Womens anthology bibl+ - Wake Forest University
Womens anthology bibl+ - Wake Forest University
Womens anthology bibl+ - Wake Forest University
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EILÉAN NÍ CHUILLEANÁIN<br />
Volumes of Poetry<br />
BIBLIOGRAPHY AND CRITICISM<br />
Acts and Monuments. Dublin: The Gallery Press, 1972.<br />
Site of Ambush. Dublin: The Gallery Press, 1975.<br />
The Second Voyage. Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press; Dublin: The Gallery<br />
Press, 1977. 2nd edition, Dublin: The Gallery Press, 1986; Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong><br />
<strong>University</strong> Press, 1989.<br />
Cork. Dublin: The Gallery Press, 1977.<br />
The Rose-Geranium. Oldcastle, Co. Meath: The Gallery Press, 1981.<br />
The Magdalene Sermon. Oldcastle, Co. Meath: The Gallery Press, 1989.<br />
The Magdalene Sermon and Other Poems. Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press,<br />
1991.<br />
The Brazen Serpent. Oldcastle, Co. Meath: The Gallery Press, 1994; Winston-Salem, N.C.:<br />
<strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 1995.<br />
The Girl Who Married the Reindeer. Oldcastle, Co. Meath: The Gallery Press, 2001; Winston-<br />
Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2002.<br />
Selected Poems. Oldcastle, Co. Meath: The Gallery Press, 2008; London: Faber, 2009; Winston-<br />
Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2009.<br />
The Sun-fish. Oldcastle, Co. Meath: The Gallery Press, 2009; Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong><br />
<strong>University</strong> Press, 2010.<br />
Other Works<br />
“Woman as Writer: The Social Matrix.” Crane Bag 4.1 (1980): 101–5.<br />
“Introduction.”In Eiléan Ní Chuilleanáin, ed. Irish Women: Image and Achievement. Dublin:<br />
Arlen House, 1985. 1–11.<br />
“Women As Writers: Dánta Grá to Maria Edgeworth.” In Eiléan Ní Chuilleanáin, ed. Irish<br />
Women: Image and Achievement. Dublin: Arlen House, 1985. 111–26.
“Acts and Monuments of an Unelected Nation: The Cailleach Writes about the Renaissance.”<br />
The Southern Review 31.3 (July 1995): 570–80.<br />
The Water-Horse: Poems in Irish by Nuala Ní Dhomnaill. Translated by Medbh McGuckian and<br />
Eiléan Ní Chuilleanáin. Oldcastle, Co. Meath: The Gallery Press, 1999; Winston-Salem, NC:<br />
<strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2004.<br />
Ranchetti, Michele. Verbale. Translated by Eiléan Ní Chuilleanáin and others. Dublin: Instituto<br />
Italiano di Cultura, 2005.<br />
Malancioiu, Ileana. After the Raising of Lazarus. Translated by Eiléan Ní Chuilleanáin. Cork:<br />
Southword Editions, 2005.<br />
Interviews<br />
Consalvo, Deborah McWilliams. “An Interview with Eiléan Ní Chuilleanáin.” Irish Literary<br />
Supplement 12.1 (1993): 15–17.<br />
Ray, Kevin. “Interview with Eiléan Ní Chuilleanáin.” Eire-Ireland 32.1–2 (1996): 62–73.<br />
Criticism on Ní Chuilleanáin<br />
Allen, Nicholas. “‘Each Page Lies Open to the Version of Every Other’: History in the Poetry of<br />
Eiléan Ní Chuilleanáin.” Irish <strong>University</strong> Review: A Journal of Irish Studies 37.1 (2007): 22–36.<br />
Batten, Guinn. “‘The World Not Dead after All’: Eiléan Ní Chuilleanáin’s Work of Revival.”<br />
Irish <strong>University</strong> Review: A Journal of Irish Studies 37.1 (2007): 1–22.<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Clutterbuck, Catriona. “Good Faith in Religion and Art: The Later Poetry of Eiléan Ní<br />
Chuilleanáin.” Irish <strong>University</strong> Review: A Journal of Irish Studies 37.1 (2007): 131–156.<br />
Coughlan, Patricia. “‘No Lasting Fruit at All’: Containing, Recognition, and Relinquishing in<br />
The Girl Who Married the Reindeer.” Irish <strong>University</strong> Review: A Journal of Irish Studies 37.1<br />
(2007): 157–177.<br />
Conboy, Sheila C. “‘What You Have Seen is Beyond Speech.’ Female Journeys in the Poetry of<br />
Eavan Boland and Eiléan Ní Chuilleanáin.” Canadian Journal of Irish Studies 16 (1990): 65–72.<br />
Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.
Faragó, Borbála. “‘Alcove in the Wind’: Silence and Space in Eiléan Ní Chuilleanáin’s Poetry.”<br />
Irish <strong>University</strong> Review: A Journal of Irish Studies 37.1 (2007): 68–83.<br />
Fogarty, Anne. “Eiléan Ní Chuilleanáin.” Irish <strong>University</strong> Review: A Journal of Irish Studies<br />
37.1 (2007): 1–250.<br />
Foster, John Wilson. “‘The Second Voyage’ by Eiléan Ní Chuilleanáin.” Eire-Ireland 13.4<br />
(1978): 147–51.<br />
Gilsenan Nordin, Irene. “‘Between the Dark Shore and the Light’: The Exilic Subject in Eiléan<br />
Ní Chuilleanáin’s The Second Voyage.” In Michael Böss, Irene Gilsenan Nordin and Britta<br />
Olinder, eds. Exile: Realities and Metaphors in Irish History and Literature. Århus: Dolphin<br />
Press, 2005. 178–94.<br />
___. “‘Betwixt and Between’: The Body as Liminal Threshold in the Poetry of Eiléan Ní<br />
Chuilleanáin.” In Irene Gilsenan Nordin, ed. The Body and Desire in Contemporary Irish Poetry.<br />
Dublin and Portland, OR: Irish Academic Press, 2006. 226–43.<br />
___. “Like a Shadow in Water’: Phenomenology and Poetics in the Work of Eiléan Ní<br />
Chuilleanáin.” Irish <strong>University</strong> Review: A Journal of Irish Studies 37.1 (2007): 98–114.<br />
Grennan, Eamon. “Real Things.” Poetry Ireland Review 46 (Summer 1995): 44–52.<br />
Haberstroh, Patricia Boyle. “Eiléan Ní Chuilleanáin.” Women Creating Women. Syracuse:<br />
Syracuse <strong>University</strong> Press, 1996. 93–120.<br />
___. “The Architectural Metaphor in the Poetry of Eiléan Ní Chuilleanáin.” Irish <strong>University</strong><br />
Review: A Journal of Irish Studies 37.1 (2007): 84–97.<br />
Holdridge, Jefferson. “‘A Snake Pouring over the Ground’: Nature and the Sacred in Eiléan Ní<br />
Chuilleanáin.” Irish <strong>University</strong> Review: A Journal of Irish Studies 37.1 (2007): 115–30.<br />
Johnston, Dillon. “‘Hundred-Pocketed Time’: Ní Chuilleanáin’s Baroque Spaces.” Irish<br />
<strong>University</strong> Review: A Journal of Irish Studies 37.1 (2007): 53–67.<br />
___. “‘Our Bodies’ Eyes and Writing Hands’: Secrecy and Sensuality in Ní Chuilleanáin’s<br />
Baroque Art.” In Anthony Bradley and Maryann Gialanella Valiulis, eds. Gender and Sexuality<br />
in Modern Ireland. Amherst: <strong>University</strong> of Massachusetts Press, 1997. 187–211.<br />
Kerrigan, John. “Hidden Ireland: Eiléan Ní Chuilleanáin and Munster Poetry.” Critical Quarterly<br />
40.4 (Winter 1998): 76–100.<br />
McCarthy, Thomas. “‘We Could Be in Any City’: Eiléan Ní Chuilleanáin and Cork.” Irish<br />
<strong>University</strong> Review: A Journal of Irish Studies 37.1 (2007): 230–43.<br />
Meaney, Geraldine. “History Gasps: Myth in Contemporary Irish Women’s Poetry.” In Michael
Kenneally, ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995.<br />
99–113.<br />
O'Malley, Aidan. “Praeterito: (Non-)Possession and the Translational Impulse in Ní<br />
Chuilleanáin’s Work.” Irish <strong>University</strong> Review: A Journal of Irish Studies 37.1 (2007): 178–96.<br />
Sarbin, Deborah. “‘Out of Myth into History’: The Poetry of Eavan Boland and Eiléan Ní<br />
Chuilleanáin.” Canadian Journal of Irish Studies 19.1 (July 1993): 86–96.<br />
Sirr, Peter. “‘How Things Begin to Happen’: Notes on Eiléan Ní Chuilleanáin and Medbh<br />
McGuckian.” The Southern Review 31.3 (Summer 1995): 450–67.<br />
EAVAN BOLAND<br />
Volumes of Poetry<br />
New Territory. Dublin: Allen, Figgis & Co., 1967.<br />
The War Horse. Dublin: Arlen House; London: Victor Gollancz, 1975.<br />
In Her Own Image. Dublin: Arlen House, 1980.<br />
Introducing Eavan Boland: Poems. Princeton: The Ontario Review Press, 1981.<br />
Night Feed. Dublin: Arlen House; London and Boston: Marion Boyars, 1982; Manchester:<br />
Carcanet Press, 1994.<br />
The Journey and Other Poems. Dublin: Arlen House, 1986; Manchester: Carcanet, 1987.<br />
Selected Poems. Manchester: Carcanet Press; Dublin: Arlen House, 1989.<br />
Outside History. Manchester: Carcanet Press, 1990.<br />
Outside History: Selected Poems 1980–1990. New York: Norton, 1990.<br />
In a Time of Violence. Manchester: Carcanet; New York: Norton, 1994.<br />
An Origin Like Water: Collected Poems 1967–1987. New York and London: Norton, 1997.<br />
The Lost Land. New York and London: Norton, 1998.<br />
Against Love Poetry. New York: Norton, 2001.<br />
Code. Manchester: Carcanet Press, 2001.
