03.03.2017 Views

Java.March.2017

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

used in the Vietnam war. The video explores what it’s<br />

like to be a guerilla or a U.S. soldier.<br />

One anecdote that illustrates the heart of the project<br />

occurred when the group was touring the Cu Chi<br />

Tunnels near Saigon, used by the Viet Cong (allies<br />

of North Vietnam) during the war. During the tour, a<br />

British man asked the guide why they lost the war to<br />

the United States. The tour guide responded that they<br />

didn’t lose the war. It was an interesting, illuminating<br />

moment for the group, as it spoke to the idea of<br />

nation-branding and propaganda that happens in an<br />

empire. “To fight off a colonial power like the United<br />

States is something to be very proud of,” said Lucero.<br />

“I think it’s an incredible achievement. For the tour<br />

guide to say bluntly, ‘No, we didn’t lose’—I just take<br />

that as a part of Vietnamese pride.”<br />

“The young British or Australian tourist had no<br />

concept of the history he was immersing himself in,”<br />

said Nguyen. “How is it possible that someone raised<br />

in this time period not understand the ramifications of<br />

these relationships? In his mind, the tourist’s mind, he<br />

thinks that Americans win every war. I think the tour<br />

guide probably laughed it off. People often forget that<br />

it was a civil war. North Vietnam was being backed<br />

by the Russians and Chinese. South Vietnam was<br />

being backed by the United States. The ideologies<br />

and motivations became violently apparent. Vietnam<br />

felt the brunt of that Cold War.”<br />

In many ways, then, TPG looks to infiltrate this<br />

space of nation-branding and create confusion or<br />

mythologize that space. As Nguyen says, “Those<br />

that can create meaning after prolonged moments of<br />

confusion become prophets. Those that can’t become<br />

artists.” And maybe, in some ways, TPG is doing a bit<br />

of both: prophecy and artistry.<br />

The Propeller Group<br />

Through May 14<br />

Phoenix Art Museum<br />

Marshall, Hendler and Anderman Galleries<br />

www.phxart.org<br />

The Propeller Group, Untitled (Ox Head; The Living Need Light, The Dead Need<br />

Music) (still), 2014. Water buffalo skull, gold leafing, and brass rings. Courtesy<br />

of The Propeller Group and James Cohan, New York.<br />

The Propeller Group, The AK-47 vs The M16, 2015. Fragments of AK-47 and<br />

M16 bullets, ballistics gel. Courtesy of The Propeller Group and James Cohan,<br />

New York.<br />

The Propeller Group, The Living Need Light, The Dead Need Music (still), 2014.<br />

Single-channel video (Color, 5.1 surround sound), 20 minutes. Courtesy of The<br />

Propeller Group and James Cohan, New York.<br />

The Propeller Group, Untitled (Snake; The Living Need Light, The Dead Need<br />

Music) (still), 2014. Carved jackfruit wood with 24k gold fangs and brass<br />

support. Courtesy of The Propeller Group and James Cohan, New York.<br />

JAVA 17<br />

MAGAZINE

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!