2002 - 03 Annual Report - Sbs
2002 - 03 Annual Report - Sbs
2002 - 03 Annual Report - Sbs
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CONTENTS<br />
Charter IFC<br />
SBS Overview 2<br />
Chairman’s Letter to the Minister 3<br />
Board of Directors 4<br />
Organisation Chart 6<br />
TELEVISION 7<br />
SBS Productions 8<br />
News and Current Affairs 10<br />
General Programming 12<br />
Sport 15<br />
SBS Independent 16<br />
Audiences 21<br />
Audience Opinion Surveys and Feedback 24<br />
Audience Feedback 26<br />
Television Transmission 26<br />
Feature: News and Current Affairs 28<br />
RADIO 31<br />
Programs 32<br />
National and International News 33<br />
Youth Programming 34<br />
Sport 34<br />
Radio Online 35<br />
Radioathons 35<br />
Outside Broadcasting 36<br />
Rescheduling and Program Development 37<br />
Audience Research 37<br />
Special Services 38<br />
New Technology 38<br />
Radio Transmission 39<br />
Awards 39<br />
Feature: News and Current Affairs 40<br />
NEW MEDIA 43<br />
SBS: Online to the World 44<br />
Major Program Websites 44<br />
Program Sites and Services 45<br />
SBS Services Online 45<br />
Youth Sites 45<br />
Youth Audiences 46<br />
In Production 46<br />
Information Systems and Services 46<br />
Feature: The World News Online 48<br />
CONTENTS | 1<br />
BUSINESS 51<br />
Television Advertising and Sponsorship 52<br />
Language Services 52<br />
Program Sales 53<br />
SBS Merchandising 54<br />
Radio Sales and Marketing 56<br />
Multilingual Subscriber Television Limited 56<br />
CORPORATION 57<br />
Corporate Governance 58<br />
Finanace Innovation 64<br />
Government Relations 65<br />
Community Relations 69<br />
Corporate and International Relations 72<br />
REPORT OF OPERATIONS 75<br />
<strong>Report</strong> of Operations <strong>2002</strong>-<strong>03</strong> 76<br />
Programs and Audiences 77<br />
Relationships with our Community 84<br />
SBS’s People 89<br />
Business Activities 91<br />
FINANCIAL STATEMENTS 93<br />
APPENDIX 127<br />
1. SBS Act – Compliance with Section 73 128<br />
2. SBS Television Services 129<br />
3. SBS Television – Languages Broadcast 132<br />
4. Top SBS Television Programs – By Category 133<br />
5. SBS Television Programs – By Classification 133<br />
6. SBS Independent 134<br />
7. SBS Radio – Broadcast Schedules 136<br />
8. SBS Radio Services 138<br />
9. SBS Radio – Languages Broadcast 139<br />
10. SBS Television – Sponsors 140<br />
11. SBS Television – Advertisers 141<br />
12. SBS Radio – Advertisers 142<br />
13. SBS Community Advisory Committee 143<br />
14. Awards 144<br />
INDEX 147
2 | VISION<br />
SBS OVERVIEW<br />
The Special Broadcasting Service (SBS) is<br />
Australia's multicultural and multilingual national<br />
public broadcaster.<br />
With television, radio and online services in English<br />
and more than 60 other languages, SBS is the most<br />
linguistically diverse broadcasting network in the world.<br />
SBS Television broadcasts in more than 60 languages<br />
and is watched by almost eight million Australians<br />
each week. SBS Radio is the world’s most<br />
linguistically diverse radio network, broadcasting in 68<br />
languages to a potential audience of more than 2.7<br />
million Australians who speak a language other than<br />
English in their homes.<br />
The radio network began in 1975 with two small radio<br />
stations – 2EA in Sydney and 3EA in Melbourne –<br />
broadcasting four hours a day in seven and eight<br />
languages respectively. It was a three months<br />
experiment in multilingual broadcasting confined to<br />
Australia’s two largest cities. SBS Radio today<br />
broadcasts 24 hours a day, seven days a week, on<br />
AM and FM frequencies in Sydney and Melbourne<br />
and is heard Australia-wide on a national signal that<br />
reaches all capital cities and many regional centres.<br />
All language programs are also available Online.<br />
SBS Television began in 1980, first in Melbourne<br />
and Sydney, and then progressively was extended<br />
throughout the nation. Today, SBS Television's analogue<br />
service is delivered via more than 360 terrestrial<br />
transmitters across Australia, and over 27 digital<br />
terrestrial transmitters deliver SBS's five distinct digital<br />
services: the main channel in widescreen, the World<br />
News Channel, SBS Essential (an electronic program<br />
and information guide), and two SBS Radio services.<br />
More than half of all SBS Television programs are in<br />
languages other than English. These programs are<br />
accessible to all Australians through SBS produced<br />
English language subtitles. With more than 400<br />
international and local program sources, SBS<br />
Television draws upon the largest range of source<br />
material of any television network in the world.<br />
SBS Online reaches audiences within Australia and<br />
overseas through comprehensive text, video and<br />
audio services across a broad spectrum of programs<br />
and special interest sites. The World News site and<br />
the World Game site are particularly popular and<br />
extend SBS's reputation for detailed coverage and<br />
analysis of international news and world soccer. The<br />
streaming of SBS Radio's 68 language programs<br />
make the SBS website the most linguistically diverse<br />
website in the world.
CHAIRMAN’S LETTER TO THE MINISTER<br />
Senator, the Honourable Richard Alston<br />
Minister for Communications, Information Technology and the Arts<br />
Parliament House<br />
CANBERRA ACT 2600<br />
Dear Minister,<br />
CHAIRMAN’S LETTER TO THE MINISTER | 3<br />
This was an important and productive year for SBS and I am pleased to present the Corporation’s <strong>Annual</strong> <strong>Report</strong><br />
<strong>2002</strong>-<strong>03</strong>.<br />
SBS Television, Radio and New Media – the program, content and service providers of SBS – all performed well,<br />
producing distinctive and creative content and, at the same time, meeting the challenges of a changing media<br />
environment and digitisation.<br />
As required, this <strong>Report</strong> has been prepared in accordance with the relevant requirements of the Commonwealth<br />
Authorities and Companies Act 1997 and the Special Broadcasting Service Act 1991. In addition, the <strong>Report</strong><br />
assesses the Corporation’s performance against four key goals contained in the SBS Corporate Plan 2001-<strong>03</strong>.<br />
The drafting of a new corporate plan, covering the period 2004-06, was commenced during the year.<br />
This <strong>Annual</strong> <strong>Report</strong> details the programming, content and services provided by SBS Television, Radio and New<br />
Media, the audience reach of these programs, and audience reaction. It also reports on SBS’s relations with the<br />
Government, the community and other stakeholders, and the way SBS manages its human, financial and<br />
technical resources, including its transmission services. A comprehensive analysis and assessment of the<br />
Corporation’s performance against the Corporate Plan’s four key goals is provided in the <strong>Report</strong> of Operations<br />
<strong>2002</strong>-<strong>03</strong>.<br />
In accordance with the requirements of the Commonwealth Authorities and Companies (<strong>Report</strong> of Operations)<br />
Orders <strong>2002</strong>, SBS reports that there were no relevant judicial decisions and reviews by outside bodies. Neither<br />
were there any ministerial directions under the Commonwealth Authorities and Companies Act 1997.<br />
I have the honour of presenting to you this <strong>Annual</strong> <strong>Report</strong> of the Special Broadcasting Service Corporation for the<br />
year ended 30 June 20<strong>03</strong>.<br />
Yours sincerely,<br />
Chairman<br />
Carla Zampatti
4 | BOARD OF DIRECTORS<br />
BOARD OF DIRECTORS<br />
CARLA ZAMPATTI NEVILLE ROACH JILLIAN BROADBENT PETER CARROLL<br />
Carla Zampatti AM / Chairman<br />
Appointed 17 December 1999 for five years. Ms<br />
Zampatti is Executive Chairman of the Carla Zampatti<br />
Group and holds directorships with Westfield<br />
Holdings Limited and Mc Donald's Australia Limited.<br />
She is also a Member of the Australian Graduate<br />
School of Management, Board of Management; a<br />
Trustee of the Sydney Theatre Company Foundation<br />
Trust; and a Member of the Development Committee<br />
of the Sydney Theatre Company.<br />
Neville Roach AO / Non-executive<br />
director and Deputy Chairman<br />
Appointed 31 August 1998 for three years and reappointed<br />
for a further two years in August 2001.<br />
Mr Roach is Chairman of Fujitsu Australia. He was<br />
Chairman of the Council for Multicultural Australia<br />
and the Business (Migration) Advisory Panel until<br />
January <strong>2002</strong>. He is Chairman of the Smart Internet<br />
Cooperative Research Centre; the national ICT<br />
Centre of Excellence; the Intelligent Island Board in<br />
Tasmania and the Australia India Business Council.<br />
Other appointments include membership of the<br />
Board of OneSteel Limited and Adjunct Professor at<br />
the University of NSW and the National Graduate<br />
School of Management at the Australian National<br />
University.<br />
Jillian Broadbent AO /<br />
Non-executive director<br />
Appointed 16 May <strong>2002</strong> for four years. Ms Broadbent<br />
is a member of the Board of the Reserve Bank of<br />
Australia and a Director of Woodside Petroleum Ltd,<br />
Coca-Cola Amatil Ltd and Westfield Management<br />
Ltd. She is Vice Chairman of the Art Gallery of NSW<br />
Foundation and has extensive experience in the<br />
banking and finance industry and a long-term<br />
involvement with the arts.<br />
Peter Carroll / Non-executive director<br />
First appointed 20 December 1996 for three years<br />
and twice re-appointed (December 1999 and<br />
December <strong>2002</strong>) for successive three year terms.<br />
Mr Carroll is a graduate of Sydney and NSW<br />
universities and of the Central School of Speech and<br />
Drama in London. He has an honorary doctorate of<br />
creative arts from the University of Wollongong. He<br />
was Head of Voice and Speech at the National<br />
Institute of Dramatic Art from 1970-73 and then began<br />
an extensive performing career as a company member<br />
of Sydney's Nimrod Theatre. He has worked in film<br />
and television and with all State and commercial<br />
theatre managements.<br />
Bob Cronin / Non-executive director<br />
Appointed 16 May <strong>2002</strong> for four years. Mr Cronin is a<br />
Perth-based media consultant. He was editor-in-chief<br />
of West Australian Newspapers (1987-1996), editor<br />
of The Sun in Melbourne (1985-86), deputy editor of<br />
The Courier-Mail (1984) and editor of the Border Mail<br />
in Albury (1974-1982). He was a member of the<br />
Australian Press Council from 1987-96 and a founding<br />
director of Information Radio in Perth in 1991. He is<br />
deputy chairman of Oz Concert Inc; a Governor of the<br />
Western Australian Museum Foundation; and a<br />
member of the Celebrate WA Council since 1999.
BOB CRONIN TED GREGORY JOSEPH ELU GERALD STONE NIGEL MILAN<br />
Joseph Elu / Non-executive director<br />
Appointed 30 May 2001 for five years. Mr Elu is<br />
Chairman of Indigenous Business Australia (formerly<br />
CDC), a position he has held since December 1996.<br />
He is also Chairman of Seisia Council in Cape York,<br />
a member of the Torres Strait Regional Authority and<br />
the elected Chairman of the Board of IBIS in the<br />
Torres Straits. Mr Elu is also Co-Chairman of the<br />
Voluntary Services to Indigenous Communities<br />
Foundation, and a member of the Board of<br />
Reconciliation Australia.<br />
Ted Gregory / Non-executive director<br />
Appointed 15 April 1999 for four years and<br />
re-appointed for a further five years in April 20<strong>03</strong>.<br />
Mr Gregory has extensive experience in the film,<br />
television, radio and home entertainment industries.<br />
He is Chief Executive of AAV Limited, an electronic<br />
communications, production, and electronic<br />
manufacturing company serving the film, television<br />
and advertising industries; a Director of DubSat Pty<br />
Ltd, a company specialising in the satellite<br />
distribution of TV commercials; and a Member of the<br />
Curriculum Advisory Board of the Television and Film<br />
School of the Victorian College of the Arts.<br />
Gerald Stone / Non-executive director<br />
Appointed 1 December 2000 for five years. Mr Stone<br />
is an author and journalist with wide experience in<br />
both the print and television media. He is a former<br />
editor-in-chief of The Bulletin magazine and was<br />
founding executive producer of 60 Minutes on the<br />
BOARD OF DIRECTORS | 5<br />
Nine Network. He has also served as a senior<br />
current affairs executive with both the Seven Network<br />
and the Fox Network in New York. Born in the US, Mr<br />
Stone migrated to Australia in 1962.<br />
Nigel Milan / Managing Director<br />
Appointed 2 February 1998 for five years and<br />
re-appointed for a further two years in February 20<strong>03</strong>.<br />
Mr Milan has a long association with broadcasting -<br />
public and commercial - and marketing. He was<br />
formerly Chief Executive of Australian Radio Network<br />
Ltd, one of Australia's largest commercial radio<br />
networks, and before that Chief Executive of Radio<br />
New Zealand. Mr Milan was previously Chief<br />
Executive of the Nine Network's Radio Division and<br />
Deputy General Manager of the Macquarie Network.<br />
He is Chairman of the Fred Hollows Foundation; a<br />
Director of the Australian Chamber Orchestra; a<br />
Counsellor of the Australian Business Arts<br />
Foundation; and a past member of the Advisory<br />
Board of the Walkley Awards.<br />
Board Dates and Attendances<br />
The SBS Board met nine times during the year: 5<br />
July <strong>2002</strong>; 16 August <strong>2002</strong>; 27 September <strong>2002</strong>; 8<br />
November <strong>2002</strong>; 13 December <strong>2002</strong>; 7 February<br />
20<strong>03</strong>; 21 March 20<strong>03</strong>; 2 May 20<strong>03</strong>; and 24 June<br />
20<strong>03</strong>. Carla Zampatti, Neville Roach, Gerald Stone,<br />
Bob Cronin, Peter Carroll and Nigel Milan attended<br />
all nine meetings. Ted Gregory, Jillian Broadbent and<br />
Joseph Elu attended eight meetings of the Board.
6 | ORGANISATION CHART<br />
SBS ORGANISATION CHART (as at 30th June 20<strong>03</strong>)<br />
MINISTER FOR COMMUNICATIONS,<br />
INFORMATION TECHNOLOGY AND THE ARTS<br />
Senator The Hon Richard Alston<br />
BOARD<br />
CHAIRMAN<br />
Carla Zampatti<br />
MANAGING DIRECTOR<br />
Nigel Milan<br />
HEAD OF<br />
TELEVISION<br />
Shaun Brown*<br />
NETWORK PROGRAMMER<br />
Mark Atkin (Acting)<br />
DIRECTOR NEWS &<br />
CURRENT AFFAIRS<br />
PROGRAMS<br />
Phil Martin<br />
GENERAL MANAGER SBS<br />
INDEPENDENT<br />
Glenys Rowe<br />
MANAGER TELEVISION<br />
ENGINEERING<br />
Hing Shek<br />
MANAGER OPERATIONS<br />
Tony Aslanidis<br />
MANAGER PRESENTATION<br />
& DESIGN<br />
John Stahel<br />
MANAGER LOCAL<br />
PRODUCTION<br />
Craig Collie<br />
MANAGER PROGRAM<br />
PURCHASING<br />
Jenny Allen<br />
MANAGER PUBLICITY<br />
Michael Field<br />
MANAGER SPORT<br />
Les Murray<br />
MANAGER SUBTITLING<br />
Gilbert Sant<br />
MANAGER TELEVISION<br />
RESOURCES<br />
Tim Burke<br />
MANAGER TELEVISION<br />
BUSINESS UNITS<br />
Tina Koutsogiannis<br />
MANAGER<br />
PROGRAM SALES<br />
Erika Honey<br />
*Peter Cavanagh<br />
(to 20 August <strong>2002</strong>);<br />
Rod Webb – acting –<br />
(to 19 January 20<strong>03</strong>)<br />
DIRECTORS<br />
Neville Roach, Jillian Broadbent, Peter Carroll, Bob Cronin,<br />
Joseph Elu, Ted Gregory, Nigel Milan, Gerald Stone<br />
HEAD<br />
OF RADIO<br />
Tuong Quang Luu<br />
NATIONAL EDITOR<br />
Diane Willman<br />
MANAGER NATIONAL<br />
RADIO SERVICES<br />
David Ingram<br />
CHIEF ENGINEER<br />
Yuan Chan<br />
PUBLICITY & MEDIA<br />
LIAISON MANAGER<br />
Eliza McCann*<br />
STATION MANAGER,<br />
SYDNEY<br />
Olya Booyar<br />
PROGRAM MANAGERS<br />
Anna Schinella,<br />
Beatriz Wagner*<br />
STATION MANAGER,<br />
MELBOURNE<br />
Mike Zafiropoulos<br />
PROGRAM MANAGERS<br />
Aynur Cagli, Wang Yi<br />
MARKETING MANAGER,<br />
SYDNEY<br />
Thang Ngo*<br />
MARKETING MANAGER,<br />
MELBOURNE<br />
Vivienne Kost<br />
*Acting<br />
HEAD OF NEW<br />
MEDIA AND<br />
DISTRIBUTION<br />
Will Berryman<br />
MANAGER NEW<br />
MEDIA AND IT<br />
Alex Surplice<br />
EXECUTIVE PRODUCER<br />
ONLINE<br />
Emma Harcourt<br />
BUSINESS DEVELOPMENT<br />
MANAGER<br />
Paul Vincent<br />
MANAGER INFORMATION<br />
RESOURCES<br />
David Lane<br />
MANAGER INFORMATION<br />
SYSTEMS<br />
Greg Koen<br />
MANAGER TRANSMISSION<br />
SERVICES<br />
Hugh James<br />
HEAD OF<br />
MARKETING<br />
Pat Quirke-Parry<br />
DIRECTOR MEDIA<br />
MARKETING<br />
Graham Butler<br />
MERCHANDISING<br />
MANAGER<br />
John Derry<br />
CORPORATE<br />
CHIEF FINANCIAL OFFICER<br />
Jon Torpy<br />
MANAGER CORPORATE<br />
SERVICES<br />
David Mapstone<br />
HEAD OF POLICY<br />
Julie Eisenberg<br />
MANAGER HUMAN<br />
RESOURCES<br />
Helen Mayne<br />
CORPORATE COUNSEL<br />
Lesley Power<br />
MANAGER CORPORATE<br />
COMMUNICATIONS<br />
Keith Dalton
OVERVIEW<br />
TELEVISION | 7<br />
TELEVISION<br />
SBS Television reached an average weekly audience of more than 7.7 million people in<br />
<strong>2002</strong>-<strong>03</strong>. More people watched SBS news and current affairs programs and SBS comedy<br />
and youth programs attracted new viewers. SBS digital, multi-channel services reached<br />
more people, and innovative drama, documentary and animation, commissioned from<br />
the nation's best independent filmmakers, captured the vivid images and told the unique<br />
stories of multicultural Australia.
8 | TELEVISION<br />
SBS PRODUCTIONS<br />
Pizza<br />
A third series of Pizza, the very popular cartoon<br />
reflection of contemporary multicultural Australia, was<br />
in production this year. The streetwise and politically<br />
incorrect sitcom about the perils of pizza delivery had<br />
some character changes with Pauly and Bobo joined<br />
by Davo Dinkum, and higher profile roles for scamartist,<br />
Habib, and his mate, Rocky. Series two was<br />
successfully repeated earlier in the year.<br />
(10 half-hour episodes produced for broadcast on Mondays from<br />
July 20<strong>03</strong>)<br />
The Movie Show<br />
In its 16th year, The Movie Show continued to regularly<br />
attract strong audience interest, consolidating its<br />
reputation as Australia's pre-eminent vehicle of popular<br />
cinema review. In addition to their film reviews, analysis<br />
and interviews, Margaret Pomeranz and David Stratton<br />
provided reports from international film festivals in<br />
Venice, Cannes and Berlin.<br />
(42 half-hour episodes, broadcast weekly on Wednesdays at 8pm)<br />
Life Support<br />
The program parodies the glibness and complacency<br />
of the lifestyle television genre, offering subversive<br />
advice and black comedy. Presented by four<br />
stereotypical 'experts', the advice is sometimes<br />
politically incorrect, routinely satirical and often just<br />
plain silly. The second series, from independent<br />
producers, McDonald Eastway, continued to push the<br />
boundaries of new Australian comedy. A third series of<br />
Life Support has been commissioned.<br />
(10 half-hour episodes broadcast Mondays in June-August <strong>2002</strong>)<br />
A Fork in Africa<br />
In his idiosyncratic examination of Africa, Pria<br />
Viswalingam looked for the exotic and the unexpected,<br />
steering us away from the more familiar images of civil<br />
war and famine and finding instead a rich culture and<br />
unique beauty in a range of locations from Mali and<br />
Madagascar to Tunisia and Capetown and even the<br />
African diaspora of Paris.<br />
(9 half-hour episodes broadcast Wednesdays in<br />
January-March 20<strong>03</strong>)<br />
Mum's The Word<br />
Following the success of the first series, another series<br />
of Mum's The Word was produced this year. Built on<br />
the notion of shared experience, a diverse range of<br />
mothers shared candid stories and opinions under the<br />
guidance of Rebecca Le Tourneau. Complementing<br />
the round-table tales were AJ Rochester's cameos with<br />
a range of fathers who discussed their personal<br />
experiences of parenthood.<br />
(8 half-hour episodes broadcast Tuesdays in April-May 20<strong>03</strong>)<br />
TwentyFourSeven<br />
Following in the wake of the critical success of Going<br />
Home, McElroy Television produced for SBS a new<br />
fast turnaround drama series, TwentyFourSeven. Set in<br />
the editorial office of a glossy magazine, the program<br />
featured the make believe personal and professional<br />
lives of the magazine staff. Artifice and reality were<br />
further blurred by SBS New Media publishing excerpts<br />
of the magazine on its website.<br />
(13 half-hour episodes broadcast on Wednesdays in August-<br />
November <strong>2002</strong>)<br />
Living Black<br />
The new indigenous magazine program, Living Black<br />
(developed from its predecessor ICAM) provided<br />
diverse and comprehensive reports from around<br />
Australia. The series dealt with indigenous issues such<br />
as foetal alcohol syndrome and fostering, as well as<br />
presenting weekly overviews of indigenous affairs in<br />
the news and in sport and arts/ culture. Living Black<br />
was hosted by Karla Grant.<br />
(10 half-hour episodes broadcast on Fridays in March-May 20<strong>03</strong>)
If Only...<br />
We have all done those things we come to regret and<br />
subsequently think: "If only I'd done that differently."<br />
This is the premise of the magazine style program<br />
If Only... produced in association with Becker<br />
Entertainment. Stories in the series cover the broad<br />
spectrum of human experience, from the emotional<br />
and tragic to the comical and embarrassing.<br />
(10 half-hour episodes produced for broadcast on Wednesdays<br />
from October 20<strong>03</strong>).<br />
The Food Lovers' Guide to Australia<br />
The third series of Maeve O'Meara's and Joanna Savill's<br />
The Food Lovers' Guide to Australia was broadcast in<br />
late <strong>2002</strong>. The program explores the nation's culinary<br />
delights from a diversity of cultural sources, from the<br />
outback to the ocean, from country farms and<br />
suburban backyards to kitchens, both five-star and<br />
home-style. A fourth series has been commissioned<br />
and will be in production in late 20<strong>03</strong>.<br />
(13 half-hour episodes broadcast Fridays in August-<br />
November <strong>2002</strong>)<br />
Stories From the Golf<br />
Some of life's defining moments take place in a<br />
small rental car. This is the premise of Stories From<br />
The Golf, a series of short, sometimes black, comedy<br />
pieces. It featured a cross-section of the southern city's<br />
leading comedians (including its creators) on location<br />
around Melbourne.<br />
(13 five-minute episodes produced for broadcast in late 20<strong>03</strong>)<br />
Viva<br />
Four musical Australians go back to the regions of their<br />
cultural origin and unearth their musical roots in Viva,<br />
a series of travel/music documentaries. Directed and<br />
photographed by independent producer, James<br />
Ricketson, the series vibrates with music and life over<br />
three continents, in Latin America, India and West Africa.<br />
(10 half-hour episodes produced for broadcast in early 2004)<br />
Subsonics<br />
Avant-garde music was presented in Subsonics in a<br />
format somewhere between music video and an arts<br />
magazine. Diverse, challenging, and sometimes<br />
musically confronting, Subsonics showcased<br />
experiments in both sound and image.<br />
(6 half-hour episodes broadcast Thursdays in June-July 20<strong>03</strong>)<br />
<strong>2002</strong> IF Awards<br />
The Inside Film magazine awards for independent film,<br />
hosted by Libbi Gorr, were an alternative to the more<br />
traditional AFI Awards. Telecast by SBS for the second<br />
year, the IF Awards were a tightly packaged one-hour<br />
presentation.<br />
(1 hour telecast in November <strong>2002</strong>)<br />
eat carpet<br />
After 13 years, eat carpet remains Australia's only<br />
regular television program to showcase short films and<br />
videos from across the nation and around the world.<br />
The unit produced the mini-mockumentary series,<br />
(S)truth, in association with Queensland's Pacific Film<br />
and Television Corporation for screening in late 20<strong>03</strong>.<br />
(1 hour series broadcast Fridays at 11 p.m.)<br />
TELEVISION | 9<br />
Global Village<br />
Presented by Silvio Rivier, Global Village is a series of<br />
mini-documentaries about people and places around<br />
the world. Compiled from a purchased series, it<br />
includes locally produced segments highlighting<br />
Australia's cultural diversity.<br />
(Half-hour episodes broadcast Monday-Saturday at 6 p.m.)<br />
Hotline<br />
SBS continues its dialogue with its audience with its<br />
weekly presentation of viewer feedback – both<br />
complimentary and critical – on Hotline. Presented by<br />
Electra Manikakis.<br />
(5 minute episodes, broadcast Mondays at 5.50 p.m. and<br />
repeated later in the week)
10 | TELEVISION<br />
NEWS AND CURRENT AFFAIRS SBS News and Current Affairs programs are unique<br />
DATELINE <strong>2002</strong>-<strong>03</strong><br />
on Australian television. They bring to the homes of all<br />
Australians a snapshot of world events while giving a<br />
national perspective to domestic political, economic<br />
Madagascar An island divided by politics and violence<br />
Russia Drugs and HIV in Russia today<br />
Iran Filmmakers versus the Mullahs<br />
Indonesia The sinking of Siev-X<br />
Sri Lanka The workings of an ancient gem industry<br />
Somalia An American warlord in Mogadishu<br />
Papau New Guinea Pigs and Politics – elections in the highlands<br />
Iraq Baghdad braces for war<br />
Turkey Asterix and the Turkish gold<br />
Israel Crisis of conscience for some soldiers<br />
India Gujarat – Tale of complicity?<br />
Chagos Islands Winning back paradise<br />
Indonesia God's Decision – the Abu Quassey Story<br />
Sudan Lord's Resistance Army – Christian child soldiers<br />
Hong Kong One Country – Split families<br />
East Timor Children held by Indonesian nationalists<br />
Afghanistan No Place Like Home – The refugees return<br />
Malawi Time Bomb Ticking – famine and AIDS<br />
Germany Der Waltzing Matildas – itinerant workers<br />
Iraq A tale of two cities – Baghdad's rich and poor<br />
Kyrgyzstan USA accused of propping up a dictator<br />
Vanuatu A neighbour accuses Australia of spying<br />
Israel Armenians claim their genocide denied<br />
Indonesia Behind Bali's bomb<br />
Venezuela Anatomy of a coup<br />
West Papua Secrets and Lies – the Freeport killings<br />
Zambia GM in Africa<br />
Saudi Arabia Jamal Khalifa – Osama's best friend<br />
Zimbabwe Mugabe's musicians<br />
INSIGHT <strong>2002</strong>-<strong>03</strong><br />
Islam Dreaming Indigenous Australians converting to Islam<br />
Forum: Anxious Nation Anxiety War Talk Australians discuss going to war in Iraq<br />
Green Desert A mutant seaweed escapes fish tanks into the ocean<br />
Labor Pains Branch stacking and factional warfare in the ALP<br />
Double Jeopardy An accused murderer convicted and acquitted twice<br />
Limited Generosity Disagreement over East Timor's oil and gas reserves<br />
Forum: Child Sex Abuse Specialists explore the issue of child sex abuse<br />
Wind Power Wind power is clean but coal is cheaper<br />
High Rise Safety Inner city dwellers' concerns about fire safety<br />
Shipping News Australian maritime unions fight against foreign crews<br />
Full Body Scans The latest fad divides medical authorities and doctors<br />
Forum: War? A specialist panel debates the case for war on Iraq<br />
Learning on the Job Traineeships under the microscope<br />
Disabilities & the Classroom Should children with disabilities be integrated into mainstream schools?<br />
Reinventing Mardi Gras Money trouble and the future of the gay movement<br />
Labor's Civil War Branch stacking and factional warfare benefit the Greens<br />
Sunken Treasure Organised crime and Australia's abalone industry
and business events. SBS has access to more<br />
international news sources than any other Australian<br />
network. During the year, 3,289 hours of news and<br />
current affairs programs were broadcast by SBS<br />
DATELINE cont...<br />
Canary Islands Is the US Navy's sonar killing whales?<br />
Nauru The problem for the Pacific solution<br />
Iraq Baghdad before the War<br />
Saudi Arabia Inside the hidden kingdom<br />
Nicaragua Ben Hur – chariot race for the poor<br />
USA New York State of Mind – Manhattan before the war<br />
Indonesia The practice of kidnapping a bride<br />
Morocco Warning Bells – another war on terror<br />
India Tehelka – the sting that stung<br />
Iraq Peace Bus – human shields travel to Iraq<br />
Iran The Shi'ite factor<br />
Hungary Iraqi exiles train for war<br />
Thailand Speed Kills – the bloody war on drugs<br />
Afghanistan Unfinished business<br />
USA The lawyer and the sheik<br />
Fiji British Bomb – Fijian compensation claims<br />
Slovakia Roma women allege forced sterilisation<br />
Iraq Kurds return to Kirkuk<br />
Kyrgyzstan Making plastic models out of human corpses<br />
Russia The Boris Berezovsky story<br />
Israel Human Shields – dying for the Palestinian cause<br />
Ethiopia Coffee growers grow poor<br />
Russia The Moscow theatre siege<br />
Iraq The war of the Mullahs<br />
Indonesia Krakatoa – the big bang<br />
India Bhopal – the toxic wait for justice<br />
New Zealand Pesticide in suburban Auckland<br />
Jordan Torn between Iraq and the USA<br />
INSIGHT cont...<br />
TELEVISION | 11<br />
Television. Forty-one episodes of the international<br />
current affairs program, Dateline, and 35 episodes<br />
of the national current affairs program, Insight,<br />
were broadcast in <strong>2002</strong>-<strong>03</strong>.<br />
Unorthodox Church The Macedonian Orthodox Church goes to court<br />
Leaving Tennant Creek Aboriginal students go to a Christian boarding school<br />
Forum: Fertility Strike? Experts debate Australia's low fertility rate<br />
The Menopause Dilemma Hormone Replacement Therapy versus alternative treatments<br />
Who Dares Win? Injured ex SAS members seek training compensation<br />
Pausing The Limit Teenagers under the influence of alcohol marketing<br />
David Hicks An Australian detained in Guantanamo Bay<br />
Unanswered Prayers Muslim prayer centre plans divide Sydney community<br />
Searching for Nabella A mother's search for her kidnapped daughter<br />
Coming, Ready or Not Opposition to the introduction of GM foods<br />
Mohammed and Juliet Mohammed Saleh's death in mandatory detention<br />
Australian Babylon Australian Iraqis discuss the future of Iraq<br />
Profit for Prophets Supporters and critics of a new church<br />
With Friends Like These The US influence in Australia and the defence alliance<br />
Forum: The Price of Education Experts and stakeholders debate planned changes to tertiary education<br />
Plea For Justice Plea bargaining – the case for and against<br />
The New Reformation Changes afoot in one of Australia's oldest churches
12 | TELEVISION<br />
GENERAL PROGRAMMING<br />
DOCUMENTARIES<br />
SBS Television broadcast more documentaries than<br />
any other Australian free-to-air network in <strong>2002</strong>-<strong>03</strong>.<br />
These documentaries, both commissioned and<br />
purchased from outside sources, covered a very<br />
broad range of subjects: current affairs and politics,<br />
human relationships, science, the arts, religion and<br />
spirituality, sexuality and gender issues, race and<br />
racism, culture, food and health, and ancient and<br />
modern history.<br />
History and archaeology-themed documentaries and<br />
documentary series were consistent ratings winners<br />
in our schedule. Among them were Meet the<br />
Ancestors, and Empires of Stone detailing the<br />
history of the Acropolis, the Coliseum and China's<br />
Great Wall; Ancient Discoveries which showed how<br />
robotics, computing and medicine all had their<br />
antecedents in the ancient world, Sea Kingdoms a<br />
history of the Celts' relationship with the sea, and the<br />
PBS series Empires: Rome in the First Century and<br />
Empires: Kingdom of David. Other documentaries<br />
included Mystery of the Persian Mummy, In Search<br />
of Ancient Ireland, The Human Odyssey and<br />
Germany's War.<br />
Programs acquired through an output deal with<br />
WGBH, the US-producer of Frontline, were<br />
scheduled in the Cutting Edge time slot. Among<br />
these were Bigger than Enron, American Porn,<br />
September 11: The Man Who Knew and In Search<br />
of Al Qaeda. Several documentaries which examined<br />
Iraq and achieved sizable audiences were The War<br />
Behind Closed Doors, After Saddam, Saddam's<br />
Friends, The Long Road to War and Blair's War.<br />
COMEDY<br />
Comedy programs are consistently among the most<br />
watched on SBS Television.<br />
New series of South Park and Quads! attracted<br />
good audiences, along with Crank Yankers, which<br />
features real crank calls by professional comedians,<br />
re-enacted by puppets.<br />
DRAMA (Feature films)<br />
In <strong>2002</strong>-<strong>03</strong>, SBS Television showed more films than<br />
any other free-to-air broadcaster in Australia, with<br />
an average of 18 films broadcast each week. Recent<br />
movies were presented each weeknight with specially<br />
selected 'cult' movies on Saturdays and 'classics' on<br />
Sundays. Among the most popular movies of the<br />
year were: The Devil's Nightmare, Erotic Ghost<br />
Story, The Libertine, The Secret, The Mating Game<br />
and Criminal Lovers.<br />
DRAMA SERIES<br />
Queer as Folk, a provocative drama series centred<br />
on the life and loves of seven gay people, has<br />
become an important and popular addition to SBS<br />
Television's Monday night line-up.<br />
The adventurous Austrian police drama, Inspector<br />
Rex, continues to build on its success, while a<br />
number of drama series from various countries were<br />
shown in the late night time slot.
ARTS PROGRAMS<br />
Opera seasons were the main feature of the Arts on<br />
Saturday time slot, complemented by documentaries<br />
about the composers, the conductors, or the artists<br />
who appeared in them. These seasons were in<br />
addition to SBS's regular arts programming, The<br />
Movie Show and the Masterpiece strand, in which<br />
artists from various disciplines are profiled.<br />
Masterpiece highlights in <strong>2002</strong>-<strong>03</strong> were: The<br />
Complete Beckett (all of Samuel Beckett's plays<br />
interpreted by some of the world's leading filmmakers),<br />
documentaries on the film-makers Jean<br />
Cocteau, Ingmar Bergman, Louis Malle and Pedro<br />
Almodovar, photographers Spencer Tunick and Peter<br />
Darren Moyle, painters Leonardo Da Vinci and Mark<br />
Rothko, architect Santiago Calatrava, conductor<br />
Daniel Barenboim and actor Bruce Lee.<br />
Many of the programs shown in Masterpiece and<br />
Arts on Saturday were scheduled to coincide with<br />
tours and performances around Australia.<br />
TELEVISION | 13<br />
SEASONS<br />
Throughout the year, a number of special seasons<br />
examined specific themes through a broad range of<br />
feature films, documentaries, short dramas and<br />
comedies. These seasons are unique to SBS and<br />
have proved very popular with viewers. Each season<br />
sees parts of the schedule devoted to a particular<br />
subject, enabling the topic to be thoroughly dissected<br />
and examined from a variety of perspectives, some<br />
serious and some in a lighter vein. July saw a special<br />
season on perhaps the most widely known and<br />
admired non-English speaking actor, Gérard<br />
Depardieu. Beginning with an intimate and revealing<br />
documentary portrait, the week long series of<br />
Depardieu movies culminated with the four-part<br />
series Les Miserables.<br />
In the lead-up to the anniversary of the terrorist<br />
attacks of 11 September 2001, a range of programs<br />
was scheduled to mark the event, including The Twin<br />
Towers: A History and Letter to America and Letter<br />
From America, which provided a human view of the<br />
consequences of 11 September.<br />
‘Middle East Perspectives', a season of programs<br />
dealing with the Israeli/Palestinian conflict,<br />
encompassed 11 programs across a variety of time<br />
slots to provide a broad range of viewpoints to the<br />
complex history and the evolving problems that have<br />
led to the current situation in Middle East.<br />
Steps for the Future, a collection of films from seven<br />
countries in the southern African region, dealt with<br />
the ever-present tragedy of HIV/AIDS in Africa, which<br />
were scheduled across a number of timeslots in the<br />
lead-up to AIDS Awareness Week.
14 | TELEVISION<br />
INDIGENOUS AUSTRALIANS<br />
SBS Television broadcasts more programs of interest<br />
to Aboriginals and Torres Strait Islanders than any<br />
other Australian free-to-air network: over 40 hours<br />
of material in the past year. Most significant among<br />
these was Living Black, 10 half-hour episodes of<br />
news, current affairs, interviews and review produced<br />
from an indigenous perspective for a general<br />
audience. SBS Independent also commissioned a<br />
number of relevant programs, most notably the sixpart<br />
series Everyday Brave, focusing on the lives<br />
of successful indigenous Australians.<br />
SPECIAL EVENTS<br />
NAIDOC Week<br />
Seven documentaries and one feature film with<br />
themes relating to indigenous Australians were<br />
scheduled during NAIDOC Week.<br />
Australia Day<br />
Australia Day was marked with two programs<br />
commissioned by SBS Independent: From Korea<br />
with Love, about an Australian family seeking to<br />
adopt a child from South Korea, and Two Thirds<br />
Sky, about Australian painters, both indigenous and<br />
non-indigenous, who have been inspired by<br />
Australia's desert landscape and two locally<br />
produced programs about Australian indigenous<br />
artistic practices.<br />
International Women's Day<br />
International Women's Day was marked with the<br />
documentary First Ladies, in which first ladies from<br />
Europe, Africa and Latin America discuss their roles<br />
as spouses of their countries' leaders.<br />
1 April<br />
Scheduled in the Cutting Edge time slot, Dark Side<br />
of the Moon was a hoax documentary alleging that<br />
the first moon landing never actually happened but<br />
was staged in a studio and filmed by Stanley Kubrick<br />
at the instructions of the US government.<br />
Holocaust Remembrance Day<br />
A number of documentaries were scheduled to coincide<br />
with Holocaust Remembrance Day, including Into the<br />
Arms of Strangers: Stories of the Kindertransport,<br />
Long Shadows: Stories from a Jewish Home, Visitor<br />
from the Living and Zygielbojm's Death.<br />
Anzac Day<br />
Two documentaries were scheduled for Anzac Day: The<br />
Kokoda Trail: More Than Just a War Memorial and<br />
John Simpson Kirkpatrick: The Man with the Donkey.
SPORT<br />
Building on the success of SBS's <strong>2002</strong> World Cup<br />
coverage, which reached a record national audience<br />
of 10.4 million, SBS launched in September its<br />
most ambitious weekly sports program to date:<br />
The World Game.<br />
The six-hour program of soccer games, highlights and<br />
analysis, established a deliberate and unique link with<br />
SBS's soccer website of the same name. The 'look' of<br />
the program utilised a number of creative elements<br />
associated with the highly successful website and,<br />
through cross-promotion, large audiences were<br />
attracted to both mediums. The World Game program<br />
also maintained strong links with SBS's nightly<br />
program, Toyota World Sports. Content, particularly<br />
breaking news stories, often flowed across the<br />
two shows.<br />
Two other pioneering SBS programs launched during<br />
the year involved cycling and American football.<br />
Following the signing of a strategic partnership<br />
between SBS and Cycling Australia, the network<br />
launched Cycling Weekly, an eight-episode series<br />
and the first regular cycling program on Australian<br />
television. NFL Touchdown, another half-hour weekly<br />
series, was produced in SBS's Melbourne offices and<br />
launched prior to SBS's live telecast of the NFL<br />
Superbowl in February.<br />
SPECIALS<br />
TELEVISION | 15<br />
SBS Television's annual broadcast of the Eurovision<br />
Song Contest, this time hosted for SBS by Des<br />
Mangan in Riga, saw a marked increase on the<br />
previous year's audiences.
16 | TELEVISION<br />
SBS INDEPENDENT<br />
In <strong>2002</strong>-<strong>03</strong>, SBS Independent (SBSi) maintained a<br />
dynamic profile in the Australian television and film<br />
industry, providing Australian audiences with high quality<br />
and innovative programs made by some of Australia's<br />
best independent filmmakers.<br />
Since its establishment in 1994, SBSi has<br />
commissioned more than 600 hours of remarkable,<br />
innovative programming. In this financial year, SBSi<br />
commissioned 92.5 hours of documentary, drama<br />
and animation and provided 44.5 hours of similarly<br />
diverse programming for broadcast on SBS<br />
Television. Over its lifetime, SBSi has commissioned<br />
film and television productions that have won more<br />
than 460 national and international awards.<br />
During the year, SBSi pioneered a new production<br />
model that won strong support from filmmakers<br />
and enthusiastic backing from Australian<br />
audiences. Instead of concentrating on single,<br />
'one-off' programs, SBSi turned its attention to the<br />
commissioning of series. A key part of this strategy<br />
involves linking experienced producers with groups<br />
of first-time filmmakers for the production of a<br />
number of four-part documentary series.<br />
SBSi believes these series have far wider audience<br />
appeal and greater potential for overseas sales than<br />
'one-off' programs. The success of these series also<br />
provides Australian producers entrée to international<br />
co-productions. A long-term benefit identified by<br />
filmmakers is the chance for up-and-coming film<br />
directors to receive wide-ranging mentoring by<br />
experienced producers. The SBSI commissioned<br />
Handle With Care, Hard Choices and Red Heart<br />
Hospital are examples of this new initiative.<br />
SBSi actively encourages producers and directors to<br />
multi-task. For example, the program, John Safran vs<br />
God has experienced director Richard Lowenstein as<br />
its Executive Producer, and the award-winning, Making<br />
Venus is produced by director, Tom Zubrycki, for firsttime<br />
director Gary Doust.<br />
In anticipation of changes to SBS's television schedule,<br />
SBSi commissioned 10 dramas, each of 50 minutes<br />
duration, from independent writers and directors.<br />
These dramas, to be broadcast in prime time, will give<br />
exposure to new talent and provide them with a<br />
stepping-stone from short dramas to full-length<br />
features. Other programs, previously scheduled for<br />
broadcast in <strong>2002</strong>-<strong>03</strong>, will be shown in the coming<br />
financial year, including the new strand, Aussie Docs,<br />
featuring 'blue chip' documentaries, many made under<br />
the film accord between SBSi and the Australian Film<br />
Finance Corporation.<br />
During the year, SBSi launched a database for film<br />
and television talent who are from non-English<br />
speaking backgrounds. The resource, which is a<br />
service to producers and writers, helps to promote<br />
Australia's diverse creative resources.<br />
A collaboration between the National Gallery of<br />
Victoria and the Australian Centre for the Moving<br />
Image will in 20<strong>03</strong>-04, produce a series of interstitials<br />
made by high profile visual artists.<br />
In line with its commitment to encourage and promote<br />
independent Australian filmmakers, SBSi regularly<br />
assists producers with sourcing international finance<br />
and sales for their projects by supporting them at film<br />
and television markets, and at venues such as the<br />
Amsterdam Forum and Sunnyside of the Doc at<br />
Marseille.<br />
Indigenous Productions<br />
SBSi continues to enthusiastically support Aboriginal<br />
and Torres Strait Island productions. In <strong>2002</strong>-<strong>03</strong>, a total<br />
of 17.5 hours of indigenous programs were<br />
commissioned and 6.5 hours were transmitted. In<br />
addition, work continued on the development of SBS's<br />
landmark series, First Australian Nations.<br />
The indigenous projects commissioned in <strong>2002</strong>-<strong>03</strong><br />
were: Cold Turkey (50 min.drama); Queen of Hearts<br />
(50 min. drama); Call Me 'Mum' (90 min. telemovie);<br />
Token Kooris: Blackfellas for Hire (6x26 min drama<br />
series); Red Heart Hospital (4x26 min. documentary<br />
series); The Circuit (6xOne hour drama series);<br />
Dramatically Black (6x26 min. drama series).
