new<br />

digital facility.<br />

GOVERNMENT RELATIONS<br />

Election Coverage<br />

In accordance with SBS's guidelines on the Coverage<br />

of Elections and Referenda, free air time on SBS Radio<br />

was offered to the qualifying political parties during the<br />

New South Wales State election campaign period<br />

(February 28 to March 19). The eligible parties were<br />

the Australian Labor Party, the Liberal Party of Australia<br />

and the National Party of Australia.<br />

The offer of free air time was accepted by the Labor<br />

Party only, and announcements, including recorded<br />

statements and policy speeches, were subsequently<br />

broadcast in accordance with the guidelines.<br />

Government<br />

Regular senior-level contact was maintained<br />

throughout the year with relevant ministers and<br />

ministerial offices, the Department of Communications,<br />

Information Technology and the Arts, the Department<br />

of Finance, Treasury and the Department of Immigration<br />

and Multicultural and Indigenous Affairs. SBS<br />

representatives had high-level contact with<br />

CORPORATION | 65<br />

government and other corporate bodies, particularly in<br />

relation to major broadcasting policy developments,<br />

digital television policy, media ownership, and the SBS<br />

Triennial Funding application. Submissions made<br />

during the year included:<br />

Optus / Foxtel Content Sharing Agreement<br />

SBS wrote to the Australian Competition and Consumer<br />

Commission (ACCC) regarding the draft undertakings<br />

made under 87B of the Trade Practices Act 1974,<br />

relating to the proposed content sharing agreement<br />

between Pay TV channel providers Foxtel, Optus,<br />

Austar and Telstra.<br />

While broadly supportive of any investment increasing<br />

the diversity of media and access to media, SBS<br />

expressed concern that the undertakings did not<br />

include adequate provisions to ensure the retransmission<br />

of SBS's digital services in appropriate positions on<br />

Pay TV digital networks. SBS was also concerned that<br />

new Pay TV industry arrangements could harm SBS's<br />

overseas program purchasing activities.<br />

In November, the ACCC announced it would<br />

conditionally approve the content sharing agreement<br />

and in December Foxtel programming became<br />

available to Optus customers. At June 20<strong>03</strong>, SBS was<br />

involved in ongoing commercial discussions with Foxtel<br />

to secure the retransmission of SBS digital channels.<br />

National Television Conversion Amendment<br />

Scheme <strong>2002</strong><br />

SBS provided comment to the Australian Broadcasting<br />

Authority (ABA) review of the National Television<br />

Conversion Scheme established to assist the transfer<br />

of analogue television signals to digital. SBS's<br />

submission expressed concern that the proposed<br />

amendments to the regulations unnecessarily<br />

differentiated between national and commercial<br />

broadcasters in relation to requirements to broadcast<br />

High Definition Television in remote areas and flexibility<br />

of multi-channel service delivery options.


66 | CORPORATION<br />

Review of Australian Content<br />

on Subscription Television<br />

SBS contributed to the Australian Broadcasting<br />

Authority review examining whether the current<br />

requirements for Australian and New Zealand content<br />

on subscription TV were operating effectively in order<br />

to ensure that new and increased opportunities<br />

existed for the Australian drama production industry.<br />

In regard to drama, SBS supported the existing annual<br />

expenditure quota system for contributions from<br />

subscription TV providers, which facilitates production<br />

opportunities from new and independent filmmakers<br />

from culturally diverse backgrounds.<br />

SBS also supported the extension of the expenditure<br />

quota system to Australian and New Zealand<br />

documentary content, which would increase SBS's<br />

capacity to create new, innovative works in partnership<br />

with subscription TV providers.<br />

Therapeutic Goods Amendment Bill (No.2) <strong>2002</strong><br />

As part of a series of measures detailed in a<br />

Government reform package, the Federal Department<br />

of Health and Aged Care conducted the Therapeutic<br />

Products Advertising Review, with a view to updating<br />

the existing National Coordination Committee for<br />

Therapeutic Goods (NCCTG) advertising code.<br />

The review covered the vetting of advertisements<br />

and responsibility for dealing with complaints about<br />

advertisements of non-medical products.<br />

Where previously only advertisers were liable, the report<br />

recommended changes that would make broadcasters<br />

liable for advertisements. Following release of the<br />

draft report of the review, SBS, FACTS, CRA and<br />

Fairfax make a joint submission to the Therapeutic<br />

Goods Administration. The submission supported the<br />

retention of current pre-approval and complaints<br />

handling processes under which the advertisers, rather<br />

than the broadcasters, are primarily responsible for<br />

advertising content.<br />

Review of the roles of the ABA and the ACA<br />

The Department of Communications, Information<br />

Technology and the Arts conducted a review of the<br />

roles of the Australian Broadcasting Authority (ABA)<br />

and the Australian Communications Authority (ACA).<br />

The review focused on what would be the most<br />

effective future arrangements for the management of<br />

broadcasting and telecommunications spectrum. The<br />

discussion paper released sought comment on a<br />

number of options that ranged from merging the ABA<br />

and the ACA, to retaining both bodies, but merging a<br />

number of their functions.<br />

SBS made a submission to the review supporting the<br />

existing arrangement for spectrum management for<br />

free-to-air broadcasting services. It argued that the<br />

existing system worked effectively, preserving both the<br />

social and cultural policy objectives of broadcasting,<br />

and serving the interests of the Australian public.<br />

Community Television Sector<br />

In August <strong>2002</strong>, The Department of Communications,<br />

Information Technology and the Arts invited comments<br />

on proposed legislative changes to licensing<br />

arrangements for Community Television (CTV) and<br />

related community broadcasting issues.<br />

SBS made a submission opposing any increase in<br />

advertising and sponsorship time for CTV broadcasters.<br />

In response to advice from the Department that<br />

advertising would not be permitted for CTV but that<br />

sponsorship time would be increased from five minutes<br />

to seven minutes per hour, SBS wrote to the Minister<br />

in October outlining concerns that the proposed<br />

changes relating to sponsorship time for CTV would<br />

be detrimental to SBS. The definition of sponsorship<br />

for community broadcasters, as set out in the BSA, is<br />

broad enough (from a market perspective) to include<br />

what are effectively advertisements.<br />

On 15 November, the Government passed the<br />

Broadcasting Legislation Amendment Act (No.2) <strong>2002</strong><br />

increasing sponsorship time for the CTV sector.


ASIO terrorism bill<br />

ASIO Legislation Amendment (Terrorism) Bill <strong>2002</strong><br />

[No.2], amending the ASIO Act 1979 to strengthen<br />

ASIO's counter-terrorism powers, was referred to the<br />

Senate Legal and Constitutional Committee for Inquiry<br />

and <strong>Report</strong> by 3 December <strong>2002</strong>.<br />

Of key concern for media organisations were<br />

provisions that:<br />

(1) provided for the arrest and detention of journalists<br />

with respect to information they may have on terrorists<br />

and terrorist activity; and<br />

(2) criminalised communication by journalists not only<br />

with detainees, but with their families and lawyers.<br />

SBS, along with other media organisations, made a<br />

submission to the Inquiry suggesting a qualified<br />

privilege for journalists to address point (1) and urging<br />

the deletion of the restrictive provisions in (2).<br />

Following the Inquiry, the ASIO Legislation Amendment<br />

(Terrorism) Bill <strong>2002</strong> [No.2] was reintroduced in<br />

Parliament with some amendments addressing the<br />

issues raised in media industry submissions.<br />

For media organisations there remained, however,<br />

serious concerns with the Bill. Principally, these<br />

concerned conditions under which individuals<br />

(including journalists) could be detained. The provisions<br />

enabled detainees to be held incommunicado and<br />

denied access to legal representatives for up to 48 hours.<br />

In addition, the Bill: reversed the burden of proof for<br />

suspected information holders, and made it an offence,<br />

subject to up to five years' imprisonment, for a person<br />

not to appear for questioning as required by a warrant,<br />

or to decline to give information or produce a record<br />

as required.<br />

CORPORATION | 67<br />

In early May, SBS joined with other media<br />

organisations to advise of these concerns and<br />

suggest improvements to the Bill. Following further<br />

amendments, the ASIO Legislation Amendment<br />

(Terrorism) Bill <strong>2002</strong> [No.2] Bill was reintroduced in the<br />

Senate on 12 June and passed on 26 June 20<strong>03</strong>.<br />

Provisions reversing the burden of proof when people<br />

are detained and questioned about information that<br />

may or may not be in their possession remain, as do<br />

jail terms for persons who decline to give or produce<br />

information.<br />

<strong>Report</strong> on surveillance and listening<br />

devices law reform<br />

The New South Wales Law Reform Commission called<br />

for submissions regarding its Interim Surveillance<br />

<strong>Report</strong>, proposing the introduction of new legislation<br />

to regulate surveillance in NSW.<br />

SBS and other media organisations were concerned by<br />

changes recommended in the <strong>Report</strong> to laws covering<br />

collection of camera footage and sound recordings.<br />

The concerns principally regarded restrictions on free<br />

speech and the impact the recommendations would<br />

have on investigative journalism, including criminalising<br />

acceptable newsgathering practices.<br />

SBS made a submission in May 20<strong>03</strong> opposing the<br />

Commission's recommendations. SBS believed that<br />

the recommendations would have an unnecessarily<br />

onerous impact on its operations, inhibiting investigations<br />

of public importance. The Commission is expected<br />

to table the final report in Parliament towards the<br />

end of 20<strong>03</strong>.


68 | CORPORATION<br />

Inquiry into Section 69 of the Evidence Act<br />

SBS made a submission to the South Australian<br />

Legislative Review Committee Inquiry into publication<br />

of names of accused persons who are subsequently<br />

not convicted or not found guilty.<br />

Along with other media organisations, SBS expressed<br />

concern that a possible change of law could make it<br />

illegal for the media to identify or report the name of<br />

people accused of crimes in South Australia until they<br />

are convicted. SBS opposed such changes in the<br />

interests of maintaining the critical role of the media<br />

in ensuring transparency in the administration of<br />

open justice.<br />

New directions for the film, TV and new media<br />

industries in the Northern Territory<br />

SBS responded to the Northern Territory Department<br />

of Business, Industry and Resource Development<br />

Inquiry into new directions for film, television and new<br />

media industries.<br />

In its submission, SBS recognised the value of<br />

collaborations with state governments in developing<br />

avenues for makers of new and diverse film, television<br />

and new media works. In particular, SBS recognised<br />

the unique contribution of the Northern Territory<br />

landscape and population to Australian cultural life,<br />

and the enormous scope for ongoing industry<br />

development through the establishment of a proposed<br />

Northern Territory Office of Film, Television and<br />

New Media.<br />

Through its commissioning arm, SBS Independent, SBS<br />

offered support to establishing new co-productions and<br />

collaborations with the Northern Territory government<br />

that increase community participation, demonstrate<br />

economic benefits and make use of the Territory's<br />

diverse creative resources.<br />

Triennial funding<br />

SBS presented its Triennial Funding Submission for<br />

the period 20<strong>03</strong>-06 to the Federal Government. The<br />

submission detailed SBS's achievements over the last<br />

triennium and future challenges. It identified the funding<br />

amount SBS believed was necessary to maintain its<br />

base activities, respond to these challenges, and better<br />

fulfil its Charter obligations over the three-year period.<br />

In order to maintain its current services, SBS sought<br />

a modest increase in funding. In addition, funding was<br />

sought for a number of new initiatives, including<br />

expanding digital multi-channelling, in order to secure<br />

SBS's position in an increasingly fragmented media<br />

environment and to meet increased audience demand<br />

for SBS services. The submission highlighted SBS's<br />

continued role as a force for social cohesion, a<br />

facilitator of new broadcasting technology, and<br />

a driver of digital take up.<br />

Two components of the request were funded in the<br />

20<strong>03</strong>-04 budget:<br />

1) A continuation of the funding supplement received<br />

during the 2000-<strong>03</strong> triennium for the purchase of<br />

overseas programs. With this funding, SBS can<br />

maintain viable levels of quality overseas programs, as<br />

well as consolidate and build on audience growth and<br />

optimise opportunities for revenue.<br />

2) The requirement for SBS to continue finding<br />

operational efficiencies under the application of the<br />

'efficiency dividend' was removed. This recognised<br />

SBS's continued efficient operation in light of the<br />

reduction in base funding over two triennia against an<br />

increased cost base.<br />

A full summary of the SBS Triennial Funding<br />

Submission is available at<br />

http://sbs.com.au/media/2895Triennial.doc


Environmental Protection and Biodiversity<br />

Conservation Act 1999<br />

The effect of SBS's activities on the environment is<br />

limited to the use of natural resources, including<br />

energy and the associated production of waste.<br />

SBS reduces the impact of its activities on the<br />

environment through a number of means, including<br />

the promotion of recycling. This year, in addition to<br />

long standing programs for recycling paper, cardboard,<br />

glass and aluminium beverage containers and printer<br />

cartridges, SBS began recycling fluorescent lighting<br />

tubes and returning old mobile phones and batteries<br />

for recycling through the 'Phones 4 Planet Ark' initiative.<br />

SBS also supports the use of recycled products<br />

including paper and washroom supplies, where these<br />

products are equivalent in terms of value and suitability<br />

to products made from virgin materials.<br />

Two initiatives to reduce the use of water within SBS's<br />

Sydney premises were introduced in <strong>2002</strong>-<strong>03</strong> and the<br />

results are the subject of ongoing evaluation. Existing<br />

initiatives to reduce the building's energy consumption<br />

were augmented with an improved lighting control<br />

system and the introduction of energy saving 'light eco'<br />

units that improve the efficiency of general office<br />

fluorescent lighting. An energy review of SBS's new<br />

Melbourne premises at Federation Square is scheduled<br />

in 2004.<br />

COMMUNITY RELATIONS<br />

CORPORATION | 69<br />

This year, SBS conducted the most extensive<br />

community consultations in its history. They preceded<br />

the launch of SBS Radio's new program schedule and<br />

involved the Board, the Managing Director, the Head<br />

of SBS Radio and senior managers. All state and<br />

territory capitals were visited and more than 1,000<br />

consultations were conducted with community<br />

leaders and interested parties.<br />

In addition to these special functions, the Board, senior<br />

management, broadcasters and program makers<br />

continued their frequent and wide-ranging consultations<br />

about SBS initiatives and program and policy<br />

developments. Individual language communities<br />

invited to meet with managers and broadcasters<br />

in Sydney and Melbourne to discuss programming<br />

included: French, German, Greek, Cantonese, Turkish,<br />

Mandarin, Thai, Kannada, Croatian, Hindi, Urdu<br />

and Vietnamese.<br />

SBS Radio maintained its reputation for having one of<br />

the closest listener relationships of any broadcaster in<br />

Australia. During the year, SBS Radio management<br />

and staff either hosted or attended a record 729<br />

community, public and industry functions. SBS Radio<br />

also conducted 85 outside broadcasts throughout<br />

Australia and held 25 radioathons which raised more<br />

than a quarter of a million dollars for relief aid and<br />

community projects in Australia and overseas. In<br />

December, SBS Radio won the inaugural Award for<br />

Excellence from the Federation of Ethnic Communities<br />

Councils of Australia (FECCA) at its annual conference<br />

in Canberra.


70 | CORPORATION<br />

In March, the Minister for Communications, Information<br />

Technology and the Arts, Senator Richard Alston, and<br />

Victoria's Premier, Steve Bracks, officially opened SBS's<br />

new Melbourne premises at Federation Square. The<br />

relocation was marked by a week of cultural, artistic<br />

and broadcast events. These included a drumming<br />

festival with hundreds of participants representing more<br />

than 20 cultures; a citizenship ceremony officiated by<br />

the Minister for Citizenship and Multicultural Affairs,<br />

Gary Hardgrave; a presentation by 1,000 choristers<br />

from 25 ethnic backgrounds; and a 'Food on Film'<br />

festival involving SBS Independent and the Australian<br />

Centre for the Moving Image.<br />

Running in conjunction with the opening celebrations<br />

was the SBS Federation Square Art Award, which<br />

attracted over100 entries from artists from more than<br />

25 ethnic backgrounds.<br />

COMMUNITY ADVISORY COMMITTEE<br />

During the year, the Community Advisory Committee<br />

(Appendix 13) met three times and had a separate<br />

meeting with the Board in February.<br />

Four Committee members retired in <strong>2002</strong>-<strong>03</strong>. In May<br />

20<strong>03</strong>, the SBS Board extended the terms of three<br />

members for a further two years and appointed two<br />

new members to the Committee, their terms beginning<br />

in the second half of 20<strong>03</strong>.<br />

Key SBS staff from all divisions updated Committee<br />

members about the work of SBS. The Committee was<br />

consulted on aspects of SBS work including the Radio<br />

rescheduling process, community awareness of digital<br />

television, SBS Frequently Asked Questions, Federation<br />

Square launch projects and SBS New Media's<br />

Whatever and Antimaterratica initiatives. The<br />

Committee also provided ideas to help SBS increase<br />

its engagement with the Australian community.<br />

In continuing its work on SBS research projects, the<br />

Committee held discussions about the possible<br />

community implications for SBS arising from the<br />

published findings of the SBS-commissioned research<br />

survey Living Diversity: Australia's Multicultural Future.<br />

The Committee previewed several SBS programs,<br />

including documentaries and dramas commissioned<br />

by SBS Independent, and provided feedback to SBS<br />

managers and programming staff.<br />

AUDIENCE FEEDBACK<br />

Incorporating industry and community feedback<br />

received through an 18-month review process, SBS<br />

released its revised Codes of Practice in February<br />

20<strong>03</strong>. The SBS Codes of Practice outline SBS's<br />

programming obligations under its Charter and<br />

include the process whereby audiences can lodge<br />

complaints about SBS programming. (Audience<br />

feedback statistics are itemised on page 26.<br />

Promotions and partnerships<br />

SBS Radio was an official media sponsor of<br />

Womadelaide 20<strong>03</strong>, continued its sponsorship<br />

of Sydney's Royal Easter Show and sponsored<br />

a number of film festivals including Greek, Italian<br />

and Spanish and the Sydney Film Festival.<br />

SBS Radio also was a sponsor of a number of<br />

commonwealth and state government initiatives<br />

including the Australian of the Year Awards and the<br />

NSW Consumer Protection Awards and developed<br />

strong relationships with a number of arts and<br />

sporting organisations such as the AFL and the<br />

Australian Museum.<br />

RESEARCH<br />

Living Diversity: Australia's<br />

Multicultural Future<br />

In November <strong>2002</strong>, SBS published the results of a<br />

major research project on trends in multiculturalism<br />

and the role of SBS. Living Diversity: Australia's<br />

Multicultural Future identified and examined trends in<br />

multicultural Australia. SBS has used the findings to<br />

inform programming strategies and corporate<br />

planning and to revise some marketing campaigns.<br />

The Living Diversity research was commission<br />

by the SBS Board to ensure that SBS remained<br />

a key player in Australia's changing media and<br />

cultural environment.


SBS engaged Professor Ien Ang (Director of the<br />

Centre for Cultural Research at the University of<br />

Western Sydney), Associate Professor Jeffrey Brand<br />

(Co-director of the Centre for New Media Research<br />

and Education at Bond University), Dr Greg Noble<br />

(Researcher at the Centre for Cultural Research) and<br />

Dr Derek Wilding (Director of the Communications<br />

Law Centre) to produce the report on behalf of SBS.<br />

The research, conducted in April <strong>2002</strong>, was based on<br />

telephone surveys of five cultural groups, plus a<br />

national sample representing the broader Australian<br />

population. It also included results of qualitative<br />

surveys conducted within Australia's indigenous<br />

communities.<br />

The report identified an Australian population in which<br />

cultural diversity and cross-cultural intermixing is<br />

increasingly part of mainstream experience. Rather<br />

than simply tolerating or accepting diversity, the report<br />

found Australians actually 'living' diversity. The report's<br />

findings received wide media coverage at the time of<br />

release, and have since been presented at a number<br />

of industry and academic forums.<br />

SBS and Australian Cultural Democracy<br />

In May 20<strong>03</strong>, SBS, in collaboration with academics<br />

from the University of New South Wales and the<br />

University of Western Sydney, submitted an<br />

application to the Australian Research Council for the<br />

funding of a project titled, The Special Broadcasting<br />

Service and Australian Cultural Democracy: Evolution,<br />

Uses and Innovation.<br />

Never before has SBS's unique role in deepening<br />

Australian democracy been explored and documented<br />

in detail. In combining industry and academic<br />

expertise, the three-year project proposed to illustrate<br />

SBS as an international benchmark for public<br />

broadcasting and to provide valuable insights into the<br />

role of media and cultural organisations in Australian<br />

democracy. If the application is successful, the project<br />

will begin in January 2004.<br />

CORPORATION | 71<br />

Interactive Television Audience<br />

Research Laboratory<br />

During the year, SBS gave its backing to the proposed<br />

establishment of Australia's first public Interactive<br />

Television Audience Research Laboratory through the<br />

Interactive Television Research Institute at Murdoch<br />

University. In <strong>2002</strong>-<strong>03</strong>, the Institute was awarded<br />

funding for the project from the Australian Research<br />

Council and commenced construction of the facility.<br />

When complete, the laboratory will be capable of<br />

testing and evaluating a diverse range of interactive<br />

television applications and will allow broadcasters to<br />

access comprehensive research on the kinds of<br />

products and services best suited to the interactive<br />

television environment.<br />

SBS RADIO & TELEVISION YOUTH<br />

ORCHESTRA<br />

The SBS Radio and Television Youth Orchestra is a<br />

non-profit company supported by SBS. It provides<br />

opportunities for talented young Australian musicians<br />

from a diverse range of cultural backgrounds to<br />

experience a sophisticated and challenging program<br />

of classical musical performance. The Orchestra was<br />

invited to France and Italy in <strong>2002</strong> to participate in<br />

festivals in those countries.<br />

During the year, the orchestra performed at a number<br />

of venues, including the Sydney Town Hall and<br />

the Sydney Opera House. Programs featuring the<br />

Orchestra and broadcast by SBS Television in <strong>2002</strong>-<strong>03</strong><br />

included: A Meeting in the Middle; James Morrison<br />

and Judy Bailey; The Russian Enigma; Young<br />

Persons' Guide to the Orchestra; Prodigies (two<br />

episodes); Bridge Between Two Islands; Dvorak's<br />

Te Deum; and A Hat Trick of Haydn.


72 | CORPORATION<br />

CORPORATE AND<br />

INTERNATIONAL RELATIONS<br />

Industry Participation<br />

SBS contributed directly to industry forums in<br />

the developing fields of digital television and digital<br />

radio, standards setting, and the development<br />

of operational practices, and liaised with both<br />

SBS involvement with other industry forums includes:<br />

Asia-Pacific Broadcasting Union (ABU)<br />

Australian Broadcasting Authority (ABA)<br />

Australian Communications Information Forum<br />

Australian Telecommunications Users Group (ATUG)<br />

Broadcasting Industry Technical Advisory Group (BITAG)<br />

Commercial Radio Australia (CRA)<br />

Community Broadcasting Association of Australia (CBAA)<br />

Digital Radio Advisory Committee (DRAC)<br />

Digital Television Standards Selection Committee<br />

SBS memberships:<br />

SBS is a full member of the Asia-Pacific Broadcasting<br />

Union (ABU).<br />

SBS is a member of the Commonwealth Broadcasting<br />

Association (CBA); the Digital Broadcasting Australia (DBA);<br />

SBS was represented at the following conferences and<br />

seminars:<br />

Australian Broadcasting Authority conference (Canberra)<br />

Communications Research Forum (Canberra)<br />

FECCA Conference (Canberra)<br />

39th Asia-Pacific Broadcasting Union <strong>Annual</strong> General Meeting<br />

(Tokyo)<br />

The Pay Television and Radio Industry Conference (Sydney)<br />

Regular meetings of the Commonwealth Heads of Cultural<br />

Organisations (Canberra)<br />

Communications Law Centre Classification Seminar (Sydney)<br />

government agencies and equipment manufacturers/<br />

suppliers in regard to digital television receivers. SBS<br />

also chaired a number of industry forums<br />

and committees.<br />

European Broadcasting Union (EBU)<br />

International Institute of Communications (ICC)<br />

International Telecommunications Union (ITU-R)<br />

National Ethnic and Multicultural Broadcasters Council (NEMBC)<br />

Public Broadcasters International<br />

Remote Area Broadcasting Services (RABS)<br />

SMA's Radio Communication Consultative Council (RCC)<br />

Standards Australia (SA)<br />

WorldDab Forum<br />

and the DTV Strategy Group and sub-committees.<br />

SBS is an associate member of Commercial Television<br />

Australia (CTVA).<br />

Network Insight Conference: Spectrum Regulation and changes<br />

to the ABA and ACA (Sydney)<br />

Australian Broadcasting Summit: Creating Australia's digital<br />

environment for TV & Radio (Sydney)<br />

Conference on Human Rights Education (Canberra)<br />

In-Between1.5 Generation Viet-Aust' seminar (Sydney)<br />

Diversity and Tolerance Conference (Sydney)<br />

Asian Knowledge in a Multicultural Australia Symposium<br />

(Canberra)<br />

ACTU International Women's Conference (Melbourne)


International Relations<br />

During the year, the Managing Director met the<br />

ambassadors of Italy, Germany, Turkey, Austria, the<br />

European Union and the consuls general of Britain,<br />

Canada and South Korea.<br />

Among the many overseas delegations and dignitaries<br />

to visit SBS Radio were the Prime Minister of Malta;<br />

the Danish and East Timor ambassadors; and<br />

delegations from China, Croatia and Taiwan.<br />

CORPORATION | 73<br />

Television managers attended film and television<br />

festivals and seminars in France, Italy, Greece, Britain,<br />

Denmark, Germany, Iran and the Netherlands. SBS<br />

attended the Asia-Pacific Broadcasting Union<br />

Conference in Tokyo and visited the Hangzhou radio<br />

and television station in China<br />

SBS maintains mutual cooperation agreements with:<br />

Asia Television Ltd (ATV) Hong Kong<br />

France Télévision France<br />

China Central Television (CCTV) China<br />

Deutsche Welle (DW) Germany<br />

Duna Televízió (DTV) Hungary<br />

Elliniki Radiophonia Tileorassi (ERT) Greece<br />

International Broadcast Bureau (IBB) USA<br />

MIST Telekompania (MIST) Ukraine<br />

Nippon Hoso Kyokai (NHK) Japan<br />

NTV Telekompania (NTV) Russia<br />

People's Television Network (PTV) Philippines<br />

Polsat Telewizja SA Poland<br />

Public Broadcasting Services (PBS) Malta<br />

Radiotelevisione Italiana (RAI) Italy<br />

Radio Televisión Española (RTVE) Spain<br />

Satellite Communications for Learning (SCOLA) USA<br />

Televisi Republik Indonesia (TVRI) Indonesia<br />

Televisión Nacional de Chile (TVN) Chile<br />

Zweites Deutsches Fernsehen (ZDF) Germany


74 | CORPORATION


REPORT OF PERATIONS | 75<br />

REPORT OF<br />

OPERATIONS


76 | REPORT OF OPERATIONS<br />

REPORT OF OPERATIONS<br />

<strong>2002</strong>-<strong>03</strong><br />

SBS and the Commonwealth have agreed on the following outcome for the Corporation's<br />

activities: 'Provide multilingual and multicultural services that inform, educate and entertain all<br />

Australians, and, in doing so, reflect Australia's multicultural society.' To achieve this outcome,<br />

SBS has two designated outputs, television and radio.<br />

SBS Television's 'quality' performance output is determined by: viewer and community<br />

feedback; audience reach data; the tenor of media comment; and the number of hours of<br />

appropriate programming. The 'quantity' performance output is determined by: the percentage<br />

of programs broadcast in languages other than English; the number of subtitled programs; and<br />

the number of hours of locally produced programs.<br />

SBS Radio's 'quality' performance output is determined by listener and community feedback,<br />

and audience surveys. The 'quantity' performance output is determined by the number of<br />

hours broadcast in languages other than English.<br />

The <strong>Report</strong> of Operations <strong>2002</strong>-<strong>03</strong>, which assesses SBS's performance against four<br />

achievement goals under the Corporation's current Corporate Plan 2001-<strong>03</strong>, addresses the above<br />

outcomes and related outputs. Additional information is contained throughout this <strong>Annual</strong> <strong>Report</strong><br />

and specific financial results are included in the financial statements.


