it was really - Mathias Kessler
it was really - Mathias Kessler
it was really - Mathias Kessler
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He sat on the bench behind the small veneered plank<br />
that served as our galley table. It <strong>was</strong> too small even<br />
to play a proper card game on or to share a meal, but<br />
we had not brought playing cards and we never sat at<br />
the table together for any reason. It is just so empty<br />
here, he said, that I have lost interest in my maps. This<br />
<strong>was</strong> true, I hadn’t heard their rustling in days. There<br />
is nothing to touch, and my fingers are so cold that<br />
if I touch the boat I do not feel <strong>it</strong>. If I touch myself,<br />
my face, I feel nothing. Only a vague resistance, and a<br />
dull and dislocated pain, Oswalk told me, in so many<br />
words. I do not sometimes even know that I am<br />
here, or that I <strong>was</strong> there. He pointed. It is like outer<br />
space, he said bluntly, as though familiar w<strong>it</strong>h this<br />
experience. We may as well be floating on an ocean<br />
of methane. This last notion startled me, and I said<br />
nothing. But for all that, <strong>it</strong> <strong>was</strong> still too obvious for<br />
words. I had nothing to say. Go to bed, Oswalk.<br />
There <strong>was</strong> a heavy silence between us and at that<br />
moment I heard the diesel engine of the boat as if for<br />
the first time, though <strong>it</strong> ran at all times. I looked at<br />
Oswalk and, silently, an acknowledged synchronic<strong>it</strong>y<br />
of experience passed between us. Like the eternal,<br />
deafening waters of our Hallingskarvet range, I said<br />
to Oswalk.<br />
Only in silence will <strong>it</strong> come. I instructed Oswalk<br />
to cut the engines for a period of 24 hours. For<br />
one day, I estimated, we could gear up and bear the<br />
cold and the lack of electric light. I remembered<br />
only now that I had in fact anticipated this tactic<br />
early in my planning, and I reached up just past<br />
Oswalk’s head into a storage hatch and pulled out<br />
an old cardboard box and set <strong>it</strong> down before him. It<br />
had factory reinforced corners. I grinned broadly at<br />
Oswalk before opening the hinged top to reveal, set<br />
in their molded cardboard crating, a set of old-style<br />
magnesium flashbulbs brought for the purpose—the<br />
silent phase. Oswalk looked up from the package,<br />
and in reflexively returning my smile, his face twisted<br />
into an involuntary and pained grimace. I <strong>was</strong> more<br />
energized than ever now, whereas I believe Oswalk<br />
saw his own role as suddenly greatly diminished by<br />
this turn of events. Now, <strong>it</strong> must have seemed to him,<br />
we were at odds.<br />
Oswalk, I continued, half-seated in an unoccupied<br />
seat across the aisle from him on the train, one<br />
knee tucked beneath me. This exped<strong>it</strong>ion has already<br />
begun. I began this exped<strong>it</strong>ion not in Oslo, not in<br />
Brighton, not even in setting out from Perth Amboy<br />
for a superfluous rendezvous in Sc<strong>it</strong>uate. I began<br />
this exped<strong>it</strong>ion at the end of November of nineteen<br />
hundred and fifty-four in Sylacauga Alabama. Oswalk<br />
could not have known what I meant and yet <strong>it</strong> <strong>was</strong><br />
clear he needed to hear no more of what I had to<br />
say concerning the origins of my exped<strong>it</strong>ion. It <strong>was</strong><br />
enough for me to say “Sylacauga Alabama,” or even<br />
“nineteen hundred and fifty-four,” and Oswalk set<br />
into his deliberate process of preparing a cigarette to<br />
smoke on the platform in Gol, or Geilo, whichever<br />
<strong>was</strong> next. That <strong>was</strong> when <strong>it</strong> first occurred to me<br />
that Oswalk could, in theory, be my man, if I were<br />
looking for a man at the time, but at the time I felt<br />
I would find my man in Reykjavik. Instead I found<br />
him in Flåm, where the mountain met the sea, and<br />
I never set foot in Reykjavik, and <strong>it</strong> <strong>was</strong> Oswalk.<br />
Traveling into this pre-human darkness, which<br />
may now already be closer to post-human darkness,<br />
to these primordial, fict<strong>it</strong>ious structures in these<br />
inhosp<strong>it</strong>able climes, and looking for what? This is<br />
the question that I am asking, Oswalk, just as you<br />
are. Not any other. We are not at odds, we are joined.<br />
I <strong>was</strong> speaking to myself, in the dark, on deck behind<br />
my cameras. I could not bring myself to share these<br />
thoughts w<strong>it</strong>h Oswalk, and besides, he <strong>was</strong> asleep.<br />
He <strong>was</strong> not a man driven by passion, not like me.<br />