SBSi/Co-financing<br />
SBSi maintains funding and creative alliances with<br />
all Federal and State film and television agencies in<br />
order to maximise opportunities for Australian<br />
program makers.<br />
Australian Film Finance Corporation /<br />
SBSi Accords<br />
Eleven hours of documentary were made under the<br />
Accord. They were: The Tasty Bust Reunion;<br />
Sandman in Siberia; A Girl, A Horse, a Dream; The<br />
President versus David Hicks; Why Men Pay For It;<br />
Without Prejudice; Fine Line; Gough Whitlam: In His<br />
Own Words; Molly and Mobarak.<br />
Documentaries co-financed by the FFC, SBSi and<br />
other (usually international) financiers were: Selling<br />
Sickness, Dying To Leave, and Helen's War: Portrait<br />
of a Dissident. In addition, features commissioned<br />
by SBSi with further investment by the FFC were:<br />
More Than Scarlet and Illustrated Family Doctor.<br />
Australian Film Commission<br />
SBSi's collaboration with the AFC's Indigenous Unit<br />
resulted in the production of five 10-minute dramas:<br />
Mimi; Black Talk; Turn Around; Flat; and Shit Skin.<br />
Five National Indigenous Documentary Fund films<br />
are in production. SBSi's 'first look' deal with the AFC<br />
resulted in several 50-minute dramas, including Lennie<br />
Cahill Shoots Through and Preservation. In addition,<br />
SBSi and the AFC co-financed three, three-minute<br />
animation pilots – with a view to selecting the best to<br />
inspire a 13-part series in 2004 – and the 26-minute<br />
animation, The Mysterious Geographic Explorations<br />
of Jasper Morello.<br />
Pacific Film and Television Corporation<br />
Production began on the four-part documentary series,<br />
Hard Choices, featuring the landmark Trouble With<br />
George as well as the development of the mini-series,<br />
Triple Zed.<br />
TELEVISION | 17<br />
South Australian Film Corporation<br />
SBSi maintains an active engagement with the South<br />
Australian Film Corporation with a view to commissioning<br />
programs for the forthcoming documentary series,<br />
Inside Australia as well as feature films to be<br />
premiered at the Adelaide International Film Festival.<br />
Screenwest<br />
Along with the new four part series, Hard Choices,<br />
SBSi commissioned the international series Dinosaur<br />
Dealers; oversaw script development of the prime<br />
time series', The Getting of Wisdom and Post Reality;<br />
and jointly financed the half-hour documentary,<br />
Leederville 6007: The Club That Would Not Die,<br />
for the Australia By Numbers series, and Roll, a<br />
50-minute drama.<br />
Film Victoria<br />
Co-financing agreements covered Two Men and<br />
A Baby; Me! Me! Me! and A.H.A.D.; The Mombassa<br />
Manifesto; and the animation, The Mysterious<br />
Geographic Explorations of Jasper Morello.<br />
Screen Tasmania<br />
An increased amount of work was discussed during<br />
the year, and script development of the 50-minute<br />
drama, Cable, continued with a view to production<br />
in early 2004.<br />
NSW Film and Television Office<br />
Two dramas, So Close to Home and Preservation,<br />
as well as the series, Knot At Home, were<br />
co-financed with funds from the NSWFTO.<br />
State Agencies and Showtime<br />
Production was completed of the 50-minute drama,<br />
So Close to Home, which is part of the Friday night<br />
drama strand. Series three of Australia By Numbers<br />
gives filmmakers in all states the opportunity to<br />
document the real world behind the postcode.
18 | TELEVISION<br />
COMMISSIONED PROGRAMS<br />
General Production Fund<br />
Under its General Production Fund, SBSi commissioned 33 hours of Australian documentary.<br />
Documentaries produced under SBSi's Accord with the Australian Film Finance Corporation:<br />
The Tasty Bust Reunion You’ve got to fight for the right to party! In1994, the Victorian police raided a gay nightclub called<br />
The Tasty and strip-searched 463 patrons. This is their story. (52 min.)<br />
Sandman In Siberia Steve 'The Sandman' Abbott takes his mother back to their ancestral home in Siberia to meet his<br />
long lost relatives - or are they? Part documentary, part travelogue, part Beverley Hillbillies! (52 min.)<br />
A Girl, A Horse, A Dream The provocative story of Australia's talented women jockeys and their determination to win against<br />
the odds - in this case the men of Australian racing. (52 min.)<br />
The President versus David Hicks The story of Australian, David Hicks, imprisoned at Guantanamo Bay, Cuba without charges<br />
and awaiting trial by a military court. (52 min.)<br />
Why Men Pay for It Why do men visit brothels? Is it more than libido? (52 min.)<br />
Without Prejudice Real judges, real lawyers and real jurors, allow the audience into the real drama behind the<br />
scenes of a major criminal case. (52 min.)<br />
Fine Line Journalists speak of the ethics and work practices that govern their daily lives and the moral<br />
dilemmas on whether or not to report on some well-known events. (6x26 min. series)<br />
Gough Whitlam - In His Own Words The life and times of one of Australia's most famous prime ministers. (Feature length)<br />
Molly and Mobarak In the town of Young, a love story unfolds in a community beset by good intentions, a racist<br />
history and some newly arrived Afghan asylum seekers. (Feature length)<br />
Documentaries, or documentary series, commissioned by SBSi which involve pre-sale broadcast rights from other<br />
broadcasters, mostly international.<br />
Selling Sickness Is there a connection between the invention of pharmaceuticals and the discovery of new medical<br />
syndromes and conditions for which they might prove effective? (52 min.)<br />
Petra's Journey When a Melbourne couple decide to adopt Petra, a small Croatian girl, they embark on an<br />
emotional roller-coaster that uncovers a tragic past and raises some moral questions. (52 min.)<br />
From the Sky to the Sea The story of the Japanese midget submarine attack on Sydney Harbour in 1942. (52 min.)<br />
Designer Babies The technology exists to allow us to design our own babies and Australian doctors are in the<br />
forefront of the genetics race. But is it a good thing? (52 min.)<br />
Dying to Leave The human cost of international people smuggling and trafficking. (2x52 min.series)<br />
Convicts A history series based on the original letters and diaries of convicts transported to Australia.<br />
(3x52 min. series)<br />
Lilita Does Argentine presidential candidate, Lilita, have what it takes to save her nation from debt<br />
and corruption? (52 min.)<br />
Helen's War: Portrait of a Dissident The life of anti-nuclear campaigner, Dr Helen Caldicott. (52 min.)
TELEVISION | 19<br />
A new SBSi initiative resulted in the following documentary series being financed wholly in Australia.<br />
Hard Choices Stories of some big, life-changing decisions. (Made by new Queensland directors in conjunction<br />
with the PFTC.) (4x26 min. series)<br />
Hard Choices Stories of some big, life-changing decisions. (Made by new Western Australian directors in<br />
conjunction with Screen West.) (4x26 min. series)<br />
Bush Doctor A glimpse of the community of Walgett through the eyes of their doctor, Dr Vlad Matic<br />
(Part 1 of 2x26 min. programs.)<br />
Handle With Care The Newborn and Paediatric Emergency Transport Retrieval Team at work. (4x26 min. series)<br />
Inside Australia Grandpa's Games Did Grandpa really cheat to win his gold medal at the Veteran Olympics and<br />
does it really matter? (26 min.)<br />
The Godfather of Bodies George Tabban is retiring after years of playing godfather to<br />
Melbourne's female body building champions. (26 min.)<br />
Bob Brought the War Home For Bob and his family, the Vietnam War is still raging. (26 min.)<br />
Special Production Fund<br />
Under its Special Production Fund, SBSi commissioned a total of 56.5 hours of programs, including:<br />
Drama (29 hours); Documentary (26.5 hours); and Animation (1 hour).<br />
DRAMAS<br />
Cable Family conflict, Italian style, on a remote Tasmanian fishing island. (50 min.)<br />
Preservation In the dead heart of a taxidermist's shop the spark of love ignites. (50 min.)<br />
So Close to Home A chance encounter between two women on a train provokes a journey into the nature of exile and<br />
belonging. (50 min.)<br />
Cold Turkey Set in Alice Springs, one brother wants to go to Coober Pedy, but the other is determined to stop<br />
him. (52 min.)<br />
Queen of Hearts A young girl in Alice Springs learns about life and the value of family. (52 min.)<br />
DRAMA SERIES<br />
Post Reality The family has allowed a reality TV show into their home and lives and it's about to go to air.<br />
(6x26 min. series)<br />
Triple Zed Life at a radical Brisbane radio station during the time of Premier, Joh Bjelke Petersen.<br />
(6x26 min. series)<br />
Dramatically Black Indigenous drama series in development for production in 2004. (6x26 min. series)<br />
FEATURE FILMS<br />
More Than Scarlet In a winter landscape of rural Australia, an adolescent girl discovers the difference<br />
between sex and love.<br />
Call Me "Mum" One son, three mothers and many truths battle it out on the domestic front.
20 | TELEVISION<br />
DOCUMENTARIES<br />
Trash The story of the man who runs the only Freaky Cult trash video store in Brisbane.<br />
(An Accord documentary co-produced with the PFTC) (26 min.)<br />
The Mombassa Manifesto From Metals to Mambo, aliens to Jesus, the world of Reg Mombassa, artist and rock star<br />
comes to life. (26 min.)<br />
Big All At Once Life as it is for three18 year olds as they leave school and struggle to become instant adults.<br />
(52 min.)<br />
Tales From the Turnbuckle A glimpse into the arcane working class world of a professional wrestler. (52 min.)<br />
Troubled Minds The story of the discovery of Lithium, a drug that changed psychiatry and people's<br />
lives forever. (52min.)<br />
Silent Storm The secret story of nuclear testing in South Australia. (52 min.)<br />
Two Men and a Baby Two gay men buy a baby. A modern morality tale. (52 min.)<br />
DOCUMENTARY SERIES<br />
Knot at Home What causes drama at home and how to survive it. (8x26 min. series)<br />
The Colony Based on the experiences of a sailing ship that arrived in Sydney in1802.<br />
(In development.) (6x52 min. series)<br />
Under One Roof The Chakos Family The Chakos family of San Souci is three generations under one roof. (52 min.)<br />
The Puckeridge Family The Puckeridges of Concorde have five children under 10. (52 min.)<br />
The Kapsalides Family Mum and two daughters take pride in their achievements as a sole<br />
parent household. (52 min.)<br />
Little Siberia Oral and visual history of a Russian Aboriginal family that spans Australia's 20th century.<br />
(3x52 min. series)<br />
The Getting of Wisdom What's happening in Australia's public schools? (4x26 min. series)<br />
Divorce The law and divorce as seen across different cultural groups. (In development.) (6x26 min. series)<br />
Red Heart Hospital Life and death in the world's most remote major hospital. (4x26 min. series)<br />
Inside Australia The Trouble with George A recently separated woman continues to care for a homeless man. (26 min.)<br />
Matthew's Fight for Life A boy's survival as seen through the eyes of his parents and doctor. (26 min.)<br />
Prep for Life A man is shaken by an old TV show's footage of his dead brother. (26 min.)<br />
Over the Fence True stories from the Australian urban battlefield. (4x26 min. series)<br />
COMEDY SERIES<br />
John Safran vs God From Amishism to Zoroastrianism, religious zealot John Safran puts 10 faiths under<br />
the microscope. (10x26 min. series)<br />
ANIMATION<br />
The Mysterious Geographic<br />
Explorations of Jasper Morello A captivating tale of horror and adventure in a strange land. (26 min.)<br />
The Safe House When the lead characters from a real life spy drama move next door, a seven-year-old's life in<br />
never quite the same. (26 min.)
AUDIENCES<br />
REACH<br />
In <strong>2002</strong>, SBS Television was watched by more than<br />
7.7 million Australians each week. In the five major<br />
cities – Sydney, Melbourne, Brisbane, Adelaide and<br />
Perth – the average weekly reach was 5.4 million<br />
viewers. SBS Television's audience share of home<br />
viewing in these cities between 6 p.m. and midnight<br />
was 5.59%.<br />
WEEKLY REACH OF AUDIENCES<br />
TELEVISION | 21<br />
In those areas outside the five mainland capital<br />
cities, SBS Television reached an additional 2.2<br />
million people. These included: regional NSW<br />
(1.1 million); regional Queensland (510,000); regional<br />
Victoria (381,000); and Tasmania (200,000). Other<br />
areas not covered by audience reports, including<br />
Darwin and more than 150 self-help transmitters,<br />
would increase the average weekly SBS Television<br />
audience to more than 7.7 million.<br />
1998 1999 2000 2001 <strong>2002</strong><br />
Total people 000s 000s 000s 000s 000s<br />
FIVE MAJOR CITIES<br />
Sydney 1,305 1,378 1,293 1,796 1,798<br />
Melbourne 1,229 1,291 1,233 1,712 1,586<br />
Brisbane 723 785 756 804 863<br />
Adelaide 442 465 451 501 522<br />
Perth 505 540 517 581 632<br />
CITIES TOTAL 4,204 4,459 4,250 5,394 5,401<br />
REGIONAL AREAS<br />
NSW REGIONAL 874 910 970 1,133 1,148<br />
VICTORIA REGIONAL 189 261 271 351 381<br />
QUEENSLAND REGIONAL 363 360 457 494 510<br />
TASMANIA 194 188 186 2<strong>03</strong> 200<br />
NATIONAL TOTAL 5,824 6,178 6,134 7,575 7,640<br />
Areas for which audience reports are not received, such as<br />
Darwin and those covered by 176 ‘self-help’ transmitter services,<br />
would increase the average weekly SBS audiences to over 7.7<br />
million people.
22 | TELEVISION<br />
DEMOGRAPHICS<br />
People aged 40 years and above continued to be the biggest watchers of SBS Television. It was more popular<br />
among men over 18 years (49%) compared to women over 18 years (41%). The most regular viewers of SBS<br />
Television, both men and women, were aged 55 years and above.<br />
WEEKLY REACH BY KEY DEMOGRAPHICS<br />
Sydney, Melbourne, Brisbane, Adelaide and Perth combined<br />
BY AGE AND SEX Reach 000s Reach %<br />
Children 0 – 4 208,000 25.2<br />
Children 5 –12 348,000 25.2<br />
Teens 13 –17 269,000 29.9<br />
People 18 –39 1,760,000 39.4<br />
People 40+ 2,816,000 49.3<br />
Men 18 –24 259,000 37.5<br />
Men 25 –39 721,000 46.2<br />
Men 40 –54 7<strong>03</strong>,000 49.7<br />
Men 55+ 767,000 57.7<br />
Men 18+ 2,450,000 49.1<br />
Women 18 –24 183,000 27.4<br />
Women 25 –39 597,000 38.5<br />
Women 40 –54 592,000 41.3<br />
Women 55+ 754,000 49.2<br />
Women 18+ 2,126,000 41.0<br />
WEEKLY REACH BY ETHNICITY<br />
Sydney, Melbourne, Brisbane, Adelaide and<br />
Perth combined<br />
60%<br />
50%<br />
40%<br />
30%<br />
20%<br />
10%<br />
Born overseas in a non-English speaking country<br />
Total People<br />
Born in Australia or in an overseas English speaking country<br />
ETHNICITY<br />
Viewing of SBS Television by people born overseas<br />
in a non-English speaking country increased to 55.6%<br />
while slight declines were recorded among viewers<br />
either 'born in Australia' of 'born overseas in an<br />
English-speaking country'.<br />
1993 1994 1995 1996 1997 1998 1999 2000 2001 <strong>2002</strong><br />
55.6%<br />
40.6%<br />
38.1%
Over the past seven years, SBS has commissioned<br />
Quadrant Research to conduct 51 audience surveys<br />
of the viewing and listening patterns of many of the<br />
key language communities in Australia. These included:<br />
1996 - Arabic, Cantonese, Greek, Italian,<br />
Mandarin, Vietnamese<br />
1997 - Arabic, Cantonese, Khmer, Polish, Spanish<br />
1998 - Bosnian, Croatian, Korean, Macedonian,<br />
Maltese, Serbian, Slovenian<br />
1999 - French, German, Indonesian, Persian-Farsi,<br />
Dutch, Portuguese, Russian, Turkish, Ukrainian<br />
2000 - Assyrian, Thai, Bengali, Gujarati, Hindi,<br />
Hungarian, Kannada, Punjabi, Sinhalese,<br />
Tamil, Urdu<br />
2001 - Arabic, Armenian, Greek, Italian, Romanian,<br />
Vietnamese, Laotian, Samoan, Tongan<br />
<strong>2002</strong> - Turkish, Khmer, Cantonese, Mandarin<br />
The latest survey into the SBS viewing habits of the<br />
Turkish, Khmer, Cantonese and Mandarin speaking<br />
communities is analysed below.<br />
INDIVIDUAL LANGUAGE GROUPS<br />
Sydney, Melbourne, Brisbane, Adelaide<br />
and Perth combined<br />
NEWS AND CURRENT AFFAIRS<br />
TELEVISION | 23<br />
Both the nightly SBS World News at 6.30 p.m.<br />
and the weekday World News Tonight at 9.30 p.m.<br />
increased their overall annual audience reach in<br />
<strong>2002</strong>. All three news services were watched by an<br />
(unduplicated) audience during the year of more<br />
than 8.4 million people in the five major cities in<br />
<strong>2002</strong>. The percentage of people reached in these<br />
cities was 64%.<br />
The international current affairs program, Dateline,<br />
reached more than 4.3 million viewers in <strong>2002</strong> - a<br />
24% increase over the previous year. The national<br />
affairs program, Insight, reached 3.9 million over the<br />
year, a 12% increase over 2001.<br />
TURKISH KHMER CANTONESE MANDARIN<br />
% % % %<br />
Viewed SBS TV in the last 7 days 59 57 62 74<br />
Viewed 1– 5 programs in the last 7 days 56 43 55 45<br />
Viewed 6+ programs in the last 7 days 44 56 43 53<br />
Wouldn’t be without/find a lot of value in SBS TV 61 60 60 43<br />
Find some value in SBS TV 33 32 33 52<br />
Role of SBS TV in today’s culturally diverse society<br />
– Very important 56 46 56 61<br />
– Somewhat important 37 49 37 33
24 | TELEVISION<br />
AUDIENCE OPINION SURVEYS<br />
Over the past six years, SBS Television has<br />
commissioned Newspoll to conduct surveys into SBS's<br />
role and performance as a multilingual and multicultural<br />
It is important that SBS be available to provide an alternative to the commercial stations.<br />
Strongly agree 64.7<br />
Somewhat agree 23.8<br />
Total 'agree' 88.5<br />
Somewhat disagree 4.8<br />
Strongly disagree 2.4<br />
Neither/Don't know 4.3<br />
It is important that SBS be available to provide an alternative to ABC Television.<br />
Strongly agree 48.0<br />
Somewhat agree 31.7<br />
Total 'agree' 79.7<br />
Somewhat disagree 8.3<br />
Strongly disagree 5.1<br />
Neither/Don't know 6.9<br />
SBS has types of programs you would not see on other stations.<br />
Agree 87.2<br />
Disagree 2.5<br />
Neither/Don't know 10.3<br />
SBS has better coverage of overseas news than other stations.<br />
Agree 69.5<br />
Disagree 10.0<br />
Neither/Don't know 20.5<br />
SBS plays an important role in today's culturally diverse society.<br />
Very important 45.2<br />
Somewhat important 43.3<br />
Total 'important' 88.5<br />
Not important 6.0<br />
Don't know 5.5<br />
Value of SBS Television<br />
I wouldn't be without SBS 20.1<br />
A lot of value 9.9<br />
A reasonable amount of value 43.5<br />
Find Value in SBS 73.5<br />
Little value 21.4<br />
None/Don't know 5.1<br />
broadcaster. This year, the surveys of people 18 years<br />
of age and over, recorded the most positive responses<br />
ever given in the six categories canvassed.
TOP 50 PROGRAMS <strong>2002</strong><br />
TELEVISION | 25<br />
Programs Total people<br />
000s<br />
1 <strong>2002</strong> FIFA World Cup: Quarter Final – B Soccer 1,027<br />
2 A History of Britain Documentary Series 654<br />
3 World News Tonight News 564<br />
4 Roy Orbison: In Dreams Documentary Series 545<br />
5 Egypt’s Golden Empire Documentary Series 539<br />
6 South Park Comedy Series 532<br />
7 World News News 530<br />
8 Secrets of the Stone Age (Rpt) Documentary Series 507<br />
9 World News Saturday News 500<br />
10 Queen Victoria’s Empire Documentary Series 499<br />
11 World News Sunday News 478<br />
12 Hitler’s Holocaust Documentary Series 477<br />
13 Silent Scream The Cutting Edge 467<br />
14 The Twin Towers: A History As It Happened 463<br />
15 A History of Britain (Rpt) Documentary Series 457<br />
16 The Railwaymen As It Happened 429<br />
17 Passions for the Past (Rpt) Documentary Series 422<br />
18 Secrets of the Dead Documentary Series 418<br />
19 The New Energy Revolution David Suzuki Series 413<br />
20 Hitler’s Women Documentary Series 412<br />
21 Meet the Ancestors (Series 5) Documentary Series 400<br />
22 South Park (Rpt) Comedy Series 396<br />
23 Empires: Napoleon (Rpt) Documentary Series 388<br />
24 Erotic Tales Drama Series 383<br />
24 Phallacies (Rpt) David Suzuki Series 383<br />
26 The Hidden Killer: Portrait of an Epidemic (Rpt) David Suzuki Series 382<br />
27 Conspiracies Documentary Series 381<br />
28 Gough Whitlam: In His Own Words Documentary 379<br />
29 Life Support Comedy Series 378<br />
30 The World Cup Show Soccer 372<br />
31 Stonehenge (Rpt) Documentary Series 369<br />
32 Eurovision Song Contest Special 367<br />
33 The Unknown Peter Sellers Masterpiece 366<br />
34 Saddam Hussein: The Master of Baghdad As It Happened 363<br />
35 “Me, My Brain and I” David Suzuki Series 362<br />
36 Orgazmo (Rpt) Monday Movie 357<br />
37 John Safran’s Musical Jamboree Comedy Series 354<br />
38 Scandinavia’s Porn Revolution: Letting (Rpt) Documentary 350<br />
38 The Celts (Rpt) Documentary Series 350<br />
40 Crank Yankers Comedy Series 348<br />
40 Ancient Apocalypse Documentary Series 348<br />
42 Atlantis Uncovered (Rpt) As It Happened 343<br />
43 American Porn The Cutting Edge 342<br />
44 Martin Luther Documentary Series 341<br />
44 Neanderthal (Rpt) Drama Series 341<br />
46 Inspector Rex Drama Series 340<br />
47 The Mystery of the Tomb of Jesus As It Happened 336<br />
48 Chet Atkins: A Life in Music Documentary Series 334<br />
49 Movie Show Movie Show 333<br />
50 Florence Nightingale: Iron Maiden As It Happened 332
26 | TELEVISION<br />
AUDIENCE FEEDBACK<br />
SBS Television Programming branch responded to<br />
280 letters, comprising: 22 compliments; 60 requests<br />
for repeat transmissions; 30 programming suggestions<br />
or requests for programs with particular content; 27<br />
requests for further information about programs or<br />
about scheduling; 29 requests to acquire copies of<br />
programs; 106 comments critical of SBS programs;<br />
and six that were passed to other branches.<br />
A total of 1,386 letters was received by SBS Public<br />
Relations in <strong>2002</strong>-<strong>03</strong>. Of these: 560 were requests for<br />
information about various SBS programs, including<br />
the availability of video copies; 62 requested the<br />
repeat of a documentary, film or series; 160 were<br />
complimentary about SBS programming; 232 made<br />
general comments about SBS programming or the<br />
Corporation in general; 174 were comments critical of<br />
SBS programs or other aspects of SBS; and another<br />
198 were of a miscellaneous nature.<br />
More than 1,000 'viewer enquiry forms' – supplied by<br />
SBS and designed to streamline common viewer<br />
requests – were returned to SBS and answered by the<br />
SBS Public Relations Unit.<br />
The SBS switchboards remain a major source of<br />
feedback about programming, as well as a means of<br />
providing callers with information. Telephone<br />
comments from members of the public about<br />
programming continue to be distributed to SBS staff<br />
and management. Comments received via the SBS<br />
website are similarly distributed throughout the<br />
organisation.<br />
TELEVISION TRANSMISSION<br />
In <strong>2002</strong>-<strong>03</strong>, SBS Television transmitted its programs<br />
throughout Australia via:<br />
211 terrestrial transmitters that deliver its analogue<br />
service through contracts with four service providers,<br />
Broadcast Australia, Broadcast Engineering Services,<br />
Imparja, and Watson's Technical Services;<br />
more than 150 self-help transmitters owned and<br />
operated by local communities in mostly remote<br />
regions of Australia;<br />
twenty-seven digital terrestrial services which<br />
covered all capital cities and many regional centres,<br />
reaching an estimated 75% of the national<br />
population; and<br />
re-transmission services via the cable subscription<br />
services of Optus Vision and Foxtel and the satellite<br />
services of Austar Pay TV.<br />
Analogue transmission<br />
Additional Government funding has been provided<br />
to extend SBS coverage to areas with populations of<br />
5,000 or more. The first of these began service during<br />
the year and the remaining 20 are expected to begin<br />
during the 20<strong>03</strong>-04 financial year. Two of these services<br />
will be operated by a new transmission service<br />
provider, Watson's Technical Services. This will bring<br />
the total number of SBS analogue TV transmitters to 231.<br />
Self-help transmitters<br />
The Federal Government's Black Spot Program is<br />
providing funding for local communities to install selfhelp<br />
transmitter services in locations with poor<br />
reception. Of the sites identified, 234 have been<br />
licensed to commence SBS services with many<br />
already on air. When completed, the network of selfhelp<br />
transmitters will number almost 400.
The Self-Help Subsidy Scheme, funded by the<br />
Federal Government and administered by SBS,<br />
provides eligible self-help community groups or local<br />
government instrumentalities with 50% of their startup<br />
capital costs for transmitter installations. Two<br />
booklets, Self-Help Guide and Self-Help Subsidy<br />
Guidelines are available from SBS Transmission<br />
Services. In addition, PDF and HTML version are<br />
available on the SBS website.<br />
Digital transmission<br />
SBS's digital service, which began in January 2001,<br />
has continued to expand beyond the state and<br />
territory capitals. During the year, new services were<br />
launched in the Gold Coast, Currumbin, Illawarra,<br />
Wollongong, Bouddi, Gosford, Kings Cross, Kotara,<br />
Manly/Mosman, Merewether, Wyong, Stanwell Park,<br />
Gympie, Gympie Town, Noosa/Tewantin, Sunshine<br />
Coast, Ballarat and Western Victoria.<br />
By year's end, 27 digital transmitters were on air and<br />
a further 53 are in the design and construction<br />
phase. Plans are well advanced for the connection of<br />
Darwin's digital transmitter to Telstra's digital video<br />
network. This will provide Darwin, which currently<br />
receives a single standard definition digital channel,<br />
with the full suite of SBS digital services.<br />
In June 20<strong>03</strong>, SBS commenced the satellite<br />
distribution of digital services to the eastern states<br />
with South Australia and Western Australia scheduled<br />
thereafter. This will enable transmitter installation in<br />
more remote locations.<br />
SBS satellite services<br />
SBS continues to provide direct-to-home television<br />
and radio services through the Optus C1 satellite<br />
that has replaced its B3 satellite. One SBS service is<br />
also available to viewers of the Austar pay TV service<br />
and SBS is negotiating with Foxtel for the provision<br />
of SBS Television to Foxtel satellite subscribers. In<br />
addition, the SBS Western Australia service is<br />
available on the PanAmSat PAS 2 satellite.<br />
TELEVISION | 27<br />
Digital Capital Planning<br />
<strong>2002</strong>-<strong>03</strong> was the final year of SBS's five-year Phase<br />
One Digital Capital Plan. This plan provided for $22.7<br />
million over five years to convert SBS's standard<br />
definition television and radio studio equipment from<br />
analogue to digital technology. Of this amount, SBS<br />
contributed $5 million and the Government $17.7<br />
million.<br />
Expenditure in <strong>2002</strong>-<strong>03</strong> amounted to $8.24 million,<br />
comprising $3.19 million for television, $0.91 million<br />
for radio and $4.<strong>03</strong> million for the construction of<br />
digital broadcasting facilities in Federation Square,<br />
Melbourne.<br />
The <strong>2002</strong>-<strong>03</strong> financial year was the third year of<br />
SBS's Phase 2 Digital Television Strategy Plan. This<br />
plan covers the estimated expenditure requirements<br />
to convert SBS's transmission network, and related<br />
studio and distribution systems, from analogue to<br />
digital technology. The Phase 2 plan is scheduled to<br />
run for nine or more years.<br />
Phase 2 digital expenditure in <strong>2002</strong>-<strong>03</strong> was $16.91<br />
million, comprising $2.74 million of capital expenditure<br />
and $14.17 million in recurrent expenditure. The<br />
capital expenditure covered equipment requirements<br />
to enable the simultaneous play out of one high<br />
definition, three standard definition and two radio<br />
channels to seven geographical zones. Other upgrades<br />
and new facilities included: a number of camera<br />
upgrades to wide-screen capability; new non-linear<br />
editing booths; a rebuilt audio sweetening postproduction<br />
suite; a live broadcast-capable studio<br />
inside the newsroom; a high definition and multichannel<br />
playout centre; and an all digital television<br />
facility at SBS's new Melbourne premises at<br />
Federation Square.
28 | TELEVISION<br />
Miriam Corowa is one of three<br />
young people undertaking a oneyear<br />
journalism trainee course at<br />
SBS News and Current Affairs.<br />
On the phone, discussing the day’s<br />
line up, Chief Producer, David Foale<br />
coordinates news input and allocates<br />
stories to World News producers.<br />
Chief of Staff, Gordon Westcott, who’s<br />
responsible for national coverage, assigns<br />
a story to trainee, Miriam Corowa, for<br />
inclusion in SBS World News.
SBS TELEVISION NEWS<br />
AND CURRENT AFFAIRS<br />
Over the years, the flagship news programs, the nightly<br />
SBS World News at 6.30 p.m. and the weekday World<br />
News Tonight at 9.30 p.m. have secured SBS's<br />
reputation as the pre-eminent international news service<br />
on Australian free-to-air television. No other network<br />
provides such breadth of coverage and depth of<br />
analysis of world events.<br />
The bulletins summarise and analyse the breaking<br />
stories of the day. The daily agenda is determined by<br />
the SBS editorial philosophy to report the news most<br />
likely to have an impact on Australians and to provide<br />
an Australian context. Events in our region, stories that<br />
affect international security, developments that influence<br />
relations between countries, advances in science or<br />
medicine, and just plain interesting stories are some<br />
of the ingredients in the World News bulletins.<br />
SBS accesses more international news sources than<br />
any other Australian network. APTN, Reuters, ABC<br />
America, the BBC, AFP, AAP and daily satellite feeds<br />
from major broadcasters in Europe, the Middle East<br />
and Asia provide a formidable range of information<br />
and images. Every day, SBS records more than 50<br />
hours of satellite feeds to distil into the most succinct<br />
and powerful pictures to include in SBS World News<br />
and World News Tonight.<br />
The international coverage is supplemented with<br />
reports from our region by SBS journalists assigned to<br />
cover significant events, and the reporting of the three<br />
or four major news stories in Australia each day. The<br />
journalists who produce SBS World News and World<br />
News Tonight are among the most experienced in<br />
Australian media, and each bulletin that goes to air is<br />
CONTINUES...<br />
TELEVISION | 29<br />
09:27<br />
09:45 09:50 10:05 10:38
30 | TELEVISION<br />
the sum total of many parts: camera crews, tape<br />
editors, graphic designers, studio crews, make-up<br />
and presentation staff. Behind the scenes, for their<br />
advice and expertise, are lawyers and publicists.<br />
Supplementing the World News bulletins, and often<br />
providing exclusive vision, is the daily seven-hour<br />
news omnibus program, WorldWatch. Beginning at<br />
5.30 a.m. each day, a cavalcade of international news<br />
bulletins is broadcast.<br />
WorldWatch began in August 1993 with daily news<br />
bulletins from China, France, Germany and Russia.<br />
In <strong>2002</strong>-<strong>03</strong>, the WorldWatch schedule included 20<br />
different news services in 16 languages from 17<br />
countries. Daily satellite feeds are received from CCTV<br />
China, France 2, DW Germany, ERT Greece, ATV<br />
Hong Kong, TVRI Indonesia, RAI Italy, NHK Japan,<br />
NBN Philippines, NTV Russia, TVE Spain and PBS of<br />
the USA. In addition, five news review programs are<br />
airfreighted to SBS each week from TVN Chile, DTV<br />
Hungary, PBS Malta, Polsat Poland and MIST<br />
Ukraine. The programs – totalling more than 50 hours<br />
each week – are shown in the language of origin,<br />
unedited.<br />
In June <strong>2002</strong>, SBS's digital service, the World News<br />
Channel, began broadcasts. Based on the<br />
WorldWatch service, the World News Channel<br />
repeats some bulletins at different times of the day<br />
and offers new, updated bulletins from several<br />
countries. The World News Channel is on air 19<br />
hours each day with 29 news bulletins, delivering<br />
130 hours of news per week.<br />
Comprehensive analysis of major international news<br />
stories is provided each week by SBS's current affairs<br />
program, Dateline. The multiple award-winning<br />
program, which began in 1984, is Australia's longestrunning<br />
international current affairs program. It has a<br />
well-earned reputation for exclusive behind-the-scenes<br />
reportage and analysis of international events and<br />
their possible impact on Australia.<br />
SBS's other current affairs program, Insight,<br />
concentrates on investigating matters of national<br />
interest – political, economic, social and business. It<br />
too is a multi award-winning program with a particular<br />
interest in issues concerning multicultural Australia.<br />
Both Dateline and Insight are exponents of video<br />
journalism, the practice of one television journalist<br />
researching, reporting, filming with a small digital<br />
camera, and sometimes even editing a single story.<br />
This is counter to the usual practice of a reporter<br />
assisted in the field by a camera person, audio<br />
operator and, sometimes, a field producer.<br />
Video journalism brings to each story an intimacy not<br />
possible with multiple person crews because a video<br />
journalist, operating alone, can more easily and<br />
unobtrusively access locations and often stands a<br />
better chance of gaining the interviewee's confidence.<br />
First pioneered by Dateline, and subsequently<br />
adopted by Insight, video journalism has garnered<br />
increased audiences for both programs and many of<br />
the stories have won major national and international<br />
awards.
OVERVIEW<br />
RADIO | 31<br />
RADIO<br />
SBS Radio this year revised its broadcast schedule to meet changing community needs<br />
and audience demands. Extended broadcast hours were given to youth programming;<br />
a revamped World View program now concentrates on multicultural features; all 68<br />
language programs are streamed over the SBS website; a record 85 outside<br />
broadcasts were conducted nationwide; and the comprehensive news, features, music<br />
and information format remains the focus of each and every broadcaster.
32 | RADIO<br />
PROGRAMS<br />
SBS Radio is the world's most linguistically diverse<br />
broadcaster, transmitting more than 15,000 hours<br />
of individual programs each year in 68 languages,<br />
including English. Each week, professional<br />
broadcaster/journalists and other staff in SBS’s Sydney<br />
and Melbourne production centres make more than<br />
650 hours of Australian programming, including<br />
news and current affairs, interviews, talkback,<br />
community information, sport and music. Each day,<br />
SBS Radio broadcasts 36 unique news bulletins<br />
containing local, national and international news.<br />
Since its inception in 1975, as 2EA in Sydney and 3EA<br />
in Melbourne, SBS Radio has been a powerful tool in<br />
meeting the settlement, information and communications<br />
needs of Australians of non-English-speaking<br />
backgrounds. Increasingly, as society has become<br />
more complex and those needs have become more<br />
complicated, SBS Radio has developed a wider range<br />
of programming content and formats to its listening<br />
communities across Australia. As the composition of<br />
Australia's multicultural society changes, so too must<br />
SBS Radio's schedules. New, revised schedules to be<br />
implemented from July 20<strong>03</strong>, better reflect<br />
contemporary needs following extensive rescheduling<br />
consultations with communities during the year.<br />
These new schedules retain the hour-by-hour format<br />
that has been used since the last major schedule<br />
changes in 1994. Different languages are heard<br />
every hour on two frequencies in Sydney and<br />
Melbourne and on one frequency in the other major<br />
cities of Australia. Programs are based on language<br />
and not ethnicity. The major language programs are<br />
broadcast twice daily, seven days a week, while<br />
some smaller language groups broadcast only one<br />
hour a week.<br />
As well as reporting on Australian and world issues,<br />
all programs deliver information of specific interest to<br />
their language community – often through talkback,<br />
experts, panel discussions and street vox pops – and<br />
occasionally raise contentious community issues in<br />
order to engage listeners in an objective and fair<br />
manner. News stories and interviews provide<br />
background information, personal experiences and<br />
analysis of the events and issues, affecting their<br />
communities and shaping Australia.
National and International News<br />
SBS Radio on-air staff combine the skills of both<br />
broadcaster and journalist, supported by journalists<br />
in the National Radio Newsroom and by state<br />
corespondents in Canberra, Adelaide and Perth.<br />
During the year, the National Newsroom alone<br />
produced approximately 20,000 individual news stories<br />
and each month provided an average of 45 radio<br />
features to the program producers. These were in<br />
addition to the hundreds of segments produced by the<br />
language group broadcaster/journalists themselves.<br />
The World View program – broadcast twice daily –<br />
carried more than 1,800 features during the year.<br />
Of these, over 550 concerned the Middle East,<br />
mostly Iraq; the 'war on terrorism'; asylum seekers;<br />
the Israeli–Palestinian peace process; and national<br />
security issues. Another 50 stories covered the<br />
aftermath of the Bali bombings; 36 looked at the<br />
Sudden Acute Respiratory Syndrome (SARS); 24<br />
dealt with North Korea; 23 ranged across<br />
environmental issues; and 20 each about separatist<br />
fighting in the Indonesian province of Aceh and<br />
Australia's prolonged drought.<br />
The biggest news story of the year was the war in<br />
Iraq and none posed greater technical and logistic<br />
challenges in coverage. The distances and time<br />
zones involved and the need to rely on a variety of<br />
information sources posed their own unique<br />
problems. As soon as the fighting began, SBS<br />
Radio began a 24-hour-a-day, seven-days-a-week<br />
operation in both Sydney and Melbourne, and<br />
continued this until one week after the fall of Baghdad.<br />
RADIO | 33<br />
The Prime Minister's Address to the Nation on the<br />
Iraq war was broadcast live in the Arabic language<br />
program and Opposition Leader Simon Crean's reply<br />
was broadcast live in the Yiddish language program.<br />
The National Newsroom worked a 24-hour roster and<br />
used special link facilities to go 'live' to air with<br />
breaking news stories. In order to provide the most<br />
comprehensive service possible, extra programs<br />
were introduced. The Arabic language program<br />
produced five additional hours per week at 6.00 a.m.<br />
Monday to Friday, while the Assyrian, Turkish and<br />
Kurdish programs each produced one additional<br />
hour per week. The Radio Resource Centres<br />
provided a comprehensive list of useful web site<br />
links to assist broadcasters with their coverage and<br />
established an extensive reference collection.<br />
As well as the crisis in the Middle East, SBS Radio<br />
brought facts, detail and insight to other big events<br />
and issues facing multilingual, multicultural Australia<br />
during the year. These included the Bali bombings<br />
and their implications, where a number of experts in<br />
Australia and abroad were interviewed; the Canberra<br />
bushfires, with many interviews conducted in the<br />
language of selected fire victims; the outbreak<br />
of the SARS virus and the Victorian and NSW State<br />
Elections. In the latter, government and opposition<br />
leaders were invited to news conferences at SBS<br />
Radio to be cross-examined on their policies.<br />
SBS Radio continued to provide comprehensive<br />
and balanced coverage of a variety of other issues,<br />
including asylum seekers, anti-war rallies in Australia<br />
and abroad, detention centres, taxation, ageing,<br />
housing, health and education.
34 | RADIO<br />
Youth programming<br />
SBS Radio's youth program, Alchemy, broadcasts<br />
every evening on the FM frequencies in Sydney<br />
and Melbourne and on the National Radio Network.<br />
During the year, it further diversified its content<br />
by establishing separate programming concepts<br />
for each night. The new line-up includes Alchemy<br />
International, a music-talk program broadcast on<br />
Tuesday nights in which an international team of<br />
young broadcasters explores new music from<br />
around the globe and provides first-hand insights<br />
into the cultural environments in which the music<br />
was created. Each Wednesday, Alchemy Untitled,<br />
exposes non-traditional art forms and the work of<br />
young artists.<br />
In November, Alchemy began broadcasting<br />
overnight on Fridays and Saturdays, extending its<br />
potential to reach wider audiences. The Friday night<br />
shows feature music from around the world and<br />
interviews with international acts, while the Saturday<br />
night show is an up-beat music program featuring<br />
Australia's finest 'turntablists'.<br />
In <strong>2002</strong>-<strong>03</strong>, Alchemy featured a variety of stories that<br />
challenged common perceptions and offered different<br />
perspectives. These included: the civil war in Aceh<br />
through the eyes and music of an Indonesian punk<br />
artist; a behaviour modification centre in Jamaica for<br />
rampaging rich kids from the US; the repellent<br />
qualities on young people of classical music played at<br />
train stations; and lomography, an underground trend<br />
in photography, which is redefining the meaning of<br />
photographic art.<br />
A major initiative was Alchemy's partnership with the<br />
national youth festival NOISE and the joint presentation<br />
of Sonic Allsorts, a competition that profiled young<br />
creative artists who produce modern music in<br />
languages other than English.<br />
Alchemy joined the Womadelaide Festival,<br />
presenting WoZone, an event that explored the<br />
hybrid forms of modern world music. WoZone was<br />
simulcast nationally on Alchemy. The young<br />
broadcasters presented Alchemy live during outside<br />
broadcasts at Sydney's Royal Easter Show and also<br />
at Melbourne's Fringe Festival. Also in Melbourne, in<br />
cooperation with the Australian Centre for the Moving<br />
Image, Alchemy organized Skylab, transforming the<br />
Federation Square Plaza into a digital world of live<br />
cinema and music.<br />
Youth forums, held in SBS Radio's Sydney and<br />
Melbourne production centres, were attended by<br />
60 young broadcasters who received special training<br />
for the production of regular segments for Alchemy.<br />
Sport<br />
Major sporting events were covered during the year,<br />
including the Commonwealth Games in Manchester,<br />
Wimbledon, the Australian Open Tennis, the Australian<br />
Grand Prix, the French Rugby team's Australian tour<br />
and the Cricket World Cup matches in Zimbabwe.
RADIO ONLINE<br />
All SBS Radio broadcasts can now be heard over the<br />
Internet throughout the world. A joint effort between<br />
New Media and Radio developed a system for the<br />
computerised capture and storage of SBS Radio<br />
programs for later listening on the web, using Real<br />
Audio technology.<br />
By the end of February, the Streaming Radio project<br />
had captured all 68 SBS Radio languages in 72<br />
program streams with 230 program refreshes per<br />
week. Each program is stored for replay until<br />
replaced by the next edition of the program. In the<br />
case of twice-daily programs, both programs are<br />
stored until superseded.<br />
As well as the automatic replay of Radio programs<br />
over the Internet, individual features and segments<br />
are made available on the SBS website for longer<br />
periods. Broadcasters load approximately 1,000<br />
items per month.<br />
RADIOATHONS<br />
SBS Radio continued its fundraising with a number<br />
of successful radioathons. More than 25 language<br />
groups participated in radioathons and associated<br />
fundraising and secured pledges of more than<br />
$275,000 for community projects in Cambodia,<br />
road building in Armenia, relief work in Iraq, cataract<br />
treatment in Vietnam, cultural maintenance in Croatia,<br />
flood relief in Sri Lanka and funding support to the<br />
Refugee Council of Australia. Over the past six years,<br />
SBS Radio has helped to raise almost $5.5 million for<br />
a range of community development projects and<br />
disaster relief work in Australia and overseas.<br />
OUTSIDE BROADCASTING<br />
RADIO | 35<br />
During <strong>2002</strong>-<strong>03</strong>, SBS Radio staged 85 outside<br />
broadcasts around Australia. As well as using the<br />
two outside broadcast units based in Sydney and<br />
Melbourne, SBS Radio participated in a number of<br />
festivals and celebrations interstate, including the<br />
Royal Hobart Show, 'Queensland Week' celebrations<br />
in Brisbane and the Adelaide Festival. A team from<br />
Sydney also travelled to Young for the annual Cherry<br />
Festival to promote SBS Radio in the region and to<br />
discuss further expansion of the radio signal via the<br />
self-help scheme.
