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petroglyphen im valle del encanto - StoneWatch

petroglyphen im valle del encanto - StoneWatch

petroglyphen im valle del encanto - StoneWatch

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4. Some motifs, common on the mainland, do not occur in the<br />

Lesser Antilles but are found in the Greater Antilles; e.g. sun<br />

with rays, concentric circles, anthropomorphs with a frog-like<br />

body, anthropomorphs with a body formed by concentric diamonds.<br />

Conclusion:<br />

According to the history of the populating of the Antilles, s<strong>im</strong>ilarities<br />

in petroglyph designs can be expected. On the other hand,<br />

the diss<strong>im</strong>ilarities mentioned above point to cultural contacts of<br />

the Greater Antilles with other regions than the Lesser Antilles, or<br />

to autochtonic developments. The fact that in both regions anthropomorphs<br />

constitute by far the largest part of the petroglyphs, in<br />

our opinion emphasises the cultural correspondency.<br />

RELATIONS BETWEEN LESSER ANTILLES AND<br />

NORTH EAST SOUTH AMERICAN PETROGLYPHS<br />

The Lesser Antilles were populated from N. E. South America<br />

(see the paragraph; Archaeology of the area). Presuming that the<br />

Immigrants were the (principal) authors of the petroglyphs,<br />

which is probable but not certain, a relation in petroglyph shape<br />

may be expected between Lesser Antilles engravings and those<br />

of the Lower Orinoco, northeastern Venezuela, or the Guianas.<br />

Indeed, some s<strong>im</strong>ilarities exist:<br />

1. A special type of anthropomorphic drawing, which we called<br />

„Elaborate Type petroglyph“ exists in the N. E. part of the continent,<br />

especially in four of the five Guianas (Venezuelan,<br />

British, Dutch, and Brazilian Guiana). In St Vincent a drawing<br />

of this type occurs (Yambou no 2) which has its counterpart at<br />

the Wonotobo Falls, Corentijn River, Suriname (Fig 2).<br />

Fig. 2<br />

Elaborate type<br />

Drawing in St.<br />

Vincent<br />

Fig. 2a<br />

Elaborate Type<br />

Drawing<br />

at Wonotobo<br />

Falls, Corantyn<br />

River, Surinam<br />

2. The „body“ of a large anthropomorph may show parallel or<br />

crossing lines, connecting the sides. These body fillings occur<br />

frequently in both regions (Fig. 5).<br />

3. „S<strong>im</strong>ple faces“ (Fig. 3 which take up 37 % of Lesser Antilles<br />

petroglyphs, are also familiar in most parts of the mainland.<br />

7<br />

Fig. 5. Line Fillings in the Bodies of Anthropomorphs<br />

Only these few cases of s<strong>im</strong>ilarities could be noted down. On the<br />

other hand, figures which are common on the mainland do not or<br />

hardly occur in the Lesser Antilles. Motifs which we call curled<br />

shoulders, double spirals, double reversed spirals, frogs, human<br />

footprints, sun with rays (to be distinguished from human faces<br />

with a rayed hairdress or beard), etc (Fig. 3), which abound on<br />

the mainland, are lacking in the Lesser Antilles. In the preceding<br />

paragraph we already mentioned spirals and matchstick figures<br />

(Fig. 3). In our opinion, the spiral is the most common motif in<br />

South America. Matchstick figures also occur all over South<br />

America in our area, these figures do not appear, except for some<br />

spirals between the scrabbles of Buccament Bay, St Vincent or in<br />

cases where they are part of a larger drawing, e, g. on a boulder<br />

near the sea, South of Victoria, Grenada.<br />

On the other hand, typical motifs occur in the Antilles which are<br />

very scarce or totally absent on the mainland, eg.: eye and ear in<br />

one piece, head-feetpeople, double ears, head on rope (Fig. 3).<br />

Conclusion:<br />

People from South America settling down in the Lesser Antilles<br />

in prehistoric t<strong>im</strong>es seldom transferred the petroglyph motifs<br />

from the regions they originated from to their new surroundings.<br />

They developed their own rock art figures, which at best have<br />

some general properties in common with the drawings of the<br />

„old country“. These figures are predominantly anthropomorphic.<br />

Note. It shout be clear that the names we use for the various<br />

motifs are not meant in an interpretative way.<br />

INTERPRETATION<br />

A. General<br />

The term Interpretation covers three notions: 1. Pictorial interpretation,<br />

i. e. recognizing the figure itself; e. g. a jaguar, a boat,<br />

the sun, 2. Symbolic interpretation; e, g. a frog symbolizes rain<br />

or fertility. 3. Social interpretation, i.e. determining the function<br />

of petroglyph making in the community of the makers.<br />

Petroglyphs are more than products of playful past<strong>im</strong>e, considering<br />

the t<strong>im</strong>e, energy, inventivity, artistic skill, etc. which they<br />

required and considering the somet<strong>im</strong>es nearly inaccessible<br />

spots where they are located. They cannot be considered as a<br />

writing system (neither alphabetic, nor syllabic or pictorial), the<br />

separate figures in most cases do not show a recognizable order,<br />

and repetition of figures in a coherent complex of drawingsis<br />

extremely scarce. This does not mean that we deny them a communicative<br />

aspect. The opinion that petroglyphs had a religious<br />

or mythical meaning sounds plausible, but is noncommittal as

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