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tome VII Archives, manuscrits et livres rares - Ministère de la culture ...

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PARTITION^ ПАРТИТУРЫ SCORES PABTITDREN<br />

14769 32.025 Be<strong>et</strong>hoven(Ludwig van) Ludwig van Be<strong>et</strong>hovens Werke usw. Serie I, Symphonies. Partition d'orchestre,<br />

Leipzig, s. d., m-4 °, br. M. Gaston Calmann-Lévy<br />

14770 32.141 ю Manuscrit musical (1 feuille 1/2). Manucrit original formé <strong>de</strong> thèmes pour<br />

l'Archiduc Rodolphe Baronne Alexandrian <strong>de</strong> Rothschild<br />

14771 32.025 Bellini La Norma. Piano <strong>et</strong> chant. Paris, 1897, in-4 °, br. M. Gaston С almann-Lévy<br />

14772 28.580 Berlioz (H.) Е uvres complètes. Ed. alleman<strong>de</strong> M Darius Milhaud<br />

14773 32.025 Béatrice <strong>et</strong> Benedict. — La damnation <strong>de</strong> Faust. Partition piano <strong>et</strong> chant.<br />

Paris, s. d., <strong>de</strong>mi-rel. chagrin bleu ay. coins M Gaston Calmann-Lévy<br />

14774 32.025 ю ю Benvenuto Cellini (1838). — La damnation <strong>de</strong> Faust (1846). — Les Troyens<br />

Carthage (1833). — Partitions d'orchestre, ch. vol. in-fol., num. 20, 41<br />

<strong>et</strong> 12, <strong>de</strong>mi-rel. mar. rouge ay. coins. (Champs) I<strong>de</strong>rn<br />

14775 32.025 , La damnation <strong>de</strong> Faust. Chant <strong>et</strong> piano, Charles Malherbe, 1898, in-4°, br.. . I<strong>de</strong>m<br />

14776 32.025 Berton Montano <strong>et</strong> Stéphanie. Partition d'orchestre. Paris, an <strong>VII</strong>, in-4°, <strong>de</strong>mi-rel.<br />

époque veau I<strong>de</strong>m<br />

14777 32.025 Berton <strong>et</strong> Trial . . Sylvie. Partition d'orchestre. Paris, 1766, in-4°, rel. époque veau I<strong>de</strong>m<br />

14778 32.025 B<strong>la</strong>nch! La <strong>la</strong>nterne magique. Partition d'orchestre, Paris, s. d., in-4°, <strong>de</strong>mi-rel. parch.<br />

vert, signature <strong>de</strong> l'auteur I<strong>de</strong>m<br />

14779 32.025 Biz<strong>et</strong> (Georges) . . L'Arlésienne. — Carmen. — Piano <strong>et</strong> chant. Paris, s. d., Ch. vol. <strong>de</strong>mi-rel.<br />

chagrin bleu ay. coins I<strong>de</strong>m<br />

14780 32.025 ю ю L'Arlésienne (1872). — Carmen (1875). — Djamileh (1877). — Partitions<br />

d'orchestre. Ch. vol. in-fol., num. 49, 142 <strong>et</strong> 38, <strong>de</strong>mi-rel. mar. rouge ay.<br />

coins. (Champs)<br />

I<strong>de</strong>m<br />

14781 32.025 ю ю La jolie fille <strong>de</strong> Perth. Partition d'orchestre no 42, Paris, 1867. 2 vol. in-fol.,<br />

<strong>de</strong>mi-rel. chagrin marron I<strong>de</strong>m<br />

14782 32.025 ю ю Les pêchе urs <strong>de</strong> perles. Partition d'orchestre no 46. Paris, 1863, in-fol., <strong>de</strong>mi -rel. chagr. rouge<br />

14783 32.025 Boieldieu Quatre duos pour harpe <strong>et</strong> piano. On y a joint <strong>de</strong> Ne<strong>de</strong>rmann : Pot- pourri en<br />

duo pour harpe <strong>et</strong> piano. Paris s. d., in-4°, <strong>de</strong>mi-rel. éр . 1er Empire, parch.<br />

vert sur le p<strong>la</strong>t sup. le nom <strong>de</strong> <strong>la</strong> Comtesse <strong>de</strong> Bondy I<strong>de</strong>m<br />

14784 32.025 Bord<strong>et</strong> Troisième recueil d'airs <strong>et</strong> duos. Paris, X<strong>VII</strong>Ie s., in-8 ° , oblong, rd. éр . veau,<br />

ex-libris autogr. <strong>de</strong> Benjamin Pintua I<strong>de</strong>m<br />

14785 32.025 Bourgault-Ducoudray Thamara. Piano <strong>et</strong> chant. Paris, 1892, in-4 ° , <strong>de</strong>md-rel. chagr. bleu avec coins I<strong>de</strong>m<br />

14786 32.025 ю ю Trente mélodies popu<strong>la</strong>ires <strong>de</strong> Grèce <strong>et</strong> d'Orient. Paris, 1897, in-4°, br., envoi<br />

autogr. I<strong>de</strong>m<br />

— 752 —<br />

I<strong>de</strong>m

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