PROGRAMS AND AUDIENCES<br />

REPORT OF OPERATIONS | 77<br />

Objective<br />

1. Increase our understanding of current and prospective audiences in respect of: demographic<br />

composition (including listening and viewing patterns across programs); opinions about SBS and its<br />

programming; needs; and expectations.<br />

2. Manage the data and knowledge that we gather, and that we already have, to identify groups that are<br />

low users of SBS services, noting that women and young people (particularly second and third generation<br />

Australians from non-English speaking migrant families), have already been identified as priorities.<br />

Performance Indicator(s)<br />

(a) By December 2001, commissioning and completion of a major research project to examine trends in<br />

multicultural Australia and the role of SBS.<br />

The results from a major quantitative study conducted in early <strong>2002</strong> were reported on in the second half<br />

of the year. Behavioural and attitudinal matters concerning cultural diversity and media were examined in a<br />

national sample, five language samples and a qualitative sample of indigenous communities. Senior academics<br />

from the University of Western Sydney, the Communications Law Centre and Bond University were engaged<br />

to write the report. Living Diversity: Australia's Multicultural Future, was provided to the Board in September <strong>2002</strong><br />

and publicly released in November. Its findings were presented at a number of industry and academic<br />

conferences.<br />

The report provided important insights into the generally positive attitudes towards cultural diversity in Australia<br />

and, at the same time, posed important challenges for SBS in engaging those who are ambivalent about or<br />

negative towards multiculturalism. A considerable amount of data on SBS user and non-user patterns, gathered<br />

during the research, was also used by specific divisions within SBS and at staff briefing sessions. Originally<br />

scheduled for completion by December 2001, the project was delayed in recognition of the effects on attitudes<br />

caused by the events of September 11, 2001. The full <strong>Report</strong> is available at<br />

http://sbs.com.au/media/2872SBS_Living_Diversity.pdf.<br />

(b) <strong>Annual</strong> consolidated analysis of: industry measures of audience ratings and reach; SBS-commissioned<br />

and other qualitative and quantitative audience research; and feedback from current sources (letters, calls,<br />

consultations, etc.)<br />

ATR and A C Nielsen viewer surveys in <strong>2002</strong> showed that more than 7.7 million people viewed SBS Television<br />

each week. In the five major cities – Sydney, Melbourne, Brisbane, Adelaide and Perth – the average weekly<br />

reach was more than 5.4 million viewers. SBS Television's audience share of home viewing in these cities<br />

between 6 p.m. and midnight was 5.59%.<br />

A nationwide Newspoll telephone survey in November <strong>2002</strong> found continued popular support for SBS as an<br />

alternative to commercial television networks (88.5%) and the ABC (79.7%). Over 73% "find value in SBS" and<br />

88% agreed "SBS plays an important role in today's culturally diverse society".


78 | REPORT OF OPERATIONS<br />

Every year since 1996, SBS Radio has commissioned independent surveys into audience attitudes and listening<br />

habits. Over that time, 51 telephone surveys have been conducted and more than 20,000 people interviewed.<br />

These are believed to be the most intense and extensive independent radio surveys conducted by any<br />

broadcaster in Australia. More than 1,000 community consultations preceded the formulation of SBS Radio's<br />

new broadcast schedule. In addition, SBS Radio managers and broadcasters attended 729 community, public<br />

and industry functions during the year. SBS's Policy division conducted 'focus groups' in Bathurst and Young on<br />

audience attitudes, opinions and expectations of SBS.<br />

SBS also received more than 1,600 letters, an estimated 50,000 telephone calls, and thousands of emails<br />

during the year. The majority were programming requests and enquiries that were distributed to relevant areas for<br />

response or action.<br />

Objective<br />

3. Develop programming strategies to reach those groups identified above as low users of SBS services,<br />

while at the same time maintaining existing audiences.<br />

Performance Indicator(s)<br />

(a) Production, commissioning and broadcast of programming with which target audiences can identify.<br />

SBS Television continued to give particular attention to female and youth audiences, traditional low users of<br />

SBS services. Comedy programs were particularly popular. A third series of the cult phenomenon, Pizza, was in<br />

production during the year while repeats of the second series attracted large audiences. Similarly, a second<br />

series of the spoof comedy program, Life Support, attracted strong audiences. A third series was<br />

commissioned for broadcast in October 20<strong>03</strong>. New series of South Park, Quads and Crank Yankers also<br />

attracted young audiences. So too did the groundbreaking series on homosexuality, Queer As Folk, and the<br />

crime-solving canine, Inspector Rex.<br />

The Austrian police drama was particularly popular with young children and female viewers. The SBS-produced<br />

series on motherhood, Mum's The Word was broadcast during the year along with the lifestyle series, Nest.<br />

In <strong>2002</strong>-<strong>03</strong>, the perennial favourite, The Movie Show and the third series of The Food Lovers' Guide to<br />

Australia attracted consistently strong audiences. A fourth series of The Food Lovers' Guide to Australia<br />

began production.<br />

SBS Radio extended the range of its nightly youth program, Alchemy, through diversified programming<br />

covering music, culture and arts. Each night, it pursues a different subject, providing a youth perspective to<br />

social, cultural and political issues. In November, Alchemy began broadcasting overnight each Friday and<br />

Saturday. Alchemy was a high-profile participant at the Womadelaide Festival, the Royal Easter Show in Sydney<br />

and at Melbourne's Fringe Festival. In association with the Australian Centre for the Moving Image, Alchemy<br />

organised 'Skylab' a digital cinema and music performance in Melbourne's Federation Square. Alchemy joined<br />

SBS Radio programs in promoting SBS's online youth site, Whatever, which launched a double CD, The<br />

Whatever Sessions, showcasing young musical talents, particularly from a non-English speaking background.<br />

(b) The rate of growth in new listeners and viewers, particularly young people and women and other groups<br />

which may be identified as low users;


REPORT OF OPERATIONS | 79<br />

South Park, Life Support, John Safran's Music Jamboree, Inspector Rex and Crank Yankers were among<br />

SBS Television's top rating programs in <strong>2002</strong>. Across the schedule, SBS Television maintained its high profile<br />

among younger audiences, particularly on youth-focused nights – Saturday and Monday – when audience<br />

ratings were among the highest in an average week. Women viewers were attracted to the new series of Mum's<br />

the Word, The Food Lovers' Guide to Australia, Nest, and The Movie Show. SBS Radio audiences were able<br />

to access specific language programs at will via the 68-language audio streaming facility of the SBS website.<br />

(c) Maintenance of existing audiences.<br />

SBS Television increased its audience to almost 7.8 million weekly viewers in <strong>2002</strong>. Its audience share of home<br />

viewing (6 p.m. to midnight) in the five major cities – Sydney, Melbourne, Brisbane, Adelaide and Perth –<br />

increased to 5.59%. The increase was aided by the continued rollout of the analogue signal to areas with<br />

populations of 5,000 or more, and the licensing of self-help transmitters at more than 200 sites. Documentaries and<br />

documentary series continued to be the most popular programming stream on SBS Television. News and current<br />

affairs programs, Dateline and Insight, increased their audience reach.<br />

SBS Radio staged a record 85 outside broadcasts during the year. These were mostly linked to specific<br />

community and cultural events and attracted large crowds. The level of public support for SBS Radio was<br />

underlined by the raising of $275,000 in a series of relief and assistance radioathons involving broadcasters<br />

from 25 language groups.<br />

Objective<br />

4. Produce and broadcast more programming that originates in Australia and which reflects<br />

Australian experiences.<br />

Performance Indicator(s)<br />

The amount and quality of Australian multicultural programming.<br />

In <strong>2002</strong>-<strong>03</strong>, SBS Television broadcast 1,786 hours of programs produced by SBS or commissioned from<br />

independent Australian filmmakers. This was more than 25% of all programs transmitted by SBS during the<br />

year. These local programs included 770 hours of sport; 505 hours of news and current affairs; 214 hours of<br />

documentaries; 108 hours of educational programs; and more than 19 hours of Australian feature films.<br />

SBS Television production generated 247.5 hours of programs in <strong>2002</strong>-<strong>03</strong>. These included the comedies, Pizza<br />

and Life Support; the life and culture programs, Mum's The Word and The Food Lovers' Guide to Australia,<br />

the cinema review program, The Movie Show; the interactive drama series, TwentyFourSeven; and the<br />

indigenous cultural affairs program, Living Black.<br />

SBS Independent commissioned 92.5 hours of documentary, drama and animation during the year, many of<br />

them co-financing arrangements with State and Federal film bodies. All of these programs, in a variety of ways<br />

and styles, captured the essence of multicultural Australia, mostly through the eyes of filmmakers from non-<br />

English speaking or indigenous backgrounds. SBSi commissioned 17.5 hours of indigenous programs in <strong>2002</strong>-<strong>03</strong>.


80 | REPORT OF OPERATIONS<br />

All of SBS Radio's broadcast schedule of 68 languages was made available via audio streaming on the SBS<br />

website. A total of 15,000 hours of individual programs were produced in <strong>2002</strong>-<strong>03</strong>. From June 20<strong>03</strong>, the twice<br />

daily, English language program, World View, dropped its strict news and current affairs format in favour of diverse<br />

multicultural features. During the year, the SBS Radio newsroom produced 20,000 news stories, while World<br />

View broadcast more than 1,800 reports on issues affecting multicultural Australia.<br />

Objective<br />

5. Ensure that SBS's transmission responsibilities result in more efficient and effective audience reach,<br />

including identifying pockets of poor reception within existing service areas and taking remedial action<br />

where possible.<br />

Performance Indicator(s)<br />

Audience feedback on technical quality and reach of services.<br />

The roll out of SBS Television's analogue service continued under the Government-funded scheme to bring SBS<br />

to communities with populations of 5,000 or more. The first service under this expanded scheme began operating<br />

during the year and another 20 services are scheduled to begin in 20<strong>03</strong>-04. In addition, 234 sites currently<br />

experiencing poor reception have been granted funding for self-help transmitters under the Government's Black<br />

Spot Program. When completed, the network of self-help transmitters will number almost 400.<br />

SBS's digital service, which began in January 2001, continued to be rolled out to regional centres and cities<br />

across Australia. By the end of June 20<strong>03</strong>, 27 digital transmitters were on air and a further 53 were in the design<br />

and construction phase. Under the Self-Help Scheme, which is funded by the Federal Government and<br />

administered by SBS, communities eligible for assistance are offered technical advice and provided with copies<br />

of the booklets, Self-Help Guide and Self-Help Subsidy Guidelines.<br />

Objective<br />

6. Foster an environment where creativity is valued and risk-taking is accepted.<br />

Performance Indicator(s)<br />

Amount of programming and online material that is creative, innovative, and distinctly different from<br />

programming of other broadcasters.<br />

SBS Television maintained its commitment to innovative and quality creative programming across a variety of<br />

genres. These include: Living Black, the groundbreaking indigenous magazine program; The Food Lovers'<br />

Guide to Australia, television's only culinary and culture program; the interactive and experimental series,<br />

TwentyFourSeven; the cutting edge comedies, Pizza and Life Support; the late-night program, eat carpet which<br />

remained the only program devoted to short, experimental film; and the series, Subsonics, which explored<br />

avant-garde music.<br />

The documentaries, drama and animation commissioned by SBS Independent explored all facets of<br />

multicultural Australia, drawing on the experiences and expertise of some of Australia's finest independent<br />

filmmakers. SBS's two current affairs programs, Dateline and Insight, reported on international and domestic


REPORT OF OPERATIONS | 81<br />

issues and examined their relevance to, or potential impact on Australia. Both employed the technique of<br />

single-person video journalism, unique to SBS current affairs.<br />

The broadcast hours of SBS Radio's youth program, Alchemy, were extended to run overnight on Fridays and<br />

Saturdays to meet audience demands for programming that reflected the interests of second- and thirdgeneration<br />

migrant children and young adults. The program was closely aligned to the youth oriented<br />

Whatever site on the SBS website. A two CD set, The Whatever Sessions, was released during the year,<br />

capturing the distinctively different musical talents of young people from ethnically diverse backgrounds.<br />

Objective<br />

7. Maintain SBS's position as the premier provider of diverse, informative and entertaining programming in<br />

different languages and from different cultures.<br />

Performance Indicator(s)<br />

Number of industry awards, amount and nature of media and stakeholder comment, audience feedback.<br />

SBS Television maintained its reputation for quality, innovative programs which it acquired from more than 400<br />

sources. In <strong>2002</strong>-<strong>03</strong>, more than 3,600 hours of programs – 52% of the SBS schedule – were in languages other<br />

than English. These programs came from 71 countries, portrayed 217 cultures and were spoken in 117 languages.<br />

Most of these programs were made accessible to the widest possible audience by the use of English language<br />

subtitles.<br />

SBS Television broadcasts in more languages than any other network in the world. Likewise, SBS Radio's 68<br />

different language programs make it the world's most linguistically diverse radio network, and the audio<br />

streaming of all 68 language programs over the SBS website is unmatched by any other website.<br />

Programs commissioned by SBS Independent won more than 60 national and international awards during the<br />

year, bringing the total number of awards it has won since 1994 to more than 460.<br />

Audience feedback – telephone, email, fax and letter – was overwhelmingly supportive and complimentary.<br />

Most of the 1,666 letters, an estimated 50,000 telephone calls, and thousands of emails received during the<br />

year were programming requests and information and general enquiries. The Newspoll audience survey<br />

(November <strong>2002</strong>) found a record 88.5% agreed that "SBS plays an important role in today's culturally diverse<br />

society". The respondents also agreed that "it is important that SBS be available to provide an alternative to<br />

ABC Television" (79.7%) and "commercial stations" (88.5%). In addition, 87.2% agreed that "SBS has types of<br />

programs you would not see on other stations".<br />

SBS Radio management and staff hosted or attended 729 community, industry and public functions where<br />

opinions were canvassed and feedback was received. In addition, SBS Radio held: 85 outside broadcasts; 25<br />

radioathons; 12 meetings involving SBS managers and broadcasters and representatives from language<br />

communities; and contracted independent surveys into five language communities.


82 | REPORT OF OPERATION<br />

Objective<br />

8. Make full use of digital technologies to pursue Charter objectives in a creative way.<br />

Performance Indicator(s)<br />

(a) Programming strategies for additional television channels developed by February 2001 and implemented<br />

through the life of the Plan.<br />

In October <strong>2002</strong>, SBS Television launched its digital service, SBS Essential – a 24-hour electronic and information<br />

program guide, featuring news headlines, program information, weather and music. It is a prototype of an<br />

interactive datacasting channel. Once interactive set-top boxes are available, viewers will be able to call up<br />

information on demand – video, audio and text. Four months earlier, in June <strong>2002</strong>, SBS launched the digital World<br />

News Channel. It broadcasts 19 hours each day with 29 news bulletins, delivering 130 hours of news per week.<br />

Currently, news bulletins are received from 17 countries. Additional languages are being sought. SBS's five<br />

digital services are: its main television service in widescreen; two multi-channels, The World News and SBS<br />

Essential; and two SBS Radio services.<br />

(b) Other steps taken to maximise advantages from the new technologies.<br />

The conversion of SBS's standard definition television and radio studio equipment from analogue to digital<br />

technology continued during <strong>2002</strong>-<strong>03</strong>.<br />

For Television, this included: a number of camera upgrades to wide-screen capability; new non-linear editing<br />

booths; a rebuilt audio sweetening post-production suite; a live broadcast-capable studio inside the newsroom;<br />

a high definition and multi-channel playout centre; and an all digital television facility at SBS's new Melbourne<br />

premises at Federation Square.<br />

SBS Radio's Melbourne studios and teledubbing booths were installed with digital mixers. Audio recording,<br />

storing, editing and play-out are all done digitally. A new digital switcher was installed to route output from<br />

the studios to the AM and FM transmitters. Similar work was commenced in Sydney. The operating system<br />

for the Netia digital audio server was upgraded, and both the database software and storage capacities of the<br />

servers was expanded.<br />

SBS's Transmission Services Group designed and commenced construction of a digital television research and<br />

development facility. This laboratory will allow SBS to investigate the potential of interactive television on both freeto-air<br />

and pay television platforms; explore options for SBS retransmission over cable and satellite digital networks;<br />

and examine innovative uses of digital television technology. Using this facility, the single frequency network<br />

capabilities of set-top boxes and integrated digital televisions will be examined.<br />

Capital expenditure in <strong>2002</strong>-<strong>03</strong> covered equipment requirements to enable the simultaneous play out of one high<br />

definition, three standard definition and two radio channels to seven geographical zones. SBS contributed to the<br />

industry's Digital Strategy Group and Digital Broadcasting Australia on formulating standards and operational<br />

practices for digital television and radio.


Objective<br />

9. Use new media to maximise the impact of programming activities.<br />

Performance Indicator(s)<br />

Growth in use of the SBS Website and in emails about programming.<br />

REPORT OF OPERATIONS | 83<br />

New Media continued to support Television and Radio with the production of program-specific web sites.<br />

During the year: the news and current affairs websites were enhanced with Dateline and Insight now available<br />

as an online video file in addition to full transcripts; the archive facilities on the news and current affairs<br />

websites were enhanced and a daily video bulletin added to The World News website; a service providing email<br />

delivery of daily news headlines was begun; and a live online 'chat' for Mum's the Word and one-off 'chats' for<br />

documentaries were utilised.<br />

Interactive responses (polls, quizzes, forums and comments) increased to a monthly average of 100,000<br />

responses. The number of subscribers to the database of email newsletters increased to an average 8,500 each<br />

month. The Television schedule was introduced as an electronic program guide on digital.<br />

Objective<br />

10. Use SBS's services (Radio, Television and New Media) to cross promote SBS's programming and other<br />

activities.<br />

Performance Indicator(s)<br />

(a) Amount and effectiveness of cross-promotional activity to be quantified quarterly.<br />

(b) SBS Television campaign to re-launch SBS Radio online no later than March 2001.<br />

A comprehensive and systematic strategy of cross-promotion continued across Television, Radio and New Media<br />

throughout the year. SBS Radio's language programs, which produce 15,000 hours of individual programs each<br />

year, broadcast a total of 53 hours of program promotions for SBS Television and SBS Online. In turn, SBS<br />

Television telecast more than 10,000 'spots' about SBS Radio's language programs on its analogue and digital<br />

services. It also telecast more than 730 'spots' about the SBS website; 350 'spots' about SBS Language Services;<br />

and more than 2,800 'spots' about SBS merchandising. A high profile cross-promotion strategy was maintained on<br />

the SBS website. New Media worked with Television to ensure the inclusion of websites in all publicity material.<br />

Objective<br />

11. Reinvigorate SBS Radio to position it for the future, building on its record of achievement and taking full<br />

account of Australia's changing demographics.<br />

Performance Indicator(s)<br />

Repositioning and rescheduling (including use of new media) achieved through the life of the Plan. Timetable<br />

developed by March 2001.


84 | REPORT OF OPERATIONS<br />

Following extensive nationwide consultations, the new SBS Radio schedule – the first since1994 – was due to be<br />

inaugurated from 1 July 20<strong>03</strong>. Four languages were added to the schedule (Malay, Somali, Amharic and<br />

Nepalese) reflecting the growth of these communities' information and educational needs. Additional broadcast<br />

hours were allocated to several other languages in response to audience demands and the increased needs of<br />

these communities. Due to lack of broadcast space, four languages (Irish Gaelic, Scottish Gaelic, Welsh and<br />

Belarusian) were dropped. The allotted broadcast hours are determined by the size of the community and other<br />

factors, including recency of arrival and proficiency in English. Audio streaming on the SBS website of all 68<br />

languages is available as well as packaged feature stories in many of the major languages. Broadcasts of the<br />

nightly youth oriented program, Alchemy, were extended overnight on Fridays and Saturdays to meet growing<br />

demand for programming directed at young people from non-English speaking backgrounds.<br />

RELATIONSHIPS WITH<br />

OUR COMMUNITY<br />

Objective<br />

1. Being open and responsive – collaborating and communicating in many ways with the broader community<br />

as well as with indigenous and non-English speaking communities.<br />

Performance Indicator(s)<br />

(a) Maintenance of current levels of contact with the many different communities and stakeholders.<br />

(b) Opening of new channels of communication, particularly through use of the Internet.<br />

Managers, broadcasters and programming staff were involved in a record 729 community, public and industry<br />

functions. Board members and senior executives met with community groups and leaders on many occasions,<br />

including Board meetings held in Hobart and Melbourne. The Community Advisory Committee met three times and<br />

provided considered advice to the Board. Comprehensive consultations continued throughout the year on planned<br />

changes to SBS Radio's program schedules. The findings of the SBS-commissioned research paper, Living<br />

Diversity: Australia's Multicultural Future, were presented at a number of industry and academic conferences.<br />

Eighty-five outside broadcasts were held throughout Australia at many community festivals and functions.<br />

Each year, SBS Radio hosts community consultations at which representatives from individual language<br />

communities are invited to meet managers and broadcasters to discuss programming. This year, meetings in<br />

Sydney and Melbourne included representatives from the French, German, Greek, Cantonese, Turkish, Mandarin,<br />

Thai, Kannada, Croatian, Hindi, Urdu and Vietnamese communities.<br />

Television managers and programming staff attended industry forums, seminars and festivals in Australia and<br />

overseas, including Britain, France, Germany, Denmark, Greece and Iran. The most popular SBS websites, The<br />

World Game and The World News, attracted increased numbers of visitors with expanded content and access to<br />

video files and comprehensive audio streaming.