36 | RADIO<br />
SBS Radio Outside Broadcasts<br />
JULY<br />
Why Learn German?' forum, LaTrobe University, Melbourne<br />
AUGUST<br />
India Fair, Fairfield Showgrounds, Sydney<br />
China/Australia Day, Darling Harbour, Sydney<br />
Uruguayan Festival, Fairfield Showgrounds, Sydney<br />
Polish Festival, Bankstown, Sydney<br />
'Why Learn Korean, Indonesian and Chinese Languages?'<br />
forum, LaTrobe University, Melbourne<br />
Why Learn Japanese? forum, LaTrobe University, Melbourne<br />
SEPTEMBER<br />
'Why Learn Greek?' forum, LaTrobe University, Melbourne<br />
Brazilian Festival, Darling Harbour, Sydney<br />
Multicultural Children's Festival, Bankstown, Sydney<br />
Eurofest, Frenchs Forest, Sydney<br />
Viva La Gong, Wollongong, NSW<br />
Lebanese Day Celebrations, Darling Harbour, Sydney<br />
Multicultural Festival, Auburn, Sydney<br />
Melbourne Fringe Festival, Fitzroy, Melbourne<br />
Moon Lantern Festival, North Richmond, Melbourne<br />
Royal Melbourne Show, Melbourne Showgrounds, Melbourne<br />
OCTOBER<br />
Khmer Ancestor Festival, at Khemaraingsaram Temple, Bonnyrigg, Sydney<br />
Filipino Fiesta, Bankstown Paceway, Sydney<br />
Enthronement of Bishop, Arabic Coptic Church, Sydney<br />
Refugees' Week, Blacktown, Sydney<br />
Royal Hobart Show, Glenorchy, Hobart<br />
Hobart City Mall, Hobart<br />
Salamanca Markets, Hobart<br />
Turkish Australia Day, Broadmeadows, Melbourne<br />
Oktoberfest, Melbourne Showgrounds, Melbourne<br />
Sovereign Hill Rush for Gold Festival, Ballarat, Victoria<br />
Lygon Street Festival, Carlton, Melbourne<br />
Melbourne International Festival, Southbank, Melbourne<br />
NOVEMBER<br />
Fisher's Ghost, Campbelltown, NSW<br />
Boorowa Street Shopping Centre, Young, NSW<br />
Cherry Festival Fair, Carrington Park, Young, NSW<br />
Wangaratta Jazz Festival, Wangaratta, Victoria<br />
Port Philip Community Festival, East St Kilda, Melbourne<br />
Australian Thai Festival, Prahran, Victoria<br />
Beechworth Celtic Festival, Beechworth, Victoria<br />
Hispanic Fiesta, Fitzroy, Victoria<br />
Big West Festival - People's Day, Maribyrnong River, Victoria<br />
Sacred Kingfisher Festival, CERES Community Environment Park, Victoria<br />
DECEMBER<br />
Commemoration marking the 70th anniversary of the famine in Ukraine, Canberra<br />
FECCA Conference, Canberra<br />
French Language School, Telopea, Canberra<br />
City Walk, Canberra<br />
DECEMBER CONT...<br />
Sakyamuni Buddhist Temple, Canberra<br />
Vietnamese Language School, Canberra<br />
Filipino Musical Competition, Parramatta, NSW<br />
Monsalvat National Poets Festival, Eltham, Victoria<br />
Philippine Fiesta, Laverton, Victoria<br />
Scandinavian Christmas Bazaar, Swedish Church, Toorak, Melbourne<br />
JANUARY<br />
Epiphany Festival, La Perouse, Sydney<br />
Chinese New Year, Chinatown, Sydney<br />
Australia Day Celebrations, Tumbalong Park, Darling Harbour, Sydney<br />
Tamil Festival, Pendle Hill, Sydney<br />
Vietnamese New Year Tet Festival, Buddhist Phuoc Hue Temple,<br />
Wetherill Park, Sydney<br />
Lunar New Year, Richmond, Melbourne<br />
Vietnamese New Year Tet Festival, Docklands, Melbourne<br />
Australia Day, Federation Square, Melbourne<br />
Chinese New Year Festival and Flower Show, Box Hill, Melbourne<br />
FEBRUARY<br />
Vietnamese New Year, Warwick Farm, Sydney<br />
Canberra Multicultural Festival, Citywalk, Canberra<br />
Chinatown New Year Celebrations, Little Bourke Street, Melbourne<br />
Sustainable Living Festival, Federation Square, Melbourne<br />
Armenian Festival, Darling Harbour, Sydney<br />
MARCH<br />
Little Portugal Festival, Petersham, Sydney<br />
Indo-Fijian Street Festival, Liverpool, Sydney<br />
Greek Glendi Festival, Brighton Le Sands, Sydney<br />
Indonesian Festival, Darling Harbour, Sydney<br />
Womadelaide, Adelaide<br />
'In One Voice' Jewish Festival, Caulfield Park, Melbourne<br />
Federation Square Relocation, Federation Square, Melbourne<br />
Glendi Festival, Lonsdale Street, Melbourne<br />
Melbourne Food and Wine Festival, Federation Square, Melbourne<br />
APRIL<br />
Bengali Festival, Burwood, Sydney<br />
Royal Easter Show, Homebush, Sydney<br />
MAY<br />
Chestnut Festival, Marconi Club, Sydney<br />
Buddha's Birthday, Chinese Gardens, Darling Harbour, Sydney<br />
Portuguese Province Festival, Marrickville, Sydney<br />
JUNE<br />
Italian National Day, Circular Quay, Sydney<br />
Spanish Centre, Brisbane<br />
Queen Street Mall, Brisbane<br />
Italian Ball, Hilton Hotel, Brisbane<br />
Queensland Day Celebrations, Parliament House, Brisbane<br />
South Bank, Brisbane<br />
Japan Day, Box Hill, Melbourne
RESCHEDULING<br />
AND PROGRAM DEVELOPMENT<br />
By year’s end, SBS Radio was poised to launch its<br />
new program schedule, the first major re-allocation<br />
since 1994. Based on the 2001 National Population<br />
and Housing Census, the new schedule will introduce<br />
one-hour programs for Malay, Somali, Amharic and<br />
Nepalese speakers. All four communities had grown<br />
significantly and had serious information and<br />
education needs.<br />
SBS Radio was forced to cease broadcasting four<br />
other languages – Irish Gaelic, Scottish Gaelic, Welsh<br />
and Belarusian – where the numbers of speakers in<br />
Australia were now few and their information and<br />
education needs less acute.<br />
The changes followed one of the most extensive<br />
consultations ever undertaken by an Australian media<br />
organisation with its listening communities. The<br />
project team met more than 1,000 representatives<br />
from community organisations, umbrella bodies,<br />
service agencies and political leaders nationwide.<br />
The SBS Chairman, Carla Zampatti, the Managing<br />
Director, Nigel Milan, and other Board directors joined<br />
some of the consultations that were organised in all<br />
the state and territory capitals in partnership with the<br />
relevant ethnic or multicultural councils.<br />
The new schedules correct some inequities by giving<br />
one additional hour each to the Cantonese, Mandarin,<br />
Hindi, Filipino and Arabic (Melbourne-only) language<br />
communities. But because SBS Radio had no<br />
additional airtime to accommodate increased hours<br />
for these rapidly growing communities, Maltese,<br />
Portuguese, Yiddish, Turkish (Melbourne-only) and<br />
Hebrew were reduced by one hour each. Finnish lost<br />
one of its two national programs.<br />
RADIO | 37<br />
In order to keep abreast of audience demands, SBS<br />
Radio commenced a major review of programs to its<br />
largest listening communities with a view to revitalising<br />
program formats.<br />
Programming support, provided by the Radio<br />
Resource Centres in Sydney and Melbourne, included<br />
comprehensive lists of Internet websites as well as<br />
music, books, magazines and other multimedia<br />
materials. Between them, the two centres loan<br />
approximately 50,000 items each year.<br />
AUDIENCE RESEARCH<br />
By year’s end, SBS Radio was awaiting the results<br />
of the next round of audience polls of its listening<br />
communities; the first re-surveys in German, Spanish,<br />
Maltese, Polish and Korean.<br />
Since 1996, SBS Radio has commissioned McNair<br />
Research, formerly Quadrant Research, to conduct 51<br />
telephone surveys, involving 20,000 people. The<br />
surveys are probably the most intensive and extensive<br />
independent listening surveys conducted by any<br />
broadcaster in Australia. They are conducted in<br />
languages other than English with those households<br />
where the languages under review are spoken. In<br />
2001-02, SBS commenced re-surveying the major<br />
language communities, enabling SBS to monitor the<br />
effectiveness of improvements made to individual<br />
programs.<br />
Through its outside broadcasts, listener talkback<br />
programs, and telephoned comments, SBS Radio<br />
gains many valuable insights into the effectiveness<br />
and relevance of its programs.
38 | RADIO<br />
SPECIAL SERVICES<br />
During the year, SBS Radio continued to provide<br />
in-language community announcements and editorial<br />
segments to promote the services of health and<br />
disability agencies.<br />
SBS Radio produces for broadcast the Homereach<br />
multilingual information service segments that provide<br />
key information to housebound people and their<br />
carers. A special Homereach steering committee<br />
consisting of relevant government and nongovernment<br />
service providers select the content and<br />
the target languages for the series. In <strong>2002</strong>-<strong>03</strong>, the<br />
Homereach series targeted 10 languages – Turkish,<br />
Mandarin, Cantonese, Polish, Tongan, Arabic, Punjabi,<br />
Indonesian, Italian and Maltese.<br />
SBS Radio was also commissioned by the<br />
Transcultural Mental Health Centre of NSW to produce<br />
a series of information segments in nine languages –<br />
Arabic, Cantonese, Mandarin, Vietnamese, Spanish,<br />
Turkish, Hindi, Persian and Filipino. The series aired on<br />
SBS Radio between November and December <strong>2002</strong>.<br />
NEW TECHNOLOGY<br />
The biggest technological task for SBS Radio<br />
was building new studios and associated technical<br />
facilities at Federation Square. The new station<br />
has access to four satellite dishes to receive news<br />
broadcasts from overseas. The satellite dishes receive<br />
signals from Optus B3, AsiaSat 2, Thaicom and<br />
PanAmSat 2. Plans were finalised for a microwave link<br />
to send program signals from the studios directly to<br />
the FM transmitter site on Mount Dandenong.<br />
The studios and teledubbing booths in Melbourne<br />
have been installed with digital mixers and audio<br />
recording, storing, editing and play-out are all done<br />
digitally. A new digital switcher had been installed<br />
to route output from the studios to the AM and<br />
FM transmitters. The Sydney Station is now being<br />
similarly equipped.<br />
The operating system for the Netia digital audio server<br />
was upgraded, and both the database software and<br />
storage capacities of the servers expanded. Automatic<br />
satellite broadcast recording into the Netia system is<br />
being installed to record overnight feeds, and tests<br />
have begun on a remote automatic dial-in recording<br />
system which allows journalists to dial in and record<br />
reports directly into the Netia system. In addition. new<br />
telephone talkback systems using ISDN were installed<br />
in both production centres.
RADIO TRANSMISSION<br />
SBS directly operates 13 radio transmitters through<br />
contracts with Broadcast Australia. The five-signal<br />
network includes AM and FM services in Sydney and<br />
Melbourne and the national signal services every state<br />
and territory capital as well as several regional<br />
centres. Self-help transmitters bring SBS Radio to<br />
Young, Wagga Wagga and Bathurst.<br />
AWARDS<br />
SBS Radio’s first Walkley Award, which won the Best<br />
Radio Feature Documentary or Broadcast Special<br />
award, was presented to the Arabic language<br />
program’s Ghassan Nakhoul for his documentary,<br />
The Five Mysteries of SIEV X. It is the first Walkley<br />
ever awarded for a documentary in a language other<br />
than English.<br />
Sydney Greek language broadcaster/journalist,<br />
George Diamandoulis, received an award for the Best<br />
Radio <strong>Report</strong> by a Greek journalist abroad for<br />
a segment on the Greek youth program.<br />
The National Newsroom’s Sacha Payne won the<br />
prestigious John Douglas Pringle Award for a<br />
proposal for a series of stories comparing Britain’s<br />
treatment of refugees with Australia’s. As part of her<br />
prize, Sacha was to travel to the United Kingdom to<br />
research and collect material for her series.<br />
RADIO | 39<br />
Her colleague, Cathy Harper, won the Victoria Law<br />
Foundation’s prize for the best report in the<br />
multicultural media for her story on the legal<br />
ramifications of Australia joining the war against Iraq.<br />
Daniele Kemp, of the French language group, won<br />
first prize at the 14th Grand Prix International De La<br />
Radio Competition with her entry The Little History of<br />
Laughter, while May Hu of the Mandarin language<br />
group won the National Radio category of the Older<br />
People Speak Out (OPSO) Awards. Broadcaster Maila<br />
Taimre was awarded a White Star by the Estonian<br />
Government for her services to the Estonian people.<br />
SBS Radio was presented with an Award for<br />
Excellence in Broadcasting and <strong>Report</strong>ing on Women’s<br />
Issues in <strong>2002</strong> by the Ukrainian Women’s Association.<br />
The Vietnamese language program received an award<br />
from the Vietnamese Community in Australia (NSW<br />
Chapter) for its outstanding service to the community.
40 | RADIO<br />
Ayse Kemikoglu’s Turkish language<br />
program is one of 67 non-English<br />
language programs broadcast on<br />
SBS Radio.<br />
Michael Kenny is one of the SBS<br />
Radio’s team of news journalists whose<br />
job it is to compile updated news items,<br />
features and analysis of national and<br />
international news stories.<br />
Senior Journalist, Ron Sutton, confers<br />
with Turkish language broadcaster,<br />
Ayse Kemikoglu. Each year, more<br />
than 20,000 news stories are available<br />
on the computerised network.<br />
At the main desk of SBS Radio’s<br />
newsroom, Senior Journalist, Jodee<br />
Rogoff and her colleague, Michael Kenny,<br />
discuss the day’s main stories. Instead of<br />
a single bulletin, the newsrooms in<br />
Sydney and Melbourne maintain a<br />
continually updated news service.
SBS RADIO NEWS<br />
AND CURRENT AFFAIRS<br />
SBS Radio News is unlike other bureaus. It’s not<br />
focused on compiling a five-minute bulletin each hour,<br />
on the hour. Instead, it’s a service area for the 67<br />
non-English languages that make up SBS Radio.<br />
Seven days a week, 24 hours a day, SBS Radio news<br />
– with bureaus in Sydney and Melbourne – continually<br />
add and refresh national and international news items,<br />
features, background information and other material<br />
into a computerised network. It’s from here that the<br />
individual language groups can choose those items<br />
of interest to them and their listeners. In <strong>2002</strong>-<strong>03</strong>, the<br />
newsroom produced about 20,000 news stories as<br />
well as an average 45 features per month.<br />
The emphasis is on Australian news and major<br />
overseas stories. It makes sense to provide a general<br />
overview of national and international developments,<br />
and to leave country-specific or local community<br />
analysis to SBS Radio’s trained<br />
broadcaster/journalists. After all, a Greek-speaking<br />
broadcaster will have a better notion of the main<br />
stories in Greece, and what would interest their<br />
audience, than a journalist born and raised in<br />
Australia.<br />
Every language group is obligated to provide a<br />
news bulletin in each of their one-hour programs,<br />
although the length of the bulletin and the subject<br />
matters covered are left to the discretion of the<br />
program makers. Routinely, the language groups tend<br />
to handle their own homeland and community news<br />
unless the story is of general interest to all.<br />
CONTINUES...<br />
RADIO | 41<br />
12:30<br />
12:31 13:01 13:45
42 | RADIO<br />
This frees up the newsroom to pursue its other major<br />
obligation to language groups: background features<br />
and analysis. These require much more time to<br />
research, compile and write. The subjects can range<br />
from an in-depth analysis of the latest news stories,<br />
to the history of Australia or a country currently in<br />
the headlines.<br />
Over time, these features have secured a number<br />
of diverse awards for SBS Radio News, ranging<br />
from legal awards for explaining the legal issues<br />
surrounding asylum seekers, to awards for promoting<br />
understanding of conflict resolution.<br />
For most SBS Radio listeners, English is not their<br />
mother tongue and so the news bulletins and features<br />
have to be written in clear and precise terms, free<br />
of phrases or terminology in the Australian vernacular<br />
that could confuse listeners. The obligation on the<br />
Newsroom journalists is to get it right, and write it<br />
clearly, every time.<br />
Many of these features, as well as English language<br />
news bulletins and updates, are presented twice daily<br />
on the World View program. During <strong>2002</strong>-<strong>03</strong>,<br />
World View broadcast more than 1,800 reports on<br />
international and national political developments as well<br />
as economic and social matters and sporting events.<br />
In June 20<strong>03</strong>, World View introduced a revamped<br />
format, concentrating on multicultural features with<br />
each hour-long program made up of roughly four<br />
equal segments. Beginning with a bulletin of national<br />
and international news, the follow-up features vary<br />
each weekday.<br />
Mondays include current affairs and reports from SBS<br />
Radio’s interstate correspondents; international sports<br />
coverage on Sportsview; and a news feature;<br />
Tuesdays include news features and an exploration<br />
into issues of cultural identity and mores called<br />
What is...?;<br />
Wednesdays include anniversary or special<br />
commemoration features, conversations with a<br />
notable author, and an Audio Postcard from SBS<br />
Radio language broadcasters;<br />
Thursday’s line up alternates from one week to<br />
the next. Cultural Footprints is a fortnightly exploration<br />
of the impact of migration on the immigrants and the<br />
country. Every second week, a feature on a significant<br />
moment in the history of Australian settlement is<br />
broadcast. On other weeks, an English language<br />
documentary from Radio Netherlands provides a<br />
global perspective on immigration matters. A regular<br />
feature, Distant Relations, is an on-air conversation<br />
between non-English speaking residents in the city<br />
and the country. A business analysis program is<br />
another regular feature.<br />
Fridays are devoted to reports from overseas<br />
correspondents, a preview of major international<br />
sporting events and a movie review segment with<br />
SBS Television’s Margaret Pomeranz.
OVERVIEW<br />
NEW MEDIA | 43<br />
NEW MEDIA<br />
SBS New Media delivered positive results across its three functions. Online audiences<br />
increased, attracted by the range and sophistication of original program content,<br />
interactive features and innovative enhancements. Diverse musical and artistic talent<br />
was nurtured, particularly for young Australians. The IT infrastructure was strengthened<br />
and Internet publishing tools improved and widely employed. And analogue and digital<br />
transmission were extended on schedule.
44 | NEW MEDIA<br />
SBS: ONLINE TO THE WORLD<br />
WORLD NEWS<br />
SBS's international news website is an all-media<br />
production. It both reflects and extends the entire<br />
news and current affairs output of the Corporation,<br />
with continuous text updates of news stories by<br />
dedicated online journalists, daily streaming video<br />
bulletins, current audio features and stories,<br />
multimedia archives and world weather information.<br />
The site includes English translations of the main<br />
news stories from nine contributing networks to SBS-<br />
TV's global news program, WorldWatch; SBS Radio<br />
features from the World View program; video and<br />
transcripts from Dateline and Insight; and SBS World<br />
News transcripts. As a convenient backgrounder to<br />
the world news, an online search facility of the<br />
current SBS World Guide (published in print each<br />
year) provides a comprehensive collection of facts<br />
and figures on all the countries of the world.<br />
www.theworldnews.com.au<br />
WORLD SOCCER<br />
One of Australia's most comprehensive and<br />
successful sports websites, the SBS soccer site<br />
builds on SBS Television's long-standing reputation<br />
for its unrivalled national and international soccer<br />
coverage. The site has particularly strong crosspromotional<br />
links to its television namesake, The<br />
World Game. Viewer polls, competitions and<br />
program highlights are regularly complemented<br />
online with additional information and multimedia<br />
content. Improvement of the website's technical<br />
infrastructure, to service the growing online<br />
audience, was a priority during the year.<br />
www.theworldgame.com.au<br />
WORLD CUISINE<br />
Australia's ever increasing feast of international food<br />
and wine, with a focus on local produce, provides<br />
the theme for this website. It acts as a reservoir of<br />
content from the long-running SBS TV series Food<br />
Lovers' Guide to Australia and Wine Lovers' Guide<br />
to Australia and A Fork in the Road. The site<br />
continues to expand its extensive database of recipes,<br />
food facts and feature articles. It has begun a series of<br />
thematic content and original research that intensively<br />
explores a single national cuisine every two months.<br />
www.theworldfeast.com.au<br />
WORLD ARTS<br />
The Arts in Focus website provides a directory of arts<br />
happenings around Australia, including exhibitions,<br />
event listings and profiles of people in the arts as<br />
well as details of all world arts programming from<br />
SBS Television. The site also provides access to a<br />
regular email newsletter.<br />
www.sbs.com.au/artsinfocus )<br />
MAJOR PROGRAM WEBSITES<br />
The Movie Show website celebrated six years as<br />
SBS's longest running program website with an everexpanding<br />
repository of movie reviews, trailers, audio<br />
interviews and features. Flagship current affairs<br />
programs, Dateline and Insight were supported<br />
online with downloadable transcripts and lively<br />
discussion forums. The functionality of digital<br />
publishing system within SBS has been improved<br />
to the extent that sophisticated websites can be<br />
routinely designed and produced to complement all<br />
major productions such as Pizza, Life Support,<br />
Subsonics and Mum's the Word which included<br />
weekly live chat with program guests. Radio programs<br />
are also supported online with the capacity to stream<br />
audio in all 68 languages broadcast by SBS Radio.
PROGRAM SITES AND SERVICES<br />
In November <strong>2002</strong>, SBS New Media published the<br />
13th and final edition of a weekly online news and<br />
entertainment weekly magazine, TwentyFourSeven.<br />
The online publication enjoyed a name and a<br />
publishing life in parallel with the fictitious magazine<br />
featured in the 13-part drama on SBS Television.<br />
Each week, the topical issues driving the television<br />
plot became the online cover stories, supplemented<br />
with regular features, editorial pieces, readers' letters<br />
and, to complete the interactive loop, a viewers' poll<br />
on the direction of the plot for the following week's TV<br />
episode. The series was an intensive and innovative<br />
exercise in cross-platform production, crosspromotion<br />
and interactivity.<br />
SBS SERVICES ONLINE<br />
SBS's Marketing services gained new online facilities.<br />
An SBSin website, designed for media buyer and<br />
advertising agency usage, provides comprehensive<br />
information to facilitate sponsorship and advertising<br />
sales. Central access points were also created for all<br />
online merchandising, and for program sales activity<br />
and enquiries.<br />
During <strong>2002</strong>-<strong>03</strong>, new internal online services were<br />
introduced: SBS Independent implemented a<br />
complex workflow tracking system to monitor the<br />
progress of all projects from submission stage<br />
through to commissioning, budgeting and<br />
completion; and SBS Human Resources launched<br />
the HR Kiosk, an online self-service information<br />
system for SBS staff to access and use payroll and<br />
leave information.<br />
NEW MEDIA | 45<br />
SBS YOUTH SITES<br />
Whatever<br />
The Whatever website is a multimedia warehouse of<br />
new and diverse music, writing and interactive<br />
features. It is one of many new media initiatives<br />
dedicated to incubating emerging talent and<br />
connecting with youthful audiences. The Whatever<br />
site became the platform for launching the Whatever<br />
Music project that showcased young, emerging,<br />
Australian musicians. A series of live performances in<br />
Melbourne, culminated in the release of a double CD<br />
The Whatever Sessions with Universal Music in<br />
March 20<strong>03</strong>. A second phase was launched in <strong>2002</strong>-<br />
<strong>03</strong> and began with a national callout for young<br />
musical talent to record in the SBS studios in<br />
Melbourne and Sydney.<br />
Cornerfold<br />
This online monthly magazine offered Australian 'zine'<br />
makers the opportunity to work with new media<br />
designers on the production of original multimediarich<br />
fiction, comics, photo essays, and memoirs. The<br />
nine issues of Cornerfold had a different theme, and<br />
all commissioned contributions were given a unique<br />
new media design treatment using Flash animation<br />
or Quicktime video. The magazine offered a<br />
community forum for discussion between the<br />
contributing artists and their audience.<br />
Visit: www.sbs.com.au/ movieshow,<br />
www.sbs.com.au/ pizza, www.sbs.com.au/ dateline,<br />
www.sbs.com.au/ insight, www.sbs.com.au/ radio,<br />
www.sbs.com.au/ sbsin, www.sbs.com.au/ sbsshop
46 | NEW MEDIA<br />
YOUTH AUDIENCES<br />
The South Park website is an example of the essential<br />
online support and promotion that is regularly<br />
required to complement television programs aimed<br />
at a youth audience. The Alchemy website is targeted<br />
at a similar youth audience, in this case young<br />
listeners to SBS Radio's late night radio program,<br />
Alchemy. Its mix of international music, talk, arts<br />
and events is supported by the website's audience<br />
feedback. It is also a platform for SBS's involvement<br />
in annual Noise Festival projects.<br />
Visit: www.sbs.com.au/whatever<br />
www.sbs.com.au/cornerfold<br />
www.sbs.com.au/alchemy<br />
www.sbs.com.au/southpark<br />
IN PRODUCTION<br />
My Space is an Amazing Place<br />
This collaborative project with the South Australian<br />
Film Corporation was announced in April 20<strong>03</strong>. The<br />
project will enhance the professional development<br />
of nine new media practitioners in a production lab<br />
in Adelaide over 20 weeks, resulting in a series of<br />
innovative works for both television and the web.<br />
Each work will be a personal tour of special spaces<br />
– a town, suburb, street, room, head space – from<br />
men, women and children around Australia. The<br />
successful young participants will have a range of<br />
skills including writing, directing, camera operating,<br />
sound recording, photography, editing, animating,<br />
sound mixing, composing, flash designing, flash<br />
programming, web designing, web programming<br />
and writing html. They will work collaboratively to<br />
share knowledge skills and to explore new forms of<br />
interactivity in story telling.<br />
Animaterratica<br />
The Animaterratica project will use a collection of folk<br />
tales, sourced from Australia's ethnic communities,<br />
as the inspiration for a series of 20 short and<br />
stylistically diverse animations. A website will present<br />
the animations, voiced both in English and the<br />
original language, and will showcase the talents<br />
of young, emerging animators, and multimedia and<br />
games creators. The project began in early 20<strong>03</strong> and<br />
is the third major initiative in the SBS–Film Victoria New<br />
Media Funding Accord. Animaterratica's engaging<br />
multicultural stories will appeal to a wide television<br />
audience and to online education audiences nationally<br />
and internationally.<br />
Visit: www.sbs.com.au/myspace,<br />
www.sbs.com.au/animaterratica<br />
INFORMATION SYSTEMS AND RESOURCES<br />
The Resources Group of the New Media Division<br />
responded to the IT needs of all users through a<br />
team of business analysts and the Computer Help<br />
Desk service. The Systems Group maintained the<br />
SBS computing network and associated media<br />
systems, and provided programming expertise<br />
for digital publishing developments. After one year<br />
of operation, the Division's formal project management<br />
system had helped improve corporate efficiency.<br />
Day-to-day IT operations were supplemented<br />
by the management of more than 20 client-initiated<br />
development projects. The major projects are<br />
as follows:<br />
New Technology in News and Current Affairs<br />
New Media and Television staff extensively trialled<br />
the introduction of non-linear editing to the newsroom.<br />
The trial allows both New Media and newsroom staff<br />
to gain experience with various systems, live at the<br />
desktop. New Media staff and journalists also<br />
worked together to test and select a suitable Satellite<br />
News Gathering technology (SNG) for use in SBS.
New Systems for Media Production<br />
New Media worked with SBS Radio management<br />
and broadcasters to facilitate online audio streaming<br />
of the 68 language radio programs. All programs are<br />
now automatically streamed to the web. A tool was<br />
designed for Radio Operations to control the<br />
process in the event of schedule changes.<br />
A new audio upload tool provides an efficient way for<br />
stringers (casual reporters) to deliver inclusions to<br />
radio programming from remote locations. This<br />
facility was extended to assist with subtitling, and is<br />
now used for the distribution of audio extracts of<br />
movies or documentaries to external subtitlers for<br />
translation.<br />
The Pilat IBMS TV System went live in September<br />
<strong>2002</strong> to users in SBS Television's core business<br />
areas – Program Puchasing, Programming,<br />
Subtitling, Library and Publicity – as well as TV<br />
Production, SBS Independent and Sport.<br />
The relocation of SBS in Melbourne to Federation<br />
Square required complex coordination between all<br />
divisions. New Media relocated all computing<br />
services on schedule over the course of one<br />
weekend with no adverse impact on broadcast<br />
activities.<br />
SBS's digital multichannel, SBS Essential, combines<br />
international news headlines, weather, and SBS<br />
program information. In April, SBS commissioned<br />
new computer applications to fully automate the<br />
process for continuous updating of SBS Essential<br />
content.<br />
Information Management<br />
A number of infrastructure projects were instituted to<br />
meet the growth in Internet delivered services as well<br />
as the demand for SBS-hosted websites. The<br />
Computing Helpdesk was reorganised and handled<br />
8,000 calls during the year.<br />
In other developments: access was increased to the<br />
Telemonitor Rating systems and ratings data was<br />
made available to all staff via the SBS Intranet; the<br />
Internet requisitioning capabilities of the Oracle<br />
NEW MEDIA | 47<br />
Financials system was expanded; and systems and<br />
information security practices were improved.<br />
Transmission services<br />
The Transmission Services Group remained in<br />
regular contact with the Department of Information<br />
Technology and the Arts and other department and<br />
industry stakeholders as part of its coordinated<br />
financial and logistical management of SBS's<br />
broadcast distribution networks.<br />
A Managed Distribution Services Agreement was<br />
signed with Optus. This provides satellite distribution<br />
of our digital television service using Queensland<br />
and National beams currently, with the addition of<br />
South Australia and Western Australia beams in the<br />
future. (For analogue, digital and self-help<br />
transmission details see pages 26-27)<br />
New Technology<br />
In <strong>2002</strong>-<strong>03</strong>, the Transmission Services Group<br />
designed and commenced construction of a digital<br />
television research and development facility. This<br />
laboratory will allow SBS to investigate the potential<br />
of interactive television on both free-to-air and pay<br />
television platforms; explore options for SBS<br />
retransmission over cable and satellite digital<br />
networks; and examine innovative uses of digital<br />
television technology. Using this facility, the single<br />
frequency network capabilities of set-top boxes and<br />
integrated digital televisions will be examined.<br />
The Group engineered an interactive television<br />
application for the Austar digital satellite service<br />
involving The World Game television program and<br />
content and design features from the program's<br />
complementary website www.theworldgame.com.au.<br />
The Group also worked with SBS Radio to develop a<br />
low-power FM transmission facility for use by SBS<br />
Radio's outside broadcast vans.
48 | NEW MEDIA<br />
Vassil Malandris is responsible for the<br />
production, filming and editing of the daily<br />
World News Online bulletin that features<br />
prominently on the SBS website.<br />
It’s the job of Murray Cox to gather SBS’s many<br />
sources of news – text, audio and video – and<br />
compile concise bulletins for publication on the<br />
World News website.<br />
In the newsroom, Valerio Veo checks the script<br />
he’s about to record for the latest edition of the<br />
World News Online. Soon afterwards, it’s<br />
uploaded on the SBS website.
THE WORLD NEWS ONLINE<br />
www.theworldnews.com.au<br />
The comprehensive world news website combines the<br />
individual journalistic and technical resources of SBS<br />
Television, SBS Radio and SBS Online to deliver a<br />
unique cross-media news resource.<br />
Concentrating on international news reports and<br />
analysis, the World News website streams video and<br />
audio news bulletins and current affairs features,<br />
publishes regularly updated reports on breaking news,<br />
and carries exclusive English language news<br />
translations from nine overseas TV broadcasters as<br />
well as access to multimedia archives, news<br />
transcripts, and world weather information.<br />
SBS Television's World News Online team and<br />
journalists from SBS Radio deliver content to the site<br />
through self-publishing tools developed by SBS New<br />
Media.<br />
To compile the four-minute World News Online video<br />
bulletin, the small team of World News journalists<br />
check the overnight 'wire' stories from Reuters,<br />
Associated Press, Agence France Press, the<br />
international press, and satellite video feeds from<br />
major global networks and overseas broadcasters.<br />
Once all available material is assessed, and a lead<br />
'package' is chosen, a team member then writes the<br />
audio scripts that accompany the on-screen vision.<br />
Other sound 'grabs' and another short 'package' are<br />
compiled and the items are edited at the new 'Intails'<br />
facility in the newsroom. The online chief editor subs<br />
the scripts and supervises the finished bulletin which<br />
is then read to camera in the news room.<br />
CONTINUES...<br />
NEW MEDIA | 49<br />
15:2515:50 16:00 16:20 16:45
50 | NEW MEDIA<br />
After that, the finished product is delivered to New<br />
Media for uploading to the SBS World News Online<br />
website by 9.30 am.<br />
The site is constantly updated to include the latest,<br />
breaking news stories. Its particular strength is its<br />
international outlook. The home page has been split<br />
into six geographical categories: Europe, Africa,<br />
Asia/Pacific, The Americas, the Middle East and<br />
National. This last section, which covers the major<br />
Australian news stories of the day, is supplied and<br />
regularly updated by the SBS Radio newsroom.<br />
It's a flexible structure designed by the SBS online<br />
team to accommodate expanded coverage of major<br />
news events. For example, the website inserted a<br />
specific Iraq War site during the height of the conflict<br />
when demand for immediate news updates was<br />
greatest. The expanded volume of information – in<br />
text, audio and video – lifted the number of 'hits' to<br />
the site and the audience has been maintained.<br />
For subscribers, a daily emailed copy of the News<br />
Headlines is available, and the 'Your Say' click-through<br />
invites audience feedback about current events.<br />
Exclusive to the website are transcripts of the major<br />
news stories carried by nine of SBS's television news<br />
partners from around the globe. These daily bulletins<br />
– beamed by satellite to SBS from Greece, Germany,<br />
France, Spain, Russia, Italy, China, Indonesia and<br />
Japan – are broadcast on the Network's WorldWatch<br />
schedule. It's a unique service, offering a very<br />
different perspective to international news<br />
developments and, at the same time allowing<br />
SBS to reach an even broader audience.<br />
Online transcripts are also available of the daily SBS<br />
World News program, as well as SBS's current<br />
affairs programs, Dateline and Insight, providing an<br />
archived reference outlet for these popular<br />
programs. Video downloads of Dateline and Insight<br />
are also provided. For additional, encyclopaedic<br />
information about countries and world events, the<br />
SBS website provides access to the comprehensive<br />
850-page SBS World Guide.<br />
Click onto the SBS Radio site and you can access<br />
audio streaming of scores of features spoken in nine<br />
of the major languages broadcast on SBS Radio –<br />
Arabic, Cantonese, French, Germany, Indonesian,<br />
Italian, Korean, Mandarin and Vietnamese.<br />
Elsewhere, another click lets you scroll down a list of<br />
all 68 languages broadcast by SBS Radio and<br />
enables you to listen, whenever you choose, to the<br />
latest hour-long broadcast of that particular program.<br />
Audio features can also be downloaded from SBS<br />
Radio's English language program, World View.
OVERVIEW<br />
BUSINESS | 51<br />
BUSINESS<br />
Revenue from advertising, program sales, merchandising and language services<br />
provided crucial additional funds to program making in <strong>2002</strong>-<strong>03</strong>. Gross revenue<br />
increased; a revised marketing strategy committed SBS to directly sell its programs on<br />
the national and international marketplace; the merchandising catalogue grew rapidly;<br />
and SBS's two specialist multilingual providers, SBS Language Services and SBS Radio<br />
Sales and Marketing, secured new clients in Australia and abroad.
52 | BUSINESS<br />
TELEVISION ADVERTISING AND<br />
SPONSORSHIP<br />
Gross revenue for Television Advertising and<br />
Sponsorship in <strong>2002</strong>-<strong>03</strong> was $21.8 million, a 14%<br />
increase over the previous year, excluding The<br />
World Cup, despite a continuing downturn in the<br />
advertising market.<br />
This excellent result was due in part to SBS's retention<br />
of key clients and the successful targeting of major<br />
new accounts. Seven of the top 10 clients were the<br />
same as last year – Toyota, Telstra, the Federal<br />
Government, the New South Wales and Victorian<br />
governments, Western Union and Mitsubishi. The<br />
three new additions to the top listing were Coles Myer<br />
Group, Vodafone and Lexus. The top 20 clients<br />
accounted for 60% of Television revenue – a lower<br />
percentage than in previous years, indicating the<br />
achievement of a broader customer base. (See<br />
Appendix 10 'SBS Television Sponsors' and Appendix<br />
11 'SBS Television Advertisers')<br />
During the year, SBS Marketing maintained its high<br />
industry profile with a revamped SBS Credential<br />
Presentation, including the latest research figures,<br />
animated features and embedded audio-visual clips.<br />
The online service, SBSin, which is specifically<br />
designed for and restricted to advertising media<br />
buyers, was augmented with new features and<br />
continued to provide a sophisticated information source<br />
to clients. The 24-page publication, What's On, also<br />
provides a comprehensive monthly SBS program<br />
guide to media buyers and selected advertising clients.<br />
Young advertising executives and media buyers were<br />
particularly attracted to programs such as Pizza, Life<br />
Support, John Safran's Music Jamboree and Quads.<br />
For the third successive year, SBS Marketing staged<br />
its well-received information seminar, Strategy Force.<br />
The daylong gathering, preceded by a keynote dinner<br />
speech, attracted a wide range of people from the<br />
advertising sector and other industries who listened<br />
to six speakers from diverse industry and<br />
professional backgrounds.<br />
SBS Marketing also developed a unique advertising<br />
market presentation drawn from the findings of<br />
an SBS commissioned national survey into<br />
multiculturalism. The 76-page report, Living Diversity –<br />
Australia's Multicultural Future, found widespread<br />
support for immigration, cultural diversity and<br />
multiculturalism in Australia. Its analysis of five<br />
language communities and a cross-section of<br />
Indigenous Australians provided SBS Marketing<br />
clients with valuable insights into the country's diverse<br />
ethnic makeup.<br />
LANGUAGE SERVICES<br />
SBS's multilingual service, which specialises in more<br />
than 60 languages for voice-overs, subtitling, renarration,<br />
re-captioning, translations and typesetting for<br />
print and web text, returned gross revenue exceeding<br />
$1.5 million. Among the services provided were:<br />
A 400,000-word translation – from English to French –<br />
for a leading Australian software developer. Language<br />
Services managed this project, involving 20 translators<br />
and checkers, over a four month period.<br />
Translation, re-voicing (narration and animated<br />
characters), title and subtitle preparation for 52 children's<br />
science programs for an international broadcaster.<br />
Subtitling seven documentaries in simplified Chinese<br />
for the fourth China Shanghai International Arts<br />
Festival <strong>2002</strong>.<br />
Translation and typesetting in 20 languages, for print<br />
and the web, for a government department.<br />
A 30,000-word translation and typesetting assignment<br />
from English to Chinese, for a global financial institution.<br />
Subtitle preparation for the Oscar nominated film,<br />
Hero, in three versions – English and traditional and<br />
simplified Chinese<br />
English subtitle preparation for Danny Deck Chair and<br />
Swimming Upstream; French subtitle preparation for<br />
Cracker Bag; and post production script and English<br />
subtitles for DVD for Dirty Deeds.
PROGRAM SALES<br />
The SBS Program Sales department manages the<br />
sale of SBS programs, including some SBS<br />
Independent productions, to television markets in<br />
Australia and overseas.<br />
During the year, in accordance with a revised<br />
marketing strategy, SBS decided it would directly<br />
sell its programs in the local and international<br />
marketplace. In addition, producers with productions<br />
sympathetic to SBS's Charter-driven programming<br />
were offered the opportunity to be included in the SBS<br />
program sales catalogue and to have SBS act as their<br />
distributor. To date, SBS Program Sales is the sales<br />
distributor for 17 individual producers.<br />
The SBS Program Sales web-based catalogue of titles<br />
www.sbs.com.au/programsales was launched in<br />
November <strong>2002</strong>. It has been promoted to an extensive<br />
list of over 600 program buyers around the world. In<br />
<strong>2002</strong>-<strong>03</strong>, this catalogue comprised 133 hours of<br />
programming sourced from local production and SBS<br />
Independent productions, primarily made up of<br />
documentaries as well as lifestyle, travel, and comedy.<br />
The SBS Program Sales department also manages<br />
'non-theatrical' and 'home' video and DVD distribution,<br />
stock footage sales and the sale of SBS English<br />
language subtitles and closed captions. SBS Program<br />
Sales increased its gross revenue to $757,773.<br />
SBS Independent programs acquired by SBS<br />
Program Sales for distribution were:<br />
Birth Rites<br />
Love & Anarchy – the Wild Wild World of Jaimie Leonarder<br />
Doing Dimboola<br />
The Habits of New Norcia<br />
Indonesia: Art, Activism and Rock 'n Roll<br />
Jane Elliott's Australian Eye<br />
The Secret Side of Me<br />
Seeking Asylum<br />
Sixty Thousand Barrels<br />
Tales from a Suitcase Series One<br />
Into the Dark<br />
Painting with Light in a Dark World<br />
Non-Theatrical Sales<br />
BUSINESS | 53<br />
SBS Program Sales has sold SBS produced or<br />
licensed programs for more than 10 years to the nontheatrical<br />
market (schools, tertiary institutions including<br />
universities and TAFE colleges, libraries and other<br />
government and non-government institutions) in<br />
Australia and New Zealand through its agent Marcom<br />
Projects - www.marcom.com.au<br />
The non-theatrical title releases in <strong>2002</strong>-<strong>03</strong> included:<br />
Empires: Queen Victoria's Empire<br />
Empires: Martin Luther<br />
Empires: The Kingdom of David<br />
Empires: Peter and Paul and the Christian Revolution<br />
Food Lovers' Guide to Australia Series Three<br />
Tales from a Suitcase – The Afghan Experience<br />
A Fork in Africa
54 | BUSINESS<br />
Home Video Sales<br />
SBS Program Sales holds the distribution rights to a<br />
number of SBS produced or broadcast programs<br />
that are distributed under the SBS Video brand<br />
through major retail outlets including Dymocks<br />
bookstores, ABC Shops, ABC Centres, department<br />
stores and independent video retailers and via SBS's<br />
Online shop, www.sbs.com.au/sbsshop<br />
Programs released to the home video market by<br />
SBS Program Sales during the year were:<br />
Empires: Islam<br />
Empires: Martin Luther<br />
Empires: Napoleon<br />
Empires: Peter and Paul and The Christian Revolution<br />
Empires: Queen Victoria's Empire<br />
Empires: The Greeks<br />
Empires: The Kingdom of David<br />
Empires: The Roman Empire In 1st Century<br />
Food Lovers' Guide To Australia Series 2 (re-release)<br />
Food Lovers' Guide To Australia Series 3<br />
The Celts<br />
The Sea Kingdoms<br />
SBS MERCHANDISING<br />
SBS Merchandising is SBS's retail arm which has<br />
developed a special relationship with the Dymocks<br />
bookstore chain as SBS's retail partner. SBS continues<br />
to build up its catalogue of program related, logolicensed<br />
products such as books, CDs and VHS and<br />
DVD videos that are sold nationwide through<br />
Dymocks and other book, video and music retailers.<br />
During the year, the revenue from SBS merchandise<br />
increased by 87%.<br />
SBS expanded its logo licensing relationships with a<br />
number of book and music publishers including<br />
Random House, Hardie Grant, Allen & Unwin,<br />
Universal Music, BMG, Petrol Records and Madman<br />
Entertainment whereby, for a fee, SBS licenses the<br />
use of its logo on products that are either program<br />
related or are sympathetic to the SBS Charter. In<br />
<strong>2002</strong>-<strong>03</strong>, SBS logo licences were given to 14 books,<br />
40 CDs and six videos.
SBS VIDEOS, BOOK AND CD CATALOGUE<br />
In <strong>2002</strong>-<strong>03</strong>, titles promoted or logo licensed by SBS<br />
Merchandising included:<br />
CDS<br />
Africa: The Greatest Songs Ever<br />
Argentina: The Greatest Songs Ever<br />
Art Of Andreas Scholl, The<br />
Art of Cecilia Bartoli, The<br />
Autumn Leaves (Double)<br />
Berlioz: The Damnation Of Faust (Double)<br />
Blues: The Greatest Moments Ever<br />
Brazil: The Greatest Songs Ever<br />
Britannia: A Musical Odyssey (Double)<br />
Café de Flore<br />
Celts, The: A Musical Odyssey (Double)<br />
Cetic Harmonies<br />
Christmas Around The World<br />
Classical; The Greatest Moments Ever<br />
Cuba 2: The Greatest Songs Ever<br />
Cuba: The Greatest Songs Ever<br />
Dreaming (Double)<br />
Four Seasons, The (4CD set)<br />
France: The Greatest Songs Ever<br />
Greece: The Greatest Songs Ever<br />
Ireland: The Greatest Songs Ever<br />
Italy: The Greatest Songs Ever<br />
VIDEOS<br />
A History Of Britain (DVD)<br />
Animated Leunig (VHS & DVD)<br />
Celts, The (VHS)<br />
Empires: Islam (VHS)<br />
Empires: Martin Luther (VHS)<br />
Empires: Napoleon (VHS)<br />
Empires: Peter & Paul & The Christian Revolution (VHS)<br />
Empires: Queen Victoria's Empire<br />
Empires: The Greeks (VHS)<br />
Empires: The Kingdom of David<br />
BOOKS<br />
A History Of Britain<br />
Culture Smart: China<br />
Culture Smart: France<br />
Culture Smart: Germany<br />
Culture Smart: India<br />
Culture Smart: Ireland<br />
Jamaica: The Greatest Songs Ever<br />
Karajan: The Definitive Collection (Double)<br />
Latin: The Greatest Moments Ever<br />
Mexico: The Greatest Songs Ever<br />
Napoleon: A Musical Odyssey (Double)<br />
New Year's Concert 20<strong>03</strong> (Double)<br />
Once Upon A Summertime (Double)<br />
Opera: The Greatest Moments Ever<br />
Passion: Music That Changed Our World (Double)<br />
Portrait Of Kiri Te Kanawa, A (Double)<br />
Portrait Of Sumi Jo, A (Double)<br />
Queer As Folk: Music From The Original Series<br />
Queer As Folk: The Second Season<br />
Queer As Folk: The Third Season (Double)<br />
Romans, The: A Musical Odyssey (Double)<br />
Sacred Songs - Placido Domingo<br />
SBS Whatever Sessions, The (Double)<br />
Silver Moon (Double)<br />
Spain: The Greatest Songs Ever<br />
Under The Stars - Bryn Terfel & Renee Fleming<br />
World Music From Celestial Harmonies (Double)<br />
Utopia (Double)<br />
BUSINESS | 55<br />
Food Lovers' Guide To Australia Series 2 (VHS)<br />
Food Lovers' Guide To Australia Series 3 (VHS)<br />
Height Of Passion (DVD)<br />
John Safran's Music Jamboree (DVD)<br />
Quads (DVD)<br />
Roman Empire In 1st Century, The (VHS)<br />
Sea Kingdoms, The (VHS)<br />
Tales from a Suitcase Series 2<br />
Tales from a Suitcase: The Afghan Experience<br />
Tonight (DVD)<br />
Under The Stars – Bryn Terfel & Renee Fleming (VHS & DVD)<br />
Culture Smart: Japan<br />
SBS Atlas Of Languages<br />
SBS Australian Almanac 20<strong>03</strong><br />
SBS Complete Encyclopaedia Of Soccer<br />
SBS World Guide 10th Edition<br />
Sea Kingdoms, The<br />
Tour de France: The Illustrated Centenary History
56 | BUSINESS<br />
RADIO SALES AND MARKETING<br />
SBS Radio Sales and Marketing returned gross<br />
revenue of almost $1.5 million in a difficult and<br />
competitive advertising environment, particularly from<br />
other non-English language radio stations.<br />
The Melbourne Sales and Marketing office of SBS<br />
Radio reported increased revenue in both the<br />
government and the corporate sectors during the<br />
year. It secured a key media sponsorship with<br />
Australians Against Child Abuse for its campaign<br />
'Every Child Is Important'. SBS Radio, as the exclusive<br />
radio sponsor for the multicultural element of the<br />
campaign, promoted key messages of the campaign<br />
to the targeted Arabic and Chinese communities on<br />
its national network. Another important partnership<br />
was SBS Radio's sponsorship of the 1st International<br />
Mental Health Development Conference that was held<br />
in Melbourne.<br />
Sydney Radio Sales and Marketing continued its<br />
sponsorship of the Office of Fair Trading 'NSW<br />
Consumer Protection Awards', which recognises<br />
groups or individuals for their consumer protection<br />
policies targeted at all Australians, including those<br />
from ethnic and indigenous communities. Following<br />
the implementation of a new strategic plan, SBS<br />
Radio Sydney has attracted new bookings from<br />
several major clients.<br />
SBS Radio continued its media sponsorship of<br />
Womadelaide 20<strong>03</strong> and Sydney's Royal Easter Show.<br />
Its sponsorship of the Greek, Italian and Spanish film<br />
festivals raised the profile of particular broadcasters<br />
through the screening of 30-second profiles and this<br />
was complemented by the development of new<br />
promotional material and merchandise. (See<br />
Appendix 12 'SBS Radio Advertisers')<br />
MULTILINGUAL SUBSCRIBER<br />
TELEVISION LIMITED (MSTL)<br />
MSTL, a wholly-owned subsidiary company of SBS,<br />
maintained its 40% shareholding in PAN TV Ltd. The<br />
other shareholders are Australian Capital Equity and<br />
Australian Provincial Newspapers. PAN TV produces a<br />
multilingual movie channel (the World Movies Channel)<br />
which is sold throughout the year to Australian pay TV<br />
operators Foxtel, Austar and Optus Vision.<br />
MSTL's current corporate plan identifies three key<br />
objectives. These relate to meeting the changing<br />
needs of Australian audiences, good resources<br />
management, and the need to continue to explore<br />
business activities relevant to the MSTL charter. MSTL<br />
continues to perform according to its objectives.
