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A Return to Paradise and its People - Durban

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DURBAN<br />

A <strong>Return</strong> <strong>to</strong> <strong>Paradise</strong> <strong>and</strong> <strong>its</strong> <strong>People</strong>


welcome t


<strong>to</strong> durban


you are here


Published by<br />

eThekwini Municipality<br />

Commissioned by<br />

Ntsiki Magwaza<br />

eThekwini Communications Unit<br />

Words <strong>and</strong> layout<br />

Peter Machen<br />

Pho<strong>to</strong>graphy<br />

See pho<strong>to</strong> cred<strong>its</strong><br />

Printed by<br />

Art Printers<br />

Printed on<br />

Environmentally friendly Sappi Avalon Triple<br />

Green Supreme Silk paper<br />

ISBN 978-0-620-38971-6<br />

CONTENTS<br />

009 Foreword<br />

010 His<strong>to</strong>ry<br />

016 City Plans<br />

026 Faith<br />

030 Commerce<br />

036 Eating<br />

042 Building<br />

048 Design<br />

054 Writing<br />

058 Art<br />

064 Music<br />

072 Dance<br />

076 Theatre<br />

080 Film<br />

084 Museums<br />

088 Getting Out<br />

092 Sport<br />

096 Mysteries<br />

100 Where <strong>to</strong> Stay<br />

102 Governance<br />

104 Etcetera


FOREWORD<br />

The face of <strong>Durban</strong> has changed<br />

dramatically over the past few years<br />

due <strong>to</strong> the massive investments in<br />

infrastructure upgrade that were kickstarted<br />

ahead of the 2010 Fifa World<br />

Cup. Many of the plans that were<br />

detailed in the previous edition of <strong>Durban</strong><br />

– A <strong>Paradise</strong> <strong>and</strong> <strong>its</strong> <strong>People</strong> have now been completed <strong>and</strong> have<br />

helped <strong>to</strong> transform <strong>Durban</strong> in<strong>to</strong> a world class city that is praised by<br />

<strong>its</strong> citizens <strong>and</strong> visi<strong>to</strong>rs alike.<br />

The attractive Moses Mabhida stadium has become an iconic<br />

l<strong>and</strong>mark for the city, while the renovation of the beachfront has<br />

greatly exp<strong>and</strong>ed the promenade, which now stretches from Ushaka<br />

Marine World <strong>to</strong> Blue Lagoon, providing a rich experience for local<br />

<strong>and</strong> international <strong>to</strong>urists. Our transport system is undergoing<br />

continuous improvements <strong>and</strong> access in<strong>to</strong> <strong>and</strong> out of the city has<br />

improved with the construction of fly-over bridges <strong>and</strong> dedicated<br />

lanes for public transport vehicles. We have the br<strong>and</strong> new King<br />

Shaka International Airport, located in one of the most beautiful<br />

l<strong>and</strong>scapes of any airport in the world, <strong>and</strong> part of the expansive<br />

Dube Tradeport project which encourages export trade.<br />

Areas outside of central <strong>Durban</strong> are also receiving attention, with<br />

construction taking place at an accelerated pace from Hammersdale<br />

<strong>to</strong> In<strong>and</strong>a, Umhlanga <strong>and</strong> Amanzim<strong>to</strong>ti. Development of formerly black<br />

<strong>to</strong>wnships is also progressing in order <strong>to</strong> bring formerly disadvantaged<br />

citizens in <strong>to</strong> the mainstream of economic activity in eThekwini.<br />

These plans are part of the City’s 2010 <strong>and</strong> Beyond Strategy.<br />

When the Municipality was planning for the 2010 World Cup, it did<br />

not just focus on the <strong>to</strong>urnament but tried <strong>to</strong> ensure that infrastructural<br />

improvements would leave a lasting legacy <strong>and</strong> improve the quality<br />

of life for <strong>its</strong> residents. Beyond the World Cup, these facilities,<br />

<strong>to</strong>gether with the Inkosi Albert Luthuli International Convention Centre<br />

<strong>and</strong> Ushaka Marine World, have helped <strong>Durban</strong> <strong>to</strong> receive global<br />

recognition as Africa’s sporting <strong>and</strong> events capital.<br />

We are a diverse African city that is focused on citywide<br />

investments, growing our economy <strong>and</strong> creating a better quality of<br />

life. In <strong>Durban</strong> we play hard <strong>and</strong> we work hard. It’s not a coincidence<br />

that we attract so many local <strong>and</strong> international <strong>to</strong>urists on a daily<br />

basis. We are a growing urban setting, rich in diversity, cultural<br />

amenities <strong>and</strong> outdoor recreational opportunities. The threads that<br />

are woven in<strong>to</strong> this City are integral <strong>to</strong> the rich his<strong>to</strong>ry of South Africa,<br />

<strong>and</strong> contribute <strong>to</strong> the cultural diversity <strong>and</strong> harmony that defines life<br />

in eThekwini.<br />

Welcome <strong>to</strong> <strong>Durban</strong>, the Warmest Place To Be! I hope you enjoy<br />

<strong>Durban</strong> - A <strong>Return</strong> <strong>to</strong> <strong>Paradise</strong> <strong>and</strong> <strong>its</strong> <strong>People</strong><br />

Councillor James Nxumalo<br />

Mayor of eThekwini Municipality<br />

09


THERE’S SOMETHING FOOLISH ABOUT REDUCING<br />

thous<strong>and</strong>s of years of his<strong>to</strong>ry <strong>to</strong> just a few pages. And this<br />

is particularly the case in the multicultural society of <strong>Durban</strong>,<br />

where many important contributing str<strong>and</strong>s are bound <strong>to</strong><br />

fall by the wayside. But a little his<strong>to</strong>rical context will<br />

nonetheless prove useful <strong>to</strong> visi<strong>to</strong>rs <strong>to</strong> <strong>Durban</strong> who would<br />

like <strong>to</strong> underst<strong>and</strong>, in some way, how the city has evolved<br />

in<strong>to</strong> <strong>its</strong> current form.<br />

The timeline of human habitation in <strong>Durban</strong> goes back<br />

<strong>to</strong> long before the advent of recorded his<strong>to</strong>ry in the region.<br />

While some of the earliest remnants of humanity are found<br />

in the nearby Drakensberg, it is now established that prior<br />

<strong>to</strong> the arrival of the Nguni people <strong>and</strong> subsequent European<br />

colonialists, the area was populated by the original people<br />

of Southern Africa – now collectively called the Khoi/San.<br />

Then, on Christmas day in 1497, Portuguese explorer<br />

Vasco da Gama passed the mouth of <strong>Durban</strong> Bay <strong>and</strong><br />

promptly named it Rio de Natal (Christmas River), presuming<br />

that several rivers flowed in<strong>to</strong> the bay.<br />

Back then, before the intrusive advent of industrialisation,<br />

the bay was separated from the sea by a s<strong>and</strong>bar. In the<br />

vast waters of the bay <strong>and</strong> the mangrove swamps on <strong>its</strong><br />

edges, crocodiles, hippopotamuses <strong>and</strong> flamingoes spent<br />

their days. Beyond the bay lay a ridge of hills which was<br />

home <strong>to</strong> elephants, hyenas <strong>and</strong> lions until about a century<br />

ago, <strong>and</strong> which now houses <strong>Durban</strong>’s immediate suburbs.<br />

Over the subsequent years, Rio de Natal came <strong>to</strong> be a<br />

popular s<strong>to</strong>p-off point for explorers <strong>and</strong> traders, mainly<br />

because the bay offered one of the few protected<br />

anchorages on the southern coast of Africa.<br />

10<br />

HISTORY<br />

COLONIAL IMPRINT <strong>Durban</strong> still bears the imprint of George<br />

Ca<strong>to</strong>’s original three-street <strong>to</strong>wn plan, <strong>to</strong> which only two main<br />

parallel streets have been added, before the city’s grid structure<br />

surrenders <strong>to</strong> the more convoluted layout of <strong>its</strong> surburbs. Like<br />

many African cities, <strong>Durban</strong> still wears the vestiges of <strong>its</strong> colonial<br />

origins, with beautiful low rise neo-classical buildings dominating<br />

<strong>its</strong> centre, attended by a throng of colonial-era statues. Similarly,<br />

the Album: city <strong>its</strong>elf Introducing is still named after Shiyani <strong>its</strong> founder, NcgoboBenjamin<br />

D’Urban,<br />

although it is also referred <strong>to</strong> by <strong>its</strong> Zulu name, eThekwini.


In 1823, the first European settlement arrived on the<br />

ship, The Salisbury, under the comm<strong>and</strong> of Lieutenant<br />

James King, with the aim of trading up <strong>and</strong> down the South<br />

African coast. While inclement weather forced the vessel<br />

<strong>to</strong> anchor in the sheltered area off the coast of <strong>Durban</strong>,<br />

her accompanying ship, the Julia, sailed over the s<strong>and</strong>bar<br />

<strong>and</strong> surveyed the bay.<br />

King immediately recognised the importance of the bay<br />

<strong>and</strong> returned <strong>to</strong> Engl<strong>and</strong> <strong>to</strong> try <strong>and</strong> garner support for an<br />

English settlement. He was unsuccessful, <strong>and</strong> soon sailed<br />

back <strong>to</strong> Port Natal, as it had come <strong>to</strong> be called by the<br />

Europeans.<br />

King then befriended King Shaka Zulu who granted him<br />

l<strong>and</strong> around the bay, <strong>and</strong> sent him <strong>to</strong> Engl<strong>and</strong> with two of<br />

his chiefs on a diplomatic mission. But the party got no<br />

further than Port Elizabeth <strong>and</strong> King returned <strong>to</strong> Port Natal<br />

once more, moving <strong>to</strong> the Bluff across the bay, where he<br />

died of dysentery in 1828.<br />

This rough, uncertain life frequently had lethal results<br />

<strong>and</strong> at one point the number of settlers at the bay was no<br />

more than six. At a meeting in 1835, attended by the full<br />

complement of settlers at the time – 15 in all – a <strong>to</strong>wn was<br />

proclaimed, <strong>and</strong> named in honour of the Governor of the<br />

Cape, Sir Benjamin D’Urban.<br />

Despite initially gr<strong>and</strong>iose plans, little development <strong>to</strong>ok<br />

place in this early settlement. Dwellings of rudimentary<br />

mud <strong>and</strong> wattle nestled in the coastal bush, <strong>and</strong> a full 12<br />

years after the proclamation, there were still no streets.<br />

Although the settlers maintained cordial relations with<br />

the powerful founder of the Zulu nation <strong>to</strong> their north,<br />

matters changed for the worse when Shaka’s successor<br />

Dingane <strong>to</strong>ok over. Under Shaka’s rule, the Zulus considered<br />

the area <strong>to</strong> be their terri<strong>to</strong>ry but had <strong>to</strong>lerated the white<br />

settlers whose trading hab<strong>its</strong> were useful <strong>to</strong> them. Whereas<br />

THE CITY HALL Built in 1910 in the neo-baroque style, the City<br />

Hall was inspired by the Belfast City Hall in Northern Irel<strong>and</strong>. This<br />

h<strong>and</strong>some s<strong>and</strong>s<strong>to</strong>ne building is adorned with allegorical sculptures<br />

in the neo-classical style representing art, music, literature, commerce<br />

<strong>and</strong> industry. The hall, with <strong>its</strong> sumptuous interior <strong>and</strong> beautiful<br />

acoustics, is used as a venue for cultural <strong>and</strong> social events <strong>and</strong><br />

regularly hosts concerts by the KwaZulu-Natal Philharmonic Orchestra.<br />

The building houses the Mayor’s Parlour as well as the City Library,<br />

the Natural Science Museum <strong>and</strong> the <strong>Durban</strong> Art Gallery.<br />

11


Shaka had instructed his citizens <strong>to</strong> live in peace with the white<br />

settlers, Dingane showed open animosity <strong>and</strong> aggression.<br />

In 1838 the Voortrekkers arrived from the Eastern Cape,<br />

already having laid claim <strong>to</strong> Natal, despite the fact that several<br />

columns of their wagons had been massacred by the Zulus<br />

along the way. Later that year at the battle of Ndondakusuka,<br />

a number of British traders lost their lives, along with hundreds<br />

of Zulus, <strong>and</strong> were forced <strong>to</strong> flee. In 1842 the British sent<br />

forces <strong>to</strong> maintain order in the area <strong>and</strong> were promptly<br />

besieged by the Voortrekkers. It fell <strong>to</strong> Dick King <strong>and</strong> his<br />

Zulu servant Ndongeni <strong>to</strong> ride <strong>to</strong> the British Garrison in<br />

Grahams<strong>to</strong>wn <strong>to</strong> get help.<br />

King earned a legendary place in local his<strong>to</strong>ry by riding 960<br />

kilometres in 10 days, past the Voortrekkers <strong>and</strong> through wild<br />

uncharted terri<strong>to</strong>ry, crossing more than 120 rivers. A month<br />

later the besieged British were relieved. (King, seemingly<br />

always on the side of the underdog, also walked from <strong>Durban</strong><br />

<strong>to</strong> northern Natal <strong>to</strong> warn the Voortrekkers of the massacre of<br />

Piet Retief by the Zulu king Dingane.)<br />

In 1844, the British annexed the southern portion of Natal<br />

<strong>to</strong> their already existing Cape Colony. This annexe was<br />

significantly boosted in the early 1850s when several thous<strong>and</strong><br />

settlers arrived, courtesy of an Irishman named Joseph Byrne,<br />

who had once visited <strong>Durban</strong>, <strong>and</strong> who hoped <strong>to</strong> make money<br />

by shipping in settlers <strong>to</strong> this difficult paradise.<br />

In 1860, finding the Zulus <strong>to</strong> be uncooperative workers,<br />

the British imported the first of several thous<strong>and</strong> indentured<br />

labourers from British India <strong>to</strong> work in the sugar cane fields.<br />

Along with them came ‘passenger’ Indians who were not<br />

indentured, <strong>and</strong> who were free <strong>to</strong> engage in business.<br />

But <strong>Durban</strong> was still a rough looking outpost <strong>and</strong> it <strong>to</strong>ok the<br />

efforts of a young immigrant named George Ca<strong>to</strong> <strong>to</strong> lay out<br />

the <strong>to</strong>wn properly with three main streets, each 100 feet across<br />

– wide enough <strong>to</strong> turn a wagon <strong>and</strong> 16 oxen (the reason why<br />

12<br />

APARTHEID TOWN PLANNING has left <strong>its</strong> footprint all over<br />

the eThekwini Metro Area as a result of the Group Areas Act<br />

which divided South African cities along racial lines. But<br />

although apartheid formalised segregation, city structures<br />

had already been shaped by the country’s colonial past. In<br />

1923 the Urban Areas Act was passed, forcing ‘blacks’ in<strong>to</strong><br />

what were known as ‘locations’. Segregated cities became<br />

apartheid Album: Introducing cities after the Shiyani National Ncgobo Party came in<strong>to</strong> power in<br />

1948 <strong>and</strong> all remaining ‘non-whites’ in <strong>Durban</strong> were forced<br />

<strong>to</strong> move <strong>to</strong> the outlying areas of the city.<br />

city centre roads in South Africa are so wide). In 1860, a railway<br />

linked the harbour with the small <strong>to</strong>wn <strong>and</strong> within 30 years it<br />

reached all the way <strong>to</strong> Johannesburg, while the <strong>to</strong>wn of <strong>Durban</strong><br />

began <strong>to</strong> exp<strong>and</strong> beyond the swampl<strong>and</strong> <strong>to</strong> the cooler hills of<br />

the Berea.<br />

The discovery of gold in the Transvaal was a major boost<br />

<strong>to</strong> the port, while the presence of coal in Dundee resulted in<br />

many ships using the port for bunkering. The progress of the<br />

port finally led <strong>to</strong> the troublesome s<strong>and</strong>bar at the harbour<br />

entrance being removed.<br />

As a result of the increased use of the harbour, many<br />

marine-related industries such as ship building, stevedoring


<strong>and</strong> ch<strong>and</strong>ling were established in <strong>Durban</strong>, along with a<br />

dry dock.<br />

By 1900, the <strong>to</strong>wn had a sewerage system, hardened<br />

roads <strong>and</strong> water reticulation. The expansion of the railways<br />

also had the effect of attracting people from the Transvaal,<br />

who wished <strong>to</strong> vacation in the seaside <strong>to</strong>wn. This<br />

established <strong>Durban</strong> as a major <strong>to</strong>urist destination, a<br />

position it retains more than a century later. During the<br />

frequent conflicts in the colony, <strong>Durban</strong> was also the<br />

primary disembarkation point for British troops.<br />

In 1932 a number of satellite suburbs were incorporated<br />

in<strong>to</strong> the <strong>to</strong>wn <strong>and</strong> in 1935 <strong>Durban</strong> was granted city status.<br />

In the years after World War II, the his<strong>to</strong>ry of <strong>Durban</strong><br />

was defined largely by the implementation of apartheid,<br />

<strong>and</strong> the struggle for equal humanity that ensued. Today,<br />

this legacy is most visibly evident in the existence of<br />

extensive shack settlements throughout the region.<br />

As the Group Areas Act got under way, the City Council<br />

decided <strong>to</strong> build more formal communities, <strong>and</strong> large<br />

<strong>to</strong>wnships were constructed <strong>to</strong> house African workers<br />

both north <strong>and</strong> south of <strong>Durban</strong>.<br />

In 1994 South Africa had <strong>its</strong> first democratic election,<br />

which changed forever the <strong>to</strong>ne <strong>and</strong> flavour of <strong>Durban</strong>.<br />

In 1996 the Municipal boundaries were exp<strong>and</strong>ed <strong>to</strong><br />

become the <strong>Durban</strong> Metropolitan Region, or <strong>Durban</strong><br />

Metro, by including large areas <strong>to</strong> the north, south <strong>and</strong><br />

west of the city.<br />

Four years later, a further expansion resulted in the<br />

inclusive <strong>Durban</strong> Unicity. Today <strong>Durban</strong> is the third largest<br />

city in South Africa <strong>and</strong> of vital economic importance <strong>to</strong><br />

the country. The city continues <strong>its</strong> role as South Africa’s<br />

most popular <strong>to</strong>urist destination, while <strong>its</strong> complex his<strong>to</strong>ry<br />

has ensured a rich <strong>and</strong> diverse multicultural future.<br />

FACTS ABOUT DURBAN is a fascinating collection of facts <strong>and</strong><br />

anecdotes about <strong>Durban</strong> <strong>and</strong> <strong>its</strong> his<strong>to</strong>ry. A rich source of<br />

information on the city, FAD includes everything from a timeline<br />

of the city’s his<strong>to</strong>ry <strong>to</strong> wrecks which have occurred off the coast<br />

<strong>and</strong> the exact details of what the lights on the Millenium Tower<br />

mean. The archival images in the previous few pages were used<br />

with the kind permission of the author Allan Jackson, who also<br />

curates the constantly updated FAD website (www.fad.co.za)<br />

<strong>and</strong> writes a weekly internet column for the Sunday Tribune.<br />

The In<strong>and</strong>a City Guide The In<strong>and</strong>a area, just outside of <strong>Durban</strong>, is of<br />

great importance <strong>to</strong> the his<strong>to</strong>ry of South Africa. Many of the events that<br />

<strong>to</strong>ok place here have had global significance. It was in In<strong>and</strong>a that the<br />

young Mahatma G<strong>and</strong>hi birthed his notion of satyagraha, or peaceful<br />

resistance, <strong>and</strong> where the seeds of the African National Conference were<br />

planted. The eThekwini Municipality has produced a series of City Guide<br />

area maps, including one which focuses on In<strong>and</strong>a, detailing sites of<br />

his<strong>to</strong>ric importance <strong>and</strong> sacred significance. Pick up a copy of the<br />

Woza En<strong>and</strong>a City Guide at Tourist Junction in the centre of <strong>Durban</strong>.<br />

13


MAHATMA GANDHI Mahatma G<strong>and</strong>hi arrived in <strong>Durban</strong> in 1893<br />

as a legal advisor <strong>to</strong> an Indian firm. Initially unaware of the racial<br />

inequalities in the colony, he threw himself in<strong>to</strong> the struggle for<br />

elementary rights for Indians. He helped <strong>to</strong> establish the Natal<br />

Indian Congress in 1894 <strong>and</strong> the newspaper The Indian Opinion<br />

in 1903 <strong>and</strong>, a year later, established a settlement in Phoenix. It<br />

was here that his notion of satyagraha or non-violent resistance<br />

would later emerge, before resonating around the globe. JOHN ROSS In 1827 the 15 year old John Ross walked<br />

900 kms from <strong>Durban</strong> <strong>to</strong> Delagoa Bay (now Mapu<strong>to</strong>) <strong>and</strong><br />

back through untamed wilderness <strong>to</strong> fetch medical supplies<br />

for the settlers. Along the way he visited King Shaka who<br />

provided him with an armed escort for the journey. Today,<br />

a statue of Ross st<strong>and</strong>s in front of John Ross House on the<br />

Esplanade as a tribute <strong>to</strong> his bravery <strong>and</strong> determination.<br />

14<br />

JOHN DUBE Poet BW Vilakazi wrote in 1946 that John Dube<br />

was “a great, if not the greatest, black man of the missionary<br />

epoch in South Africa.” With the most meagre of economic<br />

means, Dube emerged from his<strong>to</strong>ry as a renaissance man in<br />

the true sense of the word. He was founding president of the<br />

African National Congress, started the local Zulu language<br />

newspaper Ilanga which continues <strong>to</strong> hold influence <strong>to</strong>day,<br />

<strong>and</strong> founded the influential Ohlanga High School, which has<br />

produced many of South Africa’s most powerful personalities.


