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Tekeningen & schilderijen 19de eeuw – Dessins & peintures XIX e s.
Moody interior scene of an Italian tavern with bar on the left. Both in 1876 and
1878 the Antwerp and Bruges painter Édouard De Jans (1955-1919) received the
prestigious Prix de Rome, which led him to travel and study in Rome and Paris.
Many of his works are in Belgian collections such as the Groeninge museum
Bruges and the Museums of Fine Arts in Antwerp and Ghent.
364
DE LUNA, Charles - 3 scènes militaires avec cavaliers français de
la Grande armée.
Aquarelles, c. 20 x 28,4 cm, papier vergé, signées à droite «Ch. de Luna».
Sous passe-partout.
300 / 400 €
Joined, 2 prints by the same artist: 1. Ancient ramparts of Antwerp. Japan
paper. No state. Ref. Delteil 42.— 2. The left bank of the Scheldt. Laid paper.
2nd state. Ref. Delteil 74. (4 pcs)
362
DE COCK, César - Mother and child in a landscape. C. 1840.
Drawing, pen and black ink, touches of white wash 16,5 x 26,5 cm, brown laid
paper, signed at lower left corner (glue traces on verso). Stuck under passe-partout.
200 / 250 €
365
DEGOUVES DE NUNCQUES, William - Weeping Christ.
1909.
Drawing, charcoal, 32,2 x 23 cm, signed and dated in lower right corner «W.D. de
1909». Under passe-partout, under frame (not studied outside frame).
500 / 600 €
Cesar De Cock (1823-1903) was a well-known landscape painter and engraver.
His friends and colleagues included Henri Rousseau and Jean-Baptiste Corot,
and he can be considered as a Belgian representative of the Barbizon School of
landscape painters. As a draughtsman he applied nuanced touches of black ink
in order to generate an atmospherical effect, such as in this fine drawing.
363
DE JANS, Édouard - Tavern interior. Rome, 1882.
Oil on canvas, 19 x 25 cm, signed lower right. Under wooden frame.
500 / 600 €
An intimate drawing of a suffering Christ with crown of thorns. Degouves De
Nuncques (1867-1935) was one of the leading figures of Belgian symbolism who
often exhibited his work with members of «Les XX» and «La Libre Esthétique».
This work dates from a critical period of personal religious crisis, the artist went
through between 1909 and 1910. At this time he painted many religious works,
influenced by medieval mysticism.
112 • ARENBERG AUCTIONS • 19.10.2019