OVERVIEW<br />
CORPORATION | 57<br />
CORPORATION<br />
SBS embraces good corporate governance and accountability in the running of the<br />
Corporation. Internal mechanisms, including audits and comprehensive risk<br />
management procedures, are reinforced by cross-divisional planning and strong<br />
adherence to human resources policies and legislation. Externally, SBS provides<br />
considered and strategic contributions to government decision-making, industry forums<br />
and community events and consultations.
58 | CORPORATION<br />
CORPORATE<br />
GOVERNANCE FINANCE<br />
Financial Results <strong>2002</strong>-<strong>03</strong><br />
The Corporation and its controlled entity, Multilingual<br />
Subscriber Television Ltd, finished the <strong>2002</strong>-20<strong>03</strong><br />
financial year with a surplus of $1.388 million after<br />
capital use charge (0.8 % of available resources).<br />
Contributing to the surplus was a higher than<br />
budgeted result in advertising.<br />
The Corporation's total assets increased during the<br />
financial year from $188.810 million to $196.644 million.<br />
The majority of this increase related to non-financial<br />
assets which increased from $106.722 million to<br />
$118.322 million (mainly due to equipment purchases<br />
relating to digital conversion and the move to Federation<br />
Square, as well as an increase in inventories).<br />
The bulk of the investment recorded at 30 June<br />
20<strong>03</strong> related to funds provided through the part sale<br />
of Telstra for the analogue extension program.<br />
The level of Equity Capital has increased from $46.199<br />
million to $54.779 million. This increase reflected a<br />
$8.580 million equity injection received in <strong>2002</strong>-20<strong>03</strong>.<br />
The bulk of this injection was for digital conversion.<br />
SBS Accounting Manual<br />
SBS's financial policies and procedures are<br />
contained in the SBS Accounting Manual which is<br />
widely distributed throughout the Corporation, both<br />
in written form and on the Intranet. Updates occur<br />
frequently throughout the year<br />
Interest<br />
Independent<br />
Sources<br />
Government<br />
Appropriation<br />
1%<br />
23%<br />
76%<br />
GOVERNANCE<br />
External and Internal Audit<br />
The audit of SBS's annual financial statements is<br />
carried out by the Australian National Audit Office<br />
(ANAO). The ANAO gave an unqualified opinion on<br />
the <strong>2002</strong>-<strong>03</strong> financial statements of the Corporation.<br />
During the year, SBS participated in an ANAO<br />
benchmarking study. This was on the Internal Audit<br />
Function in Commonwealth Organisations.<br />
The report included detailed information on the SBS<br />
performance against the sampled population.<br />
In general, SBS performed well against the benchmark<br />
measures. SBS also participated in a benchmarking<br />
study conducted by Comcover (an agency of the<br />
Department of Finance and Administration) on Risk<br />
Management Practices.<br />
The Internal Audit program was conducted by Deloitte<br />
Touche Tohmatsu on a contract basis. The company<br />
performed audits in accordance with the audit plan<br />
approved by the Audit and Finance Committee.<br />
In all cases, the results were satisfactory with<br />
recommendations for improvements to the control<br />
environment brought to management's attention.<br />
The audits conducted in <strong>2002</strong>-<strong>03</strong> were:<br />
Program Purchasing and Inventory Management,<br />
Digital Television Conversion Review, Television News<br />
and Current Affairs, Television Sport, Corporate<br />
Services, Human Resources, Information Technology<br />
Security Review, Information Technology Governance<br />
Review, Pay Television Contracts, Superannuation<br />
Delegations Review and Risk Management.<br />
Operating Systems Expenditure By Classification<br />
Employees<br />
Independent<br />
Sources<br />
Depreciation<br />
Interest<br />
37%<br />
57%<br />
5%<br />
1%
Audit and Finance Committee<br />
The SBS Audit and Finance Committee met four times<br />
during the year and considered audits conducted by<br />
both the Australian National Audit Office and the<br />
internal auditors, Deloitte Touche Tohmatsu.<br />
In addition to reviewing the findings and<br />
recommendations of the audits conducted, the Audit<br />
and Finance Committee considered and gave<br />
direction on a wide range of issues during the year<br />
including the approval of the annual internal audit<br />
program, investment and financing activities, risk<br />
management and discussion of the strategy for the<br />
preparations for the financial statements audit.<br />
The following is a list of Audit Committee attendees,<br />
their position within SBS, and the number of<br />
meetings they attended:<br />
Mr Neville Roach<br />
Deputy Chairman 4 of 4 meetings<br />
Ms Jillian Broadbent<br />
Board Member 4 of 4 meetings<br />
Mr Ted Gregory<br />
Board Member 3 of 4 meetings<br />
Mr Nigel Milan<br />
Managing Director 4 of 4 meetings<br />
In addition, the internal auditors attended two meetings<br />
of the SBS Board to present reports on their activities.<br />
The external auditor attended one SBS Board meeting<br />
to discuss the audit of the SBS financial statements<br />
and the financial control environment.<br />
Expediture By Classification <strong>2002</strong>-<strong>03</strong> 2001-02<br />
Interest<br />
Depreciation<br />
Suppliers<br />
Employees<br />
$20,000 $40,000 $60,000 $40,000 $100,000<br />
Major Investing and Financing Activities<br />
On 1 July 20<strong>03</strong>, SBS entered into a fully amortising<br />
loan with the Commonwealth. The loan amount of $24<br />
million has a loan period of 10 years and SBS will<br />
make total annual payments of $3.2 million payable<br />
quarterly in arrears.<br />
In 1999-2000, SBS received $70 million from the<br />
Government's Television Fund to meet the costs of<br />
analogue transmission services to areas of Australia<br />
with a population over 10,000 that did not have access<br />
to the signal. Contracts are now in place for the roll<br />
out of these services and funds that are not immediately<br />
required have been invested.<br />
SBS actively manages its finances. This involves<br />
preparation of estimates for appropriation and equity<br />
injection funding taking into account movements in<br />
the inflation parameter applicable to SBS. Cash<br />
holdings are monitored throughout the year and where<br />
funds are not immediately required for operational<br />
activities, investments are made. All investments have<br />
been made in accordance with the investing<br />
requirements of the Special Broadcasting Service<br />
Act 1991 and the Commonwealth Authorities and<br />
Companies Act 1997.<br />
Fraud Control<br />
CORPORATION | 59<br />
During the year, the SBS Fraud Control Plan was<br />
updated based on a fraud risk assessment<br />
(conducted using the methodology outlined in the<br />
Australian/New Zealand Standard (AS/NZS 4360:1999)<br />
Risk Management). The Managing Director is satisfied<br />
that SBS has in place appropriate fraud prevention,<br />
detection, investigation, reporting and data collection<br />
procedures and processes and that these comply<br />
with the Commonwealth Fraud Control Guidelines.
60 | CORPORATION<br />
Risk Management Plan<br />
The Risk Management Plan was updated during the<br />
year and identifies and addresses the management<br />
of the major risks and opportunities facing the<br />
Corporation. The goals behind Risk Management in<br />
SBS are:<br />
To provide an assurance that the organisation has<br />
identified its highest-risk exposures and has taken<br />
steps to properly manage these;<br />
To ensure that SBS's business planning processes<br />
include a focus on areas where risk management is<br />
needed;<br />
To ensure the integration of the various and many<br />
risk control measures that SBS already has in place;<br />
and<br />
To be comprehensive and effective. The identification<br />
of risks will allow for the redirection/focus of resources<br />
on high risks.<br />
Statement on governance<br />
Elements of good corporate governance that are in<br />
place at SBS include:<br />
corporate planning; business planning; an audit and<br />
finance committee; clear delegations of authority;<br />
project (program) management; policies for statutory<br />
compliance; codes of conduct and ethics; review<br />
processes; budget information linked to all planning<br />
processes; and regular monitoring and reporting to<br />
the SBS Board.<br />
Good corporate governance at SBS is also based<br />
on an acceptance by staff that the highest standards<br />
of integrity and ethical behaviour are expected of<br />
them, as well as transparency and consistency in all<br />
their actions.<br />
E-commerce<br />
In March 20<strong>03</strong>, SBS introduced its new Oracle<br />
browser-based e-commerce module, iProcurement.<br />
This enables online requisitions (from a catalogue of<br />
supplies), and online approvals, purchase orders,<br />
and receipting. This is a significant milestone in the<br />
e-commerce project that SBS is undertaking. SBS is<br />
one of four agencies selected (and funded) by The<br />
National Office for the Information Economy (NOIE)<br />
for this project, as part of the Government's initiatives<br />
to promote e-commerce.<br />
Indemnities and Insurance Premiums<br />
For Officers<br />
As part of its general insurance protection, SBS has<br />
a Directors and Officers Liability Insurance Policy in<br />
place. The cost of this policy for <strong>2002</strong>-<strong>03</strong> was $5,193<br />
(GST excluded).<br />
Ministerial Directions<br />
SBS has been notified that the following general<br />
policies of the Government apply to SBS: Competitive<br />
Neutrality Arrangements and Cost Recovery by<br />
Government Agencies.<br />
PROCESSES AND PEOPLE<br />
ABA investigations<br />
In <strong>2002</strong>-<strong>03</strong>, the Australian Broadcasting Authority<br />
(ABA) investigated four complaints against SBS for<br />
alleged breaches of its Codes of Practice. One case<br />
remained outstanding at the end of the reporting<br />
period. In all judgments the ABA found in favour of<br />
SBS, except for one case in which SBS conceded a<br />
breach for failing to provide a timely reply to the<br />
complaint.<br />
In one case, while finding in favour of SBS, the ABA<br />
noted that the appropriateness of the SBS Code<br />
relating to balance over time in news and current<br />
affairs coverage could be further tested in a review<br />
of the Code.
Freedom of Information<br />
One outstanding request for information under the<br />
Freedom of Information Act from June <strong>2002</strong> was<br />
finalised in July 20<strong>03</strong>. The request was declined on<br />
the basis that the material was commercial-inconfidence.<br />
There were no new requests in <strong>2002</strong>-<strong>03</strong>.<br />
Access and equity<br />
SBS believes all Australians should have access to<br />
its multilingual and multicultural services and works<br />
with the Government towards achieving this aim.<br />
SBS has established mechanisms to ensure that all<br />
people have access to its services regardless of<br />
cultural or linguistic diversity. As an employer, SBS<br />
encourages diversity in its workforce.<br />
Workplace diversity<br />
The SBS Diversity Program encourages workplace<br />
diversity (gender, age, cultural and professional)<br />
within the framework of merit selection. Statistical<br />
reports are provided to the Board for monitoring<br />
purposes.<br />
SBS's Workpace Diversity Plan complies with the<br />
Commonwealth Disability Strategy (see below) and<br />
its employment policies, procedures and practices<br />
meet the requirements of the Disability Discrimination<br />
Act 1992. During <strong>2002</strong>-<strong>03</strong>: there were no requests for<br />
recruitment information in accessible formats; SBS<br />
engaged consultants to assist with the reasonable<br />
adjustment to the workplace of a number of<br />
employees; training and development programs<br />
accommodated the needs of staff with disabilities;<br />
and SBS's regular induction program addressed the<br />
issue of workplace diversity including disability. SBS<br />
has grievance mechanisms, including access to<br />
external bodies, to address concerns raised by staff.<br />
SBS Human Resources policies have been reviewed<br />
and are flexible to allow SBS to meet individual<br />
employees' needs within the framework of SBS’s<br />
business needs.<br />
CORPORATION | 61<br />
Commonwealth Disability Strategy<br />
In <strong>2002</strong>-<strong>03</strong>, SBS provided services in line with its role<br />
as 'provider' under the Commonwealth Disability<br />
Strategy (CDS).<br />
SBS Radio continued to provide in-language<br />
community announcement and editorial segments<br />
to promote the services of health and disability<br />
agencies. These messages, broadcast nationally<br />
in 68 languages, ensured that essential information<br />
reached Australia's linguistically diverse audiences.<br />
SBS Radio continued to produce and air a series<br />
of Homereach multilingual information service<br />
segments, providing key information to housebound<br />
people and their carers. A special Homereach<br />
steering committee consisting of relevant government<br />
and non-government service providers selected the<br />
content and target languages for the series.<br />
SBS Radio was also commissioned by the Transcultural<br />
Mental Health Centre of NSW to produce a series of<br />
information segments in 10 community languages,<br />
which aired on SBS Radio between November and<br />
December <strong>2002</strong>.<br />
SBS Television provided closed captioning for television<br />
programs for people who are hearing impaired or deaf.<br />
Captioning was provided for programs other than non-<br />
English language programs and programs transmitted<br />
during the hours of 6 p.m. and 10:30 p.m. Television<br />
news and current affairs programs other than non-<br />
English language programs transmitted outside these<br />
hours were also captioned where practicable.
62 | CORPORATION<br />
In compliance with W3C international accessibility<br />
guidelines, SBS New Media has ensured that corporate<br />
documents available from its website are provided<br />
in both PDF and HTML versions and has continued to<br />
increase the amount of SBS programming<br />
available online.<br />
Throughout the year, SBS Publicity provided a TTY<br />
telephone service to ensure that people who are deaf<br />
or hearing impaired have an additional avenue for<br />
providing comment on SBS programming.<br />
SBS is aware of the need to be informed about access<br />
and equity issues relating to people with a disability<br />
and, among other things, actively seeks the opinions<br />
and guidance of one of its Community Advisory<br />
Committee members who works as a Disability<br />
Advocate with the Office of the Public Guardian.<br />
In early 20<strong>03</strong>, SBS participated in industry discussions<br />
about issues relating to disability and the media.<br />
In addition to these measures, SBS Television<br />
broadcast a number of programs consistent with its<br />
Charter obligations and the aims of the<br />
Commonwealth Disability Strategy. Among the<br />
programs screened were: Quads, an animated series<br />
using humour to explore the lives of people with<br />
various disabilities; Uneasy Riders, a film about<br />
disabled people fighting for the right to sex and love;<br />
and the Subsonics music series included a segment<br />
about intellectually disabled musicians. SBS<br />
Independent commissioned Preservation, a 50-minute<br />
drama written and directed by a profoundly deaf<br />
person. The SBS produced eat carpet also included<br />
programs about people with a disability, as did If<br />
Only..., a series about regrets scheduled for broadcast<br />
in October 20<strong>03</strong>.<br />
Disability Discrimination Act 1992<br />
In February 20<strong>03</strong>, SBS and other free-to-air<br />
broadcasters settled complaints brought by several<br />
deaf and hearing-impaired representative groups in<br />
the Human Rights and Equal Opportunity Commission<br />
(HREOC) under the Disability Discrimination Act.<br />
These complaints concerned the amount of closed<br />
captioning provided on Australian free-to-air television.<br />
As part of the settlement, SBS agreed to increase<br />
captioning levels to include a) 50% of programs<br />
broadcast on its main SBS TV channel from 6 a.m. to<br />
midnight by 31 December 2005; and b) 60% by 31<br />
December 2007.<br />
Due to SBS's funding constraints, it was agreed that<br />
further increases in captioning to the level committed<br />
by other free-to-air broadcasters (55% to 70%<br />
respectively) were contingent on SBS receiving<br />
increased funding under the Government's Triennial<br />
Funding Agreement. As new funding was not provided<br />
in the 20<strong>03</strong>-04 budget, SBS will continue to seek funds<br />
to enable the extension of this service in the future.<br />
Following the settlement, HREOC granted SBS and<br />
other free-to-air broadcasters a comprehensive<br />
exemption from the Disability Discrimination Act for<br />
the next five years and has terminated the complaints.<br />
Occupational Health and Safety<br />
New Health and Safety representatives were elected<br />
and trained in <strong>2002</strong>-<strong>03</strong>. The OH&S Committee<br />
oversaw a range of health and safety issues. There<br />
was one occurrence involving three employees that<br />
required the giving of notice under section 68 of the<br />
Occupational Health and Safety (Commonwealth<br />
Employment) Act 1991.
Certified Agreement<br />
The SBS Certified Agreement <strong>2002</strong> was certified in<br />
August <strong>2002</strong> and will remain in place for a three-year<br />
period. The new Agreement reflects the business<br />
needs of the output Divisions, and Radio and<br />
Television representatives were involved in the<br />
negotiations with the unions.<br />
SBS has common employment conditions and HR<br />
policies across the whole organisation to ensure<br />
consistency of approach throughout SBS.<br />
The Performance Management Program (PMP) was<br />
amended in the new Certified Agreement, reflecting<br />
the experience of the previous three years. PMP<br />
outcomes are monitored and reports provided. The<br />
PMP has proved effective in bringing about improved<br />
performance.<br />
Training<br />
Television<br />
SBS Television has a comprehensive and varied<br />
training program for staff and also conducts an annual<br />
journalism traineeship. In <strong>2002</strong>-<strong>03</strong>, three young people<br />
were chosen from more than 500 applicants to<br />
undertake the one-year trainee course.<br />
The trainees, who are based in the Sydney newsroom,<br />
also spend one month each in the Canberra and<br />
Melbourne bureaus as well as time with Dateline,<br />
Insight and the World News Online team. Under a<br />
mentor program, the trainees experience on-the-job<br />
instruction from senior staff and further develop their<br />
on-air skills with a professional presentation coach.<br />
The traineeship begins with a month-long course in<br />
journalism run by Fairfax newspapers (and thereafter<br />
one day a week) in which ethics, media law and<br />
shorthand, interviewing, researching and writing are<br />
taught. The traineeships carry no promise of on-going<br />
employment. However, the <strong>2002</strong> trainee is now a<br />
staff member.<br />
SBS staff likely to visit international trouble spots<br />
undertake a three-day training course in risk awareness<br />
and safety. Taught by ex-military personnel, the course<br />
includes risk awareness, battlefield skills, kidnap<br />
training, exposure to weapons effects and first aid.<br />
CORPORATION | 63<br />
In-house training for newsroom staff includes regular<br />
legal workshops on issues such as defamation and<br />
copyright. On-air staff are given presentation training<br />
and workshops in specific skills, such as video<br />
journalism, are regularly conducted.<br />
TV Operations provided comprehensive training to a<br />
media representative from East Timor, and SBS<br />
Subtitling hosted, for extended periods, fellow<br />
subtitlers from Germany and France.<br />
Radio<br />
SBS Radio Training designed and delivered new<br />
training courses as part of its commitment to<br />
improving programs. These included Building a Better<br />
Format, Talkback, Short Program Packages and<br />
Creating a Successful Outside Broadcast.<br />
Radio staff continued to receive core broadcast<br />
journalism training courses including Standards<br />
and Ethics, Programming Guidelines and Codes<br />
of Practice, Broadcast Law, Journalism, Interviewing<br />
Skills, Field <strong>Report</strong>ing, Writing for Radio and Voice<br />
Presentation, as well as Conflict Resolution and<br />
Effective Communication in the Workplace. Media training<br />
was also provided to a number of external clients,
64 | CORPORATION<br />
Other SBS Radio training activities during the<br />
year included:<br />
Lunchtime seminars to support broadcasters in<br />
covering the Iraq war and familiarisation courses on<br />
the world's major religions.<br />
Advanced training on the new Netia digital production<br />
and presentation system, accessing audio on the<br />
Internet and from other digital sound editing systems<br />
as well as SBS's new radio talkback system.<br />
Publication of all technical training material on the SBS<br />
Intranet.<br />
Familiarisation training for new studio and production<br />
suites at SBS's Melbourne offices at Federation<br />
Square.<br />
Human Resources<br />
HR continued to provide training to SBS managers<br />
and supervisors on the corporation's HR policies and<br />
procedures. It advised managers on appropriate<br />
external training to meet individual needs and during<br />
the year conducted courses on issues including<br />
recruitment and induction, occupational health and<br />
safety, the Performance Management Program, the<br />
Privacy Act, and various computing applications.<br />
SBS employees also attended external courses and a<br />
number of staff have been supported through the SBS<br />
Study Assistance policy to undertake external study.<br />
SBS is a member of the AFC-sponsored Women in<br />
Television network which conducted networking activities<br />
during the year for women in the television industry.<br />
INNOVATION<br />
Several SBS Radio language programs, including<br />
the Portuguese, Mandarin and German, provide<br />
hundreds of their listeners with an additional service:<br />
a weekly emailed newsletter.<br />
The Portuguese newsletter reaches members of the<br />
Portuguese, Brazilian and East Timorese communities<br />
in Australia as well as clubs, associations, soccer<br />
teams, embassies, consulates, artists and other media<br />
organisations. The email advises listeners of<br />
forthcoming program highlights and events as well<br />
as information about Online access.<br />
The Mandarin 'E-Magazine' has more than 500<br />
subscribers, including Chinese language media. The<br />
magazine includes program highlights, with links to<br />
audio reports and SBS Radio's Mandarin language<br />
website. Profiles of the broadcasters, scripts of<br />
popular program segments, and other background<br />
information are also provided.<br />
In the wake of the 11 September 2001 attacks, and<br />
in response to anti-Muslim sentiment, SBS Radio<br />
Training organised a series of lunchtime seminars on<br />
Hinduism, Buddhism, Islam, Christianity, Aboriginal<br />
Spirituality, Judaism and Buddhism/Taoism. The<br />
seminars were designed to give staff a greater<br />
understanding of the world's religions. They culminated<br />
in a multi-faith gathering of more than 700 people at<br />
Melbourne Town Hall on 11 September <strong>2002</strong>, during<br />
which 10 speakers, representing different religions,<br />
discussed the role of faith in building a harmonious<br />
multicultural society.<br />
SBS staff profile<br />
Male Female<br />
Exec/Policy 5 8<br />
Radio 157 145<br />
Television 233 213<br />
New Media 22 22<br />
Cross-Div 29 21<br />
Marketing 7 10
Relocation to Federation Square<br />
In March, all SBS operations in Melbourne – Radio,<br />
Television, New Media, Marketing and SBS<br />
Independent – relocated to new premises at<br />
Federation Square.<br />
The new facilities include digital broadcast radio<br />
studios, a music recording studio, a television studio<br />
and associated editing and post-production facilities<br />
on two levels of the Alfred Deakin building.<br />
A multimedia studio is also located on the ground<br />
floor of the building, offering the general public the<br />
opportunity to view programs being produced.<br />
The technical fit-out of the premises was undertaken<br />
in-house, through the efforts of the SBS's radio and<br />
television engineering units. This was followed by the<br />
weekend relocation from the former premises in<br />
Melbourne's Ballet Centre and involved more than 200<br />
SBS staff and contractors. By the start of the following<br />
week, programs were being broadcast from the new<br />
digital facility.<br />
GOVERNMENT RELATIONS<br />
Election Coverage<br />
In accordance with SBS's guidelines on the Coverage<br />
of Elections and Referenda, free air time on SBS Radio<br />
was offered to the qualifying political parties during the<br />
New South Wales State election campaign period<br />
(February 28 to March 19). The eligible parties were<br />
the Australian Labor Party, the Liberal Party of Australia<br />
and the National Party of Australia.<br />
The offer of free air time was accepted by the Labor<br />
Party only, and announcements, including recorded<br />
statements and policy speeches, were subsequently<br />
broadcast in accordance with the guidelines.<br />
Government<br />
Regular senior-level contact was maintained<br />
throughout the year with relevant ministers and<br />
ministerial offices, the Department of Communications,<br />
Information Technology and the Arts, the Department<br />
of Finance, Treasury and the Department of Immigration<br />
and Multicultural and Indigenous Affairs. SBS<br />
representatives had high-level contact with<br />
CORPORATION | 65<br />
government and other corporate bodies, particularly in<br />
relation to major broadcasting policy developments,<br />
digital television policy, media ownership, and the SBS<br />
Triennial Funding application. Submissions made<br />
during the year included:<br />
Optus / Foxtel Content Sharing Agreement<br />
SBS wrote to the Australian Competition and Consumer<br />
Commission (ACCC) regarding the draft undertakings<br />
made under 87B of the Trade Practices Act 1974,<br />
relating to the proposed content sharing agreement<br />
between Pay TV channel providers Foxtel, Optus,<br />
Austar and Telstra.<br />
While broadly supportive of any investment increasing<br />
the diversity of media and access to media, SBS<br />
expressed concern that the undertakings did not<br />
include adequate provisions to ensure the retransmission<br />
of SBS's digital services in appropriate positions on<br />
Pay TV digital networks. SBS was also concerned that<br />
new Pay TV industry arrangements could harm SBS's<br />
overseas program purchasing activities.<br />
In November, the ACCC announced it would<br />
conditionally approve the content sharing agreement<br />
and in December Foxtel programming became<br />
available to Optus customers. At June 20<strong>03</strong>, SBS was<br />
involved in ongoing commercial discussions with Foxtel<br />
to secure the retransmission of SBS digital channels.<br />
National Television Conversion Amendment<br />
Scheme <strong>2002</strong><br />
SBS provided comment to the Australian Broadcasting<br />
Authority (ABA) review of the National Television<br />
Conversion Scheme established to assist the transfer<br />
of analogue television signals to digital. SBS's<br />
submission expressed concern that the proposed<br />
amendments to the regulations unnecessarily<br />
differentiated between national and commercial<br />
broadcasters in relation to requirements to broadcast<br />
High Definition Television in remote areas and flexibility<br />
of multi-channel service delivery options.
66 | CORPORATION<br />
Review of Australian Content<br />
on Subscription Television<br />
SBS contributed to the Australian Broadcasting<br />
Authority review examining whether the current<br />
requirements for Australian and New Zealand content<br />
on subscription TV were operating effectively in order<br />
to ensure that new and increased opportunities<br />
existed for the Australian drama production industry.<br />
In regard to drama, SBS supported the existing annual<br />
expenditure quota system for contributions from<br />
subscription TV providers, which facilitates production<br />
opportunities from new and independent filmmakers<br />
from culturally diverse backgrounds.<br />
SBS also supported the extension of the expenditure<br />
quota system to Australian and New Zealand<br />
documentary content, which would increase SBS's<br />
capacity to create new, innovative works in partnership<br />
with subscription TV providers.<br />
Therapeutic Goods Amendment Bill (No.2) <strong>2002</strong><br />
As part of a series of measures detailed in a<br />
Government reform package, the Federal Department<br />
of Health and Aged Care conducted the Therapeutic<br />
Products Advertising Review, with a view to updating<br />
the existing National Coordination Committee for<br />
Therapeutic Goods (NCCTG) advertising code.<br />
The review covered the vetting of advertisements<br />
and responsibility for dealing with complaints about<br />
advertisements of non-medical products.<br />
Where previously only advertisers were liable, the report<br />
recommended changes that would make broadcasters<br />
liable for advertisements. Following release of the<br />
draft report of the review, SBS, FACTS, CRA and<br />
Fairfax make a joint submission to the Therapeutic<br />
Goods Administration. The submission supported the<br />
retention of current pre-approval and complaints<br />
handling processes under which the advertisers, rather<br />
than the broadcasters, are primarily responsible for<br />
advertising content.<br />
Review of the roles of the ABA and the ACA<br />
The Department of Communications, Information<br />
Technology and the Arts conducted a review of the<br />
roles of the Australian Broadcasting Authority (ABA)<br />
and the Australian Communications Authority (ACA).<br />
The review focused on what would be the most<br />
effective future arrangements for the management of<br />
broadcasting and telecommunications spectrum. The<br />
discussion paper released sought comment on a<br />
number of options that ranged from merging the ABA<br />
and the ACA, to retaining both bodies, but merging a<br />
number of their functions.<br />
SBS made a submission to the review supporting the<br />
existing arrangement for spectrum management for<br />
free-to-air broadcasting services. It argued that the<br />
existing system worked effectively, preserving both the<br />
social and cultural policy objectives of broadcasting,<br />
and serving the interests of the Australian public.<br />
Community Television Sector<br />
In August <strong>2002</strong>, The Department of Communications,<br />
Information Technology and the Arts invited comments<br />
on proposed legislative changes to licensing<br />
arrangements for Community Television (CTV) and<br />
related community broadcasting issues.<br />
SBS made a submission opposing any increase in<br />
advertising and sponsorship time for CTV broadcasters.<br />
In response to advice from the Department that<br />
advertising would not be permitted for CTV but that<br />
sponsorship time would be increased from five minutes<br />
to seven minutes per hour, SBS wrote to the Minister<br />
in October outlining concerns that the proposed<br />
changes relating to sponsorship time for CTV would<br />
be detrimental to SBS. The definition of sponsorship<br />
for community broadcasters, as set out in the BSA, is<br />
broad enough (from a market perspective) to include<br />
what are effectively advertisements.<br />
On 15 November, the Government passed the<br />
Broadcasting Legislation Amendment Act (No.2) <strong>2002</strong><br />
increasing sponsorship time for the CTV sector.
ASIO terrorism bill<br />
ASIO Legislation Amendment (Terrorism) Bill <strong>2002</strong><br />
[No.2], amending the ASIO Act 1979 to strengthen<br />
ASIO's counter-terrorism powers, was referred to the<br />
Senate Legal and Constitutional Committee for Inquiry<br />
and <strong>Report</strong> by 3 December <strong>2002</strong>.<br />
Of key concern for media organisations were<br />
provisions that:<br />
(1) provided for the arrest and detention of journalists<br />
with respect to information they may have on terrorists<br />
and terrorist activity; and<br />
(2) criminalised communication by journalists not only<br />
with detainees, but with their families and lawyers.<br />
SBS, along with other media organisations, made a<br />
submission to the Inquiry suggesting a qualified<br />
privilege for journalists to address point (1) and urging<br />
the deletion of the restrictive provisions in (2).<br />
Following the Inquiry, the ASIO Legislation Amendment<br />
(Terrorism) Bill <strong>2002</strong> [No.2] was reintroduced in<br />
Parliament with some amendments addressing the<br />
issues raised in media industry submissions.<br />
For media organisations there remained, however,<br />
serious concerns with the Bill. Principally, these<br />
concerned conditions under which individuals<br />
(including journalists) could be detained. The provisions<br />
enabled detainees to be held incommunicado and<br />
denied access to legal representatives for up to 48 hours.<br />
In addition, the Bill: reversed the burden of proof for<br />
suspected information holders, and made it an offence,<br />
subject to up to five years' imprisonment, for a person<br />
not to appear for questioning as required by a warrant,<br />
or to decline to give information or produce a record<br />
as required.<br />
CORPORATION | 67<br />
In early May, SBS joined with other media<br />
organisations to advise of these concerns and<br />
suggest improvements to the Bill. Following further<br />
amendments, the ASIO Legislation Amendment<br />
(Terrorism) Bill <strong>2002</strong> [No.2] Bill was reintroduced in the<br />
Senate on 12 June and passed on 26 June 20<strong>03</strong>.<br />
Provisions reversing the burden of proof when people<br />
are detained and questioned about information that<br />
may or may not be in their possession remain, as do<br />
jail terms for persons who decline to give or produce<br />
information.<br />
<strong>Report</strong> on surveillance and listening<br />
devices law reform<br />
The New South Wales Law Reform Commission called<br />
for submissions regarding its Interim Surveillance<br />
<strong>Report</strong>, proposing the introduction of new legislation<br />
to regulate surveillance in NSW.<br />
SBS and other media organisations were concerned by<br />
changes recommended in the <strong>Report</strong> to laws covering<br />
collection of camera footage and sound recordings.<br />
The concerns principally regarded restrictions on free<br />
speech and the impact the recommendations would<br />
have on investigative journalism, including criminalising<br />
acceptable newsgathering practices.<br />
SBS made a submission in May 20<strong>03</strong> opposing the<br />
Commission's recommendations. SBS believed that<br />
the recommendations would have an unnecessarily<br />
onerous impact on its operations, inhibiting investigations<br />
of public importance. The Commission is expected<br />
to table the final report in Parliament towards the<br />
end of 20<strong>03</strong>.
68 | CORPORATION<br />
Inquiry into Section 69 of the Evidence Act<br />
SBS made a submission to the South Australian<br />
Legislative Review Committee Inquiry into publication<br />
of names of accused persons who are subsequently<br />
not convicted or not found guilty.<br />
Along with other media organisations, SBS expressed<br />
concern that a possible change of law could make it<br />
illegal for the media to identify or report the name of<br />
people accused of crimes in South Australia until they<br />
are convicted. SBS opposed such changes in the<br />
interests of maintaining the critical role of the media<br />
in ensuring transparency in the administration of<br />
open justice.<br />
New directions for the film, TV and new media<br />
industries in the Northern Territory<br />
SBS responded to the Northern Territory Department<br />
of Business, Industry and Resource Development<br />
Inquiry into new directions for film, television and new<br />
media industries.<br />
In its submission, SBS recognised the value of<br />
collaborations with state governments in developing<br />
avenues for makers of new and diverse film, television<br />
and new media works. In particular, SBS recognised<br />
the unique contribution of the Northern Territory<br />
landscape and population to Australian cultural life,<br />
and the enormous scope for ongoing industry<br />
development through the establishment of a proposed<br />
Northern Territory Office of Film, Television and<br />
New Media.<br />
Through its commissioning arm, SBS Independent, SBS<br />
offered support to establishing new co-productions and<br />
collaborations with the Northern Territory government<br />
that increase community participation, demonstrate<br />
economic benefits and make use of the Territory's<br />
diverse creative resources.<br />
Triennial funding<br />
SBS presented its Triennial Funding Submission for<br />
the period 20<strong>03</strong>-06 to the Federal Government. The<br />
submission detailed SBS's achievements over the last<br />
triennium and future challenges. It identified the funding<br />
amount SBS believed was necessary to maintain its<br />
base activities, respond to these challenges, and better<br />
fulfil its Charter obligations over the three-year period.<br />
In order to maintain its current services, SBS sought<br />
a modest increase in funding. In addition, funding was<br />
sought for a number of new initiatives, including<br />
expanding digital multi-channelling, in order to secure<br />
SBS's position in an increasingly fragmented media<br />
environment and to meet increased audience demand<br />
for SBS services. The submission highlighted SBS's<br />
continued role as a force for social cohesion, a<br />
facilitator of new broadcasting technology, and<br />
a driver of digital take up.<br />
Two components of the request were funded in the<br />
20<strong>03</strong>-04 budget:<br />
1) A continuation of the funding supplement received<br />
during the 2000-<strong>03</strong> triennium for the purchase of<br />
overseas programs. With this funding, SBS can<br />
maintain viable levels of quality overseas programs, as<br />
well as consolidate and build on audience growth and<br />
optimise opportunities for revenue.<br />
2) The requirement for SBS to continue finding<br />
operational efficiencies under the application of the<br />
'efficiency dividend' was removed. This recognised<br />
SBS's continued efficient operation in light of the<br />
reduction in base funding over two triennia against an<br />
increased cost base.<br />
A full summary of the SBS Triennial Funding<br />
Submission is available at<br />
http://sbs.com.au/media/2895Triennial.doc
Environmental Protection and Biodiversity<br />
Conservation Act 1999<br />
The effect of SBS's activities on the environment is<br />
limited to the use of natural resources, including<br />
energy and the associated production of waste.<br />
SBS reduces the impact of its activities on the<br />
environment through a number of means, including<br />
the promotion of recycling. This year, in addition to<br />
long standing programs for recycling paper, cardboard,<br />
glass and aluminium beverage containers and printer<br />
cartridges, SBS began recycling fluorescent lighting<br />
tubes and returning old mobile phones and batteries<br />
for recycling through the 'Phones 4 Planet Ark' initiative.<br />
SBS also supports the use of recycled products<br />
including paper and washroom supplies, where these<br />
products are equivalent in terms of value and suitability<br />
to products made from virgin materials.<br />
Two initiatives to reduce the use of water within SBS's<br />
Sydney premises were introduced in <strong>2002</strong>-<strong>03</strong> and the<br />
results are the subject of ongoing evaluation. Existing<br />
initiatives to reduce the building's energy consumption<br />
were augmented with an improved lighting control<br />
system and the introduction of energy saving 'light eco'<br />
units that improve the efficiency of general office<br />
fluorescent lighting. An energy review of SBS's new<br />
Melbourne premises at Federation Square is scheduled<br />
in 2004.<br />
COMMUNITY RELATIONS<br />
CORPORATION | 69<br />
This year, SBS conducted the most extensive<br />
community consultations in its history. They preceded<br />
the launch of SBS Radio's new program schedule and<br />
involved the Board, the Managing Director, the Head<br />
of SBS Radio and senior managers. All state and<br />
territory capitals were visited and more than 1,000<br />
consultations were conducted with community<br />
leaders and interested parties.<br />
In addition to these special functions, the Board, senior<br />
management, broadcasters and program makers<br />
continued their frequent and wide-ranging consultations<br />
about SBS initiatives and program and policy<br />
developments. Individual language communities<br />
invited to meet with managers and broadcasters<br />
in Sydney and Melbourne to discuss programming<br />
included: French, German, Greek, Cantonese, Turkish,<br />
Mandarin, Thai, Kannada, Croatian, Hindi, Urdu<br />
and Vietnamese.<br />
SBS Radio maintained its reputation for having one of<br />
the closest listener relationships of any broadcaster in<br />
Australia. During the year, SBS Radio management<br />
and staff either hosted or attended a record 729<br />
community, public and industry functions. SBS Radio<br />
also conducted 85 outside broadcasts throughout<br />
Australia and held 25 radioathons which raised more<br />
than a quarter of a million dollars for relief aid and<br />
community projects in Australia and overseas. In<br />
December, SBS Radio won the inaugural Award for<br />
Excellence from the Federation of Ethnic Communities<br />
Councils of Australia (FECCA) at its annual conference<br />
in Canberra.
70 | CORPORATION<br />
In March, the Minister for Communications, Information<br />
Technology and the Arts, Senator Richard Alston, and<br />
Victoria's Premier, Steve Bracks, officially opened SBS's<br />
new Melbourne premises at Federation Square. The<br />
relocation was marked by a week of cultural, artistic<br />
and broadcast events. These included a drumming<br />
festival with hundreds of participants representing more<br />
than 20 cultures; a citizenship ceremony officiated by<br />
the Minister for Citizenship and Multicultural Affairs,<br />
Gary Hardgrave; a presentation by 1,000 choristers<br />
from 25 ethnic backgrounds; and a 'Food on Film'<br />
festival involving SBS Independent and the Australian<br />
Centre for the Moving Image.<br />
Running in conjunction with the opening celebrations<br />
was the SBS Federation Square Art Award, which<br />
attracted over100 entries from artists from more than<br />
25 ethnic backgrounds.<br />
COMMUNITY ADVISORY COMMITTEE<br />
During the year, the Community Advisory Committee<br />
(Appendix 13) met three times and had a separate<br />
meeting with the Board in February.<br />
Four Committee members retired in <strong>2002</strong>-<strong>03</strong>. In May<br />
20<strong>03</strong>, the SBS Board extended the terms of three<br />
members for a further two years and appointed two<br />
new members to the Committee, their terms beginning<br />
in the second half of 20<strong>03</strong>.<br />
Key SBS staff from all divisions updated Committee<br />
members about the work of SBS. The Committee was<br />
consulted on aspects of SBS work including the Radio<br />
rescheduling process, community awareness of digital<br />
television, SBS Frequently Asked Questions, Federation<br />
Square launch projects and SBS New Media's<br />
Whatever and Antimaterratica initiatives. The<br />
Committee also provided ideas to help SBS increase<br />
its engagement with the Australian community.<br />
In continuing its work on SBS research projects, the<br />
Committee held discussions about the possible<br />
community implications for SBS arising from the<br />
published findings of the SBS-commissioned research<br />
survey Living Diversity: Australia's Multicultural Future.<br />
The Committee previewed several SBS programs,<br />
including documentaries and dramas commissioned<br />
by SBS Independent, and provided feedback to SBS<br />
managers and programming staff.<br />
AUDIENCE FEEDBACK<br />
Incorporating industry and community feedback<br />
received through an 18-month review process, SBS<br />
released its revised Codes of Practice in February<br />
20<strong>03</strong>. The SBS Codes of Practice outline SBS's<br />
programming obligations under its Charter and<br />
include the process whereby audiences can lodge<br />
complaints about SBS programming. (Audience<br />
feedback statistics are itemised on page 26.<br />
Promotions and partnerships<br />
SBS Radio was an official media sponsor of<br />
Womadelaide 20<strong>03</strong>, continued its sponsorship<br />
of Sydney's Royal Easter Show and sponsored<br />
a number of film festivals including Greek, Italian<br />
and Spanish and the Sydney Film Festival.<br />
SBS Radio also was a sponsor of a number of<br />
commonwealth and state government initiatives<br />
including the Australian of the Year Awards and the<br />
NSW Consumer Protection Awards and developed<br />
strong relationships with a number of arts and<br />
sporting organisations such as the AFL and the<br />
Australian Museum.<br />
RESEARCH<br />
Living Diversity: Australia's<br />
Multicultural Future<br />
In November <strong>2002</strong>, SBS published the results of a<br />
major research project on trends in multiculturalism<br />
and the role of SBS. Living Diversity: Australia's<br />
Multicultural Future identified and examined trends in<br />
multicultural Australia. SBS has used the findings to<br />
inform programming strategies and corporate<br />
planning and to revise some marketing campaigns.<br />
The Living Diversity research was commission<br />
by the SBS Board to ensure that SBS remained<br />
a key player in Australia's changing media and<br />
cultural environment.
