Mauro Bergonzoli - Göttinnen
Mauro Bergonzoli - Göttinnen
Mauro Bergonzoli - Göttinnen
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the term “Neo-Pop-Art” is not enough to categorize the<br />
Œuvre of <strong>Mauro</strong> <strong>Bergonzoli</strong>, which presents itself so rich in<br />
facets, yet the closeness of the artist to the visual manner<br />
of expression of Pop Art is clear. Throughout his work one<br />
can find corresponding similarities: With Roy Lichtenstein<br />
<strong>Mauro</strong> <strong>Bergonzoli</strong> shares the limitation to few base colors<br />
and black as well as emphasized contour drawing, with<br />
James Rizzi the humoresque typecast of modern urbanity,<br />
with Keith Haring the schematic iconography of the<br />
language of comics, with Jeff Koons the ennoblement of<br />
artistic Kitsch and with Mel Ramos finally the choice of<br />
subject: The portrayal of Women. Yet also for the creation<br />
of this his preferred motif in his Œuvre applies what<br />
Francesca Bianucci once stated: “ <strong>Bergonzoli</strong> doesn’t want<br />
to own reality, as Pop-Art does, he wants to create his<br />
own and personal reality within it.”<br />
<strong>Mauro</strong> <strong>Bergonzoli</strong> creates this his personal reality<br />
in his Goddess paintings as montage of highly studied<br />
fresh interpretations of mythological Topoi with pieces<br />
of modern every day culture, creating a new mythology,<br />
which complies Friedrich Schlegel’s postulation and<br />
effectively depicts the “most artificial of all artworks”. In<br />
their ironic typecast and exaggerated idealization visually<br />
characterized as artificial, the Goddesses are to be valued<br />
for what they represent: “Art Goddesses” who embody<br />
artificiality and at the same time are art.<br />
Text translation form German into English:<br />
Franziska Countess Fugger von Babenhausen<br />
MAURO BERGONZOLI<br />
Born on December 24 th 1965 in Milan, the artist began<br />
working artistically at six years old and was already<br />
selling his drawings and comics by the age of fourteen.<br />
Nonetheless he first chose a career in advertising. As<br />
one of Italy’s most successful free-lance commercial film<br />
directors he owned several agencies, before deciding in<br />
the year 2000, to dedicate his time exclusively to art – and<br />
women of course: <strong>Mauro</strong> <strong>Bergonzoli</strong> has four daughters.<br />
He lives and works in his Atelier in Munich, Germany. His<br />
Bavarian Muse, with whom he has his youngest daughter,<br />
accompanies the artist and together they travel the world.