MARC ANDREAE VOLKMAR ANDREAE
MARC ANDREAE VOLKMAR ANDREAE
MARC ANDREAE VOLKMAR ANDREAE
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director of the Loch Shiel Spring Festival in the Scottish Highlands and maintains his interest in chamber music<br />
with the Florin Ensemble. He plays a violin made for him in 2007 by the young German luthier Stephan von Baehr.<br />
Vor seiner Ernennung zum Mitleiter des BBC Concert Orchestra im Jahr 2007 hatte Charles Mutter vier Jahre lang<br />
das Edinburgh Quartet geleitet und war seit zehn Jahren Mitglied des Smith Quartet gewesen. Seine Arbeit mit diesen<br />
beiden Ensembles hatte ihm viele Preise und hohes Kritikerlob eingebracht. Seit 2007 ist er oft als Solist mit dem<br />
BBC Concert Orchestra und anderen Orchestern aufgetreten. Auch als Gastleiter ist er sehr gefragt, besonders beim<br />
Bournemouth Symphony Orchestra. Daneben hat Charles noch die künstlerische Leitung des Loch Shiel Festivals<br />
in schottischen Hochland inne und pflegt seine Liebe für die Kammermusik mit dem Florin Ensemble. Er spielt<br />
eine Geige, die 2007 eigens für ihn von dem jungen deutschen Geigenbauer Stephan von Baehr angefertigt wurde.<br />
Übersetzung: Peter Kathe<br />
<strong>VOLKMAR</strong> <strong>ANDREAE</strong> ON GUILD<br />
Piano Trio, Op.1<br />
Piano Trio, Op.14<br />
Locrian Ensemble<br />
GMCD 7307<br />
String Quartet No.2<br />
Quartet for flute, violin, viola and<br />
violoncello, Op.43<br />
String Quartet No.1<br />
The Locrian Ensemble of London<br />
with Anna Noakes, flute<br />
GMCD 7328<br />
String Quartet in E flat major<br />
Six Piano Pieces for Two Hands, Op.20<br />
String Trio in D minor, Op.29<br />
Violin Sonata in D major, Op.4<br />
The Locrian Ensemble of London<br />
GMCD 7355<br />
14<br />
This is the first commercial recording to be made of Volkmar Andreae’s major orchestral works, a project<br />
which will make available to music lovers worldwide the range of this great musician’s achievements. In<br />
recent years, recordings of Volkmar Andreae’s chamber music compositions have been issued, principally<br />
on the Guild label, to universal critical acclaim, not least for the quality of the musical invention the works<br />
contain. The fact that Andreae’s music had been unjustly neglected for so long was not the least surprise attending<br />
those releases, for if the name of Volkmar Andreae had been mentioned to most reasonably informed musiclovers<br />
in the latter half of the 20th-century, the almost universal reaction would have been to recognise him solely<br />
as a conductor.<br />
Volkmar Andreae was undoubtedly a conductor of considerable merit; for example, he had been approached<br />
by the board of the New York Philharmonic in 1911 with an offer to succeed the recently-deceased Gustav Mahler<br />
as the Orchestra’s music director, but Andreae declined: his ties to Switzerland, especially Zürich (where he had<br />
been appointed conductor of the Tonhalle Orchestra in 1906, a position he was to hold for over 40 years), were<br />
too strong to break. His conducting was admired by such contemporary luminaries as Toscanini, Bruno Walter,<br />
Fritz Busch, Nikisch, Weingartner and Henry Wood, many of whom – together with others – also performed<br />
a wide range of his music, from operas to symphonic orchestral compositions. Mention of Fritz Busch recalls<br />
Andreae’s Violin Concerto of 1936, which was dedicated to and premiered by the great Adolf Busch, brother of<br />
the conductor.<br />
3