SBS engaged Professor Ien Ang (Director of the<br />
Centre for Cultural Research at the University of<br />
Western Sydney), Associate Professor Jeffrey Brand<br />
(Co-director of the Centre for New Media Research<br />
and Education at Bond University), Dr Greg Noble<br />
(Researcher at the Centre for Cultural Research) and<br />
Dr Derek Wilding (Director of the Communications<br />
Law Centre) to produce the report on behalf of SBS.<br />
The research, conducted in April <strong>2002</strong>, was based on<br />
telephone surveys of five cultural groups, plus a<br />
national sample representing the broader Australian<br />
population. It also included results of qualitative<br />
surveys conducted within Australia's indigenous<br />
communities.<br />
The report identified an Australian population in which<br />
cultural diversity and cross-cultural intermixing is<br />
increasingly part of mainstream experience. Rather<br />
than simply tolerating or accepting diversity, the report<br />
found Australians actually 'living' diversity. The report's<br />
findings received wide media coverage at the time of<br />
release, and have since been presented at a number<br />
of industry and academic forums.<br />
SBS and Australian Cultural Democracy<br />
In May 20<strong>03</strong>, SBS, in collaboration with academics<br />
from the University of New South Wales and the<br />
University of Western Sydney, submitted an<br />
application to the Australian Research Council for the<br />
funding of a project titled, The Special Broadcasting<br />
Service and Australian Cultural Democracy: Evolution,<br />
Uses and Innovation.<br />
Never before has SBS's unique role in deepening<br />
Australian democracy been explored and documented<br />
in detail. In combining industry and academic<br />
expertise, the three-year project proposed to illustrate<br />
SBS as an international benchmark for public<br />
broadcasting and to provide valuable insights into the<br />
role of media and cultural organisations in Australian<br />
democracy. If the application is successful, the project<br />
will begin in January 2004.<br />
CORPORATION | 71<br />
Interactive Television Audience<br />
Research Laboratory<br />
During the year, SBS gave its backing to the proposed<br />
establishment of Australia's first public Interactive<br />
Television Audience Research Laboratory through the<br />
Interactive Television Research Institute at Murdoch<br />
University. In <strong>2002</strong>-<strong>03</strong>, the Institute was awarded<br />
funding for the project from the Australian Research<br />
Council and commenced construction of the facility.<br />
When complete, the laboratory will be capable of<br />
testing and evaluating a diverse range of interactive<br />
television applications and will allow broadcasters to<br />
access comprehensive research on the kinds of<br />
products and services best suited to the interactive<br />
television environment.<br />
SBS RADIO & TELEVISION YOUTH<br />
ORCHESTRA<br />
The SBS Radio and Television Youth Orchestra is a<br />
non-profit company supported by SBS. It provides<br />
opportunities for talented young Australian musicians<br />
from a diverse range of cultural backgrounds to<br />
experience a sophisticated and challenging program<br />
of classical musical performance. The Orchestra was<br />
invited to France and Italy in <strong>2002</strong> to participate in<br />
festivals in those countries.<br />
During the year, the orchestra performed at a number<br />
of venues, including the Sydney Town Hall and<br />
the Sydney Opera House. Programs featuring the<br />
Orchestra and broadcast by SBS Television in <strong>2002</strong>-<strong>03</strong><br />
included: A Meeting in the Middle; James Morrison<br />
and Judy Bailey; The Russian Enigma; Young<br />
Persons' Guide to the Orchestra; Prodigies (two<br />
episodes); Bridge Between Two Islands; Dvorak's<br />
Te Deum; and A Hat Trick of Haydn.
72 | CORPORATION<br />
CORPORATE AND<br />
INTERNATIONAL RELATIONS<br />
Industry Participation<br />
SBS contributed directly to industry forums in<br />
the developing fields of digital television and digital<br />
radio, standards setting, and the development<br />
of operational practices, and liaised with both<br />
SBS involvement with other industry forums includes:<br />
Asia-Pacific Broadcasting Union (ABU)<br />
Australian Broadcasting Authority (ABA)<br />
Australian Communications Information Forum<br />
Australian Telecommunications Users Group (ATUG)<br />
Broadcasting Industry Technical Advisory Group (BITAG)<br />
Commercial Radio Australia (CRA)<br />
Community Broadcasting Association of Australia (CBAA)<br />
Digital Radio Advisory Committee (DRAC)<br />
Digital Television Standards Selection Committee<br />
SBS memberships:<br />
SBS is a full member of the Asia-Pacific Broadcasting<br />
Union (ABU).<br />
SBS is a member of the Commonwealth Broadcasting<br />
Association (CBA); the Digital Broadcasting Australia (DBA);<br />
SBS was represented at the following conferences and<br />
seminars:<br />
Australian Broadcasting Authority conference (Canberra)<br />
Communications Research Forum (Canberra)<br />
FECCA Conference (Canberra)<br />
39th Asia-Pacific Broadcasting Union <strong>Annual</strong> General Meeting<br />
(Tokyo)<br />
The Pay Television and Radio Industry Conference (Sydney)<br />
Regular meetings of the Commonwealth Heads of Cultural<br />
Organisations (Canberra)<br />
Communications Law Centre Classification Seminar (Sydney)<br />
government agencies and equipment manufacturers/<br />
suppliers in regard to digital television receivers. SBS<br />
also chaired a number of industry forums<br />
and committees.<br />
European Broadcasting Union (EBU)<br />
International Institute of Communications (ICC)<br />
International Telecommunications Union (ITU-R)<br />
National Ethnic and Multicultural Broadcasters Council (NEMBC)<br />
Public Broadcasters International<br />
Remote Area Broadcasting Services (RABS)<br />
SMA's Radio Communication Consultative Council (RCC)<br />
Standards Australia (SA)<br />
WorldDab Forum<br />
and the DTV Strategy Group and sub-committees.<br />
SBS is an associate member of Commercial Television<br />
Australia (CTVA).<br />
Network Insight Conference: Spectrum Regulation and changes<br />
to the ABA and ACA (Sydney)<br />
Australian Broadcasting Summit: Creating Australia's digital<br />
environment for TV & Radio (Sydney)<br />
Conference on Human Rights Education (Canberra)<br />
In-Between1.5 Generation Viet-Aust' seminar (Sydney)<br />
Diversity and Tolerance Conference (Sydney)<br />
Asian Knowledge in a Multicultural Australia Symposium<br />
(Canberra)<br />
ACTU International Women's Conference (Melbourne)
International Relations<br />
During the year, the Managing Director met the<br />
ambassadors of Italy, Germany, Turkey, Austria, the<br />
European Union and the consuls general of Britain,<br />
Canada and South Korea.<br />
Among the many overseas delegations and dignitaries<br />
to visit SBS Radio were the Prime Minister of Malta;<br />
the Danish and East Timor ambassadors; and<br />
delegations from China, Croatia and Taiwan.<br />
CORPORATION | 73<br />
Television managers attended film and television<br />
festivals and seminars in France, Italy, Greece, Britain,<br />
Denmark, Germany, Iran and the Netherlands. SBS<br />
attended the Asia-Pacific Broadcasting Union<br />
Conference in Tokyo and visited the Hangzhou radio<br />
and television station in China<br />
SBS maintains mutual cooperation agreements with:<br />
Asia Television Ltd (ATV) Hong Kong<br />
France Télévision France<br />
China Central Television (CCTV) China<br />
Deutsche Welle (DW) Germany<br />
Duna Televízió (DTV) Hungary<br />
Elliniki Radiophonia Tileorassi (ERT) Greece<br />
International Broadcast Bureau (IBB) USA<br />
MIST Telekompania (MIST) Ukraine<br />
Nippon Hoso Kyokai (NHK) Japan<br />
NTV Telekompania (NTV) Russia<br />
People's Television Network (PTV) Philippines<br />
Polsat Telewizja SA Poland<br />
Public Broadcasting Services (PBS) Malta<br />
Radiotelevisione Italiana (RAI) Italy<br />
Radio Televisión Española (RTVE) Spain<br />
Satellite Communications for Learning (SCOLA) USA<br />
Televisi Republik Indonesia (TVRI) Indonesia<br />
Televisión Nacional de Chile (TVN) Chile<br />
Zweites Deutsches Fernsehen (ZDF) Germany
74 | CORPORATION
REPORT OF PERATIONS | 75<br />
REPORT OF<br />
OPERATIONS
76 | REPORT OF OPERATIONS<br />
REPORT OF OPERATIONS<br />
<strong>2002</strong>-<strong>03</strong><br />
SBS and the Commonwealth have agreed on the following outcome for the Corporation's<br />
activities: 'Provide multilingual and multicultural services that inform, educate and entertain all<br />
Australians, and, in doing so, reflect Australia's multicultural society.' To achieve this outcome,<br />
SBS has two designated outputs, television and radio.<br />
SBS Television's 'quality' performance output is determined by: viewer and community<br />
feedback; audience reach data; the tenor of media comment; and the number of hours of<br />
appropriate programming. The 'quantity' performance output is determined by: the percentage<br />
of programs broadcast in languages other than English; the number of subtitled programs; and<br />
the number of hours of locally produced programs.<br />
SBS Radio's 'quality' performance output is determined by listener and community feedback,<br />
and audience surveys. The 'quantity' performance output is determined by the number of<br />
hours broadcast in languages other than English.<br />
The <strong>Report</strong> of Operations <strong>2002</strong>-<strong>03</strong>, which assesses SBS's performance against four<br />
achievement goals under the Corporation's current Corporate Plan 2001-<strong>03</strong>, addresses the above<br />
outcomes and related outputs. Additional information is contained throughout this <strong>Annual</strong> <strong>Report</strong><br />
and specific financial results are included in the financial statements.
PROGRAMS AND AUDIENCES<br />
REPORT OF OPERATIONS | 77<br />
Objective<br />
1. Increase our understanding of current and prospective audiences in respect of: demographic<br />
composition (including listening and viewing patterns across programs); opinions about SBS and its<br />
programming; needs; and expectations.<br />
2. Manage the data and knowledge that we gather, and that we already have, to identify groups that are<br />
low users of SBS services, noting that women and young people (particularly second and third generation<br />
Australians from non-English speaking migrant families), have already been identified as priorities.<br />
Performance Indicator(s)<br />
(a) By December 2001, commissioning and completion of a major research project to examine trends in<br />
multicultural Australia and the role of SBS.<br />
The results from a major quantitative study conducted in early <strong>2002</strong> were reported on in the second half<br />
of the year. Behavioural and attitudinal matters concerning cultural diversity and media were examined in a<br />
national sample, five language samples and a qualitative sample of indigenous communities. Senior academics<br />
from the University of Western Sydney, the Communications Law Centre and Bond University were engaged<br />
to write the report. Living Diversity: Australia's Multicultural Future, was provided to the Board in September <strong>2002</strong><br />
and publicly released in November. Its findings were presented at a number of industry and academic<br />
conferences.<br />
The report provided important insights into the generally positive attitudes towards cultural diversity in Australia<br />
and, at the same time, posed important challenges for SBS in engaging those who are ambivalent about or<br />
negative towards multiculturalism. A considerable amount of data on SBS user and non-user patterns, gathered<br />
during the research, was also used by specific divisions within SBS and at staff briefing sessions. Originally<br />
scheduled for completion by December 2001, the project was delayed in recognition of the effects on attitudes<br />
caused by the events of September 11, 2001. The full <strong>Report</strong> is available at<br />
http://sbs.com.au/media/2872SBS_Living_Diversity.pdf.<br />
(b) <strong>Annual</strong> consolidated analysis of: industry measures of audience ratings and reach; SBS-commissioned<br />
and other qualitative and quantitative audience research; and feedback from current sources (letters, calls,<br />
consultations, etc.)<br />
ATR and A C Nielsen viewer surveys in <strong>2002</strong> showed that more than 7.7 million people viewed SBS Television<br />
each week. In the five major cities – Sydney, Melbourne, Brisbane, Adelaide and Perth – the average weekly<br />
reach was more than 5.4 million viewers. SBS Television's audience share of home viewing in these cities<br />
between 6 p.m. and midnight was 5.59%.<br />
A nationwide Newspoll telephone survey in November <strong>2002</strong> found continued popular support for SBS as an<br />
alternative to commercial television networks (88.5%) and the ABC (79.7%). Over 73% "find value in SBS" and<br />
88% agreed "SBS plays an important role in today's culturally diverse society".
78 | REPORT OF OPERATIONS<br />
Every year since 1996, SBS Radio has commissioned independent surveys into audience attitudes and listening<br />
habits. Over that time, 51 telephone surveys have been conducted and more than 20,000 people interviewed.<br />
These are believed to be the most intense and extensive independent radio surveys conducted by any<br />
broadcaster in Australia. More than 1,000 community consultations preceded the formulation of SBS Radio's<br />
new broadcast schedule. In addition, SBS Radio managers and broadcasters attended 729 community, public<br />
and industry functions during the year. SBS's Policy division conducted 'focus groups' in Bathurst and Young on<br />
audience attitudes, opinions and expectations of SBS.<br />
SBS also received more than 1,600 letters, an estimated 50,000 telephone calls, and thousands of emails<br />
during the year. The majority were programming requests and enquiries that were distributed to relevant areas for<br />
response or action.<br />
Objective<br />
3. Develop programming strategies to reach those groups identified above as low users of SBS services,<br />
while at the same time maintaining existing audiences.<br />
Performance Indicator(s)<br />
(a) Production, commissioning and broadcast of programming with which target audiences can identify.<br />
SBS Television continued to give particular attention to female and youth audiences, traditional low users of<br />
SBS services. Comedy programs were particularly popular. A third series of the cult phenomenon, Pizza, was in<br />
production during the year while repeats of the second series attracted large audiences. Similarly, a second<br />
series of the spoof comedy program, Life Support, attracted strong audiences. A third series was<br />
commissioned for broadcast in October 20<strong>03</strong>. New series of South Park, Quads and Crank Yankers also<br />
attracted young audiences. So too did the groundbreaking series on homosexuality, Queer As Folk, and the<br />
crime-solving canine, Inspector Rex.<br />
The Austrian police drama was particularly popular with young children and female viewers. The SBS-produced<br />
series on motherhood, Mum's The Word was broadcast during the year along with the lifestyle series, Nest.<br />
In <strong>2002</strong>-<strong>03</strong>, the perennial favourite, The Movie Show and the third series of The Food Lovers' Guide to<br />
Australia attracted consistently strong audiences. A fourth series of The Food Lovers' Guide to Australia<br />
began production.<br />
SBS Radio extended the range of its nightly youth program, Alchemy, through diversified programming<br />
covering music, culture and arts. Each night, it pursues a different subject, providing a youth perspective to<br />
social, cultural and political issues. In November, Alchemy began broadcasting overnight each Friday and<br />
Saturday. Alchemy was a high-profile participant at the Womadelaide Festival, the Royal Easter Show in Sydney<br />
and at Melbourne's Fringe Festival. In association with the Australian Centre for the Moving Image, Alchemy<br />
organised 'Skylab' a digital cinema and music performance in Melbourne's Federation Square. Alchemy joined<br />
SBS Radio programs in promoting SBS's online youth site, Whatever, which launched a double CD, The<br />
Whatever Sessions, showcasing young musical talents, particularly from a non-English speaking background.<br />
(b) The rate of growth in new listeners and viewers, particularly young people and women and other groups<br />
which may be identified as low users;
REPORT OF OPERATIONS | 79<br />
South Park, Life Support, John Safran's Music Jamboree, Inspector Rex and Crank Yankers were among<br />
SBS Television's top rating programs in <strong>2002</strong>. Across the schedule, SBS Television maintained its high profile<br />
among younger audiences, particularly on youth-focused nights – Saturday and Monday – when audience<br />
ratings were among the highest in an average week. Women viewers were attracted to the new series of Mum's<br />
the Word, The Food Lovers' Guide to Australia, Nest, and The Movie Show. SBS Radio audiences were able<br />
to access specific language programs at will via the 68-language audio streaming facility of the SBS website.<br />
(c) Maintenance of existing audiences.<br />
SBS Television increased its audience to almost 7.8 million weekly viewers in <strong>2002</strong>. Its audience share of home<br />
viewing (6 p.m. to midnight) in the five major cities – Sydney, Melbourne, Brisbane, Adelaide and Perth –<br />
increased to 5.59%. The increase was aided by the continued rollout of the analogue signal to areas with<br />
populations of 5,000 or more, and the licensing of self-help transmitters at more than 200 sites. Documentaries and<br />
documentary series continued to be the most popular programming stream on SBS Television. News and current<br />
affairs programs, Dateline and Insight, increased their audience reach.<br />
SBS Radio staged a record 85 outside broadcasts during the year. These were mostly linked to specific<br />
community and cultural events and attracted large crowds. The level of public support for SBS Radio was<br />
underlined by the raising of $275,000 in a series of relief and assistance radioathons involving broadcasters<br />
from 25 language groups.<br />
Objective<br />
4. Produce and broadcast more programming that originates in Australia and which reflects<br />
Australian experiences.<br />
Performance Indicator(s)<br />
The amount and quality of Australian multicultural programming.<br />
In <strong>2002</strong>-<strong>03</strong>, SBS Television broadcast 1,786 hours of programs produced by SBS or commissioned from<br />
independent Australian filmmakers. This was more than 25% of all programs transmitted by SBS during the<br />
year. These local programs included 770 hours of sport; 505 hours of news and current affairs; 214 hours of<br />
documentaries; 108 hours of educational programs; and more than 19 hours of Australian feature films.<br />
SBS Television production generated 247.5 hours of programs in <strong>2002</strong>-<strong>03</strong>. These included the comedies, Pizza<br />
and Life Support; the life and culture programs, Mum's The Word and The Food Lovers' Guide to Australia,<br />
the cinema review program, The Movie Show; the interactive drama series, TwentyFourSeven; and the<br />
indigenous cultural affairs program, Living Black.<br />
SBS Independent commissioned 92.5 hours of documentary, drama and animation during the year, many of<br />
them co-financing arrangements with State and Federal film bodies. All of these programs, in a variety of ways<br />
and styles, captured the essence of multicultural Australia, mostly through the eyes of filmmakers from non-<br />
English speaking or indigenous backgrounds. SBSi commissioned 17.5 hours of indigenous programs in <strong>2002</strong>-<strong>03</strong>.
80 | REPORT OF OPERATIONS<br />
All of SBS Radio's broadcast schedule of 68 languages was made available via audio streaming on the SBS<br />
website. A total of 15,000 hours of individual programs were produced in <strong>2002</strong>-<strong>03</strong>. From June 20<strong>03</strong>, the twice<br />
daily, English language program, World View, dropped its strict news and current affairs format in favour of diverse<br />
multicultural features. During the year, the SBS Radio newsroom produced 20,000 news stories, while World<br />
View broadcast more than 1,800 reports on issues affecting multicultural Australia.<br />
Objective<br />
5. Ensure that SBS's transmission responsibilities result in more efficient and effective audience reach,<br />
including identifying pockets of poor reception within existing service areas and taking remedial action<br />
where possible.<br />
Performance Indicator(s)<br />
Audience feedback on technical quality and reach of services.<br />
The roll out of SBS Television's analogue service continued under the Government-funded scheme to bring SBS<br />
to communities with populations of 5,000 or more. The first service under this expanded scheme began operating<br />
during the year and another 20 services are scheduled to begin in 20<strong>03</strong>-04. In addition, 234 sites currently<br />
experiencing poor reception have been granted funding for self-help transmitters under the Government's Black<br />
Spot Program. When completed, the network of self-help transmitters will number almost 400.<br />
SBS's digital service, which began in January 2001, continued to be rolled out to regional centres and cities<br />
across Australia. By the end of June 20<strong>03</strong>, 27 digital transmitters were on air and a further 53 were in the design<br />
and construction phase. Under the Self-Help Scheme, which is funded by the Federal Government and<br />
administered by SBS, communities eligible for assistance are offered technical advice and provided with copies<br />
of the booklets, Self-Help Guide and Self-Help Subsidy Guidelines.<br />
Objective<br />
6. Foster an environment where creativity is valued and risk-taking is accepted.<br />
Performance Indicator(s)<br />
Amount of programming and online material that is creative, innovative, and distinctly different from<br />
programming of other broadcasters.<br />
SBS Television maintained its commitment to innovative and quality creative programming across a variety of<br />
genres. These include: Living Black, the groundbreaking indigenous magazine program; The Food Lovers'<br />
Guide to Australia, television's only culinary and culture program; the interactive and experimental series,<br />
TwentyFourSeven; the cutting edge comedies, Pizza and Life Support; the late-night program, eat carpet which<br />
remained the only program devoted to short, experimental film; and the series, Subsonics, which explored<br />
avant-garde music.<br />
The documentaries, drama and animation commissioned by SBS Independent explored all facets of<br />
multicultural Australia, drawing on the experiences and expertise of some of Australia's finest independent<br />
filmmakers. SBS's two current affairs programs, Dateline and Insight, reported on international and domestic
REPORT OF OPERATIONS | 81<br />
issues and examined their relevance to, or potential impact on Australia. Both employed the technique of<br />
single-person video journalism, unique to SBS current affairs.<br />
The broadcast hours of SBS Radio's youth program, Alchemy, were extended to run overnight on Fridays and<br />
Saturdays to meet audience demands for programming that reflected the interests of second- and thirdgeneration<br />
migrant children and young adults. The program was closely aligned to the youth oriented<br />
Whatever site on the SBS website. A two CD set, The Whatever Sessions, was released during the year,<br />
capturing the distinctively different musical talents of young people from ethnically diverse backgrounds.<br />
Objective<br />
7. Maintain SBS's position as the premier provider of diverse, informative and entertaining programming in<br />
different languages and from different cultures.<br />
Performance Indicator(s)<br />
Number of industry awards, amount and nature of media and stakeholder comment, audience feedback.<br />
SBS Television maintained its reputation for quality, innovative programs which it acquired from more than 400<br />
sources. In <strong>2002</strong>-<strong>03</strong>, more than 3,600 hours of programs – 52% of the SBS schedule – were in languages other<br />
than English. These programs came from 71 countries, portrayed 217 cultures and were spoken in 117 languages.<br />
Most of these programs were made accessible to the widest possible audience by the use of English language<br />
subtitles.<br />
SBS Television broadcasts in more languages than any other network in the world. Likewise, SBS Radio's 68<br />
different language programs make it the world's most linguistically diverse radio network, and the audio<br />
streaming of all 68 language programs over the SBS website is unmatched by any other website.<br />
Programs commissioned by SBS Independent won more than 60 national and international awards during the<br />
year, bringing the total number of awards it has won since 1994 to more than 460.<br />
Audience feedback – telephone, email, fax and letter – was overwhelmingly supportive and complimentary.<br />
Most of the 1,666 letters, an estimated 50,000 telephone calls, and thousands of emails received during the<br />
year were programming requests and information and general enquiries. The Newspoll audience survey<br />
(November <strong>2002</strong>) found a record 88.5% agreed that "SBS plays an important role in today's culturally diverse<br />
society". The respondents also agreed that "it is important that SBS be available to provide an alternative to<br />
ABC Television" (79.7%) and "commercial stations" (88.5%). In addition, 87.2% agreed that "SBS has types of<br />
programs you would not see on other stations".<br />
SBS Radio management and staff hosted or attended 729 community, industry and public functions where<br />
opinions were canvassed and feedback was received. In addition, SBS Radio held: 85 outside broadcasts; 25<br />
radioathons; 12 meetings involving SBS managers and broadcasters and representatives from language<br />
communities; and contracted independent surveys into five language communities.
82 | REPORT OF OPERATION<br />
Objective<br />
8. Make full use of digital technologies to pursue Charter objectives in a creative way.<br />
Performance Indicator(s)<br />
(a) Programming strategies for additional television channels developed by February 2001 and implemented<br />
through the life of the Plan.<br />
In October <strong>2002</strong>, SBS Television launched its digital service, SBS Essential – a 24-hour electronic and information<br />
program guide, featuring news headlines, program information, weather and music. It is a prototype of an<br />
interactive datacasting channel. Once interactive set-top boxes are available, viewers will be able to call up<br />
information on demand – video, audio and text. Four months earlier, in June <strong>2002</strong>, SBS launched the digital World<br />
News Channel. It broadcasts 19 hours each day with 29 news bulletins, delivering 130 hours of news per week.<br />
Currently, news bulletins are received from 17 countries. Additional languages are being sought. SBS's five<br />
digital services are: its main television service in widescreen; two multi-channels, The World News and SBS<br />
Essential; and two SBS Radio services.<br />
(b) Other steps taken to maximise advantages from the new technologies.<br />
The conversion of SBS's standard definition television and radio studio equipment from analogue to digital<br />
technology continued during <strong>2002</strong>-<strong>03</strong>.<br />
For Television, this included: a number of camera upgrades to wide-screen capability; new non-linear editing<br />
booths; a rebuilt audio sweetening post-production suite; a live broadcast-capable studio inside the newsroom;<br />
a high definition and multi-channel playout centre; and an all digital television facility at SBS's new Melbourne<br />
premises at Federation Square.<br />
SBS Radio's Melbourne studios and teledubbing booths were installed with digital mixers. Audio recording,<br />
storing, editing and play-out are all done digitally. A new digital switcher was installed to route output from<br />
the studios to the AM and FM transmitters. Similar work was commenced in Sydney. The operating system<br />
for the Netia digital audio server was upgraded, and both the database software and storage capacities of the<br />
servers was expanded.<br />
SBS's Transmission Services Group designed and commenced construction of a digital television research and<br />
development facility. This laboratory will allow SBS to investigate the potential of interactive television on both freeto-air<br />
and pay television platforms; explore options for SBS retransmission over cable and satellite digital networks;<br />
and examine innovative uses of digital television technology. Using this facility, the single frequency network<br />
capabilities of set-top boxes and integrated digital televisions will be examined.<br />
Capital expenditure in <strong>2002</strong>-<strong>03</strong> covered equipment requirements to enable the simultaneous play out of one high<br />
definition, three standard definition and two radio channels to seven geographical zones. SBS contributed to the<br />
industry's Digital Strategy Group and Digital Broadcasting Australia on formulating standards and operational<br />
practices for digital television and radio.
Objective<br />
9. Use new media to maximise the impact of programming activities.<br />
Performance Indicator(s)<br />
Growth in use of the SBS Website and in emails about programming.<br />
REPORT OF OPERATIONS | 83<br />
New Media continued to support Television and Radio with the production of program-specific web sites.<br />
During the year: the news and current affairs websites were enhanced with Dateline and Insight now available<br />
as an online video file in addition to full transcripts; the archive facilities on the news and current affairs<br />
websites were enhanced and a daily video bulletin added to The World News website; a service providing email<br />
delivery of daily news headlines was begun; and a live online 'chat' for Mum's the Word and one-off 'chats' for<br />
documentaries were utilised.<br />
Interactive responses (polls, quizzes, forums and comments) increased to a monthly average of 100,000<br />
responses. The number of subscribers to the database of email newsletters increased to an average 8,500 each<br />
month. The Television schedule was introduced as an electronic program guide on digital.<br />
Objective<br />
10. Use SBS's services (Radio, Television and New Media) to cross promote SBS's programming and other<br />
activities.<br />
Performance Indicator(s)<br />
(a) Amount and effectiveness of cross-promotional activity to be quantified quarterly.<br />
(b) SBS Television campaign to re-launch SBS Radio online no later than March 2001.<br />
A comprehensive and systematic strategy of cross-promotion continued across Television, Radio and New Media<br />
throughout the year. SBS Radio's language programs, which produce 15,000 hours of individual programs each<br />
year, broadcast a total of 53 hours of program promotions for SBS Television and SBS Online. In turn, SBS<br />
Television telecast more than 10,000 'spots' about SBS Radio's language programs on its analogue and digital<br />
services. It also telecast more than 730 'spots' about the SBS website; 350 'spots' about SBS Language Services;<br />
and more than 2,800 'spots' about SBS merchandising. A high profile cross-promotion strategy was maintained on<br />
the SBS website. New Media worked with Television to ensure the inclusion of websites in all publicity material.<br />
Objective<br />
11. Reinvigorate SBS Radio to position it for the future, building on its record of achievement and taking full<br />
account of Australia's changing demographics.<br />
Performance Indicator(s)<br />
Repositioning and rescheduling (including use of new media) achieved through the life of the Plan. Timetable<br />
developed by March 2001.
84 | REPORT OF OPERATIONS<br />
Following extensive nationwide consultations, the new SBS Radio schedule – the first since1994 – was due to be<br />
inaugurated from 1 July 20<strong>03</strong>. Four languages were added to the schedule (Malay, Somali, Amharic and<br />
Nepalese) reflecting the growth of these communities' information and educational needs. Additional broadcast<br />
hours were allocated to several other languages in response to audience demands and the increased needs of<br />
these communities. Due to lack of broadcast space, four languages (Irish Gaelic, Scottish Gaelic, Welsh and<br />
Belarusian) were dropped. The allotted broadcast hours are determined by the size of the community and other<br />
factors, including recency of arrival and proficiency in English. Audio streaming on the SBS website of all 68<br />
languages is available as well as packaged feature stories in many of the major languages. Broadcasts of the<br />
nightly youth oriented program, Alchemy, were extended overnight on Fridays and Saturdays to meet growing<br />
demand for programming directed at young people from non-English speaking backgrounds.<br />
RELATIONSHIPS WITH<br />
OUR COMMUNITY<br />
Objective<br />
1. Being open and responsive – collaborating and communicating in many ways with the broader community<br />
as well as with indigenous and non-English speaking communities.<br />
Performance Indicator(s)<br />
(a) Maintenance of current levels of contact with the many different communities and stakeholders.<br />
(b) Opening of new channels of communication, particularly through use of the Internet.<br />
Managers, broadcasters and programming staff were involved in a record 729 community, public and industry<br />
functions. Board members and senior executives met with community groups and leaders on many occasions,<br />
including Board meetings held in Hobart and Melbourne. The Community Advisory Committee met three times and<br />
provided considered advice to the Board. Comprehensive consultations continued throughout the year on planned<br />
changes to SBS Radio's program schedules. The findings of the SBS-commissioned research paper, Living<br />
Diversity: Australia's Multicultural Future, were presented at a number of industry and academic conferences.<br />
Eighty-five outside broadcasts were held throughout Australia at many community festivals and functions.<br />
Each year, SBS Radio hosts community consultations at which representatives from individual language<br />
communities are invited to meet managers and broadcasters to discuss programming. This year, meetings in<br />
Sydney and Melbourne included representatives from the French, German, Greek, Cantonese, Turkish, Mandarin,<br />
Thai, Kannada, Croatian, Hindi, Urdu and Vietnamese communities.<br />
Television managers and programming staff attended industry forums, seminars and festivals in Australia and<br />
overseas, including Britain, France, Germany, Denmark, Greece and Iran. The most popular SBS websites, The<br />
World Game and The World News, attracted increased numbers of visitors with expanded content and access to<br />
video files and comprehensive audio streaming.
REPORT OF OPERATIONS | 85<br />
Objective<br />
2. Use SBS strong links with the individual language communities to attract support for all SBS's activities.<br />
Performance Indicator(s)<br />
Strategies introduced for enhancing benefits from links with language communities.<br />
Most SBS Radio language programs broadcast promotional information about forthcoming SBS Television<br />
programs and regularly advise listeners of audio-on-demand and other programming information and services<br />
available on the SBS website. In addition, SBS Television broadcast more than 10,000 'spots' – mostly positioned<br />
around the WorldWatch program – promoting many of the 68 languages broadcast on SBS Radio and highlighting<br />
some of the station's most popular broadcasters. Eighty-five outside broadcasts, held across Australia, attracted<br />
thousands of onlookers and participants and provided an opportunity for the distribution of radio and television<br />
program information, schedules and other publicity and information material. The feedback on programs and<br />
corporate initiatives provided by the Community Advisory Committee was disseminated throughout the corporation.<br />
Objective<br />
3. Ensure continued government, audience and stakeholder recognition of the value and importance of SBS<br />
as a public broadcaster.<br />
Performance Indicator(s)<br />
Amount of positive feedback received.<br />
SBS's extensive and wide-ranging community consultations, including regular outside broadcasts, ensured<br />
immediate feedback on a variety of programming and other issues. SBS maintained an active relationship with<br />
government leaders, other officials and industry representatives in order to ensure its views were heard and its<br />
activities understood. Both SBS Television and SBS Radio conducted independent audience surveys to gauge<br />
public attitudes about the Corporation and its programs. Comprehensive online surveys, conducted by SBS<br />
New Media, were being analysed at year's end for their possible incorporation in future programming and<br />
promotional strategies.<br />
In October, the Minister for Communications, Information Technology and the Arts, Senator Richard Alston,<br />
launched the digital service, SBS Essential. The start of broadcasts of the electronic program and information<br />
guide (with simultaneous delivery on the Parliament House television service) came four months after the Minister<br />
launched SBS's World News Channel. Both events highlighted SBS's commitment to digital multi-channelling.<br />
SBS New Media maintained its valuable business and strategic partnerships with a number of information<br />
technology suppliers and government instrumentalities, resulting in technical innovations and content generation.<br />
SBS continued its contribution to the industry's Digital Strategy Group and Digital Broadcasting Australia on<br />
formulating standards and operational practices for digital television and radio, and maintained close links with<br />
major consumer electronic suppliers on digital equipment specifications.
86 | REPORT OF OPERATIONS<br />
Objective<br />
4. Extending the network of our relationships with our community to reach younger people.<br />
Performance Indicator(s)<br />
Establishment of new and creative relationships with educational and other institutions which have a<br />
youth focus.<br />
New Media's efforts to highlight the musical talents of young Australians culminated with the March 20<strong>03</strong> release<br />
by Universal Records of the double CD, The Whatever Sessions. Another CD is planned for release in 20<strong>03</strong>-04. A<br />
collaborative project with the South Australian Film Corporation was launched in April 20<strong>03</strong>. During 20 weeks, the<br />
creative production and media talents of nine participants will be directed to the production of innovative works for<br />
both television and the web. The works, to be called My Space in an Amazing Place, will involve vastly different<br />
locations and diverse mediums.<br />
Another SBS project, Animaterratica, was launched with Film Victoria under its New Media Funding Accord. The<br />
project will use a collection of diverse folk tales from Australia's ethnic communities as the inspiration for a series<br />
of 20 short and stylistically diverse animations. SBS Radio's youth program, Alchemy, established a music<br />
partnership with the national youth festival, Noise, for the presentation of Sonic Allsorts, a competition profiling<br />
young creative artists who perform in languages other than English. Alchemy also joined the Womadelaide Festival<br />
and organised a concert at Melbourne's Federation Square in association with the Australian Centre for the Moving<br />
Image.<br />
SBS offered work experience programs for school students in Television Operations and Sport. Television News<br />
and Current Affairs maintained an internship program for journalism students, and SBS Radio offered journalism<br />
work placements.<br />
Objective<br />
5. Manage the relationships (including financial) with government and the public policy process to further<br />
SBS's Charter objectives.<br />
Performance Indicator(s)<br />
Degree of success in achieving SBS objectives as they arise.<br />
SBS maintained strong relationships with the Federal Government through regular contact with ministers and their<br />
officers, other politicians and relevant department officials. On issues affecting SBS, the Corporation<br />
communicated its position persuasively and informatively, ensuring its views were heard and its activities were<br />
understood. The broadcasting policy issues on which SBS made high-level representations with government and<br />
other corporate and industry bodies in <strong>2002</strong>-<strong>03</strong> included digital broadcasting legislation and digital television<br />
policy, media ownership, and triennial funding for 20<strong>03</strong>-06.<br />
SBS consulted extensively with government and other industry representatives on a number of reviews, inquiries<br />
and investigations throughout the year. These included:<br />
Submissions to DCITA on: the Review of the Roles of the ABA and the ACA; the Therapeutic Goods Amendment<br />
Bill (No. 2) <strong>2002</strong>; proposed legislative changes to licensing arrangements for community television.
REPORT OF OPERATIONS | 87<br />
Submissions to the ABA on the review of Australian Content on Subscription Television and on the Draft National<br />
Television Conversion Amendment Scheme <strong>2002</strong>.<br />
A submission to the Senate Legal and Constitutional Committee Inquiry into the Australian Security Intelligence<br />
Organisation Legislation Amendment (Terrorism) Bill <strong>2002</strong><br />
A submission to the ACCC on the draft undertakings made under the Trade Practices Act 1974 by Foxtel, Optus,<br />
Austar and Telstra<br />
Submissions to: the NSW Law Reform Commission regarding its interim Surveillance <strong>Report</strong>; the SA Legislative<br />
Review Committee on Section 69 of the Evidence Act; and to the NT Government on new directions for film,<br />
television and new media industries in the Territory.<br />
Objective<br />
6. Clarify and strengthen the relationship with rural and regional and remote Australia.<br />
Performance Indicator(s)<br />
Increase in the amount of contact (Internet, OB units, public relations activity, consultations, etc.) that<br />
strengthens relationships outside capital cities.<br />
SBS Radio conducted 85 outside broadcasts during the year, visiting capital cities and regional centres in New<br />
South Wales, Victoria, Queensland, Tasmania and the Australian Capital Territory. The vast majority of the broadcasts<br />
coincided with festivals and community celebrations, including Sydney's Royal Easter Show, the Royal Hobart<br />
Show, the Adelaide Festival, and 'Queensland Week' in Brisbane. Publicity and information brochures, including<br />
schedules, postcards and information about the Self-Help Scheme and SBS Radio Online, were distributed.<br />
SBS Independent, the commissioning arm of SBS Television, increased its activity under the creative and cofinancing<br />
alliances it has with all State film agencies. Preliminary discussions were held with the Northern Territory<br />
government about film- and television-making opportunities. Almost one third of all programs commissioned by<br />
SBSi are made in regional, rural and remote areas of Australia.<br />
As administrator of the Self-Help Subsidy scheme, SBS liaised with rural and remote communities wishing to access<br />
SBS Television. More than 150 self-help transmitters operate throughout Australia and a further 234 have been<br />
licensed to commence SBS services. SBS Radio continued to promote the use of self-help transmitters in rural<br />
communities. SBS's Policy unit conducted focus groups in Bathurst and Young in September following the<br />
introduction of SBS Radio in both cities and during the year Community Advisory Committee members from<br />
Rockhampton and Newcastle conveyed to SBS the attitudes and opinions of regional Australians.<br />
Objective<br />
7. Showcase public broadcasting and highlight SBS's special role including our independence<br />
and our diversity<br />
Performance Indicator(s)<br />
Measures taken to reach and inform our communities about SBS's role as a public broadcaster.
88 | REPORT OF OPERATIONS<br />
At industry meetings, conferences and community functions, the Managing Director and other senior<br />
executives spoke on SBS's role as a multilingual and multicultural broadcaster. The Chairman and other<br />
Board members also attended some of the 729 community, public and industry functions. The public profile<br />
of SBS was boosted with the presence of the outside broadcast units at many well-attended public<br />
gatherings and festivals. SBS actively seeks and encourages feedback on programming and policy issues<br />
through its Community Advisory Committee, whose broad representation includes people from a diverse<br />
range of cultural, occupational and geographic backgrounds.<br />
Formal community consultations between SBS managers and broadcasters were held with 12 language<br />
groups – French, German, Greek, Cantonese, Turkish, Mandarin, Thai, Kannada, Croatian, Hindi, Urdu<br />
and Vietnamese – and delegations from 16 countries (including ambassadors, consuls and broadcasters)<br />
visited SBS to discuss and review SBS operations. Regular visits to SBS by community members, student<br />
groups and industry representatives provided opportunities for individual work areas to explain the purpose<br />
and functions of the Corporation.<br />
SBS, in association with the University of NSW and the University of Western Sydney, initiated a 'research<br />
partnership' to explore SBS's history and its future direction, emphasising the role SBS has played in deepening<br />
Australian democracy through multicultural broadcasting.<br />
Objective<br />
8. Roll out SBS Television to carry the SBS signal to regional Australia<br />
Performance Indicator(s)<br />
Timeliness and effectiveness of roll out program.<br />
With additional Government funding, the roll out of SBS's analogue signal was extended to areas with populations<br />
of 5,000 or more. The first of these services was launched during the year and the remaining 20 are scheduled to<br />
be operational by 20<strong>03</strong>-04. A total of 234 transmitter sites have been identified under the Government's Black<br />
Spot Program and many of these new transmitters have commenced service. When completed, the number of<br />
self-help transmitters will number almost 400.<br />
SBS's digital service continued to expand beyond the State and Territory capitals. During the year, new services<br />
were launched in the Gold Coast, Currumbin, Illawarra, Wollongong, Bouddi, Gosford, Kings Cross, Kotara,<br />
Manly/Mosman, Merewether, Wyong, Stanwell Park, Gympie, Gympie Town, Noosa/Tewantin, Sunshine Coast,<br />
Ballarat and Western Victoria. By year's end, 27 digital transmitters were on air and a further 53 were in the design<br />
and construction phase. In June 20<strong>03</strong>, SBS commenced the satellite distribution of digital services to the eastern<br />
states with South Australia and Western Australia scheduled thereafter. This will enable transmitter installation in<br />
more remote locations.
SBS'S PEOPLE<br />
REPORT OF OPERATIONS | 89<br />
Objective<br />
1. Develop strategies to ensure diversity (gender, age, cultural background and professionalism) in all parts<br />
of the organisation.<br />
Performance Indicator(s)<br />
(a) New diversity program launched and implemented.<br />
(b) <strong>Report</strong> on mix of staff throughout the organisation.<br />
(c) Recruitment policies and procedures reviewed.<br />
The SBS Diversity Program encourages workplace diversity (gender, age, cultural and professional) within the<br />
framework of merit selection. The mix of staff – female and male – was relatively even across all areas of the<br />
Corporation. During <strong>2002</strong>-<strong>03</strong> there were no requests for recruitment information in accessible formats; SBS<br />
engaged consultants to assist with the reasonable adjustment to the workplace of a number of employees;<br />
training and development programs accommodated the needs of staff with disabilities; and SBS's regular<br />
Induction program addressed the issue of workplace diversity including disability. SBS has grievance<br />
mechanisms, including access to external bodies, to address concerns raised by staff. The Board and<br />
Executive reviewed annual reports on a range of human resources data including diversity information.<br />
Objective<br />
2. Streamline and enhance strategies for driving cultural change in the workplace to integrate, protect and<br />
strengthen the organisation.<br />
Performance Indicator(s)<br />
Strategies in place by June 2001 to improve cross-divisional relationships and achieve better linkages between<br />
related functions.<br />
The SBS Certified Agreement <strong>2002</strong> was certified in August <strong>2002</strong> and will remain in place for three years. The<br />
new Agreement reflects SBS's business needs and Radio and Television representatives were involved in the<br />
negotiations with the unions. SBS has common employment conditions and policies across the Corporation.<br />
After one year's operation, the Resources Group project management system had helped improve corporate<br />
efficiency with day-to-day IT operations supplemented by the management of more than 20 development projects.<br />
Objective<br />
3. Promote effective leadership and management, including through targeted training and<br />
development programs.<br />
Performance Indicator(s)<br />
Evaluation of effectiveness of training and development programs.
90 | REPORT OF OPERATIONS<br />
SBS encouraged its staff to enhance their professional skills and qualifications through a mixture of external<br />
studies and development programs. Maintaining high standards of managerial skills aids the Corporation to<br />
anticipate and plan for emerging issues. During the year, SBS conducted, or supported, various formal<br />
management training courses in areas such as the performance management system, human resources<br />
policies, occupational health and safety, workplace harassment and privacy. Comprehensive training course in<br />
broadcast journalism (radio) and legal and skills training (television) continued throughout the year.<br />
Objective<br />
4. Provide staff training and development, especially for new technology.<br />
Performance Indicator(s)<br />
Development programs implemented.<br />
SBS continued its staff training courses in the areas of e-commerce, risk management, exercising delegations<br />
and project management. Staff also attended a range of externally based training during the year. Television staff<br />
received training in new technology (e.g. video-journalism, non-linear editing, the Pilat IBMS TV system and digital<br />
publishing to the web) and also attended legal workshops covering such issues as defamation and copyright.<br />
Radio staff received advanced training in the new Netia digital production and presentation system, digital sound<br />
editing systems, access audio on the Internet, and operations of SBS's new radio talkback system. Comprehensive<br />
training courses in broadcast journalism, as well as legal and ethical issues, continued throughout the year.<br />
Objective<br />
5. Consolidate PMP (SBS's performance management system) as a key tool for promoting quality,<br />
recognising performance and implementing cultural change.<br />
Performance Indicator(s)<br />
<strong>Report</strong>s on effectiveness of PMP in all work areas.<br />
The Performance Management Program (PMP) was amended in the new Certified Agreement, reflecting the<br />
experience of the previous three years. PMP outcomes are monitored and reports provided. PMP has proved<br />
effective in bringing about improved performance.
BUSINESS ACTIVITIES<br />
REPORT OF OPERATIONS | 91<br />
Objective<br />
1. Maximise asset and resource use in an entrepreneurial way to raise funds to advance the Charter.<br />
Performance Indicator(s)<br />
(a) Creation of new revenue raising opportunities through the life of the Plan, including new strategic alliances<br />
developed to meet objectives of the Charter.<br />
(b) Percentage of operating costs provided from revenue.<br />
(c) <strong>Report</strong> on optimal use of resources - financial, technical, physical and human.<br />
The Corporation and its controlled entity, Multilingual Subscriber Television Ltd, finished the <strong>2002</strong>-<strong>03</strong> financial<br />
year with a surplus (after capital use charge) of $1.388 million (0.8 % of available resources). Contributing to<br />
the surplus was a higher than budgeted result in revenue from advertising. PAN TV, which produces the World<br />
Movies Channel, is 40% owned by Multilingual Subscriber Television Limited (MSTL), a wholly owned subsidiary<br />
of SBS.<br />
The audit of SBS's annual financial statements is carried out by the Australian National Audit Office (ANAO).<br />
The ANAO gave an unqualified opinion on the <strong>2002</strong>-<strong>03</strong> financial statements of the Corporation. The SBS Audit<br />
and Finance Committee met four times during the year and considered audits conducted by both the Australian<br />
National Audit Office and the internal auditors, Deloitte Touche Tohmatsu. In all cases, the results were satisfactory<br />
with recommendations for improvements to the control environment brought to management's attention. The<br />
audits conducted in <strong>2002</strong>-<strong>03</strong> were: Program Purchasing and Inventory Management, Digital Television<br />
Conversion Review, Television News and Current Affairs, Television Sport, Corporate Services, Human<br />
Resources, Information Technology Security Review, Information Technology Governance Review, Pay Television<br />
Contracts, Superannuation Delegations Review and Risk Management.<br />
In March 20<strong>03</strong>, SBS introduced its new Oracle browser-based e-commerce module, iProcurement. This enables<br />
online requisitions (from a catalogue of supplies), and online approvals, purchase orders, and receipting. This<br />
is a significant milestone in the e-commerce project that SBS is undertaking. SBS is one of four agencies<br />
selected (and funded) by The National Office for the Information Economy (NOIE) for this project, as part of the<br />
Government's initiatives to promote e-commerce.<br />
Objective<br />
2. Use new media to sustain and increase our profile in the marketplace, including through future<br />
strategic partnerships.<br />
Performance Indicator(s)<br />
Initiatives undertaken by New Media and new partnerships forged.