SHAKA ZULU More than 200 years after his<br />

reign, Shaka remains an icon of global significance.<br />

Recognised as one of the world’s greatest military<br />

strategists, he has been the subject of fervent<br />

mythologising, casting him as a warrior of classical<br />

proportions. Whatever the truth, he cast a shadow<br />

<strong>to</strong>o large for legend <strong>to</strong> give way <strong>to</strong> accuracy.<br />

INANDA SEMINARY The In<strong>and</strong>a Seminary has had a profound impact on<br />

South Africa <strong>and</strong> <strong>its</strong> his<strong>to</strong>ry. For it is here that John Dube’s gr<strong>and</strong>mother was<br />

converted <strong>to</strong> Christianity by the American missionary Daniel Lindley <strong>and</strong> where<br />

Dube’s father worked as one of the first ordained pas<strong>to</strong>rs of Lindley’s American<br />

Zulu Mission. Established in 1869 at the In<strong>and</strong>a Mission Station, the seminary<br />

was the first secondary school for African girls in Southern Africa <strong>and</strong> the only<br />

mission school in South Africa which managed <strong>to</strong> escape incorporation in<strong>to</strong><br />

apartheid structures <strong>and</strong> remain a private school. The campus<br />

remains active <strong>to</strong>day <strong>and</strong> is accessible <strong>to</strong> <strong>to</strong>urists. Phone +27 31 510 1011.<br />

Battlefields Holiday The battlefields of KwaZulu-Natal are located mainly in the<br />

hinterl<strong>and</strong> of the Zulu Kingdom. The 63 battlefield sites are haunting reminders<br />

of some of the bloodiest encounters in colonial his<strong>to</strong>ry, including conflicts<br />

between the Voortrekkers <strong>and</strong> the Zulus, the Zulus <strong>and</strong> the British <strong>and</strong> the Boers<br />

<strong>and</strong> the British. Campaign Trails (www.campaigntrails.co.za) offer a number of<br />

battlefields <strong>to</strong>urs, as do several other opera<strong>to</strong>rs. Phone +27 31 767 4166.<br />

His<strong>to</strong>ry In Museums <strong>Durban</strong> has a diverse selection of museums which provide a broad range of information<br />

about the collective his<strong>to</strong>ry of the city <strong>and</strong> the region. From the KwaMuhle Museum, which illustrates the oppressive<br />

conditions experienced by black people under apartheid, <strong>to</strong> the Natural Science Museum, which explores the<br />

biological his<strong>to</strong>ry of South Africa, a wealth of his<strong>to</strong>rical resources is available <strong>to</strong> his<strong>to</strong>rians, researchers <strong>and</strong> anyone<br />

keen <strong>to</strong> learn more about the fascinating his<strong>to</strong>ry of eThekwini. See Museums Section for more information.<br />

15


WITH THE 2010 FIFA WORLD CUP CAME THE PROMISE<br />

of prosperity as the world focused on South Africa <strong>and</strong> <strong>its</strong><br />

major cities, putting <strong>Durban</strong> firmly on the international map.<br />

But for the city <strong>to</strong> maximise the economic opportunities<br />

<strong>and</strong> media attention of this global event, it must look beyond<br />

2010, <strong>to</strong>wards a sustainable <strong>and</strong> viable future. The following<br />

projects, many now complete, demonstrate the many ways<br />

in which prosperity <strong>and</strong> success can be achieved as part<br />

of a city’s overall growth.<br />

While <strong>Durban</strong>’s beachfront showcases the pleasures of<br />

the city’s coastlines <strong>to</strong> locals <strong>and</strong> well-heeled international<br />

<strong>to</strong>urists, the <strong>to</strong>wnships of Phoenix, KwaMashu <strong>and</strong> Umlazi<br />

are gradually normalising in<strong>to</strong> more conventional urban<br />

environments with their own political <strong>and</strong> economic centres,<br />

thanks largely <strong>to</strong> the remarkable Bridge City development,<br />

a City-led urban intervention. Transport in the city will greatly<br />

improve as the <strong>People</strong> Mover system evolves from <strong>its</strong> role<br />

as a World Cup courier <strong>to</strong> the stadium, while the new stateof-the-art<br />

airport <strong>and</strong> trade port establish <strong>Durban</strong> as one<br />

of Africa’s most connected cities.<br />

16<br />

CITY PLANS<br />

ICC EXTENSION The Albert Luthuli International Convention<br />

Centre has been extremely successful since <strong>its</strong> inception,<br />

establishing <strong>Durban</strong> as one of the world’s conferencing capitals.<br />

It has recently been extended, doubling <strong>its</strong> size <strong>and</strong> providing<br />

exp<strong>and</strong>ed services. There is now a world-class indoor arena,<br />

as well as open spaces around the building which contribute<br />

<strong>to</strong> <strong>its</strong> iconic appearance <strong>and</strong> which will soon be extended <strong>to</strong><br />

activate the adjacent area. The ICC Arena puts the ICC <strong>Durban</strong><br />

in a league of <strong>its</strong> own, making it the only indoor venue in the<br />

country able <strong>to</strong> accommodate over 10 000 people.<br />

CENTRAL DURBAN<br />

THE PEOPLE MOVER This new bus system forms part of a transport<br />

redesign process that the city implemented in preparation for the<br />

2010 Fifa World Cup. With closed circuit surveillance cameras installed<br />

on each bus <strong>and</strong> wardens stationed at all s<strong>to</strong>ps <strong>to</strong> help <strong>to</strong>urists <strong>and</strong><br />

passengers, the <strong>People</strong> Mover promises a safe <strong>and</strong> reliable public<br />

transport system. With an access ramp for wheelchairs <strong>and</strong> prams,<br />

<strong>and</strong> onboard information about the city, the buses cover the beachfront<br />

<strong>and</strong> inner city routes from 6.30am <strong>to</strong> 11pm every day.<br />

CENTRAL DURBAN


CENTRAL DURBAN<br />

REINVENTING THE BEACHFRONT Over the past year, the city has<br />

been hard at work rebuilding the beachfront, putting in place a<br />

promenade that runs the full stretch of the city centre’s coastline.<br />

Part of a bold new vision for reinventing the beachfront, the<br />

renovation is the centrepiece of a broad strategy <strong>to</strong> dramatically<br />

grow <strong>Durban</strong>’s <strong>to</strong>urism market. The aim is <strong>to</strong> offer a beachfront<br />

package that will appeal <strong>to</strong> the full spectrum of beach users, from<br />

local water sports enthusiasts <strong>to</strong> visi<strong>to</strong>rs from around the world.<br />

NORTH DURBAN<br />

NORTH DURBAN<br />

NANDI DRIVE This is the largest road project ever<br />

undertaken by the eThekwini Municipality. The<br />

R320 million construction of the N<strong>and</strong>i Road Arterial<br />

has opened up the area <strong>to</strong> a wealth of economic<br />

activity. The development has facilitated easier access<br />

<strong>to</strong> the city for residents <strong>to</strong> the north of the city centre,<br />

eased traffic congestion coming from In<strong>and</strong>a,<br />

KwaMashu <strong>and</strong> North Coast Road, <strong>and</strong> opened up<br />

approximately 280 hectares of l<strong>and</strong> for light industrial,<br />

commercial <strong>and</strong> residential development projects.<br />

KWAMASHU TOWN CENTRE The In<strong>and</strong>a/Ntuzuma/Kwa-<br />

Mashu (INK) initiative is driving an ambitious social realignment<br />

programme <strong>to</strong> accelerate the development of communities<br />

living in these areas. The R30 million KwaMashu Town Centre<br />

upgrade has provided physical infrastructure, business<br />

support <strong>and</strong> safety in the area. The city is actively promoting<br />

private investment in the <strong>to</strong>wn centre as part of <strong>its</strong><br />

regeneration programmes in formerly disenfranchised CBDs.<br />

17


CENTRAL DURBAN<br />

WIDENING THE HARBOUR MOUTH As part of an extensive upgrade<br />

which will transform the Port of <strong>Durban</strong> in<strong>to</strong> a well-defined logistics hub,<br />

the harbour mouth has been substantially widened – from 130m <strong>to</strong> 300m<br />

at <strong>its</strong> widest point – <strong>and</strong> the entrance channel deepened so that the port<br />

can h<strong>and</strong>le the new generation of massive ‘super ships’. Additionally, an<br />

agreement between the National Ports Authority <strong>and</strong> the Municipality<br />

includes plans for upgrading the existing container terminal, a new<br />

container terminal, <strong>and</strong> a new general-cargo terminal on the Point.<br />

18<br />

Dominant Sec<strong>to</strong>rs <strong>Durban</strong> is the country’s most visited <strong>to</strong>urist destination <strong>and</strong><br />

has the second largest manufacturing base, as well as a strong agricultural<br />

sec<strong>to</strong>r <strong>and</strong> growing IT, outsourcing, printing <strong>and</strong> creative industries.<br />

CENTRAL DURBAN<br />

THE MOSES MABHIDA STADIUM Construction<br />

of this world-class multi-purpose sports stadium<br />

was completed in 2009. The elegant new complex<br />

was one of the major host stadiums for the 2010<br />

Fifa World Cup <strong>and</strong> will be a major asset for future<br />

Olympic bids. The stadium can accommodate<br />

70000 specta<strong>to</strong>rs <strong>and</strong> is part of the Municipality’s<br />

Beyond 2010 strategy which aims <strong>to</strong> establish<br />

<strong>Durban</strong> as Africa’s premier sporting destination.<br />

The Role Of Infrastructure In Economic Development A central role of the eThekwini Municipality is<br />

<strong>to</strong> sensitively provide infrastructure that will help <strong>to</strong> grow the local economy while minimising negative externalities<br />

such as noise <strong>and</strong> air pollution. The success of N<strong>and</strong>i Drive is a good example of how the provision of infrastructure<br />

by local government can catalyse development in an area. By connecting the outer ring freeway with <strong>Durban</strong>’s<br />

northern suburbs, access <strong>to</strong> much l<strong>and</strong> has been opened up, allowing for the development of commercially<br />

intensive areas such as River Horse Park <strong>and</strong> alleviating congestion at other arterial entrances <strong>to</strong> <strong>Durban</strong>.<br />

Similarly, the City’s public-private partnership with Tongaat Hulett is helping <strong>to</strong> facilitate the economic <strong>and</strong> urban<br />

integration of the formerly marginalised areas of Phoenix, In<strong>and</strong>a, Ntuzuma <strong>and</strong> KwaMashu. What was<br />

once a mass of semi-rural housing is very quickly turning in<strong>to</strong> a small city that will activate the area around it.


NORTH DURBAN<br />

DUBE TRADE PORT With the newly completed King Shaka International<br />

Airport at <strong>its</strong> centre, the Dube Trade Port, once completed, will see<br />

the establishment of an exciting state of the art export zone incorporating<br />

a new air platform linked with the seaports of <strong>Durban</strong> <strong>and</strong> Richards<br />

Bay. By attracting private sec<strong>to</strong>r investment <strong>and</strong> providing a multimodal<br />

platform for local exporters <strong>to</strong> more effectively tap in<strong>to</strong> global<br />

markets, the Dube Trade Port will serve as a catalyst for economic<br />

development <strong>and</strong> sustainable job creation. The Trade Port will<br />

incorporate a trade zone, a cyberport, perishables facilities, freight<br />

transfer facilities <strong>and</strong> other commercial <strong>and</strong> retail opportunities.<br />

NORTH DURBAN<br />

CENTRAL DURBAN<br />

RENOVATING THE CITY During 2010 significant<br />

progress was made with an ambitious project <strong>to</strong><br />

revitalise the inner city <strong>and</strong> <strong>its</strong> immediate arterial<br />

suburbs. Much of the city has been renovated including<br />

roads, pavements, lighting <strong>and</strong> the City Hall <strong>its</strong>elf.<br />

Additionally, many building owners have followed the<br />

city’s lead, resulting in a cleaner, more liveable city.<br />

KING SHAKA INTERNATIONAL AIRPORT includes an<br />

integrated passenger <strong>and</strong> freight airport without the significant<br />

constraints associated with the old <strong>Durban</strong> International<br />

Airport. Nearly 20000 square metres in size, the passenger<br />

terminal, with ‘parking spaces’ for 18 passenger aircrafts,<br />

allows for seven million passengers every year, with<br />

opportunities for significant expansion built in<strong>to</strong> the design.<br />

19


GALLERIA SHOPPING CENTRE in Amanzim<strong>to</strong>ti features 12 movie<br />

houses, an ice-skating rink, indoor putt-putt, sea view restaurants<br />

<strong>and</strong> a collection of retail giants. Boasting 87 000 square metres<br />

of retail space <strong>and</strong> 5700 secure parking bays, the focus is on good<br />

old-fashioned family entertainment <strong>and</strong> affordable prices. With<br />

the launch of the Galleria, the beachfront Water World <strong>and</strong> Fun<br />

L<strong>and</strong>, Amanzim<strong>to</strong>ti is proving <strong>to</strong> be the new destination of choice<br />

for <strong>Durban</strong>ites who are a little removed from the city centre.<br />

20<br />

SOUTH DURBAN OUTER WEST<br />

OUTER WEST<br />

HILLCREST The suburb of Hillcrest experienced a<br />

building boom in the 1990s <strong>and</strong> 2000s with the<br />

construction of a number of gated communities<br />

<strong>and</strong> shopping centres. Previously a sleepy village<br />

on the outskirts of <strong>Durban</strong>, Hillcrest has now become<br />

a booming suburb incorporated in<strong>to</strong> the eThekwini<br />

Municipal Area. With existing road <strong>and</strong> sewage<br />

systems unable <strong>to</strong> cope with the development boom,<br />

upgrade programmes estimated at some R60 million<br />

were initiated. The widening of a number of main<br />

<strong>and</strong> arterial roads, additional traffic lights <strong>and</strong> the<br />

completion of the <strong>Durban</strong>-bound on-ramp from<br />

Shongweni Road have made significant differences<br />

in easing traffic movement, while sewerage<br />

concerns have been addressed by upgrades <strong>to</strong><br />

the existing Hillcrest Wastewater Treatment Works.<br />

HAMMARSDALE Construction has begun on a multimillion<br />

R<strong>and</strong> development project <strong>to</strong> turn the Mpumalanga area in<strong>to</strong><br />

a vibrant, high-amenity regional <strong>to</strong>wn centre that will serve the<br />

Hammarsdale <strong>and</strong> Mpumalanga areas. Phase one consists<br />

of R30m bulk infrastructure, laying the foundations for an<br />

18000 square metre shopping centre, the first such facility <strong>to</strong><br />

be established in the currently under-serviced <strong>to</strong>wn centre.


SOUTH DURBAN<br />

UMLAZI MEGACITY , completed at a cost of R150 million, means<br />

that Umlazi’s residents can now shop in comfort <strong>and</strong> safety. The project<br />

was driven by private sec<strong>to</strong>r developers with the support of the<br />

eThekwini Municipality, giving life <strong>to</strong> the city’s commitment – as stated<br />

in <strong>its</strong> Integrated Development Plan – <strong>to</strong> revitalise <strong>to</strong>wnship areas by<br />

using <strong>its</strong> economic position <strong>to</strong> lever private sec<strong>to</strong>r funding. Umlazi<br />

MegaCity represents the first phase in a process of transforming both<br />

the physical appearance <strong>and</strong> social dynamics of a community that in<br />

the past was spatially isolated <strong>and</strong> economically marginalised as part<br />

of the ‘separate development’ of apartheid’s <strong>to</strong>wn planning policies.<br />

ALL AREAS<br />

SOUTH DURBAN<br />

THE SOUTH DURBAN BASIN consists of a nationally<br />

important industrial area interspersed with a substantial<br />

residential component. Key infrastructure upgrades<br />

aimed at improving service delivery are being rolled<br />

out in an area previously neglected by the apartheid<br />

regime. These upgrades include a major traffic<br />

interchange, electrical substation upgrades <strong>and</strong> road<br />

<strong>and</strong> s<strong>to</strong>rm water upgrades, as well as the improvement<br />

of the public realm through urban cleaning <strong>and</strong> greening.<br />

CITY GUIDES The Municipality has recently published a<br />

number of City Guides, including guides <strong>to</strong> <strong>Durban</strong>’s galleries<br />

<strong>and</strong> museums, as well as <strong>to</strong> the important cultural precincts<br />

of In<strong>and</strong>a, Warwick Junction, Grey Street <strong>and</strong> the city centre.<br />

The guides, which were originated with the 2010 Fifa World<br />

Cup in mind, will continue <strong>to</strong> be produced in the future,<br />

with a number of architectural guides in the pipeline for the<br />

World Congress of Architects which <strong>Durban</strong> will host in 2014.<br />

21


NORTH DURBAN<br />

BRIDGE CITY Bridge City is a new <strong>to</strong>wn centre being developed 17<br />

kilometres from the <strong>Durban</strong> city centre, bridging the communities of Phoenix,<br />

In<strong>and</strong>a, Ntuzuma <strong>and</strong> KwaMashu <strong>and</strong> integrating them in<strong>to</strong> the urban system.<br />

This visionary new <strong>to</strong>wn will serve as the social <strong>and</strong> commercial centre <strong>to</strong><br />

an area housing a population of over 800 000 people, who at present<br />

have generally poor access <strong>to</strong> facilities <strong>and</strong> social services. It will be a<br />

catalyst for economic growth <strong>and</strong> the empowerment of surrounding<br />

communities by improving access <strong>to</strong> transport, work <strong>and</strong> commercial activity.<br />

22<br />

Twenty Twenty Vision The Municipality’s Economic Development Strategy was<br />

adopted in July 2008, outlining a set of choices <strong>and</strong> outcomes <strong>to</strong> ultimately achieve<br />

the overall vision of becoming Africa’s most caring <strong>and</strong> liveable city by 2020.<br />

SOUTH DURBAN<br />

AUTOMOTIVE CLUSTER <strong>Durban</strong> is the city of<br />

choice for South Africa’s globalised au<strong>to</strong>motive<br />

industry <strong>and</strong> is home <strong>to</strong> South Africa’s largest<br />

vehicle assembler, Toyota SA. The region’s<br />

au<strong>to</strong>motive industry receives strong support from<br />

eThekwini Municipality <strong>and</strong> benef<strong>its</strong> from a highly<br />

developed logistics platform emanating from the<br />

<strong>Durban</strong> harbour. The au<strong>to</strong>motive industry is the<br />

largest manufacturing sec<strong>to</strong>r in South Africa.<br />

Urban Growth Rural Backlog Recent indica<strong>to</strong>rs suggest that the eThekwini Municipality’s economy is<br />

outperforming the national economy in terms of the Gini Coefficient, unemployment rate <strong>and</strong> Gross Domestic<br />

Product. Locally, the introduction of the Dube Trade Port, the 2010 Fifa World Cup <strong>and</strong> the major expansion<br />

plans around the Port of <strong>Durban</strong> are three main projects that will act as major catalysts for the city’s economic<br />

growth over the next decade, with a legacy lasting well in<strong>to</strong> the 21st Century. At the same time, substantial<br />

progress has been made in extending basic household services <strong>to</strong> previously unconnected households, with<br />

approximately 75% of all households now having access <strong>to</strong> adequate levels of such services. The major backlog<br />

areas coincide geographically with existing informal settlements <strong>and</strong> rural <strong>and</strong> peri-urban areas. The key<br />

development challenge facing the Municipality is <strong>to</strong> address the service delivery backlogs in these areas.


