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Spring 2011 - Baldwin School

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The <strong>Baldwin</strong> Bookshelf<br />

Marion Whatley Cowart ’46,<br />

Once Upon a Summertime,<br />

Xlibris Corporation, April<br />

2007.<br />

It was during summers of the<br />

1930s at Ponte Vedra Beach<br />

when Muffet first began writing<br />

in her diary, a little red leather<br />

book with its own lock and key.<br />

The original journal entries of a child who frolicked in<br />

the sand more than seventy years ago aided by colorful<br />

recollections bring to life the summertime Muffet<br />

cherished. The script is true, the memories still strong<br />

today and the illustrations are the author’s very own.<br />

These personal accounts offer a glimpse of a leisurely old<br />

fashioned way of life that can be appreciated by beach<br />

children of all ages and decades.<br />

Nancy Keeney Forster ’46,<br />

Encounters: A Lifetime Spent<br />

Crossing Cultural Frontiers,<br />

Wind Shadow Press, November<br />

2009.<br />

In 2007, a year after the death<br />

of her husband, Clifton, Nancy<br />

Keeney Forster began the<br />

process of sorting through the<br />

wealth of papers he left behind,<br />

collected over a lifelong career as a Foreign Service<br />

Officer. What she found tucked into a Japanese tea chest<br />

brought her to reexamine her own memories and writings<br />

from nearly 60 years of shared international adventures.<br />

Together, they journeyed across cultural frontiers from<br />

California to the Philippines, Japan, Burma, Washington,<br />

D.C., Israel, Hawaii, and back to California. During<br />

those years, Nancy developed her own career as an<br />

Recent WoRKS By alUMnae<br />

educator in international schools. The Forsters spent<br />

their lives crossing and recrossing frontiers, determined<br />

to use dialogue, not conflict, to solve differences<br />

between nations. Nancy Keeney Forster’s fascinating<br />

and compelling memoir could serve as a blueprint for<br />

building bridges across frontiers.<br />

Barbara Livengood Russell ’56, Celebrating My Journey in<br />

Needlepoint, self-published, January <strong>2011</strong>.<br />

A collection and celebration of the artist’s love affair with<br />

this traditional art form, this compilation documents<br />

Barabara Russell’s most treasured needlepoint pieces,<br />

both of her own creation and among her collected pieces.<br />

Each work of art is accompanied by detailed descriptions,<br />

simultaneously telling the history of Russell as an artist<br />

and tapping into the greater tale of needlepoint as an<br />

expression of art. Russell’s book debuted at the National<br />

NeedleArts Show in Long Beach, California in the<br />

beginning of January <strong>2011</strong> and was well received.<br />

Joan Cowen Bowman ’50,<br />

Power of the Place, Homestead<br />

Press, June 2010.<br />

Part memoir, part family history, this<br />

tale begins in 1869 with the birth<br />

of the author’s grandfather in New<br />

York City, one of 14 children, who<br />

became a self-made millionaire by 1900. He built The<br />

Place in 1906 on the North Jersey Shore, the estate which<br />

provides the inspiration and framework for the story.<br />

Although she was born a year after her grandfather’s<br />

death, the author spent her entire childhood on his<br />

estate, a magical kingdom filled with special smells and<br />

sounds and tastes, but one that left her unprepared for<br />

(continued on next page)<br />

WinteR echoeS <strong>2011</strong> 13

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