New Collected Poems. Manchester: Carcanet Press, 2005.<br />
Domestic Violence. Manchester: Carcanet Press, 2007; New York: Norton, 2007.<br />
Other Works<br />
“The Woman Poet: Her Dilemma.” Midland Review 3 (1986): 40–47. Also in Krino (Spring,<br />
1986); Stand Magazine (Winter 1986–87): 43–49; and American Poetry Review 16.1 (Jan./Feb.<br />
1987): 17–20.<br />
“An Un-Romantic American.” Parnassus: Poetry in Review 14.2 (1988): 73–92.<br />
“The Woman Poet in a National Tradition.” Studies 76: 148–158. Also published as “A Kind of<br />
Scar: The Woman Poet in a National Tradition.” Dublin: Attic LIP Pamphlet, 1989.<br />
“Outside History.” American Poetry Review 19.2 (March/April 1990): 32–38.<br />
“The Woman, The Place, The Poet.” Georgia Review 44.1–2 (1990): 97–109.<br />
“In Defense of Workshops.” Poetry Ireland Review 31 (1991): 40–48.<br />
“Writing in the Margin.” Irish Times 18 April 1992: 12.<br />
“Writing the Political Poem in Ireland.” The Southern Review (July 1995): 485–98.<br />
Object Lessons: The Life of the Woman and the Poet in Our Time. New York and London:<br />
Norton, 1995.<br />
“New Wave 2: Born in the ’50’s; Irish Poets of the Global Village.” In Theo Dorgan, ed. Irish<br />
Poets since Kavanagh. Blackrock, Co. Dublin: Four Courts Press, 1996.<br />
“Daughters of Colony.” Eire-Ireland, 32.2–3 (1997): 7–20.<br />
The Making of a Poem: A Norton Anthology of Poetic Forms. Eavan Boland and Mark Strand,<br />
eds. New York: Norton, 2000.<br />
Three Irish Poets: An Anthology: Eavan Boland, Paula Meehan, Mary O’Malley. Eavan Boland,<br />
ed. Manchester: Carcanet Press, 2003.<br />
After Every War: Twentieth-Century Women Poets. Translated by Eavan Boland. Princeton, NJ:<br />
Princeton UP, 2004.<br />
Irish Writers on Writing. Eavan Boland, ed. San Antonio, TX: Trinity <strong>University</strong> Press, 2007.
The Making of a Sonnet: A Norton Anthology. Eavan Boland and Edward Hirsch, eds. New<br />
York: Norton, 2008.<br />
Interviews<br />
Consalvo, Deborah McWilliams. “An Interview with Eavan Boland.” Studies: An Irish Quarterly<br />
Review 181.321 (Spring 1992): 89–100.<br />
O’Connell, Patty. “Eavan Boland: An Interview.” Poets & Writers (November–December 1994):<br />
32–45.<br />
Reizbaum, Marilyn. “An Interview with Eavan Boland.” Contemporary Literature 30.4 (1989):<br />
470–90.<br />
Tall, Deborah. “Q&A with Eavan Boland.” Irish Literary Supplement 7.2 (1988): 39–40.<br />
Wright, Nancy Means and Dennis Hannan. “Q&A with Eavan Boland.” Irish Literary<br />
Supplement (Spring 1991): 10–11.<br />
Criticism on Boland<br />
Allen Randolph, Jody, ed. Eavan Boland: A Critical Companion. New York: W.W. Norton &<br />
Co., 2008.<br />
___. “Eavan Boland.” In Bill McCormack, ed. Blackwell Companion to Modern Irish Culture.<br />
Oxford: Blackwell, 2001.<br />
___. “Écriture Feminine and the Authorship of Self in Eavan Boland’s In Her Own Image.”<br />
Colby Quarterly 27.1 (March 1991): 48–59.<br />
___. “Finding a Voice where She Found a Vision.” PN Review 2.1 (September–October 1994):<br />
13–17.<br />
___. “Private Worlds, Public Realities: Eavan Boland’s Poetry, 1967–1990.” Irish <strong>University</strong><br />
Review 23.1 (1993): 5–22.<br />
___ and Anthony Roche. “Eavan Boland—Special Issue.” Irish <strong>University</strong> Review 23.1 (1993).<br />
Atfield, Rose. “Postcolonialism in the Poetry and Essays of Eavan Boland.” A Cultural Review<br />
8.2 (Spring 1997): 168–82.<br />
Auge, Andrew J. “Fracture and Wound: Eavan Boland’s Poetry of Nationality.” New Hibernia<br />
Review 8.2 (2004): 121–41.
Balinisteanu, Tudor. “The Persephone Figure in Eavan Boland’s ‘The Pomegranate’ and Liz<br />
Lochhead’s ‘Lucy’s Diary.’” In V.G. Julie Rajan and Sanja Bahun-Radunović, eds. From Word<br />
to Canvas: Appropriations of Myth in Women’s Aesthetic Production. New Castle upon Tyne:<br />
Cambridge Scholars, 2009. 23–49.<br />
Batten, Guinn. “‘Time Feels Unclocked’: Romantic History, Gender, and a Poetics of Hysteria<br />
in Recent Irish Poetry.” Bucknell Review 45.2 (2002): 29–50.<br />
Belanguer, Jacquelin. “‘The Laws of Metaphor’: Reading Eavan Boland’s Anorexic in an Irish<br />
Context.” Colby Quarterly 36.3 (2000): 242–51.<br />
Böss, Michael. “The Naming of Loss and Love: Eavan Boland’s Lost Land.” Nordic Irish<br />
Studies 3.1 (2004): 127–35.<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Brown, Susan. “A Victorian Sappho: Agency, Identity and the Politics of Poetics.” ESC 20.2<br />
(June 1994): 205–25.<br />
Burns, Christy L. “Beautiful Labors: Lyricism and Feminist Revisions in Eavan Boland’s<br />
Poetry.” Tulsa Studies in Women’s Literature 20.2 (2001): 217–36.<br />
Cannon, M. Louise. “The Extraordinary Within the Ordinary: The Poetry of Eavan Boland and<br />
Nuala Ní Dhomhnaill.” South Atlantic Review 60.2: 31–46.<br />
Clutterbuck, Catriona. “Eavan Boland and the Politics of Authority in Irish Poetry.” Yearbook of<br />
English Studies 35 (2005): 72–90.<br />
___. “Irish Critical Responses to Self-Representation in Eavan Boland, 1987–1995.” Colby<br />
Quarterly 35.4 (1999): 275–87.<br />
Conboy, Sheila C. “Eavan Boland’s Topography of Displacement.” Eire-Ireland 29.3 (1994):<br />
137–46.<br />
___. “‘What You Have Seen is Beyond Speech.’ Female Journeys in the Poetry of Eavan Boland<br />
and Eiléan Ní Chuilleanáin.” Canadian Journal of Irish Studies 16 (1990): 65–72.<br />
Consalvo, Deborah. “In Common Usage: Eavan Boland’s Poetic Voice.” Eire-Ireland 28<br />
(Summer 1993): 100–15.<br />
Craps, Stef. “‘Only Not Beyond Love’: Testimony, Subalternity, and the Famine in the Poetry of<br />
Eavan Boland.” Neophilologus 94.1 (2010): 165–76.<br />
Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.
