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24 | <strong>Da</strong> <strong>Capo</strong> | News<br />
ALUMNI NEWS<br />
Cal Lewiston ’90 was recognized for instructional leadership by <strong>the</strong><br />
National Institute for Sta� and Organizational Development in spring<br />
<strong>2011</strong>.<br />
After completing her RN degree in May 2010, Hollie Grosklos ’91,<br />
’93 began working at Baylor University Medical Center in <strong>Da</strong>llas on<br />
a medical-surgical unit. She is about to celebrate one year in her new<br />
career. She hopes to transfer to an oncology unit and will begin her<br />
MSN at <strong>Texas</strong> Woman’s University in January 2012, with plans <strong>of</strong> a<br />
career in nursing education.<br />
On May 28, <strong>2011</strong>, Rebecca Guess Brandt ’93 had <strong>the</strong> honor <strong>of</strong><br />
performing at Carnegie Hall. The choir from San Jacinto College South<br />
(where she teaches) was selected as <strong>the</strong> debut choir for a MidAmerica<br />
Production concert series. She played �ute with <strong>the</strong> a cappella choir<br />
during <strong>the</strong> performance. Nothing can compare with performing on<br />
that stage! There are some things on your “bucket list” you never think<br />
you’ll get <strong>the</strong> opportunity to do.<br />
Larry Wayne Morbitt ’93 is in his 17th year playing one <strong>of</strong> <strong>the</strong> lead<br />
roles, Ubaldo Piangi, in The Phantom <strong>of</strong> <strong>the</strong> Opera. He began doing it<br />
in 1995 in Basel, Switzerland, eventually performed on Broadway for<br />
nearly eight years and now has been with <strong>the</strong> Las Vegas production<br />
for �ve and a half years, playing at <strong>the</strong> Venetian Resort and Casino. He<br />
is pleased to report that Hal Prince, <strong>the</strong> original director, and Gillian<br />
Lynne, <strong>the</strong> original choreographer, continue to play active roles in<br />
<strong>the</strong>ir production. This production is <strong>the</strong> most elaborate <strong>of</strong> all, costing<br />
more than $75 million to produce and, in spite <strong>of</strong> <strong>the</strong> current economic<br />
challenges, it seems to be doing well. While doing eight shows a week,<br />
Morbitt continues to take time away to do orchestra concerts and<br />
o<strong>the</strong>r solo appearances. Recently, he sang with <strong>the</strong> Tulsa Signature<br />
Orchestra and <strong>the</strong> Las Vegas Philharmonic. Also, Sen. Ted Kennedy<br />
(before his passing) asked Morbitt to sing for <strong>the</strong> annual Pro�les in<br />
Courage Award ceremony at <strong>the</strong> Kennedy Library. Morbitt continues<br />
giving a considerable number <strong>of</strong> concerts in churches and parachurch<br />
organizations around <strong>the</strong> country. Singing gospel music has been a<br />
particular mainstay and joy in his career.<br />
Michael E. Ekbladh ’94 is a published composer with Lorenz and<br />
Adoro <strong>Music</strong> Publishing. Find him on Facebook.com/MichaelEkbladh.<br />
Stephanie Lewis Northcutt ’95 is living in Missouri City, <strong>Texas</strong>, with<br />
her husband, Gary, and <strong>the</strong>ir boys Jake (8) and Zach (5). She enjoys her<br />
private voice studio and performs throughout <strong>the</strong> Houston area. She<br />
will be singing Violetta in La Traviata in <strong>the</strong> fall <strong>of</strong> <strong>2011</strong>.<br />
Dr. Sallie Pummill-Pollack ’96 began her �rst year as assistant<br />
pr<strong>of</strong>essor <strong>of</strong> collaborative piano at <strong>the</strong> University <strong>of</strong> Central<br />
Oklahoma. Along with maintaining a busy performance schedule, she<br />
coordinates <strong>the</strong> collaborative piano program and will go on tour in<br />
October with <strong>the</strong> entire UCO piano department, performing various<br />