The Value of <strong>Durban</strong>’s Open Spaces<br />

The value of natural goods <strong>and</strong> services<br />

provided by <strong>Durban</strong>’s more than 63 000<br />

hectares of open space is estimated <strong>to</strong><br />

be valued at more than R3billion. The<br />

value of goods <strong>and</strong> services, such as<br />

water <strong>and</strong> firewood provided by the<br />

natural environment in rural areas,<br />

provides an estimated R8000 per annum<br />

in services <strong>to</strong> each household. This means<br />

that if the natural resources were<br />

depleted in our rural areas, each<br />

household would have <strong>to</strong> find R8 000<br />

each year <strong>to</strong> purchase the goods <strong>and</strong><br />

services that were previously provided<br />

free of charge by the natural<br />

environment. As such, there are important<br />

economic reasons, beyond the concerns<br />

of conservation, <strong>to</strong> ensure the sustainable<br />

provision of the city’s open spaces.<br />

Business Referral <strong>and</strong> Information<br />

Network (BRAIN)<br />

Basic information for small businesses<br />

www.brain.org.za<br />

Department of Economic<br />

Development <strong>and</strong> Tourism<br />

Private Bag X001, Bishopsgate,<br />

4009<br />

Tel: +27 31 310 5303<br />

Fax: +27 31 307 6152<br />

E-mail: langab@eco<strong>to</strong>ur1.kzntl.gov.za<br />

www.kzn-deat.gov.za<br />

<strong>Durban</strong> Africa<br />

PO Box 1044, <strong>Durban</strong>, 4000<br />

Tel: +27 31 304 4934<br />

Fax: +27 31 304 6196<br />

E-mail: funinsun@iafrica.com<br />

<strong>Durban</strong> Chamber of Commerce<br />

<strong>and</strong> Industry<br />

PO Box 1506, <strong>Durban</strong>, 4000<br />

Tel: +27 31 335 1000<br />

Fax:+27 31 332 1288<br />

E-mail: chamber@durbanchamber.co.za<br />

www.durbanchamber.co.za<br />

Business Contacts<br />

<strong>Durban</strong> Investment Promotion<br />

Agency (DIPA)<br />

PO Box 1203, <strong>Durban</strong> 4000<br />

Tel: +27 31 336 2516/40<br />

Fax:+27 31 336 2641<br />

Cell: +27 82 924 6349<br />

E-mail: monique.labat@dipa.co.za<br />

www.dipa.co.za<br />

Economic Development Department,<br />

eThekwini Municipality<br />

PO Box 5856, <strong>Durban</strong>, 4000<br />

Tel: +27 31 311 3801<br />

Fax: +27 31 306 0195<br />

E-mail: ecodev@durban.gov.za<br />

eThekwini Municipality<br />

Development <strong>and</strong> Planning Unit<br />

PO Box 680, <strong>Durban</strong>, 4000<br />

Tel: +27 31 311 2911<br />

Fax: +27 31 311 2684<br />

www.durban.gov.za/eThekwini/Municipality/Planning<br />

KING’S PARK SPORTS DISTRICT The City’s vision of<br />

becoming Africa’s premier sporting <strong>and</strong> leisure destination<br />

has been taken a step further with the King’s Park Sports<br />

Precinct, with the Moses Mabhida Stadium at <strong>its</strong> centre.<br />

As part of the Municipality’s Beyond 2010 strategy, it was<br />

deemed practical <strong>to</strong> build the stadium in an area where<br />

all the Olympic sporting codes co-exist in close proximity<br />

with world class facilities. The construction of the precinct<br />

gives high priority <strong>to</strong> important developmental benef<strong>its</strong><br />

such as housing, infrastructure, transport <strong>and</strong> hotels. CENTRAL DURBAN<br />

23


24<br />

Local Exporters<br />

www.southafricanexporters.co.za<br />

Albert Luthuli International<br />

Convention Centre <strong>Durban</strong><br />

PO Box 155, <strong>Durban</strong>, 4000, South Africa<br />

Tel: +27 31 360 1000<br />

Fax: +27 31 360 1005<br />

E-mail: mktg@icc.co.za<br />

www.icc.co.za<br />

Ithala Development Finance<br />

Corporation Ltd<br />

PO Box 2801, <strong>Durban</strong>, 4000<br />

Tel: +27 31 907 8810<br />

Fax: +27 31 907 5685<br />

E-mail: tzulu@ithala.co.za<br />

www.ithala.co.za<br />

KwaZulu-Natal Economic Council<br />

PO Box 30886, Mayville, 4058, South Africa<br />

Tel: +27 31 261 8181<br />

Fax: +27 31 261 8185<br />

E-mail: kznec@kznec.org.za<br />

KwaZulu-Natal Tourism Authority<br />

PO Box 2516, <strong>Durban</strong> 4000, South Africa<br />

Tel: +27 31 304 7144<br />

Fax: +27 31 305 6693<br />

E-mail: info@<strong>to</strong>urism-kzn.org<br />

www.zulukingdom.org.za<br />

National African Federated Chamber<br />

of Commerce <strong>and</strong> Industry - Iny<strong>and</strong>a<br />

PO Box 3095, <strong>Durban</strong>, 4000, South Africa<br />

Tel: +27 31 304 2911<br />

Fax: +27 31 305 4913<br />

More Business Contacts<br />

Ombudsperson for Banking Services<br />

PO Box 5728, Johannesburg, 2000<br />

Tel: +27 11 838 0035<br />

or +27 0860 800 900<br />

Fax: +27 11 838 0043<br />

www.obssa.co.za<br />

Portnet – Port of <strong>Durban</strong><br />

PO Box 1027, Dal<strong>to</strong>n, 4000, South Africa<br />

Tel: 27 31 361 8804<br />

Fax: +27 31 361 8920<br />

E-mail: ronnieh@portnet.co.za<br />

www.portnet.co.za/durban/<br />

Small Enterprise Development Agency<br />

(SEDA)<br />

PO Box 56714, Arcadia, 0007<br />

Tel: 0860 103 703<br />

or +27 12 441 1000<br />

E-mail: info@seda.org.za<br />

www.seda.org.za<br />

Thekwini Business Development<br />

Centre (TBDC)<br />

PO Box 623, <strong>Durban</strong>, 4000<br />

Tel: +27 31 309 5432<br />

Fax: +27 31 309 5437<br />

E-mail: protasm@iafrica.com<br />

Trade <strong>and</strong> Investment KZN<br />

PO Box 4245, <strong>Durban</strong>, 4000<br />

Tel:+27 31 366 0600<br />

Fax:+27 31 304 4471<br />

Email: mncwabe@tikzn.co.za


SHEMBE The Shembe faith is often referred <strong>to</strong> as an Africanised<br />

Christianity. Although there is much reference <strong>to</strong> the Old Testament<br />

<strong>and</strong> conventional Christian rituals, the faith’s spiritual resonance is<br />

more African than Western. The church was founded in 1910 by the<br />

Prophet Isaiah Shembe <strong>and</strong> <strong>to</strong>day has millions of followers who<br />

gather <strong>to</strong>gether in marginal outdoor spaces. Dressed in white,<br />

they assemble on traffic isl<strong>and</strong>s around the city for prayer or <strong>to</strong><br />

practise their haunting Shembe horn, the inspiration for the vuvuzela.<br />

26<br />

FAITH<br />

IF YOU WANT TO KNOW ABOUT RELIGION IN DURBAN,<br />

you can learn much from a walk around the city’s streets. As<br />

well as the host of mosques, temples, churches <strong>and</strong> cathedrals,<br />

declarations of faith are <strong>to</strong> be found everywhere – from the<br />

small star-shaped insignia that Zionist devotees wear on their<br />

lapels <strong>to</strong> the huge selection of buses <strong>and</strong> minibuses bearing<br />

religious messages.<br />

Although South Africa is constitionally a secular country,<br />

most of <strong>its</strong> population lays claim <strong>to</strong> a recognised faith, with the<br />

majority of <strong>Durban</strong>ites claiming some form of Christianity as<br />

their belief structure. In keeping with the city’s multicultural<br />

reality, religion in <strong>Durban</strong> is a vibrant melting pot of beliefs <strong>and</strong><br />

theologies many of which have been reconstructed <strong>and</strong> infused<br />

with a spirituality that is markedly African in <strong>its</strong> content.<br />

And while religions are often defined by their separateness<br />

from each other, in times of struggle, <strong>Durban</strong>’s various belief<br />

systems often come <strong>to</strong>gether in multi-faith services. From the<br />

Shembe devotees <strong>to</strong> the Hare Krishnas <strong>to</strong> the Zanzibari<br />

Muslims, faith in <strong>Durban</strong> is a reflection of the global nature of<br />

the city’s genesis.<br />

CHRISTIANITY While most <strong>Durban</strong>ites profess <strong>to</strong> being Christians,<br />

this often means an entirely different set of rituals, prophets <strong>and</strong><br />

theological structures <strong>to</strong> those usually associated with the faith.<br />

African Christianity, in the form of the Zionist <strong>and</strong> Shembe<br />

devotees, constitute a sizeable proportion of the Christians in<br />

<strong>Durban</strong>, although there is a significant <strong>and</strong> diverse following of<br />

‘conventional’ Christianities. Together, they fulfill every possible<br />

permutation Album: Introducing within the Shiyani parameters Ncgobo of modern Christianity.


ISLAM arrived in South Africa as early as 1658<br />

with the Dutch settlement in the Cape, but the<br />

first mosque was only erected in 1804. With the<br />

arrival of Indian labourers in Natal, the Muslim<br />

community mushroomed <strong>and</strong> <strong>to</strong>day constitutes an<br />

important component of life in South Africa. A<br />

large proportion of South African Muslims are<br />

found in <strong>Durban</strong> <strong>and</strong> the azaan (the call <strong>to</strong> the<br />

faithful) is heard in many parts of the metro area.<br />

Religious Holidays Although South Africa is officially a secular country, most<br />

South Africans acknowledge a faith of some kind. The local calendar reflects<br />

the traditional Christian holidays but they are generally celebrated with little<br />

cultural specificity. If you were <strong>to</strong> send out a holiday email in <strong>Durban</strong> in<br />

December, you would wish people ‘a happy festive season’, acknowledging that<br />

not everyone celebrates Christmas but that everyone enjoys a holiday.<br />

HINDUISM Although only 2% of <strong>Durban</strong>’s population are Hindu, the<br />

faith has had a significant impact on the city, with a network of Hindu<br />

Temples <strong>and</strong> a culture of vegetarianism being two of <strong>its</strong> gifts <strong>to</strong> the<br />

city. Hinduism first appeared in <strong>Durban</strong> in 1860 when indentured<br />

labourers arrived from India <strong>to</strong> work on the sugar plantations of Natal.<br />

Very soon they started <strong>to</strong> build shrines <strong>and</strong> temples, replicating the<br />

religious idiom of their homel<strong>and</strong>. Today South African Hindus<br />

practice their faith in much the same way as they would do in India,<br />

with a rich selection of temples located throughout eThekwini.<br />

Religious Harmony The faith-based conflict that is<br />

evident in many parts of the world is not reflected in<br />

<strong>Durban</strong>’s religious l<strong>and</strong>scape where harmony is generally<br />

the order of the day. While the legacy of apartheid is<br />

still with us in many ways, contemporary South Africa<br />

is a country of great <strong>to</strong>lerance <strong>and</strong> acceptance.<br />

Temples Of Underst<strong>and</strong>ing You don’t need <strong>to</strong> be Muslim <strong>to</strong> enter a Mosque or Hindu <strong>to</strong> visit a temple. And<br />

you don’t need <strong>to</strong> be a follower of Shembe <strong>to</strong> walk in<strong>to</strong> the sacred s<strong>to</strong>ne circles which constitute their churches.<br />

But you do need <strong>to</strong> be respectful, ask before you enter <strong>and</strong> accept that in most religious spaces there will be<br />

areas that are forbidden <strong>to</strong> non-believers. Generally, you should take off your shoes, <strong>and</strong> also accept the fact<br />

that in many local theologies, men <strong>and</strong> women will sometimes occupy different areas of a site or venue.<br />

27


ZIONISM The predominant religious belief systems in South<br />

Africa are a fusion of Christianity <strong>and</strong> traditional beliefs. Referred<br />

<strong>to</strong> as Syncretism, Apos<strong>to</strong>licism <strong>and</strong> Zionism, Africanised<br />

Christianity is a marriage of western ritual <strong>and</strong> theology with<br />

African religious culture. The overwhelming majority of<br />

African Christians favour Africanised versions of Christianity,<br />

which do not violate the foundations of their traditional cultures.<br />

28<br />

ZANZIBARI The Zanzibari community arrived on<br />

our coast in 1874 after being rescued by the British<br />

from a slave ship. Their ‘rescue’ consisted of a five<br />

year term of indentured labour, after which they<br />

returned <strong>to</strong> their traditional way of life, collectively<br />

buying a plot of l<strong>and</strong> on the Bluff. Under apartheid,<br />

they were relocated <strong>to</strong> Chatsworth where they<br />

continue <strong>to</strong> follow Islam as their forefathers did.<br />

HARE KRISHNA Chatsworth, in South <strong>Durban</strong>, boasts<br />

the biggest Hare Krishna temple in Africa <strong>and</strong> is home<br />

<strong>to</strong> a thriving Krishna community. A visit <strong>to</strong> the beautiful,<br />

lotus-shaped Temple of Underst<strong>and</strong>ing is an essential<br />

part of the <strong>Durban</strong> experience. And while you’re there,<br />

you should really have lunch downstairs at Govindas,<br />

the temple’s vegetarian restaurant whose kitchen also<br />

provides delicious food for the poor all over eThekwini.


Religion <strong>and</strong> Colonialism Religion<br />

played an important role in the his<strong>to</strong>ry<br />

of colonialism in Southern Africa. On<br />

the one h<strong>and</strong>, it was used as one of the<br />

many smokescreens <strong>to</strong> legitimise the<br />

actions of the colonial authorities. On<br />

the other h<strong>and</strong>, the spread of Christianity<br />

also played a significant role in resisting<br />

the forces of colonialism, both in the<br />

establishment of the Africanised<br />

Christian churches <strong>and</strong> in opposition by<br />

liberal churches <strong>to</strong> the race-based<br />

inequalities of apartheid. While the<br />

Afrikaans-based Nederdu<strong>its</strong><br />

Gereformeerde Kerk played a central<br />

part in sustaining apartheid <strong>and</strong> <strong>its</strong><br />

ideologies, there were many churches<br />

<strong>and</strong> missionaries who defied the system<br />

of apartheid. Over the decades, churches<br />

have frequently been sites of activism<br />

<strong>and</strong> remain so <strong>to</strong>day. Additionally, the<br />

his<strong>to</strong>ry of missionaries in South Africa<br />

is intricately tied <strong>to</strong> the creation of a<br />

small black educated class, many of<br />

whom entered political life in the<br />

resistance struggle against the apartheid<br />

regime. Whatever their intent at the<br />

time, the early missionaries would no<br />

doubt smile at the fact that the majority<br />

of South Africans profess <strong>to</strong> be Christian.<br />

CHURCHES<br />

Apos<strong>to</strong>lic Faith Mission<br />

Yusuf Dadoo Street,<br />

City Centre<br />

Dutch Reformed<br />

Church 151 An<strong>to</strong>n<br />

Lembede Street<br />

Methodist Church<br />

70 Lena Ahrens<br />

Road, Glenwood<br />

St James’ Church<br />

109/111 Venice<br />

Road, Morningside<br />

St John’s Church<br />

205 Clark Road,<br />

Glenwood<br />

Trinity Congregational<br />

284 Florida Road,<br />

Morningside<br />

JUDAISM Judaism arrived in South Africa in the Cape in<br />

the early 1800s when European Jews immigrated <strong>to</strong> the<br />

country, <strong>and</strong> by the first half of the 20th Century Jewish<br />

society was flourishing in South Africa. Today, however, Jewish<br />

people constitute only 0.2% of the population, with the<br />

majority living in Johannesburg. <strong>Durban</strong> maintains a small<br />

but active Jewish community, linked by a small number of<br />

synagogues in the Metro area as well as by several Jewish<br />

organisations, including the Jewish Club near the beachfront<br />

which has recently opened the remarkable Holocaust Museum.<br />

HINDU TEMPLES<br />

Ca<strong>to</strong> Manor Hindu<br />

Temple, 588 Vusi Mzimela<br />

Road, Ca<strong>to</strong> Manor<br />

<strong>Durban</strong> Hindu Temple<br />

24 Somtseu Road,<br />

City Centre<br />

Shree Gengaiammen<br />

814 Vusi Mzimela<br />

Road, Ca<strong>to</strong> Manor<br />

Shree Nivasa Perumal<br />

Kouvil<br />

127 Felix Dlamini Road<br />

Umgeni Road Temple<br />

Complex 535 Umgeni<br />

Road, Greyville<br />

Places of Worship<br />

MOSQUES<br />

Juma Musjid Mosque<br />

Yusuf Dadoo Street,<br />

City Centre<br />

Soofie Mosque<br />

50 Lower Bridge<br />

Road, Riverside<br />

Soofie Mosque<br />

Umgeni Road, corner<br />

Alpine Road<br />

Overport Mosque<br />

64 Glenearn Road,<br />

<strong>Durban</strong><br />

Soofie Saheb Badha<br />

Peer Darbar<br />

535 Umgeni Road<br />

West Street Mosque<br />

478 Dr Pixley<br />

KaSeme Street<br />

SYNAGOGUES<br />

<strong>Durban</strong> Hebrew<br />

Congregation<br />

Cnr. Stephen Dlamini<br />

<strong>and</strong> Silver<strong>to</strong>n Roads<br />

Berea<br />

<strong>Durban</strong> Progressive<br />

Jewish Congregation<br />

369 Ridge Road<br />

Berea<br />

Chabad of the North<br />

Coast<br />

11 Flamingo Lane<br />

Umhlanga Rocks<br />

<strong>Durban</strong> Jewish Club<br />

44 KE Masinga Road<br />

City Centre<br />

Holocaust Centre<br />

44 KE Masinga Road<br />

City Centre<br />

29


30<br />

COMMERCE<br />

LIKE THE REST OF SOUTH AFRICA, DURBAN’S<br />

economy consists of a formal <strong>and</strong> an informal sec<strong>to</strong>r. For<br />

a long time ignored, the importance of the informal economy<br />

is finally being recognised by economists as a vital <strong>and</strong><br />

inextricable component of the broader economy.<br />

In <strong>Durban</strong> this recognition is at the centre of city<br />

governance, finance <strong>and</strong> planning. Once pushed <strong>to</strong> the<br />

very margins of the city, provision has now been made for<br />

informal traders in the form of shelters, waste removal <strong>and</strong><br />

large-scale projects such as the regeneration of the Warwick<br />

Junction area.<br />

Concomitant with this recognition is the need for<br />

regulation; an approach that needs <strong>to</strong> be balanced with<br />

the abilities of traders <strong>to</strong> conform with these regulations.<br />

