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24 | <strong>Da</strong> <strong>Capo</strong> | News<br />

ALUMNI NEWS<br />

Cal Lewiston ’90 was recognized for instructional leadership by <strong>the</strong><br />

National Institute for Sta� and Organizational Development in spring<br />

<strong>2011</strong>.<br />

After completing her RN degree in May 2010, Hollie Grosklos ’91,<br />

’93 began working at Baylor University Medical Center in <strong>Da</strong>llas on<br />

a medical-surgical unit. She is about to celebrate one year in her new<br />

career. She hopes to transfer to an oncology unit and will begin her<br />

MSN at <strong>Texas</strong> Woman’s University in January 2012, with plans <strong>of</strong> a<br />

career in nursing education.<br />

On May 28, <strong>2011</strong>, Rebecca Guess Brandt ’93 had <strong>the</strong> honor <strong>of</strong><br />

performing at Carnegie Hall. The choir from San Jacinto College South<br />

(where she teaches) was selected as <strong>the</strong> debut choir for a MidAmerica<br />

Production concert series. She played �ute with <strong>the</strong> a cappella choir<br />

during <strong>the</strong> performance. Nothing can compare with performing on<br />

that stage! There are some things on your “bucket list” you never think<br />

you’ll get <strong>the</strong> opportunity to do.<br />

Larry Wayne Morbitt ’93 is in his 17th year playing one <strong>of</strong> <strong>the</strong> lead<br />

roles, Ubaldo Piangi, in The Phantom <strong>of</strong> <strong>the</strong> Opera. He began doing it<br />

in 1995 in Basel, Switzerland, eventually performed on Broadway for<br />

nearly eight years and now has been with <strong>the</strong> Las Vegas production<br />

for �ve and a half years, playing at <strong>the</strong> Venetian Resort and Casino. He<br />

is pleased to report that Hal Prince, <strong>the</strong> original director, and Gillian<br />

Lynne, <strong>the</strong> original choreographer, continue to play active roles in<br />

<strong>the</strong>ir production. This production is <strong>the</strong> most elaborate <strong>of</strong> all, costing<br />

more than $75 million to produce and, in spite <strong>of</strong> <strong>the</strong> current economic<br />

challenges, it seems to be doing well. While doing eight shows a week,<br />

Morbitt continues to take time away to do orchestra concerts and<br />

o<strong>the</strong>r solo appearances. Recently, he sang with <strong>the</strong> Tulsa Signature<br />

Orchestra and <strong>the</strong> Las Vegas Philharmonic. Also, Sen. Ted Kennedy<br />

(before his passing) asked Morbitt to sing for <strong>the</strong> annual Pro�les in<br />

Courage Award ceremony at <strong>the</strong> Kennedy Library. Morbitt continues<br />

giving a considerable number <strong>of</strong> concerts in churches and parachurch<br />

organizations around <strong>the</strong> country. Singing gospel music has been a<br />

particular mainstay and joy in his career.<br />

Michael E. Ekbladh ’94 is a published composer with Lorenz and<br />

Adoro <strong>Music</strong> Publishing. Find him on Facebook.com/MichaelEkbladh.<br />

Stephanie Lewis Northcutt ’95 is living in Missouri City, <strong>Texas</strong>, with<br />

her husband, Gary, and <strong>the</strong>ir boys Jake (8) and Zach (5). She enjoys her<br />

private voice studio and performs throughout <strong>the</strong> Houston area. She<br />

will be singing Violetta in La Traviata in <strong>the</strong> fall <strong>of</strong> <strong>2011</strong>.<br />

Dr. Sallie Pummill-Pollack ’96 began her �rst year as assistant<br />

pr<strong>of</strong>essor <strong>of</strong> collaborative piano at <strong>the</strong> University <strong>of</strong> Central<br />

Oklahoma. Along with maintaining a busy performance schedule, she<br />

coordinates <strong>the</strong> collaborative piano program and will go on tour in<br />