Denman, Peter. “Ways of Saying: Boland, Carson, McGuckian.” In Michael Kenneally, ed.<br />
Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 158–73.<br />
Haberstroh, Patricia Boyle. “Eavan Boland.” Women Creating Women. Syracuse: Syracuse<br />
<strong>University</strong> Press, 1996. 59–90.<br />
___. “Woman, Artist and Image in Night Feed.” Irish <strong>University</strong> Review 23.1 (1993): 67–94.<br />
Hagen, Patricia L. and Thomas W. Zelman. “‘We Were Never on the Scene of the Crime’: Eavan<br />
Boland’s Repossession of History.” Twentieth Century Literature 37.4 (Winter 1991): 442–52.<br />
Hardy, Molly O’Hagan. “Symbolic Power: Mary Robinson’s Presidency and Eavan Boland’s<br />
Poetry.” New Hibernia Review 12.3 (2008): 47–65.<br />
Heuving, Jeanne. “Poetry in Our Political Lives.” Contemporary Literature 37.2 (1996): 315–32.<br />
Kelly, Sylvia. “The Silent Cage and Female Creativity in In Her Own Image.” Irish <strong>University</strong><br />
Review 23.1 (1993): 45–56.<br />
Kilcoyne, Catherine. “Eavan Boland and Strategic Memory.” Nordic Irish Studies 6 (2007): 89–<br />
102.<br />
Lojo-Rodríguez, Laura M. “At the Heart of Maternal Darkness’: Infanticidal Wish in the Poetry<br />
of Mary O’Donnell and Eavan Boland.” Nordic Irish Studies 7 (2008): 103–16.<br />
Luftig, Victor. “‘Something Will Happen to You Who Read’: Adrienne Rich, Eavan Boland.”<br />
Irish <strong>University</strong> Review 23.1 (1993): 57–66.<br />
Mahon, Derek. “Young Eavan and Early Boland.” Irish <strong>University</strong> Review 23.1 (1993): 23–28.<br />
Mahon, Ellen M. “Eavan Boland’s Journey with the Muse.” In Deborah Fleming, ed. Learning<br />
the Trade: Essays on W.B. Yeats and Contemporary Poetry. West Cornwall, CT: Locust Hill,<br />
1993. 179–94.<br />
Matthews, Steven. “The Object Lessons of Heaney, Carson, Muldoon and Boland.” Critical<br />
Survey 15.1 (2003): 18–33.<br />
McCallum, Shara. “Eavan Boland’s Gift: Sex, History, and Myth.” Antioch Review 62.1 (2004):<br />
37–47.<br />
Paddon, Seija. “The Diversity of Performance / Performance as Diversity in the Poetry of Laura<br />
(Riding) Jackson and Eavan Boland.” ES Can 22.4 (1996): 425–39.<br />
Poloczek, Katarzyna. “Identity as Becoming: Polymorphic Female Identities in the Poetry of<br />
Boland, Meehan and Ní Dhomhnaill.” In Irene Gilsenan Nordin and Elin Holmsten, eds. Liminal<br />
Borderlands in Irish Literature and Culture. Oxford: Peter Lang, 2009. 131–50.
Raschke, Debra. “Eavan Boland’s ‘Outside History’ and ‘In a Time of Violence’: Rescuing<br />
Women, the Concrete, and Other Things Physical from the Dung Heap.” Colby Quarterly 32.2<br />
(1996): 135–42.<br />
Reizbaum, Marilyn. “What’s My Line: the Contemporaneity of Eavan Boland.” Irish <strong>University</strong><br />
Review 23.1 (1993): 100–10.<br />
Russell, Richard Rankin. “Boland’s ‘Lava Cameo.’” Explicator 60.2 (2002): 114–17.<br />
Sarbin, Deborah. “‘Out of Myth into History’: The Poetry of Eavan Boland and Eiléan Ní<br />
Chuilleanáin.” Canadian Journal of Irish Studies 19.1 (July 1993): 86–96.<br />
Shifrer, Anne. “The Fabrics and Erotics of Eavan Boland’s Poetry.” Colby Quarterly 37.4<br />
(2001): 327–42.<br />
Sullivan, Moynagh. “I am, Therefore, I am Not (Woman).” International Journal of English<br />
Studies 2.2 (2002): 123–34.<br />
Villar-Argáiz, Pilar. “Recording the Unpoetic: Eavan Boland’s Silences.” Irish <strong>University</strong><br />
Review: A Journal of Irish Studies 37.2 (2007): 472–91.<br />
___. “Witchcraft and Evilness as Sources of Female Potential: Eavan Boland’s Representation of<br />
a New Eve in Irish Poetry.” Grove: Working Papers on English Studies 14 (2007): 129–45.<br />
Weekes, Ann Owens. “‘An Origin like Water’: The Poetry of Eavan Boland and Modernist<br />
Critiques of Irish Literature.” Bucknell Review 38.1 (1994): 159–76.<br />
Wheatley, David. “Changing the Story: Eavan Boland and Literary History.” Irish Review 31<br />
(Spring-Summer 2004): 103–20.<br />
EVA BOURKE<br />
Volumes of Poetry<br />
Gonella. Dublin: Dedalus Press, 1985.<br />
Litany for the Pig. Dublin: Dedalus Press, 1989.<br />
Spring in Henry Street Dublin: Dedalus Press, 1996.<br />
Travels with Gandolpho. Dublin: Dedalus Press, 2000.<br />
The Latitude of Naples. Dublin: Dedalus Press, 2005.
Other Works<br />
Mit grüner Tinte / With Green Ink. Translated by Eva Bourke. Bamberg, Germany: Colibri<br />
Verlag, 1996.<br />
Borchers, Elisabeth. Winter on White Paper. Translated by Eva Bourke. Dublin: Dedalus Press,<br />
2002.<br />
MEDBH MCGUCKIAN<br />
Volumes of Poetry<br />
Portrait of Joanna. Belfast: Ulsterman Publications, 1980.<br />
Single Ladies. Budleigh Salteron: Interim, 1982.<br />
The Flower Master and Other Poems. Oxford: Oxford <strong>University</strong> Press, 1982; Oldcastle, Co.<br />
Meath: The Gallery Press, 1982, 1993.<br />
Venus and the Rain. Oxford: Oxford <strong>University</strong> Press, 1984; Oldcastle, Co. Meath: The Gallery<br />
Press, 1984, 1994.<br />
On Ballycastle Beach. Oxford: Oxford <strong>University</strong> Press; Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong><br />
<strong>University</strong> Press, 1988; Oldcastle, Co. Meath: The Gallery Press, 1988, 1995.<br />
___ and Nuala Archer. Two Women, Two Shores: Poems by Medbh McGuckian and Nuala<br />
Archer. Baltimore, MD: New Poets Series, 1989.<br />
Marconi’s Cottage. Oldcastle, Co. Meath: The Gallery Press, 1991; Winston-Salem, NC: <strong>Wake</strong><br />
<strong>Forest</strong> <strong>University</strong> Press, 1991.<br />
Captain Lavender. Oldcastle, Co. Meath: The Gallery Press, 1994; Winston-Salem, NC: <strong>Wake</strong><br />
<strong>Forest</strong> <strong>University</strong> Press, 1995.<br />
Selected Poems: 1978–1994. Oldcastle, Co. Meath: The Gallery Press; Winston-Salem, NC:<br />
<strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 1997.<br />
Shelmalier. Oldcastle, Co. Meath: The Gallery Press, 1998; Winston Salem, NC: <strong>Wake</strong> <strong>Forest</strong><br />
<strong>University</strong> Press, 1999.<br />
Drawing Ballerinas. Oldcastle, Co. Meath: The Gallery Press, 2001.
The Face of the Earth. Oldcastle, Co. Meath: The Gallery Press, 2002.<br />
Soldiers of the Year II. Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2002.<br />
Had I a Thousand Lives. Oldcastle, Co. Meath: The Gallery Press, 2003.<br />
The Book of the Angel. Oldcastle, Co. Meath: The Gallery Press, 2004; Winston-Salem, NC:<br />
<strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2004.<br />
The Currach Requires No Harbours. Oldcastle, Co. Meath: The Gallery Press, 2006; Winston-<br />
Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2007.<br />
My Love Has Fared Inland. Oldcastle, Co. Meath: The Gallery Press, 2008; Winston-Salem, NC:<br />
<strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2010.<br />
Other Works<br />
“Don’t Talk to Me about Dance.” Poetry Ireland Review 35 (1992): 98–100.<br />
“Comhra, with a Foreward and Afterword by Laura O’Connor.” The Southern Review 31.3<br />
(Summer 1995): 581–614.<br />
“Home.” In Sophia H. King and Sean McMahon, eds. Hope and History: Eyewitness Accounts of<br />
Life in Twentieth-Century Ulster. Belfast: Friar’s Bush Press, 1996. 210–11.<br />
Horsepower Pass By!: A Study of the Car in the Poetry of Seamus Heaney. Coleraine: Cranagh<br />
Press, 1999.<br />
The Water-Horse: Poems in Irish by Nuala Ní Dhomhnaill. Translated by Medbh McGuckian<br />
and Eiléan Ní Chuilleanáin. Oldcastle, Co. Meath: The Gallery Press, 1999; Winston-Salem, NC:<br />
<strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2004.<br />
Interviews<br />
Bohman, Kimberly S. “Surfacing: An Interview with Medbh McGuckian, Belfast, 5th<br />
September, 1994.” The Irish Review 16 (Autumn/Winter 1994): 95–108.<br />
Brandes, Rand. “A Dialogue with Medbh McGuckian.” Studies in the Literary Imagination 30.2<br />
(1997): 37–61.<br />
___. “An Interview with Medbh McGuckian.” The Chattahoochee Review 16.3 (Spring 1996):<br />
56–65.<br />
McCracken, Kathleen. “An Attitude of Compassion.” Irish Literary Supplement 9.2 (Fall 1990):
20–21.<br />
McGrath, Niall. “The McGuckian Enigma: Interview with Medbh McGuckian.” Causeway<br />
(Summer 1994): 67–70.<br />
Sailer, Susan Shaw. “An Interview with Medbh McGuckian.” Michigan Review 32.1 (Winter<br />
1993): 111–27.<br />
Criticism on McGuckian<br />
Alcobia-Murphy, Shane, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork:<br />
Cork UP, 2010.<br />
___. “‘Re-Reading Five, Ten Times, the Simplest Letters’: Detecting Voices in the Poetry of<br />
Medbh McGuckian.” Nordic Irish Studies 5.1 (2006): 136–47.<br />
___. “‘That Now Historical Ground’: Memory and Atrocity in the Poetry of Medbh<br />
McGuckian.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of<br />
Words. Cork: Cork UP, 2010.<br />
Batten, Guinn. “‘The More With Which We are Connected’: The Muse of the Minus in the<br />
Poetry of McGuckian and Kinsella.” In Anthony Bradley and Maryann Gialanella Valiulis, eds.<br />
Gender and Sexuality in Modern Ireland. Amherst: <strong>University</strong> of Massachusetts Press, 1997.<br />
212–44.<br />
Beer, Ann. “Medbh McGuckian’s Poetry: Maternal Thinking and a Politics of Peace.” Canadian<br />
Journal of Irish Studies 18.1 (1992): 192–203.<br />
Bendell, Molly. “Flower Logic: The Poems of Medbh McGuckian.” Antioch Review 48.3<br />
(Summer 1990): 367–71.<br />
Blakeman, Helen. “‘Poetry Must Almost Dismantle the Letters’: McGuckian, Mallarmé and<br />
Polysemantic Play.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The<br />
Interior of Words. Cork: Cork UP, 2010.<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Brazeau, Robert. “Troubling Language: Avant-Garde Strategies in the Poetry of Medbh<br />
McGuckian.” Mosaic: A Journal for the Interdisciplinary Study of Literature 37.2 (2004): 127–<br />
44.<br />
Brewster, Scott. “The Space that Cleaves: The House and Hospitality in Medbh McGuckian’s<br />
Work.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words.<br />
Cork: Cork UP, 2010.
