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3. Juni 2012 - New Ceramics

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ARCHITECTURE<br />

The brickworks in Nybølnor is not just a site where brick<br />

is fired and where the famous Kolumba is made by hand<br />

and then exported around the world. For more than two<br />

centuries, it has also been a family home.<br />

The moment you turn down Nybølnorvej, there is no mistaking<br />

what kind of place this is. Works in fired clay, sample<br />

walls and brick surfaces in all shades and colours lead the way<br />

to Christian A. Petersen’s home and the brickworks. Brick has<br />

been produced here since 1791, when King Christian VII granted<br />

the founder of the family business, smallholder Peter Andresen,<br />

permission to build a brickworks. The brickworks, and the royal<br />

assent, have passed down the generations. Today, Christian A.<br />

Petersen and his daughters run the company – the seventh and<br />

eighth successive generations to do so. And even the grandchildren<br />

are involved. A few years ago, they came up with the idea<br />

PeTersen Tegl<br />

A passion for brick Ida Prastegaard<br />

of the Petersen <strong>Juni</strong>or mini-bricks, which are equally suitable for<br />

play and decoration.<br />

The beauty of the site is multifaceted, but the passion for fired<br />

clay is palpable at every turn. The Petersen family’s private home<br />

has the unmistakable aura of a building that has been cared for<br />

and maintained over hundreds of years. The production buildings<br />

predominantly consist of blue-tempered brick, and exude a<br />

toned-down materiality that contributes to the harmony of the<br />

site. But the architecture is not the only attraction. Artists regularly<br />

visit the brickworks and work here for extended periods –<br />

often leaving behind examples of their work. These pieces can be<br />

found dotted around the site, nestled among lovingly cared-for<br />

bonsai trees and rose bushes.<br />

In the early days, as now, the 6.5 km 2 cove was ideal for<br />

brick-making. Along its coasts were rich deposits of ice-age clay,<br />

and the cove had a direct, navigable connection to Flensburg<br />

Fjord. In the 18th century, the brickworks was located on the<br />

other side. In fact, at one point there were 50 brickworks here,<br />

the biggest such concentration in Northern Europe. Six remain –<br />

including Petersen Tegl.<br />

Coal-fired brick<br />

There are several reasons why Petersen Tegl has fared so well,<br />

even during hard times for the brick-making industry. First and<br />

foremost, the bricks it produces are unique. Secondly, Christian<br />

A. Petersen has a feel for the Zeitgeist, is adaptable, and understands<br />

the importance of working closely with architects.<br />

top Bateman's Row, designed by Theis & Kahn and located in<br />

Shoreditch, London, is a combined home, architect's studio<br />

and gallery.<br />

left Many artists have left their mark on the brickworks in Broager<br />

over the years. A student of the Swedish artist Ulla Viotti left<br />

behind this buxom lady in brick.<br />

50 NEW CERAMICS MAY / JUnE <strong>2012</strong>

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