Volume 30 (2011) - Cincinnati Romance Review

More documents

Recommendations

Info

68 ALEJANDRO SOLOMIANSKI Borges, Jorge Luis y Guerrero, Margarita. El “Martín Fierro”. Buenos Aires: Editorial Columba, 1953. Print. Di Santo, Víctor. “Gabino, la voz del pueblo”. Todo es Historia 387 (octubre de 1999): 20-23. Print. Echeverría, Esteban. “El matadero”. Esteban Echeverría. Obras Escogidas. Caracas: Biblioteca Ayacucho, 1991. 123-142. Print. – – –. Páginas autobiográficas. Buenos Aires: EUDEBA, 1962. Print. Ezeiza, Gabino. Recuerdos del payador. Buenos Aires: Andrés Pérez Cuberes, 1946. Print. – – –. Nuevas canciones inéditas. Buenos Aires: Biblioteca Gauchesca. 1897. Print. – – –. La Batalla de Maipo. Buenos Aires: Comisión Centenario, 1910. Print. – – –. Glorias Radicales. Rosario: Biblioteca Rosarina, (1916-7?). Print. Ford, Jorge Miguel. Beneméritos de mi estirpe. La Plata, 1899. Print. Hernández José. Martín Fierro. Buenos Aires: Centro Editor de América Latina, 1972. Print. La Juventud. Publicación periódica. Buenos Aires: 1876-1878. Print. Lanuza, José Luis. Morenada. Buenos Aires: Emecé, 1946. Print. Lugones, Leopoldo. El payador y antología de poesía y prosa. Caracas: Biblioteca Ayacucho, 1979. Print. Mendizábal, Horacio. Primeros versos. Buenos Aires: 1865. Print. – – –. Horas de meditación. Buenos Aires: 1869. Print. Natale, Oscar. Buenos Aires, negros y tango. Buenos Aires: Peña Lillo, 1984. Print. Noguera, Miguel Luis. Recuerdos y Esperanzas. Buenos Aires: Periódico “Los Negros”, 1870. Print. Ochoa, Rosa. Reseña histórica de Ezeiza. Ezeiza: Municipalidad, 1999. Print. Ortiz Oderigo, Néstor. Aspectos de la Cultura Africana en el Río de la Plata. Buenos Aires: Plus Ultra, 1974. Print. Piccirilli, Ricardo, Francisco Romay et al. Diccionario Histórico Argentino. Buenos Aires: Ediciones Históricas Argentinas, 1953. Print. Picotti, Dina. La presencia africana en nuestra identidad. Buenos Aires: Colihue, 1998. Print. Rodríguez Molas. La música y la danza de los negros en el Buenos Aires de los siglos XVIII y XIX. Buenos Aires, 1957. Print. – – –. Historia social del gaucho. Buenos Aires: Centro Editor de América Latina, 1982. Print. – – –. Historia de la Tortura y el orden represivo en la Argentina. Buenos Aires: EUDEBA, 1984. Print. Rodríguez Molas, J.C. y E. Goldar Giusti, . Lugares y modos de diversión. Buenos Aires: Centro Editor de América Latina, 1985. Print. Rossi, Vicente. Cosas de negros. Buenos Aires: Hachette, 1958. Print. Solomianski, Alejandro. Identidades Secretas: La negritud argentina. Rosario (Argentina): Beatriz Viterbo Editora, 2003. Print. Cincinnati Romance Review 30 (Winter 2011): 53-68.
“Double Bind / Double Consciousness” in the Poetry of Carmen Colón Pellot and Julia de Burgos Sonja Stephenson Watson University of Texas, Arlington Carmen Colón Pellot and Julia de Burgos constructed a female literary poetics and created a space for the mulata as a writing subject instead of a written object in early twentieth-century Puerto Rican negrista literature. Because of their gender and the societal norms and limitations placed upon blacks, they each found it difficult to reconcile their heritage as mulatas in a white male Hispanic society. They each testify to the “double bind” of black female authors who strive to identify themselves as both women and as blacks. In her seminal article “Feminism and Afro-Hispanism: The Double Bind,” Rosemary Feal notes that the double bind of scholars when reading texts written by Afra-Latin American writers “is to uphold the dignity of all Afro-Latin American characters…while engaging in legitimate feminist practice” (30). Feal also notes that in order to study the intersection of race and gender in