18.02.2013 Views

UHF No 70 (Net).indd - Ultra High Fidelity Magazine

UHF No 70 (Net).indd - Ultra High Fidelity Magazine

UHF No 70 (Net).indd - Ultra High Fidelity Magazine

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Software<br />

Ambience ribbons<br />

Moon by Simaudio<br />

Meadowlark Audio<br />

Roksan<br />

JPS Labs<br />

Castle Acoustics<br />

Monarchy Audio<br />

Moray James Cable<br />

Cambridge<br />

Atoll<br />

I.S.D. Speakers<br />

audioroom@telus.net<br />

1347 - 12th Ave. S. W.<br />

CALGARY, ALBERTA T3C 0P6<br />

south. In 1973, the hit movie The Sting<br />

won awards not only for best picture but<br />

also for best musical score…for the rag<br />

The Entertainer.<br />

Do I like rags? Yes I do, for one of the<br />

benefi ts of being eclectic is the ability to<br />

fi nd happiness with many different musical<br />

styles. I envy the composers, who can<br />

express so many fi ne sentiments using<br />

this very complex music that merely<br />

sounds easy, if only because it is played<br />

by pianists with astonishing talent. The<br />

originators of ragtime were all magicians<br />

of the keyboard.<br />

The present recording features Richard<br />

Dowling and his Steinway, playing<br />

rags by such celebrities as Joseph C.<br />

<strong>No</strong>rthup, Artie Matthews, James Scott,<br />

Joseph F. Lamb, Gershwin, and Scott<br />

Joplin — dubbed the king of ragtime.<br />

Included are Joplin’s Bethena, Maple Leaf<br />

Rag and A Mexican Serenade. This last is<br />

as sentimental as you could wish, with<br />

rubato, pregnant pauses…the works.<br />

Except for William Bolcom, who was<br />

younger, the others were born before the<br />

turn of the century.<br />

68 ULTRA HIGH FIDELITY <strong>Magazine</strong><br />

Affordable, Remarkable <strong>High</strong> Performance<br />

Stereo Components that Honour Music<br />

Shanling<br />

QED<br />

Audible Illusions<br />

Audio Refinement<br />

Black Diamond Racing<br />

Blue Circle<br />

Antique Sound Lab<br />

MSB Technologies<br />

Mordaunt-Short<br />

and much more!<br />

Oskar<br />

Antique Sound Lab<br />

Ruark<br />

Dali<br />

YBA<br />

Chord Cable<br />

Reference 3a<br />

Rega<br />

Monster Cable<br />

Harmonic Cable<br />

XLO Cable<br />

Tel: (403) 228-1103<br />

Fax: (403) 245-8198<br />

The CD opens with Bolcom’s The<br />

Cannon Ball of 1905, a highly original<br />

blend of classics and ragtime. The<br />

booklet says that it recalls (What? Did<br />

I read right!) Franz Liszt. Begging your<br />

pardon, I don’t agree. And yet… Listen<br />

to those rapid cascades of arpeggios,<br />

staccatos and clever repetitions, blended<br />

with the syncopated rhythm typical of<br />

ragtime, and tell me this is not a virtuoso<br />

piece! What we call light music is not<br />

necessarily music that is easy to play,<br />

as this disc demonstrates. Dowling has<br />

the knack for broad chords, thirds and<br />

octave jumps, delivered with remarkable<br />

precision, without ever breaking the<br />

luminous rhythm that make the hours<br />

seem short.<br />

Then come two rags by arranger<br />

Artie Matthews, believed to have also<br />

written the fi rst blues, Baby Seal Blues, in<br />

1915. Joseph E. Lamb’s American Beauty<br />

Rag is especially attractive and a bit sentimental,<br />

though without sacrifi cing the<br />

joyousness of the genre. Lamb’s Ragtime<br />

Nightingale has touches of rubato here<br />

and there. James Scott’s tongue-in-cheek<br />

Hilarity Rag is irresistible. Jay Roberts’<br />

Entertainment Rag is full of contagious<br />

humor, and contains some easily-spotted<br />

quotations. Kitten on the Keys is absolutely<br />

divine, and represents very well a cat<br />

choosing to dance on the black and white<br />

notes.<br />

The list could go on. In short all of<br />

the pieces on this CD are dazzling, both<br />

by their style and by the pianist’s exciting<br />

play. I recommend it warmly.<br />

One Life<br />

Katinka Wilson<br />

Opus 3 CD22032<br />

Rejskind: It seems you can’t go to an<br />

audio show without fi nding a new CD<br />

by a new female jazz singer. Most would<br />

sound fi ne if you ran across them in a<br />

smoky club late at night, but buying the<br />

CD is another matter. A number of these<br />

singers come from the Far East, particularly<br />

Hong Kong. Do they understand<br />

what they are singing? On the primary<br />

level, sure, but…<br />

<strong>No</strong>w and again you get a hit. Sheffi<br />

eld’s Margie Gibson is such a prize.<br />

And remember Thérèse Juel, who sang<br />

so gorgeously in Swedish on the Opus 3’s<br />

original demo disc?<br />

Katinka Wilson is also from Opus 3,<br />

and I’m sorry to say I can’t put her in<br />

the hit category. Despite her un-Swedish<br />

last name and her fl awless English<br />

phrasing, she was born near Stockholm.<br />

She is multitalented, not only singing<br />

but playing guitar, and writing her own<br />

music and lyrics. She has good backup,<br />

which includes Janne Petersson, one of<br />

Eric Bibb’s people.<br />

I tried to get into this music, I really<br />

did, but neither the melodies nor the<br />

words kept me from thinking about<br />

things other than music. Wilson has<br />

studied some pretty good singers, and<br />

she has learned all the tricks well, but<br />

really good singing is not a trick. It is<br />

an art, or should be.<br />

Even the sound left me cold, something<br />

I don’t often say about Opus 3<br />

recordings. It is a hybrid SACD, yet its<br />

sound is oddly fl at and one-dimensional.<br />

Perhaps it’s the fact that this is a multitrack<br />

mix, as given away by the fact that<br />

Wilson sometimes adds in overdubbed<br />

choral effects. I can’t think of a reason<br />

to recommend it.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!