A Stanislavski check-list
A Stanislavski check-list
A Stanislavski check-list
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A <strong>Stanislavski</strong> <strong>check</strong>-<strong>list</strong><br />
These are the aspects of <strong>Stanislavski</strong>’s work which you need to be familiar with for the exam:<br />
• Founding the Moscow Art Theatre and conditions against which <strong>Stanislavski</strong> was working<br />
at the end of the 19 th century.<br />
Shchepkin<br />
Nemirovich<br />
Ensemble theatre<br />
• Realism/naturalism: “sense of reality on stage”. Truth and Belief.<br />
• Attitude towards the role of the director<br />
• Attitude towards the actor’s role: creative, disciplined work of the performers.<br />
• Ideas about theatre form, stage settings (natura<strong>list</strong>ic detail within the mis-en-scene).<br />
• Given circumstances<br />
• Units and objectives. Subtext.<br />
• Super-objective<br />
• Through-line of action/ unbroken line of life.<br />
• Faith and a sense of truth<br />
• Inner sense of truth. Imagination. Psycho-techniques<br />
Magic If<br />
Observation<br />
Emotion memory<br />
Before time & After-time: Off text situations improvised.<br />
Inner monologue<br />
• Concentration of attention. Circles of attention.<br />
• Action. Discovering the physical life of a role.<br />
• Plasticity of Motion<br />
• Relaxation of muscles.<br />
• Inner Creative State on Stage<br />
• Tempo-rhythm<br />
• Communion.<br />
• Method of Physical Action.<br />
• Your own evaluation of <strong>Stanislavski</strong>’s work.