October with <strong>the</strong> entire UCO piano department, performing various<br />

orchestral works adapted for piano and up to 10 players. She makes<br />

her home in Edmond, Okla., with her husband, former Blue Man Group<br />

percussionist Peter Pollack, and her three children.<br />

Mark Olmsted ’98 received his doctorate <strong>of</strong> physical <strong>the</strong>rapy at<br />

Washington University in St. Louis in 2007.<br />

Judith Rodriguez ’98 recently returned to <strong>Texas</strong> after having spent<br />

almost 10 years performing opera, zarzuela and concerts in Spain and<br />

learning from great artists such as Montserrat Caballé, Mirella Freni<br />

and Roberto Scandiuzzi. In <strong>2011</strong>, she was fortunate enough to sing<br />

in a production <strong>of</strong> The Magic Flute, collaborate in <strong>the</strong> recording <strong>of</strong> an<br />

American �lm soundtrack and volunteer to sing to raise funds for <strong>the</strong><br />

victims <strong>of</strong> <strong>the</strong> earthquake in Lorca, Spain.<br />

Sheryl Yeomans Jordan ’01 was one <strong>of</strong> eight �nalists chosen<br />

from among 70 international entries in <strong>the</strong> <strong>Music</strong> in Architecture:<br />

Architecture in <strong>Music</strong> composition and design competition. Her entry,<br />

“Bridge Harp: Mirror Space,” was performed live during <strong>the</strong> <strong>Music</strong> in<br />

Architecture: Architecture in <strong>Music</strong> Symposium, sponsored by <strong>the</strong><br />

Center for American Architecture and Design and <strong>the</strong> Butler <strong>School</strong><br />

<strong>of</strong> <strong>Music</strong> at <strong>the</strong> University <strong>of</strong> <strong>Texas</strong> at Austin, Oct. 19-22, <strong>2011</strong>. Sheryl<br />

and her collaborator Liam Singer examined <strong>the</strong> Brooklyn Bridge and<br />

invented a harp tuned to have created a musical instrument to <strong>the</strong><br />

frequencies <strong>the</strong> vertical and diagonal cables would vibrate at, if <strong>the</strong>y<br />

were proportionally downsized. Their composition for this “bridge<br />

harp” mixes its microtonal scale with violin sounds, a �eld recording <strong>of</strong><br />

<strong>the</strong> bridge, and some Frank Sinatra, creating a piece about 23 minutes<br />

long (<strong>the</strong> time it takes to walk across <strong>the</strong> bridge). The world premiere<br />

was Oct. 21, with competition winners announced later that day, and<br />

<strong>the</strong> Sheryl-Liam team was awarded <strong>the</strong> 2nd place in <strong>the</strong> symposium.<br />

Andrea L. Riggs ’01 has completed a doctorate in �ne arts from <strong>Texas</strong><br />

Tech University and accepted a position as <strong>the</strong> director <strong>of</strong> traditional<br />

worship and music at Nor<strong>the</strong>rn Hills United Methodist Church in San<br />

Antonio. In addition, Riggs has recently published an article in <strong>the</strong><br />

Journal <strong>of</strong> <strong>Music</strong> Teacher Education.<br />

Unkyoung Teresa Kim ’02 is director <strong>of</strong> <strong>the</strong> Global Artist Society.<br />

Detailed information is on http://globalartistsociety.com/.<br />

James Mick ’02 has been named assistant pr<strong>of</strong>essor <strong>of</strong> string music<br />

education at Ithaca College (New York). He is completing his doctorate<br />

in music education at Florida State University.<br />

Andrés Franco ’03 was selected as one <strong>of</strong> 10 �nalists for <strong>the</strong> Memphis<br />

Symphony Orchestra’s International Conducting Competition in May<br />

<strong>2011</strong>. The organizers received more than 225 applications from 35<br />

countries and 30 U.S. states.<br />

Madelyn Moore ’04 has been teaching privately and has been<br />

freelancing in <strong>the</strong> <strong>Da</strong>llas/Fort Worth area for <strong>the</strong> last �ve years. She<br />

started a clarinet camp, Ready Set Clarinet, with a fellow <strong>TCU</strong> alum,

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