orchestral works adapted for piano and up to 10 players. She makes<br />
her home in Edmond, Okla., with her husband, former Blue Man Group<br />
percussionist Peter Pollack, and her three children.<br />
Mark Olmsted ’98 received his doctorate <strong>of</strong> physical <strong>the</strong>rapy at<br />
Washington University in St. Louis in 2007.<br />
Judith Rodriguez ’98 recently returned to <strong>Texas</strong> after having spent<br />
almost 10 years performing opera, zarzuela and concerts in Spain and<br />
learning from great artists such as Montserrat Caballé, Mirella Freni<br />
and Roberto Scandiuzzi. In <strong>2011</strong>, she was fortunate enough to sing<br />
in a production <strong>of</strong> The Magic Flute, collaborate in <strong>the</strong> recording <strong>of</strong> an<br />
American �lm soundtrack and volunteer to sing to raise funds for <strong>the</strong><br />
victims <strong>of</strong> <strong>the</strong> earthquake in Lorca, Spain.<br />
Sheryl Yeomans Jordan ’01 was one <strong>of</strong> eight �nalists chosen<br />
from among 70 international entries in <strong>the</strong> <strong>Music</strong> in Architecture:<br />
Architecture in <strong>Music</strong> composition and design competition. Her entry,<br />
“Bridge Harp: Mirror Space,” was performed live during <strong>the</strong> <strong>Music</strong> in<br />
Architecture: Architecture in <strong>Music</strong> Symposium, sponsored by <strong>the</strong><br />
Center for American Architecture and Design and <strong>the</strong> Butler <strong>School</strong><br />
<strong>of</strong> <strong>Music</strong> at <strong>the</strong> University <strong>of</strong> <strong>Texas</strong> at Austin, Oct. 19-22, <strong>2011</strong>. Sheryl<br />
and her collaborator Liam Singer examined <strong>the</strong> Brooklyn Bridge and<br />
invented a harp tuned to have created a musical instrument to <strong>the</strong><br />
frequencies <strong>the</strong> vertical and diagonal cables would vibrate at, if <strong>the</strong>y<br />
were proportionally downsized. Their composition for this “bridge<br />
harp” mixes its microtonal scale with violin sounds, a �eld recording <strong>of</strong><br />
<strong>the</strong> bridge, and some Frank Sinatra, creating a piece about 23 minutes<br />
long (<strong>the</strong> time it takes to walk across <strong>the</strong> bridge). The world premiere<br />
was Oct. 21, with competition winners announced later that day, and<br />
<strong>the</strong> Sheryl-Liam team was awarded <strong>the</strong> 2nd place in <strong>the</strong> symposium.<br />
Andrea L. Riggs ’01 has completed a doctorate in �ne arts from <strong>Texas</strong><br />
Tech University and accepted a position as <strong>the</strong> director <strong>of</strong> traditional<br />
worship and music at Nor<strong>the</strong>rn Hills United Methodist Church in San<br />
Antonio. In addition, Riggs has recently published an article in <strong>the</strong><br />
Journal <strong>of</strong> <strong>Music</strong> Teacher Education.<br />
Unkyoung Teresa Kim ’02 is director <strong>of</strong> <strong>the</strong> Global Artist Society.<br />
Detailed information is on http://globalartistsociety.com/.<br />
James Mick ’02 has been named assistant pr<strong>of</strong>essor <strong>of</strong> string music<br />
education at Ithaca College (New York). He is completing his doctorate<br />
in music education at Florida State University.<br />
Andrés Franco ’03 was selected as one <strong>of</strong> 10 �nalists for <strong>the</strong> Memphis<br />
Symphony Orchestra’s International Conducting Competition in May<br />
<strong>2011</strong>. The organizers received more than 225 applications from 35<br />
countries and 30 U.S. states.<br />
Madelyn Moore ’04 has been teaching privately and has been<br />
freelancing in <strong>the</strong> <strong>Da</strong>llas/Fort Worth area for <strong>the</strong> last �ve years. She<br />
started a clarinet camp, Ready Set Clarinet, with a fellow <strong>TCU</strong> alum,