92 | REPORT OF OPERATIONS<br />
In <strong>2002</strong>-<strong>03</strong>, SBS New Media maintained a range of creative and commercial strategic partnerships with content<br />
providers, infrastructure providers and the public sector. Major partnership included: Film Victoria, Sportal Australia,<br />
Hardie Grant, Sun Microsystems, Apple Computers, MediaWare, and the South Australia Film Corporation.<br />
Objective<br />
3. Protecting and promoting the distinctive SBS brand.<br />
Performance Indicator(s)<br />
Number of quality campaigns that promote the brand of SBS.<br />
SBS Radio retained its strong public profile through a record 85 outside broadcasts across Australia in <strong>2002</strong>-<br />
<strong>03</strong>. These on-the-spot broadcasts, interviews and quizzes are supplemented by the extensive distribution of<br />
related merchandising. Other events where the SBS brand was heavily promoted included Sydney's Royal<br />
Easter Show, the Adelaide Festival and Womadelaide, the Melbourne Fringe Festival, the Royal Hobart Show,<br />
and SBS sponsored film festivals (Spanish, Italian and Greek).<br />
SBS Television concentrated its resources and efforts on program-specific advertising and launches, while SBS<br />
New Media raised public awareness of SBS's commitment to youth programming with the launch of the double<br />
CD set, The Whatever Sessions.
FINANCIAL STATEMENTS | 93<br />
FINANCIAL<br />
STATEMENTS<br />
Special Broadcasting Service Corporation and Controlled Entity
94 | FINANCIAL STATEMENTS<br />
INDEPENDENT AUDIT REPORT<br />
To the Minister for Communications, Information Technology and the Arts<br />
Scope<br />
I have audited the financial statements of the Special Broadcasting Service Corporation<br />
for the year ended 30 June 20<strong>03</strong>. The financial statements include the consolidated financial statements<br />
of the consolidated entity comprising the Special Broadcasting Service Corporation and the entities it controlled<br />
at the year’s end or from time to time during the financial year. The financial statements comprise:<br />
• Statement by Directors;<br />
• Statements of Financial Performance, Financial Position and Cash Flows;<br />
• Schedules of Commitments, Contingencies and Administered Items; and<br />
• Notes to and forming part of the Financial Statements.<br />
The members of the Board are responsible for the preparation and presentation of the financial statements<br />
and the information they contain. I have conducted an independent audit of the financial statements in order<br />
to express an opinion on them to you.<br />
The audit has been conducted in accordance with Australian National Audit Office Auditing Standards, which<br />
incorporate the Australian Auditing Standards, to provide reasonable assurance as to whether the financial<br />
statements are free of material misstatement. Audit procedures included examination, on a test basis,<br />
of evidence supporting the amounts and other disclosures in the financial statements and the evaluation<br />
of accounting policies and significant accounting estimates. These procedures have been undertaken to form<br />
an opinion as to whether, in all material respects, the financial statements are presented fairly in accordance<br />
with Accounting Standards and other mandatory professional reporting requirements in Australia and statutory<br />
requirements so as to present a view which is consistent with my understanding of the Corporation’s and the<br />
consolidated entity’s financial position, their financial performance and their cash flows.<br />
The audit opinion expressed in this report has been formed on the above basis.<br />
Australian National<br />
Audit Office
Audit Opinion<br />
In my opinion the financial statements:<br />
(i) have been prepared in accordance with Finance Minister’s Orders made under the Commonwealth<br />
Authorities and Companies Act 1997; and<br />
(ii) give a true and fair view, in accordance with applicable Accounting Standards and other mandatory<br />
professional reporting requirements in Australia and the Finance Minister’s Orders, of the financial position<br />
of the Special Broadcasting Service Corporation and the consolidated entity as at 30 June 20<strong>03</strong>, and their<br />
financial performance and cash flows for the year then ended.<br />
Australian National Audit Office<br />
P Hinchey<br />
Senior Director<br />
Delegate of the Auditor-General<br />
Sydney<br />
19 August 20<strong>03</strong><br />
FINANCIAL STATEMENTS | 95
96 | FINANCIAL STATEMENTS<br />
STATEMENT BY DIRECTORS<br />
In our opinion, the attached financial statements for the year ended 30 June 20<strong>03</strong> give a true and fair view<br />
of the matters required by the Finance Minister’s Orders made under the Commonwealth Authorities and<br />
Companies Act 1997.<br />
In our opinion, at the date of this statement, there are reasonable grounds to believe that the Corporation will be<br />
able to pay its debts as and when they become due and payable.<br />
Signed Signed<br />
Carla Zampatti Nigel Milan<br />
Chairman Managing Director<br />
19 August 20<strong>03</strong> 19 August 20<strong>03</strong>
STATEMENT OF FINANCIAL PERFORMANCE<br />
for the 12 months ended 30 June 20<strong>03</strong><br />
THE ABOVE STATEMENT SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES<br />
FINANCIAL STATEMENTS | 97<br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Revenues from ordinary activities<br />
Revenue from Government 5(a) 137,452 127,227 137,452 127,227<br />
Goods and services 5(b) 28,171 30,945 28,171 30,045<br />
Interest 5(c) 1,574 2,335 1,420 2,190<br />
Revenue from sale of assets 5(d) 102 25 102 25<br />
Reversals of previous asset write-downs 5(e) 43 - 43 -<br />
Net foreign exchange gains (non-speculative) 1(u),15(c) 16 20 16 20<br />
Other 5(f) 6,880 7,112 6,880 8,112<br />
Total revenues from ordinary activities 174,238 167,664 174,084 167,619<br />
Expenses from ordinary activities<br />
(excluding borrowing costs expense)<br />
Employees 6(a) 60,262 55,873 60,262 55,873<br />
Suppliers 6(d) 91,280 90,063 91,252 90,056<br />
Depreciation and amortisation 6(e) 8,072 9,073 8,072 9,073<br />
Write-down of assets 6(f) 44 94 44 94<br />
Value of assets sold 6(g) 215 45 215 45<br />
Expenses from ordinary activities 159,873 155,148 159,845 155,141<br />
(excluding borrowing costs expense)<br />
Borrowing costs expense 7 1,443 3,510 1,443 3,510<br />
Share of net profits/(losses) of associates<br />
and joint ventures accounted for using the<br />
equity method 8(c)(xii) (117) 211 - -<br />
Operating surplus from ordinary activities<br />
before income tax 12,805 9,217 12,796 8,968<br />
Income tax expense relating to ordinary activities 12(c) 511 - - -<br />
Operating surplus from ordinary activities<br />
after income tax 12,294 9,217 12,796 8,968<br />
Net surplus 4 12,294 9,217 12,796 8,968<br />
Total revenues, expenses and valuation<br />
adjustments recognised directly in equity 14 - - - -<br />
Total changes in equity other than those resulting<br />
from transactions with owners as owners.<br />
12,294 9,217 12,796 8,968
98 | FINANCIAL STATEMENTS<br />
STATEMENT OF FINANCIAL POSITION<br />
as at 30 June 20<strong>03</strong><br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
ASSETS<br />
Financial assets<br />
Cash 8(a) 3,570 4,057 3,558 3,212<br />
Receivables 8(b) 6,054 9,861 10,439 14,198<br />
Investments accounted for using the equity method 8(c) 2,732 2,849 - -<br />
Other investments 8(c) 65,966 65,321 62,922 62,788<br />
Total financial assets 78,322 82,088 76,919 80,198<br />
Non-financial assets<br />
Land and buildings 9(a),(d),(e) 51,094 47,471 51,094 47,471<br />
Plant and equipment 9(b),(d),(e),(f) 30,097 28,741 30,097 28,741<br />
Inventories 9(g) 27,481 21,908 27,481 21,908<br />
Intangibles 9(c),(d),(e) 1,939 764 1,939 764<br />
Other 9(h) 7,711 7,838 7,711 7,838<br />
Total non-financial assets 118,322 106,722 118,322 106,722<br />
Total assets 196,644 188,810 195,241 186,920<br />
LIABILITIES<br />
Interest bearing liabilities<br />
Loans 10(a) 22,193 24,000 22,193 24,000<br />
Leases 10(b) 18 104 18 104<br />
Total interest bearing liabilities 22,211 24,104 22,211 24,104<br />
Provisions<br />
Employees 11(a) 14,968 14,049 14,968 14,049<br />
Total Provisions 14,968 14,049 14,968 14,049<br />
Payables<br />
Suppliers 12(a) 9,768 8,927 9,756 8,892<br />
Other 12(b) 47,272 49,311 47,272 49,311<br />
Tax 12(c) 38 - - -<br />
Total payables 57,078 58,238 57,028 58,2<strong>03</strong><br />
Total liabilities 94,257 96,391 94,207 96,356<br />
NET ASSETS 102,387 92,419 101,<strong>03</strong>4 90,564<br />
EQUITY<br />
Parent entity interest<br />
Contributed equity 14 54,779 46,199 54,779 46,199<br />
Reserves 14 15,722 15,722 15,722 15,722<br />
Accumulated surpluses 14 31,886 30,498 30,533 28,643<br />
Total parent entity interest 102,387 92,419 101,<strong>03</strong>4 90,564<br />
Total equity 102,387 92,419 101,<strong>03</strong>4 90,564<br />
Current assets 58,359 65,368 56,021 62,660<br />
Non-current assets 138,285 123,442 139,220 124,260<br />
Current liabilities 27,206 46,921 27,156 46,886<br />
Non-current liabilities 67,051 49,470 67,051 49,470<br />
THE ABOVE STATEMENT SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES
STATEMENT OF CASH FLOWS<br />
for the 12 months ended 30 June 20<strong>03</strong><br />
FINANCIAL STATEMENTS | 99<br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
OPERATING ACTIVITIES<br />
Cash received<br />
Goods and services 33,222 27,339 33,100 26,679<br />
Appropriations 1(f), 5(a) 137,452 127,227 137,452 127,227<br />
Interest 4,174 5,114 4,004 5,000<br />
GST received from ATO 6,220 7,984 6,321 8,044<br />
Total cash received 181,068 167,664 180,877 166,950<br />
Cash used<br />
Employees (59,343) (55,300) (59,343) (55,300)<br />
Suppliers (101,314) (111,554) (101,291) (111,548)<br />
Borrowing costs (1,443) (3,208) (1,443) (3,208)<br />
Income Tax paid to ATO (473) - - -<br />
Total cash used (162,573) (170,062) (162,077) (170,056)<br />
Net cash from (used by) operating activities 13 18,495 (2,398) 18,800 (3,106)<br />
INVESTING ACTIVITIES<br />
Cash received<br />
Proceeds from sales of property, plant and equipment 102 26 102 26<br />
Proceeds from sales of financial instruments 29,429 34,832 28,057 34,822<br />
Total cash received 29,531 34,858 28,159 34,848<br />
Cash used<br />
Purchase of property, plant and equipment (14,551) (8,426) (14,551) (8,426)<br />
Purchase of financial instruments (29,864) (23,122) (27,964) (23,122)<br />
Total cash used (44,415) (31,548) (42,515) (31,548)<br />
Net cash from (used by) investing activities (14,884) 3,310 (14,356) 3,300<br />
FINANCING ACTIVITIES<br />
Cash received<br />
Appropriations - contributed equity 5(a) 8,580 8,000 8,580 8,000<br />
Proceeds from loans 24,000 24,000 24,000 24,000<br />
Total cash received 32,580 32,000 32,580 32,000<br />
Cash used<br />
Repayments of debt (25,807) (20,821) (25,807) (20,821)<br />
Capital use charge paid (10,785) (10,185) (10,785) (10,185)<br />
Finance lease payments (86) (396) (86) (396)<br />
Total cash used (36,678) (31,402) (36,678) (31,402)<br />
Net cash from (used by) financing activities (4,098) 598 (4,098) 598<br />
Net increase (decrease) in cash held (487) 1,510 346 792<br />
Cash at the beginning of the reporting period 4,057 2,547 3,212 2,420<br />
Cash at the end of the reporting period 8(a) 3,570 4,057 3,558 3,212<br />
THE ABOVE STATEMENT SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES
100 | FINANCIAL STATEMENTS<br />
SCHEDULE OF COMMITMENTS<br />
as at 30 June 20<strong>03</strong><br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
BY TYPE<br />
Capital commitments<br />
Buildings 177 213 177 213<br />
Plant and equipment 3,593 1,869 3,593 1,869<br />
Total capital commitments 3,770 2,082 3,770 2,082<br />
Other commitments<br />
Transmission facilities (i) 582,474 249,421 582,474 249,421<br />
Operating leases (ii) 17,3<strong>03</strong> 16,192 17,266 16,169<br />
Other commitments (iii) 28,592 19,642 28,592 19,642<br />
Total other commitments 628,369 285,255 628,332 285,232<br />
Total commitments payable 632,139 287,337 632,102 287,314<br />
Commitments receivable<br />
Transmission facilities (i) 332,851 172,226 332,851 172,226<br />
Operating leases 2,640 4,931 2,640 4,931<br />
Advertising and sponsorship 2,832 3,313 2,832 3,313<br />
Services to related corporations 193 300 193 300<br />
Other commitments (iii) 55,593 20,697 55,593 20,697<br />
Total commitments receivable 394,109 201,467 394,109 201,467<br />
Net commitments 238,<strong>03</strong>0 85,870 237,993 85,847<br />
BY MATURITY<br />
All net commitments<br />
One year or less 49,623 23,424 49,614 23,413<br />
From one to five years 121,101 24,926 121,073 24,914<br />
Over five years 67,306 37,520 67,306 37,520<br />
Net commitments 238,<strong>03</strong>0 85,870 237,993 85,847<br />
Net Operating lease commitments<br />
One year or less 2,072 1,404 2,063 1,393<br />
From one to five years 4,362 1,232 4,334 1,220<br />
Over five years 8,229 8,625 8,229 8,625<br />
Net Operating lease commitments 14,663 11,261 14,626 11,238<br />
NB: Commitments are GST inclusive where relevant.<br />
(i) Transmission facilities commitments include future expenditure and amounts receivable for digital transmission services .<br />
(ii) Nature of lease General description of leasing arrangement:<br />
- Leases for office accommodation: Lease payments are subject to annual increases in line with the Consumer Price Index or Market Value.<br />
The leases are renewable.<br />
- Leases of computer equipment: The leases for computer equipment are for a period of three or four years.<br />
Options to extend leased terms are available at discounted prices.<br />
- Leases of motor vehicles: No contingent rentals exist, and no renewal or purchase options are available.<br />
(iii) As at 30 June 20<strong>03</strong>, other commitments comprises amounts in respect of program, production, operational costs, and net GST recoverable from<br />
the taxation authority, which relate to these commitments.<br />
THE ABOVE SCHEDULE SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES
SCHEDULE OF CONTINGENCIES<br />
as at 30 June 20<strong>03</strong><br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Contingent liabilities<br />
Claims for damages/costs (iv) 310 250 310 250<br />
Total contingent liabilities 310 250 310 250<br />
Contingent assets<br />
Claims for damages/costs - - - -<br />
Total contingent assets - - - -<br />
Net contingent liabilities 310 250 310 250<br />
(iv) The Corporation is presently a defendant in several cases.<br />
The amounts represent the Corporation's liability if unsuccessful.<br />
SCHEDULE OF UNQUANTIFIABLE CONTINGENCIES<br />
There are no unquantifiable contingencies as at 30 June 20<strong>03</strong>.<br />
THE ABOVE SCHEDULE SHOULD BE READ IN CONJUNCTION WITH THE ACCOMPANYING NOTES<br />
FINANCIAL STATEMENTS | 101
102 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
Note Description<br />
1 Summary of significant accounting policies<br />
2 <strong>Report</strong>ing by segments and outcomes<br />
3 Economic dependency<br />
4 Operating surplus<br />
5 Operating revenues<br />
5(a) Revenues from Government<br />
5(b) Sales of goods and services<br />
5(c) Interest<br />
5(d) Revenue from sale of assets<br />
5(e) Reversals of previous asset write-downs<br />
5(f) Other operating revenue<br />
6 Operating expenses<br />
6(a) Employee expenses and Average Staffing Level<br />
6(b) Remuneration of officers<br />
6(c) Remuneration of directors and related party disclosures<br />
6(d) Suppliers expenses<br />
6(e) Depreciation and amortisation<br />
6(f) Write-down of assets<br />
6(g) Value of assets sold<br />
7 Borrowing Cost Expenses<br />
8 Financial assets<br />
8(a) Cash<br />
8(b) Receivables<br />
8(c) Investments<br />
9 Non-financial assets<br />
9(a) Land and buildings<br />
9(b) Plant and equipment<br />
9(c) Intangibles<br />
9(d) Analysis of property, plant, equipment and intangibles<br />
9(e) Summary of balances of assets at valuation<br />
9(f) Summary of balances of assets held under finance lease<br />
9(g) Inventories<br />
9(h) Other non-financial assets<br />
10 Interest Bearing Liabilities<br />
10(a) Loans<br />
10(b) Finance lease liabilities<br />
11 Provisions<br />
11(a) Employee provisions<br />
12 Payables<br />
12(a) Suppliers<br />
12(b) Other payables<br />
12(c) Tax<br />
13 Cash flow reconciliation<br />
14 Analysis of Equity<br />
15 Financial instruments<br />
15(a) Terms, conditions and accounting policies<br />
15(b) Interest rate risk<br />
15(c) Foreign currency risk<br />
15(d) Credit risk<br />
15(e) Net fair values of financial assets and liabilities<br />
16 Contingent Liabilities and Assets
FINANCIAL STATEMENTS | 1<strong>03</strong><br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
1 SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES<br />
(a) Basis of accounting<br />
for the year ended 30 June 20<strong>03</strong><br />
The financial statements are required by clause 1(b) of Schedule 1 to the Commonwealth Authorities and Companies Act 1997<br />
and are a general purpose financial report.<br />
The statements have been prepared in accordance with the Finance Minister's Orders (being the Commonwealth Authorities and<br />
Companies (Financial Statements for reporting periods ending on or after 30 June 20<strong>03</strong>) Orders). The Financial Statements have<br />
been prepared in accordance with Australian Accounting Standards and Accounting Interpretations issued by the Australian<br />
Accounting Standards Board and the Consensus Views of the Urgent Issues Group.<br />
The Corporation and Consolidated Statements of Financial Performance and Financial Position have been prepared on an<br />
accrual basis, and are in accordance with historical cost convention, except for certain assets which, as noted, are at valuation<br />
(see note 9).<br />
(b) Changes in accounting policy<br />
Accounting policies are selected and applied in a manner which ensures that the resulting financial information satisfies the<br />
concepts of relevance and reliability, thereby ensuring that the substance of the underlying transactions or other events is reported.<br />
Significant accounting policies adopted in the preparation and presentation of the financial report are identified in this note.<br />
The accounting policies used in the preparation of these financial statements are consistent with those used in 2001-02, except<br />
where changes in accounting policy are identified in this note under their appropriate headings.<br />
(c) Principles of consolidation<br />
The consolidated financial statements are those of the economic entity comprising the Special Broadcasting Service Corporation<br />
(the parent entity) and Multilingual Subscriber Television Ltd (MST Ltd). The effect of all transactions between the entities in the<br />
economic entity and inter-entity balances are eliminated in full.<br />
(d) Equity accounting of associated companies<br />
The principles of equity accounting have been applied in respect of associated companies. Associated companies are those<br />
companies over which the economic entity exercises significant influence but not control.<br />
Using the equity method, the Corporation has recognised through its controlled entity, Multilingual Subscriber Television Ltd (MST<br />
Ltd), the share of profit (loss) of its associate, PAN TV Ltd, as revenue (expense) in its Statement of Financial Performance, and<br />
its share of movements in reserves in consolidated reserves. Equity information is disclosed in note 8(c). MST Ltd's investment<br />
in the associated entity, PAN TV Ltd, is accounted for in accordance with AASB 1016 "Accounting for investments in associates".<br />
(e) <strong>Report</strong>ing by outcomes<br />
The results by outcome specified in the Appropriation Acts relevant to the Corporation are presented in note 2.<br />
(f) Appropriations<br />
Under the accruals framework, Parliament appropriates moneys to the Corporation as revenue appropriations, as loan<br />
appropriations and as equity injections.<br />
Revenue appropriations - Output Appropriations<br />
Revenues from Government are revenues of the core operating activities of the Corporation. The full amount of the appropriation<br />
for departmental outputs for the year is recognised as revenue.<br />
Non-revenue appropriations - Equity Injections and Loans<br />
Amounts appropriated as equity injections are recognised as increases in "Contributed Equity". All equity appropriations have<br />
been fully drawn down. Loan appropriations are recognised as increases in borrowings, when the appropriation is drawn down.<br />
In 20<strong>03</strong>, the Corporation was appropriated $24m on loan funding to refinance the balance of an existing loan - see note 5(a).
104 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
(g) Resources received free of charge<br />
Resources received free of charge are recognised as revenues where their fair value can be reliably measured. Use of the<br />
resources is recognised as an expense.<br />
(h) Other revenue<br />
All revenues from the sales of goods and services relate to the core operating activities of the Corporation and the economic entity.<br />
All other operating revenues arise from non-core operating activities, except funds received for analogue extensions which are<br />
also included in other operating revenue - see note 1(i).<br />
Revenue from the sale of goods and services is recognised when the economic entity has passed control of the goods to the buyer.<br />
Revenue from the rendering of a service is recognised by reference to the stage of completion of the contract or other agreement.<br />
Interest revenue is recognised on a proportional basis taking into account the interest rates applicable to the financial assets.<br />
Revenue from the disposal of non-current assets is recognised when control of the asset has passed to the buyer.<br />
(i) Other payables<br />
Prepayments received, which affect more than one financial period are matched with the related costs and recognised in the<br />
period to which they relate.<br />
In 2000, the Corporation received $70 million from the TV Fund and $3.4 million (from government appropriation) to provide<br />
analogue extensions to regional Australia over the next twelve years. The amount received, including interest accrued on this<br />
amount, is recognised as revenue when related expenditure is incurred. Refer to notes 5(f), 6(d) and 8(c)(x).<br />
(j) Employee benefits<br />
(i) Provision for long service leave<br />
The provision for long service leave is measured at the present value of estimated future cash flows to be made in respect<br />
of all employees at 30 June 20<strong>03</strong>. In determining the present value of the liability, attrition rates and pay increases have<br />
been taken into account. The amount expected to be payable within twelve months is shown as a current liability, and the<br />
balance as a non-current liability.<br />
(ii) Provision for annual leave<br />
Provision is made for the value of entitlements accrued as at balance date and includes the annual leave bonus component<br />
payable in accordance with the SBS Award. The amount expected to be payable within twelve months is shown as a<br />
current liability, and the balance as a non-current liability. The nominal amount is calculated having regard to the rates<br />
expected to be paid on settlement of the liability. This is a change in accounting policy from last year, as required by the<br />
initial application of a new Accounting standard AASB 1028 from 1 July <strong>2002</strong>. The impact in 20<strong>03</strong> of salary increases under<br />
the current SBS Certified Agreement is $109,287 for annual leave liabilities.<br />
(iii) Provision for redundancies<br />
Provision is made for redundancies for employees or employee numbers identified at balance date, which can be reliably<br />
measured. The provision does not include long service leave or annual leave paid on termination. These are included in the<br />
respective provisions.<br />
(iv) Sick leave<br />
No provision is made for sick leave in the financial statements as sick leave taken by employees is expected to be less than<br />
future entitlements. This assessment is made for all employees on a group basis.<br />
(v) Provision for superannuation on accrued recreation and long service leave<br />
Provision is made for recognition of employer (CSS and PSS) superannuation contributions payable in respect of accrued<br />
leave liabilities. The provision is calculated using a percentage of employer CSS and PSS contributions on accrued leave<br />
estimated to be taken during the employees' period of service, and is applied to accrued leave liabilities. Refer also to note 1(k).
(k) Superannuation<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
(i) Employees of the Corporation contribute directly to either (a) the Commonwealth Superannuation Scheme (CSS), or (b) the<br />
Public Sector Superannuation Scheme (PSS), by way of fortnightly salary deductions.<br />
(ii) Employees of the Corporation are employed under Section 54 of the Special Broadcasting Service Act 1991, and the<br />
Corporation is required to contribute the employer component of the Superannuation Schemes. Employer contribution rates<br />
were 19.3% of salary (CSS) and 10.2% of salary (PSS) in <strong>2002</strong>-<strong>03</strong>. These will increase to 25.3 % (CSS) and 11.4 % (PSS)<br />
from 1 July 20<strong>03</strong>.<br />
(iii) The Corporation also contributes superannuation in respect of contract staff engaged under Section 44 of the Special<br />
Broadcasting Service Act 1991, in accordance with the superannuation guarantee legislation. The contributions are included<br />
in the cost of contract - see note 6(d).<br />
(l) Leases<br />
A distinction is made between finance leases, which effectively transfer from the lessor to the lessee substantially all the risks and<br />
benefits incidental to ownership of leased assets, and operating leases under which the lessor effectively retains all such risks<br />
and benefits.<br />
Where a non-current asset is acquired by means of a finance lease, the asset is capitalised at the present value of the minimum<br />
lease payments at the inception of the lease, and a liability for lease payments recognised at the same amount. Lease payments<br />
are allocated between the principal component and the interest expense.<br />
Finance lease assets are amortised on a straight line basis over their estimated useful lives to the Corporation.<br />
Lease payments for operating leases, where substantially all the risks and benefits remain with the lessor, are charged as<br />
expense in the periods in which they are incurred.<br />
(m) Cash flows<br />
For the purpose of the Statement of Cash Flows, cash includes cash on hand and deposits held at call with banks.<br />
(n) Financial instruments<br />
Accounting policies in relation to financial instruments are disclosed in note 15.<br />
(o) Acquisition of assets<br />
Assets acquired are recorded at the cost on acquisition, being the purchase consideration determined as at the date of acquisition.<br />
(p) Property, plant and equipment<br />
Asset recognition threshold<br />
Items are classified as non-current assets when:<br />
(i) the cost of acquisition is in excess of $2000;<br />
(ii) they are non-consumable in nature; and<br />
(iii) the estimated useful life is in excess of 12 months.<br />
FINANCIAL STATEMENTS | 105<br />
Revaluations<br />
The Corporation implements progressive revaluations of all property, plant and equipment over successive three year periods.<br />
All revaluations (undertaken before 30 June <strong>2002</strong>) were done on a deprival basis. Since that date, all revaluations (planned for all<br />
property, plant and equipment prior to 30 June 2004, will be at fair value in accordance with AASB 1041 Revaluation of<br />
Non-Current Assets.
106 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
The revaluations to 30 June 20<strong>03</strong> have been implemented as follows:<br />
- Freehold land was revalued as at 30 June 2001;<br />
- Buildings on freehold land were revalued as at 30 June 2001;<br />
- Leasehold improvements have been revalued as at 1 July 1999;<br />
- Plant and equipment, whether at cost or under finance lease, were revalued at 30 June 2001; and<br />
- Intangible assets were revalued as at 30 June 2001 (see note 9 xiii).<br />
Property, plant and equipment, other than land, is recognised at its depreciated replacement cost.<br />
Depreciation<br />
Property, plant and equipment, other than freehold land, is depreciated over their estimated useful lives to the Corporation using<br />
the straight line method of depreciation.<br />
Depreciation/amortisation rates (useful lives) and methods were reviewed during the <strong>2002</strong>-<strong>03</strong> financial year.<br />
Depreciation and amortisation rates applying to each class of depreciable asset are based on the following useful lives:<br />
Class of non financial asset <strong>2002</strong>-20<strong>03</strong> 2001-<strong>2002</strong><br />
Avg Avg<br />
Buildings 40 years 40 40 years 40<br />
Leasehold improvements Lease term Lease term<br />
Plant & equipment 3 to 20 years 9 3 to 20 years 10<br />
Intangibles 5 to 7 years 5 5 to 7 years 6<br />
The aggregate amount of depreciation allocated for each class of asset during the reporting period is disclosed in note 6(e).<br />
Recoverable amount test<br />
The carrying amount of property, plant and equipment is reviewed annually to ensure it is not in excess of the recoverable<br />
amount from these assets. The recoverable amount is assessed on the basis of expected net cash flows which will be received<br />
from the assets' employment and subsequent disposal. The expected net cash flows from future appropriations by the<br />
Parliament, have been discounted to their present value in determining the recoverable amount.<br />
No write-down to the recoverable amount has been made in 20<strong>03</strong>.<br />
(q) Amortisation<br />
(i) Current assets<br />
In <strong>2002</strong>, overseas purchased programs were valued at cost and amortised 90% after first screening and 10% after second<br />
screening, or fully amortised upon expiration of rights. In 20<strong>03</strong> the method of amortising overseas purchased programs was<br />
reviewed and calculated on a straight line basis over the shorter of three years or licence period (for movies), or over the<br />
shorter of two years or licence period (for documentaries and other overseas purchased programs).<br />
The method of amortising overseas program purchases (over time) has resulted in amortisation expense of $5.853m in<br />
20<strong>03</strong>. Using the previous basis (that is, amortising 90 % after first screening) would have been $7.804m.<br />
Locally commissioned programs are valued at cost, and amortised on a straight line basis over the shorter of four years or<br />
licence period. All programs are fully amortised upon expiration of rights. Internally produced programs screened in the<br />
current period are expensed as incurred.<br />
Amortisation of overseas purchased programs and commissioned programs is shown in note 6(d).<br />
(ii) Non-current assets<br />
Leasehold improvements are amortised on a straight line basis over the shorter of either the unexpired period of the lease or<br />
the estimated useful life of the improvements.<br />
Intangible assets are amortised on a straight line basis over their estimated useful lives.
(r) Taxation<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
The Corporation is not subject to income tax. Its controlled entity, Multilingual Subscriber Television Ltd (MST Ltd) was exempt<br />
from tax until 30 June 2000. In 20<strong>03</strong>, a ruling from the Australian Taxation Office (ATO) reversed its earlier decision that MST Ltd<br />
was exempt from tax. MST Ltd is therefore subject to income tax from 1 July 2000 - see note 12 (c). MST Ltd has appealed<br />
against the ATO's decision.<br />
The Corporation and its controlled entity, Multilingual Subscriber Television Ltd (MST Ltd), are subject to fringe benefits tax.<br />
(s) Goods and Services Tax<br />
Revenues, expenses and assets are recognised net of the amount of goods and services tax (GST), except:<br />
(i) where the amount of GST incurred is not recoverable from the taxation authority, it is recognised as part of the cost of<br />
acquisition of an asset or as part of an item of expense; or<br />
(ii) for receivables and payables which are recognised inclusive of GST.<br />
The net amount of GST recoverable from, or payable to, the taxation authority is included as part of receivables or payables.<br />
(t) Capital Use Charge<br />
The Capital Use Charge (CUC) is a charge levied on Commonwealth General Government Sector agencies and authorities. The<br />
Capital use will not operate after 30 June 20<strong>03</strong>, and therefore the amount of the charge payable in respect of 20<strong>03</strong> is the amount<br />
appropriated (<strong>2002</strong>: 11 % of adjusted net assets).<br />
(u) Foreign currency<br />
Transactions denominated in a foreign currency are converted at the effective exchange rate on the date of the transaction.<br />
Exchange gains and losses are reported in the Statement of Financial Performance.<br />
(v) Receivables<br />
Credit terms for receivables for goods and services are net 45 days for advertising debtors and 30 days for other debtors.<br />
A provision is raised for doubtful debts based on a review of all outstanding amounts at year end. Bad debts are written off<br />
during the period in which they are identified.<br />
(w) Loans<br />
Bank loans and loans from the Government are recognised at their principal amounts. Interest is expensed as it accrues.<br />
(x) Borrowing costs<br />
All borrowing costs are expensed as incurred.<br />
(y) Trade creditors<br />
Creditors and accruals are recognised at their nominal amounts, being the amounts at which the liabilities will be settled.<br />
Liabilities are recognised to the extent that the goods or services have been received, irrespective of having been invoiced.<br />
Settlement is usually made net 30 days.<br />
(z) Comparative figures<br />
Comparative figures are, where applicable, restated to reflect the current year presentation of the financial statements.<br />
(aa) Rounding<br />
FINANCIAL STATEMENTS | 107<br />
Amounts are rounded to the nearest $1,000 except in relation to the remuneration of directors, officers and auditors.
108 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
2 REPORTING BY OUTCOMES (Corporation only)<br />
<strong>Report</strong>ing by segments<br />
The economic entity operates Radio and Television services within the broadcasting industry. Geographically the economic<br />
entity operates entirely within Australia. The Corporation is structured to meet one outcome:<br />
Outcome 1: Provide multilingual and multicultural services that inform, educate and entertain all Australians and in so doing<br />
reflect Australia's multicultural society.<br />
Net Cost of Outcome Delivery Outcome 1<br />
20<strong>03</strong> <strong>2002</strong><br />
$000 $000<br />
Administered expenses - -<br />
Departmental expenses 161,288 158,651<br />
Total expenses 161,288 158,651<br />
Costs recovered from provisions of goods and services to the non-government sector<br />
Administered Departmental - -<br />
Departmental - -<br />
Total costs recovered - -<br />
Other external revenues - -<br />
Departmental<br />
Goods and services 28,171 30,045<br />
Interest 1,420 2,190<br />
Revenue from sale of assets 102 25<br />
Reversals of previous asset write-downs 43 -<br />
Net foreign exchange gains (non-speculative) 16 20<br />
Other 6,880 8,112<br />
Total other external revenues 36,632 40,392<br />
Net cost of outcome 124,656 118,259<br />
The net costs shown include intra-government costs that would be eliminated in calculating the overall Budget Outcome.<br />
The "Capital Usage Charge" is not included in any of the Net cost of the outcomes as it is not an operating expense.<br />
Departmental Revenues and Expenses by Output Group (Output 1: Television & Output 2: Radio)<br />
Operating Expenses<br />
Output 1 Output 2 Total<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$000 $000 $000 $000 $000 $000<br />
Employees 39,340 35,347 20,922 20,526 60,262 55,873<br />
Suppliers 81,633 79,709 9,619 10,347 91,252 90,056<br />
Depreciation and amortisation 6,724 7,880 1,348 1,193 8,072 9,073<br />
Write-down of assets 221 101 37 38 258 139<br />
Borrowing costs expense 1,040 2,527 404 983 1,444 3,510<br />
Total operating expenses 128,958 125,564 32,330 33,087 161,288 158,651<br />
Funded by:<br />
Revenue from Government 104,697 96,246 32,755 30,981 137,452 127,227<br />
Sale of goods and services 26,276 28,496 1,895 1,549 28,171 30,045<br />
Interest 1,085 1,620 335 570 1,420 2,190<br />
Other non-taxation revenue 6,416 7,944 625 213 7,041 8,157<br />
Total operating revenue 138,474 134,306 35,610 33,313 174,084 167,619<br />
To as large an extent as possible, all direct costs are charged to the outputs (Televisions and Radio).<br />
Indirect and shared costs are attributed or apportioned on the basis of staff numbers or usage (e.g. office space used).
3 ECONOMIC DEPENDENCY<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
The Corporation is dependent on Parliamentary appropriations to be viable as a going concern.<br />
4 OPERATING SURPLUS<br />
for the year ended 30 June 20<strong>03</strong><br />
The economic entity's operating surplus before payment of the capital use charge is $12.294 million. The operating result is a<br />
surplus of $1.388 million after providing for the capital use charge paid.<br />
5 OPERATING REVENUES<br />
5(a) Revenues from Government<br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
<strong>Annual</strong> Appropriation Act No 1 - basic appropriation 137,327 125,100 137,327 125,100<br />
<strong>Annual</strong> Appropriation Act No 2 - equity injection and loan 1(f) 32,580 8,000 32,580 8,000<br />
<strong>Annual</strong> Appropriation Act No 3 - additional estimates 125 2,127 125 2,127<br />
Parliamentary appropriations received 170,<strong>03</strong>2 135,227 170,<strong>03</strong>2 135,227<br />
Less equity injections (8,580) (8,000) (8,580) (8,000)<br />
Less Commonwealth loan (24,000) - (24,000) -<br />
Total Revenues from Government 137,452 127,227 137,452 127,227<br />
5(b) Goods and Services<br />
Advertising and sponsorship - external entities 21,765 23,657 21,765 23,657<br />
Production services - external entities 3,339 4,316 3,339 4,316<br />
Sub-total rendering of services - external entities 25,104 27,973 25,104 27,973<br />
Sale of programs and merchandise - external entities 1,438 1,242 1,438 1,242<br />
Sub-total provision of goods - external entities 1,438 1,242 1,438 1,242<br />
Services to related entities - Commonwealth entities 691 678 691 678<br />
Services to related entities - controlled company (v) - - 720 -<br />
Services to related entities - associated company 938 1,052 218 152<br />
Sub-total rendering of services - related entities 1,629 1,730 1,629 830<br />
Total Goods and Services 28,171 30,945 28,171 30,045<br />
Costs of sales of goods (vi) - - - -<br />
(v) In 20<strong>03</strong> $0.720m was paid to the Corporation by its controlled<br />
entity MST Ltd for management fees.<br />
(vi) No costs of sale is recognised as all sales of goods and<br />
services are outsourced and no inventory of goods is held.<br />
FINANCIAL STATEMENTS | 109
110 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
5(c) Interest<br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Deposits 1,574 2,335 1,420 2,190<br />
Total interest 1,574 2,335 1,420 2,190<br />
5(d) Revenue from sale of assets<br />
Plant and equipment<br />
Proceeds from sale 102 25 102 25<br />
Total revenue from sale of assets 102 25 102 25<br />
5(e) Reversals of previous asset write-downs<br />
Financial assets<br />
Receivables<br />
Goods and services - adjustment to provision for doubtful debts 43 - 43 -<br />
Total reversals of previous asset write-downs 43 - 43 -<br />
5(f) Other operating revenue<br />
Revenue from TV Fund (analogue extensions) 1(i) 5,862 6,123 5,862 6,123<br />
Distribution from profits - controlled entity (vii) - - - 1,000<br />
Rental Receipts 762 748 762 748<br />
Miscellaneous revenue 256 241 256 241<br />
Total other operating revenue 6,880 7,112 6,880 8,112<br />
(vii) In <strong>2002</strong> $1m was distributed to the Corporation from its<br />
controlled entity MST Ltd. No dividend was distributed in 20<strong>03</strong>.<br />
6 OPERATING EXPENSES Consolidated Corporation<br />
6(a) Employee expenses and Average Staffing Level 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
The average staffing levels for the consolidated entity<br />
and the Corporation during the year were 769 771 769 771<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Basic remuneration for services provided<br />
Salaries and related expenses 46,120 43,390 46,120 43,390<br />
Employee leave benefits 1(j) 6,198 5,769 6,198 5,769<br />
Superannuation expenses 1(k) 6,774 6,460 6,774 6,460<br />
Total basic remuneration for services provided 59,092 55,619 59,092 55,619<br />
Other employee expenses<br />
Separation and redundancy payments 1,170 254 1,170 254<br />
Total employee expenses 60,262 55,873 60,262 55,873
6(b) Remuneration of officers<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
"Officers" are persons engaged by the economic entity who are concerned in, and take part in, the management of the<br />
Corporation or economic entity, other than a director. The definition does not include a designated office or position occupied by<br />
more than one person during the reporting period.<br />
Remuneration of officers (detailed below) relates to members of the Executive. The remuneration of those officers who have occupied<br />
the position of Managing Director or a director of the economic entity during <strong>2002</strong>-<strong>03</strong> are not included to the extent that they were<br />
remunerated as directors of the Corporation or economic entity. Details in relation to those directors are included in note 6(c).<br />
Consolidated Corporation<br />
Officers 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
Total remuneration in respect of Officers: $877,047 $620,405 $877,047 $620,405<br />
The above amounts include remuneration in respect of each officer or designated position which is $100,000 or more during the<br />
reporting period. The amounts include a component for leave accrued, and are included in Employee expenses in note 6(a)<br />
Officers of the Officers of the<br />
economic entity Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
Number Number Number Number<br />
The number of Officers whose total remuneration was between :<br />
$140,001 - $150,000 1 - 1 -<br />
$160,001 - $170,000 - 1 - 1<br />
$170,001 - $180,000 1 - 1 -<br />
$190,001 - $200,000 - 1 - 1<br />
$210,001 - $220,000 1 - 1 -<br />
$250,001 - $260,000 - 1 - 1<br />
$330,001 - $340,000 1 - 1 -<br />
6(c) Remuneration of directors and related party disclosures<br />
Directors<br />
FINANCIAL STATEMENTS | 111<br />
Remuneration of directors includes the remuneration of officers who are also directors of the Corporation or the economic entity.<br />
Their remuneration as directors of the Corporation is included below.<br />
Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
Total remuneration in respect of directors: $1,043,719 $1,<strong>03</strong>9,430 $558,421 $532,149<br />
Superannuation included in the above remuneration: $128,088 $85,<strong>03</strong>5 $51,743 $49,688<br />
The directors of the Corporation's controlled entity Multilingual Subscriber Television Limited (MST Ltd - see note 8c) are<br />
appointed from directors and officers of the Corporation. The remuneration paid by the Corporation to those directors is<br />
$905,900 ($915,822 in <strong>2002</strong>), including a component for leave accrued. They received no additional remuneration for their duties<br />
in relation to the controlled entity.<br />
Officers of the Officers of the<br />
economic entity Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
Number Number Number Number<br />
The number of directors whose total remuneration was between :<br />
Nil - $ 10,000 1 3 1 3<br />
$ 10,001 - $ 20,000 2 5 1 5<br />
$ 20,001 - $ 30,000 4 - 4 -<br />
$ 30,001 - $ 40,000 1 1 1 1<br />
$ 40,001 - $ 50,000 1 1 1 1<br />
$200,001 - $210,000 1 - - -<br />
$240,001 - $250,000 - 1 - -<br />
$250,001 - $260,000 1 1 - -<br />
$360,001 - $370,000 - 1 - 1<br />
$370,001 - $380,000 1 - 1 -
112 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
6(c) Remuneration of directors and related party disclosures (cont.)<br />
The following persons held positions as directors of the Corporation during <strong>2002</strong>-<strong>03</strong>:<br />
Carla Zampatti (Chairman)<br />
Neville Roach (Deputy Chairman) Robert Cronin<br />
Nigel Milan (Managing Director) Joseph Elu<br />
Jillian Broadbent Edward Gregory<br />
Peter Carroll Gerald Stone<br />
The following persons held positions as directors of the Corporation's controlled entity, MST Ltd, during <strong>2002</strong>-<strong>03</strong>:<br />
Carla Zampatti (Chairman)<br />
Nigel Milan Tuong Quang Luu<br />
Maureen Crowe (ceased 26/07/02) Jonathan Torpy (appointed 29/07/02)<br />
Transactions with other related parties<br />
Transactions with other related parties are disclosed in the relevant notes. Unless otherwise stated, transactions between related<br />
parties are on normal commercial terms and conditions, which are no more favorable than those available to other parties.<br />
6(d) Suppliers expenses<br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Operating lease rentals 2,512 1,804 2,512 1,804<br />
Rendering of services - external entities<br />
Broadcasting facilities 26,307 27,558 26,307 27,558<br />
Administrative expenses 19,887 19,138 19,863 19,137<br />
Analogue extensions 1(i) 5,863 6,123 5,863 6,123<br />
Contract staff 1(k) 8,820 8,714 8,820 8,714<br />
Production services 2,418 2,434 2,418 2,434<br />
Sub-total rendering of services - external entities 63,295 63,967 63,271 63,966<br />
Provision of goods - external entities<br />
Amortisation of program stocks 1(q) 5,853 5,981 5,853 5,981<br />
Amortisation of commissioned programs 1(q) 4,172 3,120 4,172 3,120<br />
Other program purchases 9,936 10,788 9,936 10,788<br />
Materials and minor items 3,817 2,996 3,817 2,996<br />
Office Supplies 1,626 1,338 1,626 1,336<br />
Sub-total provision of goods - external entities 25,504 24,223 25,404 24,221<br />
Rendering of services - related entities<br />
Audit fees (viii) 69 69 65 65<br />
Total supply of goods and services 88,768 88,259 88,740 88,252<br />
Total suppliers expenses 91,280 90,063 91,252 90,056
6(d) Suppliers expenses (cont.)<br />
(viii) Audit fees<br />
Fees for services paid or payable to the Auditor-General for auditing<br />
the economic entity's financial statements for the reporting period<br />
were $69,000 (<strong>2002</strong> $69,000). No other services were provided<br />
during the reporting period.<br />
STATEMENT<br />
for the 12 months ended 30 June 20<strong>03</strong><br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Remuneration for auditing the financial statements. 69 69 65 65<br />
Total audit fees 69 69 65 65<br />
6(e) Depreciation/amortisation of non-current assets<br />
Depreciation/amortisation of property, plant,<br />
equipment and intangibles 8,010 8,694 8,010 8,694<br />
Amortisation of leased assets 62 379 62 379<br />
Total depreciation/amortisation of non-current assets 8,072 9,073 8,072 9,073<br />
The aggregate amounts of depreciation and amortisation allocated<br />
during the reporting period, as expense for each class of<br />
depreciable asset, are as follows:<br />
Buildings on Freehold Land 1,173 1,162 1,173 1,162<br />
Leasehold Improvements 151 29 151 29<br />
Plant and Equipment 6,428 7,430 6,428 7,430<br />
Intangibles 320 452 320 452<br />
Total allocated 8,072 9,073 8,072 9,073<br />
6(f) Write-down of assets<br />
Financial assets<br />
Receivables<br />
Goods and services - adjustment to provision for doubtful debts - 44 - 44<br />
Goods and services - bad debts written off 44 50 44 50<br />
Total write-down of assets 44 94 44 94<br />
6(g) Value of assets sold<br />
FINANCIAL STATEMENTS | 113<br />
Plant and equipment<br />
Proceeds from disposal 102 25 102 25<br />
Net book value at sale (78) (13) (78) (13)<br />
Write-offs (non-sale) 1(p), 9(d) (137) (32) (137) (32)<br />
Net gain/(loss) from disposal of plant and equipment (113) (20) (113) (20)<br />
Total proceeds from disposal 102 25 102 25<br />
Total value of assets disposed (215) (45) (215) (45)<br />
Total net gain from disposal of assets (113) (20) (113) (20)
114 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
7 BORROWING COST EXPENSES<br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Loans 1,438 3,484 1,438 3,484<br />
Finance charges on lease liabilities 5 26 5 26<br />
Total borrowing cost expenses 1,443 3,510 1,443 3,510<br />
8 FINANCIAL ASSETS<br />
8(a) Cash<br />
Cash at bank and on hand 3,570 4,057 3,558 3,212<br />
Balance of cash as at 30 June shown in the<br />
Statement of Cash Flows 3,570 4,057 3,558 3,212<br />
8(b) Receivables<br />
Goods and services - controlled entity 8(c)(xii) - - 4,459 3,667<br />
Distribution from profits - controlled entity 5(f)(vii) - - - 1,000<br />
Goods and services - associated company 179 369 179 39<br />
Other goods and services (ix) 5,160 8,623 5,160 8,623<br />
Less provision for doubtful debts (54) (97) (54) (97)<br />
Total goods and services receivables 5,285 8,895 9,744 13,232<br />
Interest 19 25 19 25<br />
Capital use charge receivable - 121 - 121<br />
GST receivable 750 820 676 820<br />
Total receivables (net) 6,054 9,861 10,439 14,198<br />
(ix) The majority of goods and services receivable<br />
relate to advertising agencies.<br />
Receivables (gross) are aged as follows:<br />
Not overdue<br />
Overdue by:<br />
5,644 9,613 10,029 13,950<br />
- less than 30 days 225 92 225 92<br />
- 30 to 60 days 58 35 58 35<br />
- 60 to 90 days 32 34 32 34<br />
- more than 90 days 149 184 149 184<br />
464 345 464 345<br />
Total receivables (gross) 6,108 9,958 10,493 14,295<br />
The provision for doubtful debts is aged as follows:<br />
Overdue by:<br />
- more than 90 days 54 97 54 97<br />
Total provision for doubtful debts 54 97 54 97
8(c) Investments<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Non-government securities (x) 65,966 65,321 62,922 62,788<br />
Shares in controlled entity - at cost (xi) - - - -<br />
Shares in associated company (xii) 2,732 2,849 - -<br />
Total investments 68,698 68,170 62,922 62,788<br />
(x) In 1999-2000, the Corporation received revenue from the TV Fund to provide analogue extensions to regional Australia over the<br />
next 12 years. These funds have been invested in non-government securities. Refer also to note 1(i).<br />
(xi) Investment in controlled entity<br />
The Corporation subscribed for 5 shares ($1 each) in Multilingual Subscriber Television Ltd (MST Ltd) in 1994-95. MST Ltd is a<br />
controlled entity of SBS Corporation. It was incorporated for the purpose of the Corporation's involvement in Pay TV. In <strong>2002</strong> $1m<br />
was distributed to the Corporation from profits of MST Ltd. No dividend was distributed in 20<strong>03</strong>.<br />
Country of Interest of Contributions to<br />
incorporation Corporation consolidated surplus<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Parent Entity<br />
SBS Corporation Australia 12,796 8,968<br />
Directly controlled by SBS Corporation<br />
MST Ltd Australia 100% 100% (502) 249<br />
12,294 9,217<br />
(xii) Investment in associated company and equity information<br />
FINANCIAL STATEMENTS | 115<br />
Name of entity Principal Ownership Ownership Balance Date Balance Date<br />
activity Interest Interest<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
PAN TV Ltd Production and delivery of<br />
media services<br />
40% 40% 30 June 20<strong>03</strong> 30 June <strong>2002</strong><br />
The Corporation's controlled entity (MST Ltd) subscribed for 220,000 shares in PAN TV Ltd in 1994-95, the subscription price<br />
deemed to be paid in consideration for a range of services provided by the economic entity to PAN TV Ltd. The purchase<br />
consideration for the shares acquired was valued at $3,667,333, having regard to the price paid by the other investing partners in<br />
PAN TV Ltd in acquiring their shares. The equity accounted value of this investment as at 30 June 20<strong>03</strong> was $2.7m (<strong>2002</strong>:<br />
$2.850m) having regard to the performance of PAN TV Ltd in 20<strong>03</strong>. A revaluation of this investment was undertaken in 20<strong>03</strong> by<br />
Deloitte Touche Tohmatsu which was more than its current carrying value of $2.7m.<br />
The range of services valued at $3,667,333, have been fully provided by the Corporation to PAN TV Ltd on behalf of MST Ltd.<br />
This amount is shown as a receivable by the Corporation from its controlled entity, MST Ltd, and eliminated on consolidation.<br />
PAN TV Ltd currently provides a "World Movies" Channel to Foxtel, Optus Vision, and Austar under distribution agreements.
