UHF No 70 (Net).indd - Ultra High Fidelity Magazine
UHF No 70 (Net).indd - Ultra High Fidelity Magazine
UHF No 70 (Net).indd - Ultra High Fidelity Magazine
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Feature<br />
Montreal 2004<br />
This is no small show. See the<br />
crowd in the picture above?<br />
<strong>No</strong>, those aren’t the visitors<br />
to the Festival du Son et de<br />
l’Image, Montreal’s immensely successful<br />
annual show. Those are the exhibitors,<br />
milling about at the official cocktail<br />
party at the end of Day 2.<br />
Of course we were exhibiting as well<br />
as fi nding a few minutes to run about<br />
and cover the rest of the show. On the<br />
page across is our own system over in<br />
Delta 317. It was composed of our new<br />
Linn Unidisk player, Van den Hul Array<br />
preamplifi er and monoblocks borrowed<br />
from our Audiophile Boutique (audiophileboutique.com),<br />
and the Reference<br />
26 ULTRA HIGH FIDELITY <strong>Magazine</strong><br />
3a Royal Virtuoso speakers reviewed in<br />
this issue, sitting on Foundation stands.<br />
At right you can see Reine, faithfully<br />
taking orders for books, magazines,<br />
recordings and accessories.<br />
Despite the usual dense crowds in<br />
our own room, I did take advantage of<br />
some breaks in the fl ow to check out<br />
other rooms at the Delta, and also the<br />
larger halls in the Four Points across the<br />
street.<br />
What you see below left is the<br />
dramatically-styled Chord CD player,<br />
though I should add that its innovation<br />
doesn’t stop at its looks.<br />
<strong>No</strong>tice the two loops of cable<br />
at the rear? The Chord Blue<br />
transport actually passes<br />
on an incredible 64 bits of<br />
data…which means 32 bits<br />
per cable! With a pair of<br />
Chord 500 watt monoblocks<br />
and large Neat MF7 speakers,<br />
it sounded superb.<br />
I made a note to ask for<br />
the long-awaited McCormack<br />
UDP-1 universal player. It<br />
sounded very good with<br />
SACD when I heard it, and it<br />
was no slouch with conventional<br />
CD either. I listened<br />
to it with McCormack electronics (of<br />
by Gerard Rejskind<br />
course), and a pair of speakers that<br />
were new to me: ASW, which stands for<br />
“Accurate Sound Wave.”<br />
Among other large speakers I heard<br />
and appreciated was the Focus Audio<br />
FS 888 (shown below), much larger than<br />
the (also excellent) FS 688 that was on<br />
the cover of <strong>UHF</strong> <strong>No</strong>. 68. Then there<br />
was the Rega R9, dramatically styled (not<br />
unusual with Rega) but well-engineered<br />
as well. And over at Pierre Gabriel, I got<br />
to hear the new Master Series speaker,<br />
which I had seen in prototype form, but<br />
not heard until now.<br />
Also large was the Verity Audio<br />
Lohengrin, a four-way speaker of most<br />
impressive performance. The Lohengrin<br />
consists of a three-way module which<br />
includes a ribbon tweeter, plus a tall base<br />
that contains a potent 38 cm polypropylene<br />
woofer. <strong>No</strong>w here’s the amazing<br />
part: the woofer and enclosure together