REPORT OF OPERATIONS | 85<br />

Objective<br />

2. Use SBS strong links with the individual language communities to attract support for all SBS's activities.<br />

Performance Indicator(s)<br />

Strategies introduced for enhancing benefits from links with language communities.<br />

Most SBS Radio language programs broadcast promotional information about forthcoming SBS Television<br />

programs and regularly advise listeners of audio-on-demand and other programming information and services<br />

available on the SBS website. In addition, SBS Television broadcast more than 10,000 'spots' – mostly positioned<br />

around the WorldWatch program – promoting many of the 68 languages broadcast on SBS Radio and highlighting<br />

some of the station's most popular broadcasters. Eighty-five outside broadcasts, held across Australia, attracted<br />

thousands of onlookers and participants and provided an opportunity for the distribution of radio and television<br />

program information, schedules and other publicity and information material. The feedback on programs and<br />

corporate initiatives provided by the Community Advisory Committee was disseminated throughout the corporation.<br />

Objective<br />

3. Ensure continued government, audience and stakeholder recognition of the value and importance of SBS<br />

as a public broadcaster.<br />

Performance Indicator(s)<br />

Amount of positive feedback received.<br />

SBS's extensive and wide-ranging community consultations, including regular outside broadcasts, ensured<br />

immediate feedback on a variety of programming and other issues. SBS maintained an active relationship with<br />

government leaders, other officials and industry representatives in order to ensure its views were heard and its<br />

activities understood. Both SBS Television and SBS Radio conducted independent audience surveys to gauge<br />

public attitudes about the Corporation and its programs. Comprehensive online surveys, conducted by SBS<br />

New Media, were being analysed at year's end for their possible incorporation in future programming and<br />

promotional strategies.<br />

In October, the Minister for Communications, Information Technology and the Arts, Senator Richard Alston,<br />

launched the digital service, SBS Essential. The start of broadcasts of the electronic program and information<br />

guide (with simultaneous delivery on the Parliament House television service) came four months after the Minister<br />

launched SBS's World News Channel. Both events highlighted SBS's commitment to digital multi-channelling.<br />

SBS New Media maintained its valuable business and strategic partnerships with a number of information<br />

technology suppliers and government instrumentalities, resulting in technical innovations and content generation.<br />

SBS continued its contribution to the industry's Digital Strategy Group and Digital Broadcasting Australia on<br />

formulating standards and operational practices for digital television and radio, and maintained close links with<br />

major consumer electronic suppliers on digital equipment specifications.


86 | REPORT OF OPERATIONS<br />

Objective<br />

4. Extending the network of our relationships with our community to reach younger people.<br />

Performance Indicator(s)<br />

Establishment of new and creative relationships with educational and other institutions which have a<br />

youth focus.<br />

New Media's efforts to highlight the musical talents of young Australians culminated with the March 20<strong>03</strong> release<br />

by Universal Records of the double CD, The Whatever Sessions. Another CD is planned for release in 20<strong>03</strong>-04. A<br />

collaborative project with the South Australian Film Corporation was launched in April 20<strong>03</strong>. During 20 weeks, the<br />

creative production and media talents of nine participants will be directed to the production of innovative works for<br />

both television and the web. The works, to be called My Space in an Amazing Place, will involve vastly different<br />

locations and diverse mediums.<br />

Another SBS project, Animaterratica, was launched with Film Victoria under its New Media Funding Accord. The<br />

project will use a collection of diverse folk tales from Australia's ethnic communities as the inspiration for a series<br />

of 20 short and stylistically diverse animations. SBS Radio's youth program, Alchemy, established a music<br />

partnership with the national youth festival, Noise, for the presentation of Sonic Allsorts, a competition profiling<br />

young creative artists who perform in languages other than English. Alchemy also joined the Womadelaide Festival<br />

and organised a concert at Melbourne's Federation Square in association with the Australian Centre for the Moving<br />

Image.<br />

SBS offered work experience programs for school students in Television Operations and Sport. Television News<br />

and Current Affairs maintained an internship program for journalism students, and SBS Radio offered journalism<br />

work placements.<br />

Objective<br />

5. Manage the relationships (including financial) with government and the public policy process to further<br />

SBS's Charter objectives.<br />

Performance Indicator(s)<br />

Degree of success in achieving SBS objectives as they arise.<br />

SBS maintained strong relationships with the Federal Government through regular contact with ministers and their<br />

officers, other politicians and relevant department officials. On issues affecting SBS, the Corporation<br />

communicated its position persuasively and informatively, ensuring its views were heard and its activities were<br />

understood. The broadcasting policy issues on which SBS made high-level representations with government and<br />

other corporate and industry bodies in <strong>2002</strong>-<strong>03</strong> included digital broadcasting legislation and digital television<br />

policy, media ownership, and triennial funding for 20<strong>03</strong>-06.<br />

SBS consulted extensively with government and other industry representatives on a number of reviews, inquiries<br />

and investigations throughout the year. These included:<br />

Submissions to DCITA on: the Review of the Roles of the ABA and the ACA; the Therapeutic Goods Amendment<br />

Bill (No. 2) <strong>2002</strong>; proposed legislative changes to licensing arrangements for community television.


REPORT OF OPERATIONS | 87<br />

Submissions to the ABA on the review of Australian Content on Subscription Television and on the Draft National<br />

Television Conversion Amendment Scheme <strong>2002</strong>.<br />

A submission to the Senate Legal and Constitutional Committee Inquiry into the Australian Security Intelligence<br />

Organisation Legislation Amendment (Terrorism) Bill <strong>2002</strong><br />

A submission to the ACCC on the draft undertakings made under the Trade Practices Act 1974 by Foxtel, Optus,<br />

Austar and Telstra<br />

Submissions to: the NSW Law Reform Commission regarding its interim Surveillance <strong>Report</strong>; the SA Legislative<br />

Review Committee on Section 69 of the Evidence Act; and to the NT Government on new directions for film,<br />

television and new media industries in the Territory.<br />

Objective<br />

6. Clarify and strengthen the relationship with rural and regional and remote Australia.<br />

Performance Indicator(s)<br />

Increase in the amount of contact (Internet, OB units, public relations activity, consultations, etc.) that<br />

strengthens relationships outside capital cities.<br />

SBS Radio conducted 85 outside broadcasts during the year, visiting capital cities and regional centres in New<br />

South Wales, Victoria, Queensland, Tasmania and the Australian Capital Territory. The vast majority of the broadcasts<br />

coincided with festivals and community celebrations, including Sydney's Royal Easter Show, the Royal Hobart<br />

Show, the Adelaide Festival, and 'Queensland Week' in Brisbane. Publicity and information brochures, including<br />

schedules, postcards and information about the Self-Help Scheme and SBS Radio Online, were distributed.<br />

SBS Independent, the commissioning arm of SBS Television, increased its activity under the creative and cofinancing<br />

alliances it has with all State film agencies. Preliminary discussions were held with the Northern Territory<br />

government about film- and television-making opportunities. Almost one third of all programs commissioned by<br />

SBSi are made in regional, rural and remote areas of Australia.<br />

As administrator of the Self-Help Subsidy scheme, SBS liaised with rural and remote communities wishing to access<br />

SBS Television. More than 150 self-help transmitters operate throughout Australia and a further 234 have been<br />

licensed to commence SBS services. SBS Radio continued to promote the use of self-help transmitters in rural<br />

communities. SBS's Policy unit conducted focus groups in Bathurst and Young in September following the<br />

introduction of SBS Radio in both cities and during the year Community Advisory Committee members from<br />

Rockhampton and Newcastle conveyed to SBS the attitudes and opinions of regional Australians.<br />

Objective<br />

7. Showcase public broadcasting and highlight SBS's special role including our independence<br />

and our diversity<br />

Performance Indicator(s)<br />

Measures taken to reach and inform our communities about SBS's role as a public broadcaster.


88 | REPORT OF OPERATIONS<br />

At industry meetings, conferences and community functions, the Managing Director and other senior<br />

executives spoke on SBS's role as a multilingual and multicultural broadcaster. The Chairman and other<br />

Board members also attended some of the 729 community, public and industry functions. The public profile<br />

of SBS was boosted with the presence of the outside broadcast units at many well-attended public<br />

gatherings and festivals. SBS actively seeks and encourages feedback on programming and policy issues<br />

through its Community Advisory Committee, whose broad representation includes people from a diverse<br />

range of cultural, occupational and geographic backgrounds.<br />

Formal community consultations between SBS managers and broadcasters were held with 12 language<br />

groups – French, German, Greek, Cantonese, Turkish, Mandarin, Thai, Kannada, Croatian, Hindi, Urdu<br />

and Vietnamese – and delegations from 16 countries (including ambassadors, consuls and broadcasters)<br />

visited SBS to discuss and review SBS operations. Regular visits to SBS by community members, student<br />

groups and industry representatives provided opportunities for individual work areas to explain the purpose<br />

and functions of the Corporation.<br />

SBS, in association with the University of NSW and the University of Western Sydney, initiated a 'research<br />

partnership' to explore SBS's history and its future direction, emphasising the role SBS has played in deepening<br />

Australian democracy through multicultural broadcasting.<br />

Objective<br />

8. Roll out SBS Television to carry the SBS signal to regional Australia<br />

Performance Indicator(s)<br />

Timeliness and effectiveness of roll out program.<br />

With additional Government funding, the roll out of SBS's analogue signal was extended to areas with populations<br />

of 5,000 or more. The first of these services was launched during the year and the remaining 20 are scheduled to<br />

be operational by 20<strong>03</strong>-04. A total of 234 transmitter sites have been identified under the Government's Black<br />

Spot Program and many of these new transmitters have commenced service. When completed, the number of<br />

self-help transmitters will number almost 400.<br />

SBS's digital service continued to expand beyond the State and Territory capitals. During the year, new services<br />

were launched in the Gold Coast, Currumbin, Illawarra, Wollongong, Bouddi, Gosford, Kings Cross, Kotara,<br />

Manly/Mosman, Merewether, Wyong, Stanwell Park, Gympie, Gympie Town, Noosa/Tewantin, Sunshine Coast,<br />

Ballarat and Western Victoria. By year's end, 27 digital transmitters were on air and a further 53 were in the design<br />

and construction phase. In June 20<strong>03</strong>, SBS commenced the satellite distribution of digital services to the eastern<br />

states with South Australia and Western Australia scheduled thereafter. This will enable transmitter installation in<br />

more remote locations.


SBS'S PEOPLE<br />

REPORT OF OPERATIONS | 89<br />

Objective<br />

1. Develop strategies to ensure diversity (gender, age, cultural background and professionalism) in all parts<br />

of the organisation.<br />

Performance Indicator(s)<br />

(a) New diversity program launched and implemented.<br />

(b) <strong>Report</strong> on mix of staff throughout the organisation.<br />

(c) Recruitment policies and procedures reviewed.<br />

The SBS Diversity Program encourages workplace diversity (gender, age, cultural and professional) within the<br />

framework of merit selection. The mix of staff – female and male – was relatively even across all areas of the<br />

Corporation. During <strong>2002</strong>-<strong>03</strong> there were no requests for recruitment information in accessible formats; SBS<br />

engaged consultants to assist with the reasonable adjustment to the workplace of a number of employees;<br />

training and development programs accommodated the needs of staff with disabilities; and SBS's regular<br />

Induction program addressed the issue of workplace diversity including disability. SBS has grievance<br />

mechanisms, including access to external bodies, to address concerns raised by staff. The Board and<br />

Executive reviewed annual reports on a range of human resources data including diversity information.<br />

Objective<br />

2. Streamline and enhance strategies for driving cultural change in the workplace to integrate, protect and<br />

strengthen the organisation.<br />

Performance Indicator(s)<br />

Strategies in place by June 2001 to improve cross-divisional relationships and achieve better linkages between<br />

related functions.<br />

The SBS Certified Agreement <strong>2002</strong> was certified in August <strong>2002</strong> and will remain in place for three years. The<br />

new Agreement reflects SBS's business needs and Radio and Television representatives were involved in the<br />

negotiations with the unions. SBS has common employment conditions and policies across the Corporation.<br />

After one year's operation, the Resources Group project management system had helped improve corporate<br />

efficiency with day-to-day IT operations supplemented by the management of more than 20 development projects.<br />

Objective<br />

3. Promote effective leadership and management, including through targeted training and<br />

development programs.<br />

Performance Indicator(s)<br />

Evaluation of effectiveness of training and development programs.


90 | REPORT OF OPERATIONS<br />

SBS encouraged its staff to enhance their professional skills and qualifications through a mixture of external<br />

studies and development programs. Maintaining high standards of managerial skills aids the Corporation to<br />

anticipate and plan for emerging issues. During the year, SBS conducted, or supported, various formal<br />

management training courses in areas such as the performance management system, human resources<br />

policies, occupational health and safety, workplace harassment and privacy. Comprehensive training course in<br />

broadcast journalism (radio) and legal and skills training (television) continued throughout the year.<br />

Objective<br />

4. Provide staff training and development, especially for new technology.<br />

Performance Indicator(s)<br />

Development programs implemented.<br />

SBS continued its staff training courses in the areas of e-commerce, risk management, exercising delegations<br />

and project management. Staff also attended a range of externally based training during the year. Television staff<br />

received training in new technology (e.g. video-journalism, non-linear editing, the Pilat IBMS TV system and digital<br />

publishing to the web) and also attended legal workshops covering such issues as defamation and copyright.<br />

Radio staff received advanced training in the new Netia digital production and presentation system, digital sound<br />

editing systems, access audio on the Internet, and operations of SBS's new radio talkback system. Comprehensive<br />

training courses in broadcast journalism, as well as legal and ethical issues, continued throughout the year.<br />

Objective<br />

5. Consolidate PMP (SBS's performance management system) as a key tool for promoting quality,<br />

recognising performance and implementing cultural change.<br />

Performance Indicator(s)<br />

<strong>Report</strong>s on effectiveness of PMP in all work areas.<br />

The Performance Management Program (PMP) was amended in the new Certified Agreement, reflecting the<br />

experience of the previous three years. PMP outcomes are monitored and reports provided. PMP has proved<br />

effective in bringing about improved performance.


BUSINESS ACTIVITIES<br />

REPORT OF OPERATIONS | 91<br />

Objective<br />

1. Maximise asset and resource use in an entrepreneurial way to raise funds to advance the Charter.<br />

Performance Indicator(s)<br />

(a) Creation of new revenue raising opportunities through the life of the Plan, including new strategic alliances<br />

developed to meet objectives of the Charter.<br />

(b) Percentage of operating costs provided from revenue.<br />

(c) <strong>Report</strong> on optimal use of resources - financial, technical, physical and human.<br />

The Corporation and its controlled entity, Multilingual Subscriber Television Ltd, finished the <strong>2002</strong>-<strong>03</strong> financial<br />

year with a surplus (after capital use charge) of $1.388 million (0.8 % of available resources). Contributing to<br />

the surplus was a higher than budgeted result in revenue from advertising. PAN TV, which produces the World<br />

Movies Channel, is 40% owned by Multilingual Subscriber Television Limited (MSTL), a wholly owned subsidiary<br />

of SBS.<br />

The audit of SBS's annual financial statements is carried out by the Australian National Audit Office (ANAO).<br />

The ANAO gave an unqualified opinion on the <strong>2002</strong>-<strong>03</strong> financial statements of the Corporation. The SBS Audit<br />

and Finance Committee met four times during the year and considered audits conducted by both the Australian<br />

National Audit Office and the internal auditors, Deloitte Touche Tohmatsu. In all cases, the results were satisfactory<br />

with recommendations for improvements to the control environment brought to management's attention. The<br />

audits conducted in <strong>2002</strong>-<strong>03</strong> were: Program Purchasing and Inventory Management, Digital Television<br />

Conversion Review, Television News and Current Affairs, Television Sport, Corporate Services, Human<br />

Resources, Information Technology Security Review, Information Technology Governance Review, Pay Television<br />

Contracts, Superannuation Delegations Review and Risk Management.<br />

In March 20<strong>03</strong>, SBS introduced its new Oracle browser-based e-commerce module, iProcurement. This enables<br />

online requisitions (from a catalogue of supplies), and online approvals, purchase orders, and receipting. This<br />

is a significant milestone in the e-commerce project that SBS is undertaking. SBS is one of four agencies<br />

selected (and funded) by The National Office for the Information Economy (NOIE) for this project, as part of the<br />

Government's initiatives to promote e-commerce.<br />

Objective<br />

2. Use new media to sustain and increase our profile in the marketplace, including through future<br />

strategic partnerships.<br />

Performance Indicator(s)<br />

Initiatives undertaken by New Media and new partnerships forged.


92 | REPORT OF OPERATIONS<br />

In <strong>2002</strong>-<strong>03</strong>, SBS New Media maintained a range of creative and commercial strategic partnerships with content<br />

providers, infrastructure providers and the public sector. Major partnership included: Film Victoria, Sportal Australia,<br />

Hardie Grant, Sun Microsystems, Apple Computers, MediaWare, and the South Australia Film Corporation.<br />

Objective<br />

3. Protecting and promoting the distinctive SBS brand.<br />

Performance Indicator(s)<br />

Number of quality campaigns that promote the brand of SBS.<br />

SBS Radio retained its strong public profile through a record 85 outside broadcasts across Australia in <strong>2002</strong>-<br />

<strong>03</strong>. These on-the-spot broadcasts, interviews and quizzes are supplemented by the extensive distribution of<br />

related merchandising. Other events where the SBS brand was heavily promoted included Sydney's Royal<br />

Easter Show, the Adelaide Festival and Womadelaide, the Melbourne Fringe Festival, the Royal Hobart Show,<br />

and SBS sponsored film festivals (Spanish, Italian and Greek).<br />

SBS Television concentrated its resources and efforts on program-specific advertising and launches, while SBS<br />

New Media raised public awareness of SBS's commitment to youth programming with the launch of the double<br />

CD set, The Whatever Sessions.


FINANCIAL STATEMENTS | 93<br />

FINANCIAL<br />

STATEMENTS<br />

Special Broadcasting Service Corporation and Controlled Entity


94 | FINANCIAL STATEMENTS<br />

INDEPENDENT AUDIT REPORT<br />

To the Minister for Communications, Information Technology and the Arts<br />

Scope<br />

I have audited the financial statements of the Special Broadcasting Service Corporation<br />

for the year ended 30 June 20<strong>03</strong>. The financial statements include the consolidated financial statements<br />

of the consolidated entity comprising the Special Broadcasting Service Corporation and the entities it controlled<br />

at the year’s end or from time to time during the financial year. The financial statements comprise:<br />

• Statement by Directors;<br />

• Statements of Financial Performance, Financial Position and Cash Flows;<br />

• Schedules of Commitments, Contingencies and Administered Items; and<br />

• Notes to and forming part of the Financial Statements.<br />

The members of the Board are responsible for the preparation and presentation of the financial statements<br />

and the information they contain. I have conducted an independent audit of the financial statements in order<br />

to express an opinion on them to you.<br />

The audit has been conducted in accordance with Australian National Audit Office Auditing Standards, which<br />

incorporate the Australian Auditing Standards, to provide reasonable assurance as to whether the financial<br />

statements are free of material misstatement. Audit procedures included examination, on a test basis,<br />

of evidence supporting the amounts and other disclosures in the financial statements and the evaluation<br />

of accounting policies and significant accounting estimates. These procedures have been undertaken to form<br />

an opinion as to whether, in all material respects, the financial statements are presented fairly in accordance<br />

with Accounting Standards and other mandatory professional reporting requirements in Australia and statutory<br />

requirements so as to present a view which is consistent with my understanding of the Corporation’s and the<br />

consolidated entity’s financial position, their financial performance and their cash flows.<br />

The audit opinion expressed in this report has been formed on the above basis.<br />

Australian National<br />

Audit Office


Audit Opinion<br />

In my opinion the financial statements:<br />

(i) have been prepared in accordance with Finance Minister’s Orders made under the Commonwealth<br />

Authorities and Companies Act 1997; and<br />

(ii) give a true and fair view, in accordance with applicable Accounting Standards and other mandatory<br />

professional reporting requirements in Australia and the Finance Minister’s Orders, of the financial position<br />

of the Special Broadcasting Service Corporation and the consolidated entity as at 30 June 20<strong>03</strong>, and their<br />

financial performance and cash flows for the year then ended.<br />

Australian National Audit Office<br />

P Hinchey<br />

Senior Director<br />

Delegate of the Auditor-General<br />

Sydney<br />

19 August 20<strong>03</strong><br />

FINANCIAL STATEMENTS | 95


96 | FINANCIAL STATEMENTS<br />

STATEMENT BY DIRECTORS<br />

In our opinion, the attached financial statements for the year ended 30 June 20<strong>03</strong> give a true and fair view<br />

of the matters required by the Finance Minister’s Orders made under the Commonwealth Authorities and<br />

Companies Act 1997.<br />

In our opinion, at the date of this statement, there are reasonable grounds to believe that the Corporation will be<br />

able to pay its debts as and when they become due and payable.<br />

Signed Signed<br />

Carla Zampatti Nigel Milan<br />

Chairman Managing Director<br />

19 August 20<strong>03</strong> 19 August 20<strong>03</strong>


STATEMENT OF FINANCIAL PERFORMANCE<br />

for the 12 months ended 30 June 20<strong>03</strong><br />

THE ABOVE STATEMENT SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES<br />

FINANCIAL STATEMENTS | 97<br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Revenues from ordinary activities<br />

Revenue from Government 5(a) 137,452 127,227 137,452 127,227<br />

Goods and services 5(b) 28,171 30,945 28,171 30,045<br />

Interest 5(c) 1,574 2,335 1,420 2,190<br />

Revenue from sale of assets 5(d) 102 25 102 25<br />

Reversals of previous asset write-downs 5(e) 43 - 43 -<br />

Net foreign exchange gains (non-speculative) 1(u),15(c) 16 20 16 20<br />

Other 5(f) 6,880 7,112 6,880 8,112<br />

Total revenues from ordinary activities 174,238 167,664 174,084 167,619<br />

Expenses from ordinary activities<br />

(excluding borrowing costs expense)<br />

Employees 6(a) 60,262 55,873 60,262 55,873<br />

Suppliers 6(d) 91,280 90,063 91,252 90,056<br />

Depreciation and amortisation 6(e) 8,072 9,073 8,072 9,073<br />

Write-down of assets 6(f) 44 94 44 94<br />

Value of assets sold 6(g) 215 45 215 45<br />

Expenses from ordinary activities 159,873 155,148 159,845 155,141<br />

(excluding borrowing costs expense)<br />

Borrowing costs expense 7 1,443 3,510 1,443 3,510<br />

Share of net profits/(losses) of associates<br />

and joint ventures accounted for using the<br />

equity method 8(c)(xii) (117) 211 - -<br />

Operating surplus from ordinary activities<br />

before income tax 12,805 9,217 12,796 8,968<br />

Income tax expense relating to ordinary activities 12(c) 511 - - -<br />

Operating surplus from ordinary activities<br />

after income tax 12,294 9,217 12,796 8,968<br />

Net surplus 4 12,294 9,217 12,796 8,968<br />

Total revenues, expenses and valuation<br />

adjustments recognised directly in equity 14 - - - -<br />

Total changes in equity other than those resulting<br />

from transactions with owners as owners.<br />

12,294 9,217 12,796 8,968


98 | FINANCIAL STATEMENTS<br />

STATEMENT OF FINANCIAL POSITION<br />

as at 30 June 20<strong>03</strong><br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

ASSETS<br />

Financial assets<br />

Cash 8(a) 3,570 4,057 3,558 3,212<br />

Receivables 8(b) 6,054 9,861 10,439 14,198<br />

Investments accounted for using the equity method 8(c) 2,732 2,849 - -<br />

Other investments 8(c) 65,966 65,321 62,922 62,788<br />

Total financial assets 78,322 82,088 76,919 80,198<br />

Non-financial assets<br />

Land and buildings 9(a),(d),(e) 51,094 47,471 51,094 47,471<br />

Plant and equipment 9(b),(d),(e),(f) 30,097 28,741 30,097 28,741<br />

Inventories 9(g) 27,481 21,908 27,481 21,908<br />

Intangibles 9(c),(d),(e) 1,939 764 1,939 764<br />

Other 9(h) 7,711 7,838 7,711 7,838<br />

Total non-financial assets 118,322 106,722 118,322 106,722<br />

Total assets 196,644 188,810 195,241 186,920<br />

LIABILITIES<br />

Interest bearing liabilities<br />

Loans 10(a) 22,193 24,000 22,193 24,000<br />

Leases 10(b) 18 104 18 104<br />

Total interest bearing liabilities 22,211 24,104 22,211 24,104<br />

Provisions<br />

Employees 11(a) 14,968 14,049 14,968 14,049<br />

Total Provisions 14,968 14,049 14,968 14,049<br />

Payables<br />

Suppliers 12(a) 9,768 8,927 9,756 8,892<br />

Other 12(b) 47,272 49,311 47,272 49,311<br />

Tax 12(c) 38 - - -<br />

Total payables 57,078 58,238 57,028 58,2<strong>03</strong><br />

Total liabilities 94,257 96,391 94,207 96,356<br />

NET ASSETS 102,387 92,419 101,<strong>03</strong>4 90,564<br />

EQUITY<br />

Parent entity interest<br />

Contributed equity 14 54,779 46,199 54,779 46,199<br />

Reserves 14 15,722 15,722 15,722 15,722<br />

Accumulated surpluses 14 31,886 30,498 30,533 28,643<br />

Total parent entity interest 102,387 92,419 101,<strong>03</strong>4 90,564<br />

Total equity 102,387 92,419 101,<strong>03</strong>4 90,564<br />

Current assets 58,359 65,368 56,021 62,660<br />

Non-current assets 138,285 123,442 139,220 124,260<br />

Current liabilities 27,206 46,921 27,156 46,886<br />

Non-current liabilities 67,051 49,470 67,051 49,470<br />

THE ABOVE STATEMENT SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES


STATEMENT OF CASH FLOWS<br />

for the 12 months ended 30 June 20<strong>03</strong><br />

FINANCIAL STATEMENTS | 99<br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

OPERATING ACTIVITIES<br />

Cash received<br />

Goods and services 33,222 27,339 33,100 26,679<br />

Appropriations 1(f), 5(a) 137,452 127,227 137,452 127,227<br />

Interest 4,174 5,114 4,004 5,000<br />

GST received from ATO 6,220 7,984 6,321 8,044<br />

Total cash received 181,068 167,664 180,877 166,950<br />

Cash used<br />

Employees (59,343) (55,300) (59,343) (55,300)<br />

Suppliers (101,314) (111,554) (101,291) (111,548)<br />

Borrowing costs (1,443) (3,208) (1,443) (3,208)<br />

Income Tax paid to ATO (473) - - -<br />

Total cash used (162,573) (170,062) (162,077) (170,056)<br />

Net cash from (used by) operating activities 13 18,495 (2,398) 18,800 (3,106)<br />

