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Issue 78 - Tse Qigong Centre

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Hands or Circle Hands. The pronunciation in Chinese is very<br />

similar, particularly in the dialect of Chenjiagou. So it is easy<br />

to use a different name without realising it. This is particularly<br />

true in the old times and martial arts skills were not written<br />

down in books or notes, they were only passed down by listening<br />

to the teacher.<br />

In the movement, one hand circles clockwise and the<br />

other anti-clockwise. So it covers all angles of attack and, of<br />

course, the movement can also be used to attack our opponent<br />

as well. The poem of the movement says, “Upper hand covers<br />

the eyebrow level and the lower hand covers the Dantian.” If<br />

Fig 77<br />

Fig 77 (back)<br />

13. High Pat on Horse<br />

Fig 75 Fig 76<br />

i. Keep the same position with the body and the weight on<br />

the right leg, but rotate the hands so the right hand circles<br />

down and the left hand circles up. Fig 75<br />

ii. Turn the body to face the left, but keep the weight on the<br />

right leg. Let the left hand drop down so that it is in front<br />

and level with the left shoulder. Meanwhile, lift up the<br />

right hand so that it is behind your head. Fig 76<br />

iii. Shift your weight on to the left leg and turn the body 180<br />

degrees, so that you are now facing the opposite direction.<br />

your level is good enough and you know how to use Circle<br />

Hands you can apply it to any attack that comes to you.<br />

In the Chen family’s Laojia and 19 movement forms<br />

the stepping in Circle Hands is the same as in the Yang style.<br />

One foot steps out and the other then moves next to it. You<br />

can actually step either to the left or right when you need to<br />

apply it, but in the form we go to the left. In the Xinjia (New<br />

Frame) the feet cross over in Circle Hands. This makes it<br />

convenient to turn the body, however, we should be careful<br />

crossing our legs when we are fighting at close distance as this<br />

is dangerous.<br />

Fig <strong>78</strong><br />

Fig <strong>78</strong> (back)<br />

Bring the right leg next to the left, at the same time, bring<br />

the left hand in a little and move the right hand so the<br />

palm is next to the right ear and the elbow is above the<br />

left palm. Fig 77<br />

iv. Change your weight from the left leg to the right, push the<br />

right hand out to the side and withdraw the left across the<br />

chest finishing on the left side. At the same time allow the<br />

weight to sink down a little. Fig <strong>78</strong><br />

Qi Magazine Jan/Feb/Mar 2006 page 37

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