works by black Latin American female writers’s texts, we must adhere to the racial, historical, and social specificities in each country. She further explains that, “‘[a]lterity’ in feminist Afro-Hispanic scholarship has as its imperative the formulation of alternate interpretive practices, and it is through analyzing the link of race and gender that we can gain more complete access to that world of difference” (30). The double bind inherent in Afra-Hispanic literature is not only that of scholars but also of the authors themselves who comprise the focus of this study. The double bind of Colón Pellot and de Burgos compels us to return to W.E.B. Du Bois’s seminal essay on double-consciousness, The Souls of Black Folk (1903), where he presented the problem of duality that plagued blacks at the turn of the twentieth century: It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness, an American, a negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. (5)
Page 1 and 2:
CINCINNATI ROMANCE REVIEW AFRO-HISP
Page 3 and 4:
Guest Editor Patricia Valladares-Ru
Page 5 and 6:
Presentación Patricia Valladares-R
Page 7 and 8:
Presentación Patricia Valladares-R
Page 9 and 10:
Por el cielo y más allá de Carme
Page 11 and 12:
POR EL CIELO Y MÁS ALLÁ DE CARME
Page 13 and 14:
Page 15 and 16:
Page 17 and 18:
Page 19 and 20:
Page 21 and 22:
Page 23 and 24: (Des)memorias en torno a la esclavi
Page 25 and 26: (DES)MEMORIA EN TORNO A LA ESCLAVIT
Page 41 and 42: VII. Conclusiones (DES)MEMORIA EN T
Page 45 and 46: (A)cercamiento al concepto de la ne
Page 47 and 48: (A)CERCAMIENTO AL CONCEPTO DE LA NE
Page 59 and 60: Gabino Ezeiza y su recuperación de
Page 61 and 62: GABINO EZEIZA Y SU RECUPERACIÓN 55
Page 69 and 70: primero en Coupolipón. GABINO EZEI
Page 73: GABINO EZEIZA Y SU RECUPERACIÓN 67
Page 77 and 78: “DOUBLE CONSCIOUSNESS/DOUBLE BIND
Page 89 and 90: “The Erotic as Power”: Sexual A
Page 91 and 92: “THE EROTIC AS POWER” 85 twenti
Page 93 and 94: “THE EROTIC AS POWER” 87 llenab
Page 95 and 96: “THE EROTIC AS POWER” 89 studen
Page 97 and 98: “THE EROTIC AS POWER” 91 in tea
Page 99 and 100: “THE EROTIC AS POWER” 93 Rican
Page 101 and 102: “THE EROTIC AS POWER” 95 matrix
Page 103 and 104: “THE EROTIC AS POWER” 97 appear
Page 105 and 106: La poética de la esclavitud (silen
Page 107 and 108: LA POÉTICA DE LA ESCLAVITUD (SILEN
Page 123 and 124: Womanism and Social Change in Trini
Page 125 and 126:
WOMANISM AND SOCIAL CHANGE 119 dise
Page 127 and 128:
WOMANISM AND SOCIAL CHANGE 121 Acco
Page 129 and 130:
WOMANISM AND SOCIAL CHANGE 123 and
Page 131 and 132:
WOMANISM AND SOCIAL CHANGE 125 vari
Page 133 and 134:
WOMANISM AND SOCIAL CHANGE 127 triu
Page 135 and 136:
WOMANISM AND SOCIAL CHANGE 129 Morg
Page 137 and 138:
RACIALIZACIÓN Y REVOLUCIÓN 131 Fi
Page 139 and 140:
RACIALIZACIÓN Y REVOLUCIÓN 133 or
Page 141 and 142:
RACIALIZACIÓN Y REVOLUCIÓN 135 En
Page 143 and 144:
RACIALIZACIÓN Y REVOLUCIÓN 137 Ra
Page 145 and 146:
RACIALIZACIÓN Y REVOLUCIÓN 139 ma
Page 147 and 148:
RACIALIZACIÓN Y REVOLUCIÓN 141 Pe
Page 149 and 150:
RACIALIZACIÓN Y REVOLUCIÓN 143 Cu
Page 151 and 152:
RACIALIZACIÓN Y REVOLUCIÓN 145 mi
Page 153 and 154:
RACIALIZACIÓN Y REVOLUCIÓN 147 go
Page 155 and 156:
RACIALIZACIÓN Y REVOLUCIÓN 149 Fe
Page 157 and 158:
EL NEGRO COMO PERSONAJE EN LA NARRA
Page 159 and 160:
Page 161 and 162:
Page 163 and 164:
Page 165 and 166:
Page 167 and 168:
Page 169 and 170:
Page 171 and 172:
Page 173 and 174:
Page 175 and 176:
Page 177 and 178:
Page 179 and 180:
WRITING AFRICANS OUT OF THE RACIAL
Page 181 and 182:
Page 183 and 184:
Page 185 and 186:
Page 187 and 188:
Page 189:
show all

Volume 30 (2011) - Cincinnati Romance Review

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?