Oxford Book of Flexible Choral Songs
The Oxford Book of Flexible Choral Songs is the perfect resource for secular choirs and singing groups who like the flexibility to perform songs in a range of combinations from unison to SATB. Each piece may be performed by a mixed choir, but is also presented with flexible scoring options, clearly explained throughout, enabling performance by various combinations of singers, including upper voices or men's voices alone. As well as new arrangements of existing repertoire, the collection also features newly commissioned original works, specially written for flexible forces.
The Oxford Book of Flexible Choral Songs is the perfect resource for secular choirs and singing groups who like the flexibility to perform songs in a range of combinations from unison to SATB. Each piece may be performed by a mixed choir, but is also presented with flexible scoring options, clearly explained throughout, enabling performance by various combinations of singers, including upper voices or men's voices alone. As well as new arrangements of existing repertoire, the collection also features newly commissioned original works, specially written for flexible forces.
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196 Three Shakespeare <strong>Songs</strong><br />
S A (Bar)<br />
Piano<br />
41. Full fathom five<br />
No. 1 <strong>of</strong> Three Shakespeare <strong>Songs</strong><br />
William Shakespeare (1564 – 1616)<br />
from The Tempest (Act 1, Scene 2)<br />
ALAN BULLARD<br />
( b. 1947 )<br />
SOPRANO<br />
ALTO<br />
BARITONE<br />
PIANO<br />
° 2<br />
& 4 ∑ ∑ ∑ ∑<br />
? 2<br />
¢ 4 ∑ ∑ ∑ ∑<br />
&<br />
{<br />
Andante mesto q = c.66<br />
Andante mesto q = c.66<br />
2<br />
4 ˙ ˙ ˙ ˙<br />
p legato<br />
? 2 œ œ<br />
4 œ œ œ œ œ œ œ œ œ œ<br />
con molto Ped.<br />
œ<br />
?<br />
œ œ œ<br />
*A. mf<br />
Full<br />
mf<br />
mf<br />
Full<br />
∑<br />
‰ œ J<br />
œ œ. œ. œ J<br />
fath - om five<br />
∑<br />
thy<br />
‰ œ J<br />
œ œ. œ. œ J<br />
fath-om<br />
five thy<br />
˙<br />
œ<br />
˙<br />
œ œ œ œ œ œ œ<br />
˙<br />
˙<br />
˙<br />
˙<br />
7<br />
°<br />
&<br />
œ<br />
∑<br />
œ<br />
∑<br />
œ. œ J œ<br />
∑<br />
œ<br />
∑ ∑ ‰<br />
˙ ˙ œ J œJ œ j œ œ.<br />
S.<br />
p<br />
?<br />
¢<br />
f<br />
fa<br />
f<br />
œ<br />
fa<br />
- ther lies,<br />
p<br />
thy<br />
- ther lies, thy<br />
fa<br />
p<br />
œ œ. œ J œ<br />
fa<br />
for online perusal only<br />
- ther lies;<br />
- ther lies;<br />
A.<br />
Full fath - om<br />
œ ˙ ˙ œ J<br />
œ J<br />
œ œ.<br />
?<br />
˙<br />
œ œ œ œ<br />
˙<br />
œ œ œ œ<br />
˙<br />
œ œ œ œ<br />
˙<br />
œ<br />
˙<br />
œ œ œ œ œ œ œ œ œ œ œ<br />
{<br />
?<br />
f<br />
˙<br />
˙<br />
˙<br />
˙<br />
p<br />
˙<br />
˙<br />
˙<br />
˙<br />
˙<br />
˙<br />
˙<br />
* Sing small notes if no tenors or basses.<br />
Two-part and Mixed voices: SA, SABar<br />
© <strong>Oxford</strong> University Press 2019. Photocopying this copyright material is ILLEGAL.
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