Oswalk merely had enthusiasm. I turned the lens on<br />
myself and the flashbulb cracked in a blinding wh<strong>it</strong>e<br />
56<br />
light. It <strong>was</strong> the only time I did this over the three<br />
weeks of the exped<strong>it</strong>ion, and <strong>it</strong> did not occur to me<br />
to do <strong>it</strong> a second time. I realize now, w<strong>it</strong>h feelings<br />
of both regret and relief, that I had not once turned<br />
the lens on Oswalk. I had hoped to immortalize him<br />
in the posture of the hunter, in the act of enjoying<br />
his only pastime, shirtless in the sunlight like Apollo,<br />
silently propelling his hand-carved ice arrowheads<br />
deep into the bergs w<strong>it</strong>h his compound bow. As <strong>it</strong><br />
happened, however, I took no photographs in the<br />
light of day.<br />
But now we know <strong>it</strong>. I saw <strong>it</strong>. Oswalk saw <strong>it</strong>. It is<br />
on film. It is on camera. We filmed <strong>it</strong> living. If I liked,<br />
<strong>it</strong> could be everywhere tomorrow. But <strong>it</strong> no longer<br />
matters. It is like rebuilding the log from <strong>it</strong>s ashes,<br />
tedium and senselessness, mere taxidermy.<br />
Spreading the maps out on the double bed in<br />
his hotel room in Bergen, Oswalk kindly points out<br />
their features. At first, <strong>it</strong> isn’t easy to read them. The<br />
first few have the North Pole as their center point<br />
in order to provide the best possible view of the<br />
entire Arctic region, and the others are scaled at close<br />
proxim<strong>it</strong>y to unfamiliar land masses.<br />
We know a lot about the cryological constellations<br />
in which icebergs are found around the world,<br />
says Oswalk, smiling from behind his black-<br />
rimmed glasses, which he had not worn in<br />
my presence until now. The icebergs are not<br />
randomly distributed, so you need more than<br />
just luck to find them.<br />
It will be difficult to find an iceberg? I ask, studying<br />
the changes in Oswalk’s face now that <strong>it</strong> is framed<br />
by two squares of thick black acetate. How is<br />
that possible?<br />
Oswalk shrugged. Absurdly, he did not answer my<br />
question. I no longer knew whose exped<strong>it</strong>ion we<br />
were on now, mine or Oswalk’s. But I <strong>was</strong> certain of<br />
one thing, Oswalk <strong>was</strong> flawless. Let <strong>it</strong> be his for now.<br />
Software from Germany has also been helpful in<br />
locating the ice structures, said Oswalk. Cryo-<br />
Mod from Aachen-based Integrated Explora<br />
tion Systems is a standard tool in the industry.<br />
We enter the thickness, characteristics, and age<br />
of the icebergs into the program, says Oswalk.<br />
The computer then reconstructs the cryological<br />
history of the corresponding s<strong>it</strong>e. Should we gain<br />
access to the software, we will know what is there<br />
before we arrive.<br />
Very interesting, Oswalk. Thank you.<br />
Will the human mind undo the deadness or will<br />
the deadness undo the human mind? When we discover<br />
the dead presence of <strong>it</strong> can we continue to live<br />
in <strong>it</strong>, this presence? Oswalk, I am not pulling the wool<br />
over your eyes. I am not robbing Peter to pay Paul,<br />
metaphysically. I am giving you the straight dope.<br />
We must first look at <strong>it</strong>, that is the first step because<br />
there is no object here before there is light if we do<br />
not get off the boat and we are not getting off the<br />
boat here, Oswalk. If the light goes out we will never<br />
find <strong>it</strong> again. W<strong>it</strong>h light we define how the structure<br />
created us and w<strong>it</strong>h <strong>it</strong> we wr<strong>it</strong>e the battle against the<br />
more absolute hounding emptiness of the bald face,<br />
the faceless, featureless, original human made of clay.<br />
Is that a myth? The blank, the faceless head?<br />
The first human, so inhuman. The last human,<br />
a monster.<br />
In a state of deep calm I watched <strong>it</strong> crowning<br />
from out an inset disk of unearthly blue and glossy<br />
ice, a movement almost dig<strong>it</strong>al in <strong>it</strong>s unreal<strong>it</strong>y, <strong>it</strong>s<br />
impossibil<strong>it</strong>y. A prim<strong>it</strong>ive blue fire emerging from<br />
the birth canal of some implacable wh<strong>it</strong>e monol<strong>it</strong>h,<br />
I <strong>was</strong> unsure if <strong>it</strong> <strong>was</strong> best characterized as coming<br />
from the past or coming from the future. One hears<br />
tell of such things but only from people who don’t<br />
themselves believe that they saw what they are telling<br />
you they saw. But what did any of this matter in the<br />
true and living face of <strong>it</strong>?<br />
