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Gorringe's Autumn Fine Sale 3rd October 2023

https://www.gorringes.co.uk/autumn-fine-auction-october-2023 Auction Preview You’ll be able to view the Lux Auction at the same time as well as the weekly House and Gardens sale, in total over a thousand lots, all being sold over two days at Gorringe’s.

https://www.gorringes.co.uk/autumn-fine-auction-october-2023

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Gorringe’s<br />

<strong>Autumn</strong> <strong>Fine</strong> <strong>Sale</strong><br />

<strong>3rd</strong> <strong>October</strong> <strong>2023</strong><br />

1


2


65<br />

386<br />

244<br />

476


305


AUTUMN SALE<br />

Tuesday <strong>3rd</strong> <strong>October</strong><br />

10.00 am<br />

Philip Taylor - Partner<br />

+44 (0)1273 472503<br />

philipt@gorringes.co.uk<br />

15 North Street, Lewes, Sussex BN7 2PE<br />

Sally Taylor - Partner<br />

+44 (0)1273 472503<br />

sallyt@gorringes.co.uk<br />

VIEWING<br />

Friday 29th September 9.00-5.00<br />

Saturday 30th September 9.00-1.00<br />

Monday 2nd <strong>October</strong> 9.00-4.30<br />

BUYER’S PREMIUM<br />

25% + VAT<br />

payable on the hammer price of all lots<br />

IMPORTANT CHANGES TO OUR<br />

BIDDING PROCEDURE<br />

Please note that , owing to the recent introduction<br />

of Money Laundering Regulations, clients wishing to<br />

bid in this auction are likely to be asked to<br />

provide two forms of identification. This applies to<br />

both new and existing clients.<br />

Clifford Lansberry - Partner<br />

+44 (0)1273 472503<br />

clifford@gorringes.co.uk<br />

Dan Bray - Associate Partner<br />

+44 (0)1273 472503<br />

danb@gorringes.co.uk<br />

Roger Mead<br />

+44 (0)1273 472503<br />

rogerm@gorringes.co.uk<br />

David Holmes<br />

+44 (0)1273 472503<br />

davidh@gorringes.co.uk<br />

General Enquiries:<br />

Tel: 01273 472503<br />

clientservices@gorringes.co.uk<br />

Front cover: Lot 297<br />

Back cover: Lot 183<br />

Catalogues: £10 (£12.00 by post)<br />

Registered in England & Wales as a Limited Liability Partnership. Registration No. OC318535<br />

Gorringes is a trading name of Gorringes LLP


370


SALE NOTICES<br />

SALE SYMBOLS<br />

§ Artist’s resale right - 4% on the hammer price<br />

† VAT on the hammer price<br />

* Import tax of 5% on the hammer price<br />

BIDDING<br />

You may bid in the room, by commission bid, by telephone or live online. To register to bid in the room please visit the<br />

cashiers desk on the day of the sale. To leave a commission bid please use the online facility, telephone, email or fill out a<br />

bidding form. Bids must be received no later than 9 a.m. on the saleday.<br />

TELEPHONE BIDDING<br />

Telephone bids must be received no later than close of business on the 2nd of <strong>October</strong>.<br />

ONLINE BIDDING<br />

There are three online bidding platforms to choose from; thesaleroom.com, easylive.co.uk and invalauble.com. All have<br />

different additional charges on top of the hammer price and buyer’s premium.<br />

CONDITION REPORTS<br />

Rarely are things at auction in perfect condition so do satisfy yourself as to the condition of each lot. Condition reports<br />

are not printed in the catalogue. They are all available in the online catalogue at www.gorringes.co.uk. Please email if you<br />

require further information about a lot.<br />

VAT<br />

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refunds<br />

documentation for hand-carried exports. In order to qualify for a VAT refund, your lots must be exported by a shipper<br />

and valid exportation documentation must be provided.<br />

PAYMENT TERMS<br />

Payment is required by Wednesday 10th of <strong>October</strong> by debit card, BACS, Worldpay and cash (subject to money laundering<br />

regulations). Please note we do not accept credit cards or American Express.<br />

PACKING, DELIVERY & SHIPPING<br />

Shipping can prove expensive so please ask us for a shipping quote before bidding. We aim to provide in-house packing<br />

where practical but high value and delicate items may well require a specialist. Overseas shipping is best provided by a<br />

shipper in order to access appropriate insurance cover. We can recommend local carriers, UK domestic carriers and<br />

International shipping specialists.<br />

BOOK A COLLECTION<br />

Collection is by appointment only. You need to book a collection time by 4pm the previous day. Visit the website or<br />

follow the link on your invoice to book a collection time. Purchases not collected within two weeks of the sale date<br />

will be held in storage and charged at the rate of £5+ VAT per lot per day. Please contact us if you require special<br />

arrangements to be made regarding storage.<br />

CONDITIONS OF SALE<br />

Visit www.gorringes.co.uk for full conditions of sale.


ORDER OF SALE<br />

Tuesday <strong>3rd</strong> <strong>October</strong> at 10.00am<br />

Miscellanea<br />

Bronzes and Metalware<br />

Ceramics and Glass<br />

Asian Works of Art<br />

Clocks, Carpets &<br />

Furniture<br />

1 - 27<br />

28 - 48<br />

49 - 159<br />

160 - 211<br />

Tuesday <strong>3rd</strong> <strong>October</strong> at 12.30pm<br />

Paintings and Prints<br />

Silver - 2.00pm approx<br />

Watches &<br />

Jewellery<br />

212 - 370<br />

371 - 417<br />

418 - 513<br />

8<br />

330


Miscellanea, Bronzes, Indian &<br />

European Ceramics & Works of<br />

Art<br />

Lots 1 - 48<br />

12<br />

9


Lot 1<br />

Indian / Royal Interest: VERNON & CO. Souvenir,<br />

The Imperial Visit to Delhi. Calcutta: Bombay,<br />

Vernon & Co, [1912]. the album with 85 individual<br />

gelatin silver prints of various sizes on 26 grey<br />

heavy card mounts, including a panorama of the<br />

Coronation Durbar on five sections, the larger prints<br />

mounted mostly one-per-page, others mounted<br />

in various patterns, each page with printed tissue<br />

interleaves bearing titles and the Vernon & Co.<br />

imprint. Original red calf gilt, the covers elaborately<br />

bordered in gilt, overall 40 x 52cm<br />

£2,000 - 3,000<br />

Sir William Wilson Hunter KCSI CIE (15 July<br />

1840 – 6 February 1900) was a Scottish historian,<br />

statistician, a compiler and a member of the Indian<br />

Civil Service.<br />

He is most known for The Imperial Gazetteer of<br />

India on which he started working in 1869, and<br />

which was eventually published in nine volumes<br />

in 1881, then fourteen, and later as a twenty-six<br />

volume set after his death.<br />

A record of the Coronation Durbar and the tour<br />

made by King George V and Queen Mary to Dehli<br />

in 1912. This copy was probably given to Sir William<br />

Wilson Hunter at Christmas, 1912, by Kumar Shri<br />

Ranjitsinhji, the Maharaja Jam Sahib of Nawanagar<br />

(1872-1933), one of the foremost cricket batsmen<br />

in England. Ranjitsinhji, as Maharaja and famous<br />

international cricketer, played his part in the Dehli<br />

celebrations.<br />

10


Lot 2<br />

° Indian Interest: CAXTON WORKS. Souvenir.<br />

‘Kathiawar Tour of His Excellency Sir George<br />

Sydenham Clarke, Governor of Bombay, 1910’, a<br />

leather bound album of photographs by Bourne<br />

& Shepherd, presentation copy to Sir William<br />

Hunter from Ranjitsinghi of Nawanagar, the<br />

album with 160 individual gelatin silver prints of<br />

various, the larger prints mounted mostly one-perpage,<br />

others mounted in various patterns, each<br />

page with printed interleaves bearing titles, with<br />

inscription dated 1911-1912 to W.S. Hunter Esq.<br />

from Ranjitsinghi of Nawanagor, Original red calf<br />

and cloth, sold with a Christmas card to Sir William<br />

Hunter from Thakore Sahib Sir Daulat Singh of<br />

Limbdi, Kathiawar, in original envelope postmarked<br />

1911, 47 x 37cm<br />

£1,500 - 2,000<br />

A fascinating record of the Kathiawar Tour of His<br />

Excellency Sir George Sydenham Clarke, Governor<br />

of Bombay in 1910.<br />

This copy was given to Sir William Wilson Hunter<br />

at Christmas, 1912, by Kumar Shri Ranjitsinhji, the<br />

Maharaja Jam Sahib of Nawanagar (1872-1933),<br />

one of the foremost cricket batsmen in England.<br />

Ranjitsinhji, as Maharaja and famous international<br />

cricketer, played his part in the Tours, and this copy<br />

was probably one of a few copies commissioned<br />

from Caxton Works. for presentation to celebrate the<br />

Tour.<br />

Sir William Wilson Hunter KCSI CIE (15 July<br />

1840 – 6 February 1900) was a Scottish historian,<br />

statistician, a compiler and a member of the Indian<br />

Civil Service.He is most known for The Imperial<br />

Gazetteer of India on which he started working in<br />

1869, and which was eventually published in nine<br />

volumes in 1881, then fourteen, and later as a<br />

twenty-six volume set after his death.<br />

11


Lot 3<br />

A very finely engineered scratch-built 5” gauge<br />

live steam model of a LNWR (London and<br />

North Western Railway) Jumbo 2-4-0 tender<br />

locomotive, No. 1045 ‘Whitworth’, constructed<br />

by an award winning model engineer and based<br />

on original Crewe drawings of the Whitworth Class<br />

(otherwise known as the Waterloo Class). The<br />

model has a specialist built copper boiler with<br />

injector and hand pump water feed with detailed<br />

brass cab fittings and a woodblock cab floor. The<br />

cylinders have the correct sloping slide valves and<br />

Allan straight link valve gear. The model is finished<br />

in satin finish black paint with accurately applied<br />

and finely finished authentic lining. A detailed<br />

brass number plate to the cab side and the LNWR<br />

shed plate is fitted to the rear edge of the cab<br />

roof. The exterior of the locomotive has extensive<br />

and accurately aligned rivetting. A large and<br />

comprehensive portfolio of the builder’s drawings<br />

and construction photographs are included together<br />

with the cylinder block patterns and a current boiler<br />

hydraulic test certificate dated 1/10/22, total length<br />

126cm<br />

£5,000 - 8,000<br />

Lot 4<br />

A pair of malachite veneered obelisks with<br />

stepped square bases, 12 x 12cm, 60cm high<br />

£800 - 1,200<br />

Lot 5<br />

A Jacques ebony and boxwood Staunton<br />

pattern chess set, kings 9cm, with loaded bases<br />

and a Victorian walnut folding chessboard, inlaid<br />

with parquetry banding, 44 x 39cm when open<br />

£600 - 800<br />

12


Lot 6<br />

An appliqué needlework panel, from<br />

‘Greystoke Castle’ depicting a hunting scene,<br />

worked by Lady Elizabeth Howard, Countess of<br />

Arundel, c.1640, 131cm x 72cm, oak framed<br />

£500 - 800<br />

Lot 7<br />

After Joseph Chinard (French 1756-<br />

1813). A French white marble bust of<br />

Juliette Récamier, 32cm wide, 24cm deep,<br />

63cm high<br />

£2,000 - 3,000<br />

Juliette Recamier was celebrated for her<br />

beauty and her many illustrious love affairs.<br />

Many artists portrayed her elegant looks but<br />

Chinard’s bust is still considered the most<br />

successful. A terracotta version is in the<br />

Getty Museum of Art. Another was recently<br />

exhibited at the New Orleans Museum of<br />

Art in “Jefferson’s America & Napoleon’s<br />

France” celebrating the Louisiana Purchase<br />

Bicentennial.<br />

13


Lot 8<br />

After the Antique. A late 19th century Italian carved<br />

white marble figure of Venus Anadyomene standing semidraped,<br />

her hands adjusting her hair, signed P.Tomasi, on<br />

integral naturalistic base, 30cm wide, 96cm high<br />

£3,000 - 5,000<br />

Venus Anadyomene (from Greek, «Venus Rising from the<br />

Sea») is one of the iconic representations of the goddess<br />

Venus (Aphrodite), made famous in a much-admired painting<br />

by Apelles, now lost, but described in Pliny›s Natural<br />

History, with the anecdote that the great Apelles employed<br />

Campaspe, a mistress of Alexander the Great, for his model.<br />

According to Athenaeus, the idea of Aphrodite rising from the<br />

sea was inspired by the courtesan Phryne, who, during the<br />

time of the festivals of the Eleusinia and Poseidonia, often<br />

swam nude in the sea.<br />

The subject never entirely disappeared in Western art,<br />

and revived greatly in the Italian Renaissance, with further<br />

boosts in the Baroque and Rococo, and in late 19th-century<br />

Academic painting.<br />

14


Lot 9<br />

An 18th century French<br />

carved white marble relief<br />

plaque, depicting a classical<br />

maiden holding a floral<br />

wreath above a burning heart,<br />

attended by cherubs, bearing<br />

incised signature Falconet and<br />

dated, 43cm wide, 57cm high<br />

£600 - 800<br />

Lot 10<br />

After the Antique. A pair of<br />

19th century white marble<br />

busts of Apollo and Diana,<br />

on grey marble columns with<br />

squared plinths, busts 57cm<br />

high, columns 121.5cm high<br />

£1,500 - 2,000<br />

15


Lot 11<br />

A late Victorian oak smoker’s<br />

cabinet modelled as a sentry<br />

box with a watercolour panel<br />

by Richard Simkin (1840-<br />

1926), with slatted pitched roof,<br />

the hinged front door with glass<br />

panel with original watercolour<br />

of a soldier of ‘The Seaforth<br />

Highlanders’ standing to attention,<br />

opening to reveal three drawers,<br />

each with flush fitting brass finger<br />

pulls, the sprung lock which locks<br />

when the door is pushed shut<br />

can only be opened by key, 12cm<br />

wide, 12cm deep, 26.5cm high<br />

£800 - 1,200<br />

16


Lot 12<br />

A 16th century Dutch carved<br />

oak model of a griffin rampant<br />

holding a shield, on domed base,<br />

23cm wide, 9cm deep, 60cm high<br />

£800 - 1,200<br />

17


Lot 13<br />

A pair of Louis XVI style ormolu and grey marble<br />

five light candelabra with scrolling branches and<br />

urn shaped stems on architectural plinths, 26cm<br />

wide, 63cm high<br />

£400 - 600<br />

Lot 14<br />

A pair of Louis XVI style ormolu mounted<br />

Samson powder blue vases mounted as table<br />

lamps, with ornate foliate scroll handles and<br />

rococo scroll feet, 27cm wide, 42cm high, overall<br />

incl. wood plinth 70cm high<br />

Lot 14A<br />

A graduated pair of 19th century Continental<br />

ormolu mounted mother of pearl pedestal<br />

bowls each modelled with birds perched upon<br />

the rim and rustic branches on fern and branch<br />

feet with reptiles, largest 23cm wide, 15cm high<br />

£1,500 - 2,000<br />

£600 - 800<br />

18


Lot 15<br />

Emmanuel Fremiet (French, 1824-1910).<br />

A gilt patinated bronze, St Michael and<br />

the dragon, signed in the naturalistic base,<br />

standing upon a red marble plinth, 34cm<br />

wide, 56cm high<br />

£1,000 - 1,500<br />

Lot 16<br />

After Auguste Moreau (French, 1834-1917). A<br />

bronze figure of a ballerina, bears signature in<br />

the bronze, on marble plinth, height 100cm.<br />

£1,000 - 1,500<br />

19


Lot 17<br />

A Mughal style miniature gouache painting<br />

depicting Miran Shah, son of the Central Asian<br />

conqueror Timur, 19th century, the figure of Miran<br />

Shah seated on a throne, visited by a dignitary,<br />

within multicoloured arabesque borders with<br />

reserves of calligraphy, the reverse with four line<br />

inscription within marbled borders, image 46.5 x<br />

29cm<br />

£800 - 1,200<br />

Lot<br />

Attri<br />

(Itali<br />

Dec<br />

of an<br />

two<br />

and<br />

CITE<br />

TTC<br />

24cm<br />

Lot 18<br />

An Indian gold damascened iron box, 19th<br />

century, decorated with a repeating design of<br />

flowers, leaves and tendrils, the domed cover also<br />

decorated on the interior, on four outswept feet,<br />

22.5cm wide, includes key<br />

Lot 19<br />

£300 - 500<br />

A Cairo ware silver and copper inlaid brass<br />

Qur’an stand, early 20th century, in Mamluk<br />

revival style, of hexagonal form decorated with kufic<br />

script, scrolling foliage, with a single hinged door to<br />

one side, 30.5cm high, 22.2cm wide<br />

£300 - 500<br />

20


Lot 20<br />

A Muller Freres Art Deco wrought iron and frosted<br />

pink glass table lamp, the domed shade moulded<br />

with flowers and scrolls, on beaded triangular stem<br />

with planished base, 28cm diameter, 30cm high<br />

£300 - 500<br />

Lot 22<br />

Attributed to Ugo Cipriani<br />

(Italian, 1887-1960). An Art<br />

Deco bronzed spelter group<br />

of an archer shooting at<br />

two antelopes, green onyx<br />

and black marble plinth,<br />

CITES Submission reference<br />

TTCVABWS, 82cm wide,<br />

24cm deep, 55cm high<br />

£400 - 600<br />

Lot 21<br />

J.B. Leonard. An Art<br />

Deco bronze model of<br />

a seagull, signed and<br />

stamped BRONZE 224,<br />

on black marble plinth,<br />

45cm wide, 23cm deep,<br />

65cm high<br />

£300 - 500<br />

21


Lot 23<br />

Philippe Matteau (Matto). An Art Deco bronze and<br />

marble group of three dancing pan pipers, on<br />

variegated green marble plinth with attribution plaque,<br />

80cm wide, 15cm deep, 40cm high<br />

£800 - 1,200<br />

Lot 24<br />

Alexandre Ouline (French, fl.1918-<br />

1940). An Art Deco bronzed<br />

terracotta sculpture, signed, 50cm<br />

wide, 15cm deep, 35cm high<br />

£300 - 500<br />

22


Lot 25<br />

Alexandre Kelety (French/Hungarian, 1874-1940).<br />

A French Art Deco bronze group of two tillermen,<br />

on black marble plinth, signed in the bronze, 47cm<br />

long, 17cm deep, 23cm high<br />

£400 - 600<br />

Lot 27<br />

Henri Fugère (1872-1944). An Art Deco<br />

silvered bronze figure of a nude dancer<br />

standing upon a tapered signed two tone<br />

marble plinth, 13cm wide, 39cm high<br />

£800 - 1,200<br />

Lot 26<br />

Johan Jussi Rickhard Mäntynen (Finnish, 1888-<br />

1978). A bronze model of a lynx, signed and dated<br />

1930 in the bronze, 29cm long, 22cm high<br />

£800 - 1,200<br />

23


Lot 28<br />

A Pilkingtons Royal Lancastrian lustre<br />

hexagonal jar and cover, by William S. Mycock,<br />

painted with red grapes and silver-green lustre<br />

vines, on a yellow to green graduated ground,<br />

impressed mark and model number 2800, silver<br />

lustre monogram above a small drawing of a galleon<br />

ship, 22cm high, cover damaged<br />

£300 - 400<br />

Lot 29<br />

Attributed to Peter Behrens (German, 1868-<br />

1940). An Art Nouveau pottery and copper<br />

overlaid vase by Marzi & Remy, Hohr,<br />

covered in a bronze coloured drizzled glaze,<br />

the copper foliate strap work mounts formerly<br />

gilded, impressed makers mark, 40cm high,<br />

some copper overlay lifting<br />

£300 - 500<br />

24


Lot 30<br />

Octave Larrieu (French, 1881-1965). An Art<br />

Deco pottery model of a panther, signed,<br />

covered in a semi translucent green glaze,<br />

27.5cm long<br />

£300 - 500<br />

Lot 31<br />

Armand Godard (French, 1824-1887). An Art<br />

Deco ceramic group of a reclining beauty<br />

with a kid, signed, impressed marks, 52.5cm<br />

wide<br />

£300 - 500<br />

Lot 32<br />

Georges Chauvel (French 1886-<br />

1962). An Art Deco ceramic figure<br />

of a sleeping Diana, signed,<br />

impressed marks, 41cm wide<br />

£300 - 500<br />

25


Lot 33<br />

Charles Vyse (1882-1971) - a Chelsea Pottery<br />

group, ‘The Madonna of World’s End Passage’,<br />

the underside inscribed with monograms CV,<br />

Chelsea and dated 1923, 25cm high<br />

£650 - 850<br />

Lot 34<br />

Charles Vyse (1882-1971) - a Chelsea Pottery<br />

figure, ‘The Balloon Woman’, the underside<br />

inscribed with monograms CV, Chelsea and dated<br />

1922; together with the original receipt dated 1st<br />

January, 1923 £6 6s, 22.5cm<br />

£350 - 450<br />

26


Lot 35<br />

Charles Vyse (1882-1971) - a Chelsea<br />

Pottery figure, ‘The Lavender Girl’,<br />

the hexagonal plinth underside inscribed<br />

with monograms CV, Chelsea and dated<br />

1921, 22.5cm high<br />

Lot 36<br />

£450 - 650<br />

Charles Vyse (1882-1971) - a Chelsea<br />

Pottery figure, ‘The Tulip Woman’,<br />

the circular underside inscribed with<br />

monograms CV, Chelsea and dated<br />

1924, 26cm high<br />

Lot 37<br />

£450 - 650<br />

Charles Vyse (1882-1971) - a Chelsea<br />

Pottery group, ‘The Tug of war’, a<br />

rare allegorical subject, the underside<br />

inscribed with monograms CV, Chelsea<br />

and dated 1924, 26cm<br />

£2,500 - 3,500<br />

27


Lot 38<br />

Dame Lucie Rie D.B.E. (1902-1995),<br />

a stoneware conical bowl, of slightly<br />

elliptical form, off white glazed with<br />

manganese rim, impressed seal mark,<br />

20.1cm wide, 12cm high<br />

£1,500 - 2,000<br />

Lot 39<br />

Dame Lucie Rie D.B.E. (1902-1995) and Hans Coper (1920-1981), a pair of stoneware<br />

bowls and a third stoneware bowl by Dame Lucie Rie, the pair of bowls off-white<br />

glazed the interior and half the exterior, the lower half in a dark brown glaze, impressed<br />

seal marks,13cm diameter the single Rie bowl covered in a brown and white striped glaze<br />

and incised with lines to the exterior, impressed seal mark, 1.9cm diameter, 6.4cm high,<br />