Cahill, Eileen. “‘Because I never garden’: Medbh McGuckian’s Solitary Way.” Irish <strong>University</strong><br />
Review 24.2 (1994): 264–71.<br />
Carville, Conor. “Warding Off an Epitaph: Had I a Thousand Lives.” In Shane Alcobia-Murphy,<br />
ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.<br />
Clutterbuck, Catriona. “A Gibbous Voice: The Poetics of Subjectivity in the Early Poetry of<br />
Medbh McGuckian.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The<br />
Interior of Words. Cork: Cork UP, 2010.<br />
Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.<br />
Denman, Peter. “Ways of Saying: Boland, Carson, McGuckian.” In Michael Kenneally, ed.<br />
Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 158–73.<br />
Docherty, Thomas. “Initiations, Tempers, Seductions: Postmodern McGuckian.” In Neil<br />
Corcoran, ed. The Chosen Ground: Essays on the Contemporary Poetry of Northern Ireland.<br />
Chester Springs, PA: Dufour Editions, 1992. 191–212.<br />
Faragó, Borbála. “‘The Meeting of Two Tidal Roads’: Tradition and Identity in Medbh<br />
McGuckian’s The Face of the Earth and Eiléan Ní Chuilleanáin's The Girl Who Married the<br />
Reindeer.” Hungarian Journal of English and American Studies 10.1–2 (2004): 331–40.<br />
___. “‘They Come Into It’: The Muses of Medbh McGuckian.” In Shane Alcobia-Murphy, ed.<br />
The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.<br />
Flynn, Leontia. “Re-assembling the Atom: Reading Medbh McGuckian’s Intertextual Materials.”<br />
In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork:<br />
Cork UP, 2010.<br />
Grey, Cecile. “Medbh McGuckian: Imagery Wrought to its Uttermost.” In Deborah Fleming, ed.<br />
Learning the Trade: Essays on W.B. Yeats and Contemporary Poetry. West Cornwall, CT:<br />
Locust Hill, 1993. 165–77.<br />
Haberstroh, Patricia Boyle. “Medbh McGuckian.” Women Creating Women. Syracuse: Syracuse<br />
<strong>University</strong> Press, 1996. 123–58.<br />
Hipp, Shannon. “‘Things of the Same Kind That Are Separated Only by Time’: Reading the<br />
Notebooks of Medbh McGuckian.” Irish <strong>University</strong> Review: A Journal of Irish Studies 39.1<br />
(2009): 130–48.<br />
Holmsten, Elin. “Signs of Encounters in Medbh McGuckian’s Poetry.” In Shane Alcobia-<br />
Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP, 2010.
Kirkland, Richard. “Medbh McGuckian and the Politics of Minority Discourse.” In Shane<br />
Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of Words. Cork: Cork UP,<br />
2010.<br />
Mallot, J. Edward. “Medbh McGuckian’s Poetic Tectonics.” Eire-Ireland: A Journal of Irish<br />
Studies 40.3–4 (2005): 240–55.<br />
Mitchell, Erin C. “Slippage at the Threshold: Postmodern Hospitality in Medbh McGuckian’s<br />
Poetry.” Literature Interpretation Theory 17.2 (2006): 137–55.<br />
Murphy, Shane. “Obliquity in the Poetry of Paul Muldoon and Medbh McGuckian.” Eire-<br />
Ireland 31.3–4 (1996): 76–101.<br />
O’Brien, Peggy. “Reading Medbh McGuckian: Admiring What We Cannot Understand.” Colby<br />
Quarterly 37.4 (December 1992): 239–50.<br />
O’Connor, Mary. “‘Rising Out’: Medbh McGuckian’s Destabilizing Poetics.” Eire-Ireland 30.4<br />
(Winter 1996): 154–72.<br />
Porter, Mary. “The Imaginative Space of Medbh McGuckian.” In Anne Brown and Maryanne<br />
Gooze, eds. International Women’s Writing: New Landscapes of Identity. Westport, CT:<br />
Greenwood, 1995. 86–101.<br />
Porter, Susan. “‘The Imaginative Space’ of Medbh McGuckian.” Canadian Journal of Irish<br />
Studies 15.2 (1989): 93–104.<br />
Schrage-Früh, Michaela. “Speaking as the North: Self and Place in the Early Poetry of Medbh<br />
McGuckian.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The Interior of<br />
Words. Cork: Cork UP, 2010.<br />
Sirr, Peter. “‘How Things Begin to Happen’: Notes on Eiléan Ní Chuilleanáin and Medbh<br />
McGuckian.” The Southern Review 31.3 (Summer 1995): 450–67.<br />
Sullivan, Moynagh. “Dreamin’ My Dreams of You: Medbh McGuckian and the Theatre of<br />
Dreams.” Metre 17 (Spring 2005).<br />
Thompson, Zoë Brigley. “The Life and Death of Language: A Kristevan Reading of the Poets<br />
Gwyneth Lewis and Medbh McGuckian.” Orbis Litterarum: International Review of Literary<br />
Studies 64.5 (2009): 385–412.<br />
Wills, Clair. “Coda.” In Shane Alcobia-Murphy, ed. The Poetry of Medbh McGuckian: The<br />
Interior of Words. Cork: Cork UP, 2010.<br />
___. Improprieties: Politics and Sexuality in Northern Irish Poetry. Oxford: Clarendon Press,<br />
1993.
___. “The Perfect Mother: Authority in the Poetry of Medbh McGuckian.” Text and Context 3<br />
(Autumn 1988): 91–111.<br />
___. “Voices from the Nursery: Medbh McGuckian’s Plantation.” In Michael Kenneally, ed.<br />
Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 373–94.<br />
KERRY HARDIE<br />
Volumes of Poetry<br />
A Furious Place. Oldcastle, Co. Meath: The Gallery Press, 1996.<br />
Cry for the Hot Belly. Oldcastle, Co. Meath: The Gallery Press, 2000.<br />
The Sky Didn’t Fall. Oldcastle, Co. Meath: The Gallery Press, 2003.<br />
The Silence Came Close. Oldcastle, Co. Meath: The Gallery Press, 2006.<br />
Only This Room. Oldcastle, Co. Meath: The Gallery Press, 2009.<br />
Other Works<br />
Hannie Bennet’s Winter Marriage. London: Harper Collins, 2000.<br />
The Bird Woman. London: Harper Collins, 2006.<br />
Criticism on Hardie<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
NUALA NÍ DHOMHNAILL<br />
Volumes of Poetry<br />
An Dealg Droighin. Cork: The Mercier Press, 1981.<br />
Féar Suaithinseach. Ma Nuat (Maynooth): An Sagart, 1984.<br />
Rogha Danta / Selected Poems. Translated by Michael Hartnett and Nuala Ní Dhomhnaill.
Dublin: Raven Arts Press, 1986.<br />
Pharaoh’s Daughter. Translated by Ciaran Carson et. al. Oldcastle, Co. Meath: The Gallery<br />
Press, 1990; Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 1990.<br />
The Astrakhan Cloak. Translated by Paul Muldoon. Oldcastle, Co. Meath: The Gallery Press,<br />
1992; Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 1993.<br />
Cead Aighnis. An Daingean: An Sagart, 1998.<br />
The Water Horse. Translated by Medbh McGuckian and Eiléan Ní Chuilleanáin. Oldcastle, Co.<br />
Meath: The Gallery Press, 1999; Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2000.<br />
The Fifty Minute Mermaid. Oldcastle, Co. Meath: The Gallery Press, 2007.<br />
Other Works<br />
Jimín. Dublin: Deilt Productions, 1985. (play for children)<br />
An Ollphiast Ghránna. Dublin: Deilt Productions, 1987. (play for children)<br />
“Making the Millenium: Nuala Ní Dhomhnaill in Conversation with Michael Cronin.” Dublin:<br />
Graph I, 1986.<br />
An Goban Saor. Ilanna Productions, 1993. (screenplay)<br />
An T-Anam Mothala / The Feeling Soul. Ocean Productions, RTE, 1994. (screenplay)<br />
Destination Demain. Paris: GES, 1993. (play for children)<br />
The Wooing of Éadaoin. National Chambre Choir, 1994. (libretto)<br />
“Comhra, with a Foreward and Afterward by Laura O’Connor.” The Southern Review 31.3<br />
(Summer 1995): 581–614.<br />
‘Jumping off Shadows’: Selected Contemporary Irish Poets. Nuala Ní Dhomhnaill and Greg<br />
Delanty, eds. Preface by Philip O’Leary. Cork: Cork <strong>University</strong> Press, 1995.<br />
“Why I Choose to Write in Irish, The Corpse That Sits Up and Talks Back.” The New York<br />
Times Book Review 8 January 1995: 26–28.<br />
“What Foremothers?” In T. O’Connor, ed. The Comic Tradition in Irish Women Writers.<br />
Gainesville: <strong>University</strong> of Florida Press, 1996. 8–10.<br />
“The Hidden Ireland: Women’s Inheritance.” In Theo Dorgan, ed. Irish Poetry since Kavanagh.