INVESTING ACTIVITIES<br />

Cash received<br />

Proceeds from sales of property, plant and equipment 102 26 102 26<br />

Proceeds from sales of financial instruments 29,429 34,832 28,057 34,822<br />

Total cash received 29,531 34,858 28,159 34,848<br />

Cash used<br />

Purchase of property, plant and equipment (14,551) (8,426) (14,551) (8,426)<br />

Purchase of financial instruments (29,864) (23,122) (27,964) (23,122)<br />

Total cash used (44,415) (31,548) (42,515) (31,548)<br />

Net cash from (used by) investing activities (14,884) 3,310 (14,356) 3,300<br />

FINANCING ACTIVITIES<br />

Cash received<br />

Appropriations - contributed equity 5(a) 8,580 8,000 8,580 8,000<br />

Proceeds from loans 24,000 24,000 24,000 24,000<br />

Total cash received 32,580 32,000 32,580 32,000<br />

Cash used<br />

Repayments of debt (25,807) (20,821) (25,807) (20,821)<br />

Capital use charge paid (10,785) (10,185) (10,785) (10,185)<br />

Finance lease payments (86) (396) (86) (396)<br />

Total cash used (36,678) (31,402) (36,678) (31,402)<br />

Net cash from (used by) financing activities (4,098) 598 (4,098) 598<br />

Net increase (decrease) in cash held (487) 1,510 346 792<br />

Cash at the beginning of the reporting period 4,057 2,547 3,212 2,420<br />

Cash at the end of the reporting period 8(a) 3,570 4,057 3,558 3,212<br />

THE ABOVE STATEMENT SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES


100 | FINANCIAL STATEMENTS<br />

SCHEDULE OF COMMITMENTS<br />

as at 30 June 20<strong>03</strong><br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

BY TYPE<br />

Capital commitments<br />

Buildings 177 213 177 213<br />

Plant and equipment 3,593 1,869 3,593 1,869<br />

Total capital commitments 3,770 2,082 3,770 2,082<br />

Other commitments<br />

Transmission facilities (i) 582,474 249,421 582,474 249,421<br />

Operating leases (ii) 17,3<strong>03</strong> 16,192 17,266 16,169<br />

Other commitments (iii) 28,592 19,642 28,592 19,642<br />

Total other commitments 628,369 285,255 628,332 285,232<br />

Total commitments payable 632,139 287,337 632,102 287,314<br />

Commitments receivable<br />

Transmission facilities (i) 332,851 172,226 332,851 172,226<br />

Operating leases 2,640 4,931 2,640 4,931<br />

Advertising and sponsorship 2,832 3,313 2,832 3,313<br />

Services to related corporations 193 300 193 300<br />

Other commitments (iii) 55,593 20,697 55,593 20,697<br />

Total commitments receivable 394,109 201,467 394,109 201,467<br />

Net commitments 238,<strong>03</strong>0 85,870 237,993 85,847<br />

BY MATURITY<br />

All net commitments<br />

One year or less 49,623 23,424 49,614 23,413<br />

From one to five years 121,101 24,926 121,073 24,914<br />

Over five years 67,306 37,520 67,306 37,520<br />

Net commitments 238,<strong>03</strong>0 85,870 237,993 85,847<br />

Net Operating lease commitments<br />

One year or less 2,072 1,404 2,063 1,393<br />

From one to five years 4,362 1,232 4,334 1,220<br />

Over five years 8,229 8,625 8,229 8,625<br />

Net Operating lease commitments 14,663 11,261 14,626 11,238<br />

NB: Commitments are GST inclusive where relevant.<br />

(i) Transmission facilities commitments include future expenditure and amounts receivable for digital transmission services .<br />

(ii) Nature of lease General description of leasing arrangement:<br />

- Leases for office accommodation: Lease payments are subject to annual increases in line with the Consumer Price Index or Market Value.<br />

The leases are renewable.<br />

- Leases of computer equipment: The leases for computer equipment are for a period of three or four years.<br />

Options to extend leased terms are available at discounted prices.<br />

- Leases of motor vehicles: No contingent rentals exist, and no renewal or purchase options are available.<br />

(iii) As at 30 June 20<strong>03</strong>, other commitments comprises amounts in respect of program, production, operational costs, and net GST recoverable from<br />

the taxation authority, which relate to these commitments.<br />

THE ABOVE SCHEDULE SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES


SCHEDULE OF CONTINGENCIES<br />

as at 30 June 20<strong>03</strong><br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Contingent liabilities<br />

Claims for damages/costs (iv) 310 250 310 250<br />

Total contingent liabilities 310 250 310 250<br />

Contingent assets<br />

Claims for damages/costs - - - -<br />

Total contingent assets - - - -<br />

Net contingent liabilities 310 250 310 250<br />

(iv) The Corporation is presently a defendant in several cases.<br />

The amounts represent the Corporation's liability if unsuccessful.<br />

SCHEDULE OF UNQUANTIFIABLE CONTINGENCIES<br />

There are no unquantifiable contingencies as at 30 June 20<strong>03</strong>.<br />

THE ABOVE SCHEDULE SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES<br />

FINANCIAL STATEMENTS | 101


102 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

Note Description<br />

1 Summary of significant accounting policies<br />

2 <strong>Report</strong>ing by segments and outcomes<br />

3 Economic dependency<br />

4 Operating surplus<br />

5 Operating revenues<br />

5(a) Revenues from Government<br />

5(b) Sales of goods and services<br />

5(c) Interest<br />

5(d) Revenue from sale of assets<br />

5(e) Reversals of previous asset write-downs<br />

5(f) Other operating revenue<br />

6 Operating expenses<br />

6(a) Employee expenses and Average Staffing Level<br />

6(b) Remuneration of officers<br />

6(c) Remuneration of directors and related party disclosures<br />

6(d) Suppliers expenses<br />

6(e) Depreciation and amortisation<br />

6(f) Write-down of assets<br />

6(g) Value of assets sold<br />

7 Borrowing Cost Expenses<br />

8 Financial assets<br />

8(a) Cash<br />

8(b) Receivables<br />

8(c) Investments<br />

9 Non-financial assets<br />

9(a) Land and buildings<br />

9(b) Plant and equipment<br />

9(c) Intangibles<br />

9(d) Analysis of property, plant, equipment and intangibles<br />

9(e) Summary of balances of assets at valuation<br />

9(f) Summary of balances of assets held under finance lease<br />

9(g) Inventories<br />

9(h) Other non-financial assets<br />

10 Interest Bearing Liabilities<br />

10(a) Loans<br />

10(b) Finance lease liabilities<br />

11 Provisions<br />

11(a) Employee provisions<br />

12 Payables<br />

12(a) Suppliers<br />

12(b) Other payables<br />

12(c) Tax<br />

13 Cash flow reconciliation<br />

14 Analysis of Equity<br />

15 Financial instruments<br />

15(a) Terms, conditions and accounting policies<br />

15(b) Interest rate risk<br />

15(c) Foreign currency risk<br />

15(d) Credit risk<br />

15(e) Net fair values of financial assets and liabilities<br />

16 Contingent Liabilities and Assets


FINANCIAL STATEMENTS | 1<strong>03</strong><br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

1 SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />

(a) Basis of accounting<br />

for the year ended 30 June 20<strong>03</strong><br />

The financial statements are required by clause 1(b) of Schedule 1 to the Commonwealth Authorities and Companies Act 1997<br />

and are a general purpose financial report.<br />

The statements have been prepared in accordance with the Finance Minister's Orders (being the Commonwealth Authorities and<br />

Companies (Financial Statements for reporting periods ending on or after 30 June 20<strong>03</strong>) Orders). The Financial Statements have<br />

been prepared in accordance with Australian Accounting Standards and Accounting Interpretations issued by the Australian<br />

Accounting Standards Board and the Consensus Views of the Urgent Issues Group.<br />

The Corporation and Consolidated Statements of Financial Performance and Financial Position have been prepared on an<br />

accrual basis, and are in accordance with historical cost convention, except for certain assets which, as noted, are at valuation<br />

(see note 9).<br />

(b) Changes in accounting policy<br />

Accounting policies are selected and applied in a manner which ensures that the resulting financial information satisfies the<br />

concepts of relevance and reliability, thereby ensuring that the substance of the underlying transactions or other events is reported.<br />

Significant accounting policies adopted in the preparation and presentation of the financial report are identified in this note.<br />

The accounting policies used in the preparation of these financial statements are consistent with those used in 2001-02, except<br />

where changes in accounting policy are identified in this note under their appropriate headings.<br />

(c) Principles of consolidation<br />

The consolidated financial statements are those of the economic entity comprising the Special Broadcasting Service Corporation<br />

(the parent entity) and Multilingual Subscriber Television Ltd (MST Ltd). The effect of all transactions between the entities in the<br />

economic entity and inter-entity balances are eliminated in full.<br />

(d) Equity accounting of associated companies<br />

The principles of equity accounting have been applied in respect of associated companies. Associated companies are those<br />

companies over which the economic entity exercises significant influence but not control.<br />

Using the equity method, the Corporation has recognised through its controlled entity, Multilingual Subscriber Television Ltd (MST<br />

Ltd), the share of profit (loss) of its associate, PAN TV Ltd, as revenue (expense) in its Statement of Financial Performance, and<br />

its share of movements in reserves in consolidated reserves. Equity information is disclosed in note 8(c). MST Ltd's investment<br />

in the associated entity, PAN TV Ltd, is accounted for in accordance with AASB 1016 "Accounting for investments in associates".<br />

(e) <strong>Report</strong>ing by outcomes<br />

The results by outcome specified in the Appropriation Acts relevant to the Corporation are presented in note 2.<br />

(f) Appropriations<br />

Under the accruals framework, Parliament appropriates moneys to the Corporation as revenue appropriations, as loan<br />

appropriations and as equity injections.<br />

Revenue appropriations - Output Appropriations<br />

Revenues from Government are revenues of the core operating activities of the Corporation. The full amount of the appropriation<br />

for departmental outputs for the year is recognised as revenue.<br />

Non-revenue appropriations - Equity Injections and Loans<br />

Amounts appropriated as equity injections are recognised as increases in "Contributed Equity". All equity appropriations have<br />

been fully drawn down. Loan appropriations are recognised as increases in borrowings, when the appropriation is drawn down.<br />

In 20<strong>03</strong>, the Corporation was appropriated $24m on loan funding to refinance the balance of an existing loan - see note 5(a).


104 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

(g) Resources received free of charge<br />

Resources received free of charge are recognised as revenues where their fair value can be reliably measured. Use of the<br />

resources is recognised as an expense.<br />

(h) Other revenue<br />

All revenues from the sales of goods and services relate to the core operating activities of the Corporation and the economic entity.<br />

All other operating revenues arise from non-core operating activities, except funds received for analogue extensions which are<br />

also included in other operating revenue - see note 1(i).<br />

Revenue from the sale of goods and services is recognised when the economic entity has passed control of the goods to the buyer.<br />

Revenue from the rendering of a service is recognised by reference to the stage of completion of the contract or other agreement.<br />

Interest revenue is recognised on a proportional basis taking into account the interest rates applicable to the financial assets.<br />

Revenue from the disposal of non-current assets is recognised when control of the asset has passed to the buyer.<br />

(i) Other payables<br />

Prepayments received, which affect more than one financial period are matched with the related costs and recognised in the<br />

period to which they relate.<br />

In 2000, the Corporation received $70 million from the TV Fund and $3.4 million (from government appropriation) to provide<br />

analogue extensions to regional Australia over the next twelve years. The amount received, including interest accrued on this<br />

amount, is recognised as revenue when related expenditure is incurred. Refer to notes 5(f), 6(d) and 8(c)(x).<br />

(j) Employee benefits<br />

(i) Provision for long service leave<br />

The provision for long service leave is measured at the present value of estimated future cash flows to be made in respect<br />

of all employees at 30 June 20<strong>03</strong>. In determining the present value of the liability, attrition rates and pay increases have<br />

been taken into account. The amount expected to be payable within twelve months is shown as a current liability, and the<br />

balance as a non-current liability.<br />

(ii) Provision for annual leave<br />

Provision is made for the value of entitlements accrued as at balance date and includes the annual leave bonus component<br />

payable in accordance with the SBS Award. The amount expected to be payable within twelve months is shown as a<br />

current liability, and the balance as a non-current liability. The nominal amount is calculated having regard to the rates<br />

expected to be paid on settlement of the liability. This is a change in accounting policy from last year, as required by the<br />

initial application of a new Accounting standard AASB 1028 from 1 July <strong>2002</strong>. The impact in 20<strong>03</strong> of salary increases under<br />

the current SBS Certified Agreement is $109,287 for annual leave liabilities.<br />

(iii) Provision for redundancies<br />

Provision is made for redundancies for employees or employee numbers identified at balance date, which can be reliably<br />

measured. The provision does not include long service leave or annual leave paid on termination. These are included in the<br />

respective provisions.<br />

(iv) Sick leave<br />

No provision is made for sick leave in the financial statements as sick leave taken by employees is expected to be less than<br />

future entitlements. This assessment is made for all employees on a group basis.<br />

(v) Provision for superannuation on accrued recreation and long service leave<br />

Provision is made for recognition of employer (CSS and PSS) superannuation contributions payable in respect of accrued<br />

leave liabilities. The provision is calculated using a percentage of employer CSS and PSS contributions on accrued leave<br />

estimated to be taken during the employees' period of service, and is applied to accrued leave liabilities. Refer also to note 1(k).


(k) Superannuation<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

(i) Employees of the Corporation contribute directly to either (a) the Commonwealth Superannuation Scheme (CSS), or (b) the<br />

Public Sector Superannuation Scheme (PSS), by way of fortnightly salary deductions.<br />

(ii) Employees of the Corporation are employed under Section 54 of the Special Broadcasting Service Act 1991, and the<br />

Corporation is required to contribute the employer component of the Superannuation Schemes. Employer contribution rates<br />

were 19.3% of salary (CSS) and 10.2% of salary (PSS) in <strong>2002</strong>-<strong>03</strong>. These will increase to 25.3 % (CSS) and 11.4 % (PSS)<br />

from 1 July 20<strong>03</strong>.<br />

(iii) The Corporation also contributes superannuation in respect of contract staff engaged under Section 44 of the Special<br />

Broadcasting Service Act 1991, in accordance with the superannuation guarantee legislation. The contributions are included<br />

in the cost of contract - see note 6(d).<br />

(l) Leases<br />

A distinction is made between finance leases, which effectively transfer from the lessor to the lessee substantially all the risks and<br />

benefits incidental to ownership of leased assets, and operating leases under which the lessor effectively retains all such risks<br />

and benefits.<br />

Where a non-current asset is acquired by means of a finance lease, the asset is capitalised at the present value of the minimum<br />

lease payments at the inception of the lease, and a liability for lease payments recognised at the same amount. Lease payments<br />

are allocated between the principal component and the interest expense.<br />

Finance lease assets are amortised on a straight line basis over their estimated useful lives to the Corporation.<br />

Lease payments for operating leases, where substantially all the risks and benefits remain with the lessor, are charged as<br />

expense in the periods in which they are incurred.<br />

(m) Cash flows<br />

For the purpose of the Statement of Cash Flows, cash includes cash on hand and deposits held at call with banks.<br />

(n) Financial instruments<br />

Accounting policies in relation to financial instruments are disclosed in note 15.<br />

(o) Acquisition of assets<br />

Assets acquired are recorded at the cost on acquisition, being the purchase consideration determined as at the date of acquisition.<br />

(p) Property, plant and equipment<br />

Asset recognition threshold<br />

Items are classified as non-current assets when:<br />

(i) the cost of acquisition is in excess of $2000;<br />

(ii) they are non-consumable in nature; and<br />

(iii) the estimated useful life is in excess of 12 months.<br />

FINANCIAL STATEMENTS | 105<br />

Revaluations<br />

The Corporation implements progressive revaluations of all property, plant and equipment over successive three year periods.<br />

All revaluations (undertaken before 30 June <strong>2002</strong>) were done on a deprival basis. Since that date, all revaluations (planned for all<br />

property, plant and equipment prior to 30 June 2004, will be at fair value in accordance with AASB 1041 Revaluation of<br />

Non-Current Assets.


106 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

The revaluations to 30 June 20<strong>03</strong> have been implemented as follows:<br />

- Freehold land was revalued as at 30 June 2001;<br />

- Buildings on freehold land were revalued as at 30 June 2001;<br />

- Leasehold improvements have been revalued as at 1 July 1999;<br />

- Plant and equipment, whether at cost or under finance lease, were revalued at 30 June 2001; and<br />

- Intangible assets were revalued as at 30 June 2001 (see note 9 xiii).<br />

Property, plant and equipment, other than land, is recognised at its depreciated replacement cost.<br />

Depreciation<br />

Property, plant and equipment, other than freehold land, is depreciated over their estimated useful lives to the Corporation using<br />

the straight line method of depreciation.<br />

Depreciation/amortisation rates (useful lives) and methods were reviewed during the <strong>2002</strong>-<strong>03</strong> financial year.<br />

Depreciation and amortisation rates applying to each class of depreciable asset are based on the following useful lives:<br />

Class of non financial asset <strong>2002</strong>-20<strong>03</strong> 2001-<strong>2002</strong><br />

Avg Avg<br />

Buildings 40 years 40 40 years 40<br />

Leasehold improvements Lease term Lease term<br />

Plant & equipment 3 to 20 years 9 3 to 20 years 10<br />

Intangibles 5 to 7 years 5 5 to 7 years 6<br />

The aggregate amount of depreciation allocated for each class of asset during the reporting period is disclosed in note 6(e).<br />

Recoverable amount test<br />

The carrying amount of property, plant and equipment is reviewed annually to ensure it is not in excess of the recoverable<br />

amount from these assets. The recoverable amount is assessed on the basis of expected net cash flows which will be received<br />

from the assets' employment and subsequent disposal. The expected net cash flows from future appropriations by the<br />

Parliament, have been discounted to their present value in determining the recoverable amount.<br />

No write-down to the recoverable amount has been made in 20<strong>03</strong>.<br />

(q) Amortisation<br />

(i) Current assets<br />

In <strong>2002</strong>, overseas purchased programs were valued at cost and amortised 90% after first screening and 10% after second<br />

screening, or fully amortised upon expiration of rights. In 20<strong>03</strong> the method of amortising overseas purchased programs was<br />

reviewed and calculated on a straight line basis over the shorter of three years or licence period (for movies), or over the<br />

shorter of two years or licence period (for documentaries and other overseas purchased programs).<br />

The method of amortising overseas program purchases (over time) has resulted in amortisation expense of $5.853m in<br />

20<strong>03</strong>. Using the previous basis (that is, amortising 90 % after first screening) would have been $7.804m.<br />

Locally commissioned programs are valued at cost, and amortised on a straight line basis over the shorter of four years or<br />

licence period. All programs are fully amortised upon expiration of rights. Internally produced programs screened in the<br />

current period are expensed as incurred.<br />

Amortisation of overseas purchased programs and commissioned programs is shown in note 6(d).<br />

(ii) Non-current assets<br />

Leasehold improvements are amortised on a straight line basis over the shorter of either the unexpired period of the lease or<br />

the estimated useful life of the improvements.<br />

Intangible assets are amortised on a straight line basis over their estimated useful lives.


(r) Taxation<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

The Corporation is not subject to income tax. Its controlled entity, Multilingual Subscriber Television Ltd (MST Ltd) was exempt<br />

from tax until 30 June 2000. In 20<strong>03</strong>, a ruling from the Australian Taxation Office (ATO) reversed its earlier decision that MST Ltd<br />

was exempt from tax. MST Ltd is therefore subject to income tax from 1 July 2000 - see note 12 (c). MST Ltd has appealed<br />

against the ATO's decision.<br />

The Corporation and its controlled entity, Multilingual Subscriber Television Ltd (MST Ltd), are subject to fringe benefits tax.<br />

(s) Goods and Services Tax<br />

Revenues, expenses and assets are recognised net of the amount of goods and services tax (GST), except:<br />

(i) where the amount of GST incurred is not recoverable from the taxation authority, it is recognised as part of the cost of<br />

acquisition of an asset or as part of an item of expense; or<br />

(ii) for receivables and payables which are recognised inclusive of GST.<br />

The net amount of GST recoverable from, or payable to, the taxation authority is included as part of receivables or payables.<br />

(t) Capital Use Charge<br />

The Capital Use Charge (CUC) is a charge levied on Commonwealth General Government Sector agencies and authorities. The<br />

Capital use will not operate after 30 June 20<strong>03</strong>, and therefore the amount of the charge payable in respect of 20<strong>03</strong> is the amount<br />

appropriated (<strong>2002</strong>: 11 % of adjusted net assets).<br />

(u) Foreign currency<br />

Transactions denominated in a foreign currency are converted at the effective exchange rate on the date of the transaction.<br />

Exchange gains and losses are reported in the Statement of Financial Performance.<br />

(v) Receivables<br />

Credit terms for receivables for goods and services are net 45 days for advertising debtors and 30 days for other debtors.<br />

A provision is raised for doubtful debts based on a review of all outstanding amounts at year end. Bad debts are written off<br />

during the period in which they are identified.<br />

(w) Loans<br />

Bank loans and loans from the Government are recognised at their principal amounts. Interest is expensed as it accrues.<br />

(x) Borrowing costs<br />

All borrowing costs are expensed as incurred.<br />

(y) Trade creditors<br />

Creditors and accruals are recognised at their nominal amounts, being the amounts at which the liabilities will be settled.<br />

Liabilities are recognised to the extent that the goods or services have been received, irrespective of having been invoiced.<br />

Settlement is usually made net 30 days.<br />

(z) Comparative figures<br />

Comparative figures are, where applicable, restated to reflect the current year presentation of the financial statements.<br />

(aa) Rounding<br />

FINANCIAL STATEMENTS | 107<br />

Amounts are rounded to the nearest $1,000 except in relation to the remuneration of directors, officers and auditors.


108 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

2 REPORTING BY OUTCOMES (Corporation only)<br />

<strong>Report</strong>ing by segments<br />

The economic entity operates Radio and Television services within the broadcasting industry. Geographically the economic<br />

entity operates entirely within Australia. The Corporation is structured to meet one outcome:<br />

Outcome 1: Provide multilingual and multicultural services that inform, educate and entertain all Australians and in so doing<br />

reflect Australia's multicultural society.<br />

Net Cost of Outcome Delivery Outcome 1<br />

20<strong>03</strong> <strong>2002</strong><br />

$000 $000<br />

Administered expenses - -<br />

Departmental expenses 161,288 158,651<br />

Total expenses 161,288 158,651<br />

Costs recovered from provisions of goods and services to the non-government sector<br />

Administered Departmental - -<br />

Departmental - -<br />

Total costs recovered - -<br />

Other external revenues - -<br />

Departmental<br />

Goods and services 28,171 30,045<br />

Interest 1,420 2,190<br />

Revenue from sale of assets 102 25<br />

Reversals of previous asset write-downs 43 -<br />

Net foreign exchange gains (non-speculative) 16 20<br />

Other 6,880 8,112<br />

Total other external revenues 36,632 40,392<br />

Net cost of outcome 124,656 118,259<br />

The net costs shown include intra-government costs that would be eliminated in calculating the overall Budget Outcome.<br />

The "Capital Usage Charge" is not included in any of the Net cost of the outcomes as it is not an operating expense.<br />

Departmental Revenues and Expenses by Output Group (Output 1: Television & Output 2: Radio)<br />

Operating Expenses<br />

Output 1 Output 2 Total<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$000 $000 $000 $000 $000 $000<br />

Employees 39,340 35,347 20,922 20,526 60,262 55,873<br />

Suppliers 81,633 79,709 9,619 10,347 91,252 90,056<br />

Depreciation and amortisation 6,724 7,880 1,348 1,193 8,072 9,073<br />

Write-down of assets 221 101 37 38 258 139<br />

Borrowing costs expense 1,040 2,527 404 983 1,444 3,510<br />

Total operating expenses 128,958 125,564 32,330 33,087 161,288 158,651<br />

Funded by:<br />

Revenue from Government 104,697 96,246 32,755 30,981 137,452 127,227<br />

Sale of goods and services 26,276 28,496 1,895 1,549 28,171 30,045<br />

Interest 1,085 1,620 335 570 1,420 2,190<br />

Other non-taxation revenue 6,416 7,944 625 213 7,041 8,157<br />

Total operating revenue 138,474 134,306 35,610 33,313 174,084 167,619<br />

To as large an extent as possible, all direct costs are charged to the outputs (Televisions and Radio).<br />

Indirect and shared costs are attributed or apportioned on the basis of staff numbers or usage (e.g. office space used).