all damaged<br />

£300 - 500<br />

28


Lot 40<br />

Dame Lucie Rie D.B.E. (1902-1995), a<br />

stoneware trumpet neck vase, covered in<br />

cream and dark brown spiral streaked glaze, the<br />

rim in pale blue and turquoise, impressed seal<br />

mark, 30.5cm (a.f)<br />

£300 - 500<br />

Lot 41<br />

Gabriele Koch (b.1948), a<br />

large hand built and burnished<br />

earthenware vase, of globe form,<br />

covered in black and white mottled<br />

glazes, approximately 42cm<br />

diameter, 40cm high<br />

£300 - 500<br />

29


Lot 42<br />

A Rene Lalique Inseparables<br />

opalescent glass desk timepiece,<br />

of square form, inset with the original<br />

Swiss eight day timepiece with<br />

Arabic numeral dial, moulded mark R<br />

LALIQUE, 11cm wide, small splinter<br />

chip to underside of one corner<br />

£1,000 - 1,500<br />

Lot 43<br />

A large Daum pâte-de-verre model of<br />

‘Appaloosa’ horse’s head, designed<br />

by Claude L’Hoste (1929-2009), limited<br />

edition no.92/200, moulded marks ‘Daum<br />

France and ‘L’Hoste’, 38cm high<br />

£300 - 500<br />

30


Lot 44<br />

A rare neo-classical enamel on<br />

copper vase, probably Vienna<br />

18th/19th century, painted to each<br />

side with figure scenes in the style of<br />

Angelica Kauffman within tooled gilt<br />

cartouches, on a Sevres style dark blue<br />

and gilt caillouté pattern ground, 31.5cm<br />

high, slight damage and enamelling<br />

imperfections<br />

£400 - 600<br />

Lot 45<br />

A pair of large Meissen figural bonbon<br />

dishes, 19th century, modelled as a lady<br />

and gentlemen in 18th century floral dress,<br />

each reclining and holding a basket, on a<br />

scrollwork base, crossed swords marks and<br />

incised model numbers 2863 and 2858,<br />

28.5cm wide<br />

£400 - 600<br />

31


Lot 46<br />

A large Meissen figure of a rearing stallion<br />

modelled by Eric Oehme, c.1949, signed,<br />

impressed crossed swords ‘Weiss’ and model<br />

no.S206, 50cm high<br />

£300 - 500<br />

Lot 47<br />

An English or Welsh slipware baking dish,<br />

late 18th/early 19th century, with cream trailed<br />

decoration on a brown ground, 46cm wide, two<br />

rim cracks<br />

£800 - 1,200<br />

Lot 48<br />

A pair of Chelsea porcelain groups<br />

of a shepherd and shepherdess,<br />

c.1760-65, the figure of the shepherd<br />

with two dogs and bagpipes by his feet,<br />

the shepherdess with a lamb and a<br />

ewe, both encrusted with flowers, gold<br />

anchor marks, approximately 29.5cm<br />

high, some restorations<br />

£400 - 600<br />

32


Asian Works of<br />

Art<br />

Lots 49-159<br />

52<br />

33


Lot 49<br />

A Japanese lacquer cabinet<br />

(shodana), Meiji period,<br />

finely decorated in gold and<br />

silver lacquer with trees<br />

and river landscapes, the<br />

upper section fitted with two<br />

sliding drawers above an<br />

arrangement of asymmetric<br />

shelves, a pair of cupboard<br />

doors and five short drawers,<br />

on a shaped plinth, 100.5cm<br />

wide, 41cm deep, 94cm high<br />

£4,000 - 5,000<br />

Lot 50<br />

A large Japanese Satsuma pottery<br />

koro and cover, Meiji period, painted<br />

to each side with hunting scenes, the<br />

globular body slide with a pair of elephant<br />

head handles, on three mythical beast<br />

mask feet, the pierced domed cover<br />

surmounted by the figure of Jurojin with<br />

a deer, six character gilt mark and eight<br />

character impressed mark, 36cm, some<br />

damage<br />

£300 - 500<br />

34


Lot 51<br />

A good Japanese tsuishu (carved red lacquer) four case inro,<br />

by Yosei, and a similar manju netsuke, 19th century, carved<br />

in high relief with immortals in a garden, the reverse with ladies<br />

playing Go beneath a pine tree, on a brocaded ground, with tsuishu<br />

and tsuio (red and yellow lacquer) scrollwork borders and a seal<br />

script signature ‘Yosei saku’ to one end, black lacquer interior,<br />

8.8cm, the manju carved in high relief with irises on a brocade<br />

ground, unsigned, 4.2cm, together with a silver ojime cast in relief<br />

with rocks, fungus and irises, engraved three character maker’s<br />

mark, 1.9cm<br />

£800 - 1,200<br />

Lot 52<br />

A fine Japanese silver wire cloisonné<br />

enamel ‘dragon’ vase, Meiji period, with fine<br />

silver wire work details including the individual<br />

scales of the dragon, on a midnight blue<br />

ground, 18.5cm<br />

£300 - 500<br />

Lot 53<br />

A Japanese Komai style mixed metal inlaid<br />

bronze dish, Meiji period, decorated with cranes<br />

by a river, within a fretwork border, Kyoto maker’s<br />

mark in gilt, 27.5cm diameter<br />

£1,000 - 1,500<br />

35


Lot 54<br />

A pair of Chinese wucai spiral lobed baluster<br />

vases and covers, Kangxi, c.1680, each painted<br />

with lines of flowers, leaves and tendrils, lotus<br />

petalled covers and borders, 32.5cm high, minor<br />

damage<br />

£2,000 - 3,000<br />

Lot 55<br />

Two large Chinese flambé glazed bottle vases,<br />

18th century, each covered in a purple streaked<br />

crimson red crackle-glaze, with mushroom<br />

coloured glaze to the rim and interior of the neck,<br />

black ink inscription to the unglazed base, 35.8cm<br />

and 34cm high, occasional tiny glaze flakes<br />

cf. a similarly shaped flambé vase in the Victoria<br />

& Albert Museum, London, accession no. C.405-<br />

1910, dated to the Qianlong period.<br />

£3,000 - 5,000<br />

36


Lot 56<br />

A large Chinese iron red<br />

enamelled ‘lotus pond’ dish,<br />

Wanli mark and possibly of the<br />

period, the centre and reverse<br />

border painted with ducks in a lotus<br />

pond, 30.5cm diameter<br />

£2,000 - 3,000<br />

37


Lot 57<br />

Twelve Chinese blue and white ‘Pagoda Riverscape’ tea bowls and saucers, Nanking<br />

Cargo, c.1750, the teabowls 7.5cm, the saucers 12cm diameter<br />

Provenance- bought directly by the vendor from Christie’s, Amsterdam sale of the Nanking<br />

cargo, Chinese export porcelain and gold, Hilton Hotel, Amsterdam 28th April – 2 May 1986,<br />

ex lot 5041.<br />

£800 - 1,200<br />

Lot 58<br />

Twelve Chinese blue and white ‘Peony and Pomegranate’ plates, Nanking Cargo,<br />

c.1750, 23cm diameter<br />

Provenance- bought directly by the vendor from Christie’s, Amsterdam sale of the Nanking<br />

cargo, Chinese export porcelain and gold, Hilton Hotel, Amsterdam 28th April – 2 May 1986,<br />

ex lot 3612<br />

£800 - 1,200<br />

38


Lot 59<br />

Twelve Chinese blue and white ‘Flying Geese’ bowls and saucer dishes, Nanking<br />

Cargo, c.1750, the bowls 11.5cm diameter and the saucer dishes 17.5cm diameter<br />

Provenance- bought directly by the vendor from Christie’s, Amsterdam sale of the Nanking<br />

cargo, Chinese export porcelain and gold, Hilton Hotel, Amsterdam 28th April – 2 May 1986,<br />

ex. Lot 2641<br />

£800 - 1,200<br />

Lot 60<br />

Twelve Chinese blue and white ‘Boatman and Six flower border’ plates, Nanking Cargo,<br />

c.1750, 23cm diameter<br />

Provenance- bought directly by the vendor from Christie’s, Amsterdam sale of the Nanking<br />

cargo, Chinese export porcelain and gold, Hilton Hotel, Amsterdam 28th April – 2 May 1986, ex<br />