Blackrock, Co. Dublin: Four Courts Press, 1996.<br />
“Introduction.” In Eilís Nic Dhuibhne, ed. Voices in the Wind: Women Poets of the Celtic<br />
Twilight. Dublin: New Island Books, 1995.<br />
Interviews<br />
Consalvo, Deborah McWilliams. “An Interview with Nuala Ní Dhomhnaill.” Studies 83.331<br />
(Autumn 1994): 313–20.<br />
McDiarmid, Lucy and Michael Durkan. “Q & A: Nuala Ní Dhomhnaill.” Irish Literary<br />
Supplement 6.2 (Fall 1987): 41–43.<br />
Wilson, Rebecca E. “An Interview with Nuala Ní Dhomhnaill.” In Rebecca Wilson and Gillean<br />
Somerville-Arjat, eds. Sleeping With Monsters: Conversations with Scottish and Irish Women<br />
Poets. Dublin: Wolfhound Press, 1990. 148–57.<br />
Criticism on Ní Dhomhnaill<br />
Bourke, Angela. “Fairies and Anorexia: Nuala Ní Dhomhnaill’s ‘Amazing Grass.’” Proceedings<br />
of the Harvard Celtic Colloquium 13 (1993): 25–38.<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Broom, Sarah. “‘A Spirit in the Wilderness’: Myth and Fairy Legend in the Poetry of Nuala Ní<br />
Dhomhnaill.” New Comparison: A Journal of Comparative and General Literary Studies 27–28<br />
(Spring-Autumn 1999): 325–43.<br />
Cannon, M. Louise. “The Extraordinary Within the Ordinary: The Poetry of Eavan Boland and<br />
Nuala Ní Dhomhnaill.’ South Atlantic Review 60.2 (May 1995): 31–46.<br />
Consalvo, Deborah McWilliams. “Nuala Ní Dhomhnaill.” In Alexander Gonzalez, ed. Modern<br />
Irish Writers: A Bio-Critical Sourcebook. London: Aldwych Press, 1997. 278–82.<br />
___. “Nuala Ní Dhomhnaill: Adaptations and Transformations A Second Glance: Bilingualism in<br />
Twentieth Century Ireland.” Studies 83.331 (Autumn 1994): 303–12.<br />
___. “The Lingual Ideal in the Poetry of Nuala Ní Dhomhnaill.” Eire-Ireland 30.2 (Summer<br />
1995): 148–61.<br />
Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.
Drabble, Margaret and Jenny Stringer. “Ní Dhomnaill, Nuala.” The Concise Oxford Companion<br />
to English Literature. Oxford: Oxford UP, 2003.<br />
Gilsenan Nordin, Irene. “Crossing the Threshold of Language: Nuala Ní Dhomhnaill and the<br />
Speaking Subject.” Nordic Irish Studies 3 (2004): 51–64.<br />
Haberstroh, Patricia Boyle. “Nuala Ní Dhomhnaill.” Women Creating Women. Syracuse:<br />
Syracuse <strong>University</strong> Press, 1996. 161–95.<br />
Holdridge, Jefferson. “The One Loved Form: Nature, Myth, and Instinct in Irish Literature.”<br />
Writing Modern Ireland: South Carolina Review, A Special Number 43.1 (Fall 2010): 238–52.<br />
Kidd, Helen. “Cailleachs, Keens and Queens: Reconfiguring Gender and Nationality in the<br />
Poetry of Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill and Eavan Boland.” Critical Survey 15<br />
(2003): 34–47.<br />
Mac Giolla Leith, Caoimhin. “Contemporary Poetry in Irish: Private Language and Ancestral<br />
Voices.” In Michael Kenneally, ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross:<br />
Colin Smythe, 1995. 84–98.<br />
Murphy, Maureen. “Folklore in the Poetry of Nuala Ní Dhomhnaill.” In Toshi Furomoto, George<br />
Hughes, Chizuko Inoue, James McElwaine, Peter McMillan, and Tetsuro Sano, eds.<br />
International Aspects of Irish Literature. Gerrard’s Cross: Colin Smythe, 1996. 14–23.<br />
___. “The Irish Elegiac Tradition in the Poetry of Maire Mhac an tSaoi, Caitlin Maude, and<br />
Nuala Ní Dhomhnaill.” In James Brophy and Eamon Grennan, eds. New Irish Writing. Boston:<br />
GK Hall, 1989. 141–51.<br />
Myers, Kimberly. “Nuala Ní Dhomhnaill and Women’s Sensual Spirituality.” In Kristina K.<br />
Groover, ed. Things of the Spirit: Women Writers Constructing Spirituality. Notre Dame, IN: U<br />
of Notre Dame Press, 2004. 304–28.<br />
Ni Fhrighil, Riona. “Faitios Imni an Scathaithe: Eavan Boland agus Nuala Ní Dhomhnaill.” New<br />
Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies 6.4 (Winter 2002):<br />
136–49.<br />
O’Connor, Mary. “Breaking the Rules: Nuala Ní Dhomhnaill’s Language Strategies.” In John C.<br />
Hawley, ed. Cross-Addressing: Resistance Literature and Cultural Borders. Albany, NY: State<br />
U of New York Press, 1996. 67–85.<br />
___. “Lashings of the Mother Tongue: Nuala Ní Dhomhnaill’s Anarchic Laughter.” In Theresa<br />
O’Connor, ed. The Comic Tradition in Irish Women Writers. Gainesville, LA: <strong>University</strong> of<br />
Florida Press, 1996. 149–70.<br />
Ó Tuama, Seán. “‘The Loving and Terrible Mother’ in the Early Poetry of Nuala Ní<br />
Dhomhnaill.” Repossessions: Selected Essays on the Irish Literary Heritage. Cork: Cork
<strong>University</strong> Press, 1995. 35–53.<br />
Potts, Donna L. “‘When Ireland Was Still Under a Spell’: The Poetry of Nuala Ní Dhomhnaill.”<br />
New Hibernia Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies 7.3 (Autumn<br />
2003): 52–70.<br />
Revie, Linda. “The Little Red Fox, Emblem of the Irish Peasant in Poems by Yeats, Tynan and<br />
Ní Dhomhnaill.” In Deborah Fleming, ed. Learning the Trade: Essays on W.B. Yeats and<br />
Contemporary Poetry. West Cornwall, CT: Locust Hill, 1993. 113–33.<br />
___. “Nuala Ní Dhomhnaill’s ‘Parthenogenesis’: A Bisexual Exchange.” In Michael Kenneally,<br />
ed. Poetry in Contemporary Irish Literature. Gerrard’s Cross: Colin Smythe, 1995. 344–55.<br />
Romanets, Maryna. “The (Translato)Logic of Spectrality: Nuala Ní Dhomhnaill and Her English<br />
Doubles.” In Irene Gilsenan Nordin and Elin Erin Holmsten, ed. Liminal Borderlands in Irish<br />
Literature and Culture. Oxford, England: Peter Lang, 2008. 173–96.<br />
Schrage-Früh, Michaela. “‘So Much Psychic Land […] to Reclaim’: Otherworldly Encounters in<br />
Nuala Ní Dhomhnaill’s Poetry.” In Irene Gilsenan Nordin and Elin Erin Holmsten, ed. Liminal<br />
Borderlands in Irish Literature and Culture. Oxford, England: Peter Lang, 2008. 151–72.<br />
Sewell, Frank. “Irish Mythology in the Early Poetry of Nuala Ní Dhomhnaill.” Hungarian<br />
Journal of English and American Studies 8 (Spring 2002): 39–56.<br />
MARY O’MALLEY<br />
Volumes of Poetry<br />
A Consideration of Silk. Galway: Salmon Publishing, 1990.<br />
Where the Rocks Float. Galway: Salmon, 1993.<br />
The Knife in the Wave. Co. Clare: Salmon, 1997.<br />
Asylum Road. Galway: Salmon Publishing, 2001.<br />
The Boning Hall: New and Selected Poems. Manchester: Carcanet, 2002.<br />
A Perfect V. Manchester: Carcanet, 2006.<br />
Criticism on O’Malley
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.<br />
Olszewska, Kinga. “The Limits of Post-Nationalism: The Works of John Banville and Mary<br />
O’Malley.” Nordic Irish Studies 7 (2008): 135–46.<br />
Wall, Eamonn. “Tracing the Poetry of Mary O’Malley.” Writing the Irish West: Ecologies and<br />
Traditions. South Bend: <strong>University</strong> of Notre Dame, 2011.<br />
Wall, Eamonn. “From Macchu Picchu to Inis Mor: The Poetry of Mary O’Malley.” South<br />
Carolina Review 38 (2005): 118–27.<br />
RITA ANN HIGGINS<br />
Volumes of Poetry<br />
Goddess on the Mervue Bus. Galway: Salmon, 1986.<br />
Witch in the Bushes. Galway: Salmon, 1988.<br />
Goddess and Witch. Galway: Salmon, 1990.<br />
Philomena’s Revenge. Galway: Salmon, 1992.<br />
Higher Purchase. Co. Clare: Salmon, 1996.<br />
Sunnyside Plucked: New and Selected Poems. Newcastle upon Tyne: Bloodaxe, 1996.<br />
An Awful Racket. Tarcet: Bloodaxe, 2001.<br />
Throw in the Vowels: New and Selected Poems. Tarcet: Bloodaxe, 2005.<br />
Other Works<br />
Face Licker Come Home. 1991.<br />
God of the Hatch Man. 1992.<br />
Colie Lally Doesn’t Live in a Bucket. 1993.<br />
Down All the Roundabouts. 1999.