3 ECONOMIC DEPENDENCY<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

The Corporation is dependent on Parliamentary appropriations to be viable as a going concern.<br />

4 OPERATING SURPLUS<br />

for the year ended 30 June 20<strong>03</strong><br />

The economic entity's operating surplus before payment of the capital use charge is $12.294 million. The operating result is a<br />

surplus of $1.388 million after providing for the capital use charge paid.<br />

5 OPERATING REVENUES<br />

5(a) Revenues from Government<br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

<strong>Annual</strong> Appropriation Act No 1 - basic appropriation 137,327 125,100 137,327 125,100<br />

<strong>Annual</strong> Appropriation Act No 2 - equity injection and loan 1(f) 32,580 8,000 32,580 8,000<br />

<strong>Annual</strong> Appropriation Act No 3 - additional estimates 125 2,127 125 2,127<br />

Parliamentary appropriations received 170,<strong>03</strong>2 135,227 170,<strong>03</strong>2 135,227<br />

Less equity injections (8,580) (8,000) (8,580) (8,000)<br />

Less Commonwealth loan (24,000) - (24,000) -<br />

Total Revenues from Government 137,452 127,227 137,452 127,227<br />

5(b) Goods and Services<br />

Advertising and sponsorship - external entities 21,765 23,657 21,765 23,657<br />

Production services - external entities 3,339 4,316 3,339 4,316<br />

Sub-total rendering of services - external entities 25,104 27,973 25,104 27,973<br />

Sale of programs and merchandise - external entities 1,438 1,242 1,438 1,242<br />

Sub-total provision of goods - external entities 1,438 1,242 1,438 1,242<br />

Services to related entities - Commonwealth entities 691 678 691 678<br />

Services to related entities - controlled company (v) - - 720 -<br />

Services to related entities - associated company 938 1,052 218 152<br />

Sub-total rendering of services - related entities 1,629 1,730 1,629 830<br />

Total Goods and Services 28,171 30,945 28,171 30,045<br />

Costs of sales of goods (vi) - - - -<br />

(v) In 20<strong>03</strong> $0.720m was paid to the Corporation by its controlled<br />

entity MST Ltd for management fees.<br />

(vi) No costs of sale is recognised as all sales of goods and<br />

services are outsourced and no inventory of goods is held.<br />

FINANCIAL STATEMENTS | 109


110 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

5(c) Interest<br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Deposits 1,574 2,335 1,420 2,190<br />

Total interest 1,574 2,335 1,420 2,190<br />

5(d) Revenue from sale of assets<br />

Plant and equipment<br />

Proceeds from sale 102 25 102 25<br />

Total revenue from sale of assets 102 25 102 25<br />

5(e) Reversals of previous asset write-downs<br />

Financial assets<br />

Receivables<br />

Goods and services - adjustment to provision for doubtful debts 43 - 43 -<br />

Total reversals of previous asset write-downs 43 - 43 -<br />

5(f) Other operating revenue<br />

Revenue from TV Fund (analogue extensions) 1(i) 5,862 6,123 5,862 6,123<br />

Distribution from profits - controlled entity (vii) - - - 1,000<br />

Rental Receipts 762 748 762 748<br />

Miscellaneous revenue 256 241 256 241<br />

Total other operating revenue 6,880 7,112 6,880 8,112<br />

(vii) In <strong>2002</strong> $1m was distributed to the Corporation from its<br />

controlled entity MST Ltd. No dividend was distributed in 20<strong>03</strong>.<br />

6 OPERATING EXPENSES Consolidated Corporation<br />

6(a) Employee expenses and Average Staffing Level 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

The average staffing levels for the consolidated entity<br />

and the Corporation during the year were 769 771 769 771<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Basic remuneration for services provided<br />

Salaries and related expenses 46,120 43,390 46,120 43,390<br />

Employee leave benefits 1(j) 6,198 5,769 6,198 5,769<br />

Superannuation expenses 1(k) 6,774 6,460 6,774 6,460<br />

Total basic remuneration for services provided 59,092 55,619 59,092 55,619<br />

Other employee expenses<br />

Separation and redundancy payments 1,170 254 1,170 254<br />

Total employee expenses 60,262 55,873 60,262 55,873


6(b) Remuneration of officers<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

"Officers" are persons engaged by the economic entity who are concerned in, and take part in, the management of the<br />

Corporation or economic entity, other than a director. The definition does not include a designated office or position occupied by<br />

more than one person during the reporting period.<br />

Remuneration of officers (detailed below) relates to members of the Executive. The remuneration of those officers who have occupied<br />

the position of Managing Director or a director of the economic entity during <strong>2002</strong>-<strong>03</strong> are not included to the extent that they were<br />

remunerated as directors of the Corporation or economic entity. Details in relation to those directors are included in note 6(c).<br />

Consolidated Corporation<br />

Officers 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

Total remuneration in respect of Officers: $877,047 $620,405 $877,047 $620,405<br />

The above amounts include remuneration in respect of each officer or designated position which is $100,000 or more during the<br />

reporting period. The amounts include a component for leave accrued, and are included in Employee expenses in note 6(a)<br />

Officers of the Officers of the<br />

economic entity Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

Number Number Number Number<br />

The number of Officers whose total remuneration was between :<br />

$140,001 - $150,000 1 - 1 -<br />

$160,001 - $170,000 - 1 - 1<br />

$170,001 - $180,000 1 - 1 -<br />

$190,001 - $200,000 - 1 - 1<br />

$210,001 - $220,000 1 - 1 -<br />

$250,001 - $260,000 - 1 - 1<br />

$330,001 - $340,000 1 - 1 -<br />

6(c) Remuneration of directors and related party disclosures<br />

Directors<br />

FINANCIAL STATEMENTS | 111<br />

Remuneration of directors includes the remuneration of officers who are also directors of the Corporation or the economic entity.<br />

Their remuneration as directors of the Corporation is included below.<br />

Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

Total remuneration in respect of directors: $1,043,719 $1,<strong>03</strong>9,430 $558,421 $532,149<br />

Superannuation included in the above remuneration: $128,088 $85,<strong>03</strong>5 $51,743 $49,688<br />

The directors of the Corporation's controlled entity Multilingual Subscriber Television Limited (MST Ltd - see note 8c) are<br />

appointed from directors and officers of the Corporation. The remuneration paid by the Corporation to those directors is<br />

$905,900 ($915,822 in <strong>2002</strong>), including a component for leave accrued. They received no additional remuneration for their duties<br />

in relation to the controlled entity.<br />

Officers of the Officers of the<br />

economic entity Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

Number Number Number Number<br />

The number of directors whose total remuneration was between :<br />

Nil - $ 10,000 1 3 1 3<br />

$ 10,001 - $ 20,000 2 5 1 5<br />

$ 20,001 - $ 30,000 4 - 4 -<br />

$ 30,001 - $ 40,000 1 1 1 1<br />

$ 40,001 - $ 50,000 1 1 1 1<br />

$200,001 - $210,000 1 - - -<br />

$240,001 - $250,000 - 1 - -<br />

$250,001 - $260,000 1 1 - -<br />

$360,001 - $370,000 - 1 - 1<br />

$370,001 - $380,000 1 - 1 -


112 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

6(c) Remuneration of directors and related party disclosures (cont.)<br />

The following persons held positions as directors of the Corporation during <strong>2002</strong>-<strong>03</strong>:<br />

Carla Zampatti (Chairman)<br />

Neville Roach (Deputy Chairman) Robert Cronin<br />

Nigel Milan (Managing Director) Joseph Elu<br />

Jillian Broadbent Edward Gregory<br />

Peter Carroll Gerald Stone<br />

The following persons held positions as directors of the Corporation's controlled entity, MST Ltd, during <strong>2002</strong>-<strong>03</strong>:<br />

Carla Zampatti (Chairman)<br />

Nigel Milan Tuong Quang Luu<br />

Maureen Crowe (ceased 26/07/02) Jonathan Torpy (appointed 29/07/02)<br />

Transactions with other related parties<br />

Transactions with other related parties are disclosed in the relevant notes. Unless otherwise stated, transactions between related<br />

parties are on normal commercial terms and conditions, which are no more favorable than those available to other parties.<br />

6(d) Suppliers expenses<br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Operating lease rentals 2,512 1,804 2,512 1,804<br />

Rendering of services - external entities<br />

Broadcasting facilities 26,307 27,558 26,307 27,558<br />

Administrative expenses 19,887 19,138 19,863 19,137<br />

Analogue extensions 1(i) 5,863 6,123 5,863 6,123<br />

Contract staff 1(k) 8,820 8,714 8,820 8,714<br />

Production services 2,418 2,434 2,418 2,434<br />

Sub-total rendering of services - external entities 63,295 63,967 63,271 63,966<br />

Provision of goods - external entities<br />

Amortisation of program stocks 1(q) 5,853 5,981 5,853 5,981<br />

Amortisation of commissioned programs 1(q) 4,172 3,120 4,172 3,120<br />

Other program purchases 9,936 10,788 9,936 10,788<br />

Materials and minor items 3,817 2,996 3,817 2,996<br />

Office Supplies 1,626 1,338 1,626 1,336<br />

Sub-total provision of goods - external entities 25,504 24,223 25,404 24,221<br />

Rendering of services - related entities<br />

Audit fees (viii) 69 69 65 65<br />

Total supply of goods and services 88,768 88,259 88,740 88,252<br />

Total suppliers expenses 91,280 90,063 91,252 90,056


6(d) Suppliers expenses (cont.)<br />

(viii) Audit fees<br />

Fees for services paid or payable to the Auditor-General for auditing<br />

the economic entity's financial statements for the reporting period<br />

were $69,000 (<strong>2002</strong> $69,000). No other services were provided<br />

during the reporting period.<br />

STATEMENT<br />

for the 12 months ended 30 June 20<strong>03</strong><br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Remuneration for auditing the financial statements. 69 69 65 65<br />

Total audit fees 69 69 65 65<br />

6(e) Depreciation/amortisation of non-current assets<br />

Depreciation/amortisation of property, plant,<br />

equipment and intangibles 8,010 8,694 8,010 8,694<br />

Amortisation of leased assets 62 379 62 379<br />

Total depreciation/amortisation of non-current assets 8,072 9,073 8,072 9,073<br />

The aggregate amounts of depreciation and amortisation allocated<br />

during the reporting period, as expense for each class of<br />

depreciable asset, are as follows:<br />

Buildings on Freehold Land 1,173 1,162 1,173 1,162<br />

Leasehold Improvements 151 29 151 29<br />

Plant and Equipment 6,428 7,430 6,428 7,430<br />

Intangibles 320 452 320 452<br />

Total allocated 8,072 9,073 8,072 9,073<br />

6(f) Write-down of assets<br />

Financial assets<br />

Receivables<br />

Goods and services - adjustment to provision for doubtful debts - 44 - 44<br />

Goods and services - bad debts written off 44 50 44 50<br />

Total write-down of assets 44 94 44 94<br />

6(g) Value of assets sold<br />

FINANCIAL STATEMENTS | 113<br />

Plant and equipment<br />

Proceeds from disposal 102 25 102 25<br />

Net book value at sale (78) (13) (78) (13)<br />

Write-offs (non-sale) 1(p), 9(d) (137) (32) (137) (32)<br />

Net gain/(loss) from disposal of plant and equipment (113) (20) (113) (20)<br />

Total proceeds from disposal 102 25 102 25<br />

Total value of assets disposed (215) (45) (215) (45)<br />

Total net gain from disposal of assets (113) (20) (113) (20)


114 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

7 BORROWING COST EXPENSES<br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Loans 1,438 3,484 1,438 3,484<br />

Finance charges on lease liabilities 5 26 5 26<br />

Total borrowing cost expenses 1,443 3,510 1,443 3,510<br />

8 FINANCIAL ASSETS<br />

8(a) Cash<br />

Cash at bank and on hand 3,570 4,057 3,558 3,212<br />

Balance of cash as at 30 June shown in the<br />

Statement of Cash Flows 3,570 4,057 3,558 3,212<br />

8(b) Receivables<br />

Goods and services - controlled entity 8(c)(xii) - - 4,459 3,667<br />

Distribution from profits - controlled entity 5(f)(vii) - - - 1,000<br />

Goods and services - associated company 179 369 179 39<br />

Other goods and services (ix) 5,160 8,623 5,160 8,623<br />

Less provision for doubtful debts (54) (97) (54) (97)<br />

Total goods and services receivables 5,285 8,895 9,744 13,232<br />

Interest 19 25 19 25<br />

Capital use charge receivable - 121 - 121<br />

GST receivable 750 820 676 820<br />

Total receivables (net) 6,054 9,861 10,439 14,198<br />

(ix) The majority of goods and services receivable<br />

relate to advertising agencies.<br />

Receivables (gross) are aged as follows:<br />

Not overdue<br />

Overdue by:<br />

5,644 9,613 10,029 13,950<br />

- less than 30 days 225 92 225 92<br />

- 30 to 60 days 58 35 58 35<br />

- 60 to 90 days 32 34 32 34<br />

- more than 90 days 149 184 149 184<br />

464 345 464 345<br />

Total receivables (gross) 6,108 9,958 10,493 14,295<br />

The provision for doubtful debts is aged as follows:<br />

Overdue by:<br />

- more than 90 days 54 97 54 97<br />

Total provision for doubtful debts 54 97 54 97


8(c) Investments<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Non-government securities (x) 65,966 65,321 62,922 62,788<br />

Shares in controlled entity - at cost (xi) - - - -<br />

Shares in associated company (xii) 2,732 2,849 - -<br />

Total investments 68,698 68,170 62,922 62,788<br />

(x) In 1999-2000, the Corporation received revenue from the TV Fund to provide analogue extensions to regional Australia over the<br />

next 12 years. These funds have been invested in non-government securities. Refer also to note 1(i).<br />

(xi) Investment in controlled entity<br />

The Corporation subscribed for 5 shares ($1 each) in Multilingual Subscriber Television Ltd (MST Ltd) in 1994-95. MST Ltd is a<br />

controlled entity of SBS Corporation. It was incorporated for the purpose of the Corporation's involvement in Pay TV. In <strong>2002</strong> $1m<br />

was distributed to the Corporation from profits of MST Ltd. No dividend was distributed in 20<strong>03</strong>.<br />

Country of Interest of Contributions to<br />

incorporation Corporation consolidated surplus<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Parent Entity<br />

SBS Corporation Australia 12,796 8,968<br />

Directly controlled by SBS Corporation<br />

MST Ltd Australia 100% 100% (502) 249<br />

12,294 9,217<br />

(xii) Investment in associated company and equity information<br />

FINANCIAL STATEMENTS | 115<br />

Name of entity Principal Ownership Ownership Balance Date Balance Date<br />

activity Interest Interest<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

PAN TV Ltd Production and delivery of<br />

media services<br />

40% 40% 30 June 20<strong>03</strong> 30 June <strong>2002</strong><br />

The Corporation's controlled entity (MST Ltd) subscribed for 220,000 shares in PAN TV Ltd in 1994-95, the subscription price<br />

deemed to be paid in consideration for a range of services provided by the economic entity to PAN TV Ltd. The purchase<br />

consideration for the shares acquired was valued at $3,667,333, having regard to the price paid by the other investing partners in<br />

PAN TV Ltd in acquiring their shares. The equity accounted value of this investment as at 30 June 20<strong>03</strong> was $2.7m (<strong>2002</strong>:<br />

$2.850m) having regard to the performance of PAN TV Ltd in 20<strong>03</strong>. A revaluation of this investment was undertaken in 20<strong>03</strong> by<br />

Deloitte Touche Tohmatsu which was more than its current carrying value of $2.7m.<br />

The range of services valued at $3,667,333, have been fully provided by the Corporation to PAN TV Ltd on behalf of MST Ltd.<br />

This amount is shown as a receivable by the Corporation from its controlled entity, MST Ltd, and eliminated on consolidation.<br />

PAN TV Ltd currently provides a "World Movies" Channel to Foxtel, Optus Vision, and Austar under distribution agreements.


116 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

(xii) Investment in associated company and equity information (cont.)<br />

20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000<br />

Cost<br />

Carrying amount of investment in associated company (at cost) 3,667 3,667<br />

Dividends receivable from associated company - -<br />

Equity<br />

3,667 3,667<br />

Carrying amount of investment in associated company (at cost) 3,667 3,667<br />

Less share of retained losses (935) (818)<br />

Equity accounted amount of investment 2,732 2,849<br />

Share of associate's operating profit (loss) before income tax (148) 310<br />

Share of income tax expense (credit) attributable to operating profit (loss) 31 (99)<br />

Share of operating profit (loss) after income tax (117) 211<br />

Accumulated results attributable to associate<br />

1 July (818) (1,028)<br />

30 June (935) (818)<br />

Movement in the equity accounted investment in associated company<br />

Investment in associated company 1 July 2,849 2,638<br />

New investments during the year - -<br />

Share of operating profit (loss) after income tax (117) 211<br />

Dividend revenue from associated company - -<br />

Disposals during the year - -<br />

Investment in associated company 30 June 2,732 2,849<br />

Share of commitments<br />

Share of operating lease commitments 37 23


9 NON-FINANCIAL ASSETS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

9(a) Land and buildings 1(p)<br />

for the year ended 30 June 20<strong>03</strong><br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Freehold land - at independent valuation (xiii) 9,700 9,700 9,700 9,700<br />

Buildings - at independent valuation (xiii) 46,375 46,375 46,375 46,375<br />

Buildings - at cost 739 273 739 273<br />

Less accumulated depreciation (11,611) (10,438) (11,611) (10,438)<br />

35,5<strong>03</strong> 36,210 35,5<strong>03</strong> 36,210<br />

Leasehold improvements - at independent valuation (xiii) 212 212 212 212<br />

Leasehold improvements - at cost 6,020 1,539 6,020 1,539<br />

Less accumulated amortisation (341) (190) (341) (190)<br />

5,891 1,561 5,891 1,561<br />

Total land and buildings 51,094 47,471 51,094 47,471<br />

9(b) Plant and equipment 1(p)<br />

Plant and equipment - at independent valuation (xiii) 51,272 51,272 51,272 51,272<br />

Plant and equipment - at cost 11,177 4,866 11,177 4,866<br />

Less accumulated depreciation (32,520) (27,627) (32,520) (27,627)<br />

29,929 28,511 29,929 28,511<br />

Plant and equipment under finance lease<br />

(at independent valuation) 1(l), 10(b), (xiii) 2,083 2,083 2,083 2,083<br />

Less accumulated amortisation (1,915) (1,853) (1,915) (1,853)<br />

168 230 168 230<br />

Total plant and equipment 30,097 28,741 30,097 28,741<br />

9(c) Intangibles 1(p)<br />

FINANCIAL STATEMENTS | 117<br />

Computer software at cost (xiii) 3,319 2,151 3,319 2,151<br />

Less accumulated amortisation (1,380) (1,387) (1,380) (1,387)<br />

1,939 764 1,939 764<br />

Total intangibles 1,939 764 1,939 764<br />

Total property, plant, equipment and intangibles 83,130 76,976 83,130 76,976


118 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

9 NON-FINANCIAL ASSETS (cont.)<br />

(xiii) All property, plant and equipment (except for leasehold improvements) were revalued in accordance with the deprival method of<br />

valuation at 30 June 2001 (see note 1p). Leasehold improvements were revalued in accordance with the deprival method of<br />

valuation as at 1 July 1999.<br />

The revaluations for land and building were completed by independent valuers, based on market value for existing usage: Jim<br />

Power, AAPI, Certified Practising Valuer - Artarmon, NSW (land and building). Edward J Kinch MRICS AAPI (Senior Valuer) -<br />

Craigieburn, Victoria (land).<br />

The revaluation for plant and equipment was made by an independent valuer Simon B O'Leary, AAPI, MSAA, based on the<br />

depreciated replacement cost of the equipment.<br />

The revaluation for leasehold improvements was made by an independent valuer Mario Lancellotti, AAPI, based on the<br />

depreciated replacement cost of the improvements.<br />

The valuation of computer software was completed at 30 June 2001. Schedule 1 requires computer software to be carried at cost.<br />

In accordance with AASB 1041, the Corporation deemed the carrying amount for computer software at 30 June 2001 to be at cost.<br />

9(d) Analysis of property, plant, equipment and intangibles (Consolidated)<br />

Reconciliation of the opening and closing balances of property, plant and equipment and intangibles.<br />

Land Buildings Total land Plant & Computer Total<br />

& buildings equipment software/licenses<br />

$'000 $'000 $'000 $'000 $'000 $'000<br />

As at 1 July <strong>2002</strong><br />

Gross Book Value<br />

Accumulated depreciation/<br />

9,700 48,399 58,099 58,221 2,151 118,471<br />

amortisation (10,628) (10,628) (29,480) (1,387) (41,495)<br />

Net book value 9,700 37,771 47,471 28,741 764 76,976<br />

Additions - by purchase - 4,947 4,947 7,990 1,504 14,441<br />

Net revaluation increment/(decrement) - - - - - -<br />

Depreciation/amortisation expense - (1,324) (1,324) (6,428) (320) (8,072)<br />

Recoverable amount write-downs - - - - - -<br />

Disposals<br />

From disposal of operations - - - - - -<br />

Other disposals - - - (206) (9) (215)<br />

As at 30 June 20<strong>03</strong><br />

Gross Book Value 9,700 53,346 63,046 64,532 3,319 130,897<br />

Accumulated depreciation/amortisation - (11,952) (11,952) (34,435) (1,380) (47,767)<br />

Net book value 9,700 41,394 51,094 30,097 1,939 83,130<br />

The controlled entity does not have any non-financial assets.


NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

9(e) Assets at valuation as at 30 June 20<strong>03</strong> (Consolidated)<br />

As at 30 June 20<strong>03</strong><br />

for the year ended 30 June 20<strong>03</strong><br />

Land Buildings Total land Plant & Computer Total<br />

& buildings equipment software/licenses<br />

$'000 $'000 $'000 $'000 $'000 $'000<br />

Gross value 9,700 46,375 56,075 51,588 - 107,663<br />

Accumulated depreciation/<br />

amortisation - (11,804) (11,804) (33,267) - (45,071)<br />

Net book value 9,700 34,571 44,271 18,321 - 62,592<br />

As at 30 June <strong>2002</strong><br />

Gross value 9,700 46,587 56,287 53,355 - 109,642<br />

Accumulated depreciation/<br />

amortisation - (10,625) (10,625) (29,189) - (39,814)<br />

Net book value 9,700 35,962 45,662 24,166 - 69,828<br />

9(f) Assets held under finance lease as at 30 June 20<strong>03</strong> (Consolidated)<br />

As at 30 June 20<strong>03</strong><br />

Land Buildings Total land Plant & Computer Total<br />

& buildings equipment software/licenses<br />

$'000 $'000 $'000 $'000 $'000 $'000<br />

Gross value - - - 2,083 - 2,083<br />

Accumulated depreciation/<br />

amortisation - - - (1,915) - (1,915)<br />

Net book value - - - 168 - 168<br />

As at 30 June <strong>2002</strong><br />

Gross value - - - 2,083 - 2,083<br />

Accumulated depreciation/<br />

amortisation - - - (1,853) - (1,853)<br />

Net book value - - - 230 - 230<br />

Notes 1(l), 10(b) and 9(b) also refer to the finance lease agreements entered into by the Corporation.<br />

FINANCIAL STATEMENTS | 119


120 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

9(g) Inventories<br />

All inventories are current assets.<br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Inventories not held for sale<br />

Purchased program stocks - at cost 15,698 13,279 15,698 13,279<br />

Less accumulated amortisation 1(q), 6(d) (8,163) (8,669) (8,163) (8,669)<br />

7,535 4,610 7,535 4,610<br />

Commissioned programs (completed) - at cost 28,434 32,329 28,434 32,329<br />

Less accumulated amortisation 1(q), 6(d) (16,107) (18,434) (16,107) (18,434)<br />

12,327 13,895 12,327 13,895<br />

Commissioned programs - in progress 7,619 3,4<strong>03</strong> 7,619 3,4<strong>03</strong><br />

Total inventories not held for sale 27,481 21,908 27,481 21,908<br />

9(h) Other non-financial assets<br />

Prepayments 7,464 7,838 7,464 7,838<br />

Other - deferred interest rate hedge 247 - 247 -<br />

Total other non-financial assets 7,711 7,838 7,711 7,838<br />

10 INTEREST BEARING LIABILITIES<br />

10(a) Loans<br />

Loans from Government 1(w)<br />

Loans from Government (xiv) 22,193 24,000 22,193 24,000<br />

Total loans 22,193 24,000 22,193 24,000<br />

(xiv) The Corporation received a loan from Government on<br />

2 July <strong>2002</strong> to refinance the balance of the Corporation's<br />

private sector loan for the construction and enhancement<br />

of the premises at Artarmon.<br />

At the reporting date, the loan from the Commonwealth<br />

is payable as follows:<br />

within one year: 1,919 24,000 1,919 24,000<br />

In one to five years: 11,519 - 11,519 -<br />

In more than five years: 8,755 - 8,755 -<br />

Total loans 22,193 24,000 22,193 24,000


NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

10(b) Finance lease liabilities (xv)<br />

for the year ended 30 June 20<strong>03</strong><br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Lease liabilities recognised in the statement<br />

of financial position.<br />

Current 18 86 18 86<br />

Non-current - 18 - 18<br />

Total lease liabilities 18 104 18 104<br />

Finance leases liabilities at the reporting date and<br />

related finance charges are payable as follows:<br />

No later than one year 19 90 19 90<br />

In one to five years - 19 - 19<br />

In more than five years: - - - -<br />

Minimum lease payments 19 109 19 109<br />

Less future finance charges (1) (5) (1) (5)<br />

Total lease liabilities 18 104 18 104<br />

(xv) The Corporation has entered into two separate finance lease<br />

agreements for the purpose of acquiring equipment for signal<br />

splitting to other states, and for digital editing and recording<br />

equipment - see notes 1(l) and 9(f).<br />

11 PROVISIONS<br />

11(a) Employee Provisions<br />

Salaries and wages 1,523 1,392 1,523 1,392<br />

Leave 12,939 12,473 12,939 12,473<br />

Superannuation 202 184 202 184<br />

Separations and redundancies 304 - 304 -<br />

Aggregate employee entitlement liability (xvi) 14,968 14,049 14,968 14,049<br />

(xvi) Employee provisions are categorised as follows<br />

Current 9,100 8,259 9,100 8,259<br />

Non-current 5,868 5,790 5,868 5,790<br />

Aggregate employee entitlement liability 14,968 14,049 14,968 14,049<br />

12 PAYABLES<br />

12(a) Suppliers<br />

FINANCIAL STATEMENTS | 121<br />

Trade creditors 9,768 8,927 9,756 8,892<br />

Total suppliers payables 9,768 8,927 9,756 8,892


122 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

12(b) Other payables<br />

Notes Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Deferred Revenue 863 250 863 250<br />