lot 1680<br />

£600 - 800<br />

39


Lot 61<br />

Three Chinese blue and<br />

white ‘Leaping Boy’ middle<br />

size dishes, Nanking<br />

Cargo, c.1750, 25.5cm<br />

diameter<br />

Provenance- bought directly<br />

by the vendor from Christie’s,<br />

Amsterdam sale of the<br />

Nanking cargo, Chinese<br />

export porcelain and gold,<br />

Hilton Hotel, Amsterdam 28th<br />

April – 2 May 1986, half of lot<br />

4626.<br />

£300 - 400<br />

Lot 62<br />

A Chinese blue and white bullet-shaped<br />

teapot and cover, Nanking Cargo, c.1750,<br />

painted with willow and peony issuing from a<br />

terrace come on the rocky riverbank and with<br />

a scholars retreat beside a pine on a distant<br />

bank below a border of trellis pattern, 22.5cm<br />

across<br />

Provenance- as per lot 61 – 2 May 1986, ex<br />

lot 2058<br />

£200 - 300<br />

Lot 63<br />

Ten Chinese blue and<br />

white ‘Boatman and Six<br />

flower border’ plates,<br />

Nanking Cargo, c.1750,<br />

23cm diameter<br />

Provenance- bought<br />

directly by the vendor from<br />

Christie’s, Amsterdam<br />

sale of the Nanking cargo,<br />

Chinese export porcelain<br />

and gold, Hilton Hotel,<br />

Amsterdam 28th April – 2<br />

May 1986, the majority of<br />

lot 1674<br />

£500 - 700<br />

40


Lot 64<br />

A Chinese blue and white ‘Daoist<br />

immortals’ yen-yen vase, Kangxi<br />

period, the trumpet shaped neck painted<br />

with the Sanxing (three star gods); Fu, Lu<br />

and Shou and attendants, the baluster<br />

shaped body with four versions of Liu Hai<br />

dancing by the three legged toad, 46cm<br />

high, glaze losses to rim and edge of foot<br />

cf. a similar Kangxi blue and white yenyen<br />

vase from the Franks collection in<br />

the British Museum painted with Daoist<br />

immortals, accession No. Franks.277.+.<br />

£15,000 - 20,000<br />

Lot 65<br />

A Chinese blue and white porcelain<br />

circular plaque, possibly 17th century,<br />

finely painted with a fisherman in a river<br />

landscape scene, 6.2cm diameter, plaque<br />

broken and repaired, wood stand and<br />

damaged frame<br />

£800 - 1,200<br />

41


Lot 66<br />

A Chinese blue and white ‘Shou Lao’<br />

dish, Yongzheng period, painted with the<br />

immortal, a deer amid rock work and trees,<br />

with birds in the background, unglazed<br />

base, sprigging to the underside and an<br />

engraved to character collector’s mark,<br />

27.2cm diameter<br />

£300 - 400<br />

Lot 67<br />

A Chinese blue and white wine ewer and<br />

cover, Kangxi period, the pear-shaped body<br />

painted with antiques, the s-scroll handle and<br />

spout with ruyi shaped clouds, 13.8cm high,<br />

crack to base of handle<br />

cf. almost identical wine ewer in the Fries<br />

Museum, Netherlands.<br />

£300 - 400<br />

Lot 68<br />

A Chinese blue and white ‘dragon’ plate,<br />

Kangxi period, painted with confronting<br />

dragons amid scrolling clouds on a blue<br />

ground, similar blue banded border, sprigs to<br />

underside, double circle around a seal mark,<br />

engraved collector’s marks, 21cm diameter<br />

£200 - 300<br />

42


Lot 69<br />

A Chinese famille verte ‘lotus pond’ plate,<br />

Kangxi period, painted with a butterfly hovering by<br />

a lotus pond, within diaper and ribbon tied object<br />

borders, the reverse with double underglaze blue<br />

circle surrounding a twin fish mark, 27cm diameter,<br />

hairline crack<br />

£300 - 400<br />

Lot 70<br />

A Chinese flambé glazed lobed meiping, 18th<br />

century, of quatrelobed section, with a caramel<br />

glazed base, 29cm high, glaze chips<br />

£300 - 500<br />

Lot 71<br />

A Chinese Ming wucai porcelain Kaiseki<br />

dish, Chongzhen period c.1635, made<br />

for the Japanese market, painted with a<br />

monkey, a deer, rockwork, a peach tree, a<br />

bird and butterfly in flight, within polychrome<br />

chequered borders, apocryphal underglaze<br />

blue Chenghua six character mark, 20.5cm<br />

diameter<br />

Literature- a similar dish is published in<br />

‘Transitional Wares and Their Forerunners’ An<br />

exhibition presented by the Oriental Ceramics<br />

Society of Hong Kong at the Hong Kong<br />

Museum of Art in 1981 page 139, plate 162 in<br />

the catalogue.<br />

£800 - 1,200<br />

43


Lot 72<br />

A large Chinese Longquan celadon<br />

‘magnolia’ tripod censer, Ming<br />

dynasty, the compressed globular<br />

body incised with magnolia, on three<br />

animal mask feet, burnt orange ring to<br />

the unglazed base, 32cm wide, crazing<br />

and small cracks<br />

£600 - 800<br />

Lot 73<br />

A Chinese proto-celadon tripod ritual vessel, ding,<br />

Western Zhou dynasty/Spring & <strong>Autumn</strong> period,<br />

the compressed globular body incised with bands of<br />

pinpricks interspersed by two fins, the shoulder applied<br />

with a pair of twisted loop handles, on three tapering<br />

feet, the coiled construction visible on the interior,<br />

unglazed patch to the base, 22cm wide, 13.5cm high<br />

Provenance - the vendor bought this vessel in the 1990s<br />

from a dealer while living in Hong Kong.<br />

£2,000 - 3,000<br />

Lot 74<br />

A Chinese Longquan celadon fluted<br />

brush washer, Yuan dynasty, crackle<br />

to the glaze all over, burnt orange to the<br />

unglazed base, 11.3cm diameter, kintsugi<br />

style repair<br />

£300 - 500<br />

44


Lot 75<br />

A Chinese flambé glazed bottle vase,<br />

tianqiuping, 18th/19th, mounted as a lamp,<br />

31.5cm high excluding later lamp fitting, foot ground<br />

off<br />

£400 - 600<br />

Lot 76<br />

A 17th century Chinese blue and white jar, Shunzhi<br />

or Kangxi period, the short neck painted with lappets,<br />

the body with chrysanthemums amid scrolling tendrils<br />

on a blue ground, 21.5cm high, cracks and restoration<br />

to neck<br />

Provenance - the vendor acquired this jar from a dealer<br />

while living and working in Hong Kong in the 1990s.<br />

£400 - 600<br />

Lot 77<br />

A Chinese blue and white octagonal garden seat,<br />

18th/19th century, painted with lotus flowers and<br />

scrolling leaves and tendrils, 49cm high, broken and<br />

restored<br />

£300 - 500<br />

45


Lot 78<br />

A Chinese enamelled<br />

porcelain Mandarin<br />

pattern water bottle<br />

(guglet) and basin,<br />

Qianlong period, painted<br />

with court figures in a<br />

garden, basin 26cm<br />

diameter, bottle 23.5cm<br />

high<br />

£800 - 1,200<br />

Lot 79<br />

A Chinese buff pottery model of a<br />

horse, Han dynasty (206 BC-220<br />

AD) painted in red and white pigments,<br />

44cm long<br />

Provenance- the collection of the late<br />

prof. R.M. Hicks OBE.<br />

£150 - 250<br />

Lot 80<br />

A Chinese enamelled<br />

porcelain Mandarin<br />

pattern bowl, Qianlong<br />

period, the exterior painted<br />

with court figures in<br />

landscapes, within cellular<br />

borders reserved with<br />

flower sprigs, the interior<br />

with peony sprig and<br />

fleur-de-lys border, 29cm<br />

diameter<br />

£500 - 800<br />

46


Lot 81<br />

A graduated set of three<br />

Chinese famille rose mugs,<br />

Qianlong period, each<br />

painted with court figures,<br />

within underglaze blue floral<br />

borders, and with further<br />

reserves of landscapes<br />

within flower sprigs, 10.5cm -<br />

13.5cm high<br />

£300 - 500<br />

Lot 82<br />

A Chinese famille rose bottle vase, tianqiuping,<br />

Qianlong seal mark but Republic period, painted<br />

with peonies, other flowers, blossoming magnolia<br />

and butterflies in flight, 27cm high, restored<br />

£800 - 1,200<br />

Lot 83<br />

A Chinese blue and white ‘dragon’ vase,<br />

Wanli mark but later, painted with dragons<br />

amid scrolling clouds, the trumpet shaped<br />

neck applied with a pair of ruyi sceptre<br />

shaped handles, apocryphal six character<br />

mark, 31cm high, neck repaired<br />

£600 - 800<br />

47


Pro<br />

ant<br />

in th<br />

Lot 84<br />

A Chinese enamelled porcelain millefleur<br />

dish, late 19th/early 20th century, painted with<br />

the thousand flower design on a gilt ground,<br />

apocryphal four character Qianlong mark to base,<br />

floral sprigs around the border of the underside,<br />

24.2cm diameter, hairline cracks<br />

£300 - 500<br />

Lo<br />

A C<br />

Gu<br />

(18<br />

with<br />

pru<br />

pain<br />

inte<br />

sgr<br />

re-g<br />

Lot 85<br />

A Chinese doucai ‘dragon’ deep bowl,<br />

19th century, the interior painted with a<br />

confronting five claw dragon chasing a<br />

flaming pearl, key work border, the exterior<br />

painted with two five claw dragons chasing a<br />

flaming pearl amid flames and above waves<br />

and a key-work foot, apocryphal underglaze<br />

blue Wanli mark, 28.2cm diameter, small chip<br />

and glaze losses to rim<br />

£400 - 600<br />

Lot 86<br />

An unusual Chinese gilded flambé baluster<br />

vase, 19th century, the streaked ox blood glaze<br />

gilt decorated with lotus flowers scrolling leaves and<br />

tendrils and shou characters, 41cm high<br />

£800 - 1,200<br />

48


Lot 87<br />

A Chinese yellow ground medallion bowl,<br />

Guangxu six character mark and of the period<br />

(1875-1908), the interior painted in underglaze blue<br />

with three goats in a landscape, the border with<br />

prunus and ribbon tied auspicious objects, the exterior<br />

painted with goats in landscapes to three medallions,<br />

interspersed by antiques, peonies and fruit on a<br />

sgraffito yellow ground, 15cm diameter, cracked and<br />

re-glued<br />

Provenance - the vendor acquired this bowl from an<br />

antiques dealer while living and working in Hong Kong<br />

in the 1990s.<br />

£600 - 800<br />

Lot 88<br />

A Chinese enamelled porcelain ‘eighteen luohan’<br />

vase, late 19th century, painted in an unusual<br />

colour palette with the figures of the eighteen luohan<br />

in a landscape, the neck applied with a pair of lion<br />

dog handles, the shoulder with chilong, 43.5cm high,<br />

crack to one side of vase<br />

£400 - 600<br />

Lot 89<br />

A pair of Chinese famille verte<br />

‘Sanxing’ vases and covers, 19th<br />

century, each well painted with the<br />

three star gods Fu, Lu and Shou,<br />

with a deer and boys in a landscape,<br />

underglaze blue double circle to base,<br />

31.5cm and 32cm high, some cracks<br />

£800 - 1,200<br />

49


Lot 90<br />

A pair of large Chinese<br />

crackle glaze famille rose<br />

‘Hundred Bird’ rouleau<br />

vases, late 19th century,<br />

each painted with a<br />

continuous scene of birds in<br />

a landscape amid rockwork<br />

and flowers, with a lower band<br />

of butterflies and fruit on a<br />

stippled ground, apocryphal<br />

Kangxi underglaze blue<br />

marks, 45cm high<br />

£1,000 - 1,500<br />

Lot 91<br />

A Chinese blue and white ‘dragon’<br />

dish, Kangxi mark, 19th century,<br />

finely painted with a central confronting<br />

dragon surrounding a flaming pearl,<br />

flanked by two further dragons amid<br />

clouds and flames, the underside<br />

with six character Kangxi mark within<br />

a double circle, surrounded by five<br />

bats, 36.5cm across, dish slightly<br />

misshapen<br />

£1,000 - 1,500<br />

50


Lot 92<br />

An unusual Chinese Ming style ‘dragon’<br />

jar, 20th century, decorated with three<br />

green glazed dragons on an anhua cloud<br />

and lappeted ground, apocryphal Wanli six<br />

character mark, 32cm high<br />

£200 - 300<br />

Lot 93<br />

A Chinese famille rose beaker vase, gu, late<br />

Qing / early Republic period finely painted<br />

with two pheasants amid rockwork and peonies,<br />

the central ‘bulb’ painted with two dragons amid<br />

flowers and scrolling tendrils, apocryphal six<br />

character seal mark to the base, 22cm high<br />

splinter chip to rim<br />

£200 - 300<br />

Lot 94<br />

A Chinese yellow ground ‘phoenix’ bowl, Daoguang mark and of<br />

the period (1821-50), the exterior painted with four different phoenixes<br />

amid exotic flowers, on a yellow ground, the interior and base turquoise<br />

glazed, six character iron red ‘Da Qing Daoguang nian zhi’ seal mark to<br />

the base, 20.5cm diameter, glaze discoloured inside<br />

£2,000 - 3,000<br />

51


Lot 95<br />

A pair of Chinese faux bamboo porcelain hat<br />

stands, late 19th century, each glazed in colours<br />

in imitation of bamboo tied with a bat and twin fish<br />

pendant, unmarked, 27cm high, small chip losses<br />

£600 - 800<br />

Lot 96<br />

A large Chinese ‘nine peach’ enamelled porcelain<br />

dish, Qianlong seal mark but 19th century, painted<br />

to the front with six peaches on blossoming branches,<br />

with two bats in flight to the centre, the reverse with<br />

three peaches on blossoming branches and two<br />

further bats to the border, apocryphal Qianlong iron<br />

red seal mark to base, wood stand, 40.2cm diameter,<br />

restored<br />

£800 - 1,200<br />

Lot 97<br />

A Chinese famille rose ‘pomegranate and<br />

bats’ vase, tianqiuping, Qianlong seal mark,<br />

late 19th/early 20th century, painted with<br />

five bats flying amid pomegranates, branches<br />

with pom-pom shaped flowers, the base with<br />

underglaze blue six character Qianlong seal<br />

mark on a turquoise ground, 35.8cm high<br />

£1,500 - 2,000<br />

52


Lot 98<br />

An unusual Chinese blue and white malletshaped<br />

vase, Yongzheng dedicatory inscription<br />

but later, painted with pheasants amid peonies and<br />

rock work, the underside with three seal marks and<br />

an inscription in a circle, 42cm high<br />

£800 - 1,200<br />

Lot 99<br />

A Chinese famille rose bowl, Jiaqing seal mark<br />

and of the period (1796-1820), painted with fruiting<br />

vines, bamboo and butterflies, underglaze blue six<br />

character seal mark, 10.7cm diameter, 6.3cm high,<br />

restored<br />

£400 - 600<br />

Lot 100<br />

A Chinese blue and white ‘mythical beasts’ vase,<br />

Kangxi six character mark but 19th century,<br />

painted with three different mythical beasts standing<br />

on rocks amid waves, flames to the sky on one side,<br />

32cm high<br />

£400 - 600<br />

53


Lot 101<br />

A Chinese turquoise ground enamelled<br />

porcelain teapot and cover, Jiaqing seal mark<br />

but Republic period, finely painted with lotus<br />

flowers scrolling tendrils and other flowers on a<br />

turquoise ground, 18cm spout to handle<br />

£600 - 800<br />

Lot 102<br />

A large Chinese Dehua blanc de chine figure of<br />

Guanyin, Republic period, He Chaozong mark<br />

within a double gourd, holding a sceptre in left<br />

hand, seated on a throne with four horse supports<br />

and a lotus petalled plinth, impressed maker’s<br />

mark, 45cm high, crack and chip to base<br />

£800 - 1,200<br />

Lot 103<br />

A Chinese wucai<br />

‘phoenix’ baluster vase,<br />

late 19th century, painted<br />

with a phoenix perched on<br />

rockwork amid flowers and<br />

bamboo, underglaze blue<br />

double circle to base, 35cm<br />

high<br />

£500 - 700<br />

54


Lot 104<br />

A pair of Chinese enamelled porcelain vases<br />

and covers, early 20th century, each painted<br />

with circular reserves of flowers, birds, wind<br />

chimes, dragon boat scenes, each applied with a<br />

pair of lion mask ring handles, the domed covers<br />

surmounted by lion-dog finials, 45cm high<br />

£1,500 - 2,000<br />

Lot 105<br />

A tall Chinese famille rose vase, late<br />

19th/early 20th century, painted with<br />

pheasants amid rock work, prunus,<br />

lingzhi fungus, a peach tree and insects,<br />

45.3cm high<br />

£600 - 800<br />

Lot 106<br />

A pair of large Chinese white crackle glaze<br />

vases, late 19th/early 20th century, each<br />

shoulder modelled with blossoming prunus<br />

branches, incised brown Chenghua nian zhi<br />

seal mark to base, 45.5cm high, one vase<br />

cracked<br />

£800 - 1,200<br />

55


Lot 107<br />

A Chinese Export gilt-decorated<br />

black lacquer games box, c.1830,<br />

decorated with figures amid<br />

pavilions and trees, the cover with a<br />

border of dragons, the interior fitted<br />

with an arrangement of lidded boxes<br />

and trays, on four lion paw feet,<br />

37.5cm wide<br />

£400 - 600<br />

Lot 108<br />

A pair of Chinese hongmu square<br />

stands, 19th century, the panelled<br />

and framed tops above shaped<br />

friezes inset with ruyi heads, on four<br />

moulded square legs, 41cm wide,<br />

48.5cm high, losses to frieze<br />

£800 - 1,200<br />

Lot 109<br />

A Chinese hongmu and porcelain<br />

plaque inset low stand, c.1900, the<br />

circular porcelain plaque painted with<br />

a four claw dragon, within a border<br />

of flower medallions on a green net<br />

ground with iron red floral border, the<br />

stand carved with bats and scrolling<br />

clouds, on four downswept legs<br />

joined by an x-shaped stretcher,<br />

approximately 36cm wide, 45cm high,<br />

loose joints<br />

£400 - 600<br />

56


Lot 110<br />

A Chinese hardwood small altar table,<br />

19th century, the rectangular framed<br />

panel top above a carved and pierced<br />

frieze decorated with taotie masks, clouds,<br />

phoenixes, bats and fruit, on square<br />

tapered legs with scrolled feet, 81cm wide,<br />

46.5cm deep, 80cm high<br />

£2,000 - 2,500<br />

Lot 111<br />

A Chinese huanghuali and hongmu<br />

low stand, 19th century, the rectangular<br />

framed panel top above a pierced frieze<br />

with archaistic scrolls above blind key fret,<br />

on four moulded square legs, 76cm wide,<br />

39cm deep, 42cm high, repairs and possible<br />

alterations<br />

£800 - 1,200<br />

Lot 112<br />

A Chinese hongmu scholar’s stand, late<br />

Qing dynasty, the rectangular top on scrolled<br />

end supports, 45.5cm wide, 25cm deep<br />

£500 - 700<br />

57


Lot 113<br />

A Chinese huanghuali two-tier picnic<br />

box, 17th / 18th century, the two<br />

sections and internal fitted tray with<br />

tielimu base panels, the corners of the<br />

cover and the two sections below lacking<br />

brass mounts, 29cm wide, 17.5cm high<br />

£5,000 - 7,000<br />

Lot 114<br />

A Chinese jumu kneehole desk, late Qing<br />

dynasty, fitted with an arrangement of thirteen<br />

drawers around a kneehole with foot rest bars,<br />

each side with a removable panel enclosing<br />

six further drawers, 94cm wide, 67cm deep,<br />

82.5cm high, restorations<br />

£800 - 1,200<br />

Lot 115<br />

A pair of Chinese walnut armchairs, 19th<br />

century, the backs with central panel carved<br />

in relief with a ruyi head and the character<br />

Shou, above a framed panelled seat and<br />

a pierced fretwork frieze, on four moulded<br />

square legs joined by stretchers<br />

£300 - 500<br />

58


Lot 116<br />

An impressive Chinese hongmu and<br />

mother of pearl inlaid dressing table, mid<br />

20th century, carved and pierced with a pair<br />

of phoenixes, peonies, deer and squirrels<br />

amid prunus, above two pairs of drawers, the<br />

table inlaid with the figures female immortals,<br />

a phoenix and a dragon amid clouds, above<br />

a single frieze drawer, on four mythical beast<br />

carved legs, 106cm wide, 69cm deep, 185cm<br />

high<br />

£1,500 - 2,000<br />

Lot 117<br />

A Chinese hardwood and<br />

mother-of-pearl inlaid<br />

longcase clock, mid 20th<br />

century, decorated with<br />

figures of Immortals in<br />

garden settings, rock work,<br />

bamboo, fruiting vines<br />

and other foliage, on four<br />

mystical beast head feet,<br />

212cm high<br />

£1,000 - 1,500<br />

Lot 118<br />

A Chinese hongmu and<br />

mother-of-pearl inlaid stool<br />

or stand, mid 20th century,<br />

decorated with butterflies,<br />

squirrels amid vines, 45.5cm<br />

wide, 33cm deep, 40.5cm<br />

high<br />

£300 - 500<br />

59


119<br />

120<br />

122<br />

121<br />

60


Lot 119<br />

A giant Chinese burrwood ‘lingzhi fungus’ brush<br />

rest, Qing dynasty, carved in relief with ruyi heads,<br />

on a tielimu shaped stand, total length including<br />

stand 69.5cm<br />

Lot 120<br />

£400 - 600<br />

A Chinese hardwood censer cover and a similar<br />

stand, late 19th/early 20th century, the domed<br />

pierced cover set with an agate cabochon,19cm, the<br />

stand 16cm wide<br />

Lot 121<br />

£150 - 250<br />

A Chinese boxwood ‘peony’ ruyi sceptre,<br />

19th/20th century, crisply carved with entwined<br />

flowering peony branches, 53.5cm long, small<br />

losses<br />

£300 - 500<br />

Lot 122<br />

A Chinese wood and soapstone inlaid circular<br />

screen panel, late Qing dynasty, depicting<br />

two sages and a boy crossing a bridge in a river<br />

landscape, 32cm diameter, warped and small losses<br />

£300 - 400<br />

123<br />

Lot 123<br />

A Chinese Ming style hongmu jardiniere stand,<br />

19th century, the rectangular framed panel top<br />

above a pierced key-work frieze, on four square<br />

moulded legs joined by shaped stretchers, 47cm<br />

wide, 34.5cm deep, 85cm high<br />

Lot 124<br />

£600 - 800<br />

A pair of Chinese hongmu tub-shaped<br />

armchairs, late 19th century, carved in imitation of<br />

bamboo shoots, the back interspersed by grape and<br />

vine splats, on four outswept legs<br />

£1,000 - 1,500 124<br />

61


Lot 126<br />

An early 20th century<br />

Chinese enamelled<br />

copper hand mirror<br />

with 18th/19th<br />

century Chinese pale<br />

celadon jade mounts,<br />

inserted with an oval<br />

jade plaque carved<br />

in relief with a ribbon<br />

tied Buddhist wheel<br />

emblem above waves,<br />

6.1cm wide, the handle<br />

mounted with a jade<br />

‘dragon’ belt hook,<br />

8.6cm long, total length<br />

23.5cm<br />

£400 - 600<br />

Lot 125<br />

A large Chinese pale celadon jade ‘dragon’ belt<br />

hook, 18th/19th century, typically carved and pierced<br />

with a chilong, dragon’s head terminal, 17.4cm long,<br />

crack to chilong<br />

£400 - 600<br />

Lot 127<br />

An early 20th century<br />

Chinese plated hand<br />

mirror with 18th/19th<br />

century jade mounts,<br />

the white jade oval<br />

plaque originally from a<br />

ruyi sceptre, carved in<br />

high relief with two sages<br />

and attendant in a rocky<br />

landscape with pine tree,<br />

the plaque 12.5cm across,<br />

the handle mounted with a<br />

pale celadon jade ‘dragon’<br />

belt hook, 12.5cm long,<br />

total length 25cm<br />

£800 - 1,200<br />

62


Lot 128<br />

A Chinese soapstone seated group of a luohan<br />

and a lion-dog, on a soapstone stand, 18th<br />

century, the group of greenish yellow tone, his<br />

robes inset with small stone cabochons, the<br />

separate creamy soapstone stand carved with<br />

gnarled tree roots and a book to one side, 11.5cm<br />

wide<br />

£600 - 800<br />

Lot 129<br />

A Chinese soapstone figure of a fisherman,<br />

17th/18th century, the standing figure holding a<br />

staff in his right hand and a fish suspended from<br />

his left hand, on a circular base, remnants of<br />

polychrome decoration, 15.2 cm high<br />

£800 - 1,200<br />

y<br />

,<br />

a<br />

ges<br />

ky<br />

ee,<br />

ross,<br />

ith a<br />

gon’<br />

g,<br />

1,200<br />

Lot 130<br />

A Chinese celadon jade carving of a<br />

finger citron, 20th century, the stone with<br />

occasional white and russet inclusions,<br />

12.5cm across<br />

£300 - 500<br />

63


Lot 131<br />

A Chinese soapstone group of<br />

a seated luohan and lion-dog,<br />

19th/20th century, the ascetic holding<br />

a leaf in his left hand, remnants of<br />

polychrome decoration, 12.5cm wide<br />

£500 - 700<br />

Lot 132<br />

A Chinese late Ming soapstone figure of<br />

a luohan, 17th century, seated wearing<br />

a Buddhist rosary and holding a fly whisk<br />

in his left hand, 18.5cm high, on a later<br />

rectangular plinth, restorations<br />

£600 - 800<br />

Lot 133<br />

An early 20th century Chinese hongmu stand and<br />

cover with a 17th/18th century pale white jade<br />

finial, the stand and cover designed for a fangding<br />

vessel, the jade finial carved in relief and open work<br />

with a dragon above waves, approximately 44cm high,<br />

the stand 19.5cm wide<br />

£400 - 600<br />

64


Lot 134<br />

A Chinese soapstone standing figure<br />

of Guanyin, 18th century, holding a<br />

scroll in her left hand, standing on a lotus<br />

base, later slate plinth, old inventory<br />

number in black ink ‘C.S.14’, 23.5cm, head<br />

reattached<br />

£300 - 500<br />

Lot 135<br />

A Chinese jade mounted gilt metal box and cover,<br />

19th century, the cover decorated with symbols of<br />

the eight immortals surrounding the pale celadon<br />

jade plaque pierced and carved with prunus blossom,<br />

the sides decorated with phoenixes and other birds,<br />

10.5cm wide<br />

£600 - 800<br />

Lot 136<br />

A Chinese celadon jade pouring<br />

vessel, yi, 17th/18th century, with<br />

incised keywork band below the rim, the<br />

C-shaped handle with dragon’s head<br />

surmount, the stone with brown and<br />

white mottling, 12.3cm across<br />

£500 - 800<br />

65


Lot 137<br />

A Chinese silver gilt and enamel jar and cover,<br />

mid 20th century, of lobed cylindrical form<br />

decorated with birds on flowering branches set<br />

with turquoise and coral cabochons, on a filigree<br />

work ground, the domed cover with ball and petal<br />

finial, stamped ‘silver’, 14cm high, tiny losses to<br />

enamel<br />

£600 - 800<br />

Lot 138<br />

A Chinese gilt bronze figure of a kneeling<br />

Bodhisattva, with remnants of polychrome<br />

decoration, on a brown patinated lotus throne,<br />

21.2cm high<br />

This figure is based upon a model originally made<br />

under Imperial commander in the early 15th<br />

century and given as diplomatic gifts to leading<br />

Tibetan religious figures. cf. Victoria & Albert<br />

Museum, London, accession no. 275&A-1898.<br />

£1,500 - 2,000<br />

Lot 139<br />

Two Chinese paktong ink<br />

boxes, early 20th century,<br />

each engraved with river<br />

landscape scenes, 8.5cm and<br />

9.5cm<br />

£300 - 400<br />

66


Lot 140<br />

A pair of Chinese cloisonné enamel vases,<br />

19th century with French gilt bronze lamp<br />

mounts, decorated with prunus, lotus, peonies<br />

and chrysanthemums on a turquoise key work<br />

ground, with French gilt bronze lamp mounts, total<br />

height 77cm, Chinese vases 34cm high<br />

£1,500 - 2,000<br />

Lot 141<br />

A Chinese cloisonné enamel vase, 19th century,<br />

decorated with figures in a river landscape with<br />

buildings on a blue ground, the neck with lotus<br />

flowers and scrolling leaves, 32.5cm high<br />

£800 - 1,200<br />

67


Lot 142<br />

A large Tibetan silver and parcel gilt butter lamp,<br />

syou deng, 19th century repousse decorated with<br />

the eight Buddhist emblems to the flared bowl, above<br />

a knopped stem decorated with other auspicious<br />

objects, on a petal lobed spreading foot, 30cm high<br />

£1,000 - 1,500<br />

Lot 143<br />

A Chinese paktong inscribed ink<br />

box, late 19th/early 20th century,<br />

engraved with an eighteen column<br />

inscription to the cover, 9.4cm wide<br />

£200 - 300<br />

Lot 144<br />

A pair of Chinese bronze vases, 17th century, of<br />

octagonal hourglass shape, with traces of gilding,<br />

19.8cm high<br />

£600 - 800<br />

68


Lot 145<br />

An unusual Chinese gold splashed censer,<br />

ding, Xuande mark, 17th/18th century, the<br />

tapering cylindrical body and pair of ear-shaped<br />

handles with gold splash decoration, on three<br />

squat cabriole feet, cast six character ‘Da Ming<br />

Xuande nian zhi’ mark to base, 10cm wide,<br />

7.5cm high<br />

£4,000 - 6,000<br />

Lot 146<br />

A Chinese gold splashed bronze censer,<br />

fangding, wood cover and stand, applied with a<br />

pair of rectangular loop handles, the pierced wood<br />

cover surmounted by a jade finial carved as two<br />

mandarin ducks, 14cm wide<br />

£1,200 - 1,600<br />

69


Lot 147<br />

A Chinese bronze censer,<br />

gui, archaistic Xuande seal<br />

mark, 18th/19th century, of<br />

compressed globular form, on a<br />

circular foot, cast four character<br />

mark, 20cm diameter<br />

£300 - 500<br />

Lot 148<br />

A pair of Chinese cloisonné<br />

enamel beaker vases, each<br />

decorated with leaf scrolls, ruyi<br />

heads, lotus flowers and lappets,<br />

each engraved to the edge of the<br />

foot with a single line four character<br />

mark ‘Qianlong nian zhi’, 17cm high<br />

£600 - 800<br />

Lot 149<br />

Two Chinese copper<br />

hand warmers, the<br />

largest signed ‘Zhang<br />

Mingqi’, 18th/19th<br />

century, the largest of<br />

oblong form engraved<br />

to one side with the<br />

Hundred Antiques, four<br />

character signature<br />

to base, 27cm wide<br />

(dented), the smaller<br />

hand warmer modelled<br />

as a lobed fruit, with<br />

flower and foliate pierced<br />

cover, 15cm cross,<br />

lacking part of handle<br />

£800 - 1,200<br />

70


Lot 150<br />

A Tibetan bronze figure of Amitayus, 18th/19th<br />

century seated in dhyanasana, on a lotus throne,<br />

base panel lacking, 17.5cm high<br />

£300 - 500<br />

Lot 151<br />

A Sino-Tibetan bronze group of<br />

Vajrasattva and consort, seated in<br />

dhyanasana on a lotus throne, indistinct<br />

mark to the front and engraved inscription<br />

to the rear of the base, 16cm high<br />

£2,000 - 3,000<br />

Lot 152<br />

A Tibetan gilt bronze figure of<br />

Vajrayogini, possibly 17th/18th century,<br />

the figure dancing on a figure, with<br />

separate aureole, 17cm high<br />

£600 - 800<br />

71


Lot 153<br />

A Chinese gilt bronze qilin scroll weight,<br />

17th/18th century, in recumbent pose, 7cm<br />

across<br />

£200 - 300<br />

Lot 154<br />

A Chinese fan leaf<br />

painting, 19th century,<br />

painted with a sage<br />

playing an instrument<br />

while a boy sleeps<br />

beside him in a<br />

mountainous landscape<br />

with waterfall, inscribed<br />

and with red seal mark,<br />

approximately 53cm<br />

wide, remounted<br />

£300 - 500<br />

Lot 155<br />

A set of thirteen Chinese pith paintings of birds perched on branches, Daoguang<br />

period (1821-50), each finely painted and with blue silk ribbon borders, images 19.5 x<br />

28.5cm, all later framed and mounted, with original empty brocade album cover inscribed<br />

and dated 1846<br />

£800 - 1,200<br />

72


Lot 156<br />

A Chinese painting on silk of a scholar<br />

recumbent on a daybed, 19th century, the<br />

figure holding a leaf in his right hand, a dog<br />

seated before him with a vase on a root wood<br />

table, image 26 x 23cm, in a huali wood frame,<br />

48 x 42cm<br />

£600 - 800<br />

Lot 157<br />

A Chinese ‘Tortures of Hell’ handscroll painting on paper, 19th century,<br />

with inscribed scenes of labour and torture, surmounted by a large section of<br />

