GRABADOS ARENBERG 19.10.2019

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Tekeningen & schilderijen 19de eeuw – Dessins & peintures XIX e s.A very crowded coach pulled by a group of four running horses. Gustave Simonauwas traine in the workshop of his father and specialised in paintings and lithos ofromantic city views in Belgium, France and Germany. His atelier was in Brussels.398SIMONAU, Gustave - «Igel». [Village in Germany, Rhineland].«le 28 juillet [18]45».Drawing, graphite pencil, 34,3 x 39,4 cm, signed, titled and dated lower left(soiled edges with sm. lacuna, very skillfully underlaid on verso).200 / 250 €cm, qqs-unes signées et/ou datées entre 1853-1863 (qqs piqûres ou lég. brunies,qqs manques).— 10-14. Scènes historiques ou populaires : 5 e.-f. (1 en double),volantes, formats variés, papier vergé ou vélin (± défraîchies).Très estimé pour ses représentations de batailles navales historiques, HendrikFrans (Rik) Schaefels (Anvers 1827-1904) est un peintre, dessinateur et graveurromantique connu pour ses marines, ses scènes de genre et d’histoire.Joint, 2 dessins de Schaefels, Lucas (1824-1885) : 1. Étendard. Mine degraphite, 37 x 47,5 cm, signé (ou attribué ?) à l’encre noire en bas à g. (bordsabîmés). Réalisé pour le défilé de la gilde de St Luc à Anvers («P.PL Rubens/Kunstafbeelding/ St Lucasgilde/ 1855», sur le drapeau).— 2. Bateau accostéprès d’une maison. Verso : croquis de chiens. Pierre noire, 22 x 26 cm. Mentiond’attribution (?) «Schaefels», en bas vers la dr. (16 pcs)397SIMONAU, Gustave - The dilligence. C. 1830-1870.Drawing, graphite, 16,5 x 25 cm, brown paper, signed at lower left corner (somefoxing). Under passe-partout, under orn. wooden frame (not studied outsideframe).120 / 150 €View of the church, near the famous Roman stele (not on the drawing). Simonau(Bruges 1810-1870 Brussels) is famous as a watercolourist and lithographer. In1847 he founded the firm Simonau & Toovey, which specialised in lithographicprints of architectural monuments.Prov. Albert Van Loock (Lugt 3751, verso).399120 • ARENBERG AUCTIONS • 19.10.2019
Dessins & peintures XIX e s. – Tekeningen & schilderijen 19de eeuw399Attributed to TOULOUSE-LAUTREC, Henri de - Study of ahorse and a sitting caddy. 1879-1882.Drawing, graphite pencil, 15, 8 x 25,5 cm, paper (no watermark), monogrammedHTL. Stuck by corners under passe-partout.4.000 / 5.000 €A sketch of a carthorse with a horse collar and a seated horse driver with a hatand whip. Horses were a favourite subject of the painter and he had drawn themthroughout his artistic career. The drawing is a well-executed sketch whichstylistically relates to the period between 1879 and 1882, prior to Toulouse-Lautrec’s move to Paris. In particular the rendering of shades and hatchingin the neck and legs of the horse are strikingly similar to drawings made byToulouse Lautrec around 1880, such as a drawing in the British Museum (inv.1924,0617.36), representing a similar carthorse. Other contemporary horsestudies (D.I.635 and D.I.373) are also comparable in their rendering of hooves,linear contours and the idiosyncratic hatching. In addition, the rendering ofseated figure on the right side of the sheet, drafted with a few angular lines,shows similarities to figure sketches made by Lautrec around the same period(e.g. D.2.742). A detailed analysis and condition report is available on request.Ref. M.G. Dortu, «Toulouse-Lautrec et son oeuvre», New York 1972, vols. 4-6.400Undergrowth with river and rider. 19th c.Drawing, grey wash enhanced with bistre line drawing with pen, 23,2 x 32,8 cm(visible part), wove paper, pencil signature (attribution? possession mark?) lowerright «C. Lieste». Passe-partout and wooden frame (not studied outside frame).150 / 250 €402Venus and putti. 19th c.Drawing, pencil and chalk, 42,5 x 31,6 cm, laid paper, unsigned (signature onlower right corner possible scraped out, sm. def. on left arm). Mounted on mod.cardb. support.200 / 300 €401Attributed to VAN SEBEN, Henri - The «Binnenhoff» in TheHague, Netherlands. 1862.Watercolour with light graphite line drawing beneath, 33,4 x 49,8 cm, vellumpaper, ms. note upper left in the sky, monogrammed [JG S.?] lower right, framedwith graphite pencil (small folds on corners, some small soils, some small marg.tears). Stuck by upper boards under passe-partout.200 / 350 €Artist’s view of an 18th-century setting. Interesting sheet probably (?) made bytwo hands, one made with watercolour for the architectural section, the othermade with black ink pen for the characters in the foreground. On the upper leftside is an handwritten note «Schets van een tekening voor Prins Wiaezemski,July 1862» [Sketch of a drawing for Prince Wiazemsky]. On verso, sketch of themonument. Attributed to van Seben (Brussels 1825-1913) on the passe-partout.Prov. Prince [Piotr ?] Wiazemsky (Russian family). - Albert Van Loock (1917-2011), bookseller and print merchant in Brussels (Lugt 3751 & 3752 on verso).A female nude, possibly Venus, gazes seductively at the viewer. In thebackground are three cupids or putti playing. The drawing style recalls thefragility and sensual elusiveness of the French Rococo.403VERBOECKHOVEN, Eugène - Boeufs à longues cornes couchésprès d’une charette à deux roues. Rome, [1841-1842 ?].Dessin, mine de graphite, 29,5 x 46 cm, papier vélin brun, monogrammé «E.V./ Rome» en bas à g. et «n° 37» à la plume d’encre noire en bas à dr., cachet«Succession Verboeckoven» en bas à g. (qqs points de rouss.). Collé par les coinssur f. de papier (coin inf. g. collé avec plis).200 / 300 €En 1841-1842, Verboeckhoven (Warneton 1798-1881 Schaerbeek) entreprit,via la France et la Suisse, un voyage en Italie où la «campagna romana» et lestroupeaux de bovins aux longues cornes le fascinèrent.ARENBERG AUCTIONS • 19.10.2019 • 121
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GRABADOS ARENBERG 19.10.2019

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