GRABADOS ARENBERG 19.10.2019

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Oude prenten – Gravures anciennes188 [Dutch]VAN OSTADE, Adriaen - 2 etchings. 1653.Various sizes and conditions. Under passe-partout.120 / 150 €a brook, bordered by trees. 2nd state. Etching, 9 x 13, laid paper, wide margins,signed at lower right corner «L.V.V.».Ref. Hollstein XXX:41.2. - Hollstein XXX:40.2. - Hollstein XXX:22.2.After or inspired by Rembrandt?1. The smoker and the drinker. 4th state (of 5). Etching, 8,2 x 6,3 cm, thick laid paper.Good dark impression. Ref. Hollstein XV:13.4. - 2. Peasant with a crooked back.Later copy. Etching, 7,7 x 6,3 cm, laid paper (sl. toned). Ref. Hollstein XV:20.5 (Copy).189 [Dutch]VAN RUISDAEL, Jacob - 2 landscapes.Etchings, 19,4 x 27,8 cm, thin laid paper, signed in plate at bottom margin«JvRuisdael f.» (toned paper, brown stains at upper edges, foxing throughout).Under passe-partout.400 / 500 €191 [Dutch]VAN VLIET, Johannes - The capture of Christ.Engraving, 16,8 x 21,8 cm, signed «JG Vliet fec» (trimmed just within theborderline). Stuck by upper corners under passe-partout.750 / 900 €«Two farmers and a dog», and «The cottage on the hill». Good dark impressionsof the 2nd state with the sky.Ref. Hollstein XX:2.2 & XX:3.2190 [Dutch]VAN UDEN, Lucas - 3 Landscape engravings. Amsterdam, FransVan den Wyngaerde, [1625-1673].Various sizes and conditions. Stuck under passe-partout.250 / 300 €1. Landscape with men pushing a freight cart from out of the mud. Engraving,20 x 31,2 cm, laid paper with Amsterdam watermark, signed at lower left corner(trimmed just inside platemark, right upper side of plate worn). - 2. After Titian.Landscape with several horsemen in foreground. Etching, 9 x 13,3 cm, laidpaper, signed at lower left corner (trimmed inside platemark). 3. Landscape with1st state, from Van Vliet’s series «The Passion». The engraver’s collaboration withRembrandt is a heavily debated item in literature, with Rembrandt’s influencebeing visible in his masterful handling of light and shadow in this print. However,in 1631, when he had his first prints after Rembrandt published, Van Vliet alreadywas a highly accomplished etcher, at least from a technical viewpoint and comparedto the better draughtsman that Rembrandt was. A number of Rembrandt’searly small prints were even reworked by another hand. In just one year, in 1631,Rembrandt’s technique as an etcher improved drastically. Besides this brief momentof collaboration, van Vliet worked independently and continued, between 1631 and1634, making a number of etchings after originals by Rembrandt.Van Vliet’s «Passion» series is, unfortunately, not dated, so that its place in thecontext of the collaboration with Rembrandt cannot easily be estimated: was itafter Rembrandt or rather inspired by him?Ref. Hollstein XLI: 6. - J. Rutgers, «Jan van Vliet and Rembrandt van Rijn: TheirCollaboration Reassessed», in S.S. Dickey, Rembrandt and his circle, AUP, 2017,pp. 287.62 • ARENBERG AUCTIONS • 19.10.2019
Gravures anciennes – Oude prenten192 [Dutch]Various Dutch engravings. 16th and 17th c.25 engravings, various sizes and conditions. Loose sheets.150 / 200 €1. Hondius, Hendrick. Portrait of Jacob Binck, c. 1610, engraving, 20,6x 13 (trimmed outside platemark). Part of the series Pictorum AliquotCelebrium Praecipuae Germaniae Inferioris Effigies (72 pl). Ref. New Hollstein(Hondius):157 — . 2. Burgkmair, Hans the Elder. Battle scene (book illustrationto «Der Weisskunig»), 1516, woodcut, 25,6 x 21 cm. — 3. Cole, B. A prospectof the Palace and Gardens at Loo, engraving, 18,5 x 30 cm. — 4. Stradanus,Johannes. The Hunts, 7 engravings, 21,5 x 30 cm (toned late impressions). —5. Millan, Pierre. After Rosso Fiorentino. Dance of the Dryads, engraving,28,1 x38, 2 cm (poor copy). Joined are several maps and topographical prints.195 [Flemish]BOLSWERT, Schelte Adamsz. After Peter Paul RUBENS -Atalanta and Meleager hunting the Calydonian boar. [Antwerp],G. Hendricx, c. 1596-1659.Engraving, 46 x 63 cm, signed «S.a. Bolswert sculpsit» (trimmed just outside theplatemark). Stuck by corners under passe-partout.200 / 300 €193 [Dutch]VISSCHER, Claes Jansz. After Jan II van de VELDE - Watermillleft of ruins. 1616.Engraving, 12,2 x 18,3 cm (wide margins). Stuck by upper corners under passepartout.100 / 200 €Dynamic forest scene after the original painting in Florence. Nice dark impressionfrom the set of 6 large landscapes after Rubens.Ref. Hollstein III: 301.Landscape engraved by Claes Jansz. Visscher after Jan van de Velde II (pl. 11 ofpart 4). Fourth state with all numbers erased.Ref. Hollstein XXXIII: 278.196 [Flemish]COCK, Hieronymus. After Hans BOL - Peasant feast in aVillage. Antwerp, Hieronymus Cock, c. 1560.Etching, 22,6 x 32 cm, laid paper, signed in plate (trimmed just outsideborderlines, toned paper, large vert. creases at upper centre, sm. tear and crease atupper left edge, old repairs on verso). Stuck by left corners under passe-partout.Good impression.200 / 300 €194 [Dutch]WATERLOO, Anthonie - 4 etchings of forest or rural landscapeswith cottage, some animated with characters. C. 1640-1675.Various sizes and conditions. Under passe-partout.120 / 150 €Landscapes with farms, watermills and animals.Ref. Hollstein L: 94.1.- 52.1.-Part of series (12 pls.) with rivers and village views, after Hans Bol (1534-1593).A Flemish village with a well in the foreground and a wedding party at left. 1ststate (of 2).Prov. 16th-c. ownership entry on verso. - Coll. stamps on verso (L. 222b)Ref. Hollstein III:8.1.ARENBERG AUCTIONS • 19.10.2019 • 63
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GRABADOS ARENBERG 19.10.2019

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