calligraphy, paper laid on linen, some tears, 112.5cm x 130cm<br />

£250 - 350<br />

73


Lot 158<br />

A rare set of four<br />

Chinese polychrome<br />

soapstone appliqué<br />

work painted silk<br />

pictures, 18th century,<br />

each intricately<br />

decorated with scenes<br />

of figures in a courtyard<br />

with pavilions, plants<br />

or trees, in European<br />

ebonised pine frames,<br />

images 20.5 x 14cm,<br />

frames 25.5cm x 19.2cm<br />

£6,000 - 8,000<br />

Lot 159<br />

Two Chinese embroidered<br />

silk purses, 19th century,<br />

the first a drawstring purse<br />

(hebao), finely embroidered<br />

on gauze with antiques and<br />

auspicious objects on a<br />

cream silk background, the<br />

cord with rose quartz beads,<br />

13.8cm wide, the second<br />

finely worked in Beijing knot<br />

with grasshoppers amid<br />

foliage, 10.2cm<br />

£400 - 600<br />

74


CLOCKS, CARPETS<br />

& FURNITURE<br />

160-211<br />

211<br />

75


Lot 160<br />

Le Roy & Fils, Palais Royal, Paris. A late 19th<br />

century French miniature hour repeating<br />

carriage alarm clock with ormolu corinthian<br />

column case, bevelled glass panels and unsigned<br />

movement, 5.25cm wide, 4.5cm deep, 9.5cm high<br />

£600 - 800<br />

Lot 161<br />

Le Roy & Fils, New Bond Street and Palais<br />

Royal. A late 19th century hour repeating<br />

carriage alarum clock with patent bottom<br />

winding the twin barrel movement wound from<br />

below via Le Roy’s patent (number 9501) integral<br />

winding key, 9.5cm wide, 8.5cm deep, 16cm high<br />

£600 - 900<br />

Lot 162<br />

An early 20th century French ormolu Grande<br />

Sonnerie alarum clock with enamelled Arabic<br />

dials and gorge case, movement striking on two<br />

blued steel gongs, 10cm wide, 9cm deep, 15.5cm<br />

high<br />

£600 - 800<br />

Lot 163<br />

Henri Jacot. A late 19th century French quarter<br />

repeating carriage clock, circa 1885, with ormolu<br />

and glass case with enamelled inner dial within a<br />

pierced foliate scroll border and movement striking<br />

on two blued steel gongs, Jacot mark, 10cm wide,<br />

8.5cm deep, 15.5cm high<br />

£800 - 1,200<br />

76


Lot 164<br />

A Jaeger-Le-Coultre for Hermes novelty<br />

ship’s porthole clock, circa 1955, in lacquered<br />

brass with gilt arabic dial, diameter 16.5cm<br />

£400 - 600<br />

Lot 165<br />

Hughes of London. A 19th century ebonised<br />

chiming bracket clock with domed rectangular case<br />

with elaborate cast brass caryatid scroll top handle,<br />

and arched brass dial with silvered Roman chapter<br />

ring, anchor escapement movement with foliate<br />

engraved backplate and pendulum, striking the hours<br />

on a single bell and chiming on eight bells, 27cm<br />

wide, 19cm deep, 45cm high<br />

£700 - 1,000<br />

Lot 166<br />

Viger à Paris. A Louis XVI ormolu mantel<br />

clock, surmounted with the figures of a King<br />

holding a spear and a Roman soldier holding<br />

aloft a lamb, standing above military trophies,<br />

on a stepped base with white marble plinth and<br />

turned feet, signed silk suspension countwheel<br />

movement numbered 1175, 28.5cm wide, 14cm<br />

deep, 36cm high<br />

£1,000 - 1,500<br />

77


Lot 167<br />

J. King of St<br />

Albans. A William IV<br />

mahogany bracket<br />

clock in architectural<br />

case with flower and<br />

scroll appliqué motifs<br />

and painted Roman<br />

dial, unsigned twin<br />

fusee movement with<br />

anchor escapement<br />

striking on a bell,<br />

33cm wide, 19cm<br />

deep, 48cm high<br />

£400 - 600<br />

Lot 168<br />

Bautte et Moynier. An early 19th century Swiss ormolu<br />

mounted mahogany lyre shaped mantel timepiece with<br />

enamelled Roman chapter ring and classical mask pendulum<br />

decorated with foliate motifs, timepiece 18cm wide, 8cm deep,<br />

40cm high, with plinth and dome 28cm wide, 45cm high<br />

£800 - 1,200<br />

78


Lot 169<br />

James Potts of London.<br />

A Regency mahogany<br />

cased regulator, the<br />

rectangular 11 inch<br />

silvered dial with Roman<br />

hours and Arabic minutes<br />

and seconds, unsigned<br />

four pillar movement with<br />

anchor escapement,<br />

case with fluted quarter<br />

columns and bracket<br />

feet, 183cm high<br />

£800 - 1,200<br />

Lot 170<br />

A Louis XV style brass mounted<br />

red boulle mantel clock on<br />

matching stand, with Britannia finial<br />

and hippocampi feet and enamelled<br />

Roman tablet dial, on serpentine<br />

stand with swept scrolling legs,<br />

79cm wide, overall 205cm high,<br />

clock without stand 105cm high<br />

£1,500 - 2,000<br />

79


Lot 171<br />

A Tabriz part silk burgundy ground carpet, the<br />

central lobed floral medallion within a conforming<br />

field and triple border, 293 x 195cm<br />

£800 - 1,200<br />

Lot 172<br />

A Kashan burgundy ground carpet, the lobed central<br />

floral medallion within a dense floral field and wide<br />

conforming border, 418 x 315cm<br />

£800 - 1,200<br />

Lot 173<br />

A Kazak rug, the central stepped lozenge<br />

medallion within a geometric field and wide<br />

conforming border, 278 x 189cm<br />

£400 - 600<br />

Lot 174<br />

A Kashan ivory ground carpet, the central oval<br />

medallion within a dense floral field and wide<br />

conforming border, 305 x 195cm<br />

£500 - 700<br />

80


Lot 175<br />

An early 17th century oak three tier<br />

buffet with mid tier drawer, turned column<br />

supports and stile feet, 88cm wide, 39cm<br />

deep, 119cm high<br />

£1,000 - 1,500<br />

Lot 176<br />

A late 17th century oak coffer, the front<br />

panels with egg and dart carving, with triple<br />

panel top and stile feet, 132cm wide, 48cm<br />

deep, 71cm high<br />

£500 - 800<br />

Lot 177<br />

A 17th century oak court cupboard with<br />

moulded top and two panelled doors over two<br />

further panelled doors on stile feet, 113cm<br />

wide, 50cm deep, 153cm high<br />

£600 - 900<br />

81


Lot 178<br />

An antique oak dresser,<br />

based on a 15th century<br />

French gothic model<br />

and very similar to an<br />

example in the Wallace<br />

Collection, with canted<br />

top and elaborate gothic<br />

carving to the main<br />

panels and drawer fronts<br />

incorporating armorials,<br />

with two cupboard<br />

doors and two mid<br />

section drawers over an<br />

understage with linenfold<br />

backing panels and plinth<br />

foot, 157cm wide, 56cm<br />

deep, 150cm high<br />

£1,800 - 2,000<br />

See The Wallace<br />

Collection F13<br />

Lot 179<br />

A mid 18th century oak dresser base, the raised<br />

back with a drawer to each end over three long<br />

drawers, on squared cabriole legs, 214cm wide,<br />

58cm deep, 91cm high<br />

£800 - 1,200<br />

82


Lot 180<br />

A Charles I carved oak court cupboard with<br />

later foliate scroll carving, central arched panel of<br />

flowers, flanked by panelled doors over a mid tier<br />

draw, and understage on stile feet, 121cm wide,<br />

43cm deep, 132cm high<br />

£1,500 - 2,000<br />

Lot 181<br />

A Queen Anne walnut toilet mirror with arched<br />

bevelled plate, fitted interior and serpentine base<br />

drawers, on bun feet, 43cm wide, 23cm deep, 86cm<br />

high<br />

£400 - 600<br />

Lot 182<br />

A Charles II oak armchair, of small proportions,<br />

monogrammed AM and dated 1682, the seat<br />

fitted with a side drawer, 49cm wide, 55cm deep,<br />

83cm high<br />

£500 - 800<br />

83


Lot 183<br />

A Queen Anne revival red<br />

lacquer settee with chinoiserie<br />

figure and landscape decoration<br />

in 18th century needlework<br />

upholstery, shepherd’s crook,<br />

arms, and shell kneed cabriole<br />

legs with pad feet, 121cm wide,<br />

57cm deep, 109cm high<br />

£800 - 1,200<br />

Lot 184<br />

A mid 18th century oak dresser<br />

base, with three long drawers and<br />

scrolling apron, on squared cabriole<br />

legs with pad feet, 225cm wide, 45cm<br />

deep, 80.5cm high<br />

£600 - 800<br />

Lot 185<br />

A Baroque Revival silvered and<br />

giltwood sunburst wall mirror<br />

with cherubs head’s decorations,<br />

78cm wide, 78cm high<br />

£400 - 600<br />

84


Lot 186<br />

A Hepplewhite style mahogany<br />

settee with shell carved gadrooned<br />

frame on cabriole legs, width 140cm,<br />

depth 64cm, height 97cm<br />

£800 - 1,200<br />

Lot 187<br />

A George III mahogany serpentine<br />

dressing chest fitted four graduated long<br />

drawers, the top drawer with leather lined<br />

slide and divided interior on bracket feet,<br />

95cm wide, 56cm deep, 82cm high<br />

£2,000 - 2,500<br />

Lot 188<br />

A George III mahogany chest on chest with<br />

dentil cornice and two short drawers over three<br />

graduated long drawers, a brushing slide and<br />

three further long drawers, on ogee feet, 130cm<br />

wide, 62cm deep, 186cm high<br />

£800 - 1,200<br />

85


Lot 189<br />

A Regency mahogany drum top library table,<br />

with burgundy leather skiver, four drawers and<br />

four dummy drawers with ivory escutcheons,<br />

76cm high, 127.5cm diameter. CITES Submission<br />

reference CGPYLZGX<br />

£800 - 1,200<br />

Lot 190<br />

A late 18th century Italian olive<br />

wood and parquetry commode,<br />

fitted four long drawers on<br />

tapered bracket feet, 118cm wide,<br />

56cm deep, 89cm high<br />

£2,000 - 2,500<br />

Lot 191<br />

A George III brass bound mahogany wine<br />

cooler of oval form, with brass loop handles<br />

and lead lining, on later stand with squared<br />

tapered legs and spade feet, 70 x 50cm, 49cm<br />

high, ex Earlsdon House<br />

£400 - 600<br />

86


Lot 192<br />

A Regency brass inset mahogany<br />

apothecary chest with two doors, enclosing<br />

a compartmented interior over a single deep<br />

draw all with recessed brass handles, includes<br />

some original glass bottles, and other fittings,<br />

35cm wide, 26cm deep, 58cm high<br />

£400 - 600<br />

Lot 193<br />

A Victorian teak campaign chest with press<br />

cupboard with two panelled doors enclosing a<br />

single shelf over two short and three graduated<br />

long drawers, on turned feet, 118cm wide, 53cm<br />

deep, 168cm high<br />

£700 - 1,000<br />

Lot 194<br />

An early Victorian pollard oak davenport<br />

with writing drawer, two slides and four side<br />

drawers, 56cm wide, 57cm deep, 88cm high<br />

£600 - 900<br />

87


Lot 195<br />

An early Victorian<br />

mahogany breakfront<br />

library bookcase with<br />

moulded cornice and four<br />

astragal glazed doors over<br />

four panelled doors, on plinth<br />

foot, 254cm wide, 53cm<br />

deep, 254cm high<br />

£1,000 - 1,500<br />

Lot 196<br />

A Vernis Martin style rosewood vitrine with<br />

ormolu mounts and single serpentine door,<br />

decorated with lovers in a landscape and rustic<br />

scenes, on cabriole legs, 128cm wide, 49cm<br />

deep, 193cm high<br />

£800 - 1,200<br />

Lot 197<br />

A nest of early Victorian Gillows specimen<br />

hardwood top quartetto tables with varying<br />

veneers to the tops including a chessboard, on<br />

turned underframe with slender turned stretchers,<br />

largest 59 x 41cm, 74cm high<br />

£3,000 - 5,000<br />

88


Lot 198<br />

A pair of late 19th<br />

century Louis XVI<br />

style marquetry inlaid<br />

kingwood vitrines with<br />

ormolu mounts, each with<br />

central floral marquetry<br />

inlaid door flanked by<br />

glazed side panels, on<br />

slender cabriole legs, 80cm<br />

wide, 37cm deep, 148cm<br />

high<br />

£2,000 - 3,000<br />

Lot 199<br />

An early 19th century Dutch walnut and<br />

marquetry metamorphic library steps<br />

chair with tablet cresting rail, scroll arms<br />

and caned seat, opening to create three<br />

steps, 59cm wide, 64cm deep, 90cm high<br />

£1,000 - 1,500<br />

Lot 200<br />

An early Victorian pollard oak<br />

occasional table with segmented<br />

octagonal top on tapered stem and<br />

petalled stepped circular base with fluted<br />

bun feet, 60.5cm wide, 61cm deep, 72cm<br />

high<br />

£1,500 - 2,000<br />

89


Lot 201<br />

An Edwardian inlaid satinwood display cabinet<br />

of D shaped form with central glazed door over an<br />

understage, on squared tapered legs, 110cm wide,<br />

45cm deep, 173cm high<br />

£2,000 - 2,500<br />

Lot 202<br />

A circular Blue John top table, second half 20th<br />

century, the radially-veneered top inset to a table<br />

base, Blue John panel diameter 39.5cm, housed in<br />

a table base 50cm diameter, 50cm high<br />

£1,500 - 2,000<br />

Lot 203<br />

A late Victorian Howard & Sons upholstered<br />

armchair, now with later golden velvet upholstery,<br />

on ring turned legs and fitted brass castors, 77cm<br />

wide, 93cm deep, 91cm high<br />

£600 - 800<br />

Lot 204<br />

A rare Ceylonese Arts & Crafts brass mounted<br />

teak dresser applied with foliate pierced brass<br />

mounts, some centered with a sunflower motif,<br />

246cm wide, 62cm deep, 199cm high<br />

£2,000 - 2,500<br />

90


Lot 206<br />

An early 20th<br />

century Arts<br />

& Crafts inlaid<br />

mahogany music<br />

cabinet, made by<br />

George Montague<br />

Ellwood and<br />

retailed by J.S.<br />

Henry of London,<br />

with shelved<br />

superstructure<br />

over a fall front<br />

enclosing sheet<br />

music shelves<br />

with ornate brass<br />

strap work hinges,<br />

on squared legs,<br />

stamped J.S. Henry<br />

on the back, 67cm<br />

wide, 40cm deep,<br />

172cm high<br />

£400 - 600<br />

Lot 205<br />

A French Louis XVI style marquetry<br />

inlaid vitrine with ormolu mounts,<br />

single central door enclosing glass<br />

shelves, on cabriole legs, 120cm<br />

wide, 44cm deep, 210cm high<br />

£1,500 - 2,000<br />

Lot 207<br />

A pair of Edwardian Sheraton revival marquetry inlaid satinwood card tables the D<br />

shaped folding top inlaid with vineous motifs, on squared tapered legs with spade feet,<br />

94cm wide, 41cm deep, 75cm high<br />

£2,000 - 2,500<br />

91


Lot 208<br />

A Winsor & Newton<br />

oak studio easel with<br />

cast brass plaque<br />

‘Studio Easel, Winsor &<br />

Newton, Ltd, London’,<br />

62cm wide, 64cm<br />

deep, 183cm high<br />

£800 - 1,200<br />

Lot 209<br />

A Liberty & Co. Arts<br />

& Crafts planished<br />

copper wall mirror<br />

decorated with stylised<br />

Tudor roses to the<br />

corners, interspaced<br />

with turquoise coloured<br />

Ruskin type plaques,<br />

69cm wide, 79cm high<br />

£400 - 600<br />

Lot 211<br />

A late 19th century Black<br />

Forest carved wood bear<br />

stick stand, with glass<br />

inset eyes and painted<br />

details, standing over a<br />

foliate carved drip tray,<br />

39cm wide, 45cm deep,<br />

93cm high<br />

£2,000 - 2,500<br />

Lot 210<br />

Émile Gallé (1846-1904). A marquetry tray with<br />

carved lizard handles, inlaid in various woods with<br />

a ruined abbey in a landscape, signed in marquetry<br />

Gallé, 49 x 44cm<br />

£400 - 600<br />

92


PAINTINGS & PRINTS<br />

212-370<br />

at 12.30pm<br />

232<br />

93


212<br />

213<br />

Lot 212<br />

Raja Jivan Ram (Indian, fl.1815-1840)<br />

Portrait of Major Bellingham-Smith, 11th<br />

Regiment of Light Dragoons (b.1790, d.1866)<br />

oil on canvas<br />

signed and dated 1826<br />

35 x 30cm<br />

£800 - 1,200<br />

Major Bellingham Smith. Father John and mother<br />

Elizabeth, Born Sept. 4, 1790 in Middlesex England.<br />

Served in India and was a member of the 11th Light<br />

Dragoons. Married to Priscilla Graham, died July 8,<br />

1866.<br />

Lot 213<br />

Circle of Arthur Devis (British, 1712-1787)<br />

Full length portrait of a gentleman, standing<br />

holding a cane<br />

oil on canvas<br />

42 x 33cm<br />

£500 - 800<br />

214<br />

94


215<br />

200<br />

d.<br />

t<br />

,<br />

800<br />

Lot 214<br />

Circle of John Hoppner (British, 1758-1810)<br />

Portrait of a Captain Matthew Smith RN (1763-<br />

1840)<br />

oil on canvas<br />

75 x 62cm<br />

Lot 215<br />

£600 - 800<br />

Attributed to John Russell, RA (English, 1745-<br />

1806)<br />

Portraits of General John Smith (b.1764), 2nd<br />

Regiment of Foot Guards, 2nd son of Colonel<br />

Smith, and Jane Smith (1765-1858)<br />

pastel on paper, a pair<br />

23 x 18.5cm<br />

Lot 216<br />

£300 - 400<br />

F. Baumann (German, 19th C.) after Sir Antony<br />

Van Dyck (1599-1641)<br />

Portrait of Charles I<br />

oil on canvas<br />

73 x 52cm<br />

£800 - 1,200 216<br />

95


217<br />

Lot 217<br />

Attributed to Allan Ramsay (Scottish, 1713-1784)<br />

Portraits of Samuel Waring and his spouse<br />

oil on canvas, a pair<br />

61 x 51cm<br />

Lot 218<br />

After Sir Peter Lely (English, 1618-1680)<br />

Portrait of Joceline Percy, 11th Earl of<br />

Northumberland<br />

oil on canvas<br />

55 x 44cm<br />

£4,000 - 6,000<br />

£1,000 - 1,500<br />

218<br />

Lot 219<br />

Michael Dahl (Swedish, 1659-1743)<br />

Portrait of Gilbert, 4th Earl of Coventry, full<br />

length in ermine trimmed ceremonial robes and<br />

holding a coronet<br />

oil on canvas<br />

signed<br />

243 x 147cm<br />

£6,000 - 8,000<br />

96


219<br />

97


221<br />

222<br />

Lot 220<br />

Follower of Jonathan Richardson (British,<br />

1665-1745)<br />

Portrait of a lady, half length, seated wearing a<br />

blue dress<br />

oil on canvas<br />

126 x 101cm<br />

Lot 221<br />

£1,000 - 1,500<br />

Attributed to Thomas Hudson (English, 1701-<br />

1779)<br />

Portrait of Miss Furneaux Pelham, standing<br />

half length wearing a lace trimmed gown and<br />

necklace with a pearl drop<br />

oil on canvas<br />

92 x 71cm<br />

£2,000 - 3,000<br />

220<br />

Lot 222<br />

Thomas Bardwell (British, 1704-1767)<br />

Portrait of a lady standing half length wearing<br />

a lace trimmed blue velvet dress draped with<br />

pearls, oil on canvas<br />

101 x 83cm<br />

£2,000 - 3,000<br />

98


224<br />

Lot 223<br />

After Bartolomé Esteban Murillo<br />

(Spanish, 1618-1682)<br />

Apotheosis of the Virgin<br />

oil on canvas<br />

109 x 86cm<br />

Lot 224<br />

£800 - 1,200<br />

After David Teniers the Younger<br />

(Flemish, 1610-1694)<br />

‘Kermesse, or Village fête with peasants<br />

dancing’<br />

oil on canvas<br />

54.5 x 65.5cm<br />

£800 - 1,000<br />

223<br />

99


225<br />

226<br />

Lot 225<br />

17th century Italian School<br />

Venus and Mars<br />

oil on canvas<br />

124 x 202cm<br />

£3,000 - 5,000<br />

Lot 226<br />

Manner of Hendrick Cornelisz Vroom (Dutch,<br />

1566-1640)<br />

Warships at sea, oil on canvas<br />

56 x 69cm<br />

Lot 227<br />

£500 - 700<br />

Mid 17th Century English School<br />

Christ before Pilate and Jewish leaders,<br />

including Joseph of Arimathea, with many of<br />

the figures holding scrolls on which are writings<br />

inscribed in both Hebrew and English.<br />

oil on canvas<br />

76 x 158cm<br />

Lot 228<br />

Mid 19th century Chinese School<br />

Whampoa Anchorage<br />

oil on canvas<br />

17 x 24.5cm<br />

£900 - 1,200<br />

£1,500 - 2,000<br />

100


227<br />

228<br />

101


229<br />

Lot 229<br />

James Gillray (English, 1756-1815) ‘’Farmer Giles and his wife showing off their daughter Betty to their<br />

Neighbours on her return from school’’,<br />

etching with original hand-colouring<br />

published by Hannah Humphrey, 1809, unframed, trimmed within the plate mark, 315 x 470mm. BM Satires<br />

11444<br />

Lot 230<br />

£120 - 160<br />

James Gillray (English, 1756-1815) Elements of Skating; ‘’Atitude! Attitude is everything’’; ‘’A fundamental<br />

error in the Art of Skating’’; ’’The Consequence of going before the Wind’’ and ‘’ Making the most of a<br />

passing Friend, in case of emergency’’<br />

a set a four hand-coloured etchings<br />

published by Hannah Humphrey, dated 1805, unframed, each approx. 255 x 362mm. BM Satires 10474,<br />

10475, 10476 and 10477<br />

Lot 231<br />

£300 - 500<br />

James Gillray (English, 1756-1815) ‘’Morning Promenade upon the Cliff, Brighton’’<br />

hand-coloured etching<br />

published by Hannah Humphrey, 1806, the image credited to Capt. J. Morse, a 50mm. 368 x 560mm. BM<br />

Satires 10638<br />

£200 - 300<br />

102


230<br />

231<br />

103


232<br />

Lot 232<br />

James Gillray (English, 1756-1815) ‘’The<br />

Theatrical Bubble; Being a new specimen of the<br />

astonishing powers of the great Politico-Punchinello<br />

in the art of Dramatic Puffing’’, dated 1805, 362 x<br />

264mm., BM Satires 1045<br />

‘’The Pic-nic Orchestra’’, dated 1802, trimmed, 255 x<br />

355mm. BM Satires 9921<br />

‘’A Squall’’ [and] ‘’A Calm’’, a pair, dated 1810, each<br />

265 x 365mm. BM Satires 11614 and 11615,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey - (4)<br />

£500 - 800<br />

Lot 233<br />

James Gillray (English, 1756-1815) ‘’A Pair of<br />

Polished Gentlemen’’, dated 1801, 355 x 260mm.<br />

BM Satires 9699<br />

‘’A Lyoness’’, [A caricature of Polly Lyon de Simon’s<br />

(née Goldsmid), wife of ‘’Baron’’ Lyon de Simons],<br />

dated 1801, 346 x 255mm. BM Satires 9758<br />

‘’Theatrical Mendicants relieved, have Pity upon all<br />

our Aches & Wants’’, dated 1809, 265 x 365mm. BM<br />

Satires 11413<br />

“Counsellor O.P, defender of our Theatric Liberties’’,<br />

dated 1809. 342 x 242mm. BM Satires 11430, -<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (4)<br />

£500 - 700<br />

104


Lot 234<br />

James Gillray (English, 1756-1815) ‘’Half<br />

Natural’’, [Mr. Lumley Skeffington, fop and<br />

playwright], 255 x 184mm. BM Satires 9440;<br />

‘’A Burgess of Warwick Lane’’, [Mr. John Burgess,<br />

M.D., whose health was too weak for general<br />

practice], dated 1795, 255 x 165mm. BM Satires<br />

8717;<br />

‘’A Bouquet of the last Century’’, dated 1802, 258<br />

x 203mm. BM Satires 9907;<br />

‘’Lordly Elevation’’, dated 1802, 270 x 215mm,<br />

BM Satires 9905;<br />

‘’A view of the Pier [altered from Peer] of<br />

Scarborough’’, dated 1807, 210 x 260mm. BM<br />

Satires 10790;<br />

‘’The Dandy’’, dated 1810, 218 x 270mm. BM<br />

Satires 11595 and<br />

‘’Racehorse with jockey up’’ dated circa 1810,<br />

204 x 268. BM 1868.0808.13399 [where it is<br />

described as ‘’Jockey’’ and that, according to a<br />

pencil note, the plate was suppressed]<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (7)<br />

£500 - 700<br />

233<br />

234<br />

105


235 236<br />

Lot 235<br />

James Gillray (English, 1756-1815) ‘’Clearing a<br />

Five-Bar-Gate’’, dated 1805, 265 x 358mm. BM<br />

Satires 10481;<br />

‘’The Sound of the Horn!- or, the Danger of Riding<br />

an Old Hunter’’, dated 1807, 250 x 355mm. BM<br />

Satires 10803;<br />

‘’The Military Caricaturist’’- ‘’his Satires are as keen<br />

as the Back of a Rasor; and having but Three Ideas<br />

in the World, two of them are borrowed & the Third,<br />

nobody would own’’, [Presumed to mocking the<br />

amateur satirist, General Davies, as retribution for<br />

having slighted Gillray], dated 1799, 345 x 250mm.<br />

BM Satires 9442;<br />

‘’A Slice of Glo’ster Cheese’’, [a portrait of Prince<br />

William Frederick, the son of the Duke of Gloucester<br />

and Edinburgh], dated 1795, the image within an<br />

oval border, 255 x 130mm. BM Satires 8716 and<br />

‘’Patern-Staff. Weymouth 1797’’, dated 1797, 250 x<br />

165mm. BM Satires 9070,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (5)<br />

£300 - 500<br />

Lot 236<br />

James Gillray (English, 1756-1815) ‘’The Bulstrode<br />

Siren’’ [Mrs. Elizabeth Billington, who was famous<br />

for her size as she was for her musical ability,<br />

depicted serenading the Duke of Portland, with<br />

whom she lived with, at his mansion at Bulstrode],<br />

dated 1803, 355 255mm. BM Satires 10168;<br />

‘’Pylades & Orestes’’, [portraying William IV, Prince<br />

of Orange, as Orestes and his private Secretary,<br />

Count Nassalin, as Pylades], dated 1797, 360 x<br />

265mm. BM Satires 9065 and<br />

‘’a Newmaket-Hill Character,’’[Lt. Col. George Leigh,<br />

portrayed on horseback], dated 1804, 240 x 196mm.<br />

BM Satires 10298,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (3)<br />

£250 - 350<br />

106


237<br />

Lot 237<br />

James Gillray (English, 1756-1815) ‘’Matins at<br />

D-wn-ng College Cambridge’’, dated 1810, 341 x<br />

244mm. BM Satires 11591;<br />

‘’a Petty-Professor of Modern-History, brought to<br />

Light’’, dated 1810, the image within an oval border,<br />

350 x 260mm. BM Satires 11590;<br />

‘’Progress of the Toilet’’ - ‘’The Stays’’, ‘’The Wig’’<br />

[and] ‘’Dress Completed’’, a set of three, [The trio<br />

satirizing the fashions of the period, which dictated<br />

how the shapes of women should be accentuated<br />

to imitate artistic depictions of femininity], dated<br />

1810, each approximately 275 x 215mm. BM Satires<br />

11608 11609 11610; and<br />

‘’Grace, Fashion, and Manners. From the Life’’,<br />

dated [c.1810], published by George Humphrey, 260<br />

x 200mm. BM 1851.0901.1271,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (6)<br />

