GRABADOS ARENBERG 19.10.2019

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Oude tekeningen & schilderijen – Dessins et peintures anciensLazzaro Tavarone (1556-1641) was a student of the Genoese painter LucaCambiaso, whom he accompanied to Spain in 1583 for a commission to decoratethe interior paintings of the Escorial. Ten years later he returned to Genoa wherehe had a thriving career as a portraitist and fresco painter. This drawing withits sparing use of lines and typical eye-shapes approaches the early drawingsof Taverone which still show strong influences from Camiaso. A related sheetby Cambiaso showing a similar female figure in a niche, is preserved in theNationalmuseum of Stockholm (inv. NM 1578/1863). A drawing of an allegoricalfemale figure attributed to Tavarone in the Metropolitan Museum of Art in NewYork (inv. 49.150.4) also shows some remarkable stylistic and technical similarities.Ref. P. Bjurström, «Italian Drawings in the Nationalmuseum», Stockholm1979, cat. no. 330. - J. Bean,»15th and 16th Century Italian Drawings in theMetropolitan Museum of Art New York», 1982, cat. no. 243.125 [Italian school]Equestrian battle scene. Late 16th or 17th c.Drawing, pen and brown ink, with brown gouache, traces of graphite pencil, 16x 24,1 cm, laid paper, unidentified signature at top left corner (edges reinforced,bottom left edges sl. frayed). Under passe-partout.250 / 300 €123 [Italian school]Classical scene with a soldier before a king. Late 16th c.Drawing, pen and brown ink, brown wash, heightened with white, overblack chalk, black chalk (verso), 28,4 x 19 cm, thick laid paper, unsigned (sl.dampstaining at upper right).300 / 350 €Heroic battle scene between two soldiers on horseback. In the background twoarmies are seen fighting. The beautifully nuanced use of gouache to simulateshades and depth betrays the hand of an experienced draughtsman.126 [Italian school]Monk praying for healing.Drawing, pen and black ink, 29,5 x 19,3 cm, laid paper, unsigned (some min.foxing, min. creases at lower edge). Stuck under passe-partout, under wooden giltframe (not studied outside frame).150 / 200 €Religious scene with a saint in an ancient city, seemingly praying for the healingof a sick or wounded man on the right. Perhaps a design for a larger painting.127 [Spanish school]Religious figure educating a young boy. 18th c.Drawing, pen and brown ink, 26 x 19 cm, laid paper, unsigned (some foxing).Stuck by corners under passe-partout, under wood frame (studied outside frame).150 / 250 €Unidentified scene of a seated ruler on a throne pointing at a Roman soldierwhile addressing two young boys. On the verso a study for a similar compositionin black chalk. Based on the style and technique, the drawing most likelyoriginates from Florence or Emilia-Romagna.Prov. Coll. Erding Adelheid Schnell (coll. mark on verso, not in Lugt). - Coll. PimVan Eekelen (Lugt 5101). - Sotheby’s Sale 3.7.1996, lot 146.124 [Italian school]Classicist façade. 18th c.Drawing, pen and black ink, with black and grey gouache, framing lines in blackink, 27 x 51,2 cm, laid paper, unsigned (possibly trimmed at upper edge, somerust stains, tear in right margin without loss to image). Under passe-partout.150 / 200 €Architectural presentation drawing of a classicist façade with Ionic columns; thesquare upper part is crowned by a pediment. Possibly a design for a palace ormansion.A religious figure (a priest, monk) sitting by the roadside while resting hishand on a young child’s head. A third hooded figure is watching from the rightbackground.Joined: La Marra, Francesco. After Jacques Jordaens - Sermon on the Mount,ca. 1750. Etching, 30 x 25,4 cm, laid paper (toned, heavy foxing). (2 pcs)44 • ARENBERG AUCTIONS • 19.10.2019
Gravures anciennes – Oude prentenOude prentenGravures anciennes128 [British]BARRY, James - King Lear gazing down to left, left hand to hishead, holding back windswept hair. 1806.Pen lithograph, 23,2 x 31,8 cm, lettered at the base of the image «J. Barry del.»(trimmed to the borderline). Stuck by right corners under passe-partout.2.000 / 2.500 €130 [British]PLACE, Francis - Roundels with Italianate seascapes and coastalscenes. Amsterdam, Frederik De Wit.4 (of 12) engravings, 12,5 x 12,3 cm, numbered 4 to 7 (wide margins). Stuck byupper corners under passe-partout.150 / 200 €Second state (with yellow support sheet) published in Philip André’s «Specimensof Polyautography». After Aloys Senefelder’s invention of lithography around1799, Barry’s «King Lear» was one of the most impressive early Englishlithographs with few parallels.Ref. Pressly 38.129 [British]BROWNE, John. After Peter Paul RUBENS - «Going tomarket». London, John Boydell, 1783.Etching and engraving, 56 x 79 cm, laid paper, signed in lower margin (sl. toned).Stuck under passe-partout. Fine, clear impression.600 / 800 €131 [British]WATSON, Thomas. After Nathaniel DANCE - Lord Apsley andhis brother. London, T. Watson, 1776.Mezzotint, 35,5 x 50,5 cm, lettered «N. Dance R.A. 1775» and «Engrav’d byThos. Watson», on ivory laid paper (wide margins). Stuck by corners under passepartout.300 / 400 €A landscape with a city in the distance, large trees on the right on the bank ofa stream, a cottage on the left and men and women, some driving cows, one inthe foreground leading a horse drawing a cart laden with vegetables. After thepainting by Rubens in the Royal Collection, Windsor Castle.Double child portrait, full-length, standing in front of a riverbank. Fine exampleof late 18th century British mezzotint.ARENBERG AUCTIONS • 19.10.2019 • 45
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GRABADOS ARENBERG 19.10.2019

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