Memoria 2002 - Fundación César Manrique
Memoria 2002 - Fundación César Manrique
Memoria 2002 - Fundación César Manrique
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E N G L I S H V E R S I O N<br />
Presentation:<br />
BASA magazine<br />
Museum and<br />
Conservation Area.<br />
Cataloguing<br />
these two disciplines. On the one hand, Nature is viewed in<br />
opposition to Economy, emphasising the chasm between those<br />
who reduce economic reasoning to monetary dimensions and<br />
those who see Nature as devoid of the human species. And<br />
on the other, Nature is driven towards Economy and viceversa,<br />
to reflect the conciliatory tendency enunciated in the<br />
present approach, which has begun to materialise in the<br />
academic world as well as in the declaration of intentions of<br />
certain specialised bodies.<br />
The BASA magazine, published by the Professional Association<br />
of Architects of the Canary Islands, was presented at FCM<br />
headquarters on 1 February. The event was attended by FCM<br />
Activities Director Fernando Gómez Aguilera, the editor of<br />
the publication Germán Delgado Pérez and architect Fernando<br />
Higueras.<br />
The 24th issue of BASA devoted its Islas (Islands) section to<br />
Fernando Higueras, one of the most significant personalities in<br />
Spanish architecture in the second half of the twentieth<br />
century, who maintained a close professional relationship with<br />
the Canary Islands and in particular with Lanzarote and <strong>César</strong><br />
<strong>Manrique</strong>.<br />
After presenting the magazine, Fernando Higueras discussed<br />
his artistic career, the keys to his work in the Canary Islands<br />
and his close relationship with <strong>César</strong> <strong>Manrique</strong>.<br />
DEPARTMENT OF<br />
CONSERVATION<br />
AND PLASTIC ARTS<br />
The Department continued to engage in the<br />
museum-related tasks entrusted to it and the<br />
temporary exhibition programme, while pursuing its policy of<br />
co-operation with other institutions.<br />
In <strong>2002</strong>, progress was made in the process of cataloguing<br />
<strong>César</strong> <strong>Manrique</strong>’s artistic production, both in continental<br />
Spain, where the work initiated in 1994 is practically<br />
complete, and the archipelago, where it was undertaken in<br />
2000. A total of 134 new pieces were catalogued. During the<br />
year, measures were also taken to begin to catalogue the<br />
artist’s works in Germany.<br />
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