£300 - 400<br />

Lot 238<br />

238<br />

James Gillray (English, 1756-1815) ‘’Bond Street,<br />

Three o’clock’’, undated, 255 x 165mm;<br />

‘’Waltzer au Mouchoir’’, dated 1800, 220 x 177mm<br />

BM Satires 9583 and<br />

‘’Oh! Listen to the Voice of Love’’, dated 1799, 227 x<br />

192mm. BM Satires 9450,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (3)<br />

£100 - 150<br />

107


239<br />

Lot 239<br />

James Gillray (English, 1756-1815) ‘’Les<br />

Invisibles’’ and ‘’La Wales. Le Bon Genre’’, each<br />

dated 1810, each 243 x 315mm. BM Satires 11612<br />

and 11613;<br />

‘’A County Concert, or , an Evenings Entertainment<br />

in Sussex’’, dated 1798, 260 x 362 BM Satires 9306<br />

and<br />

‘’Monstrosities of 1799, Scene. Kensington<br />

Gardens’’, dated 1799, 258 x 357mm. BM Satires<br />

9454,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (4)<br />

£300 - 500<br />

Lot 240<br />

James Gillray (English, 1756-1815) ‘’A Great Man<br />

on the Turf, or, Sir Solomon in all his Glory’’, dated<br />

1803, 332 x 224, BM Satires 10164; ‘’Diana returned<br />

from the Chace’’, dated 1802, 360 x 250mm, BM<br />

Satires 9908;<br />

‘’Playing in Parts’’, dated 1801, 258 x 362mm. BM<br />

Satires 9766 and<br />

‘’Ars-musical’, dated 1800, 258 x 355mm. BM<br />

Satires 9586,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (4)<br />

£300 - 500<br />

108


241<br />

Lot 241<br />

James Gillray (English, 1756-1815) “A Cockney<br />

& his Wife going to Wycombe’’ dated 1805, 255 x<br />

360, BM Satires 10471 and<br />

‘’Palemon and Lavinia, He saw her charming,<br />

but he saw not half The Charms her downcast<br />

Modesty concealed’’, dated 1805, 263 x 364. BM<br />

Satires 10480,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (2)<br />

£200 - 300<br />

240<br />

109


242<br />

243<br />

110


Lot 242<br />

James Gillray (English, 1756-1815) ‘’Two-<br />

Penny Whist’’, dated 1796, 232 x 343mm. BM<br />

Satires 8885;<br />

‘’A Decent Story’’, dated 1795, 230 x 303mm.<br />

BM Satires 8753;<br />

‘’Push Pin’’, dated 1797, 242 x 310mm. BM<br />

Satires 9082 and<br />

‘’Cymon & Iphigenia’’,[1796], 240 x 272mm.<br />

Wright & Evans 422,<br />

hand-coloured etched caricatures, published<br />

by Hannah Humphrey (4)<br />

£300 - 400<br />

Lot 243<br />

James Gillray (English, 1756-1815)<br />

‘’Company shocked at a Lady getting up to<br />

Ring the Bell’’, dated 1804, 255 x 380mm.<br />

BM Satires 10303;<br />

‘’A broad hint at not meaning to Dance’’,<br />

dated 1804, 252 x 380mm. BM Satires<br />

10302;<br />

‘’gentle Manners, with affections mild, In Wit<br />

a Man. Simplicity a Child’’, dated 1798, 260 x<br />

176mm. BM Satires 9288;<br />

After RF [Sir Robert Frankland] - ‘’A view<br />

of Newmarket Heath; taken from Davis’s<br />

Straights’’, dated 1807, 222 x 195. BM<br />

Satires 10789;<br />

After I.L.R - ‘’an Old Encore, at the Opera’’,<br />

dated 1803, 245 x 195mm. BM Satires<br />

10159 and Thomas Rowlandson (1756-1827)<br />

‘’A Portrait’’, [ a caricature of The Duke of<br />

Cumberland], dated 1812, 268 x 213mm. BM<br />

Satires 11924,<br />

hand-coloured etched caricatures, published<br />

by Hannah Humphrey (6)<br />

Lot 244<br />

£500 - 700<br />

James Gillray (English, 1756-1815) ‘’The<br />

Reception in Holland’’, dated 1799, 263 x<br />

368mm. BM Satires 9414;<br />

‘’The Orangerie; or, the Dutch Cupid<br />

reposing, after the fatigues of Planting’’.<br />

‘’Vide. The Visions in Hampton Bower’’, dated<br />

1796, 257 x 358. BM Satires 8822 and<br />

‘’Connoisseurs examining a collection of<br />

George Morland’’, dated 1807, 382 x 310mm.<br />

BM Satires 10791<br />

hand-coloured etched caricatures, published<br />

by Hannah Humphrey (3)<br />

£1,500 - 2,000<br />

244<br />

243<br />

111


245<br />

Lot 245<br />

James Gillray (English, 1756-1815) ’’How to Ride<br />

with Elegance thro’ the Streets’’ dated 1800, 320 x<br />

250mm. BM Satires 9560;<br />

‘’The Three Mr. Wiggins’’, dated 1803, 320 x<br />

220mm; BM Satires 10163A;<br />

‘’Sandwich-Carrots! dainty Sandwich-Carrots’’,<br />

dated 1796, 365 x 258mm. BM Satires 8886 and<br />

‘’Govenor Wall’s Ghost!’’, dated 1802, 365 x 264.<br />

BM Satires 9911,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (4)<br />

Lot 246<br />

£400 - 600<br />

James Gillray (English, 1756-1815) “and would’st<br />

thou turn the vile Reproach on me?’’ - dated 1807,<br />

242 x 340mm. BM Satires 10802; ‘’Miss, I have a<br />

Monstrous Crow to pluck with you’’ dated 1794,<br />

240 x 290mm. BM Satires 8557 and, After Robert<br />

Frankland 1794 -1849 - ‘’Billy the Gamekeeper. -<br />

W.S’’, dated 1810. BM Satires 11592, hand-coloured<br />

etched caricatures, published by Hannah Humphrey<br />

(3)<br />

£250 - 350<br />

246<br />

Lot 247<br />

James Gillray (English, 1756-1815) ‘’The Gout’’,<br />

dated 1799, 258 x 355mm. BM Satires 9448;<br />

‘‘Punch cures the Gout, the Colic, and the Tisick’’,<br />

dated 1799, 253 x 355mm. BM Satires 9449;<br />

‘’Advantages of wearing Muslin Dresses! - dedicated<br />

to the serious attention of the Fashionable Ladies<br />

of Great Britain’’, dated 1802, 260 x 360mm. BM<br />

Satires 9933 and<br />

‘’Venus attired by the Graces’’, dated 1800, 240 x<br />

350mm. BM Satires 9587<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (4)<br />

£4,000 - 6,000<br />

112


247<br />

247<br />

113


248<br />

Lot 248<br />

James Gillray (English, 1756-1815) ‘’Mary of<br />

Buttermere, Sketch’d from Life, July, 1800’’, dated<br />

1802, 320 x 240mm. hand-coloured etching,<br />

published by Hannah Humphrey and<br />

An untitled etching of a Mounted Officer, undated,<br />

but possibly 1799, 204 x 224mm. See BM<br />

1851.0901.1139.,(2)<br />

Lot 249<br />

£300 - 500<br />

James Gillray (English, 1756-1815) ‘’The Graces<br />

in a high wind, - a Scene taken from Nature, in<br />

Kensington Gardens’’, dated 1810, 255 x 354mm,<br />

[A satire on Regency style costumes made of fine<br />

muslim, which, in a strong breeze hugged the<br />

outline of the body, leaving little to imagination]. BM<br />

Satires 11593;<br />

‘’Venus a la Coquille; or, the Swan-sea Venus’’,<br />

dated 1809, 262 x 368mm. BM Satires 11405<br />

and four (of five) caricatures based on sketches<br />

by Gillray’s friend and amateur caricaturist, the<br />

Reverend John Sneyd, - ‘’Taking Physick’’, dated<br />

1800, 261 x 195. BM Satires 9584, ‘’Gentle Emetic’’;<br />

‘’Breaking a vein’’ and ‘’Charming-well again’’, all<br />

dated 1804, each approx. 260 x 198mm. BM Satires<br />

10304, 10306, 10307,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (6)<br />

£700 - 1,000<br />

251<br />

Lot 250<br />

James Gillray (English, 1756-1815) ‘’Germans<br />

Eating Sour-Krout’’, dated 1803, 263 x 365. BM<br />

Satires 10170;<br />

‘’German Luxury, or, Repos a l’ Allemande’’, dated<br />

1800, 238 x 315mm. BM Satires 9510;<br />

‘’A Little Music, or, the Delights of Harmony’’, dated<br />

1810, 265 x 365mm. BM Satires 9932,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (4)<br />

Lot 251<br />

£800 - 1,200<br />

James Gillray (English, 1756-1815) ‘’A Bravura Air<br />

Mandane’’, dated 1801, 360 x 257mm. BM Satires<br />

9765, and<br />

‘’Mother-Goose, of Oxford’’, dated 1807, 330 x<br />

247mm, BM 10788,<br />

two unframed hand-coloured etched caricatures,<br />

published by Hannah Humphrey<br />

£150 - 200<br />

114


249<br />

250<br />

115


252<br />

Lot 252<br />

James Gillray (English, 1756-1815) ‘’Metallic-<br />

Tractors’’, dated 1801, 250 x 345mm. BM Satires<br />

9761 [Dr. Elisha Perkins (1741-1799), was an<br />

American quack doctor and the inventor of a pair<br />

of electrified metallic tractors said to cure diseases.<br />

His son, Benjamin, advertised the ‘’cure’’ in various<br />

periodicals between 1798 and 1802. The cartoon<br />

depicts Dr. Perkins applying his invention to the<br />

boils on the nose of a citizen, possibly intended to<br />

represent John Bull. The lean detached physician<br />

is contrasted with the stout and highly distressed<br />

patient undergoing ‘’therapy’’]<br />

‘’Anacreontick’s in full song’’, dated 1801, 250 x<br />

322mm. BM Satires 9764<br />

‘’Contemplations upon a Coronet’’, dated 1797, 365<br />

x 255. BM Satires 9074 and<br />

‘’The Marraige of Cupid & Psyhe’’, dated 1797, oval,<br />

260 max x 310mm max. BM Satires 9076,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (4)<br />

£500 - 800<br />

254<br />

Lot 253<br />

James Gillray (English, 1756-1815) A complete<br />

set of seven etchings relating to the weather -<br />

‘’Delicious Weather’’; ‘’Dreadful-Hot-Weather’’; ‘’Sad<br />

Sloppy Weather’’; ‘’Raw-Weather’’; ‘’<strong>Fine</strong> Bracing<br />

Weather’’; ‘’Windy Weather’’and ‘’Very Slippy<br />

Weather’’, dated 1808, each 257 x 207mm. BM<br />

Satires 11094; 11095;,11096; 11097; 11098; 11100<br />

and 11099;<br />

‘’Posting in Scotland’’ [and] ‘’Posting in Ireland’’,<br />

after C. Lorraine- Smith, ‘’Hald your Haund Mun,<br />

hald your haund! en troth mun: e’n gin you may<br />

mind yoursel you’ll just make Muckle Laird coupeing<br />

his creels’’ and ‘’Forward immediately your Honour;<br />

But sure a’nt I waiting for the Girl with the Poker,<br />

just to give this Mare a burn your Honour, it’s just<br />

to make her start your Honour’’, dated 1805, each<br />

approximately 305 x 405mm. (2) BM Satires 10479<br />

& 10478. [A somewhat xenophobic and patronising<br />

English view of the perils of traveling in the<br />

‘’backward’’ realms of Scotland and Ireland]<br />

‘’Maecenas in pursuit of the <strong>Fine</strong> Arts’’, dated1808.<br />

262 x 202mm. BM Satires 11076<br />

“An Old Maid on a Journey’’, dated 1804, 260 x<br />

388mm. BM Satires 10300 and<br />

‘’Fortune-Hunting’’, dated 1804, 260 x 387. BM<br />

Satires 10301.Twelve hand-coloured etched<br />

caricatures, published by Hannah Humphrey (12)<br />

£1,200 - 1,600<br />

116


253<br />

Lot 254<br />

James Gillray (English, 1756-1815) ‘’The Welch<br />

Tandem’’ dated 1801, 260 x 364mm. BM Satires<br />

9760 [A satirical portrait of Sir Watkin Williams<br />

Wynn, the leading squire of North Wales, known as<br />

‘the Prince of Wales’, and his two brothers, Charles<br />

and Henry Watkin, portrayed in a chaise, pulled by<br />

three flatulent goats]<br />

‘’George a’ Cock-horse’’, dated 1796, 345 x 274mm.<br />

BM Satires 8889<br />

‘’Wide-Awake’’ and ‘’Fast-Asleep’’, a pair, each<br />

1806, each 247 x 206mm BM Satires 10644 and<br />

10645 and<br />

‘’Comfort to the Corns’’, dated 1800, 265 x 200mm.<br />

BM Satires 9585,<br />

Five hand-coloured etched caricatures, published by<br />

Hannah Humphrey (5)<br />

£400 - 600<br />

253<br />

117


257<br />

Lot 255<br />

James Gillray (English, 1756-1815) ‘’Dilettante-<br />

Theatricals;-or-a Peep, at the Green Room. -vide.<br />

Pic Nic-Orgies’’, dated 1803, 315 x 495mm. BM<br />

Satires 10169;<br />

‘’Blowing up the PIC NICS:-or-Harlequin Quixote<br />

attacking the Puppets. Vide Tottenham Street<br />

Pantomime’’, dated 1802, 348 x 250mm, BM Satires<br />

9916 and<br />

‘’A Peep at Christies;-or-Tally-ho, & Nimeney-<br />

Pimmeney taking the Morning Lounge’’, dated 1796,<br />

355 x 252mm. BM Satires 8888<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey (3)<br />