The sheer volume of traders makes this a momen<strong>to</strong>us task<br />

that requires careful consideration without neglecting the<br />

dem<strong>and</strong>s of the formal sec<strong>to</strong>r.These fac<strong>to</strong>rs, along with<br />

the large geographical area of the Metro region, mean that<br />

economic activity is defined by diversity.<br />

More than 20% of the formally employed South African<br />

workforce live in <strong>Durban</strong>, making it one of South Africa’s<br />

key economic engines. The harbour <strong>and</strong> <strong>Durban</strong>’s relative<br />

proximity <strong>to</strong> the major industrial area of Johannesburg has<br />

ensured a solid economic base for the city <strong>and</strong> the Metro<br />

area. But much manufacturing activity also takes place<br />

within <strong>Durban</strong> <strong>its</strong>elf. Industrial activity is concentrated in<br />

the South <strong>Durban</strong> Basin. Here you’ll find Toyota, South<br />

Africa’s largest au<strong>to</strong> maker, as well as satellite industries<br />

<strong>and</strong> a large chemical plant. <strong>Durban</strong> is also the drop-off<br />

point for most of the oil which comes in<strong>to</strong> South Africa;<br />

THE CENTRAL BUSINESS DISTRICT Like much of the city,<br />

<strong>Durban</strong>’s central business district went in<strong>to</strong> a slight decline<br />

during the immediate period of transition <strong>to</strong> democracy. But<br />

now it is as bustling <strong>and</strong> vibrant as ever, filled with street-traders,<br />

small boutiques <strong>and</strong> mainstream chains<strong>to</strong>res, which sit beneath<br />

office blocks that rise in<strong>to</strong> the sky. The CBD is the best place<br />

<strong>to</strong> view a representative sample of <strong>Durban</strong>’s inhabitants,<br />

since www.siwelasonke.co.za<br />

commerce is an area in which everybody comes <strong>to</strong>gether.<br />

massive oil refineries in South <strong>Durban</strong> process the oil before<br />

it is pumped <strong>to</strong> Johannesburg. Other industries are located in<br />

enclaves just north of the city in various industrial parks, <strong>and</strong><br />

west of the city in the Queensmead area near Pine<strong>to</strong>wn. Further<br />

west, small, medium <strong>and</strong> large-scale farming predominates.<br />

The South African economy is undergoing a transformation<br />

that is enabling us <strong>to</strong> compete more effectively globally. Part of<br />

the process is the reduction of trade tariffs, which has unfortunately<br />

resulted in difficulties for certain industries, such as the large<br />

textile industry which now has <strong>to</strong> compete with a greater number<br />

of imported goods. When jobs are shed in the formal sec<strong>to</strong>r, it<br />

often means that people seek employment in the informal sec<strong>to</strong>r.


THE HARBOUR <strong>Durban</strong>’s economic importance <strong>to</strong> the Southern<br />

African region is underlined by <strong>its</strong> massive harbour, the second largest<br />

in the Southern Hemisphere (the largest is Richard’s Bay, 200 kilometres<br />

north of <strong>Durban</strong>). Until recently the harbour has been entirely industrial,<br />

save for the presence of the BAT Centre in the small craft harbour <strong>and</strong><br />

a few bars dotted around <strong>its</strong> extensive quayside. In the last few years,<br />

however, industry has been pushed back from certain areas in the<br />

harbour, www.siwelasonke.co.za<br />

providing entertainment spots on the water’s edge.<br />

CONFERENCING With the construction <strong>and</strong> expansion<br />

of the International Convention Centre <strong>and</strong> the adjacent<br />

Hil<strong>to</strong>n Hotel, <strong>Durban</strong> has become a global Mecca for a<br />

broad spectrum of conferencing. From the Non-Aligned<br />

Movement <strong>to</strong> the World Conference on Racism, the ICC<br />

has been instrumental in focusing the international<br />

spotlight on <strong>Durban</strong>. So, if you’re bored with Acapulco<br />

or Honolulu, suggest <strong>Durban</strong> as your next conference<br />

venue <strong>and</strong> treat your colleagues <strong>to</strong> a convention<br />

experience in the heart of this wonderful African city.<br />

GREY STREET <strong>Durban</strong>’s Indian quarter, named after the<br />

street that runs through it (now renamed Yusuf Dadoo), is<br />

a favourite shopping experience for <strong>Durban</strong>ites who prefer<br />

the bustle of the city’s streets <strong>to</strong> that of the mall. More<br />

importantly, the area offers a vast range of products for<br />

those who can’t afford mall prices. Rich in culture <strong>and</strong> his<strong>to</strong>ry,<br />

the centre of the precinct is the Juma Musjid Mosque which<br />

shares <strong>its</strong> structure with adjacent s<strong>to</strong>res <strong>and</strong> madressas.<br />

31


RURAL AND SEMI-RURAL DURBAN The <strong>Durban</strong> Metro Area is extensive<br />

<strong>and</strong> includes many rural <strong>and</strong> semi-rural communities. Under apartheid,<br />

these areas had very few commercial spaces <strong>and</strong> access <strong>to</strong> little or no<br />

basic services. Part of the challenge of renegotiating <strong>and</strong> reconstructing<br />

these spaces is ensuring that the people who live there have access,<br />

not only <strong>to</strong> water <strong>and</strong> electricity, but also <strong>to</strong> such modern-day necessities<br />

as bank machines, shopping centres <strong>and</strong> emergency services.<br />

30% of the Metro population live in rural or semi-rural areas.<br />

32<br />

LOOSE CIGARETTE SELLERS At the heart of the<br />

informal economy is the micro-profit. For those<br />

at the lower end of the economic spectrum, small<br />

amounts of money have a substantial impact. On<br />

the streets of <strong>Durban</strong> <strong>and</strong> in <strong>its</strong> poorer suburbs<br />

<strong>and</strong> business districts, you will find people selling<br />

individual sweets <strong>and</strong> loose cigarettes. The markup<br />

on each unit is minimal, but provides a small<br />

but reliable income for thous<strong>and</strong>s of people.<br />

SECOND-HAND SHOPS are popular with a broad range<br />

of <strong>Durban</strong>ites as decorating styles from earlier decades<br />

swing back in<strong>to</strong> favour. The increasing hype surrounding<br />

retro furniture has meant that prices have begun <strong>to</strong> rise,<br />

but the second-h<strong>and</strong> shops of the city <strong>and</strong> <strong>its</strong> suburbs are<br />

still ripe for the picking. The retro shop Eclectic, on the<br />

corner of Gordon <strong>and</strong> Florida Road, is a great source of<br />

items from bygone eras, as well as a glorious assortment<br />

of k<strong>its</strong>ch, <strong>and</strong> is used extensively by interior decora<strong>to</strong>rs.


GATEWAY Built on 28 hectares of prime Umhlanga<br />

Ridge real estate <strong>and</strong> comprising 120 000 square metres<br />

of ultra-modern retail space, Gateway Theatre of Shopping<br />

is one of the largest shopping centres in the Southern<br />

Hemisphere. The centre is also the nucleus of the 160hectare<br />

Umhlanga Ridge New Town Centre development.<br />

CONNECTIVITY Although computer literacy in <strong>Durban</strong> faces<br />

conventional literacy as the first of <strong>its</strong> challenges, it is imperative<br />

that the digital divide be narrowed for eThekwini <strong>to</strong> grow in<br />

a global market. Computer colleges populate the city <strong>and</strong><br />

internet cafés are easily accessible. Broadb<strong>and</strong> connectivity<br />

is finally here <strong>and</strong> the price of b<strong>and</strong>width is slowly dropping.<br />

UMHLANGA RIDGE If you drive north up the coast from <strong>Durban</strong><br />

<strong>and</strong> take the turnoff <strong>to</strong> the Gateway shopping centre, you’ll see a<br />

mass of white 21st Century buildings. This giant new office park<br />

is home <strong>to</strong> the provincial or national headquarters of many of the<br />

country’s leading companies <strong>and</strong> multinational corporations. While<br />

there are those who object <strong>to</strong> the construction of this second CBD<br />

away from the city, the acceleration of development in <strong>Durban</strong> has<br />

meant that the ever-exp<strong>and</strong>ing Umhlanga Ridge development has<br />

not taken place at the expense of <strong>Durban</strong>’s central business precinct.<br />

Album: When I Grow Up, Fox Hill Lane<br />

33


SHOEMAKERS Craft skills in South Africa were<br />

severely damaged under the restriction of apartheid.<br />

As the new South Africa blooms, craftspeople are<br />

returning <strong>to</strong> the streets, their skills often informed<br />

by the trickle of people from countries further north.<br />

Shoemakers are a prime example of this, <strong>and</strong> you<br />

can get shoes fixed while-you-wait all over <strong>Durban</strong>.<br />

The price is low, the quality is high, <strong>and</strong> a muchloved<br />

pair of shoes gets <strong>to</strong> walk once again.<br />

34<br />

MARKETS Many <strong>Durban</strong>ites buy much of their food from the various<br />

markets in <strong>and</strong> around <strong>Durban</strong>. Fish markets, meat markets <strong>and</strong> fresh<br />

produce markets line the commuter route out of <strong>Durban</strong> where a<br />

significant number of the city’s residents buy their evening’s provisions<br />

on the way home. On the periphery of the markets, smaller traders sell<br />

all manner of wares from audio cassettes <strong>to</strong> belts, headache tablets <strong>to</strong><br />

loose cigarettes. While the markets are the cheapest source of basic<br />

foodstuffs for working class consumers, middle class <strong>Durban</strong>ites generally<br />

do their shopping at supermarkets in malls, or at s<strong>to</strong>res near their<br />

homes. Additionally, many pay a substantial premium for organically<br />

grown vegetables produced by small-scale farmers, available at morning<br />

markets <strong>and</strong> fleamarkets. Increasingly, many of the city’s fleamarkets<br />

also sell a variety of fresh produce <strong>and</strong> manufactured foodstuffs.<br />

The Markets of Warwick City Guide The Warwick Junction area is one of <strong>Durban</strong>’s most important commercial<br />

<strong>and</strong> transit hubs, particularly for the city’s working class, many of whom straddle the urban/rural divide. In Warwick<br />

you’ll find an extraordinary array of human activity which caters <strong>to</strong> the hundreds of thous<strong>and</strong>s of people who move<br />

through the area each day. Cars roar by overhead on newly built freeways while herbalists sell traditional medicine<br />

on an ab<strong>and</strong>oned fly-over now linked by a footbridge <strong>to</strong> the activities below. Follow that bridge <strong>and</strong> you’ll find yourself<br />

in a vibrant, polyphonic world that is home <strong>to</strong> a mass of commercial <strong>and</strong> cultural activities, including various markets<br />

which sell everything from blue jeans <strong>and</strong> farm-fresh produce <strong>to</strong> religious goods <strong>and</strong> cooked animal heads. The<br />

eThekwini Municipality has produced a series of City Guide area maps, including one which explores the various<br />

markets of Warwick. Pick up a copy of the Markets of Warwick City Guide at Tourist Junction in the centre of <strong>Durban</strong>.


Targeting the Townships One of the<br />

most enduring legacies of apartheid<br />

is the existence of racially defined<br />

<strong>to</strong>wnships all over South Africa. As well<br />

as enforcing segregation, the <strong>to</strong>wnships<br />

also represented pools of surplus labour<br />

whose reliance on the ‘white economy’<br />

was ensured by constructing the <strong>to</strong>wnships<br />

without their own economies. This<br />

is one of the central challenges that<br />

<strong>Durban</strong> faces as a city <strong>and</strong> as a<br />

Municipality - <strong>to</strong> help develop <strong>and</strong> grow<br />

economic activity in these sprawling<br />

residential <strong>to</strong>wns. This also means<br />

that the <strong>to</strong>wnships represent vast<br />

potential for business opportunities,<br />

both <strong>to</strong> residents <strong>and</strong> outside inves<strong>to</strong>rs.<br />

Vic<strong>to</strong>ria Street Market<br />

This market in the Indian<br />

quarter of <strong>Durban</strong> has two<br />

floors crammed with curios,<br />

spices <strong>and</strong> homeware.<br />

Mon-Fri 8am-5pm, Sat 8am-<br />

1pm.<br />

+27 31 306 4021<br />

Warwick Avenue Fresh<br />

Produce Market<br />

This market bustles with<br />

activity as vendors ply their<br />

fresh fruit <strong>and</strong> vegetables<br />

which come from all over the<br />

province.<br />

Mon-Fri 8am-5pm, Sat 8am-<br />

1pm.<br />

South Plaza Market<br />

With several hundred stalls,<br />

this market sprawls around the<br />

centrally situated Workshop<br />

shopping centre every Sunday.<br />

Samora Machel Street next <strong>to</strong><br />

<strong>Durban</strong> Exhibition Centre.<br />

Sun 9am-4pm.<br />

+27 31 301 9900<br />

WARWICK AVENUE is a non-s<strong>to</strong>p kaleidoscope of local<br />

culture. Zulu muthi (traditional medicine) sellers ply their<br />

wares on a disused freeway next <strong>to</strong> the West Street Cemetery<br />

<strong>and</strong> the <strong>to</strong>mb of a local Muslim saint. The Early Morning<br />

Market s<strong>its</strong> at the centre of Warwick, surrounded by all manner<br />

of traders, from the large, neon-lit butchery <strong>to</strong> the vendors<br />

who sell loose cigarettes <strong>and</strong> phone calls on battery operated<br />

telephones. Warwick Junction is the busiest intersection in<br />

<strong>Durban</strong>, fed by a series of bus ranks <strong>and</strong> a train station. Up<br />

<strong>to</strong> 500 000 commuters pass through the area each day.<br />

Church Square Market<br />

Open daily, just behind Tourism<br />

Junction, with a large variety<br />

of clothing, sunglasses etc.<br />

Between Commercial Street<br />

<strong>and</strong> Monty Naicker Road.<br />

Daily 8.30am-4.30pm.<br />

+27 82 451 0744<br />

Essenwood Road Market<br />

Open only on Saturday<br />

morning, this distinctly crafty<br />

market includes a variety of<br />

home-made products <strong>and</strong> a<br />

range of food <strong>and</strong> beverages.<br />

Berea Park, Stephen Dlamini<br />

Road. Sat 9am-2pm.<br />

+27 31 208 9916<br />

The Stables<br />

One of <strong>Durban</strong>’s most<br />

charming markets, The Stables<br />

is open in the evenings on<br />

Wednesdays <strong>and</strong> Fridays.<br />

291-242 Jacko Jackson Drive.<br />

Wed/Fri 6pm-10pm, Sun<br />

12pm-6pm.<br />

+27 31 301 9900<br />

Markets in <strong>Durban</strong><br />

Car Boot Market<br />

It’s amazing what some people<br />

throw away. And amazing what<br />

some people try <strong>to</strong> sell. A junkcollec<strong>to</strong>r’s<br />

dream.<br />

Sundays 7am-1pm.<br />

Mathews Meyiwa Road.<br />

+27 31 209 4751<br />

The Bluff Fleamarket<br />

Arts, crafts, collectibles <strong>and</strong> junk<br />

are all available at the Bluff<br />

Showgrounds, on the first <strong>and</strong><br />

last Saturdays of the month.<br />

And while you’re there, check<br />

out some of the magnificent<br />

beaches on the Bluff.<br />

+27 82 049 8151<br />

Drummond Craft Market<br />

This small market is packed<br />

with locally made art <strong>and</strong> crafts.<br />

There is also a restaurant <strong>and</strong><br />

quick access <strong>to</strong> the breathtaking<br />

Valley of a Thous<strong>and</strong> Hills.<br />

Old Main Road, Drummond.<br />

Thurs-Sun 9am-4.30pm.<br />

+27 82 784 9728<br />

35


AS WITH MOST ASPECTS OF LIFE IN DURBAN, THERE<br />

is no specific style that defines the food we eat, although<br />

if you combined Californian, Indian <strong>and</strong> African cooking,<br />

you might arrive at some vague approximation.<br />

In eThekwini, fusion is the dominant force <strong>and</strong> eclecticism<br />

the order of the day. The political freedom that arrived in<br />

the ’90s has had a spillover culinary effect <strong>and</strong> South<br />

African cuisine has blossomed in the last decades, as<br />

minds have opened <strong>and</strong> the global grocery s<strong>to</strong>re has arrived<br />

on our shelves. At the same time, a wide variety of smallscale<br />

local producers have emerged, from cheese sellers<br />

<strong>to</strong> small organic farmers <strong>to</strong> local microbreweries, reflecting<br />

the international trend <strong>to</strong>wards recognising food production<br />

as craft rather than industry.<br />

So in <strong>Durban</strong> you can sample the planet’s menus <strong>and</strong><br />

also discover entirely new genres of food. Sushi meets<br />

roti. The burri<strong>to</strong> meets Zulu spinach. The samoosa encases<br />

a filling of cheese <strong>and</strong> bacon. And dhall gets poured in<strong>to</strong><br />

an Italian pasta sauce.<br />

36<br />

EATING<br />

SHISA NYAMA is the isiZulu word for ‘hot meat’, <strong>and</strong> is a staple of<br />

local African cuisine. The meat, usually chicken or chops, is cooked<br />

<strong>to</strong> well-done on either a gas-<strong>to</strong>p s<strong>to</strong>ve or a fire. Shisa nyama spots<br />

can be found on the streets of <strong>Durban</strong> <strong>and</strong> in <strong>to</strong>wnships <strong>and</strong> taxi<br />

ranks, <strong>and</strong> often form the centre of social activity. And like much<br />

African cuisine, <strong>its</strong> working class roots in no way discourage the<br />

black middle-class from partaking in the slightly charred meat.<br />

TASTE IT AT: Warwick Junction, City Centre<br />

THE BUNNYCHOW consists of thick, delicious <strong>Durban</strong> curry<br />

spooned in<strong>to</strong> a hollowed-out half loaf of bread <strong>and</strong> is widely<br />

thought <strong>to</strong> have been invented as a response <strong>to</strong> apartheid.<br />