Prepayments received (xvii) 46,409 49,061 46,409 49,061<br />

Total other payables 47,272 49,311 47,272 49,311<br />

(xvii) In 1999-2000, the Corporation received revenue from<br />

the TV Fund to provide analogue extensions to regional<br />

Australia over the next 12 years. Refer also to notes 1(i) and 8(c).<br />

12(c) Tax liabilities<br />

The prima facie tax on the surplus from ordinary activities before<br />

income tax is reconciled to the income tax expense as follows:<br />

Prima facie tax payable on surplus from ordinary<br />

activities before income tax at 30% (<strong>2002</strong>: 30%) 3 - - -<br />

Adjusted for share of net losses of associates<br />

(not a tax deductible expense) 35 - - -<br />

Income tax liability for 20<strong>03</strong>: 38 - - -<br />

Income tax adjustment for 2001 and <strong>2002</strong> 1(r) 473 - - -<br />

Total income tax expense 12 (c) 511 - - -<br />

13 CASH FLOW RECONCILIATION<br />

Reconciliation of operating surplus to net cash flows<br />

provided by operating activities.<br />

Net operating surplus 12,294 9,217 12,796 8,968<br />

Depreciation and amortisation of property, plant and equipment 8,072 9,073 8,072 9,073<br />

Decrease / (increase) in payables to suppliers for capital purchases 111 285 111 285<br />

(Gain) / loss on disposal of property, plant and equipment 113 20 113 20<br />

(Decrease) / increase in provision for doubtful debts (43) 44 (43) 44<br />

(Decrease) / increase in interest on capitalised investments 2,594 3,684 2,577 3,716<br />

Decrease / (increase) in revenue prepaid for analogue extensions (5,457) (15,136) (5,457) (15,136)<br />

Decrease / (increase) in interest on sinking fund investment - (923) - (923)<br />

(Gain) / loss on investment in associated company 117 (211) - -<br />

Changes in assets and liabilities:<br />

Decrease / (increase) in receivables 3,729 (1,934) 3,681 (2,605)<br />

Decrease / (increase) in inventories (5,573) (6,489) (5,573) (6,489)<br />

Decrease / (increase) in prepayments paid 127 (1,178) 127 (1,178)<br />

(Decrease) / increase in liabilities to employees 919 573 919 573<br />

(Decrease) / increase in payables to suppliers 879 1,684 864 1,653<br />

(Decrease) / increase in prepayments received 613 (1,107) 613 (1,107)<br />

Net cash from (used by) operating activities 18,495 (2,398) 18,800 (3,106)


(Consolidated entity)<br />

Item Accumulated results Asset revaluation reserve Total Contributed Equity TOTAL EQUITY<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$000 $000 $000 $000 $000 $000 $000 $000<br />

Opening Balance 1 July <strong>2002</strong> 30,498 31,230 15,722 15,722 46,199 38,199 92,419 85,151<br />

Net surplus/(deficit) 12,294 9,217 12,294 9,217<br />

Net revaluation increment/(decrement) - - - -<br />

Transactions with owner<br />

Distributions to owner:<br />

Capital Use Charge<br />

Contributions by owner:<br />

(10,906) (9,949) (10,906) (9,949)<br />

Appropriations (equity injections) 8,580 8,000 8,580 8,000<br />

Closing Balance 30 June 20<strong>03</strong> 31,886 30,498 15,722 15,722 54,779 46,199 102,387 92,419<br />

Total equity attributable to the Commonwealth 31,886 30,498 15,722 15,722 54,779 46,199 102,387 92,419<br />

(Corporation)<br />

Item Accumulated results Asset revaluation reserve Total Contributed Equity TOTAL EQUITY<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$000 $000 $000 $000 $000 $000 $000 $000<br />

Opening Balance 1 July <strong>2002</strong> 28,643 29,624 15,722 15,722 46,199 38,199 90,564 83,545<br />

Net surplus/(deficit) 12,796 8,968 12,796 8,968<br />

Net revaluation increment/(decrement) - - - -<br />

Transactions with owner<br />

Distributions to owner:<br />

Capital Use Charge<br />

Contributions by owner:<br />

(10,906) (9,949) (10,906) (9,949)<br />

Appropriations (equity injections) 8,580 8,000 8,580 8,000<br />

Closing Balance 30 June 20<strong>03</strong> 30,533 28,643 15,722 15,722 54,779 46,199 101,<strong>03</strong>4 90,564<br />

Total equity attributable to the Commonwealth 30,533 28,643 15,722 15,722 54,779 46,199 101,<strong>03</strong>4 90,564<br />

14 ANALYSIS OF EQUITY<br />

for the year ended 30 June 20<strong>03</strong><br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

FINANCIAL STATEMENTS | 123


124 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

15 FINANCIAL INSTRUMENTS<br />

15(a) Terms, conditions and accounting policies<br />

Financial Instrument Notes Accounting Policies and Methods Nature of underlying instrument<br />

(including recognition criteria and measurement basis) (including significant terms & conditions affecting the<br />

Financial assets Financial assets are recognised when control<br />

over future economic benefits is established and<br />

the amount of the benefit can be reliably measured.<br />

amount, timing and certainty of cash flows)<br />

Cash 8(a) Cash at bank and on hand is recognised at its Funds, mainly from monthly drawdowns of<br />

nominal value. Interest is credited to revenue as appropriation placed in bank accounts with the<br />

it accrues. Corporation's banker.<br />

Receivables for goods & services 8(b) The receivables are recognised at the nominal Credit terms for receivables for goods and<br />

amounts less any provision for doubtful debts. services are net 45 days for advertising debtors<br />

A provision is raised for doubtful debts based on<br />

a review of all outstanding amounts at year end.<br />

Bad debts are written off during the period in which<br />

they are identified.<br />

and 30 days for other debtors.<br />

Non-government security 8(c) SBS has a series of investments with banks and The investments are by purchase of negotiable<br />

other financial institutions for funds not immediately certificates of deposits for varying periods<br />

required for operational expenditure (for example, between 1 month and 12 years. The weighted<br />

analogue extension moneys received from the TV average effective interest rate of these<br />

fund to meet expenditure in the next twelve years) . investments is 5.5% (<strong>2002</strong>: 5.6%).<br />

Financial liabilities Financial liabilities are recognised when a present<br />

obligation to another party is entered into and the<br />

amount of the liability can be reliably measured.<br />

Loan from Government 10(a) Loans from Government are recognised at their SBS established a loan facility with the private<br />

15(b) principal amounts. Interest is expensed as it accrues. sector in 1992 for the purpose of funding its<br />

specialised broadcasting premises at Artarmon.<br />

The facility expired in <strong>2002</strong>, and was refinanced<br />

through an unsecured loan from Government at<br />

the prevailing 10 year Government bond rate<br />

(6.02 %) - refer to note 15(b).<br />

Finance Lease Liabilities 10(b) Liabilities are recognised at the present value of At reporting date, the Corporation had one of two<br />

the minimum lease payments at the beginning of separate finance lease agreements outstanding.<br />

the lease. The discount rates used are estimates of The terms of the remaining lease is 5.5 years. The<br />

the interest rates implicit in the leases. interest rate implicit in the lease averaged 7.0%<br />

Trade Creditors 12(a) Creditors and accruals are recognised at their<br />

nominal amounts, being the amounts at which the<br />

liabilities will be settled. Liabilities are recognised to<br />

the extent that the goods or services have been<br />

received (irrespective of having been invoiced).<br />

Settlement is usually made net 30 days.


The economic entity has no unrecognised financial assets or liabilities as at 30 June 20<strong>03</strong>. Interest rate details of<br />

recognised financial assets and liabilities are disclosed below. Investment in the economic entity's associated company is<br />

excluded, in accordance with the Australian Accounting Standard (AAS 33) on Presentation and Disclosure of Financial<br />

Instruments. Equity information in respect of the economic entity's associated company is disclosed in notes 8(c).<br />

Financial Instrument Notes Floating Fixed Interest Rate Non-Interest Total Weighted Average<br />

Interest Rate Bearing Effective Rate<br />

Financial Assets<br />

1 year or less 1 to 5 years > 5 years<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 % %<br />

Cash<br />

Receivables for goods<br />

3,570 4,057 - - - - - - - - 3,570 4,057 - 3.7%<br />

and services 8(b) - - - - - - - - 6,054 9,861 6,054 9,861 n/a n/a<br />

Non government security 8(c) - - 24,126 46,978 15,462 - 26,378 18,343 - - 65,966 65,321 5.5% 5.6%<br />

Total Financial Assets (Recognised) 3,570 4,057 24,126 46,978 15,462 - 26,378 18,343 6,054 9,861 75,590 79,239<br />

Total Assets 196,644 188,810<br />

Financial Instrument Notes Floating Fixed Interest Rate Non-Interest Total Weighted Average<br />

Interest Rate Bearing Effective Rate<br />

Financial Liabilities<br />

1 year or less 1 to 5 years > 5 years<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 % %<br />

Loan from Government 10(a) - - 1,919 24,000 11,519 - 8,755 - - - 22,193 24,000 6.0% 4.9%<br />

Finance lease liabilities 10(b) - - 18 86 - 18 - - - - 18 104 7.0% 7.0%<br />

Trade creditors 12(a) - - - - - - - - 9,768 8,927 9,768 8,927 n/a n/a<br />

Total Financial Liabilities (Recognised) - - 1,937 24,086 11,519 18 8,755 - 9,768 8,927 31,979 33,<strong>03</strong>1<br />

Total Liabilities 94,257 96,391<br />

SBS entered into an interest rate hedge on 4 June <strong>2002</strong> to minimise the risk of interest rate movements on a loan from<br />

Government which was to be provided after balance date (2 July <strong>2002</strong>) - at the prevailing 10 year Government bond rate<br />

(6.02 %). The Commonwealth loan of $24m was to repay the balance owing on a loan raised in 1992 for its Artarmon<br />

premises. The specific hedge entered into by the Corporation (on 4 June <strong>2002</strong>) effectively locked the interest rate on the<br />

loan at 6.23 % .<br />

15(b) Interest rate risk<br />

for the year ended 30 June 20<strong>03</strong><br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

FINANCIAL STATEMENTS | 125


126 | FINANCIAL STATEMENTS<br />

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />

for the year ended 30 June 20<strong>03</strong><br />

15(c) Foreign currency risk<br />

The Corporation did not enter into any specific foreign exchange hedge contracts in 20<strong>03</strong>.<br />

Contracts entered into in foreign currency are not significant.<br />

15(d) Credit risk<br />

The economic entity's maximum exposures to credit risk at reporting date in relation to each class of recognised financial<br />

assets is the carrying amount of those assets, as reported in the Statement of Financial Position.<br />

The economic entity has no significant exposures resulting from any concentration of credit risk.<br />

15(e) Net fair values of financial assets and liabilities<br />

The net fair values of cash, receivables for goods and services, and trade creditors approximate their carrying amounts.<br />

The net fair values of non government securities, Commonwealth loan and finance lease liabilities are based on<br />

discounted cash flows using current interest rates for liabilities with similar risk profiles, and are shown below.<br />

Financial assets<br />

Notes Carrying Amount Net Fair Value<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Cash 3,570 4,057 3,570 4,057<br />

Receivables for goods and services 8(b) 6,054 9,861 6,054 9,861<br />

Non government securities 8(c) 65,966 65,321 67,481 65,744<br />

Total financial assets 75,590 79,239 77,105 79,662<br />

Financial liabilities<br />

Loan from Government 10(a) 22,193 24,000 23,167 24,000<br />

Finance lease liabilities 10(b) 18 104 18 104<br />

Trade Creditors 12(a) 9,768 8,927 9,768 8,927<br />

Total financial liabilities 31,979 33,<strong>03</strong>1 32,953 33,<strong>03</strong>1<br />

16 CONTINGENT LIABILITIES AND ASSETS<br />

Consolidated Corporation<br />

20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />

$'000 $'000 $'000 $'000<br />

Quantifiable contingencies<br />

Contingent liabilities<br />

Claims for damages/costs 310 250 310 250<br />

Total contingent liabilities 310 250 310 250<br />

Contingent assets<br />

Claims for damages/costs - - - -<br />

Total contingent assets - - - -<br />

Net contingent liabilities 310 250 310 250<br />

The Corporation is presently a defendant in several cases.<br />

The amounts represent the Corporation's liability if unsuccessful.


APPENDIX | 127<br />

APPENDIX


128 | APPENDIX<br />

APPENDIX 1<br />

SBS ACT<br />

Compliance with Section 73<br />

(a) particulars of any broadcast by SBS during the year because of a direction by the Minister under subsection 12 (1). None.<br />

(b) particulars of any broadcast by SBS during the year because of a direction by the Minister otherwise than under this Act. None.<br />

(c) particulars of any written statement of Commonwealth Government policy given to the Board by the Minister during the year and<br />

the action (if any) taken by the Board in respect of the statement. None.<br />

(d) particulars of any gift, devise or bequest accepted by SBS during the year. None.<br />

(e) Particulars of how the programming activities during the year have related to SBS’s Charter obligations<br />

See sections ‘Television’, ‘Radio’, ‘New Media’, ‘Business’ and ‘The Corporation’ and the ‘Performance <strong>Report</strong> <strong>2002</strong>-<strong>03</strong>’.<br />

Relevant sections within the Appendix include: SBS Television – Languages Broadcast <strong>2002</strong>-<strong>03</strong> (Appendix 3); SBS<br />

Television Programs by Category <strong>2002</strong>-<strong>03</strong> (Appendix 4); SBS Independent Transmitted programs (Appendix 6); SBS<br />

Radio schedule (Appendix 7); SBS Radio – Languages Broadcast <strong>2002</strong>-<strong>03</strong> (Appendix 9)<br />

(f) particulars of the total revenue earned during the year from advertising and sponsorship, of the identity of each advertiser or<br />

sponsor and of the program (if any) with which advertiser or sponsor is associated.<br />

See Financial Statements. For SBS Television Sponsors <strong>2002</strong>-<strong>03</strong> (Appendix 10); SBS Television Advertisers <strong>2002</strong>-<strong>03</strong><br />

(Appendix 11); SBS Radio Advertisers <strong>2002</strong>-<strong>03</strong> (Appendix 12).<br />

(g) particulars of any direction by the Minister during the year under section 11 or 12. None.<br />

(h) particulars of any advice received by the Board during the year from the Community Advisory Committee (CAC) and the action<br />

taken by the Board in response to that advice.<br />

See ‘The Corporation’ and ‘Performance <strong>Report</strong> <strong>2002</strong>-<strong>03</strong>’ and for members of the CAC see Appendix 13.<br />

(I) particulars of any other measures taken by the Board during the year to ensure that the Board is aware of, and response to,<br />

community needs and opinions on matters relevant to SBS’s Charter.<br />

See ‘Television’, ‘Radio’, ‘New Media’, ‘The Corporation’ and ‘Performance <strong>Report</strong> <strong>2002</strong>-<strong>03</strong>’.<br />

(j) an assessment of the extent to which the operations of SBS and its subsidiaries during the year have achieved the objectives of<br />

SBS and its subsidiaries under the Corporate Plan and fulfilled the functions of SBS.<br />

Such details are included throughout the body of the <strong>Report</strong>.<br />

(k) particulars of any activities carried out during the year by SBS under subsection 52 (2).<br />

See ‘Business’ and ‘Financial Statements’.<br />

(l) particulars of the activities during the year of any authorised business with which SBS is associated under section 52.<br />

See ‘Business’ and ‘Financial Statements’.