£400 - 600<br />

Lot 256<br />

James Gillray (English, 1756-1815) Eight hand<br />

coloured etched caricatures, all published by<br />

Hannah Humphrey -<br />

‘’The Cockney-Sportmen’’; a set of four etchings -<br />

‘’Marking game’’; ‘’Shooting Flying’’; ‘’Re-charging’’<br />

and ‘’Finding a Hare’’, dated 1800, each approx. 245<br />

x 340mm. BM Satires 1038, 1039, 6911 and 1041;<br />

‘’The Guardian Angel’’, dated 1805, 380 x 265mm.<br />

BM Satires 10389; -<br />

‘’Oh! that this too too solid flesh would melt’’,<br />

inscribed - Designed for the Shakespeare gallery,<br />

dated 1791, 200 x 190mm. BM Satires 8013<br />

‘’Hounds Throwing Off’’ and ‘’Hounds Finding’’, each<br />

dated 1800, each 250 x 350mm. BM Satires 9589<br />

and 9590 (8)<br />

£800 - 1,200<br />

118


255<br />

255<br />

Lot 257<br />

James Gillray (English, 1756-1815) ‘’The<br />

Cow-Pock-or-The Wonderful Effects of the New<br />

Inoculations! vide the Publication of ye Anti Vaccine<br />

Society, published in London und Paris’’, dated<br />

1802, 255 x 360mm. [An anti-vaccination caricature<br />

showing Edward Jenner administering his antismallpox<br />

injections with post procedure patients<br />

sprouting various bovine appendages] BM Satires<br />

9924<br />

“Scientific Researches! New Discoveries in<br />

Pneumaticks!-or-an Experimental Lecture on the<br />

Power of Air’’, dated 1802, 247 x 350mm. BM<br />

Satires 9923;<br />

‘’The great South Sea Caterpillar, transformed into a<br />

Bath Butterfly’’, dated 1795, 350 x 244. BM Satires<br />

8718 and<br />

‘’A Cognoscenti contemplating ye Beauty of ye<br />

Antique’’, dated 1801, 350 x 250mm. BM Satires<br />

9753,<br />

hand-coloured etched caricatures, published by<br />

Hannah Humphrey - (4)<br />

£500 - 800<br />

256<br />

119


258<br />

Lot 258<br />

James Baker Pyne (British, 1800-1870)<br />

Beach scene with fisherfolk around a<br />

jetty<br />

oil on canvas<br />

signed<br />

86 x 133cm<br />

£1,200 - 1,500<br />

259<br />

Lot 259<br />

Samuel Jackson (British, 1830-1904)<br />

Avon landscape; View from<br />

Shirehampton looking towards Clifton<br />

watercolour<br />

22 x 29.5cm<br />

£400 - 600<br />

Lot 260<br />

Samuel Jackson (British, 1830-1904)<br />

Horsemen surveying Clifton Gorge,<br />

Cook’s Folly & the Severn Estuary<br />

watercolour<br />

Heather Jackson label verso<br />

13.5 x 16.5cm<br />

£300 - 500<br />

260<br />

120


261<br />

Lot 261<br />

Henry Brittan Willis (British, 1810-1884)<br />

The Pond in the Meadow<br />

oil on canvas<br />

100 x 124cm<br />

Lot 262<br />

£3,000 - 5,000<br />

Attributed to John Wilson Carmichael<br />

(British, 1799-1868)<br />

‘Off Dover’<br />

oil on panel<br />

50 x 62cm<br />

£800 - 1,200<br />

262<br />

121


263<br />

265<br />

122


Lot 263<br />

H.J. Williams (English, 19th C.)<br />

A harvest field with farm workers,<br />

children, a dog and a figure on<br />

horseback with a windmill in the<br />

distance<br />

oil on canvas<br />

52.5 x 89cm<br />

£1,200 - 1,800<br />

Lot 264<br />

English School circa 1850<br />

Landscape with mountain stream,<br />

cottage, bridge and figures on a<br />

track<br />

oil on panel<br />

44 x 53cm<br />

Lot 265<br />

£400 - 600<br />

Sir Edwin Henry Landseer R.A.<br />

(1802-1873)<br />

‘A retriever, with pheasant in his<br />

mouth - unfinished’<br />

watercolour<br />

monogrammed and dated 1827<br />

19.5 x 25cm, Ex. Collection The Duke<br />

of Bedford<br />

Lot 266<br />

£1,200 - 1,800<br />

After Sir Edwin Henry Landseer, R.A.<br />

(1802-1873)<br />

King Charles Spaniels (‘The<br />

Cavalier’s Pets’)<br />

oil on canvas<br />

70 x 90cm<br />

£400 - 600<br />

264<br />

266<br />

Lot 267<br />

Thomas Rose Miles (British, 1844-<br />

1916)<br />

Ship in a rough sea at sunset<br />

oil on canvas<br />

20.5 x 40.5cm<br />

£400 - 600<br />

267<br />

123


268<br />

Lot 268<br />

Jolail (Italian, 19th Century)<br />

The Gulf of Pozzuoli<br />

oil on canvas<br />

signed<br />

45 x 81.5cm<br />

Lot 269<br />

£3,000 - 5,000<br />

William Huggins (English, 1820-1884)<br />

Portrait of the artist’s mother<br />

oil on canvas<br />

signed and dated 1862<br />

100 x 75cm<br />

Lot 270<br />

£800 - 1,200<br />

Edmond Jean-Baptiste Tschaggeny<br />

(Belgian, 1818-1873)<br />

Cattle drover and cows beside a stream<br />

oil on wooden panel<br />

monogrammed<br />

28 x 21cm<br />

£400 - 600<br />

269<br />

124


271<br />

Lot 271<br />

270<br />

Theude Grönland (German, 1817-1876)<br />

Still life of sweet peas, fruit and two<br />

white mice<br />

oil on wooden panel<br />

signed and dated 1843<br />

29 x 39cm<br />

£3,000 - 5,000<br />

Lot 272<br />

Jean-Louis van Kuyck , (Belgian, 1821-<br />

1871)<br />

Stable interior, with grooms horses, a<br />

dog and chickens<br />

oil on canvas<br />

signed<br />

79 x 109cm<br />

Lot 273<br />

£600 - 800<br />

Florence Fitzgerald (British, 1857-1927)<br />

‘The Squirrel’<br />

oil on canvas<br />

signed<br />

39 x 54cm<br />

£300 - 500<br />

272<br />

273<br />

125


274<br />

275<br />

Lot 274<br />

William Henry Mander (British, 1850-1922)<br />

‘Falls on the Llugy in Low Capel Curig, N. Wales,<br />

<strong>Autumn</strong>’<br />

oil on canvas<br />

signed and dated ‘08<br />

76 x 51cm<br />

£2,000 - 3,000<br />

Lot 275<br />

English School c.1890<br />

Portrait of a British Naval Officer<br />

oil on canvas<br />

74 x 62cm<br />

£500 - 800<br />

Lot 276<br />

Daniel Sherrin (British, 1868-1940)<br />

‘Among the heather’<br />

oil on canvas<br />

signed<br />

76 x 50cm<br />

£400 - 600<br />

276<br />

126


277<br />

Lot 277<br />

Henry H. Parker (British, 1858-<br />

1930)<br />

‘At Culham on Thames’ and<br />

‘The River Wey, near Ripley,<br />

Surrey’<br />

oil on canvas, a pair<br />

signed and inscribed verso<br />

30 x 45cm<br />

£1,000 - 1,500<br />

277<br />

Lot 278<br />

After Benjamin Constant<br />

(Swiss, 1845-1902)<br />

‘On the lookout, distant view of<br />

the Sahara’<br />

oil on canvas<br />

71 x 101cm<br />

£2,000 - 2,500<br />

278<br />

127


279<br />

279<br />

280<br />

Lot 279<br />

Harry T. Hine (British, 1845-1941)<br />

Fighting cocks<br />

watercolours, a near pair<br />

signed and dated 1906 / 1907<br />

23 x 17cm and 24.5 x 17cm<br />

Lot 280<br />

Harry T. Hine (British, 1845-1941)<br />

Fighting cocks<br />

watercolour<br />

signed and dated 1907<br />

25 x 32cm<br />

Lot 281<br />

£600 - 800<br />

£300 - 500<br />

David Farquarson A.R.A., A.R.S.A.,<br />

R.S.W. (Scottish, 1839-1907)<br />

‘A Field Road’<br />

oil on canvas<br />

signed and dated 1877 and inscribed<br />

with the title verso<br />

76 x 51cm<br />

£500 - 700<br />

281<br />

128


282<br />

Lot 282<br />

Hubert Thornley (fl.1859-1898)<br />

Beached merchant ship unloading the<br />

hold with figures on the shore at sunset<br />

oil on canvas<br />

signed<br />

40 x 60cm<br />

Lot 283<br />

Hubert Thornley (fl.1859-1898)<br />

Moonlit Dutch harbour scene<br />

oil on canvas<br />

signed<br />

34 x 29cm<br />

£1,000 - 1,500<br />

£800 - 1,200<br />

283<br />

129


284<br />

Lot 284<br />

Marie-Édouard Adam (French,<br />

1847–1929<br />

‘The barque Ifafa leaving Le Havre’<br />

oil on canvas<br />

signed and dated 1881<br />

60 x 90cm<br />

£1,000 - 1,200<br />

285<br />

285<br />

Lot 285<br />

Harold Wyllie (British, 1880-1975)<br />

‘The building of the Queen<br />

Elizabeth at Clydebank 1935, and<br />

‘The Brig, Martin sailing through<br />

the Needles’<br />

watercolours, a pair<br />

signed, 17 x 37cm<br />

Lot 286<br />

£800 - 1,200<br />

William Adolphus Knell (British,<br />

1801-1875)<br />

Billowy Skies<br />

oil on board<br />

signed, 19.5 x 14cm<br />

£500 - 800<br />

130


287<br />

Lot 287<br />

Attributed to Charles Gregory<br />

RWS (English, 1849-1920)<br />

‘The barque Cambria’<br />

oil on canvas<br />

35 x 52cm<br />

286<br />

£750 - 850<br />

Lot 288<br />

Adolphus Knell (British, 1860-<br />

1890)<br />

Steam tug towing a warship into<br />

harbour at sunset<br />

oil on wooden panel<br />

signed,<br />

15.5 x 20.5cm<br />

£700 - 1,000<br />

288<br />

Lot 289<br />

Edwin Ellis (English, 1841-1895)<br />

Near Whitby<br />

oil on board<br />

artists label verso dated 1870<br />

22 x 29.5cm<br />

£400 - 600<br />

289<br />

131


290<br />

Lot 290<br />

Albert Goodwin (English, 1845-1932)<br />

‘The House of Circe; “Thou hast<br />

given them a drink of the dry wine”’<br />

watercolour<br />

signed and dated 1919<br />

34 x 46cm<br />

Lot 291<br />

£800 - 1,200<br />

Albert Goodwin (English, 1845-1932)<br />

‘Ilfracombe’<br />

watercolour<br />

monogrammed and dated 90<br />

24.5 x 25cm<br />

£600 - 800<br />

291<br />

132


292<br />

Lot 292<br />

Arthur Wardle (British, 1864-1949)<br />

‘Midday rest’<br />

watercolour<br />

signed<br />

43 x 64.5cm<br />

£3,000 - 5,000<br />

Lot 293<br />

Follower of Walter Crane RWS (1845-1915)<br />

frontispiece for The Well of Loneliness by<br />

Radclyffe Hall<br />

ink and watercolour on grey paper<br />

inscribed verso<br />

22 x 16.5cm<br />

£800 - 1,200<br />

293<br />

133


294<br />

295<br />

Lot 294<br />

James Montgomery Flagg (American, 1877-<br />

1960)<br />

Portrait of Kathleen Parkhurst in The Pirates of<br />

Penzance, D’Oyly Carte Opera Company<br />

oil on canvas<br />

signed and dated 1936<br />

126 x 100cm<br />

Lot 295<br />

£3,000 - 5,000<br />

James Elder Christie (Scottish, 1847-1914)<br />

Portrait of Richard Carte (1808-1891), English<br />

flute-maker, flautist and composer<br />

oil on canvas<br />

monogrammed and dated ‘85<br />

34 x 24cm<br />

£800 - 1,200<br />

296<br />

Lot 296<br />

Helen Donald-Smith (1880-1930)<br />

Portrait of a girl wearing a blue dress standing<br />

upon an armchair<br />

oil on canvas<br />

signed and dated ‘91, 110 x 85cm<br />

£500 - 800<br />

134


297<br />

Lot 297<br />

Robert Polhill Bevan (British, 1865-1925)<br />

Study for The Bayhorse, Tattersall’s, 1921 (Paul<br />

Mellon Bequest - Yale Centre for British Art)<br />

pencil and watercolour<br />

inscribed verso<br />

29 x 23.5cm<br />

£12,000 - 18,000<br />

The subject matter of cab-yards, mews and horse<br />

sales in London was suggested to Bevan by Walter<br />

Sickert .<br />

For a related work see Christie’s sale Lot 100, 28<br />

Nov 2000.<br />

135


298<br />

300<br />

299<br />

Lot 298<br />

Louis Bosworth Hurt<br />

(British, 1856-1929)<br />

‘In Glen Falloch, Perthshire’<br />

oil on canvas board<br />

signed and titled by the artist<br />

verso<br />

32 x 47cm<br />

Lot 299<br />

£400 - 600<br />

Sydney Watts White (British,<br />

fl.1892-1917)<br />

Portrait of Antony Barton<br />

oil on canvas<br />

signed and dated 1945<br />

35 x 29.5cm<br />

Lot 300<br />

£500 - 800<br />

Follower of William Grant<br />

Stevenson RSA (1849-1919)<br />

Golfing scene near the<br />

coast, probably St Andrews<br />

oil on canvas<br />

signed and indistinctly dated<br />

..84<br />

50 x 75cm<br />

£400 - 600<br />

301<br />

136


302<br />

Lot 301<br />

Karl Keinke (German, b.1852)<br />

‘The Bather’<br />

oil on canvas<br />

signed with artist label verso<br />

52 x 72.5cm<br />

£800 - 1,200<br />

Lot 302<br />

Emil Barbarini (Austrian,<br />

1855-1933)<br />

Street scene with figures<br />

beside a flower seller<br />

oil on wooden panel<br />

signed<br />

26 x 39cm<br />

Lot 303<br />

£1,500 - 2,000<br />

William Percy French (Irish,<br />

1854-1920)<br />

Coastal landscape at sunset<br />

watercolour<br />

initialled<br />

17 x 25cm<br />

£1,000 - 1,500<br />

303<br />

137


304<br />

305<br />

Lot 304<br />

§ Forrest Hewit (British, 1870-<br />

1956)<br />

‘The Calico Printers Ball,<br />

1887’<br />

oil on canvas<br />

signed with exhibition label<br />

verso<br />

121 x 161cm<br />

Lot 305<br />

£2,000 - 3,000<br />

Charles Ginner NEA ROI<br />

ARWS (English, 1878-1952)<br />

Landscape with trees, lake<br />

and house beyond<br />

ink and watercolour<br />

inscribed verso stating from the<br />

artist presenting it to Ethelbert<br />

White<br />

26 x 36cm<br />

£1,000 - 2,000<br />

138


Lot 306<br />

§ Sir Gerald Festus Kelly RA,<br />

KCVO, PRA (British, 1879-1972)<br />

Portrait of Mademoiselle Gabby<br />

Aumont<br />

oil on canvas<br />

inscribed verso<br />

44 x 37cm<br />

£3,000 - 5,000<br />

Lot 307<br />

Sir William Orpen RA RHA RWS<br />

(British, 1878-1931)<br />

‘A Break for a Smoke’<br />

pencil, pen, red ink and watercolour<br />

New Grafton Gallery 1977 Exhibition<br />

label verso<br />

25 x 33cm<br />

£600 - 800<br />

306<br />

307<br />

139


308<br />

Lot 308<br />

§ Samuel John Lamorna Birch, RA,<br />

RWS, RWA (British, 1869-1955)<br />

‘Old Boleigh’<br />

oil on board<br />

signed, exhibited at the RA 1933<br />

33 x 40cm<br />

Lot 309<br />

£2,000 - 3,000<br />

Sydney Carter (South African, 1874-<br />

1945)<br />

‘A Cape Town Avenue’<br />

oil on board<br />

signed and inscribed verso<br />

62 x 80cm<br />

£800 - 1,200<br />

309<br />

140


Lot 310<br />

310<br />

William Heath Robinson (British, 1872-1944)<br />

‘The landing of the expedition up the River<br />

Wemb to discover & secure a site for the present<br />

exhibition’<br />

pen, ink and monochrome watercolour<br />

signed and inscribed ‘Bystander’, 37 x 27cm<br />

£500 - 700<br />

311<br />

Lot 311<br />

§ Sir Herbert James Gunn RA PRP RSW<br />

(Scottish, 1893-1964)<br />

Portrait of Silvanus Nicol, The President of the<br />

British Wood Pulp Association from 1947-1949<br />

oil on canvas<br />

signed, 90 x 70cm<br />

Lot 312<br />

£1,000 - 1,500<br />

Sydney Horne Shepherd (English, 1909-1993)<br />

Portrait of the artist’s wife<br />

oil on canvas<br />

75 x 59cm<br />

£700 - 900 312<br />

141


313<br />

314<br />

142


Lot 313<br />

§ Eric Slater (English, 1896-<br />

1963)<br />

‘Seaford Head’<br />

woodcut in colours<br />

signed in pencil<br />

25.5 x 35cm<br />

£500 - 700<br />

Lot 314<br />

Robert Anning Bell RA RWS<br />

(British, 1863-1933)<br />

Shrouded figures seated in a<br />

landscape<br />

oil on canvas<br />

signed and dated 1922<br />

75 x 126cm<br />

£1,500 - 2,000<br />

Lot 315<br />

Christopher Richard Wynne<br />

Nevinson A.R.A. (British, 1889-<br />

1946)<br />

Portrait of a young lady<br />

oil on canvas<br />

signed and dated 19..<br />

58 x 42cm<br />

315<br />

£4,000 - 6,000<br />

143


316<br />

Lot 316<br />

§ Marcel Gromaire (French, 1892-1971)<br />

Harvesters with a cathedral beyond<br />

mixed media<br />

signed and dated 1954<br />

38 x 47cm<br />

Lot 317<br />

£800 - 1,200<br />

§ Austin Osman Spare (British, 1886-1956)<br />

Two grotesques<br />

pencil on paper<br />

25 x 19cm<br />

£1,500 - 2,000<br />

317<br />

144


Lot 318<br />

Noel Georges Bouvard (French,<br />

1912-1975)<br />

Venetian canal scenes<br />

oil on canvas, a pair<br />

signed<br />

27 x 35cm<br />

£2,000 - 3,000<br />

318<br />

Lot 319<br />

§ Laurence Stephen Lowry,<br />

RBA, RA (British, 1887-1976)<br />

‘An Industrial Town’<br />

offset lithograph<br />

signed in pencil, numbered<br />

478/500<br />

43.5 x 59cm, visible sheet 47 x<br />

62cm<br />

£800 - 1,200<br />

319<br />

145


320<br />

321<br />

Lot 320<br />

§ Gerald A. Cooper (British 1898-1975)<br />

‘Peonies, Tulips and Iris’<br />

oil on board<br />

signed, 1962 Stacy Marks label verso<br />

75 x 62cm<br />

Lot 321<br />

£1,500 - 2,500<br />

Raymond Campbell (English, b.1956)<br />

1982 Moet & Chandon with strawberries and<br />

grapes<br />

oil on canvas<br />

signed<br />

40cm x 30cm<br />

£700 - 900<br />

322<br />

Lot 322<br />

Albert de Belleroche (English, 1864-1944)<br />

‘Femme nue dans la Campagne’<br />

oil on canvas<br />

signed<br />

79 x 62cm<br />

£800 - 1,200<br />

146


Lot 323<br />

§ Albert Williams (English, 1922-2010)<br />

Summer flowers in a vase upon a ledge<br />

oil on canvas<br />

signed<br />

75 x 60cm<br />

£1,000 - 1,500<br />

323 324<br />

Lot 324<br />

§ Albert Williams (English, 1922-2010)<br />

Winter flowers in a Clarice Cliff vase<br />

oil on canvas<br />

signed<br />

65 x 55cm<br />

£600 - 800<br />

Lot 325<br />

§ Jeffrey Pratt (British, b.1940)<br />

Caribbean mother and child on the seashore, a<br />

sketch of Indian women verso<br />

oil on board<br />

signed<br />

62 x 39cm<br />

£1,000 - 1,500<br />

325<br />

147


326<br />

327<br />

Lot 326<br />

§ Scottie Wilson (Scottish 1888-1972)<br />

Two birds and flowering tree<br />

watercolour<br />

signed<br />

34 x 47cm<br />

£500 - 700<br />

328<br />

Lot 327<br />

§ Sir Roger de Grey, P.R.A. (English,<br />

1918-1995)<br />

‘The Canal, Marennes, 1989’<br />

oil on canvas<br />

signed, 121 x 101cm<br />

£1,200 - 1,500<br />

Lot 328<br />

§ Edward Hersey (British, b.1948)<br />

Cattle in pasture<br />

oil on board<br />

signed and dated ’85<br />

40 x 50cm<br />

£500 - 700<br />

329<br />

Lot 329<br />

§ Felix Kelly (English, 1916-1994)<br />

‘Prior Park, Bath’<br />

oil on board<br />

signed, Lefevre Gallery label verso<br />

27.5 x 37.5cm<br />

£2,000 - 3,000<br />

148


330<br />

Lot 330<br />

§ Edward Seago (British, 1910-1974)<br />

St Mark’s Piazza, Venice<br />

watercolour<br />

signed in pencil<br />

37 x 26cm<br />

£3,000 - 5,000<br />

149


Lot 331<br />

§ Cecil Rochfort D’Oyly-<br />

John (1906–1993)<br />

‘Night fishermen off coast<br />

at La Napoule near Cannes<br />

S of France’<br />

oil on canvas<br />

signed<br />

25 x 35cm<br />

£400 - 600<br />

331<br />

Lot 332<br />

§ Cecil Rochfort D’Oyly<br />

John (British, 1906-1993)<br />

French Mediterranean<br />

scene<br />

oil on board<br />

signed<br />

24 x 30cm, unframed<br />

£400 - 600<br />

332<br />

Lot 333<br />

§ Cecil Rochfort D’Oyly<br />

John (British, 1906-1993)<br />

‘Venice, a side street off the<br />

Grand Canal near the Place<br />

Marco’<br />

oil on canvas<br />

signed<br />

35 x 70cm<br />

£1,500 - 2,000<br />

333<br />

150


334<br />

335<br />

Lot 334<br />

§ Cecil Rochfort D’Oyly John<br />

(British, 1906-1993)<br />

‘South Beach’, Durban<br />

oil on board<br />

signed with artists label verso giving the<br />

address as Studio Cottage<br />

35.5 x 45.5cm<br />

£500 - 800<br />

After World War II D’Oyly John moved<br />

back to South Africa with his wife Joan.<br />

They moved to Durban and literally built<br />

their own house on Cowies HIll, in the<br />

Rondavel style, and named it ‘Studio<br />

Cottage’.<br />

See Kelleway & Mayhew - D’Oyly-John<br />

Living In The Sun, 2012 for further<br />

details of Studio Cottage<br />

Lot 335<br />

§ Cecil Rochfort D’Oyly John<br />

(British, 1906-1993)<br />

‘Villefranche, South of France’<br />

oil on canvas<br />

signed,43 x 58cm, unframed<br />

Lot 336<br />

£600 - 800<br />

§ Cecil Rochfort D’Oyly John<br />

(British, 1906-1993)<br />

Portrait of a the artist’s wife Joan,<br />

wearing a straw hat<br />

oil on board,signed<br />

52 x 42cm<br />

£1,000 - 1,500<br />

See Kelleway & Mayhew - D’Oyly-John<br />

Living In The Sun, page 20 for another<br />

portrait of Joan.<br />

336<br />

151


Lot 337<br />

§ Cecil Rochfort D’Oyly John<br />

(British, 1906-1993)<br />

Mediterranean harbour scene<br />

oil on board<br />

signed<br />

50 x 60cm<br />

£800 - 1,200<br />

337<br />

Lot 338<br />

§ Cecil Rochfort D’Oyly John<br />

(British, 1906-1993)<br />

Between Biarritz and St Jean de Lux<br />

oil on board<br />

signed<br />

49 x 75cm<br />

£800 - 1,200<br />

See Kelleway & Mayhew - D’Oyly-John<br />

Living In The Sun, page 50 for a similar<br />

work<br />

338<br />

Lot 339<br />

§ Cecil Rochfort D’Oyly John<br />

(British, 1906-1993)<br />

Portofino<br />

oil on board<br />

signed<br />

47 x 72.5cm<br />

£1,500 - 2,000<br />

339<br />

152


340<br />

Lot 340<br />

§ Cecil Rochfort D’Oyly John<br />

(English, 1906–1993)<br />

Fishing boats, South of France<br />

oil on canvas<br />

signed, sold with D’Oyly John’s<br />

passport and a palette knife from<br />

his studio<br />

40 x 50cm<br />

£800 - 1,200<br />

Lot 341<br />

§ Cecil Rochfort D’Oyly John<br />

(English, 1906–1993)<br />

French Mediterranean town<br />

square with flower seller<br />

oil on canvas<br />

signed, 42 x 52cm<br />

£1,000 - 1,500<br />

341<br />

153


Lot 342<br />

§ Antoine Blanchard (French,<br />

1910-1988)<br />

‘Boulevard’<br />

oil on canvas<br />

signed<br />

33 x 46cm<br />

£2,000 - 3,000<br />

342<br />

Lot 343<br />

§ Antoine Blanchard (French,<br />

1910-1988)<br />

‘By coach in the rain’<br />

oil on canvas<br />

signed<br />

32 x 46cm<br />

£2,000 - 3,000<br />

343<br />

Lot 344<br />

§ Antoine Blanchard (French,<br />

1910-1988)<br />

‘The Embankment by the Louvre’<br />

oil on canvas<br />

signed<br />

33 x 46cm<br />

£2,000 - 3,000<br />

344<br />

154


Lot 345<br />

Hayward Veal (Australian, 1913-<br />

1968)<br />

French harbour scene<br />

oil on canvas<br />

signed<br />

40 x 51cm<br />

£500 - 800<br />

345<br />

Lot 346<br />

Walter John Beauvais (1942-1998)<br />

Beach scene<br />

oil on canvas<br />

signed<br />

49 x 75cm<br />

£400 - 600<br />

346<br />

Lot 347<br />

§ David Cobb (British, 1921-2014)<br />

Night Action, Falklands Islands,<br />

1982<br />

oil on board<br />

signed<br />

30 x 45cm<br />

£400 - 600<br />

347<br />

155


Lot 348<br />

§ Mary Fedden OBE R.A. PPRWA (1915-2012)<br />

Portrait of Professor Robert Donington, playing the Viola de Gamba<br />

oil on canvas<br />

signed and dated 1948<br />

60 x 50cm<br />

£10,000 - 15,000<br />

Robert Donington (1907-1990) was educated at St Paul’s School, London, and studied at the University<br />

of Oxford. His expert knowledge of early instruments and the interpretation of pre-classical music owed<br />

much to a period of study with Arnold Dolmetsch at Haslemere, Surrey. He was appointed OBE in the 1979<br />

Birthday Honours.<br />

In the late 1940’s Donington shared a studio with his friend Julian Trevelyan. Here he met Mary Fedden and<br />

although already married became enamoured with her. By repute in an effort to cool his pursuit of Mary his<br />

wife encouraged him to commission work from her and thus place their relationship on a more professional<br />

basis. Mary painted his portrait as well as a view of Robert’s holiday home, a converted fishermans’ hut at<br />

Cadgwith. He also acquired a further work from her; ‘The Lion and the Lamb’. As history records regardless<br />