The Big Break. 2004.<br />
Down All the Roundabouts. Tarcet: Bloodaxe, 2005.<br />
The Plastic Bag. 2008.<br />
The Empty Frame. 2008.<br />
The Plastic Bag. 2008.<br />
Criticism on Higgins<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Bourke, Eoin. “Poetic Outrage: Aspects of Social Criticism in Modern Irish Poetry.” In Donald<br />
E. Morse, et. al., eds. A Small Nation’s Contribution to the World. Gerrard’s Cross: Colin<br />
Smythe, 1993: 88–106.<br />
Hildebidle, John. “‘I’ll have to Stop Thinking About Sex’: Rita Ann Higgins and the Patriarchal<br />
Tradition.” In Alexander G. Gonzalez, ed. Contemporary Irish Women Poets: Some Male<br />
Perspectives. Westport, CT: Greenwood, 1999. 33–41.<br />
Paul, Catherine. “Rita Ann Higgins: A Moderator’s View.” South Carolina Review 32.1 (1999):<br />
12–14.<br />
Steele, Karen. “Devil in the Mirror.” Irish Literary Supplement: A Review of Irish Books 20.2<br />
(2001): 15–16.<br />
___. “Refusing the Poisoned Chalice: The Sexual Politics of Rita Ann Higgins and Paula<br />
Meehan.” In Catherine Wiley and Fiona Barnes, eds. Homemaking: Women Writers and the<br />
Politics and Poetics of Home. New York: Garland, 1996. 312–33.<br />
Sullivan, Moynagh. “Assertive Subversions: Comedy in the Works of Julie O’Callaghan and<br />
Rita Ann Higgins.” Verse 16.2: 83–86.<br />
Paula Meehan<br />
Volumes of Poetry<br />
Return and No Blame. Donnybrook: Beaver Row, 1984.
Reading the Sky. Donnybrook: Beaver Row, 1986.<br />
The Man Who Was Marked by Winter. Oldcastle, Co. Meath: The Gallery Press, 1991; Cheney,<br />
WA: Eastern Washington <strong>University</strong> Press, 1994.<br />
Pillow Talk, Oldcastle, Co. Meath: The Gallery Press, 1994.<br />
Mysteries of the Home: Selected Poems. Newcastle Upon Tyne: Bloodaxe Books, 1996.<br />
Dharmakaya. Manchester: Carcanet, 2000; Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press,<br />
2002.<br />
Painting Rain. Manchester: Carcanet, 2009; Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press,<br />
2009.<br />
Other Works<br />
Mrs. Sweeney, First Plays. Siobhan Bourke, ed. Dublin: New Island Books, 1999.<br />
Cell: a play. Dublin: New Island Books, 2000.<br />
The Garden of Eden. Radio play, 2011.<br />
Interviews<br />
Dorgan, Theo. “An Interview with Paula Meehan.” Colby Quarterly 28.4 (Dec. 1992): 265–69.<br />
Sperry, Amanda. “An Interview with Paula Meehan.” <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Website,<br />
November 2008.<br />
http://www.wfu.edu/wfupress/An%20interview%20with%20Paula%20Meehan.html<br />
Criticism on Meehan<br />
Allen Randolph, Jody. “Paula Meehan: A Selected Bibliography.” An Sionnach: A Journal of<br />
Literature, Culture, and the Arts 5.1–2 (2009): 272–301.<br />
http://muse.jhu.edu/journals/an_sionnach/v005/5.1.randolph02.pdf<br />
___. “Text and Context: Paula Meehan.” An Sionnach: A Journal of Literature, Culture, and the<br />
Arts 5.1–2 (2009): 5–17.<br />
Auge, Andrew. “The Apparitions of ‘Our Lady of the Facts of Life’: Paula Meehan and the<br />
Visionary Quotidian.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009):<br />
50–64.
Boland, Eavan. “Unfinished Business: The Communal Art of Paula Meehan.” An Sionnach: A<br />
Journal of Literature, Culture, and the Arts 5.1–2 (2009): 17–24.<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Collins, Lucy. “A Way of Going Back: Memory and Estrangement in the Poetry of Paula<br />
Meehan.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 127–39.<br />
Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.<br />
Falci, Eric. “Meehan’s Stanzas and the Irish Lyric after Yeats.” An Sionnach: A Journal of<br />
Literature, Culture, and the Arts 5.1–2 (2009): 226–238.<br />
Fogarty, Anne. “‘Hear Me and Have Pity’: Rewriting Elegy in the Poetry of Paula Meehan.” An<br />
Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 213–25.<br />
González-Arias, Luz Mar. “In Dublin’s Fair City: Citified Embodiments in Paula Meehan’s<br />
Urban Landscapes.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009):<br />
34–49.<br />
Holdridge, Jefferson. “The Wolf Tree: Culture and Nature in Paula Meehan’s Dharmakaya and<br />
Painting Rain.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 156–<br />
68.<br />
Jackson, Eileen Deen. “The Lyricism of Abjection in Paula Meehan’s Drama of Imprisonment.”<br />
An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 169–79.<br />
Kirkpatrick, Kathryn J. “‘A Murmuration of Starlings in a Rowan Tree’: Finding Gary Snyder in<br />
Paula Meehan’s Eco-Political Poetics.” An Sionnach: A Journal of Literature, Culture, and the<br />
Arts 5.1–2 (2009): 195–207.<br />
___. “‘Between Breath and No Breath’: Witnessing Class Trauma in Paula Meehan’s<br />
Dharmakaya.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 47–64.<br />
McCarthy, Thomas. “‘None of Us Well Fixed’: Empathy and Its Aesthetic Power in Paula<br />
Meehan’s Poetry.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009):<br />
65–74.<br />
McMullen, Kim. “‘Snatch a Song from a Stranger’s Mouth’: The Stage Plays and Radio Dramas<br />
of Paula Meehan.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009):<br />
90–113.<br />
Mulhall, Anne. “Memory, Poetry, and Recovery: Paula Meehan’s Transformational Aesthetics.”<br />
An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009): 142–55.
O'Malley, Mary. “City Centre.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–<br />
2 (2009): 27–33.<br />
Poloczek, Katarzyna. “‘Sharing Our Differences’: Individuality and Community in the Early<br />
Work of Paula Meehan.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2<br />
(2009): 75–89.<br />
Schrage-Früh, Michaela. “‘Transforming That Past’: The Healing Power of Dreams in Paula<br />
Meehan’s Poetry.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2 (2009):<br />
114–26.<br />
Steele, Karen. “Refusing the Poisoned Chalice: The Sexual Politics of Rita Ann Higgins and<br />
Paula Meehan.” In Catherine Wiley and Fiona Barnes, eds. Homemaking: Women Writers and<br />
the Politics and Poetics of Home. New York: Garland, 1996. 312–33.<br />
Villar-Argáiz, Pilar. “‘Act Locally, Think Globally’: Paula Meehan’s Local Commitment and<br />
Global Consciousness.” An Sionnach: A Journal of Literature, Culture, and the Arts 5.1–2<br />
(2009): 180–93.<br />
MOYA CANNON<br />
Volumes of Poetry<br />
Oar. Galway: Salmon, 1990; Oldcastle, Co. Meath: The Gallery Press, 2000.<br />
The Parchment Boat. Oldcastle, Co. Meath: The Gallery Press, 1997.<br />
Carrying the Songs. Manchester: Carcanet Press, 2007.<br />
Hands. Manchester: Carcanet Press, forthcoming in 2011.<br />
Other Works<br />
Cúm: An Anthology of New Writing from Co. Kerry. Ed. Moya Cannon. Co. Kerry: Kerry Co.<br />
Council, 1996.<br />
Criticism on Cannon<br />
Armstrong, Jeanne. “Otherworld Landscapes: An Appreciation of Moya Cannon’s Poetry.”<br />
Working Papers in Irish Studies 6.4 (2006): 1–37.
