13.07.2015 Aufrufe

blick in die speisekarte (pdf) - Pier 14

blick in die speisekarte (pdf) - Pier 14

blick in die speisekarte (pdf) - Pier 14

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ious Hedda theater prize <strong>in</strong> 2011 forbe<strong>in</strong>g a production that, accord<strong>in</strong>g tothe jury, “is an <strong>in</strong>vitation to reflection, as<strong>in</strong>gular story about the human be<strong>in</strong>g’s relationshipwith great existential issues”.Romeu Correia ForumP a g e 2 5Le prix Mart<strong>in</strong>Eugène LabicheStag<strong>in</strong>g by Peter Ste<strong>in</strong>AlmadaOver 12 | 1h45Tue 09 18H00In Le prix Mart<strong>in</strong>, a comedy <strong>in</strong> whichLabiche corrosively depicts his favoritecharacter (the gullible, cowardburgeois from the Second French Empire),he approaches some of the themesthat have made directors such as PatriceChéreau, Jacques Lassalle, or KlausMichael Grüber become <strong>in</strong>terested <strong>in</strong>this Author: egocentrism, vanity, cupidity- and marital <strong>in</strong>fidelity.Eugène Labiche (Paris, 1815-1888),fruitful author of vaudevilles — has supposedlywritten more than two hundredplays, alone or co-author<strong>in</strong>g — and verypopular <strong>in</strong> rooms like the Palais-Royal,the Gymnase or the Varietés, is seen asone of the precursors of Absurd Theater,along with his follower, Georges Feydeau.Authors like Ionesco or Adamovhave noticed <strong>in</strong> his black humor andferocity he used to represent his time’sbourgeoisie traces that announced asort of modernity that has also occupiedPhilippe Soupault, the surrealist.Among his most famous plays, one cancite Un chapeau de paille d’Italie (1851),Le voyage de monsieur Perrichon (1860),and La cagnotte (1864).Peter Ste<strong>in</strong> is considered one of the stillwork<strong>in</strong>g masters of European theater— he launched names like Edith Clever,Bruno Ganz, or Jutta Lampe — andhe has been profess<strong>in</strong>g the need to giveto actors the freedom to take act<strong>in</strong>g andemotion to the level of paroxism. He isa very strong supporter of the text as afound<strong>in</strong>g theatrical matter and Ste<strong>in</strong>speaks out aga<strong>in</strong>st “the violence posedupon plays perpetrated by those who haveno idea about the text before them andwho end up project<strong>in</strong>g on it their own littleobsessions. I have noth<strong>in</strong>g aga<strong>in</strong>st thoselittle boys that cannot analyze a text, playsome music by their favorite band and sellit as a contemporary work - that’s evenfunny when it has to do with youngsters.But not when you’re older. In <strong>in</strong>tellectualterms, you’ve got to be ashamed”.Teatro Nacional D. Maria IILisboaOver 12 | 2h30Wed 10 21H00 Thu 11 21H00P a g e 2 7Krapp’s last tapeSamuel BeckettStag<strong>in</strong>g by Peter Ste<strong>in</strong>Short one-act play, Krapp’s last tapewas written by Samuel Beckett(1906-1989) <strong>in</strong> 1958 and premieredthat same year at the Royal CourtTheatre, <strong>in</strong> London, directed by Becketthimself and with Patrick Magee asKrapp. Action takes place <strong>in</strong> the day of

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