of Robert’s affections, Mary married Julian.<br />

156


Lot 349<br />

§ Mary Fedden OBE R.A. PPRWA (1915-2012)<br />

Fishermen’s hut at Cadgwith<br />

oil on canvas<br />

signed and dated 1948<br />

50 x 40cm<br />

£15,000 - 20,000<br />

157


Lot 349<br />

§ Mary Fedden OBE R.A. PPRWA (1915-2012)<br />

‘The Lion and the lamb’<br />

oil on canvas<br />

signed and dated 1950<br />

62 x 74cm<br />

£20,000 - 30,000<br />

158


351 352<br />

Lot 351<br />

§ Sherree Valentine Daines (1959-)<br />

Portrait of a young lady<br />

oil on canvas<br />

signed and dated ‘85<br />

40.5 x 30cm, unframed<br />

Lot 352<br />

§ Sherree Valentine Daines (1959-)<br />

Seated female nude<br />

oil on board<br />

initialled<br />

55 x 43cm<br />

Lot 353<br />

§ Peter Howell (British b.1932)<br />

Racehorse with jockey up<br />

oil on canvas<br />

signed<br />

60 x 50cm<br />

£500 - 800<br />

£1,000 - 1,500<br />

£400 - 600<br />

353<br />

159


355<br />

354<br />

356<br />

160


Lot 354<br />

§ Eileen Cooper O.B.E., R.A. (British, b.1953)<br />

Crouching figure<br />

oil on formica<br />

128 x 94.5cm<br />

Lot 355<br />

Roy Lichtenstein (American, 1923-1997)<br />

‘GRRRRRRRRRRR!!’ 1965<br />

offset colour lithograph on wove paper<br />

signed in ink, 70 x 58cm<br />

Lot 356<br />

357<br />

£2,000 - 3,000<br />

£800 - 1,200<br />

A set of six porcelain plates made by Wedgwood<br />

for the National Art Collection Fund, 1992,<br />

‘Garden Plate’ by Patrick Heron,<br />

‘Passed the Tangerine Test’ by Bruce McLean,<br />

‘Fabula’ by Eduardo Paolozzi,<br />

‘The Green Man’ by John Piper,<br />

‘Demonstrations’ by Peter Blake,<br />

‘Ipanema’ by Patrick Caulfield,<br />

printed marks, limited edition of 500, in a series<br />

of six designs commissioned by the National Art<br />

Collections Fund and Wedgwood, with certificates<br />

and each boxed, each 31cm diameter (6)<br />

£600 - 800<br />

Lot 357<br />

§ Josef Herman OBE RA (Polish/British, 1911-<br />

2000)<br />

‘Mother and child’<br />

mixed media<br />

Boundary Gallery label verso dating the work to<br />

1955/56<br />

22 x 14cm<br />

Lot 358<br />

Fabian Perez (Argentinian, b.1967)<br />

‘Venice’<br />

watercolour on paper<br />

signed<br />

34 x 34cm<br />

358<br />

£400 - 600<br />

£1,000 - 1,500<br />

161


Lot 359<br />

§ Rowland Hilder (1905-1993)<br />

‘Thames Misty Morning’<br />

watercolour<br />

signed<br />

27 x 36.5cm<br />

£1,000 - 1,500<br />

359<br />

Lot 360<br />

§ Rowland Hilder (1905-1993)<br />

‘Oast Houses, Kent’<br />

watercolour<br />

Everard Read Gallery label verso<br />

35 x 51.5cm<br />

£800 - 1,200<br />

360<br />

Lot 361<br />

§ Olivier Camen (French, b.1964)<br />

‘Vivien Leigh - Waterloo Bridge’, 2015<br />

mixed media on canvas<br />

This work was included in the 2015<br />

‘Olivier Camen Solo Exhibition’, and<br />

reproduced in the catalogue page 10<br />

100 x 130cm<br />

£1,000 - 1,500<br />

361<br />

162


Lot 362<br />

§ Sir Kyffin Williams (Welsh, 1918-2006)<br />

‘Blind Man’<br />

oil on canvas<br />

initialled<br />

68 x 50cm<br />

£15,000 - 20,000<br />

163


363<br />

Lot 363<br />

§ Donald McIntyre R.I.<br />

R.Cam.A. S.M.A. (Scottish<br />

1923-2009)<br />

‘Cottages by the sea’<br />

acrylic on board<br />

signed, 1999 Thackeray Gallery<br />

label verso<br />

50 x 75cm<br />

Lot 364<br />

£4,000 - 6,000<br />

§ John Lowrie Morrison,<br />

[Jolomo] O.B.E (Scottish<br />

1948-)<br />

‘Lakeside cottage’<br />

oil on board<br />

signed ‘’Jolomo’’<br />

40 x 40cm<br />

£1,500 - 2,000<br />

364<br />

164


366<br />

365<br />

Lot 365<br />

§ Sir Terry Frost (British, 1915-2003)<br />

‘Newlyn Rhythm’<br />

etching, 1995<br />

signed in pencil, titled and numbered 2/80<br />

55 x 35cm<br />

£400 - 600<br />

Lot 366<br />

§ Fred Yates (English, 1922-2008)<br />

‘Tubbies’<br />

oil on board<br />

inscribed verso, 34 x 26.5cm<br />

£800 - 1,200<br />

Exhibited Fred Yates, A Second Exhibition of Paintings,<br />

Europa Gallery, Sutton, December 1991<br />

165


Lot 367<br />

§ Fred Cuming B.A. (British, 1930-2022)<br />

West Pier, Brighton<br />

oil on board<br />

signed<br />

41 x 28.5cm<br />

£1,500 - 2,000<br />

Lot 368<br />

§ Simon Palmer (British, b.1956)<br />

‘Glyndebourne’<br />

watercolour<br />

signed<br />

59 x 41cm<br />

£2,000 - 3,000<br />

166


Lot 369<br />

§ John Piper (British, 1903-1992)<br />

‘Moyrus, Connemara’<br />

Indian ink, bodycolour, grey and umber washes and<br />

pencil<br />

signed in pen and ink lower right, titled and dated<br />

II.IX.69 in pencil<br />

36 x 54cm<br />

£3,000 - 5,000<br />

167


Lot 370<br />

§ Philip Dunn (English, b.1945)<br />

‘Peace in our time’<br />

acrylic on canvas<br />

signed, 120 x 89cm<br />

£2,000 - 3,000<br />

168


SILVER & VERTU<br />

At approx. 2.00pm.<br />

371 - 417<br />

398<br />

169


371<br />

372<br />

Lot 371<br />

A James I silver seal top spoon, by William<br />

Cawdell, London, 1605, 16.8cm, 47 grams.<br />

NB: William Cawdell was the maker of the<br />

celebrated Titchborne spoons,<br />

Lot 372<br />

£2,000 - 3,000<br />

A 17th/18th century Scandinavian silver spoon,<br />

with engraved scroll decoration to the handle and<br />

initialled R.O.D. to the spoon terminal, maker’s mark<br />

stamped twice, PR? conjoined, 17.4cm, 26 grams.<br />

Lot 373<br />

£400 - 600<br />

A George II silver salver, by John Robinson II,<br />

of shaped circular form, with later engraved initials<br />

and engraved scroll decoration, on three hoof feet,<br />

London 1745, 32.6cm, 29.4oz.<br />

Lot 374<br />

£400 - 600<br />

A mid 18th century provincial silver tankard,<br />

by John Langlands I, with domed cover and<br />

scroll thumbpiece, the body with banded girdle and<br />

engraved initials to the handle, Newcastle, circa<br />

1760 (no date letter), height 18.9cm, 25.4oz.<br />

£800 - 1,200<br />

Lot 375<br />

An early George III silver chamberstick, by<br />

Ebenezer Coker, with gadrooned borders and<br />

engraved crest, on three fluted feet, London, 1768,<br />

with associated snuffer, diameter 15.3cm, 12.2oz.<br />

Lot 376<br />

£300 - 400<br />

A George II silver snuffers stand, by John Cafe,<br />

of waisted form, with engraved crest and inscription,<br />

London, 1758, 20.9cm, 10.8oz.<br />

Lot 377<br />

£200 - 300<br />

A George III provincial silver two handled<br />

pedestal cup, by Langlands & Robertson, with<br />

engraved initials, Newcastle, 1781, height 13.3cm,<br />

9.5oz.<br />

Lot 378<br />

£200 - 300<br />

A George III provincial silver two handled<br />

pedestal cup, with engraved monogram, marks<br />

rubbed, possibly 1792, 14.8cm, 10.1cm, 10oz.<br />

£200 - 300<br />

170


373<br />

374<br />

376<br />

375<br />

377<br />

378<br />

171


Lot 379<br />

A Victorian and later matched silver gilt part<br />

canteen of dessert cutlery by Francis Higgins II<br />

& III, with fruiting vine handles and decoration and<br />

engraved crest or monogram, comprising twelve<br />

spoons, London, 1875, (one 1877) and seven pairs<br />

of knives(loaded handles) and forks, London, 1905,<br />

43.5oz.<br />

Lot 380<br />

£800 - 1,200<br />

A 19th century Chinese silver mug, makers<br />

mark LC?, with dragon handle and embossed with<br />

continuous battle scene, with engraved inscription<br />

‘Shanghai Volunteer Corps, Mounted Rangers<br />

Cup Won By Trooper F. Evans F.L. at the Spring ?<br />

Meeting, 1860?’, height 17cm, 16.2oz.<br />

Lot 381<br />

£800 - 1,200<br />

A cased set of four late George III embossed and<br />

engraved parcel gilt silver Hanovarian pattern<br />

serving spoons, William Chawner II?, London,<br />

1817, 22cm, 9.1oz.<br />

Lot 382<br />

£250 - 350<br />

A George III silver baluster pint mug, by Peter &<br />

Ann Bateman, with acanthus leaf capped handle,<br />

London, 1796, overstruck maker’s mark, 13.6cm,<br />

12.5oz.<br />

£300 - 400<br />

Lot 383<br />

A 19th century Austro-Hungarian 800 standard<br />

silver gilt, jewelled and enamelled rectangular<br />

singing bird box automaton, decorated with<br />

foliage and birds, on four dragon feet, maker’s mark,<br />

KT, in fitted box with later key, width 10.2cm.<br />

Lot 384<br />

£1,800 - 2,200<br />

A George III silver tankard, with whistle? handle,<br />

by John King, of baluster form, with pierced<br />

thumbpiece and domed cover, London, 1776,<br />

21.7cm, 27.9oz.<br />

Lot 385<br />

£800 - 1,000<br />

A Victorian silver three piece melon shaped<br />

tea set, by Charles Reily & George Storer,<br />

with engraved foliate scroll decoration, London,<br />

1844, gross 45.7oz. CITES Submission reference<br />

4EX5AG5K<br />

Lot 386<br />

£400 - 600<br />

A Victorian silver inverted pear shaped three<br />

piece tea set by John Wellby, with embossed<br />

foliate scroll decoration and engraved initial,<br />

London, 1864, gross weight 55.5oz. CITES<br />

Submission reference L9TNUDXS<br />

Lot 387<br />

£800 - 1,200<br />

A matched canteen of early 19th century silver<br />

fiddle pattern flatware for twelve, comprising<br />

twelve each of the following, table spoons, dessert<br />

spoons, teaspoons, table forks and dessert forks,<br />

various dates and makers, 98.7oz.<br />

£1,500 - 2,000<br />

172


380<br />

379<br />

381<br />

382<br />

383<br />

384<br />

385<br />

386<br />

387<br />

173


Lot 392<br />

A Victorian silver gilt circular inkstand, by<br />

Robert Hennell III, with single mounted glass well<br />

and decorated with applied frog, mask and Staff of<br />

Hermes, London, 1858, base diameter 21cm, base<br />

14.7oz.<br />

Lot 393<br />

£500 - 700<br />

A good ornate Victorian parcel gilt silver<br />

chamberstick with extinguisher by George Fox,<br />

with mask decorated sconce. mask and figural long<br />

handle and decorated with gothic scrolls, London,<br />

1860, 31.7cm, 14.2oz, in original fitted case.<br />

£800 - 1,200<br />

388<br />

Lot 388<br />

An Edwardian embossed silver novelty trinket<br />

box, modelled as a dressing table with raised<br />

back, on cabriole legs, by William Comyns,<br />

the pierced and scroll raised back decorated with<br />

two figures in a landscape, with windmill beyond,<br />

London, 1902, width 15cm, gross weight 9.9oz.<br />

Lot 389<br />

£300 - 400<br />

An early Victorian three piece Scottish silver<br />

inverted pear shaped tea set by Leonard<br />

Urquhart, embossed with floral decoration,<br />

Edinburgh, 1843, gross weight 52.3oz. CITES<br />

Submission reference BK1SZJGP<br />

Lot 390<br />

£500 - 700<br />

An ornate pair of early Victorian silver<br />

candlesticks by Creswick & Co, with waisted<br />

stems and foliate scroll decoration, on shaped<br />

circular bases, Sheffield, 1840, 28.6cm, weighted.<br />

Lot 391<br />

£400 - 600<br />

An ornate pair of Victorian silver gilt dwarf<br />

candlesticks, by John Wilmin Figg, with foliate<br />

scroll and bird decoration on pierced octagonal foot,<br />

London, 1867, height 16.2cm, 15oz.<br />

£400 - 600<br />

Lot 394<br />

A matched pair of late 19th/early 20th century<br />

silver two branch, three light candelabrum, with<br />

scroll arms, on beaded square bases, Hawksworth,<br />

Eyre & Co, one Sheffield, 1881, the other Sheffield,<br />

1901, height 49cm, weighted, arms only 61.6oz<br />

(a.f.).<br />

Lot 395<br />

£1,500 - 2,000<br />

A large Victorian silver mounted cut glass scent<br />

bottle, by George Brace, with monogrammed cap,<br />

London, 1878, 28cm, in fitted leather case.<br />

Lot 396<br />

£300 - 400<br />

An ornate pair of Edwardian silver candlesticks,<br />

by Walker & Hall, with fixed sconces, waisted<br />

knopped stems and foliate scroll decoration, on<br />

shaped circular bases, Sheffield, 1902, height<br />

32.9cm, weighted.<br />

Lot 397<br />

£500 - 700<br />

A pair of Victorian silver chambersticks and<br />

extinguishers, by Charles Thomas Fox and<br />

George Fox, with beaded borders, London, 1853,<br />

base diameter 15.2cm, 24.4oz (a.f.).<br />

£400 - 600<br />

174


390<br />

389<br />

391<br />

392<br />

393<br />

395 394<br />

396<br />

397<br />

175


Lot 401<br />

A 1930’s Art Deco Mappin & Webb silver plated<br />

cocktail shaker designed by Keith Murray,<br />

numbered W28721, together with six Mappin &<br />

Webb silver plated coupes, numbered W27876,<br />

shaker 25.2cm, coupes 11.8cm.<br />

Lot 402<br />

£300 - 500<br />

A George V silver and tortoiseshell pique<br />

mounted carriage timepiece, by William Comyns,<br />

with Arabic dial, on bun feet, London, 1911, 10cm.<br />

Lot 403<br />

£400 - 600<br />

An Edwardian embossed silver rose bowl,<br />

by Walker & Hall, with embossed foliate band,<br />

Sheffield, 1901, diameter 20.7cm, 21.3oz.<br />

£400 - 600<br />

398<br />

Lot 398<br />

Boer War/Scouting Interest: A silver model of<br />

Lord Baden Powell in uniform, holding a rifle,<br />

on horseback, early 20th century, on an ebonised<br />

plinth base, apparently unmarked, overall height<br />

49.5cm.<br />

Lot 399<br />

£3,000 - 5,000<br />

An Edwardian repousse silver rose bowl, by<br />

Daniel & John Welby, with fluted and foliate<br />

decoration, London, 1905, diameter 26.3cm, 37oz.<br />

Lot 400<br />

£600 - 800<br />

An Edwardian silver pedestal fruit bowl, with<br />

pierced border and pierced circular foot, by<br />

James Dixon & Sons, Sheffield, 1909, diameter<br />

25.5cm, 25.2oz.<br />

£400 - 600<br />

Lot 404<br />

A late Victorian silver two handled trophy cup,<br />

with horse racing inscription relating to the<br />

South Down Hunt Point to Point, by James<br />

Deakin & Sons, Sheffield, 1895, height 22cm, 39oz,<br />

on ebonised plinth base.<br />

Lot 405<br />

£300 - 500<br />

An Edwardian garniture of three panelled silver<br />

baluster vases by William Comyns, London, 1909<br />

& 1911, largest 23.1cm, 35.8oz.<br />

Lot 406<br />

£500 - 700<br />

A late Victorian demi fluted silver four piece<br />

tea and coffee set, by Wakely & Wheeler, with<br />

engraved inscription, Sheffield, 1899, gross weight<br />

57.7oz. CITES Submission references SYSHJ9HV<br />

& MPQC7V3C<br />

£600 - 800<br />

176


399<br />

400<br />

401<br />

402<br />

404<br />

403<br />

405<br />

406<br />

177


Lot 407<br />

A cased set of twelve Norwegian silver gilt and<br />

polychrome enamel coffee spoons, retailed by<br />

Tiffany & Co, import marks for Birmingham, 1924,<br />

10.5cm,<br />

Lot 408<br />

£150 - 200<br />

A George V silver oval two handled tea tray, by<br />

James Dixon & Sons, with engraved crest and<br />

gadrooned border, Sheffield, 1927, 66.8cm, over<br />

handles, 96.1oz.<br />

Lot 409<br />

£1,200 - 1,500<br />

A set of six George VI silver mugs, by Mappin<br />

& Webb, with scroll handles, London, 1946, height<br />

11.4cm, 60.9oz.<br />

Lot 410<br />

£600 - 800<br />

A pair of George V Asprey & Co pierced silver<br />

serving spoons, with dolphin handles and circular<br />

bowls, London, 1914, 24.2cm, 6.3oz, in original<br />

Asprey & Co fitted box.<br />

Lot 411<br />

£300 - 400<br />

A pair of George VI silver two branch three light<br />

candelabra by George Howson, with reeded<br />

branches and tapering stems, on foliate scroll<br />

decorated bases, Sheffield, 1949, height 45.8cm,<br />

weight, arms weight gross 61.8oz.<br />

Lot 412<br />

£1,000 - 1,500<br />

A George V Omar Ramsden planished silver<br />

shallow bowl, with wavy banded girdle engraved<br />

inscription relating to ‘The Gas, Light and Coke<br />

Company at Barking Road’, on four scroll feet,<br />

London, 1929, overall diameter 19.5cm, 17.6oz.<br />

Lot 413<br />

£800 - 1,200<br />

A George V rectangular silver cigar box, by<br />

Deakin & Francis, with engraved inscription and<br />

crest, Birmingham, 1927, 30.4cm.<br />

£200 - 300<br />

414<br />

Lot 414<br />

An almost complete canteen of modern<br />

Christofle silver plated and Chinese brown<br />

lacquer Talisman pattern cutlery for eight,<br />

designed by Bernard Yot, comprising eight each<br />

of the following, fish knives and forks, soup spoons,<br />

dessert spoons, table and dessert forks, table<br />

and dessert knives and coffee spoons, with one<br />

sauce ladle, four teaspoons and pair of servers, the<br />

handles stamped ‘Laque de Chine’.<br />

Lot 415<br />

£800 - 1,200<br />

A mid 20th century Italian Buccelatti sterling<br />

silver four piece tea set, of fluted ovoid form, gross<br />

weight 95.7oz.<br />

Lot 416<br />

£1,500 - 2,000<br />

A late 19th/early 20th century Arts & Crafts<br />

silver pedestal soup tureen with cover and<br />

ladle, by The Birmingham Guild of Handicrafts,<br />

of planished circular form, with curved studwork<br />

handles, diameter 20.6cm, 35.9oz, stamped B.G.H.<br />

Lot 417<br />

£400 - 600<br />

A part canteen of George V and later silver<br />

flatware by Walker & Hall, comprising six of the<br />

following, table forks, dessert forks, soup spoons,<br />

table spoon and dessert spoons and three sauce<br />

ladles, Sheffield, 1930, 1949 & 1960, 63.5oz.<br />

£800 - 1,200<br />

178


407<br />

408<br />

409<br />

411<br />

410<br />

412<br />

415<br />

413<br />

417<br />

416<br />

179


WATCHES & JEWELLERY<br />

At approx. 2.15pm<br />

418-513<br />

432


419<br />

418<br />

Lot 418<br />

A late Victorian 18ct gold open faced keyless<br />

lever pocket watch, by J. Arnold Lake of Camden<br />

Town, with Roman dial and subsidiary seconds,<br />

case diameter 47mm, gross weight 97.6 grams,<br />

together with a 9ct gold albert, 40cm, 21.7 grams.<br />

£1,000 - 1,500<br />

Lot 419<br />

An early 20th century engraved 18ct gold and<br />

pink guilloche enamel Patek Philippe keyless fob<br />

watch, with Roman dial and chapter ring, no. 81113,<br />

cased diameter 31mm, gross weight 32 grams.<br />

£500 - 700<br />

420<br />

Lot 420<br />

An early 18th century pair cased gilt metal<br />

keywind verge pocket watch by Thomas<br />

Tompion & Edward Banger, with Roman dial, the<br />

signed movement with pierced and mask engraved<br />

cock and numbered 3229?, outer case diameter<br />

61mm.<br />

£1,200 - 1,800<br />

181


421<br />

422<br />

423<br />

424<br />

425<br />

426<br />

Lot 421<br />

A lady’s 18ct gold Jaeger LeCoultre Voguematic<br />

automatic rectangular wrist watch, on an<br />

associated Middle Eastern gold mesh link<br />

bracelet, with baton and pyramid numerals, case<br />

diameter 22mm, overall length 18.5cm, gross weight<br />

43.4 grams.<br />

Lot 422<br />

£1,000 - 1,500<br />

A gentleman’s early 1940’s Omega 9ct gold<br />

manual wind wrist watch, with Arabic dial,<br />

movement c.30SCT2, case diameter 33mm, gross<br />

weight 32.2 grams, on a later strap.<br />

Lot 423<br />

£600 - 800<br />

A gentleman’s stainless steel Cartier rectangular<br />

quartz wrist watch, with Roman dial and cabochon<br />

set winding grown, the case back numbered 252975<br />

PL over 2715, on a leather strap with Cartier<br />

deployment clasp, with Cartier box.<br />

£1,000 - 1,500<br />

Lot 424<br />

A gentleman’s WWI silver Rolex Officer’s trench<br />

manual wind wrist watch, with Arabic dial, red<br />

twelve and subsidiary seconds, the inner case back<br />

numbered 645953, import marked for London, 1915.<br />

Lot 425<br />

£600 - 800<br />

A 1920’s 18ct white gold Cartier Tank Cintree<br />

(7 lignes model) manual wind wrist watch, with<br />

rectangular Roman dial and facetted sapphire set<br />

winding crown, case diameter 20mm, numbered<br />

36185, gross weight 21.3 grams.<br />

Lot 426<br />

£4,000 - 6,000<br />

A gentleman’s 1950’s 18ct gold Patek Philippe<br />

Calatrava manual wind wrist watch, on an<br />

integral Patek Philippe 18ct gold bark bracelet,<br />

reference 3537 dimensions: 33mm, gross weight<br />

67.9 grams, in Charles Greig box, Patek Philippe<br />

retailer (South Africa) where the watch was<br />

purchased.<br />

£5,000 - 7,000<br />

182


427<br />

428<br />

429<br />

430<br />

431<br />

432<br />

Lot 427<br />

A gentleman’s 1960’s stainless steel Heuer<br />

Autavia automatic chronograph wrist watch, with<br />

red sweep seconds, two subsidiary dials and date<br />

aperture, lacking one button, movement c.12, case<br />

diameter 41mm, damaged strap with Heuer buckle.<br />

Lot 428<br />

£1,500 - 2,000<br />

A gentleman’s stainless steel and gold Santos<br />

De Cartier automatic wrist watch, with Roman<br />

dial, date aperture and cabochon set winding crown,<br />

on a stainless steel and gold Cartier bracelet.<br />

Lot 429<br />

£1,200 - 1,500<br />

A gentleman’s modern stainless steel Cartier 21<br />

Chronograph quartz wrist watch, on a stainless<br />

steel Cartier bracelet, the case with cabochon set<br />

winding crown and back numbered 93724PL, case<br />

diameter 38mm, with Cartier style box.<br />

£800 - 1,200<br />

Lot 430<br />

A gentleman’s late 1940’s 18ct gold Omega<br />

manual wind wrist watch, with baton and Arabic<br />

numerals and subsidiary seconds, movement c.265,<br />

case diameter 34mm, on associated leather strap.<br />

Lot 431<br />

£800 - 1,000<br />

A gentleman’s early 1960’s 18ct gold Omega<br />

automatic dress wrist watch of shaped square<br />

form, with baton numerals, movement c.671, case<br />

diameter 31mm, on associated leather strap.<br />

Lot 432<br />

£800 - 1,000<br />

A gentleman’s modern ceramic and stainless<br />

steel Chanel J12 GMT Automatic black dial wrist<br />

watch, the case back numbered I.G. 12933, case<br />

diameter 41mm, with Chanel box.<br />

£500 - 700<br />

183


433<br />

434<br />

435<br />