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Cusick, Christine. “‘Our Language Was Tidal’: Moya Cannon’s Poetics of Place.” New Hibernia<br />
Review/Iris Eireannach Nua: A Quarterly Record of Irish Studies 9.1 (2005): 59–76.<br />
Fluharty, Matthew, Nigel McLoughlin, and Frank Sewell. Breaking the Skin: 21 st Century Irish<br />
Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.<br />
Holdridge, Jefferson. “Introduction.” <strong>Wake</strong> <strong>Forest</strong> Series of Irish Poetry, Vol. 2. Winston-Salem,<br />
NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2010.<br />
Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge:<br />
Cambridge UP, 2008.<br />
Wall, Eamonn. “Carrying the Songs: The Poetry of Moya Cannon.” Writing the Irish West:<br />
Ecologies and Traditions. South Bend: <strong>University</strong> of Notre Dame, 2011.<br />
KATIE DONOVAN<br />
Volumes of Poetry<br />
Watermelon Man. Newcastle upon Tyne, UK: Bloodaxe, 1993.<br />
Entering the Mare. Tarcet: Bloodaxe, 1997.<br />
Day of the Dead. Tarcet: Bloodaxe, 2002.<br />
Rootling. Tarcet: Bloodaxe, 2010.<br />
VONA GROARKE<br />
Volumes of Poetry<br />
Shale. Oldcastle, Co. Meath: The Gallery Press, 1994.<br />
Other People’s Houses. Oldcastle, Co. Meath: The Gallery Press, 2000.<br />
Flight. Oldcastle, Co. Meath: The Gallery Press, 2002.<br />
Flight and Earlier Poems. Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2004.
Juniper Street. Oldcastle, Co. Meath: The Gallery Press, 2006; Winston-Salem, NC: <strong>Wake</strong><br />
<strong>Forest</strong> <strong>University</strong> Press, 2006.<br />
Spindrift. Oldcasle, Co. Meath: The Gallery Press, 2009; Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong><br />
<strong>University</strong> Press, 2010.<br />
Criticism on Groarke<br />
Archambeau, Robert. “Postnational Ireland.” Contemporary Literature 50.3 (Fall 2009): 610–18.<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vol.s 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Clutterbuck, Catriona. “New Irish Women Poets: The Evolution of (In)determinacy in Vona<br />
Groarke.” In Fran Brearton and Alan Gillis, eds. The Oxford Handbook of Modern Irish Poetry.<br />
Oxford: Oxford UP, forthcoming.<br />
Coughlan, Patricia. “‘The Whole Strange Growth’: Heaney, Orpheus and Women.” The Irish<br />
Review 35 (Summer 2007): 25–45.<br />
Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.<br />
Fluharty, Matthew, Nigel McLoughlin and Frank Sewell. Breaking the Skin: 21 st Century Irish<br />
Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.<br />
Guinness, Selina. The New Irish Poets. Tarcet: Bloodaxe, 2004.<br />
Holdridge, Jefferson. “Landscape, Family and Home in Some Contemporary Irish Writers.”<br />
NAE: Trimestrale De Cultura 5.17 (2006): 39–45.<br />
Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge:<br />
Cambridge UP, 2008.<br />
ENDA WYLEY<br />
Volumes of Poetry<br />
Eating Baby Jesus. Dublin: Dedalus Press, 1994.<br />
Socrates in the Garden. Dublin: Dedalus Press, 1998.<br />
Poems for Breakfast. Dublin: Dedalus Press, 2004.
To <strong>Wake</strong> to This. Dublin: Dedalus Press, 2009.<br />
Other Works<br />
Boo and Bear. Dublin: O’Brien Press, 2004.<br />
The Secret Notebook. Dublin: O’Brien Press, 2007.<br />
I Won’t Go to China. Dublin: O’Brien Press, 2009.<br />
SINÉAD MORRISSEY<br />
Volumes of Poetry<br />
There was a Fire in Vancouver. Manchester: Carcanet, 1996.<br />
Between Here and There. Manchester: Carcanet, 2002.<br />
The State of the Prisons. Manchester: Carcanet, 2005.<br />
Through a Square Window. Manchester: Carcanet, 2009.<br />
Criticism on Morrissey<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Brett, Louise. “The In-Between Territory of Sinéad Morrissey’s Japanese Influence.” In Maeve<br />
Tynan, Maria Belville and Marita Ryan, eds. Passages: Movements and Moments in Text and<br />
Theory. Newcastle upon Tyne, England: Cambridge Scholars, 2009. 49–62.<br />
Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.<br />
Fluharty, Matthew, Nigel McLoughlin and Frank Sewell. Breaking the Skin: 21 st Century Irish<br />
Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.<br />
Guinness, Selina. The New Irish Poets. Tarcet: Bloodaxe, 2004.<br />
Holdridge, Jefferson. “Introduction.” <strong>Wake</strong> <strong>Forest</strong> Series of Irish Poetry, Vol. 1. Winston-Salem,<br />
NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2005.<br />
Howard, Ben. “In Sunlight and in Shadow.” Sewanee Review 17.4 (Fall 2009): 665–69.
Kennedy-Andrews, Elmer. Writing Home: Poetry and Place in Northern Ireland, 1968–2008.<br />
Cambridge, England: Brewer, 2008.<br />
Poloczek, Katarzyna. “Ironies of Language and Signs of Existence in Contemporary Irish<br />
Women’s Poetry: Sinead Morrissey’s Between Here and There, Paula Meehan’s Dharmakaya<br />
and Eavan Boland’s Code.” In Liliana Sikorska, ed. Ironies of Art/Tragedies of Life. Frankfurt,<br />
Germany: Peter Lang, 2005. 275–300.<br />
Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge:<br />
Cambridge UP, 2008.<br />
Reed, Brian. “She Follows Them How Else? By Flying.” Contemporary Literature 48.3 (Fall<br />
2007): 460–67.<br />
CAITRÍONA O’REILLY<br />
Volumes of Poetry<br />
The Nowhere Birds. Tarcet: Bloodaxe, 2001.<br />
Three-Legged Dog. Dublin: Wild Honey Press, 2002.<br />
The Sea Cabinet. Tarcet: Bloodaxe, 2006.<br />
The <strong>Wake</strong> <strong>Forest</strong> Series of Irish Poetry, Vol. 1. Winston-Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong><br />
Press, 2005.<br />
Criticism on O’Reilly<br />
Bourke, Angela, et. al., eds. The Field Day Anthology of Irish Writing, Vols. 4 & 5. Cork: Cork<br />
<strong>University</strong> Press, 2002; New York: New York <strong>University</strong> Press, 2002.<br />
Fluharty, Matthew, Nigel McLoughlin and Frank Sewell. Breaking the Skin: 21 st Century Irish<br />
Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.<br />
Guinness, Selina. The New Irish Poets. Tarcet: Bloodaxe, 2004.<br />
Holdridge, Jefferson. “Introduction.” The <strong>Wake</strong> <strong>Forest</strong> Series of Irish Poetry, Vol. 1. Winston-<br />
Salem, NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2005.<br />
___. “Reclaiming the Wilderness: Nature and Perception in Caitríona O’Reilly.” Etudes<br />
Irlandaises 31.1 (Spring 2006): 11–25.
Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge:<br />
Cambridge UP, 2008.<br />
LEONTIA FLYNN<br />
Volumes of Poetry<br />
These Days. London: Cape, 2004.<br />
Drives. London: Cape, 2008.<br />
Criticism on Flynn<br />
Fluharty, Matthew, Nigel McLoughlin and Frank Sewell. Breaking the Skin: 21 st Century Irish<br />
Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.<br />
Guinness, Selina. The New Irish Poets. Tarcet: Bloodaxe, 2004.<br />
Kennedy-Andrews, Elmer. Writing Home: Poetry and Place in Northern Ireland, 1968–2008.<br />
Cambridge: Brewer, 2008.<br />
Lyon, John. “Thought Potatoes.” PN Review 31.4 (2005): 66–67.<br />
Quinn, Justin. The Cambridge Introduction to Modern Irish Poetry, 1800–2000. Cambridge:<br />
Cambridge UP, 2008.<br />
Yeh, Jane. “Leontia Flynn.” Times Literary Supplement 18 July 2010.<br />
GENERAL CRITICISM AND REFERENCES<br />
Agee, Chris, ed. The New North: Contemporary Poetry from Northern Ireland. Winston-Salem,<br />
NC: <strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press, 2008.<br />
Alison, Jonathan. “Poetry from the Irish.” Irish Literary Supplement 10.1 (1991): 14.<br />
Andrews, Elmer, ed. Contemporary Irish Poetry: A Collection of Critical Essays. London:
Macmillan, 1990.<br />
Archer, Nuala, ed. “Women Alone.” Midland Review 3.50 (1986). (special issue on Irish women<br />
writers)<br />
Beale, Jenny. Women in Ireland: Voices of Change. Basingstoke: Macmillan, 1986.<br />
Bedient, Calvin. “The Crabbed Genius of Belfast.” Parnassus: Poetry in Review 16.1: 195–210.<br />
Bourke, Angela. “More in Anger than in Sorrow: Irish Women’s Lament Poetry.” In Joan<br />
Newlon Radner, ed. Feminist Messages. Urbana: <strong>University</strong> of Illinois Press, 1993. 160–82.<br />
___. “Performing—not Writing.” Graph 11 (1991–92): 28–31.<br />
___. “The Virtual Reality of Irish Fairy Legend.” Eire-Ireland 31.1–2 (1996): 7–25.<br />
___. “Working and Weeping: Women’s Oral Poetry in Irish and Scottish Gaelic Poetry.”<br />
Women’s Studies Working Papers. Dublin: UCD Women’s Studies Forum, 1988.<br />
Bourke, Eva and Borbála Faragó, eds. Landing Places: Immigrant Poets in Ireland. Dublin:<br />
Dedalus Press, 2010.<br />
Brady, Anne M. Women in Ireland: An Annotated Bibliography. Westport, CT: Greenwood,<br />
1988.<br />
Bradley, Anthony. “The Irishness of Irish Poetry after Yeats.” In James D. Brophy and Eamon<br />
Grennan, eds. New Irish Writing. Boston: G.K. Hall, 1989. 1–12.<br />
Bradley, Anthony and Maryann Gialanella Valiulis. Gender and Sexuality in Modern Ireland.<br />
Amherst: <strong>University</strong> of Massachusetts Press, 1997.<br />
Brophy, James D. and Eamon Grennan, eds. New Irish Writing. Boston: GK Hall, 1989.<br />
Caldecott, Moyra. Women in Celtic Myth. Rochester, VT: Destiny Books, 1988.<br />
Campbell, Matthew, ed. The Cambridge Companion to Contemporary Irish Poetry. Cambridge:<br />
Cambridge UP, 2003.<br />
Clark, Rosalind. The Great Queens: Irish Goddesses from the Mórrigan to Cathleen Ní<br />
Houlihan. Gerrard’s Cross: Colin Smythe, 1991.<br />
Clifton, Harry. “Real and Synthetic Whiskey: A Generation of Irish Poets, 1975–1987.” In James<br />
D. Brophy and Eamon Grennan, eds. New Irish Writing. Boston: GK Hall, 1989. 232–47.<br />
Clutterbuck, Catriona. “Gender and Self-Representation in Irish Poetry: The Critical Debate.”<br />
Bullán 4.1 (Autumn 1998).