116 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
(xii) Investment in associated company and equity information (cont.)<br />
20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000<br />
Cost<br />
Carrying amount of investment in associated company (at cost) 3,667 3,667<br />
Dividends receivable from associated company - -<br />
Equity<br />
3,667 3,667<br />
Carrying amount of investment in associated company (at cost) 3,667 3,667<br />
Less share of retained losses (935) (818)<br />
Equity accounted amount of investment 2,732 2,849<br />
Share of associate's operating profit (loss) before income tax (148) 310<br />
Share of income tax expense (credit) attributable to operating profit (loss) 31 (99)<br />
Share of operating profit (loss) after income tax (117) 211<br />
Accumulated results attributable to associate<br />
1 July (818) (1,028)<br />
30 June (935) (818)<br />
Movement in the equity accounted investment in associated company<br />
Investment in associated company 1 July 2,849 2,638<br />
New investments during the year - -<br />
Share of operating profit (loss) after income tax (117) 211<br />
Dividend revenue from associated company - -<br />
Disposals during the year - -<br />
Investment in associated company 30 June 2,732 2,849<br />
Share of commitments<br />
Share of operating lease commitments 37 23
9 NON-FINANCIAL ASSETS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
9(a) Land and buildings 1(p)<br />
for the year ended 30 June 20<strong>03</strong><br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Freehold land - at independent valuation (xiii) 9,700 9,700 9,700 9,700<br />
Buildings - at independent valuation (xiii) 46,375 46,375 46,375 46,375<br />
Buildings - at cost 739 273 739 273<br />
Less accumulated depreciation (11,611) (10,438) (11,611) (10,438)<br />
35,5<strong>03</strong> 36,210 35,5<strong>03</strong> 36,210<br />
Leasehold improvements - at independent valuation (xiii) 212 212 212 212<br />
Leasehold improvements - at cost 6,020 1,539 6,020 1,539<br />
Less accumulated amortisation (341) (190) (341) (190)<br />
5,891 1,561 5,891 1,561<br />
Total land and buildings 51,094 47,471 51,094 47,471<br />
9(b) Plant and equipment 1(p)<br />
Plant and equipment - at independent valuation (xiii) 51,272 51,272 51,272 51,272<br />
Plant and equipment - at cost 11,177 4,866 11,177 4,866<br />
Less accumulated depreciation (32,520) (27,627) (32,520) (27,627)<br />
29,929 28,511 29,929 28,511<br />
Plant and equipment under finance lease<br />
(at independent valuation) 1(l), 10(b), (xiii) 2,083 2,083 2,083 2,083<br />
Less accumulated amortisation (1,915) (1,853) (1,915) (1,853)<br />
168 230 168 230<br />
Total plant and equipment 30,097 28,741 30,097 28,741<br />
9(c) Intangibles 1(p)<br />
FINANCIAL STATEMENTS | 117<br />
Computer software at cost (xiii) 3,319 2,151 3,319 2,151<br />
Less accumulated amortisation (1,380) (1,387) (1,380) (1,387)<br />
1,939 764 1,939 764<br />
Total intangibles 1,939 764 1,939 764<br />
Total property, plant, equipment and intangibles 83,130 76,976 83,130 76,976
118 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
9 NON-FINANCIAL ASSETS (cont.)<br />
(xiii) All property, plant and equipment (except for leasehold improvements) were revalued in accordance with the deprival method of<br />
valuation at 30 June 2001 (see note 1p). Leasehold improvements were revalued in accordance with the deprival method of<br />
valuation as at 1 July 1999.<br />
The revaluations for land and building were completed by independent valuers, based on market value for existing usage: Jim<br />
Power, AAPI, Certified Practising Valuer - Artarmon, NSW (land and building). Edward J Kinch MRICS AAPI (Senior Valuer) -<br />
Craigieburn, Victoria (land).<br />
The revaluation for plant and equipment was made by an independent valuer Simon B O'Leary, AAPI, MSAA, based on the<br />
depreciated replacement cost of the equipment.<br />
The revaluation for leasehold improvements was made by an independent valuer Mario Lancellotti, AAPI, based on the<br />
depreciated replacement cost of the improvements.<br />
The valuation of computer software was completed at 30 June 2001. Schedule 1 requires computer software to be carried at cost.<br />
In accordance with AASB 1041, the Corporation deemed the carrying amount for computer software at 30 June 2001 to be at cost.<br />
9(d) Analysis of property, plant, equipment and intangibles (Consolidated)<br />
Reconciliation of the opening and closing balances of property, plant and equipment and intangibles.<br />
Land Buildings Total land Plant & Computer Total<br />
& buildings equipment software/licenses<br />
$'000 $'000 $'000 $'000 $'000 $'000<br />
As at 1 July <strong>2002</strong><br />
Gross Book Value<br />
Accumulated depreciation/<br />
9,700 48,399 58,099 58,221 2,151 118,471<br />
amortisation (10,628) (10,628) (29,480) (1,387) (41,495)<br />
Net book value 9,700 37,771 47,471 28,741 764 76,976<br />
Additions - by purchase - 4,947 4,947 7,990 1,504 14,441<br />
Net revaluation increment/(decrement) - - - - - -<br />
Depreciation/amortisation expense - (1,324) (1,324) (6,428) (320) (8,072)<br />
Recoverable amount write-downs - - - - - -<br />
Disposals<br />
From disposal of operations - - - - - -<br />
Other disposals - - - (206) (9) (215)<br />
As at 30 June 20<strong>03</strong><br />
Gross Book Value 9,700 53,346 63,046 64,532 3,319 130,897<br />
Accumulated depreciation/amortisation - (11,952) (11,952) (34,435) (1,380) (47,767)<br />
Net book value 9,700 41,394 51,094 30,097 1,939 83,130<br />
The controlled entity does not have any non-financial assets.
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
9(e) Assets at valuation as at 30 June 20<strong>03</strong> (Consolidated)<br />
As at 30 June 20<strong>03</strong><br />
for the year ended 30 June 20<strong>03</strong><br />
Land Buildings Total land Plant & Computer Total<br />
& buildings equipment software/licenses<br />
$'000 $'000 $'000 $'000 $'000 $'000<br />
Gross value 9,700 46,375 56,075 51,588 - 107,663<br />
Accumulated depreciation/<br />
amortisation - (11,804) (11,804) (33,267) - (45,071)<br />
Net book value 9,700 34,571 44,271 18,321 - 62,592<br />
As at 30 June <strong>2002</strong><br />
Gross value 9,700 46,587 56,287 53,355 - 109,642<br />
Accumulated depreciation/<br />
amortisation - (10,625) (10,625) (29,189) - (39,814)<br />
Net book value 9,700 35,962 45,662 24,166 - 69,828<br />
9(f) Assets held under finance lease as at 30 June 20<strong>03</strong> (Consolidated)<br />
As at 30 June 20<strong>03</strong><br />
Land Buildings Total land Plant & Computer Total<br />
& buildings equipment software/licenses<br />
$'000 $'000 $'000 $'000 $'000 $'000<br />
Gross value - - - 2,083 - 2,083<br />
Accumulated depreciation/<br />
amortisation - - - (1,915) - (1,915)<br />
Net book value - - - 168 - 168<br />
As at 30 June <strong>2002</strong><br />
Gross value - - - 2,083 - 2,083<br />
Accumulated depreciation/<br />
amortisation - - - (1,853) - (1,853)<br />
Net book value - - - 230 - 230<br />
Notes 1(l), 10(b) and 9(b) also refer to the finance lease agreements entered into by the Corporation.<br />
FINANCIAL STATEMENTS | 119
120 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
9(g) Inventories<br />
All inventories are current assets.<br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Inventories not held for sale<br />
Purchased program stocks - at cost 15,698 13,279 15,698 13,279<br />
Less accumulated amortisation 1(q), 6(d) (8,163) (8,669) (8,163) (8,669)<br />
7,535 4,610 7,535 4,610<br />
Commissioned programs (completed) - at cost 28,434 32,329 28,434 32,329<br />
Less accumulated amortisation 1(q), 6(d) (16,107) (18,434) (16,107) (18,434)<br />
12,327 13,895 12,327 13,895<br />
Commissioned programs - in progress 7,619 3,4<strong>03</strong> 7,619 3,4<strong>03</strong><br />
Total inventories not held for sale 27,481 21,908 27,481 21,908<br />
9(h) Other non-financial assets<br />
Prepayments 7,464 7,838 7,464 7,838<br />
Other - deferred interest rate hedge 247 - 247 -<br />
Total other non-financial assets 7,711 7,838 7,711 7,838<br />
10 INTEREST BEARING LIABILITIES<br />
10(a) Loans<br />
Loans from Government 1(w)<br />
Loans from Government (xiv) 22,193 24,000 22,193 24,000<br />
Total loans 22,193 24,000 22,193 24,000<br />
(xiv) The Corporation received a loan from Government on<br />
2 July <strong>2002</strong> to refinance the balance of the Corporation's<br />
private sector loan for the construction and enhancement<br />
of the premises at Artarmon.<br />
At the reporting date, the loan from the Commonwealth<br />
is payable as follows:<br />
within one year: 1,919 24,000 1,919 24,000<br />
In one to five years: 11,519 - 11,519 -<br />
In more than five years: 8,755 - 8,755 -<br />
Total loans 22,193 24,000 22,193 24,000
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
10(b) Finance lease liabilities (xv)<br />
for the year ended 30 June 20<strong>03</strong><br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Lease liabilities recognised in the statement<br />
of financial position.<br />
Current 18 86 18 86<br />
Non-current - 18 - 18<br />
Total lease liabilities 18 104 18 104<br />
Finance leases liabilities at the reporting date and<br />
related finance charges are payable as follows:<br />
No later than one year 19 90 19 90<br />
In one to five years - 19 - 19<br />
In more than five years: - - - -<br />
Minimum lease payments 19 109 19 109<br />
Less future finance charges (1) (5) (1) (5)<br />
Total lease liabilities 18 104 18 104<br />
(xv) The Corporation has entered into two separate finance lease<br />
agreements for the purpose of acquiring equipment for signal<br />
splitting to other states, and for digital editing and recording<br />
equipment - see notes 1(l) and 9(f).<br />
11 PROVISIONS<br />
11(a) Employee Provisions<br />
Salaries and wages 1,523 1,392 1,523 1,392<br />
Leave 12,939 12,473 12,939 12,473<br />
Superannuation 202 184 202 184<br />
Separations and redundancies 304 - 304 -<br />
Aggregate employee entitlement liability (xvi) 14,968 14,049 14,968 14,049<br />
(xvi) Employee provisions are categorised as follows<br />
Current 9,100 8,259 9,100 8,259<br />
Non-current 5,868 5,790 5,868 5,790<br />
Aggregate employee entitlement liability 14,968 14,049 14,968 14,049<br />
12 PAYABLES<br />
12(a) Suppliers<br />
FINANCIAL STATEMENTS | 121<br />
Trade creditors 9,768 8,927 9,756 8,892<br />
Total suppliers payables 9,768 8,927 9,756 8,892
122 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
12(b) Other payables<br />
Notes Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Deferred Revenue 863 250 863 250<br />
Prepayments received (xvii) 46,409 49,061 46,409 49,061<br />
Total other payables 47,272 49,311 47,272 49,311<br />
(xvii) In 1999-2000, the Corporation received revenue from<br />
the TV Fund to provide analogue extensions to regional<br />
Australia over the next 12 years. Refer also to notes 1(i) and 8(c).<br />
12(c) Tax liabilities<br />
The prima facie tax on the surplus from ordinary activities before<br />
income tax is reconciled to the income tax expense as follows:<br />
Prima facie tax payable on surplus from ordinary<br />
activities before income tax at 30% (<strong>2002</strong>: 30%) 3 - - -<br />
Adjusted for share of net losses of associates<br />
(not a tax deductible expense) 35 - - -<br />
Income tax liability for 20<strong>03</strong>: 38 - - -<br />
Income tax adjustment for 2001 and <strong>2002</strong> 1(r) 473 - - -<br />
Total income tax expense 12 (c) 511 - - -<br />
13 CASH FLOW RECONCILIATION<br />
Reconciliation of operating surplus to net cash flows<br />
provided by operating activities.<br />
Net operating surplus 12,294 9,217 12,796 8,968<br />
Depreciation and amortisation of property, plant and equipment 8,072 9,073 8,072 9,073<br />
Decrease / (increase) in payables to suppliers for capital purchases 111 285 111 285<br />
(Gain) / loss on disposal of property, plant and equipment 113 20 113 20<br />
(Decrease) / increase in provision for doubtful debts (43) 44 (43) 44<br />
(Decrease) / increase in interest on capitalised investments 2,594 3,684 2,577 3,716<br />
Decrease / (increase) in revenue prepaid for analogue extensions (5,457) (15,136) (5,457) (15,136)<br />
Decrease / (increase) in interest on sinking fund investment - (923) - (923)<br />
(Gain) / loss on investment in associated company 117 (211) - -<br />
Changes in assets and liabilities:<br />
Decrease / (increase) in receivables 3,729 (1,934) 3,681 (2,605)<br />
Decrease / (increase) in inventories (5,573) (6,489) (5,573) (6,489)<br />
Decrease / (increase) in prepayments paid 127 (1,178) 127 (1,178)<br />
(Decrease) / increase in liabilities to employees 919 573 919 573<br />
(Decrease) / increase in payables to suppliers 879 1,684 864 1,653<br />
(Decrease) / increase in prepayments received 613 (1,107) 613 (1,107)<br />
Net cash from (used by) operating activities 18,495 (2,398) 18,800 (3,106)
(Consolidated entity)<br />
Item Accumulated results Asset revaluation reserve Total Contributed Equity TOTAL EQUITY<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$000 $000 $000 $000 $000 $000 $000 $000<br />
Opening Balance 1 July <strong>2002</strong> 30,498 31,230 15,722 15,722 46,199 38,199 92,419 85,151<br />
Net surplus/(deficit) 12,294 9,217 12,294 9,217<br />
Net revaluation increment/(decrement) - - - -<br />
Transactions with owner<br />
Distributions to owner:<br />
Capital Use Charge<br />
Contributions by owner:<br />
(10,906) (9,949) (10,906) (9,949)<br />
Appropriations (equity injections) 8,580 8,000 8,580 8,000<br />
Closing Balance 30 June 20<strong>03</strong> 31,886 30,498 15,722 15,722 54,779 46,199 102,387 92,419<br />
Total equity attributable to the Commonwealth 31,886 30,498 15,722 15,722 54,779 46,199 102,387 92,419<br />
(Corporation)<br />
Item Accumulated results Asset revaluation reserve Total Contributed Equity TOTAL EQUITY<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$000 $000 $000 $000 $000 $000 $000 $000<br />
Opening Balance 1 July <strong>2002</strong> 28,643 29,624 15,722 15,722 46,199 38,199 90,564 83,545<br />
Net surplus/(deficit) 12,796 8,968 12,796 8,968<br />
Net revaluation increment/(decrement) - - - -<br />
Transactions with owner<br />
Distributions to owner:<br />
Capital Use Charge<br />
Contributions by owner:<br />
(10,906) (9,949) (10,906) (9,949)<br />
Appropriations (equity injections) 8,580 8,000 8,580 8,000<br />
Closing Balance 30 June 20<strong>03</strong> 30,533 28,643 15,722 15,722 54,779 46,199 101,<strong>03</strong>4 90,564<br />
Total equity attributable to the Commonwealth 30,533 28,643 15,722 15,722 54,779 46,199 101,<strong>03</strong>4 90,564<br />
14 ANALYSIS OF EQUITY<br />
for the year ended 30 June 20<strong>03</strong><br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
FINANCIAL STATEMENTS | 123
124 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
15 FINANCIAL INSTRUMENTS<br />
15(a) Terms, conditions and accounting policies<br />
Financial Instrument Notes Accounting Policies and Methods Nature of underlying instrument<br />
(including recognition criteria and measurement basis) (including significant terms & conditions affecting the<br />
Financial assets Financial assets are recognised when control<br />
over future economic benefits is established and<br />
the amount of the benefit can be reliably measured.<br />
amount, timing and certainty of cash flows)<br />
Cash 8(a) Cash at bank and on hand is recognised at its Funds, mainly from monthly drawdowns of<br />
nominal value. Interest is credited to revenue as appropriation placed in bank accounts with the<br />
it accrues. Corporation's banker.<br />
Receivables for goods & services 8(b) The receivables are recognised at the nominal Credit terms for receivables for goods and<br />
amounts less any provision for doubtful debts. services are net 45 days for advertising debtors<br />
A provision is raised for doubtful debts based on<br />
a review of all outstanding amounts at year end.<br />
Bad debts are written off during the period in which<br />
they are identified.<br />
and 30 days for other debtors.<br />
Non-government security 8(c) SBS has a series of investments with banks and The investments are by purchase of negotiable<br />
other financial institutions for funds not immediately certificates of deposits for varying periods<br />
required for operational expenditure (for example, between 1 month and 12 years. The weighted<br />
analogue extension moneys received from the TV average effective interest rate of these<br />
fund to meet expenditure in the next twelve years) . investments is 5.5% (<strong>2002</strong>: 5.6%).<br />
Financial liabilities Financial liabilities are recognised when a present<br />
obligation to another party is entered into and the<br />
amount of the liability can be reliably measured.<br />
Loan from Government 10(a) Loans from Government are recognised at their SBS established a loan facility with the private<br />
15(b) principal amounts. Interest is expensed as it accrues. sector in 1992 for the purpose of funding its<br />
specialised broadcasting premises at Artarmon.<br />
The facility expired in <strong>2002</strong>, and was refinanced<br />
through an unsecured loan from Government at<br />
the prevailing 10 year Government bond rate<br />
(6.02 %) - refer to note 15(b).<br />
Finance Lease Liabilities 10(b) Liabilities are recognised at the present value of At reporting date, the Corporation had one of two<br />
the minimum lease payments at the beginning of separate finance lease agreements outstanding.<br />
the lease. The discount rates used are estimates of The terms of the remaining lease is 5.5 years. The<br />
the interest rates implicit in the leases. interest rate implicit in the lease averaged 7.0%<br />
Trade Creditors 12(a) Creditors and accruals are recognised at their<br />
nominal amounts, being the amounts at which the<br />
liabilities will be settled. Liabilities are recognised to<br />
the extent that the goods or services have been<br />
received (irrespective of having been invoiced).<br />
Settlement is usually made net 30 days.
The economic entity has no unrecognised financial assets or liabilities as at 30 June 20<strong>03</strong>. Interest rate details of<br />
recognised financial assets and liabilities are disclosed below. Investment in the economic entity's associated company is<br />
excluded, in accordance with the Australian Accounting Standard (AAS 33) on Presentation and Disclosure of Financial<br />
Instruments. Equity information in respect of the economic entity's associated company is disclosed in notes 8(c).<br />
Financial Instrument Notes Floating Fixed Interest Rate Non-Interest Total Weighted Average<br />
Interest Rate Bearing Effective Rate<br />
Financial Assets<br />
1 year or less 1 to 5 years > 5 years<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 % %<br />
Cash<br />
Receivables for goods<br />
3,570 4,057 - - - - - - - - 3,570 4,057 - 3.7%<br />
and services 8(b) - - - - - - - - 6,054 9,861 6,054 9,861 n/a n/a<br />
Non government security 8(c) - - 24,126 46,978 15,462 - 26,378 18,343 - - 65,966 65,321 5.5% 5.6%<br />
Total Financial Assets (Recognised) 3,570 4,057 24,126 46,978 15,462 - 26,378 18,343 6,054 9,861 75,590 79,239<br />
Total Assets 196,644 188,810<br />
Financial Instrument Notes Floating Fixed Interest Rate Non-Interest Total Weighted Average<br />
Interest Rate Bearing Effective Rate<br />
Financial Liabilities<br />
1 year or less 1 to 5 years > 5 years<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 % %<br />
Loan from Government 10(a) - - 1,919 24,000 11,519 - 8,755 - - - 22,193 24,000 6.0% 4.9%<br />
Finance lease liabilities 10(b) - - 18 86 - 18 - - - - 18 104 7.0% 7.0%<br />
Trade creditors 12(a) - - - - - - - - 9,768 8,927 9,768 8,927 n/a n/a<br />
Total Financial Liabilities (Recognised) - - 1,937 24,086 11,519 18 8,755 - 9,768 8,927 31,979 33,<strong>03</strong>1<br />
Total Liabilities 94,257 96,391<br />
SBS entered into an interest rate hedge on 4 June <strong>2002</strong> to minimise the risk of interest rate movements on a loan from<br />
Government which was to be provided after balance date (2 July <strong>2002</strong>) - at the prevailing 10 year Government bond rate<br />
(6.02 %). The Commonwealth loan of $24m was to repay the balance owing on a loan raised in 1992 for its Artarmon<br />
premises. The specific hedge entered into by the Corporation (on 4 June <strong>2002</strong>) effectively locked the interest rate on the<br />
loan at 6.23 % .<br />
15(b) Interest rate risk<br />
for the year ended 30 June 20<strong>03</strong><br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
FINANCIAL STATEMENTS | 125
126 | FINANCIAL STATEMENTS<br />
NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS<br />
for the year ended 30 June 20<strong>03</strong><br />
15(c) Foreign currency risk<br />
The Corporation did not enter into any specific foreign exchange hedge contracts in 20<strong>03</strong>.<br />
Contracts entered into in foreign currency are not significant.<br />
15(d) Credit risk<br />
The economic entity's maximum exposures to credit risk at reporting date in relation to each class of recognised financial<br />
assets is the carrying amount of those assets, as reported in the Statement of Financial Position.<br />
The economic entity has no significant exposures resulting from any concentration of credit risk.<br />
15(e) Net fair values of financial assets and liabilities<br />
The net fair values of cash, receivables for goods and services, and trade creditors approximate their carrying amounts.<br />
The net fair values of non government securities, Commonwealth loan and finance lease liabilities are based on<br />
discounted cash flows using current interest rates for liabilities with similar risk profiles, and are shown below.<br />
Financial assets<br />
Notes Carrying Amount Net Fair Value<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Cash 3,570 4,057 3,570 4,057<br />
Receivables for goods and services 8(b) 6,054 9,861 6,054 9,861<br />
Non government securities 8(c) 65,966 65,321 67,481 65,744<br />
Total financial assets 75,590 79,239 77,105 79,662<br />
Financial liabilities<br />
Loan from Government 10(a) 22,193 24,000 23,167 24,000<br />
Finance lease liabilities 10(b) 18 104 18 104<br />
Trade Creditors 12(a) 9,768 8,927 9,768 8,927<br />
Total financial liabilities 31,979 33,<strong>03</strong>1 32,953 33,<strong>03</strong>1<br />
16 CONTINGENT LIABILITIES AND ASSETS<br />
Consolidated Corporation<br />
20<strong>03</strong> <strong>2002</strong> 20<strong>03</strong> <strong>2002</strong><br />
$'000 $'000 $'000 $'000<br />
Quantifiable contingencies<br />
Contingent liabilities<br />
Claims for damages/costs 310 250 310 250<br />
Total contingent liabilities 310 250 310 250<br />
Contingent assets<br />
Claims for damages/costs - - - -<br />
Total contingent assets - - - -<br />
Net contingent liabilities 310 250 310 250<br />
The Corporation is presently a defendant in several cases.<br />
The amounts represent the Corporation's liability if unsuccessful.
APPENDIX | 127<br />
APPENDIX
128 | APPENDIX<br />
APPENDIX 1<br />
SBS ACT<br />
Compliance with Section 73<br />
(a) particulars of any broadcast by SBS during the year because of a direction by the Minister under subsection 12 (1). None.<br />
(b) particulars of any broadcast by SBS during the year because of a direction by the Minister otherwise than under this Act. None.<br />
(c) particulars of any written statement of Commonwealth Government policy given to the Board by the Minister during the year and<br />
the action (if any) taken by the Board in respect of the statement. None.<br />
(d) particulars of any gift, devise or bequest accepted by SBS during the year. None.<br />
(e) Particulars of how the programming activities during the year have related to SBS’s Charter obligations<br />
See sections ‘Television’, ‘Radio’, ‘New Media’, ‘Business’ and ‘The Corporation’ and the ‘Performance <strong>Report</strong> <strong>2002</strong>-<strong>03</strong>’.<br />
Relevant sections within the Appendix include: SBS Television – Languages Broadcast <strong>2002</strong>-<strong>03</strong> (Appendix 3); SBS<br />
Television Programs by Category <strong>2002</strong>-<strong>03</strong> (Appendix 4); SBS Independent Transmitted programs (Appendix 6); SBS<br />
Radio schedule (Appendix 7); SBS Radio – Languages Broadcast <strong>2002</strong>-<strong>03</strong> (Appendix 9)<br />
(f) particulars of the total revenue earned during the year from advertising and sponsorship, of the identity of each advertiser or<br />
sponsor and of the program (if any) with which advertiser or sponsor is associated.<br />
See Financial Statements. For SBS Television Sponsors <strong>2002</strong>-<strong>03</strong> (Appendix 10); SBS Television Advertisers <strong>2002</strong>-<strong>03</strong><br />
(Appendix 11); SBS Radio Advertisers <strong>2002</strong>-<strong>03</strong> (Appendix 12).<br />
(g) particulars of any direction by the Minister during the year under section 11 or 12. None.<br />
(h) particulars of any advice received by the Board during the year from the Community Advisory Committee (CAC) and the action<br />
taken by the Board in response to that advice.<br />
See ‘The Corporation’ and ‘Performance <strong>Report</strong> <strong>2002</strong>-<strong>03</strong>’ and for members of the CAC see Appendix 13.<br />
(I) particulars of any other measures taken by the Board during the year to ensure that the Board is aware of, and response to,<br />
community needs and opinions on matters relevant to SBS’s Charter.<br />
See ‘Television’, ‘Radio’, ‘New Media’, ‘The Corporation’ and ‘Performance <strong>Report</strong> <strong>2002</strong>-<strong>03</strong>’.<br />
(j) an assessment of the extent to which the operations of SBS and its subsidiaries during the year have achieved the objectives of<br />
SBS and its subsidiaries under the Corporate Plan and fulfilled the functions of SBS.<br />
Such details are included throughout the body of the <strong>Report</strong>.<br />
(k) particulars of any activities carried out during the year by SBS under subsection 52 (2).<br />
See ‘Business’ and ‘Financial Statements’.<br />
(l) particulars of the activities during the year of any authorised business with which SBS is associated under section 52.<br />
See ‘Business’ and ‘Financial Statements’.
*Denotes Self-help service<br />
SBS Analogue Television<br />
AUSTRALIAN CAPITAL TERRITORIES<br />
Canberra 28<br />
Fraser 53<br />
Tuggeranong 54<br />
Weston Creek/Woden 58<br />
NEW SOUTH WALES<br />
Albury North 53<br />
Armidale 30<br />
Ashford 54<br />
Batemans Bay/Moruya 55<br />
Bathurst 46<br />
Bega 43<br />
Berridale* 36<br />
Bourke* 57<br />
Bowral/Mittagong 30<br />
Braidwood 54<br />
Broken Bay 64<br />
Broken Hill 44<br />
Central Tablelands 30<br />
Central Western Slopes 29<br />
Cobar* 28<br />
Coffs Harbour 69<br />
Coolah 53<br />
Cooma 58<br />
Cootamundra* 56<br />
Cowra 45<br />
Deniliquin 69<br />
Dubbo 54<br />
Dungog 42<br />
East Grove* 43<br />
Eden 69<br />
Emmaville 52<br />
Forster 41<br />
Glen Innes 53<br />
Gloucester 30<br />
Goodooga* 69<br />
Gosford 58<br />
Goulburn 58<br />
Grafton/Kempsey 28<br />
Gulgong 68<br />
Hay 60<br />
Illawarra 53<br />
Inverell 41<br />
Jerilderie 59<br />
Khancoban* 57<br />
Kings Cross 58<br />
Kotara 55<br />
Laurieton 56<br />
Lightning Ridgec* 60<br />
Lismore East* 53<br />
Lithgow 29<br />
Lithgow East 52<br />
Lord Howe Island (North)* 6<br />
Lord Howe Island (South)* 7<br />
Maclean* 55<br />
Manly/Mosman 39<br />
Manning River 59<br />
Merewether 32<br />
Mudgee 58<br />
Murrumbidgee Irrigation Area (Griffith) 28<br />
Murwillumbah 57<br />
Narooma 47<br />
Newcastle 45<br />
North Armidale* 61<br />
Nowra North 29<br />
Nundle* 59<br />
Oberon* 54<br />
Ocean Shores* 68<br />
Peak Hill* 67<br />
Portland/Wallerawang 54<br />
Richmond/Tweed 41<br />
Rylstone/Kandos* 57<br />
South Western Slopes/E Riverina 29<br />
Stanwell Park 48<br />
Sydney 28<br />
Tamworth 52<br />
Tenterfield 54<br />
Tumburumba* 57<br />
Tumut* 54<br />
Tweed Heads 28<br />
Ulladulla 30<br />
Upper Hunter (Scone) 65<br />
Upper Namoi 28<br />
Vacy 28<br />
Wagga Wagga 53<br />
Walgett* 60<br />
Wollongong 32<br />
Wyong 39<br />
Young* 58<br />
NORTHERN TERRITORIES<br />
Alice Springs 28<br />
Ampilatwatja* 58<br />
Bathurst Island* 63<br />
Darwin 28<br />
Darwin North 61<br />
Groote Eylandt* 43<br />
Ikuntji* 54<br />
Jabiru* 61<br />
APPENDIX | 129<br />
APPENDIX 2<br />
SBS Television Services<br />
Area Served Channel Area Served Channel Area Served Channel<br />
Katherine* 58<br />
Maningrida* 60<br />
McArthur River Mine* 63<br />
Milikapiti* 63<br />
Milingimbi* 63<br />
Nhulunbuy* 55<br />
Oenpelli* 60<br />
Pine Creek* 69<br />
Pularumpi* 66<br />
Tennant Creek* 58<br />
Tindal* 56<br />
Titjikala* 65<br />
Yulara* 58<br />
QUEENSLAND<br />
Airlie Beach 34<br />
Atherton 56<br />
Augathella* 6<br />
Aurukun* 63<br />
Ayr 57<br />
Babinda 45<br />
Bamaga* 52<br />
Barcaldine* 60<br />
Bedourie* 69<br />
Bell 53<br />
Birdsville* 69<br />
Blackwater 43<br />
Bollon* 63<br />
Boonah 54<br />
Bowen 48<br />
Bowen Town 29<br />
Boyne Island 54<br />
Brisbane 28<br />
Cairns 30<br />
Cairns East 35<br />
Cairns North 53<br />
Camooweal* 63<br />
Canungra* 57<br />
Capella 29<br />
Charleville* 7<br />
Chillagoe* 60<br />
Clermont 56<br />
Cloncurry* 60<br />
Cooktown* 61<br />
Crows Nest* 55<br />
Croydon* 6<br />
Cunnamullav 62<br />
Currumbin 48<br />
Darling Downs 29<br />
Dimbulah 43<br />
Dysart 60
130 | APPENDIX<br />
APPENDIX 2<br />
SBS Television Services (cont’d)<br />
Area Served Channel Area Served Channel Area Served Channel<br />
Emerald 58<br />
Eromanga* 63<br />
Esk 52<br />
Eulo* 63<br />
Georgetown* 63<br />
Gladstone (East) 29<br />
Gladstone (West) 52<br />
Gold Coast 61<br />
Goldsborough Valley* 48<br />
Gordonvale 58<br />
Gunpowder* 60<br />
Gympie 42<br />
Gympie Town 50<br />
Herberton 57<br />
Hervey Bay 52<br />
Hughenden* 69<br />
Hungerford* 60<br />
Ilfracombe* 68<br />
Isisford* 68<br />
Julia Creek* 59<br />
Jundah* 63<br />
Linville* 60<br />
Longreach* 54<br />
Mabuiag Island* 63<br />
Mackay 30<br />
Mareeba 45<br />
Middlemount 48<br />
Mission Beach 62<br />
Moranbah* 67<br />
Morven* 9<br />
Mossman 29<br />
Mount Isa 29<br />
Mount Alford* 67<br />
Nambour 55<br />
Napranum* 66<br />
Nebo 52<br />
Noosa/Tewantin 29<br />
Normanton* 52<br />
Port Douglas 52<br />
Proserpine 53<br />
Quilpie* 63<br />
Rathdowney* 37<br />
Ravenshoe 53<br />
Redlynch 57<br />
Richmond* 65<br />
Rockhampton 28<br />
Rockhampton East 52<br />
Roma* 60<br />
Seisia* 62<br />
Shute Harbour 55<br />
Smithfield Heights 53<br />
Southern Downs 30<br />
Speewah* 58<br />
St George* 61<br />
Stonehenge* 63<br />
Stuart 56<br />
Sunshine Coast 34<br />
Texas 67<br />
Thargomindah* 60<br />
Tieri 56<br />
Toogoolawah* 56<br />
Toowoomba 53<br />
Townsville 28<br />
Townsville 55<br />
Townsville North 52<br />
Tully 58<br />
Warwick 67<br />
Weipa* 56<br />
Wide Bay 30<br />
Windorah* 63<br />
Winton* 54<br />
Wyandra* 63<br />
Yaraka* 39<br />
Yarrabah* 57<br />
Yeppoon 53<br />
SOUTH AUSTRALIA<br />
Adelaide 28<br />
Adelaide Foothills 43<br />
Angaston/Barossa* 69<br />
Carrickalinga* 52<br />
Ceduna/Smoky Bay 12<br />
Coober Pedy* 60<br />
Cowell 58<br />
Elizabeth South 60<br />
Eudunda* 69<br />
Golden Grove* 53<br />
Gumeracha* 53<br />
Kimba* 62<br />
Kingston SE/Robe 53<br />
Marla* 60<br />
Naracoorte 54<br />
Normanville* 54<br />
Oodnadatta 57<br />
Peterhead 53<br />
Port Lincoln 54<br />
Renmark/Loxton 30<br />
Roxby Downs* 53<br />
South East (Mt Gambier) 29<br />
Spencer Gulf North 34<br />
Swan Reach* 63<br />
Truro Grove* 69<br />
Tumby Bay 29<br />
Victor Harbor 52<br />
Waikerie 53<br />
Woomera* 28<br />
Yankalilla* 53<br />
TASMANIA<br />
Acton Road* 52<br />
Barrington Valley 37<br />
Burnie 55<br />
Circular Head* 60<br />
Cygnet 42<br />
Dover 53<br />
Dover South 41<br />
East Devonport 54<br />
Geeveston 54<br />
Hillwood 37<br />
Hobart 28<br />
Hobart NE Suburbs 54<br />
Launceston 53<br />
Lilydale 54<br />
Meander 53<br />
Mole Creek* 54<br />
NE Tasmania 29<br />
Neika/Leslie Vale* 53<br />
New Norfolk 53<br />
Orford 52<br />
Penguin 34<br />
Smithton* 38<br />
Stanley* 69<br />
Taroona 43<br />
Tullah* 52<br />
Ulverstone 53<br />
Wayatinah* 52<br />
Wynyard 30<br />
TERRITORIES<br />
Norfolk Island* 9<br />
VICTORIA<br />
Alexandra 68<br />
Alexandra Environs 28<br />
Bairnsdale 54<br />
Ballarat 30<br />
Bendigo 29<br />
Bonnie Doon 55<br />
Bright 29<br />
Bruthen 50<br />
Churchill 52<br />
Colac 55<br />
Eildon 30<br />
Eildon Town 48<br />
Ferntree Gully 68<br />
Foster 60<br />
Geelong* 68<br />
Gisborne * 68<br />
Goulburn Valley (Shepparton) 34<br />
Horsham 48
Area Served Channel<br />
SBS Digital Television<br />
AUSTRALIAN CAPITAL TERRITORIES<br />
Canberra 30<br />
NEW SOUTH WALES<br />
Newcastle 38<br />
Kotara 38<br />
Merewether 38<br />
Wyong 38<br />
Sydney 34<br />
Kings Cross 34<br />
Manly/Mosman 34<br />
Broken Bay 34<br />
Area Served Channel<br />
Gosford 34<br />
Illawarra 54<br />
Wollongong 54<br />
Stanwell Park 49<br />
NORTHERN TERRITORIES<br />
Darwin 29<br />
QUEENSLAND<br />
Brisbane 36<br />
Currumbin 36<br />
Gold Coast 36<br />
Sunshine Coast 36<br />
Gympie 36<br />
Gympie Town 36<br />
APPENDIX | 131<br />
APPENDIX 2<br />
SBS Television Services (cont’d)<br />
Area Served Channel Area Served Channel Area Served Channel<br />
Jamieson* 55<br />
Kiewa 54<br />
Lakes Entrance 29<br />
Latrobe Valley 34<br />
Mansfield 53<br />
Marysville 58<br />
Melbourne 28<br />
Mildura/Sunraysia 29<br />
Mitta Mitta* 65<br />
Murray Valley (Swan Hill) 44<br />
Myrtleford 59<br />
Nhill 59<br />
Old Tallangatta* 59<br />
Port Campbell* 66<br />
Portland 69<br />
Redcliffs* 66<br />
Safety Beach 58<br />
Selby 69<br />
Seymour 67<br />
South Yarra 58<br />
Upper Murray 30<br />
Upwey 51<br />
Warburton 58<br />
Warrnambool 55<br />
Warrnambool City 58<br />
Western Victoria (Hamilton) 28<br />
Yea 30<br />
WESTERN AUSTRALIA<br />
Albany 40<br />
Albany West* 60<br />
Badgingarra* 59<br />
Beacon* 60<br />
Bencubbin* 59<br />
Boddington* 62<br />
Bridgetown* 54<br />
Broome 29<br />
Bunbury 33<br />
Carnamah* 56<br />
Carnarvon* 28<br />
Central Agricultural 47<br />
Cervantes* 40<br />
Collie* 57<br />
Condingup* 58<br />
Dampier* 38<br />
Denham* 67<br />
Derby* 59<br />
Eneabba* 40<br />
Esperance 28<br />
Exmouth* 60<br />
Gascoyne Junction* 63<br />
Geraldton 29<br />
Gracetown* 58<br />
Green Head* 42<br />
Halls Creek* 58<br />
Hopetoun* 59<br />
Hyden* 38<br />
Kalgoorlie 28<br />
Kambalda 52<br />
Karratha 66<br />
Kattaning 59<br />
Kondinin* 63<br />
Kununoppin* 58<br />
Kununurra* 29<br />
Lagrange* 60<br />
Lake Grace* 36<br />
Lake King* 60<br />
Lancelin* 65<br />
Laverton* 60<br />
Leonora* 66<br />
Mandurah 54<br />
Manjimup* 54<br />
Maryville* 53<br />
Meekatharra* 60<br />
Menzies* 60<br />
Molloy Island* 62<br />
Mukinbudin* 37<br />
Narrogin* 54<br />
Newdegate* 57<br />
Newman* 69<br />
Northampton 59<br />
Nyabing* 67<br />
Perth 28<br />
Pingrup* 61<br />
Port Hedland 42<br />
Prevelly* 62<br />
Ravensthorpe* 58<br />
Roleystone 54<br />
Southern Agricultural 28<br />
Toodyay 34<br />
Trayning* 63<br />
Wagin 29<br />
Walpole* 54<br />
Wellstead* 61<br />
Westonia* 56<br />
Wickham* 69<br />
Wiluna* 60<br />
Wyndham* 58<br />
Yalgoo* 60<br />
Area Served Channel<br />
Nambour 36<br />
Noosa/Tewantin 36<br />
SOUTH AUSTRALIA<br />
Adelaide 33<br />
VICTORIA<br />
Melbourne 29<br />
Ballarat 43<br />
Western Victoria 7<br />
TASMANIA<br />
Hobart 9A<br />
WESTERN AUSTRALIA<br />
Perth 29
132 | APPENDIX<br />
APPENDIX 3<br />
SBS Television – Languages Broadcast<br />
Language Total % of total % of LOTE<br />
hours prog. time prog. time<br />
Afrikaans 1.74 0.02% 0.05%<br />
Arabic 66.83 0.95% 1.83%<br />
Bulgarian 3.61 0.05% 0.10%<br />
Cantonese 97.95 1.39% 2.68%<br />
Catalan 4.50 0.06% 0.12%<br />
Croatian 11.81 0.17% 0.32%<br />
Czech 14.31 0.20% 0.39%<br />
Danish 17.43 0.25% 0.48%<br />
Dutch 23.77 0.34% 0.65%<br />
English 3,370.38 47.91%<br />
Estonian 6.28 0.09% 0.17%<br />
Farsi 16.65 0.24% 0.45%<br />
Finnish 7.95 0.11% 0.22%<br />
Flemish 1.44 0.02% 0.04%<br />
French 447.48 6.37% 12.22%<br />
German 427.05 6.08% 11.66%<br />
Greek 329.23 4.68% 8.99%<br />
Hebrew 19.40 0.28% 0.53%<br />
Hindi 18.56 0.26% 0.51%<br />
Hungarian 31.25 0.44% 0.85%<br />
Icelandic 1.32 0.02% 0.04%<br />
Indonesian 129.11 1.84% 3.53%<br />
Italian 4<strong>03</strong>.93 5.75% 11.<strong>03</strong>%<br />
Japanese 239.32 3.40% 6.54%<br />
Korean 15.98 0.23% 0.44%<br />
Kurdish 3.87 0.06% 0.11%<br />
Latin 1.40 0.02% 0.04%<br />
Malayalam 1.92 0.<strong>03</strong>% 0.05%<br />
Maltese 37.52 0.53% 1.02%<br />
Mandarin 217.58 3.10% 5.94%<br />
Language Total % of total % of LOTE<br />
hours prog. time prog. time<br />
No Dialogue 198.38 2.82% 5.42%<br />
Norwegian 19.45 0.28% 0.53%<br />
Polish 67.82 0.96% 1.85%<br />
Portuguese 31.12 0.44% 0.85%<br />
Romani 4.10 0.06% 0.11%<br />
Romanian 8.24 0.12% 0.23%<br />
Russian 173.31 2.47% 4.73%<br />
Serbian 4.97 0.07% 0.14%<br />
Sinhalese 3.60 0.05% 0.10%<br />
Slovak 7.72 0.11% 0.21%<br />
Slovene 2.60 0.04% 0.07%<br />
Spanish 389.71 5.54% 10.64%<br />
