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Igrejas e Conventos da Bahia - Monumenta

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sobretudo nos cristos. Foi<br />

utilizado nas partes nobres <strong>da</strong>s<br />

imagens – cabeça, mãos e pés –,<br />

que também eram<br />

policroma<strong>da</strong>s.<br />

A maioria <strong>da</strong>s imagens em<br />

marfim tinha origem<br />

indo-portuguesa. Alguns<br />

cristos crucificados de marfim,<br />

trazidos do Oriente pelos<br />

portugueses, recebiam cruzes<br />

executa<strong>da</strong>s na <strong>Bahia</strong>. Mas as<br />

imagens de Cristo geralmente<br />

eram feitas em madeira e<br />

encarna<strong>da</strong>s. Távora atribuiu à<br />

influência italiana a per<strong>da</strong> do<br />

exotismo, que marcava o<br />

Cristo seiscentista, e o<br />

predomínio do naturalismo no<br />

tratamento anatômico e <strong>da</strong>s<br />

expressões e movimentos<br />

dramáticos, teatrais.<br />

Eram raras as imagens de<br />

pequeníssimo porte de ouro ou<br />

prata. Esses metais foram<br />

expressões e movimentos<br />

dramáticos – Durante o período<br />

barroco, o teatro de ópera<br />

enfatizou a dramatici<strong>da</strong>de dos<br />

gestos e expressões, no que foi<br />

imitado pelas artes plásticas. Isso<br />

explica, por exemplo, as posturas<br />

e gestos <strong>da</strong>s figuras que<br />

compõem os Passos ou Mistérios<br />

<strong>da</strong> Paixão, como eram chamados<br />

no século XVIII, ou os êxtases de<br />

Santa Teresa.<br />

and Ceylon – appeared<br />

mostly in Christs. It was used<br />

in the noble parts of images –<br />

head, hands and feet –, also<br />

polychromed.<br />

Most ivory images had<br />

Indo-Portuguese origin. Some<br />

ivory Christ Crucifieds, brought<br />

from the East by the<br />

Portuguese, were placed on<br />

crosses made in <strong>Bahia</strong>. But<br />

images of Christ were usually<br />

made of wood and then<br />

painted in carnation. Távora<br />

attributed the loss of the<br />

exotism that marked the Christ<br />

of the 1600s to the advance of<br />

Italian influence, bringing the<br />

predominance of anatomical<br />

naturalism and theatrical,<br />

dramatic expressions and<br />

movements.<br />

Very small scale images<br />

made of gold or silver were<br />

very rare. These metals were<br />

dramatic expressions and<br />

movements – During the Baroque<br />

period, opera theater stressed the<br />

dramatic quality of gestures and<br />

expressions, and in that sense it<br />

was followed by visual arts. That<br />

explains, for instance, the poses<br />

and gestures of figures on the<br />

Stations of the Cross or Mysteries<br />

of the Passion, as they were called<br />

in the 18 th century, or the ecstasy<br />

of Saint Theresa.<br />

<strong>Igrejas</strong> e <strong>Conventos</strong> <strong>da</strong> <strong>Bahia</strong><br />

91<br />

Churches and Convents of <strong>Bahia</strong>

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