Condren, Mary. The Serpent and the Goddess: Women, Religion and Power in Celtic Ireland.<br />
New York: Harper and Row, 1989.<br />
Corcoran, Neil. The Chosen Ground: Essays on the Contemporary Poetry of Northern Ireland.<br />
Chester Springs, PA: Dufour, 1992.<br />
___. After Yeats and Joyce: Reading Modern Irish Literature. Oxford: Oxford <strong>University</strong> Press,<br />
1997.<br />
Coulter, Carol. “‘Hello Divorce, Goodbye Daddy’: Women, Gender, and the Divorce Debate.” In<br />
Anthony Bradley and Maryann Gialanella Valiulis, eds. Gender and Sexuality in Modern<br />
Ireland. Amherst: <strong>University</strong> of Massachusetts Press, 1997. 275–98.<br />
Curtin, Chris, Pauline Jackson and Barbara O’Connor, eds. Gender in Irish Society. Galway:<br />
Galway <strong>University</strong> Press, 1987.<br />
Davis, Wes. An Anthology of Modern Irish Poetry. Cambridge, MA: Harvard UP, 2010.<br />
Deane, Seamus, ed. The Field Day Anthology of Irish Writing. Derry: Field Day Publications,<br />
1991.<br />
Deane, Seamus and Angela Bourke, et. al., eds. The Field Day Anthology of Irish Writing. 5 vols.<br />
Derry: Field Day Publications, 1991, 2002.<br />
Donovan, Katie. Irish Women Writers: Marginalized by Whom? Dublin: Raven Arts, 1988.<br />
Fallon, Peter. “Notes on a History of Publishing Poetry.” Princeton <strong>University</strong> Library Chronicle<br />
59.3 (Spring 1998): 546–58.<br />
Fluharty, Matthew, Nigel McLoughlin and Frank Sewell. Breaking the Skin: 21 st Century Irish<br />
Writing, Volume Two: New Irish Poetry. Ballyclare: Black Mountain Press, 2002.<br />
Garrett, Robert F. “The Place of Writing and the Writing of Place in Twentieth-Century Irish<br />
Poetry in English.” In Hans Werner Ludwig, et. al., eds. Poetry in the British Isles: Non-<br />
Metropolitan Perspectives. Swansea: <strong>University</strong> of Wales Press, 1995. 173–92.<br />
Gonzalez, Alexander G., ed. Contemporary Irish Women Poets: Some Male Perspectives.<br />
Westport, CT: Greenwood, 1999.<br />
Goodby, John. Irish Poetry Since 1950: From Stillness Into History. Manchester: Manchester<br />
UP, 2000.<br />
Grennan, Eamon. Facing the Music: Irish Poetry in the Twentieth Century. Omaha, NE:<br />
Creighton <strong>University</strong> Press, 1999.
Guinness, Selina. The New Irish Poets. Tarcet: Bloodaxe, 2004.<br />
Haberstroh, Patricia Boyle, ed. My Self, My Muse: Irish Women Poets Reflect on Life and Art.<br />
New York: Syracuse <strong>University</strong> Press, 2001.<br />
Haberstroh, Patricia Boyle. “Literary Politics: Mainstream and Margin.” Canadian Journal of<br />
Irish Studies 18.1 (1992): 181–91.<br />
___. Women Creating Women: Contemporary Irish Women Poets. Syracuse: Syracuse<br />
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Hannon, Dennis J. and Nancy Means Wright. “Irish Women Poets: Breaking the Silence.”<br />
Canadian Journal of Irish Studies 16.2 (1990): 57–65.<br />
Henigan, Robert. “Contemporary Women Poets in Ireland.” Concerning Poetry 18.1–2 (1985):<br />
103–15.<br />
Henry, P.L., ed. Dánta Ban: Poems of Irish Women, Early and Modern. Dublin: Mercier, 1990.<br />
Herr, Cheryl. “The Erotics of Irishness.” Critical Inquiry 17 (1990): 1–34.<br />
Hogan, Robert. The Dictionary of Irish Literature (revised and updated second edition, twovolume<br />
set). London: Aldwych Press, 1997.<br />
Innes, L. Women and Nation in Irish Literature. London: Harvester, 1993.<br />
Johnson, Toni O’Brien and David Cairns. Gender in Irish Writing. Milton Keynes and<br />
Philadelphia: Open <strong>University</strong> Press, 1991.<br />
Johnston, Dillon. Irish Poetry After Joyce. South Bend, IN: Notre Dame <strong>University</strong> Press, 1985;<br />
2d ed., rev. Syracuse: Syracuse <strong>University</strong> Press, 1997.<br />
___. “Next to Nothing: Uses of the Otherworld in Modern Irish Literature.” In James Brophy and<br />
Eamon Grennan, eds. New Irish Writing. Boston: G.K. Hall, 1989.<br />
___. The Poetic Economies of England and Ireland 1912–2000. London: Palgrave-Macmillan,<br />
2001.<br />
___. “<strong>Wake</strong> <strong>Forest</strong> <strong>University</strong> Press: Some Reflections.” Princeton <strong>University</strong> Library Chronicle<br />
59.3 (Spring 1998): 581–93.<br />
Kelleher, Margaret and Philip O’Leary, eds. The Cambridge History of Irish Literature, Vol. 2.<br />
Cambridge: Cambridge UP, 2006.<br />
Kiberd, Declan and Gabriel Fitzmaurice, eds. An Crann Faoi Bláth: The Flowering Tree:<br />
Contemporary Irish Poetry with Verse Translations. Dublin: Wolfhound Press, 1991.
Kinsella, Thomas. The Dual Tradition: An Essay on Poetry and Politics in Ireland. Manchester:<br />
Carcanet, 1995.<br />
Kinsella, Thomas and Seán Ó’Tuama. An Duanaire 1600–1900: Poems of the Dispossessed.<br />
Dublin: The Dolmen Press, 1981.<br />
Leahy, Anna. “Is Women’s Poetry Passé?: A Call for Conversation.” Legacy Publications<br />
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___. “From Cathleen to Anorexia: The Breakdown of Irelands.” Dublin: Attic Press LIP<br />
Pamphlet, 1990; reprinted in The Living Stream. Newcastle Upon Tyne: Bloodaxe, 1994.<br />
___. Poetry in the Wars. Newcastle Upon Tyne: Bloodaxe, 1986.<br />
Luddy, Maria, and Cliona Murphy. Women Surviving: Studies in Irish Women’s History in the<br />
19th and 20th Centuries. Swords, Co. Dublin: Pollbeg, 1989.<br />
Luftig, Victor. “A Migrant Mind in a Mobile Home: Salmon Publishing in the Ireland of the<br />
1990’s.” Eire-Ireland 26.1 (1989): 108–19.<br />
Lysaght, Patricia. The Banshee: The Irish Supernatural Death Messenger. Dublin: Glendale<br />
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MacCurtain, Margaret. “Godly Burden: The Catholic Sisterhoods in Twentieth-Century Ireland.”<br />
In Anthony Bradley and Maryann Gialanella Valiulis, eds. Gender and Sexuality in Modern<br />
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___. “Towards an Appraisal of the Religious Image of Women.” The Crane Bag 4.1 (1980): 26–<br />
30.<br />
MacCurtain, Margaret and Donncha O Corrain, eds. Women in Irish Society: The Historical<br />
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MacCurtain, Margaret and Mary O’Dowd, eds. Women in Early Modern Ireland. Edinburgh:<br />
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___. Contemporary Irish Literature: Transforming Tradition. New York: St. Martin’s Press,<br />
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McDonald, Peter. Mistaken Identities: Poetry and Northern Ireland. Oxford: Clarendon Press,<br />
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___. “Yeats, Form and Northern Irish Poetry.” Yeats Annual 12 (1996): 13–42.<br />
McElroy, James. “Night Feed: An Overview of Ireland’s Women Poets.” American Poetry<br />
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___. “The Contemporary Fe/Male Poet: A Preliminary Reading.” In James D. Brophy and<br />
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Meaney, Geraldine. “Sex and Nation, Women in Irish Culture and Politics.” Dublin: Attic Press<br />
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___. Women’s Rights in Ireland. Dublin: Ward River Press, 1983.<br />
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