Under the old dispensation, seating areas in restaurants were<br />

reserved for white people. With takeaways becoming<br />

something of a necessity for most of the population of the<br />

old South Africa, the self-contained bunnychow was invented.<br />

TASTE IT AT: Cocos in Mathews Meyiwa Road, Morningside


THE DURBAN CURRY is the single cuisine that unites <strong>Durban</strong>ites<br />

across the demographic spread. Hanging out at one of <strong>Durban</strong>’s<br />

countless curry joints, you’ll find everyone from skater kids <strong>to</strong> lawyers<br />

<strong>to</strong> street people who have managed <strong>to</strong> squeeze some coins <strong>to</strong>gether<br />

for that day’s lunch. Imported from India <strong>and</strong> then made brasher <strong>and</strong><br />

hotter, the <strong>Durban</strong> curry might set your nose running, but it’ll also give<br />

you a taste that you won’t be able <strong>to</strong> satisfy anywhere else in the world.<br />

TASTE IT AT: Sunrise House of Curries, Morningside<br />

MEALIES ON THE STREET are cooked on a small open<br />

fire or gas-<strong>to</strong>p s<strong>to</strong>ve <strong>and</strong> lightly salted. They provide<br />

cheap, instant nutrition <strong>to</strong> pedestrians on the move, as<br />

well as an income for the mostly female vendors. If you<br />

take a walk around the city, you might even discover<br />

small gardens of this staple vegetable growing in<br />

marginal spaces <strong>and</strong> tended by the vendors themselves.<br />

TASTE IT AT: Cnr of Dorothy Nyembe & Dr Goonam Streets<br />

HEAD MARKETS It is true that little goes <strong>to</strong> waste in<br />

Africa, <strong>and</strong> this is clearly illustrated by the fact that when<br />

an animal is slaughtered, nothing is thrown away. In<br />

KwaZulu-Natal, inhloko (boiled cow head) is something of<br />

a delicacy. This treat, not for those of even the vaguest<br />

vegetarian persuasion, can be tasted at the Head Restaurant<br />

in Warwick Junction’s Head Market. The head is taken away<br />

for cooking at home or prepared as inhloko isigqokweni<br />

(head on a plate) <strong>and</strong> accompanied by salt <strong>and</strong> green chillies.<br />

FIND IT AT: Warwick Junction, City Centre<br />

37


HARILALS SPICE EMPORIUM If it’s in an Eastern<br />

recipe book, chances are that you’ll find it here.<br />

Located at the bot<strong>to</strong>m of Monty Naicker Road,<br />

Harilals is truly an emporium of culinary delight,<br />

<strong>and</strong> a thoroughly affordable one at that. As well as<br />

a huge selection of dry goods, the s<strong>to</strong>re also sells<br />

a large variety of kitchenware, Indian cookbooks,<br />

vegetarian products <strong>and</strong> Indian devotional items.<br />

FIND IT AT: West end of Monty Naicker Road, City Centre<br />

38<br />

VEGETARIANS AND VEGANS Due <strong>to</strong> the presence of <strong>Durban</strong>’s substantial<br />

Hindu population, vegetarians <strong>and</strong> vegans find themselves extremely well<br />

catered for in <strong>Durban</strong>. The clutch of Hare Krishna take-aways scattered<br />

around the city offer not only mild curries but also variations on lasagne,<br />

cottage pie, sausage rolls, hamburgers, pizza <strong>and</strong> more, <strong>and</strong> every curry<br />

house will have at least one veg option. But even away from Indian cuisine,<br />

you’ll find the city’s restaurants vegetarian-friendly. That said, avoid steakhouses.<br />

FIND IT AT: Little Gujerat, Dr Goonam Street, City Centre<br />

Dinner in the indian quarter The east end of Dr Goonam (Prince Edward) Street<br />

lights up in the early evening on weekdays, with several Indian <strong>and</strong> Pakistani<br />

restaurants open until about 9pm, accompanied by paan sellers <strong>and</strong> DVD vendors.<br />

The Indian quarter known as Grey Street, named after the street<br />

that runs through the area (now renamed <strong>to</strong> Yusuf Dadoo Street)<br />

has a large concentration of restaurants <strong>and</strong> takeaways.<br />

Unsurprisingly, curry dominates, with a plethora of vegetarian options<br />

available as well as a broad selection of meat-based meals. If Indian<br />

fare isn’t for you, there are a few Pakistani restaurants, as well as<br />

global chains such as Wimpy <strong>and</strong> KFC. Eating in Grey Street is very<br />

affordable, <strong>and</strong> has the advantage of having the ingredients of your<br />

next meal for sale just around the corner, where formal s<strong>to</strong>res <strong>and</strong><br />

street vendors sell produce at lower prices than anywhere else.


L’EDICOLA ITALIAN DELI is one of <strong>Durban</strong>’s longest-running delicatessens.<br />

Located on the corner of Problem Mkhize <strong>and</strong> Clarence Roads,<br />

it’s the place where you’re guaranteed <strong>to</strong> find all things Italian, as well as<br />

a host of other items on the global fusion menu. Featuring a large variety<br />

of imported cold meats <strong>and</strong> cheeses, as well as sumptuous ready-made<br />

Italian meals, L’Edicola is the perfect s<strong>to</strong>p-off point when you feel like<br />

treating yourself – or some lucky guests – <strong>to</strong> a decadent smorgasboard.<br />

Slow food The <strong>Durban</strong>-Pietermaritzburg Slow Food<br />

convivium, is named ‘Imifino’ after the isiZulu word for the<br />

green leaves of edible plants indigenous <strong>to</strong> the area. The<br />

convivium is based around Enaleni, in the KZN Midl<strong>and</strong>s.<br />

EVERFRESH has revolutionised grocery shopping in <strong>Durban</strong><br />

<strong>and</strong> <strong>its</strong> suburbs. While their name seldom lets them<br />

down, the main attraction is the sheer variety of fruit <strong>and</strong><br />

veg on display, as well as a cornucopia of cheese <strong>and</strong> other<br />

dairy products, a butchery <strong>and</strong> a bakery. A one-s<strong>to</strong>p,<br />

preservative-free grocery experience, Everfresh, which has<br />

recently gone in<strong>to</strong> partnership with Fruit <strong>and</strong> Veg City<br />

under the br<strong>and</strong> name of Food Lovers Market, has had a<br />

remarkable impact on many <strong>Durban</strong>ites’ approach <strong>to</strong> food.<br />

JOHNNY’S CHIP-INN RANCH is one of <strong>Durban</strong>’s<br />

definitive dining experiences. Located in the heart of<br />

Overport, Johnny’s sells a large selection of curries in<br />

their various permutations such as bunnychows, rotis<br />

<strong>and</strong> good old curry-<strong>and</strong>-rice. Johnny’s is so revered<br />

that <strong>its</strong> signage has appeared in galleries <strong>and</strong> there<br />

are more than 5000 members of <strong>its</strong> facebook group.<br />

FIND IT AT: Corner of Problem Mkhize <strong>and</strong> Clarence Roads, Greyville FIND IT AT: Moses Kotane Road, Overport<br />

FIND IT: All over <strong>Durban</strong><br />

39


EATING OUTDOORS In recent years <strong>Durban</strong>ites have increasingly taken<br />

<strong>to</strong> the pavements. Under apartheid <strong>to</strong>wn planning, the use of public<br />

space was strictly controlled, <strong>and</strong> it has taken many years for both the<br />

general public <strong>and</strong> the city’s restaurants <strong>to</strong> slowly creep out in<strong>to</strong> the<br />

alfresco pleasures of pavement dining. This movement gained momentum<br />

during the Fifa World Cup, as venues around the city exp<strong>and</strong>ed their<br />

seating areas in order <strong>to</strong> accommodate the increased numbers of patrons.<br />

FIND IT AT: Cafe Jiran, on the northern end of the beachfront promenade<br />

40<br />

Peace For the ultimate in karma-free cuisine, head <strong>to</strong> the<br />

Temple of Underst<strong>and</strong>ing in Chatsworth, where the lavish<br />

structure invites spiritual contemplation <strong>and</strong> the restaurant<br />

provides sumptuously wholesome food for the body <strong>and</strong> soul.<br />

FLORIDA ROAD offers some of <strong>Durban</strong>’s finest restaurants<br />

with new venues opening all the time. One of Morningside’s<br />

leafiest, most picturesque roads, it is becoming something<br />

of a culinary high street for <strong>Durban</strong> diners. From the relaxed<br />

pavement ambience of Spiga D’Oro <strong>to</strong> the eastern tastes of<br />

Mo Noodles <strong>and</strong> Sunrise House of Curries, there’s something<br />

for every palate as well as a good selection of coffee.<br />

FIND IT AT: Florida Road, Morningside<br />

ROMA REVOLVING RESTAURANT A visit <strong>to</strong><br />

<strong>Durban</strong> isn’t really complete without dinner at<br />

the Roma. One of about 30 such structures<br />

around the world, <strong>its</strong> Italianate decor provides<br />

a surreal contrast <strong>to</strong> <strong>its</strong> magnificent views of<br />

<strong>Durban</strong>. The food is conventional high-end Italian<br />

fare with a sumptuous ’70s style dessert trolley.<br />

FIND IT: on Margaret Mncadi Avenue


Organic Food in <strong>Durban</strong> The<br />

market for organic food in <strong>Durban</strong><br />

is still relatively small, although as<br />

in most places, it is rapidly<br />

exp<strong>and</strong>ing as savvy middle-class<br />

consumers increasingly question<br />

the quality of industrially produced<br />

food. Most of the large supermarket<br />

chains have organic ranges,<br />

although there is usually a hefty<br />

premium charged for the privelige.<br />

While many restaurants in <strong>Durban</strong><br />

source much of their fresh produce<br />

from organic farmers, only Earth<br />

Mother Organic in Bulwer Road<br />

claims <strong>to</strong> be completely organic.<br />

In addition <strong>to</strong> a small restaurant<br />

that makes food so delicious you’d<br />

never think it was healthy, Earth<br />

Mother also has a s<strong>to</strong>re which sells<br />

a wide variety of organic home<br />

consumables, from Goji berries<br />

sourced from Tibet <strong>to</strong> locally<br />

produced face creams <strong>and</strong> washing<br />

powder. Additionally, Earth Mother<br />

also has a regular supply of organic<br />

fruit <strong>and</strong> veg. But while the organic<br />

sec<strong>to</strong>r is still small, the quality of<br />

fresh produce is particularly<br />

high, since most of it is sourced<br />

from small-scale, farmers who use<br />

non-intensive farming methods.<br />

Moyo<br />

1 Bell Street<br />

uShaka Village Walk<br />

+27 31 332 0606<br />

Johnny’s Chip-Inn<br />

Ranch<br />

88 Moses Kotane<br />

Road, Overport<br />

+27 31 209 2020<br />

Roma Revolving<br />

Restaurant<br />

32nd Floor John Ross<br />

House<br />

Vic<strong>to</strong>ria Embankment<br />

+27 31 368 2275<br />

Café 1999<br />

Shop 2 Silvervause<br />

Centre<br />

117 Vause Road<br />

Berea<br />

+27 31 202 3406<br />

Craft<br />

35 Newport Avenue<br />

<strong>Durban</strong> North<br />

+27 31 562 1951<br />

A NEW AFRICAN CUISINE is beginning <strong>to</strong> exercise an influence<br />

on <strong>Durban</strong>’s eateries. The bunnychow has begun <strong>to</strong> appear in upmarket<br />

restaurants, <strong>and</strong> South African classics such as pap-en-vleis,<br />

koeksisters, samp-<strong>and</strong>-beans <strong>and</strong> <strong>Durban</strong> curry have all arrived,<br />

finally unembarrassed, on our tables in restaurants such as<br />

Moyo. Also providing a unique local flavour is the presence<br />

of game <strong>and</strong> African meats such as ostrich <strong>and</strong> crocodile.<br />

TASTE IT AT: Moyo, uShaka Marine World, <strong>Durban</strong> Point<br />

Buds on the Bay<br />

Bayhead Park C<br />

30 Grunter’s Gully<br />

+27 31 466 6100<br />

Bel Pun<strong>to</strong><br />

1 South Beach Road<br />

Umdloti Beach<br />

+27 31 568 2407<br />

Arts Café<br />

166 Bulwer Road<br />

Glenwood<br />

+27 31 201 9969<br />

Vintage India<br />

20 Lilian Ngoyi Road<br />

Morningside<br />

+27 31 309 1328<br />

Daruma<br />

63 Snell Parade<br />

<strong>Durban</strong> Beach Front<br />

+27 31 337 0423<br />

The Cargo Hold<br />

1 Bell Street<br />

uShaka Marine World<br />

+27 31 328 8065<br />

China Plate<br />

11 Browns Drift Road<br />

Riverside<br />

+27 31 564 6437<br />

Cake & Satay House<br />

Albert Ndlomo Road<br />

Umbilo<br />

+27 82 716 3793<br />

Delfi<br />

386 Lilian Ngoyi Road<br />

Morningside<br />

+27 31 312 7032<br />

Bangkok Wok<br />

116 Florida Road<br />

Morningside<br />

+27 31 303 8250<br />

Spiga D’Oro<br />

200 Florida Road<br />

Morningside<br />

+27 31 303 9511<br />

Joop’s Place<br />

9th Avenue<br />

Greyville<br />

+27 31 312 9135<br />

Restaurants<br />

Palki<br />

225 Musgrave Road<br />

Berea<br />

+27 31 201 0019<br />

Mo’s Noodles<br />

275 Florida Road<br />

Morningside<br />

+27 31 312 4193<br />

9th Avenue Bistro<br />

9th Avenue<br />

Morningside<br />

+27 31 312 9134<br />

Market<br />

40 Gladys Mazibuko<br />

Road, Berea<br />

+27 31 309 8581<br />

Czar<br />

178 Florida Road<br />

Morningside<br />

+27 31 312 8001<br />

Little Gujerat<br />

107 Dr Goonam Street<br />

City Centre<br />

+27 31 306 2272<br />

41


AS IS THE CASE WITH MANY AFRICAN CITIES, DURBAN’S<br />

architectural his<strong>to</strong>ry reflects that of <strong>its</strong> colonial predecessors.<br />

Yet the City’s expansion over the years has been sufficiently<br />

consistent <strong>to</strong> ensure that it now showcases a wide diversity<br />

of architectural forms. From <strong>its</strong> Edwardian <strong>and</strong> Vic<strong>to</strong>rian<br />

beginnings, more than 150 years of global architectural<br />

trends have been compressed in<strong>to</strong> a single city. And as<br />

the new South Africa crystalises, a new architectural voice<br />

is heard singing a beautiful local language.<br />

In 2008 <strong>Durban</strong> won the bid <strong>to</strong> host the World Architecture<br />

Conference taking place in 2014, giving the city a chance<br />

<strong>to</strong> showcase <strong>its</strong> eclectic architecture <strong>and</strong> the complex<br />

dem<strong>and</strong>s made on architects in South Africa.<br />

Although taking place on a far smaller scale than the<br />

2010 Fifa World Cup, this prestigious event will enhance<br />

<strong>Durban</strong>’s profile on the global stage, while the uniquely<br />

layered nature of the City will no doubt impact on the<br />

minds <strong>and</strong> output of architects around the world in the<br />

coming decades.<br />

42<br />

BUILDING<br />

LAS VEGAS st<strong>and</strong>s as a monument <strong>to</strong> another time that never quite<br />

existed in <strong>Durban</strong>. Probably the city’s strongest reference <strong>to</strong> BRAZILIAN<br />

MODERNISM, the luxurious building (only three apartments per<br />

floor) converts the notion of the residential highrise in<strong>to</strong> a thing of<br />

free-form beauty filled with idiosyncratic detailing. Its s<strong>to</strong>ne-walled<br />

lobby alone is a piece of anachronistic delight that the international<br />

design set would die for. The building was designed by Benjamin<br />

<strong>and</strong> Croft, an architectural firm that built many of <strong>Durban</strong>’s most<br />

meticulously designed buildings, including Westpoint <strong>and</strong> The Riviera.<br />

See it at: 276 Suncoast Drive, Beachfront<br />

ART DECO BUILDINGS <strong>Durban</strong> has one of the world’s largest<br />

concentrations of art deco buildings. One of the few<br />

architectural styles in which the detailing is incorporated<br />

absolutely in<strong>to</strong> the design, this deco legacy is one of the most<br />

well-loved aspects of <strong>Durban</strong>’s architectural heritage. The<br />

detailing is often infused with local symbolism. BEREA COURT<br />

<strong>and</strong> Surrey Mansions are two of the most striking examples.<br />

See it at: 3 Hunt Rd, Glenwood


THE FASCIST ARCHITECTURE of apartheid South<br />

Africa still marks the l<strong>and</strong>scape in much of<br />

<strong>Durban</strong>, including the Mansfield campus of the<br />

<strong>Durban</strong> University of Technology, CR SWART<br />

SQUARE <strong>and</strong> the <strong>Durban</strong> Station. The forms are<br />

vast <strong>and</strong> blunt in their design, although the sheer<br />

scale <strong>and</strong> brutal aesthetic appeals <strong>to</strong> some. These<br />

buildings often had political over<strong>to</strong>nes <strong>and</strong><br />

functions. The police residences next <strong>to</strong> CR Swart<br />

Police Station, for example, were built with the<br />

explicit but unspoken purpose of swelling a leftwing<br />

area with conservative National Party voters.<br />

<strong>Durban</strong> Station, which used <strong>to</strong> be the City’s most<br />

brutal example of fascist architecture has slowly<br />

undergone a facelift in recent years, <strong>and</strong> is now<br />

a much friendlier <strong>and</strong> more welcoming space.<br />

See it at: 3 Stalwart Simelane Rd, City Centre<br />

THE JUMA MUSJID MOSQUE in Yusuf Dadoo Street is one of the largest<br />

mosques in the Southern Hemisphere. Also known as the GREY STREET<br />

MOSQUE, it represents a spiritual centre for <strong>Durban</strong>’s Muslims. It was<br />

built in 1930, <strong>and</strong> <strong>to</strong>gether with Madressa Arcade which runs through<br />

it, replaced the original series of buildings that had popped up with the<br />

arrival of non-indentured Indians in <strong>Durban</strong> in the late 1800s. The<br />

mosque is actually a series of interlinking buildings, arcades <strong>and</strong> corridors,<br />

in which commerce, religion <strong>and</strong> community exist in equilibrium.<br />

See it at: 176 Yusuf Dadoo Street, the Indian Quarter<br />

The <strong>Durban</strong> Art Deco Society was formed in 2002 <strong>to</strong> raise awareness of the<br />

rich diversity of art deco architectural styles that exist in the city <strong>and</strong> <strong>to</strong> attract<br />

the annual International Art Deco Conference <strong>to</strong> <strong>Durban</strong>. In addition, the society<br />

aims <strong>to</strong> highlight the importance of preserving art deco buildings in eThekwini.<br />

The Society run regular <strong>to</strong>urs exploring aspects of <strong>Durban</strong>’s deco heritage.<br />

Contact Helen Labuschagne for further information on +27 31 301 1951.<br />

ETHEKWINI MUNICIPALITY’S CITY ARCHITECTS effectively constitute <strong>Durban</strong>’s largest interdisciplainary<br />

firm of architects, urban designers, quantity surveyors <strong>and</strong> engineers. The department is responsible for the delivery<br />

of Municipal-owned building infrastructure, as well as the refurbishment of key his<strong>to</strong>rical l<strong>and</strong>marks, the development<br />

of the ICC <strong>and</strong> the ICC Arena as well as social, cultural <strong>and</strong> sporting facilities in <strong>Durban</strong>’s outlying areas. The<br />

department’s portfolio includes a broad range of projects, including built structures <strong>and</strong> strategic projects.<br />

43


THE KENDRA HALL While easily identified as a Hindu temple – particularly<br />

when it is draped in festive lights – the John Zikhali Road m<strong>and</strong>ir is an<br />

unusual structure, <strong>and</strong> very different <strong>to</strong> the multitude of temples you will<br />

see around <strong>Durban</strong>, which are mostly South Indian in origin. The m<strong>and</strong>ir<br />

is built from a North Indian architectural perspective <strong>and</strong> incorporates<br />

symbolic elements such as flowering lotuses as part of <strong>its</strong> structure, rather<br />

than using them decoratively as is more often the case.<br />

See it at: 5 John Zikhali Road, Central <strong>Durban</strong> See it at: 430 Dr Pixley KaSema Street<br />

44<br />

AMAFA <strong>Durban</strong> is a young city, <strong>and</strong> as such, all structures<br />

older than 60 years are protected by heritage legislation<br />

which requires a permit from heritage body Amafa before<br />

any demolitions, alterations or additions may take place.<br />

THE WAREHOUSES ON THE POINT , built between 1890<br />

<strong>and</strong> 1919, are a fine <strong>and</strong> representative group of Vic<strong>to</strong>rian<br />

structures <strong>and</strong> point <strong>to</strong> a time when remarkable attention<br />

was paid <strong>to</strong> the design <strong>and</strong> detailing of even the most functional<br />

buildings. As the Point is upgraded <strong>and</strong> developed, these<br />

buildings, as well as the Vic<strong>to</strong>rian wood-<strong>and</strong>-iron houses<br />

behind them, have been getting a well deserved face-lift.<br />

See it at: 280-430 Mahatma G<strong>and</strong>hi Street, The Point<br />

THE CENTRAL POST OFFICE was originally built<br />

as a <strong>to</strong>wn hall but by the early 20th Century it had<br />

been converted <strong>to</strong> serve <strong>its</strong> current function. This<br />

was before the age of the skyscraper, <strong>and</strong> the Post<br />

Office <strong>and</strong> the new City Hall were then the defining<br />

elements of <strong>Durban</strong>’s skyline. Today they are dwarfed<br />

by the highrise construction of the CBD.


