who's who in research FILM STUDIES - Intellect

Rossella Ferrari
SOAS, University of London,
Department of China & Inner Asia,
Thornhaugh Street, Russell Square,
London, WC1H 0XG, United
Kingdom
Keywords Chinese cinema, Chinese
theatre, experimental performance,
avant-garde, transnationalism,
transmediality
Carolin Overhoff
Ferreira
Universidade Catolica Portuguesa,
Rua Nova do Rochio, 125, Sao Fylix
da Marinha, 4410-113, Portugal
Keywords war, trauma,
postcolonialism, double
consciousness, Portuguese cinema,
Africa, immigration
Arild Fetveit
University of Copenhagen,
› Yamina Benguigui’s Inch’Allah dimanche: unveiling hybrid identities,
Studies in French Cinema, 4.2, 147-.
› Nostalgia and digital technology: The Gleaners and I (Varda, 2000) and The
Triplets of Belleville (Chomet, 2003) as reflective genres, Studies in French
Cinema, 5.3, 219-.
Rossella Ferrari is Lecturer in Modern Chinese Culture and Language
at the School of Oriental and African Studies, University of London.
Her research interests focus on Chinese-language theatre and film,
cross-cultural performance, and avant-garde theory. She has recently
completed a book-length manuscript entitled Pop Goes The Avant-
Garde: Experimental Theatre in Contemporary China.
› Transnation/transmedia/transtext: border-crossing from screen to stage in
Greater China, Journal of Chinese Cinemas, 2.1, 53-65.
Carolin Overhoff Ferreira is Assistant Professor and teaches film, script
analysis and scriptwriting at the Portuguese Catholic University in
Porto and Brazilian film at the University of Coimbra. She studied film
and theatre studies in Vienna, Bristol and Berlin and wrote her doctoral
thesis on contemporary Latin American drama. She has taught
dramaturgy, film and theatre history at the Applied University of Art
and Design in Hanover, and contemporary Latin American drama at
the Free University of Berlin. Current key interests of investigation are
questions of identity, postcolonialism, migration, the representation of
women and literary adaptation in Portuguese-speaking films.
› Decolonizing the mind? The representation of the African Colonial War in
Portuguese cinema, Studies in European Cinema, 2.3, 227-.
› No future – The Luso-African generation in Portuguese Cinema, Studies in
European Cinema, 4.1, 49-60.
Arild Fetveit is associate professor in the Department for Media,
Cognition and Communication, University of Copenhagen. He has
published in the field of reception studies, reality TV, convergence,