Swedish 47.95 0.68% 1.31%<br />
Tagalog 17.76 0.25% 0.49%<br />
Tamil 3.67 0.05% 0.10%<br />
Turkish 11.65 0.17% 0.32%<br />
Ukrainian 21.55 0.31% 0.59%<br />
Urdu 2.86 0.04% 0.08%<br />
Vietnamese 16.98 0.24% 0.46%<br />
Welsh 2.89 0.04% 0.08%<br />
Xhosa 1.01 0.01% 0.<strong>03</strong>%<br />
Yiddish 1.13 0.02% 0.<strong>03</strong>%<br />
Languages with<br />
individual durations<br />
less than one hour* 20.56 0.29% 0.56%<br />
Total LOTE * 3,661.46 52.09% 100.00%<br />
Total hours broadcast 7,028.57 100.00%<br />
* LOTE - Languages Other Than English
APPENDIX 4<br />
Top SBS Television Programs by Category<br />
Total % of Hours % of Hours % of<br />
53.28 total time Local total time Impoted total time<br />
Animation 53.28 0.76% 24.11 0.34% 29.17 0.41%<br />
Arts 149.99 2.13% 11.08 0.16% 138.90 1.98%<br />
Comedy 66.48 0.95% 36.55 0.52% 29.93 0.43%<br />
Cooking 10.36 0.15% 6.63 0.09% 3.72 0.05%<br />
Documentaries 941.28 13.39% 214.48 3.05% 726.80 10.34%<br />
Drama 170.63 2.43% 11.21 0.16% 159.42 2.27%<br />
Drama Series 35.52 0.51% 0.00 0.00% 35.52 0.51%<br />
eat carpet 44.93 0.64% 12.27 0.17% 32.66 0.46%<br />
Educational 108.82 1.55% 108.82 1.55% 0.00 0.00%<br />
Features 1,204.99 17.14% 19.64 0.28% 1,185.35 16.86%<br />
Fillers 29.26 0.42% 21.49 0.31% 7.77 0.11%<br />
Funny Shorts (Eat My Shorts) 6.82 0.10% 0.84 0.01% 5.98 0.09%<br />
Magazine 54.48 0.78% 44.17 0.63% 10.31 0.15%<br />
News And Current Affairs 3,289.39 46.80% 505.29 7.19% 2,784.10 39.61%<br />
Performances Various 1.43 0.02% 0.00 0.00% 1.43 0.02%<br />
Sport 860.92 12.25% 770.37 10.96% 90.55 1.29%<br />
7,028.57 100.00% 1,786.97 25.42% 5,241.60 74.58%<br />
APPENDIX 5<br />
SBS Television Programs Classification<br />
Month G PG M MA MAV R(NSTV) Number Total Time<br />
of programs Hours:Min<br />
Jul <strong>2002</strong> 47 26 40 19 0 1 133 118:10<br />
Aug <strong>2002</strong> 59 31 27 19 3 3 142 112:29<br />
Sep <strong>2002</strong> 46 17 31 16 2 3 115 88:22<br />
Oct <strong>2002</strong> 70 20 39 14 4 0 147 123:15<br />
Nov <strong>2002</strong> 62 33 28 11 2 1 137 111:01<br />
Dec <strong>2002</strong> 65 15 28 11 0 2 121 89:32<br />
Jan 20<strong>03</strong> 43 24 34 22 3 1 127 115:00<br />
Feb 20<strong>03</strong> 47 39 40 14 1 0 141 114:22<br />
Mar 20<strong>03</strong> 68 26 41 14 2 2 153 107:45<br />
Apr 20<strong>03</strong> 51 21 32 11 3 1 119 110:41<br />
May 20<strong>03</strong> 41 38 27 14 4 3 127 112:28<br />
Jun 20<strong>03</strong> 58 35 44 8 1 1 147 119:58<br />
Total 657 325 411 173 25 18 1,609 1,323:<strong>03</strong><br />
40.83% 20.20% 25.54% 10.75% 1.55% 1.12%<br />
APPENDIX | 133
134 | APPENDIX<br />
APPENDIX 6<br />
SBS Independent – Transmitted Programs <strong>2002</strong>-<strong>03</strong><br />
GENERAL PRODUCTION FUND<br />
(21 hours of documentary)<br />
DOCUMENTARY SERIES – AUSTRALIA BY NUMBERS (26-minute episodes)<br />
Prahran 3181 Prahran’s community pool<br />
Nannup 6275 Lake Jasper hostel for indigenous boys<br />
CBD 2000 Sydney as seen by three bicycle couriers<br />
Hobart South 7004 New age mountain men<br />
Adaminaby 2630 The town that was flooded for hydroelectricity<br />
Rockhampton 4700 The story of Ken Farrar<br />
Kumarangk 5214 The basket-weaving ladies of Munarangk<br />
Boggo Road 4102 From jail to tourist attraction<br />
Parachilna 5730 A hotel in outback Australia<br />
Leichhardt 2040 Story of the Leichhardt Flying Club<br />
Surfers Paradise 4217 The all Japanese surfing competition<br />
Jabiru 0886: Trespass The story of the Mirarr people<br />
Taringa 4068 A family home on Brisbane’s Mt Cootha<br />
Brewarrina 2839: Big Girls Don’t Cry Story of renal failure among aboriginal people<br />
Fortitude Valley 4006 A cult video collector and his battle to survive in business<br />
Sydney 2000: The Foundation The history of the Foundation for Aboriginal Affairs<br />
SBSi / FFC ACCORD DOCUMENTARIES (52 minutes each)<br />
Black Chicks Talking Leah Purcell explores the lives of five indigenous women<br />
King of Belle-lle The life of Australian impressionist painter, John Russell<br />
Two-Thirds Sky An outback journey to document five contemporary artists<br />
In Limbo A lawyer’s battle to find homes for Vietnamese boat people<br />
Gough Whitlam - In His Own Words Gough Whitlam reflects on his life and political times<br />
Whispering In Our Hearts The massacre at Mowla Bluff in the Kimberleys<br />
Sixty Thousand Barrels How to treat a dangerous stockpile of toxic waste<br />
Chinese Takeaway An Australian family saga spanning three generations<br />
My Mother India The quintessential Australian multicultural love story, but in reverse<br />
SINGLE DOCUMENTARIES (52 minutes each)<br />
The What If Man The life of science fiction encyclopaedia buff, Peter Nicholls<br />
Cave In The Snow Buddhist nun, Tenzin Palmo, fights gender inequality<br />
DOCUMENTARY SERIES (2x52 minutes)<br />
Dinosaur Dealers The mystery and intrigues of international dinosaur bone dealing
SPECIAL PRODUCTION FUND<br />
(23.5 hours: 11 hours of documentary; 6.5 hours of animation; and 6 hours of drama.)<br />
SINGLE DOCUMENTARIES (52 minutes each)<br />
APPENDIX 6<br />
SBS Independent – Transmitted Programs <strong>2002</strong>-<strong>03</strong><br />
Seeking Asylum Detainees at Woomera’s detention centre tell their stories<br />
Afghanistan - Drugs Guns And Money The uneasy relationship between the drug lords and the new Afghan administration<br />
Rainbow Bird And Monster Man The life of a sexually abused man<br />
DOCUMENTARY SERIES (26 minutes each)<br />
Painting With Light In A Dark World Photography in the mean streets of Sydney by Peter Darren Moyle<br />
Schtick Happens The legacy of the filmmaker’s earlier film, Original Schtick<br />
Chunky Move: Just Add Water Portrait of choreographer Gideon Obarzanek<br />
Leaping Off The Edge Female survivors of sexual abuse turn to circus skills as therapy<br />
Still Breathing An inspirational story about living with cystic fibrosis<br />
The Soccer Lady Natalie Cardwell runs mobile soccer clinics in Queensland<br />
The Secret Side Of Me Geelong children’s entry into adolescence<br />
Dr Fruitloop Goes To East Timor Three clown doctors help East Timor’s children<br />
Albert’s Chook Tractor The drama of Albert, his farm, his tractor and his chooks<br />
DOCUMENTARY SERIES – ‘EVERYDAY BRAVE’ (26 minute episodes)<br />
Produced by Film Australia for broadcast on SBS, Everyday Brave is a modern biography series that profiles six extraordinary<br />
Indigenous Australians.<br />
Bonita Mabo the story of Bonita Mabo<br />
Stranger in My Skin the story of Ray Cotti<br />
Jeta Nai Medical Mob the story of Naomi Myers<br />
Mistake Creek the story of Stephen Craig<br />
Media Nomads the story of Bill and Mick Thaiday<br />
Saltwater Bluesman the story of Chris ‘Kiddo’ Taylor<br />
COMEDY / DRAMA SERIES<br />
John Safran’s Music Jamboree (10x26 minutes) The modern world of music under scrutiny<br />
Hey Sista (26 minutes drama) A girl finds friendship in the local All Blacks basketball team<br />
Love Weights (26 minutes drama) One woman’s obsession with losing weight leads to a love affair<br />
ANIMATION SERIES<br />
Quads Series Two (13x25 minutes) The caustic cartoons of John Callahan<br />
APPENDIX | 135
136 | APPENDIX<br />
APPENDIX 6<br />
SBS Radio – Broadcast Schedule<br />
SBS Radio National Network – Broadcast Schedule<br />
TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />
6am World View World View World View World View World View O/night progs O/night progs 0600<br />
7am Greek Arabic Greek Greek Greek Arabic Maltese 0700<br />
8am Italian Italian German Croatian Serbian Italian Italian 0800<br />
9am German Slovenian Vietnamese Vietnamese German Vietnamese Hindi 0900<br />
10am Cantonese Filipino Dutch Filipino Mandarin Dutch Urdu 1000<br />
11am Russian French Filipino Portuguese French Portuguese Hebrew 1100<br />
12pm Dutch Maltese Aboriginal Maori Armenian Hungarian Yiddish 1200<br />
1pm Polish Spanish Polish Spanish Polish Turkish Polish 1300<br />
2pm Hungarian Indonesian Burmese Korean Cantonese Persian-Farsi Tamil 1400<br />
3pm Tongan Lithuanian Turkish Estonian Indonesian Russian Sinhalese 1500<br />
4pm Macedonian Ukrainian Latvian Macedonian Dari Swedish French 1600<br />
5pm World View World View World View World View World View Danish Finnish 1700<br />
6pm Laotian Greek Italian Italian Italian Greek Greek 1800<br />
7pm Vietnamese Vietnamese Russian Arabic Vietnamese Arabic Vietnamese 1900<br />
8pm Romanian Cantonese Mandarin German Cantonese Cantonese Mandarin 2000<br />
9pm Filipino Croatian Serbian Khmer Aboriginal Thai Czech 2100<br />
10pm Spanish Japanese Somali Amharic Spanish Malay Slovak 2200<br />
11pm Alchemy Alchemy Alchemy Alchemy African Alchemy Alchemy 2300<br />
12am O/night progs O/night progs O/night progs Alchemy O/night progs O/night progs O/night progs 0000<br />
SBS Radio Sydney AM (1107) – Broadcast Schedule<br />
TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />
6am World View World View World View World View World View O/night progs O/night progs 0600<br />
7am Greek Greek Greek Greek Greek Greek Greek 0700<br />
8am Serbian Slovenian Croatian Croatian Serbian Croatian Slovenian 0800<br />
9am Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese 0900<br />
10am Cantonese Mandarin Cantonese Cantonese Mandarin Mandarin Cantonese 1000<br />
11am Mandarin French Khmer French French Khmer Hebrew 1100<br />
12pm Aboriginal Albanian Aboriginal Maori Laotian Hungarian Yiddish 1200<br />
1pm Polish Polish Polish Polish Polish Polish Polish 1300<br />
2pm Hungarian Hungarian Hebrew Korean Cantonese Tongan Cook Is M 1400<br />
3pm Croatian Serbian Yiddish Serbian Norwegian Fijian Korean 1500<br />
4pm Tongan Macedonian Macedonian Macedonian Macedonian Swedish French 1600<br />
5pm World View World View World View World View World View Danish Kannada 1700<br />
6pm Greek Greek Greek Greek Greek Greek Greek 1800<br />
7pm Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese 1900<br />
8pm Cantonese Cantonese Mandarin Mandarin Cantonese Cantonese Mandarin 2000<br />
9pm Khmer Croatian Serbian Khmer Aboriginal French Samoan 2100<br />
10pm Laotian Korean Somali Amharic Korean Malay Macedonian 2200<br />
11pm Alchemy Alchemy Alchemy Alchemy African Alchemy Alchemy 2300<br />
12am O/night progs O/night progs O/night progs O/night progs O/night progs O/night progs O/night progs 0000
SBS Radio Sydney FM (99.7) – Broadcast Schedule<br />
APPENDIX 6<br />
SBS Radio – Broadcast Schedule (Cont’d)<br />
TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />
6am Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy 0600<br />
7am Arabic Arabic Arabic Arabic Arabic Arabic Arabic 0700<br />
8am Italian Italian Italian Italian Italian Italian Italian 0800<br />
9am German German German Czech German Nepalese Hindi 0900<br />
10am Dutch Filipino Dutch Filipino Filipino Dutch Urdu 1000<br />
11am Russian Russian Filipino Portuguese Portuguese Portuguese Tamil 1100<br />
12pm Maltese Maltese Hindi Maltese Armenian Maltese Sinhalese 1200<br />
1pm Spanish Spanish Spanish Spanish Spanish Spanish Spanish 1300<br />
2pm Bosnian Indonesian Burmese Gujarati Indonesian Persian-Farsi Ukrainian 1400<br />
3pm Hindi Turkish Turkish Turkish Turkish Turkish Turkish 1500<br />
4pm Bengali Ukrainian Latvian Ukrainian Dari Russian Russian 1600<br />
5pm Turkish Lithuanian Russian Estonian Maltese Latvian Finnish 1700<br />
6pm Italian Italian Italian Italian Italian Italian Italian 1800<br />
7pm Arabic Arabic Arabic Arabic Arabic Arabic Arabic 1900<br />
8pm Romanian Armenian Armenian German Assyrian Thai German 2000<br />
9pm Filipino Thai Portuguese Punjabi Dutch Filipino Czech 2100<br />
10pm Spanish Japanese Spanish Indonesian Spanish Kurdish Slovak 2200<br />
11pm Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy 2300<br />
12am O/night progs O/night progs O/night progs Alchemy Alchemy Alchemy O/night progs 0000<br />
SBS Radio Melbourne AM (1224) - Broadcast Schedule<br />
APPENDIX | 137<br />
TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />
6am World View World View World View World View World View O/night progs O/night progs 0600<br />
7am Greek Greek Greek Greek Greek Greek Greek 0700<br />
8am Serbian Slovenian Croatian Croatian Serbian Croatian Slovenian 0800<br />
9am Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese 0900<br />
10am Cantonese Mandarin Cantonese Cantonese Mandarin Mandarin Cantonese 1000<br />
11am Mandarin French Khmer French French Khmer Hebrew 1100<br />
12pm Aboriginal Albanian Aboriginal Maori Laotian Hungarian Yiddish 1200<br />
1pm Polish Polish Polish Polish Polish Polish Polish 1300<br />
2pm Hungarian Hungarian Hebrew Korean Cantonese Tongan Cook Is M 1400<br />
3pm Croatian Serbian Yiddish Serbian Norwegian Fijian Korean 1500<br />
4pm Macedonian Macedonian Macedonian Macedonian Macedonian Swedish French 1600<br />
5pm World View World View World View World View World View Danish Albanian 1700<br />
6pm Greek Greek Greek Greek Greek Greek Greek 1800<br />
7pm Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese 1900<br />
8pm Cantonese Cantonese Mandarin Mandarin Cantonese Cantonese Mandarin 2000<br />
9pm Khmer Croatian Serbian Khmer Aboriginal French Samoan 2100<br />
10pm Laotian Polish Somali Amharic Hungarian Malay Macedonian 2200<br />
11pm Alchemy Alchemy Alchemy Alchemy African Alchemy Alchemy 2300<br />
12am O/night progs O/night progs O/night progs O/night progs O/night progs O/night progs O/night progs 0000
138 | APPENDIX<br />
APPENDIX 6<br />
SBS Radio – Broadcast Schedule (Cont’d)<br />
SBS Radio Melbourne FM (93.1) – Broadcast Schedule<br />
TIME Monday Tuesday Wednesday Thursday Friday Saturday Sunday Time<br />
6am Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy 0600<br />
7am Arabic Arabic Arabic Arabic Arabic Arabic Maltese 0700<br />
8am Italian Italian Italian Italian Italian Italian Italian 0800<br />
9am German German German German German German Hindi 0900<br />
10am Dutch Filipino Dutch Filipino Filipino Dutch Urdu 1000<br />
11am Russian Russian Filipino Portuguese Portuguese Portuguese Tamil 1100<br />
12pm Maltese Maltese Hindi Maltese Armenian Maltese Sinhalese 1200<br />
1pm Spanish Spanish Spanish Spanish Spanish Spanish Spanish 1300<br />
2pm Bosnian Indonesian Burmese Romanian Indonesian Persian-Farsi Ukrainian 1400<br />
3pm Hindi Turkish Turkish Turkish Turkish Turkish Turkish 1500<br />
4pm Bengali Ukrainian Latvian Ukrainian Dari Russian Russian 1600<br />
5pm Turkish Lithuanian Russian Estonian Bulgarian Latvian Finnish 1700<br />
6pm Italian Italian Italian Italian Italian Italian Italian 1800<br />
7pm Maltese Arabic Maltese Arabic Maltese Arabic Arabic 1900<br />
8pm Romanian German Armenian German Assyrian Thai German 2000<br />
9pm Filipino Thai Portuguese Punjabi Dutch Filipino Czech 2100<br />
10pm Spanish Japanese Spanish Indonesian Spanish Kurdish Slovak 2200<br />
11pm Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy Alchemy 2300<br />
12am O/night progs O/night progs O/night progs Alchemy Alchemy Alchemy O/night progs 0000<br />
APPENDIX 8<br />
SBS Radio Services<br />
Area Served Channel<br />
SBS Analogue Radio<br />
AUSTRALIAN CAPTIAL TERRITORY<br />
Canberra 105.5 (FM)<br />
NEW SOUTH WALES<br />
Bathurst* 88.9 (FM)<br />
Newcastle 1413 (AM)<br />
Sydney 97.7 (FM)<br />
Sydney 1107 (AM)<br />
Wagga Wagga* 1<strong>03</strong>.5 (FM)<br />
Wollongong 1485 (AM)<br />
Young* 98.7 (FM)<br />
NT<br />
Darwin 100.9 (FM)<br />
Area Served Channel<br />
QUEENSLAND<br />
Brisbane 93.3 (FM)<br />
SOUTH AUSTRALIA<br />
Adelaide 106.3 (FM)<br />
Adelaide Foothills 95.1 (FM)<br />
TASMANIA<br />
Hobart 105.7 (FM)<br />
VICTORIA<br />
Melbourne 93.1 (FM)<br />
Melbourne 1224 (AM)<br />
WESTERN AUSTRALIA<br />
Perth 96.9 (FM)<br />
* Denotes Self-Help Service
National<br />
Network Melbourne Sydney<br />
Language Hours/Week Hours/Week Hours/Week<br />
Aboriginal 2 3 3<br />
African 1 1 1<br />
Albanian 0 2 1<br />
Arabic 3 9 14<br />
Armenian 1 2 3<br />
Assyrian 0 1 1<br />
Belarusian 0 0 1<br />
Bengali 0 1 1<br />
Bosnian 0 1 1<br />
Bulgarian 0 1 0<br />
Burmese 1 1 1<br />
Cantonese 4 8 8<br />
Cook Is. Maori 0 1 1<br />
Croatian 2 5 5<br />
Czech 1 1 2<br />
Danish 1 1 1<br />
Dari 1 1 1<br />
Dutch 3 4 4<br />
Estonian 1 1 1<br />
Farsi 1 1 1<br />
Fijian 0 1 1<br />
Filipino 3 5 5<br />
French 3 5 5<br />
Gaelic-Irish 1 1 1<br />
Gaelic-Scottish 1 1 1<br />
German 4 9 6<br />
Greek 7 14 14<br />
Gujarati 0 0 1<br />
Hebrew 2 3 3<br />
Hindi 1 2 2<br />
Hungarian 2 4 3<br />
Indonesian 2 3 3<br />
Italian 7 14 14<br />
Japanese 1 1 1<br />
Kannada 0 0 1<br />
Khmer 1 4 4<br />
APPENDIX | 139<br />
APPENDIX 9<br />
SBS Radio – Language Broadcast*<br />
National<br />
Network Melbourne Sydney<br />
Language Hours/Week Hours/Week Hours/Week<br />
Korean 1 2 4<br />
Kurdish 0 1 1<br />
Laotian 1 2 2<br />
Latvian 1 2 2<br />
Lithuanian 1 1 1<br />
Macedonian 2 6 5<br />
Maltese 2 9 6<br />
Mandarin 3 6 6<br />
Maori 1 1 1<br />
Norwegian 0 1 1<br />
Polish 4 8 7<br />
Portuguese 3 5 5<br />
Punjabi 0 1 1<br />
Romanian 1 2 1<br />
Russian 3 5 5<br />
Samoan 0 1 1<br />
Serbian 2 5 5<br />
Sinhalese 1 1 1<br />
Slovak 1 1 1<br />
Slovenian 1 2 2<br />
Spanish 4 10 10<br />
Swedish 1 1 1<br />
Tamil 1 1 1<br />
Thai 1 2 2<br />
Tongan 1 1 2<br />
Turkish 2 8 7<br />
Ukrainian 1 3 3<br />
Urdu 1 1 1<br />
Vietnamese 7 14 14<br />
Welsh 1 1 1<br />
Yiddish 1 3 3<br />
Multicultural<br />
(in English) 18 18 18<br />
Total 126 238 238<br />
* On 30 June 20<strong>03</strong>, the languages – Irish Gaelic, Scottish Gaelic, Welsh and Belarusian – were dropped from the schedule. Four languages – Malay, Somali,<br />
Amharic and Nepalese – were added to the schedule from 1 July 20<strong>03</strong>.
140 | APPENDIX<br />
APPENDIX 10<br />
SBS Television Sponsors<br />
Sponsored Programs Sponsors<br />
<strong>2002</strong> Australian Sport Awards<br />
A Question of Taste/<br />
American Express<br />
Food Lovers’ Guide to Australia McDonald’s<br />
Arts on Saturday EMI, Lexus<br />
Australia by Numbers Westpac<br />
Australia v England Soccer Telstra, Samsung, AXA,<br />
Department of Defence<br />
Bridge Between Two Island Epson<br />
City Cabs/Family Stories McDonald’s<br />
Classic Albums Grundig<br />
Corporate Sponsorship Subaru<br />
Crank Yankers Vodafone<br />
Cult Movie and Friday Night Movie Carlton United<br />
English Premier League<br />
English Premier League<br />
Guinness, Bulmers<br />
Match of the Week Vodafone<br />
Ethnic Business Awards National Australia Bank<br />
FA Community Shield Vodafone<br />
FA Cup Final Harvey Norman, Telstra,<br />
Western Union, AXA,<br />
Hewlett Packard<br />
Food Lovers’ Guide to Australia Ford, Leggos,<br />
McDonald’s<br />
Global Village McDonald’s, MasterCard<br />
Independent Film Awards Lexus<br />
Les Miserables: Mini Series Lexus<br />
Life Support Vodafone<br />
Masterpiece Carlton United<br />
Sponsored Programs Sponsors<br />
Meet the Ancestors Westpac<br />
Movie of the Week Carlton United<br />
Movies Mazda, Carlton United,<br />
Brother Industries,<br />
Hyundai<br />
Opera - Peony Pavilion Lexus<br />
Pizza Western Union<br />
Queer As Folk L’Oreal<br />
Sandown 500 McDonald’s<br />
SBS Youth Orchestra Epson<br />
South Park Toyota<br />
Speedweek Chlorox<br />
Subsonics Guinness<br />
Sunday Documentaries Hewlett Packard<br />
The Business Show IBM<br />
The Cutting Edge Hewlett Packard<br />
The Movie Show Douwe Egberts, Lexus,<br />
Subaru<br />
The World Game Commonwealth Bank,<br />
Toyota, Western Union,<br />
L’Oreal LPD and Giorgio<br />
Armani<br />
Toyota World Sports Grundig<br />
TwentyFourSeven McDonald’s, Telstra<br />
UEFA Cup Final Harvey Norman, Colonial<br />
First State<br />
Western Union Football Western Union
20th Century Fox<br />
4BH Radio<br />
AAPT<br />
Ace Insurance<br />
Alfa Romeo<br />
American Express<br />
Amnesty International<br />
Andrew McKinnon Concerts<br />
Arab Bank<br />
Arnotts<br />
Audi<br />
Aurora<br />
Australian Major Events<br />
Australian Democrats<br />
AXA<br />
Bakers Delight<br />
Bank of Queensland<br />
Blackwell Funerals<br />
BMG Records<br />
BMW Australia<br />
Bob Jane T-Mart<br />
Bonland<br />
Brother Industries<br />
Brown Brothers<br />
BT Financial Group<br />
Buena Vista<br />
Bulmers Australia<br />
Burger King Australia<br />
Canberra Tourism<br />
Canon<br />
Carlton United Breweries<br />
Cathay Pacific<br />
CGU<br />
Chlorox<br />
Coca Cola<br />
Coles Myer Group<br />
Colonial First State<br />
Columbia Tristar<br />
Commonwealth Bank<br />
Commonwealth Government<br />
Crown<br />
Curtin University<br />
Daikin<br />
David Jones<br />
De Longhi<br />
Delta Force<br />
Diners Club<br />
Douwe Egberts<br />
Electrolux<br />
EMI<br />
Emirates Airlines<br />
Enmore Theatre<br />
Enviromwear<br />
Euro RSCG<br />
Fairfax<br />
Far East Consortium<br />
Federal Chamber of<br />
Automotive Industries<br />
Festival Mushroom Records<br />
Finibar International<br />
Flinders University<br />
Flying Start<br />
Ford<br />
Fred Hollows Foundation<br />
Freedom<br />
Frucor<br />
Gillette<br />
Givenchy<br />
Glaxo SmithKline<br />
Grahams Jewellers<br />
Green Entertainment<br />
Greenpeace<br />
Grundig<br />
Guinness<br />
Hali Retail Stores<br />
Harvey Norman<br />
Herron Pharmaceuticals<br />
Hewlett Packard<br />
Holden<br />
Honda<br />
Hoyts Film Distribution<br />
Hyundai<br />
I Care International<br />
IBM<br />
Icon Film Distribution<br />
ING Direct<br />
Intel<br />
IEC<br />
J T Cycles<br />
Jaguar<br />
Johnson & Johnson<br />
K M Smith<br />
Kelloggs<br />
KFC<br />
Kodak<br />
Kwik Kopy<br />
Kyocera<br />
L J Hooker<br />
La Famiglia<br />
Landrover Australia<br />
Leggos<br />
Levi Strauss<br />
Lexus<br />
LG Electronics<br />
Lion Nathan<br />
Loreal LPD and<br />
Giorgio Armani<br />
M Advertising<br />
Macquarie Bank<br />
MasterCard<br />
Masterfoods<br />
Mazda<br />
McDonald’s<br />
Medecins Sans Frontiers<br />
Medibank Private<br />
Mercedes Benz<br />
Michael Chugg Entertainment<br />
Microsoft<br />
Mildara Blass<br />
Milmaine Entertainment<br />
Mitsubishi Motors<br />
National Australia Bank<br />
National Museum Of Australia<br />
Nestle<br />
News Ltd<br />
Nissan<br />
Norwich Union<br />
Nova 100.3 FM<br />
NSW Government<br />
NSW Labor Party<br />
Optus<br />
Orlando Wyndam<br />
Paddy’s Markets<br />
Panasonic<br />
Paramount Home<br />
Entertainment<br />
Pepsi<br />
Pfizer<br />
Pharmacia<br />
Philips Consumer Electronics<br />
Philips Lighting<br />
Plan International<br />
Primus<br />
Procar Australia<br />
Procter and Gamble<br />
Promina<br />
Qantas<br />
Random House Australia<br />
Roadshow Entertainment<br />
Rotary International<br />
Royal Life Savings<br />
SA Government<br />
Saab Automobile<br />
Samsung<br />
Schering Plough<br />
Shell<br />
APPENDIX | 141<br />
APPENDIX 11<br />
SBS Television Advertisers<br />
Showtime<br />
Simplicity Funerals<br />
Singapore Airlines<br />
Sky City Casino<br />
Smith Family<br />
Sony Music<br />
St George Bank<br />
St Vincent de Paul<br />
Star City<br />
Star Cruises<br />
Stihl<br />
Subaru<br />
Swift and Moore<br />
Sydney Symphony Orchestra<br />
Talon Tools<br />
Telstra<br />
Texas Utilities<br />
The Production Company<br />
Toshiba<br />
Tourism Ireland<br />
Toyota<br />
TT Line<br />
Twinings<br />
UNICEF<br />
United International Pictures<br />
Universal Music<br />
University of SA<br />
Valvoline<br />
VIC Government<br />
Video Ezy<br />
Virgin Blue Airlines<br />
Virgin Mobile<br />
Visa International<br />
Vodafone<br />
Volkswagen<br />
Volvo<br />
WA Government<br />
Warner Music<br />
Wattyl<br />
Western Power<br />
Western Union<br />
Westpac<br />
Woolworth<br />
Worldvision<br />
Yahoo
142 | APPENDIX<br />
APPENDIX 12<br />
SBS Radio Advertisers<br />
Air Mauritius<br />
ALW<br />
AMSS<br />
AQIS<br />
Australia Council<br />
Australian Electoral<br />
Commission<br />
Australian Macedonian<br />
Weekly<br />
Australian Red Cross Society<br />
Artsproject Australia<br />
Auburn Accounting Services<br />
Austar Home Loans<br />
Austin Knight Advertising<br />
Australian Broadcasting<br />
Authority<br />
Australian Taxation Office<br />
Bankstown Council<br />
Bank of Cyprus<br />
Bank of Valletta<br />
Beograd Online Pty Ltd<br />
Bob Ignjatovic<br />
Brandhouse Hale Leonardi<br />
Cancer Council Victoria<br />
Centrelink<br />
Council of Victorian-<br />
Woodwork Clubs<br />
California Stars<br />
Cancer Council<br />
CEIDA<br />
Centacare<br />
Central Area Health Service<br />
Cityrail<br />
Clemenger<br />
Co-As-It<br />
Community Relations<br />
Commission of NSW<br />
Corriere Della Sera<br />
Croatian Catholic Centre<br />
Croatian SDA Church<br />
CTM Tiles<br />
DC Productions<br />
DEET<br />
Dept of Consumer Affairs<br />
Dept of Family and<br />
Community Services<br />
Dept of Housing<br />
Dept of Human Services<br />
Dept of Immigration<br />
& Multicultural Affairs<br />
Dept of Education<br />
Dept of Industrial Relations<br />
Dept of Primary Industry<br />
& Energy<br />
Dept of the Prime Minister<br />
& Cabinet<br />
DigiPlus<br />
Equity Link<br />
Excellent Tours<br />
EzTel<br />
Ethnic Communications<br />
Essential Services<br />
Commission (Vic)<br />
Freedom Finance & Property<br />
Group<br />
GEC Plessey<br />
Telecommunications<br />
Ganh Hang Rong<br />
Graduate Institute For Further<br />
Education<br />
Green Entertainment<br />
Health Insurance Commission<br />
HMZ Blaze<br />
HSBC Bank Malta<br />
ICAC<br />
Independent and General<br />
IBlue Internet<br />
Italian Chamber Of<br />
Commerce<br />
Jayanti Group<br />
JV Audio Mobile Phones<br />
L&T Trading<br />
Leba Ethnic Media<br />
Liverpool Health Service<br />
LOTE Marketing<br />
Maher & Holmes<br />
Meals on Wheels Association<br />
Media Factory<br />
Mei Lanfang Peking Opera<br />
Melbourne Theatre Company<br />
Merck Sharp & Dohme<br />
Metro Fire Brigade (Vic)<br />
MEQB<br />
Mitchell & Partners<br />
Ministry for the Status of<br />
Women<br />
Miyuki Industries<br />
Motif Intermedya<br />
Mojo<br />
Motor Accidents Authority<br />
Nhan Quyen<br />
NSW AMES<br />
NSW Dept of Ageing<br />
Disability & Homecare<br />
NSW Breastscreen<br />
NSW Dept of Community<br />
Services<br />
NSW Dept of Health<br />
NSW Dept of Gaming &<br />
Racing<br />
NSW Government Advertising<br />
Agency<br />
NSW Law Commission<br />
NSW Police<br />
NSW Quit Campaign<br />
NSW State Electoral Office<br />
NSW Tourism<br />
Oasis Griffiths Coffee<br />
Orbis International<br />
Oriental Merchants<br />
Optimedia Australia<br />
Nguyen & Co Solicitors<br />
Nikola Velcic & Associates<br />
Pemberton Advertising<br />
Pink Video<br />
Powerhouse Museum<br />
Premier’s Department<br />
Priyadarshini<br />
Publicis Drum<br />
Puma Film<br />
Red Cherry<br />
Roads & Traffic Authority<br />
Ross Mollison Group<br />
RSL COM Mobile Pty Ltd<br />
SES Promotions<br />
Shannon’s Way<br />
Smart Shutters<br />
South East Water (VIC)<br />
S & T Graphic Design<br />
State Transit Authority<br />
Strata & Tenancy Commission<br />
Energy Australia<br />
Starcom<br />
Sydney Olympic Park<br />
Authority<br />
Sydney United<br />
TAC<br />
TAFE NSW<br />
The-He Vietnamese<br />
Language Centre<br />
Top School<br />
Universal McCann<br />
Universal Telecom<br />
Vic Country Fire Authority<br />
Vic Dept of Education<br />
Vic Dept of Human Services<br />
Vic Dept of Justice<br />
Vic Work Cover Authority<br />
Vic Dept of Sport &<br />
Recreation<br />
Vic Privacy Commission<br />
Vic Roads<br />
Video Copy House<br />
Viet Luan<br />
Western Union<br />
World Serbian Voice<br />
Newspaper<br />
Workcover Authority<br />
Wernand<br />
Western Sydney Tenancy<br />
Service<br />
Wyeth Pharmaceuticals<br />
Yasiru Multimedia<br />
Zenith Media
CHAIR: Ms Ayse Alpandinar – (Vic) Born in Turkey, Ms<br />
Alpandinar has a Bachelor of Arts, Diploma in Education, and<br />
Diploma in TESOL. She currently runs her own business in the<br />
design and manufacture of table runners. She is actively<br />
involved in the arts and cultural organisations of the Turkish<br />
Community.<br />
Ms Dianne Cox – (NSW) Born in Australia, Ms Cox has had a<br />
long and distinguished career in education. She holds a degree<br />
in education and drama, and is principal of Belmont North<br />
Public School. The parent of two adopted Korean children, Ms<br />
Cox has worked with children from many diverse cultures and<br />
has participated in school communities with a strong focus on<br />
Aboriginal culture.<br />
Mr Allen Madden – (NSW) Mr Madden is a direct descendent<br />
of the Gadigal clan of Eora Land, Sydney. He is the Sites and<br />
Cultural Education Officer of the Metropolitan Local Aboriginal<br />
Land Council and has had a long career in indigenous services,<br />
including Welfare Officer for the Aboriginal Children’s Services,<br />
Field Officer for Aboriginal Legal Services, Employment Officer<br />
NCAP Aboriginal Dance Theatre, and Field Officer for Aboriginal<br />
Medical Services.<br />
Mr Michael Zorbas – (ACT) Born in Australia of diverse<br />
heritage, Mr Zorbas is the Executive Officer, Trade Practices<br />
Reform for the Motor Trades Association of Australia. He has a<br />
long history of public policy involvement, is a former member of<br />
the Federal Government’s National Youth Roundtable and is<br />
also a director of the International Forum of Federations.<br />
Ms Genoveva Medwell OAM – (NT) Born in the Philippines, Ms<br />
Medwell has over 10 years’ experience in multicultural and<br />
ethnic affairs. She received an Order of Australia Medal in 1993<br />
for her work in migrant communities. Currently she is a member<br />
of the Management Committee of the Torture and Trauma<br />
Survivors Service of the Northern Territory Inc. She works as<br />
Director, Government Employee Housing in the Northern<br />
Territory Department of Community Development, Sports and<br />
Cultural Affairs.<br />
Mr Russell Raymond OAM – (WA) Born in Sri Lanka, Mr<br />
Raymond is a senior journalist in Perth who is actively involved<br />
with the North Perth Migrant Resource Centre, the Sri Lanka<br />
Ceylon Association, and the Ethnic Communities Council of WA.<br />
[FECCA nominee ,national]<br />
Ms Maria Papagrigoriou – (NSW) Born in Australia to Greek<br />
migrant parents, Ms Papagrigoriou has a Bachelor of Arts /<br />
Social Work. She is an advocate for people with disabilities in<br />
rural NSW. Ms Papagrigoriou is also actively involved in her<br />
local community as secretary of the Canterbury Bankstown<br />
Migrant Resource Centre Management Committee.<br />
APPENDIX | 143<br />
APPENDIX 13<br />
SBS Community Advisory Committee<br />
Dr Joseph Ting – (QLD) A Malaysia-born consultant<br />
emergency physician of Chinese extraction, Dr Ting is involved<br />
in the clinical training of junior doctors and medical students.<br />
He has a strong commitment to public and multicultural<br />
broadcasting as well as the maintenance of literary and ethical<br />
standards within the print and web-based media. His other<br />
interests include the arts and the environment.<br />
Ms Linda Mirabilio – (NSW) has a Diploma in Journalism and<br />
has worked as an event manager on performing arts and<br />
indigenous events. She has also worked as a community<br />
project officer with youth and those from non-English speaking<br />
backgrounds, is active in the campaign for refugees and tutors<br />
English to new migrants.<br />
Ms Armita Araghi – (VIC) Born in Iran and a resident of<br />
Germany (1982-1993), Ms Araghi has a Bachelor of Laws /<br />
Bachelor of Arts (Languages and Linguistics / Painting and<br />
Sculpture), and works as an associate lawyer in a Melbourne<br />
law firm. Ms Araghi has ongoing personal and professional<br />
involvement with ethnic and indigenous communities. She has<br />
tutored in law and languages at the Melbourne University Koori<br />
Student Centre, and works in pro-bono legal programs with<br />
migration applicants.<br />
Mr Paulo Vieira – (QLD) Born in Zimbabwe of Maltese-Egyptian<br />
/ Portuguese parentage, Mr Vieira is Director of Studies at the<br />
Central Queensland University Language Centre in<br />
Rockhampton. A graduate in Political Science, Mr Vieira has<br />
held several political advisory positions, the most recent as<br />
Senior Policy Adviser to the NSW Minister for Multicultural and<br />
Ethnic Affairs in NSW under the Fahey government.<br />
Mr Ahmed Warsame – (VIC) Mr Warsame is the President of<br />
the Somali Community Inc. of Victoria and is also a member of<br />
the Australian Society of CPA. His academic credentials<br />
include: Master of Business Administration from California State<br />
University, Master of Education from the University of<br />
Melbourne, and Bachelor of Chemistry and Mathematics from<br />
the Somali National University.<br />
During the year, Ms Dianne Cox, Ms Genoveva Medwell, Ms<br />
Linda Mirabilio, Mr Michael Zorbas, Dr Eric Tsui and Mr Ly Le<br />
completed their terms as members of the committee. Mr John<br />
Payne and Ms Natalie Stansfield were appointed to begin terms<br />
in the second half of 20<strong>03</strong>.
144 | APPENDIX<br />
APPENDIX 14<br />
SBS Television Awards<br />
National Awards<br />
AFI Awards Best Direction Beneath Clouds<br />
Best Actor David Gulpilil The Tracker<br />
Best Actress Maria Theodorakis Walking on Water<br />
Best Actor Nathaniel Dean Walking on Water<br />
Best Cinematographer Beneath Clouds<br />
Best Original screenplay Walking on Water<br />
Best Screenplay Adapted From Another Source Australian Rules<br />
Best Editing Walking on Water<br />
Best Editing in Non-Feature Rainbow Bird and Monster Man<br />
Best Sound Shadow Play<br />
Best Non-Feature Film Dad’s Clock<br />
Dendy Awards Best Documentary Desperate Man Blues<br />
Best Fiction Over 15 mins Roy Hollsdotter Live<br />
Best Fiction Under 15mins Black Talk<br />
ATOM Awards Best General Short Fiction Martha’s New Coat<br />
(Australian Teachers of the Media) Best General Documentary Short Form Painting with Light in a Dark World<br />
Special Award Recipient (Best Documentary Art & Culture) Two Thirds Sky<br />
Best General Documentary Science (Technology & Environment) A Million Acres A Year<br />
Best Indigenous Resource The Foundation<br />
Film Critics Circle Awards Best Music Score The Tracker<br />
Best Cinematography The Tracker<br />
Documentary Panel Award Making Venus<br />
Best Original screenplay Walking on Water<br />
Best Supporting Actor Australian Rules<br />
Best Supporting Actress Australian Rules<br />
Best Actor David Gulpilil The Tracker<br />
Best Actress Maria Theodorakis Walking on Water<br />
Best Film The Tracker<br />
IF Awards Best Feature Film The Tracker<br />
Best Actor David Gulpilil The Tracker<br />
Best Music The Tracker<br />
Best Direction Beneath Clouds<br />
Best Cinematographer Beneath Clouds<br />
Best Script Walking on Water<br />
Best Documentary Black Chicks Talking<br />
Best Creative Award Making Venus<br />
AWGIE Awards Best Documentary Script Rainbow Bird and Monster Man<br />
Couch Potato Awards Best Documentary Two Thirds Sky<br />
Best Local Comedy John Safran’s Music Jamboree<br />
United Nations Media Peace Prize Best Television Breaking Bows and Arrows<br />
Australian Cinematographers Award Best Documentary The Brotherhood<br />
Best Telefeature Roy Hollsdotter Live<br />
Mafia Awards Best Film Push Bikes
International Awards<br />
APPENDIX 14<br />
SBS Television Awards Continued<br />
Annecy Animations Festival France Best Animation Harvey Krumpet<br />
Canada’s 55th Golden Sheaf Award Best International Documentary Trespass<br />
Locarno International Film Festival<br />
Switzerland Best Film Delivery Day<br />
Cannes Junior Festival, France Prix Special du Jury Australian Rules<br />
Durban Film Festival Best Director/Best Cinematographer Beneath Clouds<br />
Ottawa Film Festival Three awards for humour Leunig<br />
Festival du Film d’art Paris Grand Prix Robert Fortune The Tea Thief<br />
New York Film Festival Bronze Award Robert Fortune The Tea Thief<br />
50th Columbia International<br />
Film Festival Chris Award Still Breathing<br />
Bronze Award Taringa 4068:Our time and Place<br />
Portugal Cinanima Best Short Film PA<br />
Schermi D’Amore Verona<br />
Film Festival Italy Best Film Australian Rules<br />
Screenings<br />
Hawaiian Film Festival Black Chicks Talking<br />
Mumbai Film Festival Always a Visitor<br />
Sundance Film Festival / Verona Film Festival /<br />
London Film Festival / Taiwan Film Festival Australian Rules<br />
Berlin Film Festival / Clermont Ferrand Film Festival Beneath Clouds<br />
Toronto Film Festival / Woodford Film Festival /<br />
Adelaide International Film Festival / New York Film Festival Bush Bikes<br />
Krakow Film Festival / Annecy Film Festival / Zagreb Film Festival Dad’s Clock<br />
Rio De Janeiro Film Festival / Seattle Film Festival / Vancouver Film Festival /<br />
London/Australia Film Festival / Taiwan Film Festival / Singapore Film Festival Walking on Water<br />
Hawaiian Film Festival / Singapore Film Festival Fearless Stories of Asian Women<br />
Annecy Animation Film Festival / Edinburgh Film Festival Harvey Krumpet<br />
APPENDIX | 145<br />
Sydney Film Festival Preservation, Molly and Mobarak,<br />
Becoming Julia
146 | NOTES