*Denotes Self-help service<br />

SBS Analogue Television<br />

AUSTRALIAN CAPITAL TERRITORIES<br />

Canberra 28<br />

Fraser 53<br />

Tuggeranong 54<br />

Weston Creek/Woden 58<br />

NEW SOUTH WALES<br />

Albury North 53<br />

Armidale 30<br />

Ashford 54<br />

Batemans Bay/Moruya 55<br />

Bathurst 46<br />

Bega 43<br />

Berridale* 36<br />

Bourke* 57<br />

Bowral/Mittagong 30<br />

Braidwood 54<br />

Broken Bay 64<br />

Broken Hill 44<br />

Central Tablelands 30<br />

Central Western Slopes 29<br />

Cobar* 28<br />

Coffs Harbour 69<br />

Coolah 53<br />

Cooma 58<br />

Cootamundra* 56<br />

Cowra 45<br />

Deniliquin 69<br />

Dubbo 54<br />

Dungog 42<br />

East Grove* 43<br />

Eden 69<br />

Emmaville 52<br />

Forster 41<br />

Glen Innes 53<br />

Gloucester 30<br />

Goodooga* 69<br />

Gosford 58<br />

Goulburn 58<br />

Grafton/Kempsey 28<br />

Gulgong 68<br />

Hay 60<br />

Illawarra 53<br />

Inverell 41<br />

Jerilderie 59<br />

Khancoban* 57<br />

Kings Cross 58<br />

Kotara 55<br />

Laurieton 56<br />

Lightning Ridgec* 60<br />

Lismore East* 53<br />

Lithgow 29<br />

Lithgow East 52<br />

Lord Howe Island (North)* 6<br />

Lord Howe Island (South)* 7<br />

Maclean* 55<br />

Manly/Mosman 39<br />

Manning River 59<br />

Merewether 32<br />

Mudgee 58<br />

Murrumbidgee Irrigation Area (Griffith) 28<br />

Murwillumbah 57<br />

Narooma 47<br />

Newcastle 45<br />

North Armidale* 61<br />

Nowra North 29<br />

Nundle* 59<br />

Oberon* 54<br />

Ocean Shores* 68<br />

Peak Hill* 67<br />

Portland/Wallerawang 54<br />

Richmond/Tweed 41<br />

Rylstone/Kandos* 57<br />

South Western Slopes/E Riverina 29<br />

Stanwell Park 48<br />

Sydney 28<br />

Tamworth 52<br />

Tenterfield 54<br />

Tumburumba* 57<br />

Tumut* 54<br />

Tweed Heads 28<br />

Ulladulla 30<br />

Upper Hunter (Scone) 65<br />

Upper Namoi 28<br />

Vacy 28<br />

Wagga Wagga 53<br />

Walgett* 60<br />

Wollongong 32<br />

Wyong 39<br />

Young* 58<br />

NORTHERN TERRITORIES<br />

Alice Springs 28<br />

Ampilatwatja* 58<br />

Bathurst Island* 63<br />

Darwin 28<br />

Darwin North 61<br />

Groote Eylandt* 43<br />

Ikuntji* 54<br />

Jabiru* 61<br />

APPENDIX | 129<br />

APPENDIX 2<br />

SBS Television Services<br />

Area Served Channel Area Served Channel Area Served Channel<br />

Katherine* 58<br />

Maningrida* 60<br />

McArthur River Mine* 63<br />

Milikapiti* 63<br />

Milingimbi* 63<br />

Nhulunbuy* 55<br />

Oenpelli* 60<br />

Pine Creek* 69<br />

Pularumpi* 66<br />

Tennant Creek* 58<br />

Tindal* 56<br />

Titjikala* 65<br />

Yulara* 58<br />

QUEENSLAND<br />

Airlie Beach 34<br />

Atherton 56<br />

Augathella* 6<br />

Aurukun* 63<br />

Ayr 57<br />

Babinda 45<br />

Bamaga* 52<br />

Barcaldine* 60<br />

Bedourie* 69<br />

Bell 53<br />

Birdsville* 69<br />

Blackwater 43<br />

Bollon* 63<br />

Boonah 54<br />

Bowen 48<br />

Bowen Town 29<br />

Boyne Island 54<br />

Brisbane 28<br />

Cairns 30<br />

Cairns East 35<br />

Cairns North 53<br />

Camooweal* 63<br />

Canungra* 57<br />

Capella 29<br />

Charleville* 7<br />

Chillagoe* 60<br />

Clermont 56<br />

Cloncurry* 60<br />

Cooktown* 61<br />

Crows Nest* 55<br />

Croydon* 6<br />

Cunnamullav 62<br />

Currumbin 48<br />

Darling Downs 29<br />

Dimbulah 43<br />

Dysart 60


130 | APPENDIX<br />

APPENDIX 2<br />

SBS Television Services (cont’d)<br />

Area Served Channel Area Served Channel Area Served Channel<br />

Emerald 58<br />

Eromanga* 63<br />

Esk 52<br />

Eulo* 63<br />

Georgetown* 63<br />

Gladstone (East) 29<br />

Gladstone (West) 52<br />

Gold Coast 61<br />

Goldsborough Valley* 48<br />

Gordonvale 58<br />

Gunpowder* 60<br />

Gympie 42<br />

Gympie Town 50<br />

Herberton 57<br />

Hervey Bay 52<br />

Hughenden* 69<br />

Hungerford* 60<br />

Ilfracombe* 68<br />

Isisford* 68<br />

Julia Creek* 59<br />

Jundah* 63<br />

Linville* 60<br />

Longreach* 54<br />

Mabuiag Island* 63<br />

Mackay 30<br />

Mareeba 45<br />

Middlemount 48<br />

Mission Beach 62<br />

Moranbah* 67<br />

Morven* 9<br />

Mossman 29<br />

Mount Isa 29<br />

Mount Alford* 67<br />

Nambour 55<br />

Napranum* 66<br />

Nebo 52<br />

Noosa/Tewantin 29<br />

Normanton* 52<br />

Port Douglas 52<br />

Proserpine 53<br />

Quilpie* 63<br />

Rathdowney* 37<br />

Ravenshoe 53<br />

Redlynch 57<br />

Richmond* 65<br />

Rockhampton 28<br />

Rockhampton East 52<br />

Roma* 60<br />

Seisia* 62<br />

Shute Harbour 55<br />

Smithfield Heights 53<br />

Southern Downs 30<br />

Speewah* 58<br />

St George* 61<br />

Stonehenge* 63<br />

Stuart 56<br />

Sunshine Coast 34<br />

Texas 67<br />

Thargomindah* 60<br />

Tieri 56<br />

Toogoolawah* 56<br />

Toowoomba 53<br />

Townsville 28<br />

Townsville 55<br />

Townsville North 52<br />

Tully 58<br />

Warwick 67<br />

Weipa* 56<br />

Wide Bay 30<br />

Windorah* 63<br />

Winton* 54<br />

Wyandra* 63<br />

Yaraka* 39<br />

Yarrabah* 57<br />

Yeppoon 53<br />

SOUTH AUSTRALIA<br />

Adelaide 28<br />

Adelaide Foothills 43<br />

Angaston/Barossa* 69<br />

Carrickalinga* 52<br />

Ceduna/Smoky Bay 12<br />

Coober Pedy* 60<br />

Cowell 58<br />

Elizabeth South 60<br />

Eudunda* 69<br />

Golden Grove* 53<br />

Gumeracha* 53<br />

Kimba* 62<br />

Kingston SE/Robe 53<br />

Marla* 60<br />

Naracoorte 54<br />

Normanville* 54<br />

Oodnadatta 57<br />

Peterhead 53<br />

Port Lincoln 54<br />

Renmark/Loxton 30<br />

Roxby Downs* 53<br />

South East (Mt Gambier) 29<br />

Spencer Gulf North 34<br />

Swan Reach* 63<br />

Truro Grove* 69<br />

Tumby Bay 29<br />

Victor Harbor 52<br />

Waikerie 53<br />

Woomera* 28<br />

Yankalilla* 53<br />

TASMANIA<br />

Acton Road* 52<br />

Barrington Valley 37<br />

Burnie 55<br />

Circular Head* 60<br />

Cygnet 42<br />

Dover 53<br />

Dover South 41<br />

East Devonport 54<br />

Geeveston 54<br />

Hillwood 37<br />

Hobart 28<br />

Hobart NE Suburbs 54<br />

Launceston 53<br />

Lilydale 54<br />

Meander 53<br />

Mole Creek* 54<br />

NE Tasmania 29<br />

Neika/Leslie Vale* 53<br />

New Norfolk 53<br />

Orford 52<br />

Penguin 34<br />

Smithton* 38<br />

Stanley* 69<br />

Taroona 43<br />

Tullah* 52<br />

Ulverstone 53<br />

Wayatinah* 52<br />

Wynyard 30<br />

TERRITORIES<br />

Norfolk Island* 9<br />

VICTORIA<br />

Alexandra 68<br />

Alexandra Environs 28<br />

Bairnsdale 54<br />

Ballarat 30<br />

Bendigo 29<br />

Bonnie Doon 55<br />

Bright 29<br />

Bruthen 50<br />

Churchill 52<br />

Colac 55<br />

Eildon 30<br />

Eildon Town 48<br />

Ferntree Gully 68<br />

Foster 60<br />

Geelong* 68<br />

Gisborne * 68<br />

Goulburn Valley (Shepparton) 34<br />

Horsham 48


Area Served Channel<br />

SBS Digital Television<br />

AUSTRALIAN CAPITAL TERRITORIES<br />

Canberra 30<br />

NEW SOUTH WALES<br />

Newcastle 38<br />

Kotara 38<br />

Merewether 38<br />

Wyong 38<br />

Sydney 34<br />

Kings Cross 34<br />

Manly/Mosman 34<br />

Broken Bay 34<br />

Area Served Channel<br />

Gosford 34<br />

Illawarra 54<br />

Wollongong 54<br />

Stanwell Park 49<br />

NORTHERN TERRITORIES<br />

Darwin 29<br />

QUEENSLAND<br />

Brisbane 36<br />

Currumbin 36<br />

Gold Coast 36<br />

Sunshine Coast 36<br />

Gympie 36<br />

Gympie Town 36<br />

APPENDIX | 131<br />

APPENDIX 2<br />

SBS Television Services (cont’d)<br />

Area Served Channel Area Served Channel Area Served Channel<br />

Jamieson* 55<br />

Kiewa 54<br />

Lakes Entrance 29<br />

Latrobe Valley 34<br />

Mansfield 53<br />

Marysville 58<br />

Melbourne 28<br />

Mildura/Sunraysia 29<br />

Mitta Mitta* 65<br />

Murray Valley (Swan Hill) 44<br />

Myrtleford 59<br />

Nhill 59<br />

Old Tallangatta* 59<br />

Port Campbell* 66<br />

Portland 69<br />

Redcliffs* 66<br />

Safety Beach 58<br />

Selby 69<br />

Seymour 67<br />

South Yarra 58<br />

Upper Murray 30<br />

Upwey 51<br />

Warburton 58<br />

Warrnambool 55<br />

Warrnambool City 58<br />

Western Victoria (Hamilton) 28<br />

Yea 30<br />

WESTERN AUSTRALIA<br />

Albany 40<br />

Albany West* 60<br />

Badgingarra* 59<br />

Beacon* 60<br />

Bencubbin* 59<br />

Boddington* 62<br />

Bridgetown* 54<br />

Broome 29<br />

Bunbury 33<br />

Carnamah* 56<br />

Carnarvon* 28<br />

Central Agricultural 47<br />

Cervantes* 40<br />

Collie* 57<br />

Condingup* 58<br />

Dampier* 38<br />

Denham* 67<br />

Derby* 59<br />

Eneabba* 40<br />

Esperance 28<br />

Exmouth* 60<br />

Gascoyne Junction* 63<br />

Geraldton 29<br />

Gracetown* 58<br />

Green Head* 42<br />

Halls Creek* 58<br />

Hopetoun* 59<br />

Hyden* 38<br />

Kalgoorlie 28<br />

Kambalda 52<br />

Karratha 66<br />

Kattaning 59<br />

Kondinin* 63<br />

Kununoppin* 58<br />

Kununurra* 29<br />

Lagrange* 60<br />

Lake Grace* 36<br />

Lake King* 60<br />

Lancelin* 65<br />

Laverton* 60<br />

Leonora* 66<br />

Mandurah 54<br />

Manjimup* 54<br />

Maryville* 53<br />

Meekatharra* 60<br />

Menzies* 60<br />

Molloy Island* 62<br />

Mukinbudin* 37<br />

Narrogin* 54<br />

Newdegate* 57<br />

Newman* 69<br />

Northampton 59<br />

Nyabing* 67<br />

Perth 28<br />

Pingrup* 61<br />

Port Hedland 42<br />

Prevelly* 62<br />

Ravensthorpe* 58<br />

Roleystone 54<br />

Southern Agricultural 28<br />

Toodyay 34<br />

Trayning* 63<br />

Wagin 29<br />

Walpole* 54<br />

Wellstead* 61<br />

Westonia* 56<br />

Wickham* 69<br />

Wiluna* 60<br />

Wyndham* 58<br />

Yalgoo* 60<br />

Area Served Channel<br />

Nambour 36<br />

Noosa/Tewantin 36<br />

SOUTH AUSTRALIA<br />

Adelaide 33<br />

VICTORIA<br />

Melbourne 29<br />

Ballarat 43<br />

Western Victoria 7<br />

TASMANIA<br />

Hobart 9A<br />

WESTERN AUSTRALIA<br />

Perth 29


132 | APPENDIX<br />

APPENDIX 3<br />

SBS Television – Languages Broadcast<br />

Language Total % of total % of LOTE<br />

hours prog. time prog. time<br />

Afrikaans 1.74 0.02% 0.05%<br />

Arabic 66.83 0.95% 1.83%<br />

Bulgarian 3.61 0.05% 0.10%<br />

Cantonese 97.95 1.39% 2.68%<br />

Catalan 4.50 0.06% 0.12%<br />

Croatian 11.81 0.17% 0.32%<br />

Czech 14.31 0.20% 0.39%<br />

Danish 17.43 0.25% 0.48%<br />

Dutch 23.77 0.34% 0.65%<br />

English 3,370.38 47.91%<br />

Estonian 6.28 0.09% 0.17%<br />

Farsi 16.65 0.24% 0.45%<br />

Finnish 7.95 0.11% 0.22%<br />

Flemish 1.44 0.02% 0.04%<br />

French 447.48 6.37% 12.22%<br />

German 427.05 6.08% 11.66%<br />

Greek 329.23 4.68% 8.99%<br />

Hebrew 19.40 0.28% 0.53%<br />

Hindi 18.56 0.26% 0.51%<br />

Hungarian 31.25 0.44% 0.85%<br />

Icelandic 1.32 0.02% 0.04%<br />

Indonesian 129.11 1.84% 3.53%<br />

Italian 4<strong>03</strong>.93 5.75% 11.<strong>03</strong>%<br />

Japanese 239.32 3.40% 6.54%<br />

Korean 15.98 0.23% 0.44%<br />

Kurdish 3.87 0.06% 0.11%<br />

Latin 1.40 0.02% 0.04%<br />

Malayalam 1.92 0.<strong>03</strong>% 0.05%<br />

Maltese 37.52 0.53% 1.02%<br />

Mandarin 217.58 3.10% 5.94%<br />

Language Total % of total % of LOTE<br />

hours prog. time prog. time<br />

No Dialogue 198.38 2.82% 5.42%<br />

Norwegian 19.45 0.28% 0.53%<br />

Polish 67.82 0.96% 1.85%<br />

Portuguese 31.12 0.44% 0.85%<br />

Romani 4.10 0.06% 0.11%<br />

Romanian 8.24 0.12% 0.23%<br />

Russian 173.31 2.47% 4.73%<br />

Serbian 4.97 0.07% 0.14%<br />

Sinhalese 3.60 0.05% 0.10%<br />

Slovak 7.72 0.11% 0.21%<br />

Slovene 2.60 0.04% 0.07%<br />

Spanish 389.71 5.54% 10.64%<br />

Swedish 47.95 0.68% 1.31%<br />

Tagalog 17.76 0.25% 0.49%<br />

Tamil 3.67 0.05% 0.10%<br />

Turkish 11.65 0.17% 0.32%<br />

Ukrainian 21.55 0.31% 0.59%<br />

Urdu 2.86 0.04% 0.08%<br />

Vietnamese 16.98 0.24% 0.46%<br />

Welsh 2.89 0.04% 0.08%<br />

Xhosa 1.01 0.01% 0.<strong>03</strong>%<br />

Yiddish 1.13 0.02% 0.<strong>03</strong>%<br />

Languages with<br />

individual durations<br />

less than one hour* 20.56 0.29% 0.56%<br />

Total LOTE * 3,661.46 52.09% 100.00%<br />

Total hours broadcast 7,028.57 100.00%<br />

* LOTE - Languages Other Than English


APPENDIX 4<br />

Top SBS Television Programs by Category<br />

Total % of Hours % of Hours % of<br />

53.28 total time Local total time Impoted total time<br />

Animation 53.28 0.76% 24.11 0.34% 29.17 0.41%<br />

Arts 149.99 2.13% 11.08 0.16% 138.90 1.98%<br />

Comedy 66.48 0.95% 36.55 0.52% 29.93 0.43%<br />

Cooking 10.36 0.15% 6.63 0.09% 3.72 0.05%<br />

Documentaries 941.28 13.39% 214.48 3.05% 726.80 10.34%<br />

Drama 170.63 2.43% 11.21 0.16% 159.42 2.27%<br />

Drama Series 35.52 0.51% 0.00 0.00% 35.52 0.51%<br />

eat carpet 44.93 0.64% 12.27 0.17% 32.66 0.46%<br />

Educational 108.82 1.55% 108.82 1.55% 0.00 0.00%<br />

Features 1,204.99 17.14% 19.64 0.28% 1,185.35 16.86%<br />

Fillers 29.26 0.42% 21.49 0.31% 7.77 0.11%<br />

Funny Shorts (Eat My Shorts) 6.82 0.10% 0.84 0.01% 5.98 0.09%<br />

Magazine 54.48 0.78% 44.17 0.63% 10.31 0.15%<br />

News And Current Affairs 3,289.39 46.80% 505.29 7.19% 2,784.10 39.61%<br />

Performances Various 1.43 0.02% 0.00 0.00% 1.43 0.02%<br />

Sport 860.92 12.25% 770.37 10.96% 90.55 1.29%<br />

7,028.57 100.00% 1,786.97 25.42% 5,241.60 74.58%<br />

APPENDIX 5<br />

SBS Television Programs Classification<br />

Month G PG M MA MAV R(NSTV) Number Total Time<br />

of programs Hours:Min<br />

Jul <strong>2002</strong> 47 26 40 19 0 1 133 118:10<br />

Aug <strong>2002</strong> 59 31 27 19 3 3 142 112:29<br />

Sep <strong>2002</strong> 46 17 31 16 2 3 115 88:22<br />

Oct <strong>2002</strong> 70 20 39 14 4 0 147 123:15<br />

Nov <strong>2002</strong> 62 33 28 11 2 1 137 111:01<br />

Dec <strong>2002</strong> 65 15 28 11 0 2 121 89:32<br />

Jan 20<strong>03</strong> 43 24 34 22 3 1 127 115:00<br />

Feb 20<strong>03</strong> 47 39 40 14 1 0 141 114:22<br />

Mar 20<strong>03</strong> 68 26 41 14 2 2 153 107:45<br />

Apr 20<strong>03</strong> 51 21 32 11 3 1 119 110:41<br />

May 20<strong>03</strong> 41 38 27 14 4 3 127 112:28<br />

Jun 20<strong>03</strong> 58 35 44 8 1 1 147 119:58<br />

Total 657 325 411 173 25 18 1,609 1,323:<strong>03</strong><br />

40.83% 20.20% 25.54% 10.75% 1.55% 1.12%<br />

APPENDIX | 133


134 | APPENDIX<br />

APPENDIX 6<br />

SBS Independent – Transmitted Programs <strong>2002</strong>-<strong>03</strong><br />

GENERAL PRODUCTION FUND<br />

(21 hours of documentary)<br />

DOCUMENTARY SERIES – AUSTRALIA BY NUMBERS (26-minute episodes)<br />

Prahran 3181 Prahran’s community pool<br />

Nannup 6275 Lake Jasper hostel for indigenous boys<br />

CBD 2000 Sydney as seen by three bicycle couriers<br />

Hobart South 7004 New age mountain men<br />

Adaminaby 2630 The town that was flooded for hydroelectricity<br />

Rockhampton 4700 The story of Ken Farrar<br />

Kumarangk 5214 The basket-weaving ladies of Munarangk<br />

Boggo Road 4102 From jail to tourist attraction<br />

Parachilna 5730 A hotel in outback Australia<br />

Leichhardt 2040 Story of the Leichhardt Flying Club<br />

Surfers Paradise 4217 The all Japanese surfing competition<br />

Jabiru 0886: Trespass The story of the Mirarr people<br />

Taringa 4068 A family home on Brisbane’s Mt Cootha<br />

Brewarrina 2839: Big Girls Don’t Cry Story of renal failure among aboriginal people<br />

Fortitude Valley 4006 A cult video collector and his battle to survive in business<br />

Sydney 2000: The Foundation The history of the Foundation for Aboriginal Affairs<br />

SBSi / FFC ACCORD DOCUMENTARIES (52 minutes each)<br />

Black Chicks Talking Leah Purcell explores the lives of five indigenous women<br />

King of Belle-lle The life of Australian impressionist painter, John Russell<br />

Two-Thirds Sky An outback journey to document five contemporary artists<br />

In Limbo A lawyer’s battle to find homes for Vietnamese boat people<br />

Gough Whitlam - In His Own Words Gough Whitlam reflects on his life and political times<br />

Whispering In Our Hearts The massacre at Mowla Bluff in the Kimberleys<br />

Sixty Thousand Barrels How to treat a dangerous stockpile of toxic waste<br />

Chinese Takeaway An Australian family saga spanning three generations<br />

My Mother India The quintessential Australian multicultural love story, but in reverse<br />

SINGLE DOCUMENTARIES (52 minutes each)<br />

The What If Man The life of science fiction encyclopaedia buff, Peter Nicholls<br />

Cave In The Snow Buddhist nun, Tenzin Palmo, fights gender inequality<br />

DOCUMENTARY SERIES (2x52 minutes)<br />

Dinosaur Dealers The mystery and intrigues of international dinosaur bone dealing


SPECIAL PRODUCTION FUND<br />

(23.5 hours: 11 hours of documentary; 6.5 hours of animation; and 6 hours of drama.)<br />

SINGLE DOCUMENTARIES (52 minutes each)<br />

APPENDIX 6<br />

SBS Independent – Transmitted Programs <strong>2002</strong>-<strong>03</strong><br />

Seeking Asylum Detainees at Woomera’s detention centre tell their stories<br />

Afghanistan - Drugs Guns And Money The uneasy relationship between the drug lords and the new Afghan administration<br />

Rainbow Bird And Monster Man The life of a sexually abused man<br />

DOCUMENTARY SERIES (26 minutes each)<br />

Painting With Light In A Dark World Photography in the mean streets of Sydney by Peter Darren Moyle<br />

Schtick Happens The legacy of the filmmaker’s earlier film, Original Schtick<br />

Chunky Move: Just Add Water Portrait of choreographer Gideon Obarzanek<br />

Leaping Off The Edge Female survivors of sexual abuse turn to circus skills as therapy<br />

Still Breathing An inspirational story about living with cystic fibrosis<br />

The Soccer Lady Natalie Cardwell runs mobile soccer clinics in Queensland<br />

The Secret Side Of Me Geelong children’s entry into adolescence<br />

Dr Fruitloop Goes To East Timor Three clown doctors help East Timor’s children<br />

Albert’s Chook Tractor The drama of Albert, his farm, his tractor and his chooks<br />

DOCUMENTARY SERIES – ‘EVERYDAY BRAVE’ (26 minute episodes)<br />

Produced by Film Australia for broadcast on SBS, Everyday Brave is a modern biography series that profiles six extraordinary<br />

Indigenous Australians.<br />

Bonita Mabo the story of Bonita Mabo<br />

Stranger in My Skin the story of Ray Cotti<br />

Jeta Nai Medical Mob the story of Naomi Myers<br />

Mistake Creek the story of Stephen Craig<br />

Media Nomads the story of Bill and Mick Thaiday<br />

Saltwater Bluesman the story of Chris ‘Kiddo’ Taylor<br />

COMEDY / DRAMA SERIES<br />

John Safran’s Music Jamboree (10x26 minutes) The modern world of music under scrutiny<br />

Hey Sista (26 minutes drama) A girl finds friendship in the local All Blacks basketball team<br />

Love Weights (26 minutes drama) One woman’s obsession with losing weight leads to a love affair<br />

ANIMATION SERIES<br />

Quads Series Two (13x25 minutes) The caustic cartoons of John Callahan<br />

APPENDIX | 135


136 | APPENDIX<br />

APPENDIX 6<br />

SBS Radio – Broadcast Schedule<br />

SBS Radio National Network – Broadcast Schedule<br />

TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />

6am World View World View World View World View World View O/night progs O/night progs 0600<br />

7am Greek Arabic Greek Greek Greek Arabic Maltese 0700<br />

8am Italian Italian German Croatian Serbian Italian Italian 0800<br />

9am German Slovenian Vietnamese Vietnamese German Vietnamese Hindi 0900<br />

10am Cantonese Filipino Dutch Filipino Mandarin Dutch Urdu 1000<br />

11am Russian French Filipino Portuguese French Portuguese Hebrew 1100<br />

12pm Dutch Maltese Aboriginal Maori Armenian Hungarian Yiddish 1200<br />

1pm Polish Spanish Polish Spanish Polish Turkish Polish 1300<br />

2pm Hungarian Indonesian Burmese Korean Cantonese Persian-Farsi Tamil 1400<br />

3pm Tongan Lithuanian Turkish Estonian Indonesian Russian Sinhalese 1500<br />

4pm Macedonian Ukrainian Latvian Macedonian Dari Swedish French 1600<br />

5pm World View World View World View World View World View Danish Finnish 1700<br />

6pm Laotian Greek Italian Italian Italian Greek Greek 1800<br />

7pm Vietnamese Vietnamese Russian Arabic Vietnamese Arabic Vietnamese 1900<br />

8pm Romanian Cantonese Mandarin German Cantonese Cantonese Mandarin 2000<br />

9pm Filipino Croatian Serbian Khmer Aboriginal Thai Czech 2100<br />

10pm Spanish Japanese Somali Amharic Spanish Malay Slovak 2200<br />

11pm Alchemy Alchemy Alchemy Alchemy African Alchemy Alchemy 2300<br />

12am O/night progs O/night progs O/night progs Alchemy O/night progs O/night progs O/night progs 0000<br />

SBS Radio Sydney AM (1107) – Broadcast Schedule<br />

TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />

6am World View World View World View World View World View O/night progs O/night progs 0600<br />

7am Greek Greek Greek Greek Greek Greek Greek 0700<br />

8am Serbian Slovenian Croatian Croatian Serbian Croatian Slovenian 0800<br />

9am Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese 0900<br />

10am Cantonese Mandarin Cantonese Cantonese Mandarin Mandarin Cantonese 1000<br />

11am Mandarin French Khmer French French Khmer Hebrew 1100<br />

12pm Aboriginal Albanian Aboriginal Maori Laotian Hungarian Yiddish 1200<br />

1pm Polish Polish Polish Polish Polish Polish Polish 1300<br />

2pm Hungarian Hungarian Hebrew Korean Cantonese Tongan Cook Is M 1400<br />

3pm Croatian Serbian Yiddish Serbian Norwegian Fijian Korean 1500<br />

4pm Tongan Macedonian Macedonian Macedonian Macedonian Swedish French 1600<br />

5pm World View World View World View World View World View Danish Kannada 1700<br />

6pm Greek Greek Greek Greek Greek Greek Greek 1800<br />

7pm Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese 1900<br />

8pm Cantonese Cantonese Mandarin Mandarin Cantonese Cantonese Mandarin 2000<br />

9pm Khmer Croatian Serbian Khmer Aboriginal French Samoan 2100<br />

10pm Laotian Korean Somali Amharic Korean Malay Macedonian 2200<br />

11pm Alchemy Alchemy Alchemy Alchemy African Alchemy Alchemy 2300<br />

12am O/night progs O/night progs O/night progs O/night progs O/night progs O/night progs O/night progs 0000


SBS Radio Sydney FM (99.7) – Broadcast Schedule<br />

APPENDIX 6<br />

SBS Radio – Broadcast Schedule (Cont’d)<br />

TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />

6am Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy 0600<br />

7am Arabic Arabic Arabic Arabic Arabic Arabic Arabic 0700<br />

8am Italian Italian Italian Italian Italian Italian Italian 0800<br />

9am German German German Czech German Nepalese Hindi 0900<br />

10am Dutch Filipino Dutch Filipino Filipino Dutch Urdu 1000<br />

11am Russian Russian Filipino Portuguese Portuguese Portuguese Tamil 1100<br />

12pm Maltese Maltese Hindi Maltese Armenian Maltese Sinhalese 1200<br />

1pm Spanish Spanish Spanish Spanish Spanish Spanish Spanish 1300<br />

2pm Bosnian Indonesian Burmese Gujarati Indonesian Persian-Farsi Ukrainian 1400<br />

3pm Hindi Turkish Turkish Turkish Turkish Turkish Turkish 1500<br />

4pm Bengali Ukrainian Latvian Ukrainian Dari Russian Russian 1600<br />

5pm Turkish Lithuanian Russian Estonian Maltese Latvian Finnish 1700<br />

6pm Italian Italian Italian Italian Italian Italian Italian 1800<br />

7pm Arabic Arabic Arabic Arabic Arabic Arabic Arabic 1900<br />

8pm Romanian Armenian Armenian German Assyrian Thai German 2000<br />

9pm Filipino Thai Portuguese Punjabi Dutch Filipino Czech 2100<br />

10pm Spanish Japanese Spanish Indonesian Spanish Kurdish Slovak 2200<br />

11pm Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy 2300<br />

12am O/night progs O/night progs O/night progs Alchemy Alchemy Alchemy O/night progs 0000<br />

SBS Radio Melbourne AM (1224) - Broadcast Schedule<br />

APPENDIX | 137<br />

TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />

6am World View World View World View World View World View O/night progs O/night progs 0600<br />

7am Greek Greek Greek Greek Greek Greek Greek 0700<br />

8am Serbian Slovenian Croatian Croatian Serbian Croatian Slovenian 0800<br />

9am Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese 0900<br />

10am Cantonese Mandarin Cantonese Cantonese Mandarin Mandarin Cantonese 1000<br />

11am Mandarin French Khmer French French Khmer Hebrew 1100<br />

12pm Aboriginal Albanian Aboriginal Maori Laotian Hungarian Yiddish 1200<br />

1pm Polish Polish Polish Polish Polish Polish Polish 1300<br />

2pm Hungarian Hungarian Hebrew Korean Cantonese Tongan Cook Is M 1400<br />

3pm Croatian Serbian Yiddish Serbian Norwegian Fijian Korean 1500<br />

4pm Macedonian Macedonian Macedonian Macedonian Macedonian Swedish French 1600<br />

5pm World View World View World View World View World View Danish Albanian 1700<br />

6pm Greek Greek Greek Greek Greek Greek Greek 1800<br />

7pm Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese 1900<br />

8pm Cantonese Cantonese Mandarin Mandarin Cantonese Cantonese Mandarin 2000<br />

9pm Khmer Croatian Serbian Khmer Aboriginal French Samoan 2100<br />

10pm Laotian Polish Somali Amharic Hungarian Malay Macedonian 2200<br />

11pm Alchemy Alchemy Alchemy Alchemy African Alchemy Alchemy 2300<br />

12am O/night progs O/night progs O/night progs O/night progs O/night progs O/night progs O/night progs 0000


138 | APPENDIX<br />

APPENDIX 6<br />

SBS Radio – Broadcast Schedule (Cont’d)<br />

SBS Radio Melbourne FM (93.1) – Broadcast Schedule<br />

TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />

6am Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy 0600<br />

7am Arabic Arabic Arabic Arabic Arabic Arabic Maltese 0700<br />

8am Italian Italian Italian Italian Italian Italian Italian 0800<br />

9am German German German German German German Hindi 0900<br />

10am Dutch Filipino Dutch Filipino Filipino Dutch Urdu 1000<br />

11am Russian Russian Filipino Portuguese Portuguese Portuguese Tamil 1100<br />

12pm Maltese Maltese Hindi Maltese Armenian Maltese Sinhalese 1200<br />

1pm Spanish Spanish Spanish Spanish Spanish Spanish Spanish 1300<br />

2pm Bosnian Indonesian Burmese Romanian Indonesian Persian-Farsi Ukrainian 1400<br />

3pm Hindi Turkish Turkish Turkish Turkish Turkish Turkish 1500<br />

4pm Bengali Ukrainian Latvian Ukrainian Dari Russian Russian 1600<br />

5pm Turkish Lithuanian Russian Estonian Bulgarian Latvian Finnish 1700<br />

6pm Italian Italian Italian Italian Italian Italian Italian 1800<br />

7pm Maltese Arabic Maltese Arabic Maltese Arabic Arabic 1900<br />

8pm Romanian German Armenian German Assyrian Thai German 2000<br />

9pm Filipino Thai Portuguese Punjabi Dutch Filipino Czech 2100<br />

10pm Spanish Japanese Spanish Indonesian Spanish Kurdish Slovak 2200<br />

11pm Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy 2300<br />

12am O/night progs O/night progs O/night progs Alchemy Alchemy Alchemy O/night progs 0000<br />

APPENDIX 8<br />

SBS Radio Services<br />

Area Served Channel<br />

SBS Analogue Radio<br />

AUSTRALIAN CAPTIAL TERRITORY<br />

Canberra 105.5 (FM)<br />

NEW SOUTH WALES<br />

Bathurst* 88.9 (FM)<br />

Newcastle 1413 (AM)<br />

Sydney 97.7 (FM)<br />

Sydney 1107 (AM)<br />

Wagga Wagga* 1<strong>03</strong>.5 (FM)<br />

Wollongong 1485 (AM)<br />

Young* 98.7 (FM)<br />

NT<br />

Darwin 100.9 (FM)<br />

Area Served Channel<br />

QUEENSLAND<br />

Brisbane 93.3 (FM)<br />

SOUTH AUSTRALIA<br />

Adelaide 106.3 (FM)<br />

Adelaide Foothills 95.1 (FM)<br />

TASMANIA<br />

Hobart 105.7 (FM)<br />

VICTORIA<br />

Melbourne 93.1 (FM)<br />

Melbourne 1224 (AM)<br />

WESTERN AUSTRALIA<br />

Perth 96.9 (FM)<br />

* Denotes Self-Help Service


National<br />

Network Melbourne Sydney<br />

Language Hours/Week Hours/Week Hours/Week<br />

Aboriginal 2 3 3<br />

African 1 1 1<br />

Albanian 0 2 1<br />

Arabic 3 9 14<br />

Armenian 1 2 3<br />

Assyrian 0 1 1<br />

Belarusian 0 0 1<br />

Bengali 0 1 1<br />

Bosnian 0 1 1<br />

Bulgarian 0 1 0<br />

Burmese 1 1 1<br />

Cantonese 4 8 8<br />

Cook Is. Maori 0 1 1<br />

Croatian 2 5 5<br />

Czech 1 1 2<br />

Danish 1 1 1<br />

Dari 1 1 1<br />

Dutch 3 4 4<br />

Estonian 1 1 1<br />

Farsi 1 1 1<br />

Fijian 0 1 1<br />

Filipino 3 5 5<br />

French 3 5 5<br />

Gaelic-Irish 1 1 1<br />

Gaelic-Scottish 1 1 1<br />

German 4 9 6<br />

Greek 7 14 14<br />

Gujarati 0 0 1<br />

Hebrew 2 3 3<br />

Hindi 1 2 2<br />

Hungarian 2 4 3<br />

Indonesian 2 3 3<br />

Italian 7 14 14<br />

Japanese 1 1 1<br />

Kannada 0 0 1<br />

Khmer 1 4 4<br />

APPENDIX | 139<br />

APPENDIX 9<br />

SBS Radio – Language Broadcast*<br />

National<br />

Network Melbourne Sydney<br />

Language Hours/Week Hours/Week Hours/Week<br />

Korean 1 2 4<br />

Kurdish 0 1 1<br />

Laotian 1 2 2<br />

Latvian 1 2 2<br />

Lithuanian 1 1 1<br />

Macedonian 2 6 5<br />

Maltese 2 9 6<br />

Mandarin 3 6 6<br />

Maori 1 1 1<br />

Norwegian 0 1 1<br />

Polish 4 8 7<br />

Portuguese 3 5 5<br />

Punjabi 0 1 1<br />

Romanian 1 2 1<br />

Russian 3 5 5<br />

Samoan 0 1 1<br />

Serbian 2 5 5<br />

Sinhalese 1 1 1<br />

Slovak 1 1 1<br />

Slovenian 1 2 2<br />

Spanish 4 10 10<br />

Swedish 1 1 1<br />

Tamil 1 1 1<br />

Thai 1 2 2<br />

Tongan 1 1 2<br />

Turkish 2 8 7<br />

Ukrainian 1 3 3<br />

Urdu 1 1 1<br />

Vietnamese 7 14 14<br />

Welsh 1 1 1<br />

Yiddish 1 3 3<br />

Multicultural<br />

(in English) 18 18 18<br />

Total 126 238 238<br />

* On 30 June 20<strong>03</strong>, the languages – Irish Gaelic, Scottish Gaelic, Welsh and Belarusian – were dropped from the schedule. Four languages – Malay, Somali,<br />

Amharic and Nepalese – were added to the schedule from 1 July 20<strong>03</strong>.


