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Conder Educ kit - Beverly Hills Intensive English Centre

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THEME SOURCE SHEET:<br />

Indigenous Art and<br />

National Identity<br />

Margaret Preston pursued a life long interest in the study of<br />

Australian indigenous art and culture as a pathway to a distinctly<br />

Australian national identity.<br />

Through the prism of modernism, Preston adapted, adopted and<br />

appropriated Aboriginal objects, signs and symbols into her art<br />

practice. Preston was the first serious advocate of Aboriginal art<br />

and promoted it widely through her writings and lectures.<br />

Today Preston’s strategy is met by mixed responses and a more<br />

critical debate by both indigenous and non-indigenous people.<br />

In wishing to rid myself of the<br />

mannerisms of a country other than<br />

my own I have gone to the art of a<br />

people who had never seen or known<br />

anything different from themselves …<br />

These are the Australian Aboriginals<br />

and it is only from the art of such<br />

people in any land that a national art<br />

can spring<br />

Margaret Preston, ‘The Indigenous Art of Australia’, Art in Australia<br />

March 1925<br />

Below: Margaret Preston’s plane Oenpelli at Aligator River<br />

Bottom left: Rock art near Berrora<br />

Bottom right: Aboriginal Art Artfully Applied – page of article<br />

The Brown pot 1940 Art Gallery of New South Wales, purchased 1942<br />

Art is the tangible symbol of the spirit<br />

of a country … What is Australia<br />

going to offer to the world as her<br />

contribution to the Arts?<br />

Margaret Preston, What is to be our National Art?’ Undergrowth<br />

March April 1927<br />

Margaret Preston: art & life <strong>Educ</strong>ation Kit Art Gallery of New South Wales SECTION 1 : 16

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