DESIGN WORKSHOP : SA are the celebrated<br />

architects of the CONSTITUTIONAL COURT in<br />

Johannesburg. Practising from a converted<br />

apartment building in <strong>Durban</strong>’s Florida Road,<br />

Design Workshop’s portfolio of work includes<br />

innovative new<strong>to</strong>wn renovations,<br />

airports <strong>and</strong> a host of awardwinning<br />

commercial, institutional<br />

<strong>and</strong> residential properties.<br />

www.designworkshopsa.com<br />

A NEW AFRICAN ARCHITECTURE is emerging from firms<br />

such as EAST COAST ARCHITECTS who resist the pressure<br />

from consumers <strong>and</strong> developers alike <strong>to</strong> produce globally<br />

generic housing estates. The focus is on local content, form<br />

<strong>and</strong> references, <strong>and</strong> from this starting point<br />

a new aesthetic is born. A celebrated example<br />

of their work is Inthuthuka Junction, a<br />

multipurpose structure in Ca<strong>to</strong> Manor.<br />

See it at: 759 Rick Turner Road<br />

THE MOSES MABHIDA STADIUM ’s iconic form is the result of a tender<br />

competition won by a consortium which includes local architects THEUNISSEN<br />

JANKOWITZ DURBAN <strong>and</strong> national firm OSMOND LANGE. The world-class<br />

stadium’s 150m high arch is an integral structural element which provides<br />

the support for the cable net of the suspension roof structure. The arch<br />

sports stairs <strong>and</strong> a cable car, allowing visi<strong>to</strong>rs an incredible view of the city.<br />

The stadium was built with the future in mind, both in terms of the Olympics,<br />

<strong>and</strong> in terms of sustainable design, which includes optimal use of energy<br />

<strong>and</strong> natural light, rainwater collection <strong>and</strong> re-using 30 000 cubic<br />

metres of concrete from the demolished stadium which preceded it.<br />

See it at: Isaiah Ntshange Road, off Masabala Yengwa Avenue<br />

45


THE KING SHAKA INTERNATIONAL ARIPORT at La Mercy was designed<br />

by OSMOND LANGE ARCHITECTS AND PLANNERS in collaboration with<br />

several local firms including RUBEN REDDY ARCHITECTS (pictured). Plans<br />

for the airport were first mooted in the early ’70s <strong>and</strong> finally got underway<br />

in 2006, after studies showed that the existing airport would not be able<br />

<strong>to</strong> cope with future air traffic. On 1 May 2010, the region’s new airport<br />

was opened after a spectularly swift construction process. It will be able<br />

<strong>to</strong> process 7,5 million passengers a year, as well as alleviating pressure<br />

on the <strong>Durban</strong>-Johannesburg route by freighting cargo directly out of the<br />

country. The airport is the central hub in the DUBE TRADE<br />

PORT, a long-term planning initiative that will massively<br />

stimulate the region <strong>and</strong> provide employment for hundreds<br />

of thous<strong>and</strong>s of people over the next two decades.<br />

See it at: King Shaka International Airport, La Mercy<br />

46<br />

CHOROMANSKI ARCHITECTS are the recent<br />

winners of a competition <strong>to</strong> design the Pan<br />

African Parliament buildings. The firm’s style<br />

is defined by a design-driven practice which<br />

seeks appropriate regional<br />

solutions <strong>to</strong> building in South<br />

Africa. The firm also designed<br />

the inspiring Interpretation<br />

Centre in the Isimangaliso area.<br />

The KwaZulu-Natal Institute for Architecture is a voluntary organisation that was founded in 1901. One<br />

of 8 regional institutes of the South African Institute of Architects, the KZNIA represents the interests of architects,<br />

architectural practioners, the public <strong>and</strong> the built environment. It is an active organisation with a key interest in<br />

regional <strong>and</strong> local developments. Every two years the KZNIA confers Awards of Merit on well designed <strong>and</strong> critically<br />

acclaimed projects in the Province. More recently the organisation, under the auspices of the South African Institute<br />

of Architects, won the bid <strong>to</strong> host the world’s largest congress of architects, the UIA Congress, in <strong>Durban</strong> in 2014.


The 2014 UIA Architecture World<br />

Congress will take place in four years<br />

time. In 2008, the South African<br />

Institute of Architects presented a<br />

successful bid in Turin, Italy, <strong>to</strong> host<br />

the prestigious International Union<br />

of Architects Congress in <strong>Durban</strong><br />

in 2014. The UIA (Union Internationale<br />

des Architectes) Congress<br />

<strong>and</strong> General Assembly is held every<br />

three years <strong>and</strong> member sections<br />

bid for the privilege of hosting the<br />

event. The selection is made six<br />

years in advance. Representing 1.3<br />

million architects, the main objective<br />

of the Congress is <strong>to</strong> provide<br />

architects with an opportunity <strong>to</strong><br />

participate in a series of culturally<br />

<strong>and</strong> professionally enriching events.<br />

The UIA is a non-governmental<br />

organisation uniting the professional<br />

associations of architects in over<br />

116 countries internationally.<br />

Around 7 000 architects from<br />

around the world will attend the<br />

Congress in <strong>Durban</strong>, in a global<br />

festival of architecture <strong>and</strong> <strong>its</strong><br />

possibilities, particularly in the<br />

context of a developing city which<br />

serves such an economically<br />

<strong>and</strong> socially diverse population.<br />

Design Workshop: SA<br />

94 Florida Road<br />

Morningside<br />

+27 31 303 5191<br />

Theunissen Jankowitz<br />

14 Glenridge Road<br />

Westville<br />

+27 31 266 8386<br />

Osmond Lange<br />

6 Palm Boulevard<br />

Umhlanga<br />

+27 31 266 0751<br />

Architecture Fabrik<br />

3 Bergthiel Place<br />

Westville<br />

+27 83 366 3478<br />

Emmett Emmett<br />

362 Lilian Ngoyi Rd<br />

Morningside<br />

+27 31 312 6498<br />

Seitter Boyd<br />

10a Princess Anne Place<br />

Glenwood<br />

+27 31 261 6233<br />

HARBER & ASSOCIATES Long a stalwart of social architecture<br />

in South Africa, Rodney Harber’s practice has been a key firm<br />

in setting the benchmark for a humanitarian architectural<br />

agenda in eThekwini <strong>and</strong> beyond. From Maputal<strong>and</strong> <strong>to</strong> the<br />

former Transkei, Harber has been instrumental in developing<br />

community centres <strong>and</strong> low-cost housing<br />

models, his practice always centred on the<br />

participation of those who will actually use<br />

the structures <strong>and</strong> spaces that he designs.<br />

Seen here: G<strong>and</strong>hi’s house in Phoenix<br />

Choromanski Architects<br />

490 Lillian Ngoyi Road<br />

Greyville<br />

+27 31 303 2985<br />

Elphick Proome<br />

Westway Office Park<br />

Westville<br />

+27 31 275 5800<br />

Pa<strong>to</strong>n Taylor<br />

892 Umgeni Road<br />

Stamford Hill<br />

+27 31 313 1071<br />

Architronic<br />

1 Meyrick Ave<br />

Glenwood<br />

+27 31 201 3933<br />

Studio 88<br />

23 Arcadia Road<br />

Overport<br />

+27 31 207 6571<br />

Bruce Clark Associates<br />

152 JB Marks Road<br />

Glenwood<br />

+27 31 201 5909<br />

Architecture Firms<br />

Stauch Vorster<br />

10 Intersite Avenue<br />

Umgeni Park<br />

+27 31 263 8200<br />

GAPP<br />

11 Cranbrook Crescent<br />

Umhlanga<br />

+27 31 566 5547<br />

MAB Ikhwezi<br />

76 Valley View Road<br />

Morningside<br />

+27 31 303 2833<br />

Harber & Associates<br />

PO Box 50062<br />

Musgrave<br />

+27 31 209 8384<br />

Sakhisizwe<br />

16 Soltice Road<br />

Umhlanga Ridge<br />

+27 31 566 6962<br />

Robert Johnson Architect<br />

127 Stephen Dlamini Road<br />

Musgrave<br />

+27 31 201 3538<br />

47


IF YOU’RE LOOKING FOR SOMETHING THAT IS<br />

is perfectly representative of <strong>Durban</strong> design you’ll be<br />

disappointed, since no single object can express the<br />

multiplicity of perspectives that combine <strong>to</strong> produce<br />

something that is unmistakably but intangibly <strong>Durban</strong>. And<br />

that thing is defined more by the smell of the air <strong>and</strong> the<br />

vibrancy <strong>and</strong> edginess of the city’s streets than by any kind<br />

of unifying ethos.<br />

In a country with 11 official languages <strong>and</strong> only partial<br />

literacy, it’s not surprising that in <strong>Durban</strong> visual culture<br />

reigns supreme. In recent years, a culture of local design<br />

has blossomed in South Africa. This is partially due <strong>to</strong> the<br />

fact that many local designers have received the prestige<br />

of international recognition, but also due <strong>to</strong> a change in<br />

the attitude of South African consumers who are finally<br />

eschewing international designs in favour of a local idiom.<br />

As such, local design <strong>and</strong> interior shops which used <strong>to</strong><br />

focus almost exclusively on imports, now showcase a<br />

variety of locally inspired output, some of it echoing<br />

international trends. but the bulk of it executed in a fresh<br />

<strong>and</strong> everchanging design language.<br />

48<br />

DESIGN<br />

BARBER SHOP SIGNS As the nature of <strong>Durban</strong>’s streets began<br />

<strong>to</strong> change after 1994, pavement barber shops started popping<br />

up all over eThekwini, accompanied by often beautifully painted<br />

BARBER SHOP SIGNS. The most recognised<br />

exponent of this much loved genre of illustration<br />

is BRUNO BIHIZA, a Congolese refugee who has<br />

since taken his illustration skills <strong>to</strong> London.<br />

SEE IT: in the centre of <strong>to</strong>wn<br />

BEADWORK in <strong>Durban</strong> has evolved substantially in the last<br />

decade, particularly as skilled artists from neighbouring countries<br />

have filtered in<strong>to</strong> <strong>Durban</strong> <strong>to</strong> sell their wares on the city’s streets.<br />

No longer restricted <strong>to</strong> Zulu love letters <strong>and</strong><br />

keychains, beadworkers such as JACQUES<br />

SENGEYA produce a large variety of beaded<br />

objects from decorative animals <strong>to</strong> light fittings.<br />

SEE IT: at Avonmore Centre, Greyville


THE PAINTED BUSES If you’re a pedestrian or a driver, a quick look<br />

at one of the hundreds of beautifully decorated buses is enough <strong>to</strong><br />

brighten your day. Filled with humour, irreverence, k<strong>its</strong>ch <strong>and</strong> spirituality,<br />

many of these buses are painted by NISHAL RAMDHIN.<br />

A pioneer of au<strong>to</strong>motive brush art, his mobile art is<br />

seen all over <strong>Durban</strong>. This love of cus<strong>to</strong>misation is also<br />

evident in the designs of the city’s countless taxis.<br />

SEE IT: on the streets of <strong>Durban</strong><br />

CHRISTIAN MUGNAI is an artist, designer <strong>and</strong> illustra<strong>to</strong>r<br />

whose work is strongly influenced by the cultural <strong>and</strong><br />

visual diversity of eThekwini <strong>and</strong> expressed in a graphic<br />

language with universal appeal. Says<br />

Mugnai, “I feel the real purpose of my art<br />

is <strong>to</strong> share with the world a little of what<br />

inspires me in everyday life here in <strong>Durban</strong>.”<br />

www.flickr.com/pho<strong>to</strong>s/mugnaiart<br />

HAND-PAINTED SIGNAGE is something that is disappearing<br />

in this age of digital reproduction. But it survives in small<br />

pockets of <strong>Durban</strong>, <strong>and</strong> ironically, has once again become<br />

popular with local graphic designers. SLIM<br />

does the signage for Johnny’s Chip Inn Ranch<br />

whose ‘specials’ boards are cult items <strong>and</strong><br />

have even made it in<strong>to</strong> local art galleries.<br />

SEE IT: at Johnnys in Sparks Road, Overport<br />

49


MR WALKER Browse through a few international<br />

design journals <strong>and</strong> you’ll often come across the<br />

name GARTH WALKER. Walker is a world class<br />

design authority who previously headed Orange<br />

Juice Design <strong>and</strong> whose new agency<br />

MR WALKER continues <strong>to</strong> reflect<br />

the graphic polyphony of <strong>Durban</strong>’s<br />

visually rich streets in a single vision.<br />

www.misterwalkerdesign.com<br />

NOKWAKHA KHOBA is one of the many SEAMSTRESSES<br />

whose African-style dresses are sold on the streets of <strong>Durban</strong>,<br />

<strong>and</strong> which form an integral part of the domestic fashion cycle.<br />

These dresses, made in African fabric, reflect<br />

the Vic<strong>to</strong>rian styles of European colonialists.<br />

At the same time they inform contemporary<br />

fashion <strong>and</strong> are, in turn, influenced by it.<br />

SEE IT: Dr Goonam Street, City Centre<br />

50<br />

NOBELUNGU NGCOBO is a traditional beadworker who is gradually making<br />

a transition <strong>to</strong> artist <strong>and</strong> businesswoman. Ngcobo heads the Gcina Cooperative<br />

with the support of the Municipality’s In<strong>and</strong>a/KwaMashu/Ntuzuma<br />

area-based management programme. Although her core<br />

business is jewellery based on Zulu designs, she has started<br />

<strong>to</strong> produce more pic<strong>to</strong>rially based work, including a number<br />

of soccer-based designs <strong>to</strong> cater for the World Cup.<br />

SEE IT: at the annual SMME Business Fair


EGG DESIGNS is an interior <strong>and</strong> product design company headed by GREG<br />

<strong>and</strong> ROCHÉ DRY. Egg have designed interiors <strong>and</strong> furniture for an array of<br />

local clients, as well as lighting their gorgeously idiosyncratic fires around the<br />

world. Having won acclaim at international<br />

design shows, they now supply their<br />

product ranges <strong>to</strong> New York, Hong Kong <strong>and</strong><br />

beyond, as well as catering <strong>to</strong> the local market.<br />

www.eggdesigns.co.za<br />

Making local, selling global The rise of globalism has meant<br />

that the market for local craft <strong>and</strong> design has radically increased.<br />

While global trade isn’t always mutually beneficial, for talented<br />

local crafters <strong>and</strong> entrepreneurs it’s a win-win situation.<br />

RICHARD STRETTON produces high-end, h<strong>and</strong>-crafted<br />

objects as diverse as beds, buildings <strong>and</strong> breadboards. And<br />

while his pared down designs might have more than a little<br />

Zen about them, they are forged in an aesthetic<br />

<strong>and</strong> culture of functionality that is essentially<br />

African. Stret<strong>to</strong>n’s work includes the new MOYO<br />

restaurant on the end of a newly built pier.<br />

www.koopdesign.co.za<br />

CLINTON NAIDOO & MARKLYN GOVENDER are<br />

master MEHNDI artists. Using henna paste, delicate<br />

patterns are painted on the h<strong>and</strong>s <strong>and</strong> feet. While<br />

mehndi has a<br />

special place at<br />

Indian weddings, it<br />

is also worn as<br />

virtual jewellery.<br />

51


DISTURBANCE are an independent design agency <strong>and</strong> masters of<br />

their craft. With RICHARD HART, ROGER JARDINE <strong>and</strong> SUZIE HART at<br />

the helm, the team produces award-winning, illustration-rich work.<br />

Their most memorable output includes their campaigns for the <strong>Durban</strong><br />

