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A Stanislavski check-list

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A <strong>Stanislavski</strong> <strong>check</strong>-<strong>list</strong><br />

These are the aspects of <strong>Stanislavski</strong>’s work which you need to be familiar with for the exam:<br />

• Founding the Moscow Art Theatre and conditions against which <strong>Stanislavski</strong> was working<br />

at the end of the 19 th century.<br />

Shchepkin<br />

Nemirovich<br />

Ensemble theatre<br />

• Realism/naturalism: “sense of reality on stage”. Truth and Belief.<br />

• Attitude towards the role of the director<br />

• Attitude towards the actor’s role: creative, disciplined work of the performers.<br />

• Ideas about theatre form, stage settings (natura<strong>list</strong>ic detail within the mis-en-scene).<br />

• Given circumstances<br />

• Units and objectives. Subtext.<br />

• Super-objective<br />

• Through-line of action/ unbroken line of life.<br />

• Faith and a sense of truth<br />

• Inner sense of truth. Imagination. Psycho-techniques<br />

Magic If<br />

Observation<br />

Emotion memory<br />

Before time & After-time: Off text situations improvised.<br />

Inner monologue<br />

• Concentration of attention. Circles of attention.<br />

• Action. Discovering the physical life of a role.<br />

• Plasticity of Motion<br />

• Relaxation of muscles.<br />

• Inner Creative State on Stage<br />

• Tempo-rhythm<br />

• Communion.<br />

• Method of Physical Action.<br />

• Your own evaluation of <strong>Stanislavski</strong>’s work.

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