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Memoria 2002 - Fundación César Manrique

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E N G L I S H V E R S I O N<br />

Presentation:<br />

BASA magazine<br />

Museum and<br />

Conservation Area.<br />

Cataloguing<br />

these two disciplines. On the one hand, Nature is viewed in<br />

opposition to Economy, emphasising the chasm between those<br />

who reduce economic reasoning to monetary dimensions and<br />

those who see Nature as devoid of the human species. And<br />

on the other, Nature is driven towards Economy and viceversa,<br />

to reflect the conciliatory tendency enunciated in the<br />

present approach, which has begun to materialise in the<br />

academic world as well as in the declaration of intentions of<br />

certain specialised bodies.<br />

The BASA magazine, published by the Professional Association<br />

of Architects of the Canary Islands, was presented at FCM<br />

headquarters on 1 February. The event was attended by FCM<br />

Activities Director Fernando Gómez Aguilera, the editor of<br />

the publication Germán Delgado Pérez and architect Fernando<br />

Higueras.<br />

The 24th issue of BASA devoted its Islas (Islands) section to<br />

Fernando Higueras, one of the most significant personalities in<br />

Spanish architecture in the second half of the twentieth<br />

century, who maintained a close professional relationship with<br />

the Canary Islands and in particular with Lanzarote and <strong>César</strong><br />

<strong>Manrique</strong>.<br />

After presenting the magazine, Fernando Higueras discussed<br />

his artistic career, the keys to his work in the Canary Islands<br />

and his close relationship with <strong>César</strong> <strong>Manrique</strong>.<br />

DEPARTMENT OF<br />

CONSERVATION<br />

AND PLASTIC ARTS<br />

The Department continued to engage in the<br />

museum-related tasks entrusted to it and the<br />

temporary exhibition programme, while pursuing its policy of<br />

co-operation with other institutions.<br />

In <strong>2002</strong>, progress was made in the process of cataloguing<br />

<strong>César</strong> <strong>Manrique</strong>’s artistic production, both in continental<br />

Spain, where the work initiated in 1994 is practically<br />

complete, and the archipelago, where it was undertaken in<br />

2000. A total of 134 new pieces were catalogued. During the<br />

year, measures were also taken to begin to catalogue the<br />

artist’s works in Germany.<br />

128

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