140 | APPENDIX<br />

APPENDIX 10<br />

SBS Television Sponsors<br />

Sponsored Programs Sponsors<br />

<strong>2002</strong> Australian Sport Awards<br />

A Question of Taste/<br />

American Express<br />

Food Lovers’ Guide to Australia McDonald’s<br />

Arts on Saturday EMI, Lexus<br />

Australia by Numbers Westpac<br />

Australia v England Soccer Telstra, Samsung, AXA,<br />

Department of Defence<br />

Bridge Between Two Island Epson<br />

City Cabs/Family Stories McDonald’s<br />

Classic Albums Grundig<br />

Corporate Sponsorship Subaru<br />

Crank Yankers Vodafone<br />

Cult Movie and Friday Night Movie Carlton United<br />

English Premier League<br />

English Premier League<br />

Guinness, Bulmers<br />

Match of the Week Vodafone<br />

Ethnic Business Awards National Australia Bank<br />

FA Community Shield Vodafone<br />

FA Cup Final Harvey Norman, Telstra,<br />

Western Union, AXA,<br />

Hewlett Packard<br />

Food Lovers’ Guide to Australia Ford, Leggos,<br />

McDonald’s<br />

Global Village McDonald’s, MasterCard<br />

Independent Film Awards Lexus<br />

Les Miserables: Mini Series Lexus<br />

Life Support Vodafone<br />

Masterpiece Carlton United<br />

Sponsored Programs Sponsors<br />

Meet the Ancestors Westpac<br />

Movie of the Week Carlton United<br />

Movies Mazda, Carlton United,<br />

Brother Industries,<br />

Hyundai<br />

Opera - Peony Pavilion Lexus<br />

Pizza Western Union<br />

Queer As Folk L’Oreal<br />

Sandown 500 McDonald’s<br />

SBS Youth Orchestra Epson<br />

South Park Toyota<br />

Speedweek Chlorox<br />

Subsonics Guinness<br />

Sunday Documentaries Hewlett Packard<br />

The Business Show IBM<br />

The Cutting Edge Hewlett Packard<br />

The Movie Show Douwe Egberts, Lexus,<br />

Subaru<br />

The World Game Commonwealth Bank,<br />

Toyota, Western Union,<br />

L’Oreal LPD and Giorgio<br />

Armani<br />

Toyota World Sports Grundig<br />

TwentyFourSeven McDonald’s, Telstra<br />

UEFA Cup Final Harvey Norman, Colonial<br />

First State<br />

Western Union Football Western Union


20th Century Fox<br />

4BH Radio<br />

AAPT<br />

Ace Insurance<br />

Alfa Romeo<br />

American Express<br />

Amnesty International<br />

Andrew McKinnon Concerts<br />

Arab Bank<br />

Arnotts<br />

Audi<br />

Aurora<br />

Australian Major Events<br />

Australian Democrats<br />

AXA<br />

Bakers Delight<br />

Bank of Queensland<br />

Blackwell Funerals<br />

BMG Records<br />

BMW Australia<br />

Bob Jane T-Mart<br />

Bonland<br />

Brother Industries<br />

Brown Brothers<br />

BT Financial Group<br />

Buena Vista<br />

Bulmers Australia<br />

Burger King Australia<br />

Canberra Tourism<br />

Canon<br />

Carlton United Breweries<br />

Cathay Pacific<br />

CGU<br />

Chlorox<br />

Coca Cola<br />

Coles Myer Group<br />

Colonial First State<br />

Columbia Tristar<br />

Commonwealth Bank<br />

Commonwealth Government<br />

Crown<br />

Curtin University<br />

Daikin<br />

David Jones<br />

De Longhi<br />

Delta Force<br />

Diners Club<br />

Douwe Egberts<br />

Electrolux<br />

EMI<br />

Emirates Airlines<br />

Enmore Theatre<br />

Enviromwear<br />

Euro RSCG<br />

Fairfax<br />

Far East Consortium<br />

Federal Chamber of<br />

Automotive Industries<br />

Festival Mushroom Records<br />

Finibar International<br />

Flinders University<br />

Flying Start<br />

Ford<br />

Fred Hollows Foundation<br />

Freedom<br />

Frucor<br />

Gillette<br />

Givenchy<br />

Glaxo SmithKline<br />

Grahams Jewellers<br />

Green Entertainment<br />

Greenpeace<br />

Grundig<br />

Guinness<br />

Hali Retail Stores<br />

Harvey Norman<br />

Herron Pharmaceuticals<br />

Hewlett Packard<br />

Holden<br />

Honda<br />

Hoyts Film Distribution<br />

Hyundai<br />

I Care International<br />

IBM<br />

Icon Film Distribution<br />

ING Direct<br />

Intel<br />

IEC<br />

J T Cycles<br />

Jaguar<br />

Johnson & Johnson<br />

K M Smith<br />

Kelloggs<br />

KFC<br />

Kodak<br />

Kwik Kopy<br />

Kyocera<br />

L J Hooker<br />

La Famiglia<br />

Landrover Australia<br />

Leggos<br />

Levi Strauss<br />

Lexus<br />

LG Electronics<br />

Lion Nathan<br />

Loreal LPD and<br />

Giorgio Armani<br />

M Advertising<br />

Macquarie Bank<br />

MasterCard<br />

Masterfoods<br />

Mazda<br />

McDonald’s<br />

Medecins Sans Frontiers<br />

Medibank Private<br />

Mercedes Benz<br />

Michael Chugg Entertainment<br />

Microsoft<br />

Mildara Blass<br />

Milmaine Entertainment<br />

Mitsubishi Motors<br />

National Australia Bank<br />

National Museum Of Australia<br />

Nestle<br />

News Ltd<br />

Nissan<br />

Norwich Union<br />

Nova 100.3 FM<br />

NSW Government<br />

NSW Labor Party<br />

Optus<br />

Orlando Wyndam<br />

Paddy’s Markets<br />

Panasonic<br />

Paramount Home<br />

Entertainment<br />

Pepsi<br />

Pfizer<br />

Pharmacia<br />

Philips Consumer Electronics<br />

Philips Lighting<br />

Plan International<br />

Primus<br />

Procar Australia<br />

Procter and Gamble<br />

Promina<br />

Qantas<br />

Random House Australia<br />

Roadshow Entertainment<br />

Rotary International<br />

Royal Life Savings<br />

SA Government<br />

Saab Automobile<br />

Samsung<br />

Schering Plough<br />

Shell<br />

APPENDIX | 141<br />

APPENDIX 11<br />

SBS Television Advertisers<br />

Showtime<br />

Simplicity Funerals<br />

Singapore Airlines<br />

Sky City Casino<br />

Smith Family<br />

Sony Music<br />

St George Bank<br />

St Vincent de Paul<br />

Star City<br />

Star Cruises<br />

Stihl<br />

Subaru<br />

Swift and Moore<br />

Sydney Symphony Orchestra<br />

Talon Tools<br />

Telstra<br />

Texas Utilities<br />

The Production Company<br />

Toshiba<br />

Tourism Ireland<br />

Toyota<br />

TT Line<br />

Twinings<br />

UNICEF<br />

United International Pictures<br />

Universal Music<br />

University of SA<br />

Valvoline<br />

VIC Government<br />

Video Ezy<br />

Virgin Blue Airlines<br />

Virgin Mobile<br />

Visa International<br />

Vodafone<br />

Volkswagen<br />

Volvo<br />

WA Government<br />

Warner Music<br />

Wattyl<br />

Western Power<br />

Western Union<br />

Westpac<br />

Woolworth<br />

Worldvision<br />

Yahoo


142 | APPENDIX<br />

APPENDIX 12<br />

SBS Radio Advertisers<br />

Air Mauritius<br />

ALW<br />

AMSS<br />

AQIS<br />

Australia Council<br />

Australian Electoral<br />

Commission<br />

Australian Macedonian<br />

Weekly<br />

Australian Red Cross Society<br />

Artsproject Australia<br />

Auburn Accounting Services<br />

Austar Home Loans<br />

Austin Knight Advertising<br />

Australian Broadcasting<br />

Authority<br />

Australian Taxation Office<br />

Bankstown Council<br />

Bank of Cyprus<br />

Bank of Valletta<br />

Beograd Online Pty Ltd<br />

Bob Ignjatovic<br />

Brandhouse Hale Leonardi<br />

Cancer Council Victoria<br />

Centrelink<br />

Council of Victorian-<br />

Woodwork Clubs<br />

California Stars<br />

Cancer Council<br />

CEIDA<br />

Centacare<br />

Central Area Health Service<br />

Cityrail<br />

Clemenger<br />

Co-As-It<br />

Community Relations<br />

Commission of NSW<br />

Corriere Della Sera<br />

Croatian Catholic Centre<br />

Croatian SDA Church<br />

CTM Tiles<br />

DC Productions<br />

DEET<br />

Dept of Consumer Affairs<br />

Dept of Family and<br />

Community Services<br />

Dept of Housing<br />

Dept of Human Services<br />

Dept of Immigration<br />

& Multicultural Affairs<br />

Dept of Education<br />

Dept of Industrial Relations<br />

Dept of Primary Industry<br />

& Energy<br />

Dept of the Prime Minister<br />

& Cabinet<br />

DigiPlus<br />

Equity Link<br />

Excellent Tours<br />

EzTel<br />

Ethnic Communications<br />

Essential Services<br />

Commission (Vic)<br />

Freedom Finance & Property<br />

Group<br />

GEC Plessey<br />

Telecommunications<br />

Ganh Hang Rong<br />

Graduate Institute For Further<br />

Education<br />

Green Entertainment<br />

Health Insurance Commission<br />

HMZ Blaze<br />

HSBC Bank Malta<br />

ICAC<br />

Independent and General<br />

IBlue Internet<br />

Italian Chamber Of<br />

Commerce<br />

Jayanti Group<br />

JV Audio Mobile Phones<br />

L&T Trading<br />

Leba Ethnic Media<br />

Liverpool Health Service<br />

LOTE Marketing<br />

Maher & Holmes<br />

Meals on Wheels Association<br />

Media Factory<br />

Mei Lanfang Peking Opera<br />

Melbourne Theatre Company<br />

Merck Sharp & Dohme<br />

Metro Fire Brigade (Vic)<br />

MEQB<br />

Mitchell & Partners<br />

Ministry for the Status of<br />

Women<br />

Miyuki Industries<br />

Motif Intermedya<br />

Mojo<br />

Motor Accidents Authority<br />

Nhan Quyen<br />

NSW AMES<br />

NSW Dept of Ageing<br />

Disability & Homecare<br />

NSW Breastscreen<br />

NSW Dept of Community<br />

Services<br />

NSW Dept of Health<br />

NSW Dept of Gaming &<br />

Racing<br />

NSW Government Advertising<br />

Agency<br />

NSW Law Commission<br />

NSW Police<br />

NSW Quit Campaign<br />

NSW State Electoral Office<br />

NSW Tourism<br />

Oasis Griffiths Coffee<br />

Orbis International<br />

Oriental Merchants<br />

Optimedia Australia<br />

Nguyen & Co Solicitors<br />

Nikola Velcic & Associates<br />

Pemberton Advertising<br />

Pink Video<br />

Powerhouse Museum<br />

Premier’s Department<br />

Priyadarshini<br />

Publicis Drum<br />

Puma Film<br />

Red Cherry<br />

Roads & Traffic Authority<br />

Ross Mollison Group<br />

RSL COM Mobile Pty Ltd<br />

SES Promotions<br />

Shannon’s Way<br />

Smart Shutters<br />

South East Water (VIC)<br />

S & T Graphic Design<br />

State Transit Authority<br />

Strata & Tenancy Commission<br />

Energy Australia<br />

Starcom<br />

Sydney Olympic Park<br />

Authority<br />

Sydney United<br />

TAC<br />

TAFE NSW<br />

The-He Vietnamese<br />

Language Centre<br />

Top School<br />

Universal McCann<br />

Universal Telecom<br />

Vic Country Fire Authority<br />

Vic Dept of Education<br />

Vic Dept of Human Services<br />

Vic Dept of Justice<br />

Vic Work Cover Authority<br />

Vic Dept of Sport &<br />

Recreation<br />

Vic Privacy Commission<br />

Vic Roads<br />

Video Copy House<br />

Viet Luan<br />

Western Union<br />

World Serbian Voice<br />

Newspaper<br />

Workcover Authority<br />

Wernand<br />

Western Sydney Tenancy<br />

Service<br />

Wyeth Pharmaceuticals<br />

Yasiru Multimedia<br />

Zenith Media


CHAIR: Ms Ayse Alpandinar – (Vic) Born in Turkey, Ms<br />

Alpandinar has a Bachelor of Arts, Diploma in Education, and<br />

Diploma in TESOL. She currently runs her own business in the<br />

design and manufacture of table runners. She is actively<br />

involved in the arts and cultural organisations of the Turkish<br />

Community.<br />

Ms Dianne Cox – (NSW) Born in Australia, Ms Cox has had a<br />

long and distinguished career in education. She holds a degree<br />

in education and drama, and is principal of Belmont North<br />

Public School. The parent of two adopted Korean children, Ms<br />

Cox has worked with children from many diverse cultures and<br />

has participated in school communities with a strong focus on<br />

Aboriginal culture.<br />

Mr Allen Madden – (NSW) Mr Madden is a direct descendent<br />

of the Gadigal clan of Eora Land, Sydney. He is the Sites and<br />

Cultural Education Officer of the Metropolitan Local Aboriginal<br />

Land Council and has had a long career in indigenous services,<br />

including Welfare Officer for the Aboriginal Children’s Services,<br />

Field Officer for Aboriginal Legal Services, Employment Officer<br />

NCAP Aboriginal Dance Theatre, and Field Officer for Aboriginal<br />

Medical Services.<br />

Mr Michael Zorbas – (ACT) Born in Australia of diverse<br />

heritage, Mr Zorbas is the Executive Officer, Trade Practices<br />

Reform for the Motor Trades Association of Australia. He has a<br />

long history of public policy involvement, is a former member of<br />

the Federal Government’s National Youth Roundtable and is<br />

also a director of the International Forum of Federations.<br />

Ms Genoveva Medwell OAM – (NT) Born in the Philippines, Ms<br />

Medwell has over 10 years’ experience in multicultural and<br />

ethnic affairs. She received an Order of Australia Medal in 1993<br />

for her work in migrant communities. Currently she is a member<br />

of the Management Committee of the Torture and Trauma<br />

Survivors Service of the Northern Territory Inc. She works as<br />

Director, Government Employee Housing in the Northern<br />

Territory Department of Community Development, Sports and<br />

Cultural Affairs.<br />

Mr Russell Raymond OAM – (WA) Born in Sri Lanka, Mr<br />

Raymond is a senior journalist in Perth who is actively involved<br />

with the North Perth Migrant Resource Centre, the Sri Lanka<br />

Ceylon Association, and the Ethnic Communities Council of WA.<br />

[FECCA nominee ,national]<br />

Ms Maria Papagrigoriou – (NSW) Born in Australia to Greek<br />

migrant parents, Ms Papagrigoriou has a Bachelor of Arts /<br />

Social Work. She is an advocate for people with disabilities in<br />

rural NSW. Ms Papagrigoriou is also actively involved in her<br />

local community as secretary of the Canterbury Bankstown<br />

Migrant Resource Centre Management Committee.<br />

APPENDIX | 143<br />

APPENDIX 13<br />

SBS Community Advisory Committee<br />

Dr Joseph Ting – (QLD) A Malaysia-born consultant<br />

emergency physician of Chinese extraction, Dr Ting is involved<br />

in the clinical training of junior doctors and medical students.<br />

He has a strong commitment to public and multicultural<br />

broadcasting as well as the maintenance of literary and ethical<br />

standards within the print and web-based media. His other<br />

interests include the arts and the environment.<br />

Ms Linda Mirabilio – (NSW) has a Diploma in Journalism and<br />

has worked as an event manager on performing arts and<br />

indigenous events. She has also worked as a community<br />

project officer with youth and those from non-English speaking<br />

backgrounds, is active in the campaign for refugees and tutors<br />

English to new migrants.<br />

Ms Armita Araghi – (VIC) Born in Iran and a resident of<br />

Germany (1982-1993), Ms Araghi has a Bachelor of Laws /<br />

Bachelor of Arts (Languages and Linguistics / Painting and<br />

Sculpture), and works as an associate lawyer in a Melbourne<br />

law firm. Ms Araghi has ongoing personal and professional<br />

involvement with ethnic and indigenous communities. She has<br />

tutored in law and languages at the Melbourne University Koori<br />

Student Centre, and works in pro-bono legal programs with<br />

migration applicants.<br />

Mr Paulo Vieira – (QLD) Born in Zimbabwe of Maltese-Egyptian<br />

/ Portuguese parentage, Mr Vieira is Director of Studies at the<br />

Central Queensland University Language Centre in<br />

Rockhampton. A graduate in Political Science, Mr Vieira has<br />

held several political advisory positions, the most recent as<br />

Senior Policy Adviser to the NSW Minister for Multicultural and<br />

Ethnic Affairs in NSW under the Fahey government.<br />

Mr Ahmed Warsame – (VIC) Mr Warsame is the President of<br />

the Somali Community Inc. of Victoria and is also a member of<br />

the Australian Society of CPA. His academic credentials<br />

include: Master of Business Administration from California State<br />

University, Master of Education from the University of<br />

Melbourne, and Bachelor of Chemistry and Mathematics from<br />

the Somali National University.<br />

During the year, Ms Dianne Cox, Ms Genoveva Medwell, Ms<br />

Linda Mirabilio, Mr Michael Zorbas, Dr Eric Tsui and Mr Ly Le<br />

completed their terms as members of the committee. Mr John<br />

Payne and Ms Natalie Stansfield were appointed to begin terms<br />

in the second half of 20<strong>03</strong>.


144 | APPENDIX<br />

APPENDIX 14<br />

SBS Television Awards<br />

National Awards<br />

AFI Awards Best Direction Beneath Clouds<br />

Best Actor David Gulpilil The Tracker<br />

Best Actress Maria Theodorakis Walking on Water<br />

Best Actor Nathaniel Dean Walking on Water<br />

Best Cinematographer Beneath Clouds<br />

Best Original screenplay Walking on Water<br />

Best Screenplay Adapted From Another Source Australian Rules<br />

Best Editing Walking on Water<br />

Best Editing in Non-Feature Rainbow Bird and Monster Man<br />

Best Sound Shadow Play<br />

Best Non-Feature Film Dad’s Clock<br />

Dendy Awards Best Documentary Desperate Man Blues<br />

Best Fiction Over 15 mins Roy Hollsdotter Live<br />

Best Fiction Under 15mins Black Talk<br />

ATOM Awards Best General Short Fiction Martha’s New Coat<br />

(Australian Teachers of the Media) Best General Documentary Short Form Painting with Light in a Dark World<br />

Special Award Recipient (Best Documentary Art & Culture) Two Thirds Sky<br />

Best General Documentary Science (Technology & Environment) A Million Acres A Year<br />

Best Indigenous Resource The Foundation<br />

Film Critics Circle Awards Best Music Score The Tracker<br />

Best Cinematography The Tracker<br />

Documentary Panel Award Making Venus<br />

Best Original screenplay Walking on Water<br />

Best Supporting Actor Australian Rules<br />

Best Supporting Actress Australian Rules<br />

Best Actor David Gulpilil The Tracker<br />

Best Actress Maria Theodorakis Walking on Water<br />

Best Film The Tracker<br />

IF Awards Best Feature Film The Tracker<br />

Best Actor David Gulpilil The Tracker<br />

Best Music The Tracker<br />

Best Direction Beneath Clouds<br />

Best Cinematographer Beneath Clouds<br />

Best Script Walking on Water<br />

Best Documentary Black Chicks Talking<br />

Best Creative Award Making Venus<br />

AWGIE Awards Best Documentary Script Rainbow Bird and Monster Man<br />

Couch Potato Awards Best Documentary Two Thirds Sky<br />

Best Local Comedy John Safran’s Music Jamboree<br />

United Nations Media Peace Prize Best Television Breaking Bows and Arrows<br />

Australian Cinematographers Award Best Documentary The Brotherhood<br />

Best Telefeature Roy Hollsdotter Live<br />

Mafia Awards Best Film Push Bikes


International Awards<br />

APPENDIX 14<br />

SBS Television Awards Continued<br />

Annecy Animations Festival France Best Animation Harvey Krumpet<br />

Canada’s 55th Golden Sheaf Award Best International Documentary Trespass<br />

Locarno International Film Festival<br />

Switzerland Best Film Delivery Day<br />

Cannes Junior Festival, France Prix Special du Jury Australian Rules<br />

Durban Film Festival Best Director/Best Cinematographer Beneath Clouds<br />

Ottawa Film Festival Three awards for humour Leunig<br />

Festival du Film d’art Paris Grand Prix Robert Fortune The Tea Thief<br />

New York Film Festival Bronze Award Robert Fortune The Tea Thief<br />

50th Columbia International<br />

Film Festival Chris Award Still Breathing<br />

Bronze Award Taringa 4068:Our time and Place<br />

Portugal Cinanima Best Short Film PA<br />

Schermi D’Amore Verona<br />

Film Festival Italy Best Film Australian Rules<br />

Screenings<br />

Hawaiian Film Festival Black Chicks Talking<br />

Mumbai Film Festival Always a Visitor<br />

Sundance Film Festival / Verona Film Festival /<br />

London Film Festival / Taiwan Film Festival Australian Rules<br />

Berlin Film Festival / Clermont Ferrand Film Festival Beneath Clouds<br />

Toronto Film Festival / Woodford Film Festival /<br />

Adelaide International Film Festival / New York Film Festival Bush Bikes<br />

Krakow Film Festival / Annecy Film Festival / Zagreb Film Festival Dad’s Clock<br />

Rio De Janeiro Film Festival / Seattle Film Festival / Vancouver Film Festival /<br />

London/Australia Film Festival / Taiwan Film Festival / Singapore Film Festival Walking on Water<br />

Hawaiian Film Festival / Singapore Film Festival Fearless Stories of Asian Women<br />

Annecy Animation Film Festival / Edinburgh Film Festival Harvey Krumpet<br />

APPENDIX | 145<br />

Sydney Film Festival Preservation, Molly and Mobarak,<br />

Becoming Julia


146 | NOTES

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