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My little liberated<br />

microphone ...as making<br />

history, at least for us . ..<br />

30<br />

As '¥'IC signed off, I found myself staring<br />

at my beautiful microphone with the bright<br />

green cord. Why not? Why not try some<br />

voice on these guys ?<br />

Having no modulator of any sort, the<br />

o nly answer was to make up a crude version<br />

of FM known as loop modulation. In short<br />

order I'd rigged the mike inductively to the<br />

wavcmcter, whi ch I placed ncar the grid end<br />

of the tank coil. But not too ncar. There was<br />

lots of rf floating around.<br />

A tentative " hell o test" into the mike<br />

made the wavemctcr bulb fl utter in sync and<br />

the plate milliammeter wi ggle a few mills<br />

upward. It was a durn good thing there were<br />

no television sets around.<br />

Now to fi nd a guinea pig for my<br />

experiment. A CQ DX on CW brought quick<br />

response from EB4BC in Antwe rp, Belgium,<br />

who reported us loud and clear. "Sure, go<br />

ahead with fane," he replied, when I told<br />

him of my wi ld modulation device. So I let<br />

him have it at some length, watching the<br />

li ttle wavcmcter bulb twinkl ing with my<br />

words.<br />

Then I switc hed back to him. " You ta lk<br />

too fast, old man. Don 't understand English<br />

well. Please say a few words in French ."<br />

Fortunately I was able to comply, which<br />

brought for th an excited "fine business,"<br />

...<br />

•<br />

•<br />

fSJ!<br />

I<br />

,<br />

I<br />

/<br />

wi th many CW exclamation points.<br />

For some time I continued with him ,<br />

watching the snow coming down in great<br />

sheets outside. This fone business was really<br />

fascinating - one could say so much more in<br />

a given amount of time. Also, my little<br />

libe rated mi crophone was making history, at<br />

least for us.<br />

Several other club members had joi ned<br />

me by now. We were all amazed at our<br />

success and anxious to get some really big<br />

DX on voice. The Belgi an sta tion was about<br />

3,400 miles away. What about Africa - or<br />

even Australia? So we sent out a CQ DX on<br />

voice, repeating several times. "Calling<br />

Africa or Australia," I sang into the mi ke. It<br />

was a superb bit of optimism that had us all<br />

but breaking up.<br />

And then, suddenly, there was FD-A3Z in<br />

Capetown, South Africa, calling us. He was<br />

on CW with a good strong signal. We 'd<br />

worked him before on 40 meters. He was<br />

about 7,800 miles away. Real DX.<br />

" You r voice lo ud and clear in<br />

Capetown," he said. "Congratulatio ns. First<br />

American amateur voice signal ever heard<br />

here! Glad to work yo u again."<br />

We than ked him, giving hi s report - and<br />

explained what the modulator lash-up was.<br />

About then t noticed a thin wisp of blue<br />

Apparently<br />

NU1S W, The Phillips<br />

Academy Radio Club, was<br />

hot news back in April, 1927.<br />

Param ount Newsreel took this shot<br />

ofjohn Murray (at the famous purloined<br />

microphone) for showing in movie theatres<br />

nationally. To the right is a General Radio WOllt'meter.<br />

To the left is our low power transmitter, an 852 self-excited Meissner job. The<br />

cam eraman insisted on hanging that crazy, obsolete switch and huge old RCA helix coil on the<br />

"Wall for "artistic effect. " The double deck receiver lash-up has a honey coil job on top, which<br />

REL (Radio Engineering Laboratories) built especially for us, designed and donated by the late<br />

fabulous Henry B. j oy ( W)8 IA, 810, IAHM, KFKIV, at that time president of the Packard<br />

Motor Car Company. Beneath it is an Aero regenerative receiver, both units battery operated,<br />

ofcourse, since there were no oc powered sets in general use at that time.<br />

-<br />

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