International Film Festival, <strong>and</strong> Sheet, a legendary<br />

<strong>Durban</strong> fanzine. The work that is shown here are three<br />

of a series of CITY GUIDE fold-out maps that disturbance<br />

produced for the eThekwini Municipality.<br />

52<br />

www.disturbance.co.za<br />

RAJEEN RAMDUTH is one of the TAILORS OF<br />

GREY STREET who are famous in South Africa for<br />

their skills in suit-making. Many clothing<br />

connoisseurs choose the tailors of the Indian<br />

quarter over well-known designers<br />

while their skills are often used<br />

by designers themselves, when<br />

precision tailoring is required.<br />

SEE IT: in Yusuf Dadoo Street<br />

NANDA SOOBBEN is one of <strong>Durban</strong>’s most unsung talents.<br />

A gifted artist <strong>and</strong> graphic designer, he is one of South Africa’s<br />

leading political car<strong>to</strong>onists. In addition, he is opening doors<br />

for young new South African design talent<br />

with his Centre for Fine Art, Animation <strong>and</strong><br />

Design. Soobben recently received an<br />

Honourary Doc<strong>to</strong>rate from Rhodes University.<br />

www.cfad.co.za


I HEART MARKET is a roving market<br />

which showcases a variety of local<br />

designers <strong>and</strong> crafters, many of whom<br />

are riding the 21st century trend of h<strong>and</strong>work<br />

<strong>and</strong> cus<strong>to</strong>mised design. With great<br />

coffee <strong>and</strong> a selection of mouthwatering<br />

home-made foods available, this market<br />

is also something of a social occasion.<br />

www.iheartmarket.blogspot.com<br />

Advertising Agencies<br />

Ogilvy <strong>Durban</strong><br />

76 Mahatma Gh<strong>and</strong>i Road<br />

<strong>Durban</strong><br />

031 334 5600<br />

Whalley & Associates<br />

63 Lillian Ngoyi Road<br />

Morningside<br />

031 303 2871<br />

TBWA Hunt Lascaris <strong>Durban</strong><br />

Nelson Road<br />

Westville<br />

031 267 6600<br />

The Hardy Boys<br />

10 Hippo Park Ave<br />

River Horse Valley East<br />

031 533 9000<br />

Flagship Communications<br />

20 - 26 Hurst Grove<br />

Musgrave<br />

031 202 8401<br />

O’Donoghue & Associates<br />

Advertising<br />

641 Peter Mokaba Road<br />

Berea<br />

031 208 6166<br />

Design & Advertising<br />

Design Agencies<br />

Disturbance Design<br />

22 Prains Avenue<br />

Berea<br />

031 202 0052<br />

Egg Designs<br />

Private Bag x1003<br />

Botha’s Hill 3660<br />

031 783 4953<br />

Mister Walker Design<br />

33 Churchill Road<br />

Stamford Hill<br />

031 312 0572<br />

Koop Design<br />

200 Montpelier Road<br />

Morningside<br />

031 303 3922<br />

Artworks Communications<br />

30 Steel Rd<br />

Morningside<br />

031 303 6466<br />

The Fire Tree Design<br />

Company<br />

Westway Office Park<br />

Westville<br />

031 265 0050<br />

Printers<br />

Ellison Printing Company<br />

124 S<strong>and</strong>ile Thusi Road<br />

Morningside<br />

031 312 4236<br />

Impress Printers<br />

142 Intersite Avenue<br />

Umgeni Business Park<br />

031 263 2755<br />

Atlas Printers<br />

71 Marseilles Crescent<br />

Briardene Industrial Park<br />

031 570 8600<br />

ACME Printing Works<br />

435 Umgeni Road<br />

<strong>Durban</strong><br />

031 309 8255<br />

Aim Print<br />

9 Beechfield Crescent<br />

Springfield Park<br />

031 579 5577<br />

Universal Print Group<br />

72 Stanhope Place<br />

Briardene<br />

031 560 2100<br />

The <strong>Durban</strong> Station in Umgeni<br />

Road is home <strong>to</strong> a wealth of<br />

beautifully designed indigenous<br />

objects, including an ever<br />

evolving catalogue of shoe<br />

designs, ingeniously constructed<br />

from unlikely offcuts <strong>and</strong> waste<br />

material. The shoes you see<br />

here are made mostly from<br />

recycled tyres <strong>and</strong> tyre offcuts.<br />

53


DURBAN HAS A RICH LITERARY HISTORY<br />

which has contributed greatly <strong>to</strong> the cultural <strong>and</strong><br />

intellectual life of South Africa. From the relentless<br />

activism <strong>and</strong> intellectual rigour of Dennis Brutus’<br />

writing <strong>to</strong> the fervent cry for awareness, compassion<br />

<strong>and</strong> equality that is at the heart of Gcina Mhlophe’s<br />

work, the literature of <strong>Durban</strong> is one of the most<br />

complete records of the culture of protest <strong>and</strong><br />

activism that is an essential element of <strong>Durban</strong>’s<br />

broader l<strong>and</strong>scape.<br />

Of course, <strong>Durban</strong> is also a l<strong>and</strong> of fantasy <strong>and</strong><br />

imagination, nostalgia <strong>and</strong> memory, <strong>and</strong> the works<br />

of younger writers such as Bridget McNulty whose<br />

magical realism has exploded on the web <strong>and</strong> John<br />

van der Ruit who has enjoyed enormous success<br />

with the Spud series, show that well-<strong>to</strong>ld s<strong>to</strong>ries<br />

that capture the popular imagination will always<br />

find their readers.<br />

54<br />

WRITING<br />

JOHN VAN DE RUIT made literary his<strong>to</strong>ry in South Africa<br />

with the runaway success of his novel Spud, forever dispelling<br />

the notion that local novels can’t compete with blockbuster<br />

imports such as JK Rowling. With sales of the first<br />

book moving <strong>to</strong>wards two hundred thous<strong>and</strong> copies,<br />

two sequels <strong>and</strong> a movie starring John Cleese, the modest<br />

Van de Ruit, who is also an ac<strong>to</strong>r, has much <strong>to</strong> smile about.<br />

Read: Spud, Learning <strong>to</strong> Fly, The Madness Continues<br />

DENNIS BRUTUS was one of Africa’s most influential poets, as well<br />

as an activist, educa<strong>to</strong>r <strong>and</strong> journalist. The driving force behind the<br />

apartheid sports boycott, he was imprisoned on Robben Isl<strong>and</strong> for 16<br />

months in the cell next <strong>to</strong> Nelson M<strong>and</strong>ela. Brutus spent most of his<br />

life fighting inequity, both during apartheid <strong>and</strong> after the liberation<br />

of South Africa. In 2008, he was awarded a Lifetime Honourary Award<br />

by the Department of Arts <strong>and</strong> Culture. Brutus died in 2009.<br />

Read: Sirens, Knuckles <strong>and</strong> Boots, Poetry & Protest


IMRAAN COOVADIA writes novels that span the globe, much like<br />

the life of the writer himself. Coovadia has lived in London,<br />

Melbourne, Bos<strong>to</strong>n <strong>and</strong> New York – but always holds <strong>Durban</strong> in his<br />

heart. Coovadia recently won the 2010 University of Johannesburg<br />

Prize for Creative Writing in English for his latest novel High Low<br />

In-between. He is currently working on a new novel, Witchcraft, set<br />

in <strong>Durban</strong>, which focuses on the HIV/AIDS epidemic in South Africa.<br />

Read: The Wedding, Green Eyed Thieves, High Low In-between<br />

TIME OF THE WRITER is an annual international<br />

festival of writing which is presented by the University<br />

of KwaZulu-Natal’s Centre for Creative Arts. Every year,<br />

more than 20 writers from around the world are<br />

involved in a variety of readings, presentations, panel<br />

discussions <strong>and</strong> debates, giving audience members a<br />

rare public glimpse of the inner world of writing.<br />

www.cca.ukzn.ac.za/<strong>to</strong>tw<br />

GCINA MHLOPHE is one of <strong>Durban</strong>’s most iconic literary<br />

talents. A gifted performer <strong>and</strong> writer, there is something in<br />

Mhlophe that is quintessentially eThekwini; in her hardness<br />

<strong>and</strong> softness <strong>and</strong> in the fervour <strong>and</strong> honesty with which she<br />

expresses herself. Mhlophe’s breakthrough work Have You<br />

Seen Z<strong>and</strong>ile put her on an award-winning career path that<br />

is intimately linked <strong>to</strong> the people <strong>and</strong> l<strong>and</strong>scape of KZN.<br />

Read: Love Child, Have You Seen Z<strong>and</strong>ile?<br />

55


BRIDGET MCNULTY is the perfect example of a new generation of<br />

writers whose printed matter works in t<strong>and</strong>em with digital media such<br />

as blogging <strong>and</strong> tweeting. McNulty didn’t have a hard time persuading<br />

Penguin <strong>to</strong> publish her magical debut novel, but she ensured <strong>its</strong> success<br />

<strong>and</strong> established herself as a strong South African voice through an ongoing<br />

digital media campaign. She was recently diagnosed with diabetes,<br />

<strong>and</strong> has earned additional acclaim for her writing on the subject.<br />

Read: Strange Nervous Laughter<br />

56<br />

Ike’s Books<strong>to</strong>re in Greyville is central <strong>to</strong> the literary his<strong>to</strong>ry of <strong>Durban</strong>.<br />

Started by the late Ike Mayet, a celebrated local activist, Ike’s is a book s<strong>to</strong>re<br />

in the classic mould, with a strong collection of Africana <strong>and</strong> first editions.<br />

POETRY AFRICA is a week-long celebration of poetry<br />

hosted by the University of KwaZulu-Natal’s Centre for<br />

Creative Arts. A sister event <strong>to</strong> Time of the Writer, the<br />

festival features poets from all over the world participating<br />

in an array of readings, panel discussions <strong>and</strong> workshops.<br />

www.cca.ukzn.ac.za/poetryafrica<br />

KZN Literary Tourism started life as a National Research Foundation<br />

project at the University of KwaZulu-Natal <strong>and</strong> has since grown <strong>to</strong> become<br />

the main documenter of literary heritage in the province. The organisation<br />

relies on strategic partnerships with the eThekwini Municipality, sponsorship<br />

from business <strong>and</strong> grants from the National Arts Council <strong>to</strong> produce a<br />

series of writers trails, along with accompanying physical <strong>and</strong> online<br />

documents. KZN Writers Trails include Pa<strong>to</strong>n’s Pietermaritzburg, the Grey<br />

Street Writers Trail, the Ca<strong>to</strong> Manor Writers Trail <strong>and</strong>, most recently, the<br />

Midl<strong>and</strong>s Writers Trail, which has just been launched.


City Paper eThekwini Municipality<br />

publishes the newspaper Ezasegagasini<br />

Metro every two weeks as a means of<br />

engaging directly with the residents<br />

<strong>and</strong> ratepayers of eThekwini. In<br />

addition <strong>to</strong> providing news about<br />

significant municipal events <strong>and</strong> their<br />

impact on people’s lives, the publication<br />

also serves as a space <strong>to</strong> publish<br />

tenders <strong>and</strong> other documents that are<br />

legally required <strong>to</strong> be published.<br />

Exclusive Books<br />

Shop 339/340<br />

Pavilion Shopping<br />

Centre, Westville<br />

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Adams Booksellers<br />

& Stationers<br />

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Ike’s Books &<br />

Collectables<br />

48a Florida Road<br />

Morningside<br />

+27 31 303 9214<br />

KOBUS MOOLMAN is one of <strong>Durban</strong>’s most acclaimed poets<br />

<strong>and</strong> playwrights. His writing is clear <strong>and</strong> precise with a<br />

remarkable emotional power that doesn’t p<strong>and</strong>er <strong>to</strong> sentiment.<br />

Moolman won the 2001 Ingrid Jonker prize for his debut<br />

poetry collection Time Like S<strong>to</strong>ne <strong>and</strong> has gone on <strong>to</strong> win<br />

several other awards, including a Pansa Jury Prize for Best<br />

Script for his play Full Circle, which premiered in 2005 at<br />

Grahams<strong>to</strong>wn. Currently teaching at the University of KwaZulu-<br />

Natal, Moolman is also a respected <strong>and</strong> sensitive literary critic.<br />

Read: Full Circle, Time Like S<strong>to</strong>ne, Light <strong>and</strong> After<br />

Books & Books<br />

Shop 42<br />

Kensing<strong>to</strong>n Square<br />

<strong>Durban</strong> North<br />

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Shopping Centre<br />

Westville<br />

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Pro Visions Books<br />

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Book Base<br />

275 Florida Road<br />

Morningside<br />

+27 31 312 3555<br />

ABC Bookshop<br />

Gateway Shopping<br />

Centre<br />

Umhlanga Ridge<br />

+27 31 566 2762<br />

Premier Book<br />

Bazaar<br />

149 Joe Slovo<br />

Street, City Centre<br />

+27 31 306 2914<br />

Chapter Two -<br />

Waterfall<br />

25 Waterfall Shopping<br />

Centre, Waterfall<br />

+27 31 764 2462<br />

Conis<strong>to</strong>n Books<br />

111 Helen Joseph<br />

Road, Glenwood<br />

+27 31 202 1228<br />

Book S<strong>to</strong>res<br />

Msasa Books<br />

Shop 22 Village<br />

Centre<br />

Hillcrest<br />

+27 31 765 4946<br />

Great Books<br />

14 Granada Centre<br />

Umhlanga Rocks<br />

+27 83 321 7872<br />

Kloof & Highway<br />

SPCA Book S<strong>to</strong>re<br />

Village Road<br />

Kloof<br />

+27 31 764 1212<br />

Sherwood Books<br />

1 Derby Place<br />

Westville<br />

+27 31 266 9830<br />

57


IN THE LAST HALF DECADE SOUTH AFRICAN ARTISTS<br />

have arrived squarely on the international art scene, with<br />

local artists fetching record prices <strong>and</strong> showing their work<br />

around the world. Many of the country’s leading artists hail<br />

from <strong>Durban</strong>, <strong>and</strong> the city’s role as a nurturer of talent<br />

contributes greatly <strong>to</strong> the creative life of South Africa.<br />

A <strong>to</strong>ur of <strong>Durban</strong>’s galleries will expose you <strong>to</strong> an eclectic<br />

range of creative output that is often very close <strong>to</strong> the<br />

edges of contemporary fine art. From the baroque beauty<br />

of the <strong>Durban</strong> Art Gallery <strong>to</strong> the contemporary spaces of<br />

the KZNSA <strong>and</strong> ArtSpace <strong>Durban</strong>, the works on show will<br />

exp<strong>and</strong> your experience of <strong>Durban</strong> in many wonderful<br />

ways. Additionally, restaurants in the city showcase the<br />

work of local artists, while crafters <strong>and</strong> artists from Southern<br />

Africa <strong>and</strong> beyond sell exquisite <strong>and</strong> often idiosyncratic<br />

creations on the city’s visually rich streets. Barber Shop<br />

art is ubiqui<strong>to</strong>us on the pavements of eThekwini, while<br />

many of our buses <strong>and</strong> taxis have taken the Indian notion<br />

of decorating a vehicle <strong>to</strong> the airbrushed max.<br />

58<br />

ART<br />

THEMBA SHIBASE works within an overtly political context,<br />

exploring notions of the cultural self, always locating the individual<br />

experience within the larger political context. In this way his<br />

work questions concepts such as whiteness,<br />

blackness, Zuluness <strong>and</strong> maleness. In his deftly<br />

constructed paintings, he seems <strong>to</strong> reduce his<strong>to</strong>ry<br />

<strong>to</strong> a series of endlessly revolving power figures.<br />

www.artslant.com<br />

ANDREW VERSTER is one of South Africa’s foremost artists,<br />

highly regarded for his drawings, prints <strong>and</strong> paintings. His work<br />

has always expressed the lush <strong>and</strong> tropical atmosphere of <strong>Durban</strong>,<br />

from <strong>its</strong> vegetation <strong>to</strong> <strong>its</strong> beaches <strong>and</strong> surfers.<br />

Having risen <strong>to</strong> fame in the ’60s, Verster continues<br />

<strong>to</strong> produce work at a prodigious rate, <strong>and</strong> has<br />

recently exp<strong>and</strong>ed in<strong>to</strong> wardrobe <strong>and</strong> set design.<br />

www.<strong>and</strong>rewverster.co.za


AMY-JO WINDT makes work that combines art-brutishness with<br />

an inverted exploration of identity <strong>and</strong> representation. Currently<br />

working in collage, video animation <strong>and</strong> installations, Windt's simple<br />

dis<strong>to</strong>rtion of perspective <strong>and</strong> proportion is tinged<br />

with a joyful menace. There is an inherent strangeness<br />

<strong>to</strong> her work that, combined with <strong>its</strong> pop sensibility,<br />

marks Windt's idiom as one that is entirely her own.<br />

www.kznsagallery.co.za/archive_windt.htm<br />

BRONWEN VAUGHAN-EVANS works mainly by painting<br />

black gesso paint over white gesso <strong>and</strong> scratching away<br />

<strong>to</strong> reveal the surface beneath. From her first solo exhibition<br />

– a collection of 101 paintings that constitute the<br />

polycultural reality of her life in <strong>Durban</strong> – Vaughan-Evans<br />

has dramatically exp<strong>and</strong>ed her canvas,<br />

rendering lifesize portra<strong>its</strong> of her<br />

friends <strong>and</strong> intimates, as well as drawing<br />

on the small details of everyday life.<br />

www.vaughan-evans.co.za<br />

DINEO BOPAPE represents a dissection of s<strong>to</strong>ries past<br />

<strong>and</strong> present, her own <strong>and</strong> those of others; s<strong>to</strong>ries belonging<br />

<strong>to</strong> objects <strong>and</strong> <strong>to</strong> people. For Bopape the private realm is<br />

a manifestation of what occurs in public.<br />

She is intrigued, she says, by the angst of<br />

the mundane, “the discomforts that we feel<br />

secretly in our socks <strong>and</strong> our sweaty palms”.<br />

www.seshee.blogspot.com<br />

59


ANGELA BUCKLAND is an award-winning pho<strong>to</strong>grapher whose artistic<br />

work deals with the supposedly ordinary, but which she consistently<br />

imbues with a certain magic. She rejects the term ‘documentary’ <strong>to</strong><br />

describe her approach <strong>to</strong> pho<strong>to</strong>graphy, suggesting<br />

that her images are more about emotional resonance<br />

than hard objective facts. Buckl<strong>and</strong> was the recipient<br />

of the Daimler Chrysler Prize for Fine Art in 2004.<br />

www.angelabuckl<strong>and</strong>pho<strong>to</strong>graphy.com<br />

LANGA MAGWA works with traditional Zulu<br />

forms <strong>and</strong> materials, often twisting <strong>and</strong> renarrating<br />

their conceptual <strong>and</strong> his<strong>to</strong>rical<br />

threads <strong>and</strong> playing with scale <strong>and</strong> marks of<br />

identity. At the same time, respect for his<br />

heritage <strong>and</strong> ancestry form<br />

an integral part of his work.<br />

Magwa’s work is found in<br />

many national collections.<br />

www.nu.ac.za/cca<br />

60<br />

ZANELE MUHOLI is a renowned pho<strong>to</strong>grapher<br />

whose work celebrates the lives of black lesbian<br />

women, in the process challenging the his<strong>to</strong>ric<br />

portrayal of black female bodies.<br />

In a few short years, Muholi has had<br />

a remarkable impact, both on the<br />

art scene <strong>and</strong> the broader culture.<br />

www.zanelemuholi.com


DANNY NOVELA walks the streets of <strong>Durban</strong><br />

carrying his beautifully carved sculptures. His work<br />

consists mostly of abstracted carvings of the poorer<br />

people of Southern Africa. While there are other<br />

wood artists who produce<br />

similar work, there are few who<br />

manage <strong>to</strong> imbue their creations<br />

with such a resonant feeling of life.<br />

Find Danny on Florida Road<br />

DOUNG JAHANGEER engages with marginalised people<br />

<strong>and</strong> spaces in urban <strong>Durban</strong>. Rather than partipating in<br />

political condescension, Jahangeer finds a genuine <strong>and</strong><br />

carefully considered aesthetic in the lives <strong>and</strong> architectures<br />

of the poor. Using discarded objects <strong>and</strong> his own magical<br />

visual style, he opens up doors between<br />

parallel worlds. Jahangeer won the<br />

comission for this public sculpture in the<br />

Ellis Park precinct in Johannesburg.<br />

www.dala.org.za<br />

VAUGHN SADIE ’s work has a remarkable depth <strong>and</strong> maturity, suggesting<br />

the work of an artist decades older. Filled with conceptual <strong>and</strong> visual<br />

jokes, his work is at the same time bathed in a yearning melancholy <strong>and</strong><br />

informed by centuries of art his<strong>to</strong>ry <strong>and</strong> theory. His<br />

