Canon, hegemonÃa y experiencia estÃ©tica: algunas reflexiones1

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Gesamtprozess, en Stroh, Wolfgang y Meyer, Günter, ed.,Musikwissenschaftlicher Paradigmenwechsel? Zum Stellenwert marxistischerAnsätze in der Musikforschung, pp. 237-243. Oldenburg: Bibliotheks – undInformationssystem der Universität Oldenburg-Kennedy, George2001 The Origin of the Concept of a Canon and Its Application to the Greek andLatin Classics, en Gorak, Jan, ed. Canon vs. Culture: Reflexions on the CurrentDebate, pp. 105-116. New York: Garland-Kennedy, William1997 Interest in the Canon: Kant in the Context of Longinus and Adorno, enSchildgen, E. Deen (ed.), The Rhetoric Canon, pp. 47-62. Detroit: Wayne StateUniversity Press-Kerman, Joseph1984 A few canonic variations, en Hallberg, Robert von, Canons, pp. 177-195.Chicago-London: University of Chicago Press. Publicado previamente en CriticalInquiry 10/1, 1983.-Kermode, Frank1985 Forms of Attention, Chicago-London: University of Chicago Press-Kolbas, E. Dean2001 Critical Theory and the Literary Canon, Boulder: Westview-Korsyn, Kevin2003 Decentering Music. A Critique of Contemporary Musical Research, Oxford:Oxford University Press-LaCapra, Dominick1985 History and Criticism, Ithaca-London: Cornell University Press-Lea Meek, Sandra2001 The Politics of Poetics. Creative Writing Programs and the Double Canonof Contemporary Poetry, en Gorak, Jan, ed., Canon vs. Culture: Reflexions onthe Current Debate, pp. 81-102, New York: Garland-McClary, Susan1991 Feminine Endings. Music, Gender and Sexuality, Minneapolis: Universityof Minessota Press-Starobinski, Jean1981 La letteratura: il testo e l´interprete, en Le Goff, Jacques y Nora, Pierre,ed., Fare storia. Temi e metodi della nuova storiografia, pp. 193-208. Torino:Einaudi-Subotnik, Rose Rosengard1996 Deconstructive variations. Music and Reason in Western Society,Minneapolis: University of Minessota Press-van der Toorn, Pieter1995 Music, Politics, and the Academy, Berkeley-Los Angeles-London:University of California Press-Weber, William1999 The History of Musical Canon, en Cook, Nicholas; Everist, Mark, ed.,Rethinking Music, 336-355. Oxford- New York, Oxford University Press2001 Canon and the Tradition of Musical Culture, en Gorak, Jan, Canon vs.Culture: Reflexions on the Current Debate, pp. 135-150. New York: Garland26
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Page 1 and 2: Omar CorradoCanon, hegemonía y exp
Page 3 and 4: 3La mayoría de los autores manifie
Page 5 and 6: 5para evitar o restringir el riesgo
Page 7: 7la historia de lo anteriormente pr
Page 10 and 11: 10que “se sabe” que es insoslay
Page 12 and 13: 12que se confrontan y se evalúan l
Page 14 and 15: 14subculturas actúan para negociar
Page 16 and 17: 16según Kolbas, “elitista, patri
Page 18 and 19: 18observan el debate musicológico,
Page 20 and 21: 20recopilación de fuentes primaria
Page 22 and 23: 22los nazis puede determinarse aten
Page 24 and 25: 24como afirma Gorak (1991: ix), “

Canon, hegemonÃ­a y experiencia estÃ©tica: algunas reflexiones1

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Canon, hegemonÃa y experiencia estÃ©tica: algunas reflexiones1