436<br />

437<br />

438<br />

Lot 433<br />

A lady’s modern stainless steel Must de Cartier<br />

21 quartz wrist watch, on a stainless steel<br />

Cartier bracelet, with Roman chapter ring and<br />

cabochon set winding crown, case diameter 28mm,<br />

with Cartiet box.<br />

Lot 434<br />

£400 - 600<br />

A lady’s modern Cartier 18k gold quartz wrist<br />

watch, on associated leather strap and buckle,<br />

with Roman dial and cabochon set winding crown,<br />

the case back numbered 881003 10901, with Cartier<br />

pouch.<br />

Lot 435<br />

£800 - 1,000<br />

A modern Must de Cartier steel and gold plated<br />

quartz travelling timepiece, with cabochon set<br />

winder and Roman chapter ring, case diameter<br />

56mm.<br />

£300 - 400<br />

Lot 436<br />

A gentleman’s modern 18ct white gold Ebel<br />

manual wind dress wrist watch, a gift to Sir<br />

Geoffrey William Tuttle by the Emir of Kuwait,<br />

with lapis lazuli dial, on a mesh link 18ct white gold<br />

bracelet, overall length 18.5cm, gross weight 73.7<br />

grams.<br />

Lot 437<br />

£2,000 - 3,000<br />

A lady’s early 1970’s 18ct gold Rolex Oyster<br />

Perpetual Datejust wrist watch, with diamond<br />

dot numerals, on an 18ct gold Rolex bracelet,<br />

with deployment clasp, model no. 6824, serial no.<br />

3244***, case diameter 31mm, with Rolex box.<br />

Lot 438<br />

£6,000 - 8,000<br />

A gentleman’s early 1970’s stainless steel Rolex<br />

Oyster Perpetual Datejust, on a stainless steel<br />

Rolex bracelet, the grey dial with baton numerals<br />

and date aperture, model no. 1603, serial no.<br />

2216***.<br />

£2,000 - 3,000<br />

184


439<br />

440<br />

441<br />

442<br />

443<br />

444<br />

Lot 439<br />

A lady’s early 1970’s stainless steel Rolex Oyster<br />

Perpetual Datejust wrist watch, set with after<br />

market? diamonds, with turquoise coloured dial,<br />

diamond dot markers and outer ring and diamond<br />

set bezel, model no. 6916?, serial no. 3022***,<br />

movement c.2030.<br />

Lot 440<br />

£2,500 - 3,000<br />

A gentleman’s early 1970’s stainless steel Rolex<br />

Oysterdate Precision manual wind wrist watch,<br />

on a stainless steel Rolex bracelet, the silvered<br />

dial with baton numerals and date aperture, model<br />

no. 6694, serial no. 2398***, bracelet ref. 7835/0.<br />

Lot 441<br />

£1,000 - 1,500<br />

A gentleman’s 2004 stainless steel Rolex Oyster<br />

Perpetual Date Explorer II wrist watch, on a<br />

stainless steel Rolex bracelet, model no.16570,<br />

serial no. F451***, case diameter 40mm, with Rolex<br />

box and guarantee.<br />

£5,000 - 7,000<br />

Lot 442<br />

A gentleman’s 2005 stainless steel Rolex<br />

Oyster Perpetual Sea Dweller wrist watch, on a<br />

stainless steel Rolex bracelet, with black dial, dot<br />

markers and date aperture, model no. 16600, serial<br />

no. D598***, with Rolex box.<br />

Lot 443<br />

£8,000 - 10,000<br />

A gentleman’s early 1970’s stainless steel midsize<br />

Rolex Oyster Speedking precision wrist<br />

watch, on a stainless steel Rolex bracelet, with<br />

baton numerals, model no. 6430, serial no. 2363***,<br />

case diameter 31mm.<br />

Lot 444<br />

£1,000 - 1,200<br />

A gentleman’s 2004 stainless steel Rolex Oyster<br />

Perpetual Air-King precision wrist watch, on a<br />

stainless steel Rolex bracelet, with salmon dial<br />

and baton and quarterly Arabic numerals, model no.<br />

14000M, serial no. F448***.<br />

£2,000 - 3,000<br />

185


Lot 445<br />

A 19th century gold and micro mosaic tassel<br />

drop pendant, the central panel decorated with<br />

a dove, the back with glazed panel, 82mm, gross<br />

weight 10 grams.<br />

Lot 446<br />

£300 - 400<br />

An antique gold, silver and graduated three<br />

stone diamond set ring, with diamond chip<br />

spacers and diamond chip set shoulders,<br />

with carved settings, the central stone weighing<br />

approximately 1.00ct, size K/L, gross 3.6 grams.<br />

Lot 447<br />

£1,500 - 2,000<br />

An early 19th century gold mounted graduated<br />

foil backed oval cut garnet set choker necklace,<br />

lacking central drop and safety chain, 36cm, gross<br />

weight 26 grams.<br />

Lot 448<br />

£400 - 600<br />

A late 18th/early 19th gilt metal mounted intaglio<br />

agate set swivelling fob seal, carved with the<br />

bust of Edmond Halley with the comet, 47mm, in<br />

original box.<br />

Lot 449<br />

£200 - 300<br />

A George III Royal Presentation gold mounted<br />

and garnet set oval pendant, with inset miniature<br />

portrait of a gentleman to dexter, verso engraved<br />

‘The Gift of Queen Charlotte to E. Whitfield,<br />

1770, overall 29mm, gross weight 3.8 grams CITES<br />

Submission reference 4A6TBT6P<br />

Lot 450<br />

£300 - 400<br />

A 19th century gold, cabochon garnet and rose<br />

cut diamond set cluster target pendant, with<br />

central star motif, overall 43mm, gross weight 9.2 g.<br />

Lot 451<br />

£300 - 500<br />

A pair of early 19th century silver, rose cut<br />

diamond and baroque pearl set drop earrings,<br />

with later? peg and butterfly mounts, 25mm, pearl<br />

diameter approx. 9mm and 8.7mm, gross 5.4 grams.<br />

£500 - 700<br />

Lot 452<br />

A cased Edwardian gold, turquoise and split<br />

pearl set necklace, set with round and oval cut<br />

turquoise of varying colours, 38cm, gross weight<br />

15.5 grams.<br />

Lot 453<br />

£300 - 400<br />

A Georgian gold, silver and rose cut diamond<br />

cluster set dress ring, with old round cut diamond<br />

set shoulders, size N, gross weight 3.1 grams with<br />

original box.<br />

Lot 454<br />

£600 - 800<br />

An early Victorian gold and rose cut diamond<br />

set Essex crystal oval ring, depicting a seated dog<br />

with raised paw, size J, gross weight 6.5 grams.<br />

Lot 455<br />

£400 - 600<br />

A mid 20th century platinum and single stone<br />

diamond ring, with six stone diamond chip<br />

set shoulders, the round cut stone weighing<br />

approximately 3.20ct, size M, gross weight 3.4<br />

grams.<br />

Lot 456<br />

£8,000 - 10,000<br />

A Victorian white gold and diamond cluster set<br />

star burst pendant, on a later sterling chain,<br />

pendant 32mm, gross weight 6.4 grams.<br />

Lot 457<br />

£400 - 600<br />

A Georgian, gold, silver and paste set cluster<br />

ring, of flower head form, with carved shoulders,<br />

size L, gross weight 4.7 grams, in original box.<br />

Lot 458<br />

£200 - 300<br />

An Edwardian white gold rose cut diamond<br />

and enamel set Waterloo commemorative<br />

sweethearts brooch, modelled as an eagle, with<br />

cabochon set eye, 22mm, gross weight 6.7 grams,<br />

in fitted case.<br />

£300 - 400<br />

186


445<br />

447<br />

446<br />

448<br />

449<br />

450<br />

451<br />

452<br />

455<br />

453<br />

454<br />

456<br />

457<br />

458<br />

187


Lot 459<br />

An Art Deco 18k white gold, emerald and<br />

diamond set square cluster dress ring, with<br />

shaped cut sapphire set shoulders, (a.f.), the<br />

emerald measuring approximately 10mm by 8.7mm,<br />

with a depth of 6.5mm, misshapen shank, gross<br />

weight 5.8 grams.<br />

Lot 460<br />

£2,000 - 3,000<br />

A 1920’s white gold, amethyst, diamond and<br />

cultured pearl set drop pendant necklace, with<br />

bale of foliate design, the emerald cut amethyst<br />

measuring 24mm by 18mm, with a depth of<br />

13.9mm, overall 51cm, gross weight 12.8 grams.<br />

Lot 461<br />

£1,000 - 1,500<br />

An Art Deco platinum, diamond and sapphire set<br />

rectangular cluster ring, the central oval cushion<br />

cut diamond measuring approximately 5.5mm by<br />

4.9mm, with a depth of 3.2mm and bordered by two<br />

concentric bands of round brilliant cut diamonds<br />

and shaped cut sapphires (shank misshapen, gross<br />

weight 3.8 grams.<br />

Lot 462<br />

£1,500 - 2,000<br />

A pair of 1920’s platinum?, single stone pear<br />

cut amethyst and millegrain round cut diamond<br />

set drop ear clips, with diamond chip set bale,<br />

amethyst length approximately 22mm, overall<br />

40mm, gross weight 11.5 grams.<br />

Lot 463<br />

£800 - 1,200<br />

A modern platinum, singe stone oval cut<br />

sapphire and two stone oval cut diamond set<br />

ring, the sapphire measuring approximately 7.3mm<br />

by 4.5mm, the diamonds approximately 5.7mm by<br />

4.mm and 5.9mm by 4mm, size L, gross 6.5 grams.<br />

£1,000 - 1,500<br />

Lot 465<br />

An Edwardian gold and diamond cluster set<br />

pierced up-finger ring, with a pierced millegrain<br />

setting, size K, gross weight 4.8 grams.<br />

Lot 466<br />

£400 - 600<br />

An Art Deco platinum and single stone diamond<br />

set ring, with six stone graduated baguette cut<br />

diamond set shoulders, the central stone weighing<br />

approximately 3.20ct, with an estimated colour and<br />

clarity of I1/I2, size H, gross weight 4.8 grams.<br />

Lot 467<br />

£10,000 - 15,000<br />

An Art Deco, round cut diamond and rectangular<br />

cut sapphire cluster bar brooch, set with twelve<br />

diamonds and nine sapphires in a millegrain setting,<br />

72mm, gross weight 6.1 grams.<br />

Lot 468<br />

£400 - 600<br />

An 18ct white gold and thirteen stone round<br />

brilliant cut diamond set three quarter eternity<br />

ring, size I, gross weight 4.1 grams.<br />

Lot 469<br />

£800 - 1,000<br />

A late Victorian 15ct gold, two stone oval black<br />

opal and seed pearl cluster set drop pendant,<br />

57mm, gross weight 5 grams.<br />

Lot 470<br />

£300 - 400<br />

A late 19th/early 20th century French 18ct gold<br />

and silver rose cut diamond and multi gem set<br />

spiral hinged bangle, maker’s mark E. Freres with<br />

a ram?, gross weight 21.3 grams.<br />

£600 - 800<br />

Lot 464<br />

A modern 18ct gold, sapphire and diamond set<br />

quatrefoil shaped cluster ring, with a millegrain<br />

setting and diamond set shoulders, size N/O, gross<br />

weight 4.3 grams.<br />

£1,200 - 1,500<br />

188


460<br />

461<br />

459<br />

462<br />

463<br />

464<br />

465<br />

467<br />

466<br />

469<br />

468<br />

470<br />

189


Lot 471<br />

A mid 20th century Italian textured 18ct gold,<br />

ruby, emerald and diamond cluster set bracelet,<br />

each of the eleven clusters set with four stones,<br />

19cm, gross weight 70 grams.<br />

Lot 472<br />

£1,500 - 2,000<br />

A Georg Jensen planished sterling silver and<br />

cabochon blue quartz set necklace, design no. 4,<br />

with five foliate pendants, 41cm, 1933-1944 mark.<br />

Lot 473<br />

£600 - 800<br />

An early 19th century, gold and oval cut foil<br />

backed amethyst set pendant, with old cut<br />

diamond set border and closed back setting,<br />

30mm, gross weight 11.8 grams.<br />

Lot 474<br />

£400 - 600<br />

A modern 18k white gold and diamond cluster<br />

set necklace, with interwoven motif, 50cm, gross<br />

weight 26.4 grams.<br />

Lot 475<br />

£1,000 - 1,500<br />

A modern Italian Bulgari 18ct white gold and<br />

pave set diamond pendant, on a Bulgari 18ct<br />

white gold mounted chord necklet, pendant<br />

45mm, gross weight 24.7 grams.<br />

Lot 476<br />

£800 - 1,000<br />

A modern Italian Bulgari 18ct gold pierced oval<br />

ring, with ring shoulders, size M, 11.5 grams.<br />

£400 - 600<br />

Lot 477<br />

A modern white gold and pave set diamond and<br />

sapphire set ribbon bow brooch, set with round<br />

cut diamonds and round and square cut sapphires,<br />

width 55mm, 23.9 grams.<br />

Lot 478<br />

£600 - 800<br />

A modern white gold and round and baguette cut<br />

diamond cluster set ribbon bow brooch, width<br />

39mm, gross weight 9.4 grams.<br />

Lot 479<br />

£400 - 600<br />

An early 20th century pierced gold and<br />

graduated round cut diamond cluster set<br />

brooch, of rectangular form, 41mm, gross weight 10<br />

grams.<br />

Lot 480<br />

£1,000 - 1,500<br />

A late Victorian single strand graduated<br />

natural saltwater pearl necklace, with six stone<br />

old round cut diamond set silver and gold<br />

rectangular clasp, with accompanying Gem &<br />

Pearl Laboratory report dated 25th August, <strong>2023</strong>,<br />

largest pearl diameter 7.7mm, smallest 4mm, length<br />

41cm, gross weight 18.47grams.<br />

Lot 481<br />

£5,000 - 7,000<br />

A late 19th century Swiss 18ct gold and<br />

polychrome enamelled suite of jewellery,<br />

retailed by E. Meister, Zurich, comprising a<br />

bracelet with three circular enamelled panels set<br />

with small diamonds and two oval links enamelled<br />

with flowers, stamped E.M. 750, with Meister box,<br />

a pendant necklace with enamelled panel set with<br />

small diamonds, the chain set with gold spheres<br />

and cultured pearls, stamped Z.C. 750 and a pair of<br />

drop ear clips, stamped 750 Italy, bracelet, 18.5cm,<br />

necklace 73cm, ear clips, 43mm, gross weight 189.6<br />

grams.<br />

£8,000 - 12,000<br />

190


471<br />

472<br />

474<br />

473<br />

475<br />

477<br />

476<br />

481<br />

478<br />

479<br />

480<br />

191


Lot 482<br />

A modern 18ct white gold and diamond cluster<br />

set hinged bangle, the diamonds in a hexagonal<br />

setting, wit a estimated total weight of 6.20ct, interior<br />

diameter 57mm, gross weight 41.2 grams.<br />

Lot 483<br />

£3,000 - 4,000<br />

A modern pair of Cartier three colour 18ct gold<br />

Trinity earrings, signed and numbered 967840,,<br />

23mm, 17.3 grams, no box.<br />

Lot 484<br />

£800 - 1,000<br />

An attractive late 20th century 18k white gold,<br />

ruby, sapphire, emerald and diamond set<br />

bracelet, set with eleven alternating geometric<br />

clusters, 19.5cm, gross weight 78.5 grams, with a<br />

Mappin & Webb box.<br />

Lot 485<br />

£3,000 - 5,000<br />

A modern 18ct gold, ruby and diamond cluster<br />

openwork hinged bangle, with serpent head<br />

style terminals and set with square, baguette and<br />

cabochon rubies and round brilliant and trapeze cut<br />

diamonds, interior diameter 54mm, gross weight<br />

68.8 grams.<br />

Lot 486<br />

£4,000 - 6,000<br />

A large modern 18ct gold and single emerald cut<br />

ruby set pendant, bordered by three concentric<br />

bands of round brilliant cut diamonds, with<br />

diamond set bale, the total diamond weight<br />

approximately 3.70ct, overall 57mm, gross weight<br />

32.4 grams.<br />

£3,000 - 4,000<br />

Lot 487<br />

A modern gold, ruby and diamond cluster dress<br />

ring, of octagonal form and set with round brilliant<br />

cut diamonds and trapeze cut rubies, tests as 18k,<br />

size L/M, gross weight 6.8 grams.<br />

Lot 488<br />

£800 - 1,000<br />

A modern 18ct gold and three row ruby and<br />

diamond cluster set pierced domed dress ring,<br />

size P/Q, gross weight 8.3 grams.<br />

Lot 489<br />

£400 - 600<br />

A modern Italian Versace 18ct gold and half<br />

cultured pearl set dress ring, with round brilliant<br />

cut diamond set shoulders, size J/K, gross weight<br />

13.4 grams.<br />

Lot 490<br />

£800 - 1,000<br />

A modern pair of Cartier 18ct white gold and<br />

rock crystal set Myst earrings, signed and<br />

numbered 938923, 13mm, gross weight 13 gram,<br />

with Cartier box.<br />

Lot 491<br />

£500 - 700<br />

A French Cartier 18ct gold key chain, signed and<br />

indistinctly numbered 5cm, 8 grams, with Cartier<br />

box.<br />

£400 - 600<br />

192


483<br />

482<br />

484<br />

485<br />

486<br />

487<br />

488<br />

489<br />

490<br />

491<br />

193


Lot 492<br />

A Le Must De Cartier three colour 18ct gold<br />

Trinity ring, signed and numbered 66 0 5183 N,<br />

size U, 11.2 grams, with Cartier box.<br />

Lot 493<br />

£500 - 700<br />

A modern Cartier 18ct gold and pave set<br />

diamond heart shaped ring, signed and numbered<br />

D58987 51, size K/L, gross weight 3.5 grams, with<br />

Cartier box.<br />

Lot 494<br />

£500 - 700<br />

A modern Cartier 18ct white gold and diamond<br />

cluster set Panthere Maillon band, signed and<br />

numbered 994807, size P, gross weight 13.8 grams.<br />

Lot 495<br />

£1,500 - 2,000<br />

A modern three colour 18ct gold Cartier Russian<br />

triple bangle, signed and numbered B46436, 30.6<br />

grams, with Cartier box.<br />

Lot 496<br />

£1,000 - 1,500<br />

A modern gold, ruby and diamond set oval<br />

cluster ring, the central diamond bordered by<br />

brilliants and oval and round cut rubies, tests as 18k,<br />

size Q, gross weight 6.9 grams.<br />

Lot 497<br />

£1,200 - 1,500<br />

A modern Cartier 18ct white gold Trinity ring,<br />

signed and numbered CT6283, size U, 12.3 grams,<br />

with Cartier box.<br />

Lot 498<br />

£600 - 800<br />

A modern Cartier single strand Tahitian pearl<br />

necklace, with 18ct gold and pave set diamond<br />

spherical clasp, signed and numbered 710277,<br />

largest pearl diameter approx. 12.4mm, smallest<br />

approx. 9.4mm, gross weight 67.8 grams, with<br />

Cartier box.<br />

£1,000 - 1,500<br />

Lot 499<br />

A modern heavy Tiffany & Co 18ct gold shaped<br />

bangle, exterior diameter 65mm, 82.2 grams, no<br />

box.<br />

Lot 500<br />

£4,000 - 6,000<br />

An early to mid 20th century French Van Cleef<br />

& Arpels 18ct gold and diamond set oval<br />

cluster dress ring, the centre cushion shaped old<br />

European cut stone weighing approximately 2.20ct,<br />

with an estimated colour and clarity of L/M and VVS,<br />

bordered by sixteen eight cut diamonds and outer<br />

border set with seventeen early/modern brilliant cut<br />

diamonds, total weight approximately 1.20ct, shank<br />

interior faintly signed ‘Van Cleef’, size O, gross<br />

weight 5.1 grams.<br />

Lot 501<br />

£8,000 - 12,000<br />

A mid 20th century 18ct white gold, moonstone<br />

and diamond cluster set bracelet, 17.5cm, gross<br />

weight 44.2 grams.<br />

Lot 502<br />

£1,200 - 1,500<br />

A modern Cartier part textured 18ct white gold<br />

openwork band, signed and numbered J 85682,<br />

size J, 11.3 grams, with Cartier box.<br />

Lot 503<br />

£700 - 1,000<br />

A modern 18ct gold Cartier Tank Francaise band,<br />

signed and numbered DQ 6899, size U, 12.5 grams,<br />

with Cartier box.<br />

Lot 504<br />

£600 - 800<br />

A modern Cartier 18ct white gold segmental<br />

band, signed and numbered IN 3864, size I, 14.7<br />

grams, with Cartier box.<br />

£500 - 700<br />

194


492<br />

493<br />

494<br />

495<br />

496<br />

497<br />

499<br />

498<br />

500<br />

501<br />

502<br />

503<br />

504<br />

195


Lot 505<br />

A fine pair of Graf platinum and 18ct white gold<br />

set cushion modified brilliant cut natural fancy<br />

yellow diamond ear studs, both signed, with<br />

accompanying GIA report for one diamond dated<br />

18/7/2003, stating the stone to weigh 2.46ct with a<br />

clarity of VS1, also with a 2005 insurance valuation<br />

stating a total diamond weight of 4.98 carats with a<br />

clarity of VS1 & VS2, gross weight 5.5 grams.<br />

Lot 506<br />

£45,000 - 55,000<br />

An impressive modern 18ct gold and cut<br />

cornered rectangular modified brilliant cut<br />

natural fancy yellow single stone diamond<br />

ring, each shoulder set with nine round brilliant cut<br />

diamonds, with accompanying GIA report dated<br />

21/4/2006, stating the stone to weigh 4.13ct, with a<br />

clarity of SI2, size K, gross weight 4.7 grams.<br />

Lot 507<br />

£40,000 - 60,000<br />

A single strand graduated oval amber bead<br />

necklace, 110cm, gross weight 163 grams,<br />

largest bead approximately 32mm by 26mm,<br />

smallest bead approximately 11mm by 9mm.<br />

Lot 508<br />

A modern 18ct gold Cartier Juste Un Clou<br />

bangle, signed, 10 grams.<br />

Lot 509<br />

£800 - 1,200<br />

£800 - 1,200<br />

A modern Cartier 18ct white gold and diamond<br />

cluster set bracelet, of ribbed form, with nine<br />

bands of round brilliant cut stones, signed and<br />

numbered D96285, 16.8cm, gross 57.7 grams, with<br />

Cartier box.<br />

£3,000 - 4,000<br />

Lot 510<br />

A 1920’s platinum and millegrain set single<br />

stone emerald cut diamond and sapphire set<br />

rectangular cluster ring, the central diamond<br />

measuring approximately 7mm by 5.5mm, with<br />

a depth of 3.4mm and bordered by shaped cut<br />

sapphires and diamond set shoulders, size G/H,<br />

gross weight 4.3 grams.<br />

Lot 511<br />

£2,000 - 3,000<br />

A French Chanel 18ct white gold and sapphire<br />

‘eternity’ ring, set with seven various cut stones<br />

including square, oval, round and triangular, signed<br />

and numbered 9F839, size M, gross weight 17.2<br />

grams.<br />

Lot 512<br />

£600 - 800<br />

A fine Belle Époque Cartier silver, gold, diamond<br />

and guilloche enamel mounted ‘Mignonette’<br />

timepiece, on an agate plinth base, the Roman<br />

dial with millegrain set rose cut diamond hour and<br />

minute hands and white beaded enamelled border,<br />

each side panel set with a single rose cut diamond,<br />

indistinct marks to border edge, in original Cartier<br />

gilt tooled leather carrying case (lacking handle),<br />

with key, height 58mm.<br />

Lot 513<br />

£4,000 - 6,000<br />

A good 1920’s French Cartier black onyx, enamel<br />

and 18ct gold circular pocket watch, with engine<br />

turned sunburst Roman dial, blued steel hands<br />

and gold pendant, the gold and enamelled bezel<br />

ring with four screws at 12,3,6 & 9, numbered 9622<br />

and 8508, case diameter 49mm, in a later modern<br />

carrying case.<br />

£1,000 - 1,500<br />

196


505<br />

513<br />

506<br />

507<br />

508<br />

509<br />

510<br />

512<br />

511<br />

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