Immediately shadows formed in the featureless<br />
face of the ice from the light cast by the blue<br />
fire, giving out the imagined contours of the form,<br />
a referent by which to distinguish <strong>it</strong> from the bald<br />
fact of the inert face of the so-called natural world.<br />
The world w<strong>it</strong>hout us, amen. Fire cures clay, Oswalk,<br />
clay holds fire. Light makes the image, the explorer,<br />
I am the explorer, works backward, paring away the<br />
bedeckedness that obscures the horrific blank origins,<br />
the hole at the center of the earth, a whirlpool of<br />
nothingness at a pole where the rock has become<br />
one w<strong>it</strong>h the water, and the water is shifting, <strong>it</strong> is<br />
heaving. W<strong>it</strong>hout us, Oswalk, the world is at home.<br />
The explorer, that is me, stares into the fire and sees<br />
the forms that are in the fire, not the forms the fire<br />
casts out, but the forms that make up the fire, the<br />
real whole forms: the sharp flashing tongue of evil<br />
and the smooth inert dawning of benevolence. The<br />
whole in time disappeared by an overabundance<br />
of light. That is you, Oswalk, w<strong>it</strong>h all your daylight<br />
blinding me into submission just as I <strong>was</strong> knowing<br />
<strong>it</strong>. That <strong>was</strong> you, you were doing that.<br />
There is something out there, Oswalk, after all.<br />
I tell him in the morning. I saw <strong>it</strong>. The wh<strong>it</strong>e terror<br />
has gripped me. I think I said that to Oswalk, though<br />
<strong>it</strong> <strong>was</strong> not my custom to share such thoughts. That<br />
has changed, I am more candid now.<br />
I swear that I did not know <strong>it</strong>—though <strong>it</strong> began<br />
to occur to me sometime in the second week on the<br />
boat—but I swear until that point, Oswalk, I did not<br />
know that you did not stand a chance. It <strong>was</strong> only<br />
Oswalk that <strong>was</strong> not accounted for, Oswalk. We ventured<br />
into this darkness, this cold, this overexposed<br />
dead end of rock wall only in defiance of God. That<br />
much you must have known, we accounted for all of<br />
that. You cared for God as l<strong>it</strong>tle as I did, on that we<br />
could agree. We agreed so completely we never spoke<br />
of <strong>it</strong>. We were blue fire’s divine retribution of God,<br />
born against nature, from the forehead of a god.<br />
This is the only success left in hunting that can<br />
bring real hunting success. Hunting is now a survival<br />
economy, Oswalk, in the adult world. The hunter<br />
w<strong>it</strong>hout a second line of work is poor. Work time is<br />
greater, prof<strong>it</strong>abil<strong>it</strong>y is less. The equipment is in part<br />
bought and not built by the hunter. The profession<br />
is low-status. Working two jobs: administrative<br />
employee in a junior pos<strong>it</strong>ion. These are the consequences,<br />
Oswalk. The hunter is no longer a free man.<br />
His hunting culture is on the way out. This is our<br />
chance. This is <strong>it</strong>.<br />
Prometheus, ingeniously, is in the rock, high in<br />
the Caucasus, his liver whole and protected. Oswalk<br />
is frozen at the bottom of the sea, his liver a cold feast<br />
for squids to tear at w<strong>it</strong>h their beaks. Sorry, Oswalk.<br />
But believe this, that you too will one day rise up,<br />
safely embedded in a raft of ice, and weigh the possibil<strong>it</strong>y<br />
of a weary, meaningless freedom.<br />
My isolation has been particular. It is what<br />
brought me to Disko, to Oswalk. It has done things<br />
for me, I insist on maintaining <strong>it</strong> for those reasons,<br />
to honor those things, even to honor individuals,<br />
and also because I fear to lose <strong>it</strong>. But I cannot escape<br />
the fact that <strong>it</strong> has cost me a great deal. I am not<br />
conversant in many of the topics in which those who<br />
I admire converse so nimbly. My lack of interaction<br />
w<strong>it</strong>h others in my professional pursu<strong>it</strong>s has crippled<br />
the agil<strong>it</strong>y of my intellect. My work detailing the significant<br />
findings of the Disko/Baffin exped<strong>it</strong>ion has<br />
not been received favorably, I have failed to lay <strong>it</strong> out<br />
in a coherent manner consistent w<strong>it</strong>h the standards<br />
of the discipline. So please be kind to me when I tell<br />
you this story. Please understand that <strong>it</strong> is the truth,<br />
and that if Oswalk, my sole peer in this matter, were<br />
here, he would corroborate <strong>it</strong>. He would confirm<br />
that my story is true, and he would congratulate me.<br />
He, at least, would strike the match, light a candle,<br />
and grant me peace.