pieces, which are always immacuately executed, often<br />

have a pop accessibility <strong>to</strong> them, but even the simplest<br />

works contain densely compressed layers of meaning.<br />

www.vaughnsadie.net<br />

61


MICHAEL MACGARRY is concerned with the residues of colonialism <strong>and</strong><br />

imperialism that continue <strong>to</strong> define artistic <strong>and</strong> social reality in Africa. His<br />

work deftly compares the construction of artistic forms <strong>and</strong> meaning in the<br />

colonising West <strong>to</strong> those of the colonised countries. MacGarry,<br />

who currently works in Johannesburg, won the 2010<br />

St<strong>and</strong>ard Bank Young Artist Award for Fine Art, one of the<br />

most prestigious accolades in the South African art world.<br />

www.alltheorynopractice.com<br />

62<br />

ANDRIES BOTHA is an internationally acclaimed<br />

sculp<strong>to</strong>r. While never ab<strong>and</strong>oning specificity, Botha<br />

often goes for the big subjects, conceptually, <strong>and</strong><br />

physically. This is particularly the case with his current<br />

body of work, which consists of an extended family<br />

of lifesize elephants. These remarkable pieces led <strong>to</strong><br />

Botha launching the Human Elephant<br />

Foundation, which aims <strong>to</strong> influence<br />

social change through the power<br />

of imagination <strong>and</strong> creativity.<br />

www.<strong>and</strong>riesbotha.net<br />

SIMMI DULLAY grew up in exile in Denmark <strong>and</strong> returned<br />

<strong>to</strong> South Africa at the beginning of the ’90s. That return<br />

was fraught with contradictions <strong>and</strong> Dullay’s art reflects<br />

the polycultural <strong>and</strong> often paradoxical str<strong>and</strong>s that constitute<br />

her identity on a global stage, both in terms of how she<br />

sees herself <strong>and</strong> how she is constructed<br />

by others. Working in a range of media,<br />

Dullay’s work is informed by her highly<br />

personalised blend of politics <strong>and</strong> theory.<br />

www.simmidullay.com


Art in the City’s Public Buildings<br />

Complementing the collection of the<br />

<strong>Durban</strong> Art Gallery, the eThekwini<br />

Municipality has comissioned artworks<br />

for the Moses Mabhida Stadium <strong>and</strong> the<br />

Albert Luthuli International Convention<br />

Centre. In this way, visi<strong>to</strong>rs <strong>to</strong> the city<br />

get an instant snapshot of the creative<br />

output of <strong>Durban</strong> <strong>and</strong> South Africa.<br />

<strong>Durban</strong> Art Gallery<br />

City Hall, 32 An<strong>to</strong>n<br />

Lembede Street<br />

+27 31 311 2264/9<br />

ArtSpace <strong>Durban</strong><br />

3 Millar Road<br />

off Umgeni Road<br />

+27 31 312 0793<br />

The KZNSA Gallery<br />

166 Bulwer Road<br />

Glenwood<br />

+27 31 277 1705<br />

African Art Centre<br />

94 Florida Road<br />

Morningside<br />

+27 31 312 3804/5<br />

The Bat Centre<br />

Small Craft Harbour,<br />

off Margaret Mncadi<br />

Avenue<br />

+27 31 332 0451<br />

Artisan<br />

344 Florida Road<br />

Morningside<br />

+27 31 312 4364<br />

Fat Tuesday<br />

5 Bellevue Road<br />

Kloof<br />

+27 31 717 2785<br />

Gallery 415<br />

415 Umgeni Rd<br />

Greyville<br />

+27 31 309 6401<br />

Kizo Art Gallery<br />

Palm Boulevard<br />

Gateway, Umhlanga<br />

+27 31 566 4322<br />

Phansi Museum<br />

500 Esther Roberts<br />

Road<br />

Glenwood<br />

+27 31 206 2889<br />

Tamasa Gallery<br />

36 Overport Drive<br />

Overport<br />

+27 31 207 1223<br />

The Collective<br />

48b Florida Road<br />

Greyville<br />

+27 31 303 4891<br />

Crouse Art Gallery<br />

254 Lilian Ngoyi Road<br />

Morningside<br />

+27 31 312 2315<br />

Elizabeth Gordon<br />

120 Florida Road<br />

Greyville<br />

+27 31 303 8133<br />

DUT Art Gallery<br />

<strong>Durban</strong> University of<br />

Technology, Steve<br />

Biko Campus<br />

+27 31 373 2207<br />

Galleries<br />

Imbizo Gallery<br />

Balli<strong>to</strong> Lifestyle Centre<br />

Balli<strong>to</strong><br />

+27 32 946 1937<br />

Alliance française<br />

22 Sut<strong>to</strong>n Cresent<br />

Morningside, <strong>Durban</strong><br />

+27 31 312 9582<br />

Stepping S<strong>to</strong>ne<br />

Studios/Art Room<br />

3 Chartwell Centre<br />

Chartwell Drive<br />

Umhlanga Rocks<br />

+27 31 561 6762<br />

also: 258 Florida<br />

Road, Morningside<br />

+27 31 303 3193<br />

also: Shop 12a<br />

Maytime Centre,<br />

Charles Way, Kloof<br />

+27 31 764 0222<br />

THE DURBAN ART GALLERY ’s collection ranges<br />

from his<strong>to</strong>rical paintings <strong>to</strong> anonymous beadwork<br />

<strong>to</strong> the works of internationally recognised artists<br />

such as Andrew Verster <strong>and</strong> Trevor Makhoba.<br />

Under the cura<strong>to</strong>rship of Jenny Stret<strong>to</strong>n, who has<br />

been Acting Direc<strong>to</strong>r for the last few years,<br />

exhibitions <strong>and</strong> acquisitions have reflected the<br />

rich multicultural life of South Africa, continuing<br />

the direction established by Carol Brown who left<br />

the gallery as direc<strong>to</strong>r in 2006. Mduduzi Xakaza<br />

was appointed as Direc<strong>to</strong>r of the Galllery in 2010<br />

<strong>and</strong> looks set <strong>to</strong> continue the gallery’s his<strong>to</strong>ry<br />

of engaging with eThekwini <strong>and</strong> <strong>its</strong> residents.<br />

63


BOTH DURBAN AND KWAZULU-NATAL ARE REVERED<br />

by musicologists worldwide for the hot-bed of musical<br />

talent that resides here. Gardeners who service lush<br />

lawns <strong>and</strong> exotic flower-beds are seen strumming their<br />

guitars after work in a gently percussive fashion. On<br />

Saturday nights youths from all over the province gather<br />

outside the YMCA in Beatrice Street for the weekly<br />

isicathamiya competitions. <strong>People</strong> dance freely on the<br />

streets <strong>to</strong> ambient urban rhythms, <strong>and</strong> even a cappuccinomaking<br />

waiter was seen rasping his milk-frother in time<br />

<strong>to</strong> the techno music playing in the background.<br />

Whether it’s something in the water, or something in<br />

the air, <strong>Durban</strong> has a musical soil that is extremely rich,<br />

<strong>and</strong> which supplies a great deal of musical talent <strong>to</strong> the<br />

nation. Having contributed a variety of local musical<br />

forms <strong>to</strong> the national l<strong>and</strong>scape, <strong>Durban</strong> is a vitally<br />

important cog in the South African music industry despite<br />

the fact that most of the musical wealth, both literal <strong>and</strong><br />

metaphoric, ends up in Johannesburg.<br />

64<br />

MUSIC<br />

BUSI MHLONGO died early in 2010, robbing South Africa of one<br />

of <strong>its</strong> most talented <strong>and</strong> loved performers. Blessed with an<br />

extraordinary voice that sinks deep under the earth <strong>and</strong> then rises<br />

<strong>to</strong> the stars, Mhlongo was the first woman <strong>to</strong> appropriate mask<strong>and</strong>a<br />

music <strong>and</strong> remains a hero <strong>to</strong> many young South African musicians.<br />

Commercial successs eluded Busi all her life despite massive critical<br />

recognition both locally <strong>and</strong> overseas, where every concert was a<br />

sell-out show. She was always aware that she could be living<br />

the high-life in Paris or New York, but chose <strong>to</strong> live in<br />

<strong>Durban</strong> simply because she couldn’t bear <strong>to</strong> live anywhere else.<br />

Album: Babhemu, Urban Zulu<br />

SHIYANI NGCOBO is one of KZN’s most well known mask<strong>and</strong>a<br />

guitarists. Mask<strong>and</strong>a is a musical form indigenous <strong>to</strong> KZN<br />

which fuses traditional Nguni rhythms with the western<br />

guitar <strong>to</strong> create a haunting, almost trance-like sound. Like<br />

many mask<strong>and</strong>a guitarists, Ngcobo, who sadly died in 2011,<br />

sung along <strong>to</strong> his guitar – in a voice that was sometimes<br />

plaintive, sometimes strident, but always movingly beautiful.<br />

Album: Introducing Shiyani Ncgobo


THE SOUTH JERSEY POM-POMS hark back <strong>to</strong> a<br />

time before rock <strong>and</strong> roll broke the dam of popular<br />

music. Conceptually based in the thirties <strong>and</strong><br />

forties, the Pom-Poms exude a certain innocence<br />

that is musical, stylistic <strong>and</strong> emotional. The songs<br />

<strong>and</strong> influences are eclectic, but there is<br />

nonetheless a coherence that runs through their<br />

performances that is perhaps expressed best in<br />

the image of an enigmatic siren on a smoky stage.<br />

Album: South Jersey Pom-Poms<br />

RICHARD HASLOP is South Africa’s foremost music critic <strong>and</strong><br />

an accomplished blues guitarist. He lives in the <strong>Durban</strong> suburb<br />

of Hillary <strong>and</strong> has a day job as a lawyer, but spends every other<br />

waking minute listening <strong>to</strong> music. Previously one of South Africa’s<br />

most respected radio DJs – on his SAFM show Fru<strong>its</strong> <strong>to</strong> Roots –<br />

Haslop now writes regularly for Audio Video magazine <strong>and</strong> the<br />

Perfect Sound Forever webzine, as well as playing with blues b<strong>and</strong><br />

Formerly Slim. His continued influence – <strong>and</strong> the reverence given<br />

<strong>to</strong> a positive review from him despite having virtually no presence<br />

in the national media – is one of the triumphs of the digital age.<br />

READ: Audio Video, Perfect Sound Forever<br />

JOSEPH SHABALALA is one of eThekwini’s most famous musical exports<br />

as the frontman for LADYSMITH BLACK MAMBAZO, the isicathimiya<br />

group that he began as a young man. With a h<strong>and</strong>ful of Grammy’s <strong>to</strong><br />

their name, the group’s performances are sought after all over the world,<br />

which hasn’t affected the essential humility of Shabalala’s music.<br />

When the voices of Ladysmith come <strong>to</strong>gether, with Shabalala as their<br />

signature central instrument, you can hear the sound of heaven.<br />

Album: Inala, Shaka Zulu, Raise Your Spir<strong>its</strong> Higher<br />

65


THE ARROWS produce a remarkably well-crafted<br />

blend of power pop <strong>and</strong> jazz-tinged rock performed<br />

with vitality <strong>and</strong> drive. Featuring the extraordinary<br />

voice of the charismatic PAMELA DE MENEZE in<br />

t<strong>and</strong>em with CHRISTIE DESFONTAIN’s gripping<br />

rhythms, The Arrows are aiming for global success.<br />

And at this point it seems a likely outcome.<br />

Both members are Christians <strong>and</strong> they achieve<br />

the difficult feat of making music about<br />

their faith that doesn’t alienate non-believers.<br />

Album: Babhemu, Make Believe<br />

CHRIS NTULI <strong>and</strong> his b<strong>and</strong> THE DURBAN BLACK DRIFTERS carry<br />

the sound of KwaZulu-Natal’s isicathamiya around the province<br />

<strong>and</strong> around the world. With a sweet chorus of voices maintained<br />

under his watchful eye, these Black Drifters are respected stars<br />

of the local isicathamiya scene, even if they have yet <strong>to</strong> crack the<br />

mainstream success achieved by Ladysmith Black Mambazo.<br />

Album: Bafana Bafana<br />

66<br />

MADALA KUNENE is an extraordinary talent whose highly personalised<br />

take on the traditional Zulu mask<strong>and</strong>a guitar has earned him acclaim all over<br />

the world, although like many local musicians, he still struggles <strong>to</strong> make<br />

ends meet. When Kunene plays, time slows down <strong>and</strong> the noise of the world<br />

seems <strong>to</strong> fade away. His trance-like rhythms, accompanied by a voice that<br />

is at once both frail <strong>and</strong> strong, make him one of <strong>Durban</strong>’s greatest treasures.<br />

Album: Kon’ko Man, Madamax, Bafo Bafo


GUY BUTTERY uses unorthodox playing methods <strong>to</strong> bring forth<br />

sublime new sounds from his stringed instruments, transforming a single<br />

instrument in<strong>to</strong> an array of sounds that could well come from an entire<br />

b<strong>and</strong>. As well as the guitar, Buttery also plays the m<strong>and</strong>olin <strong>and</strong> sitar,<br />

<strong>and</strong> occasionally plays with other musicians. His unique style, combined<br />

with his songwriting skills, has earned him international critical acclaim.<br />

Album: When I Grow Up, Fox Hill Lane<br />

PHUZEKHEMISI has played a substantial role in<br />

bringing traditional Zulu music <strong>to</strong> an urban setting.<br />

Phuzekhemisi is the stage name of JOSEPH MNYANDU,<br />

<strong>and</strong> literally means ‘drink the medicine’. The<br />

charismatic performer is now a major commercial<br />

drawcard who has gained recognition elsewhere in<br />

Africa, as well as in Europe’s world music scene.<br />

Album: Amakhansela, Phans’ Imikhon<strong>to</strong><br />

CHRIS LETCHER is one of South Africa’s most critically lauded<br />

rock musicians. Beginning with legendary <strong>Durban</strong> b<strong>and</strong> Urban<br />

Creep, Letcher subsequently established a musical partnership<br />

with fellow singer-songwriter Matthew van der Want with<br />

whom he produced three as<strong>to</strong>unding albums. He presently<br />

heads a five-piece b<strong>and</strong> that goes by the name of LETCHER.<br />

Album: Frieze, Harmonium<br />

67


DOMINION This eight member Gospel outfit is the brainchild of<br />

South African gospel phenomenon, Joyous Celebration. Featuring<br />

Sibongiseni Mbhele, S<strong>and</strong>ile Cele, Xolani Mdlalose, Brenda Mtambo,<br />

Mahalia Buchanan, Mercy Mndlovu, Tebello Sukwene <strong>and</strong> Zodwa<br />

Mahlangu, all seasoned performers, their debut album I’ll Run <strong>to</strong><br />

Him has been well-received both locally <strong>and</strong> in the United States.<br />

Albums: I Will Run <strong>to</strong> You<br />

68<br />

BLACK COFFEE , aka <strong>Durban</strong>-born Nkosinathi Maphumulo,<br />

has been on the scene for over a decade but hit the big<br />

time with his interpretation of Hugh Masekela’s<br />

rambunctious jazz hit Stimela. Followed by a slew of<br />

international releases, including remixes of songs from<br />

the late Busi Mhlongo, Black Coffee is a glorious amalgam<br />

of digital beats <strong>and</strong> traditional South African music.<br />

Albums: Black Coffee<br />

BIG NUZ take their name from the license plate (NUZ) of<br />

Umlazi, the <strong>Durban</strong> <strong>to</strong>wnship from where M<strong>and</strong>la Maphumulo<br />

(aka Mampintsha), Mzingisi Mkhwanazi (aka Danger) <strong>and</strong><br />

Sibusiso Khomo (aka Mashesha) became one of the country’s<br />

most dramatic musical success s<strong>to</strong>ries. Dominating the charts<br />

<strong>and</strong> music award ceremonies, their widespread success<br />

culminated in a number of wins at the 2010 Sama Awards.<br />

Albums: Zozo, 2nd Round Knockout, Undisputed


DJ TIRA , aka Mthokosisi Khathi, is one of South Africa’s most<br />

popular DJs. Having started his career in his home <strong>to</strong>wn of <strong>Durban</strong>,<br />

he has a strong following both nationally <strong>and</strong> internationally <strong>and</strong><br />

owns his own record label Afrocentric. Describing the music he<br />

plays as “up tempo with a heavy base line, chanting vocals <strong>and</strong> a<br />

tribal beat”, Tira has been credited as one of the crea<strong>to</strong>rs of the<br />

<strong>Durban</strong> Sound which has taken the country’s dance floors by s<strong>to</strong>rm.<br />

Hear him: on the compilation <strong>Durban</strong>’s Finest Vol. 2<br />

NELI SHABALALA was the frontwoman for the female<br />

isicathamiya group WOMEN OF MAMBAZO before her tragic<br />

death. The wife of Joseph Shabalala, the driving force behind<br />

Ladysmith Black Mambazo, Neli’s voice combined with<br />

those of the group’s other members <strong>to</strong> form an angelic<br />

choir that explored the issues facing women in the province.<br />

Albums: Mamizolo<br />

MARTIN MCHALE was the co-owner of 330, South Africa’s<br />

most legendary nightclub. The club closed <strong>its</strong> doors several years<br />

ago but, after holding parties in other spaces for a while, the<br />

team has regrouped at the highly successful ORIGIN nightclub<br />

where McHale continues his position as resident DJ. He is in<br />

inter-national dem<strong>and</strong> as a DJ <strong>and</strong> has also formed the b<strong>and</strong> RISE<br />

with local chanteuse Kerry Wood <strong>and</strong> guitarist Colin Peddie.<br />

Albums: Present with Rise<br />

69


FRUIT AND VEG are a ska-influenced punk-rock<br />

b<strong>and</strong> fronted by the charismatic PURITY MKHIZE,<br />

who sings <strong>and</strong> roars her way through anthemic<br />

songs of self-assertion in a world of bl<strong>and</strong><br />

consumerism. They are a one- of-a-kind b<strong>and</strong>, with<br />

a roster of solid songs, a derisive attitide <strong>to</strong>wards<br />

conventions, a blistering stage presence <strong>and</strong> a fully<br />

expressed commitment <strong>to</strong> living life <strong>to</strong> the full.<br />

Album: Still in production. Look out for it.<br />

NIBS VAN DER SPUY was for many years a staple on the <strong>Durban</strong><br />

scene with the much loved instrumental b<strong>and</strong> L<strong>and</strong>scape Prayers.<br />

In the wake of the Prayers’ breakup, Nibs branched out on his own<br />

with a selection of emotionally tender <strong>and</strong> musically immaculate<br />

solo albums, as well as collaborations with Barry van Zyl <strong>and</strong> the<br />

late Gi<strong>to</strong> Baloi on the Hadeda project. Van Der Spuy’s output provides<br />

sincere spiritual sweetness for those who prefer honey <strong>to</strong> saccharine.<br />

Albums: A House Across the River, Beautiful Feet<br />

70<br />

THE FATAARS are one of <strong>Durban</strong>’s most gifted musical families. STEVE<br />

<strong>and</strong> RICKY FATAAR were members of THE FLAMES, a South African b<strong>and</strong><br />

which made it in<strong>to</strong> the international charts in the late ’60s, leading <strong>to</strong><br />

collaborations with groups such as the Beach Boys <strong>and</strong> the Rolling<br />

S<strong>to</strong>nes. Steve continues <strong>to</strong> perform in <strong>Durban</strong>, along with his daughter,<br />

the golden-voiced TARA <strong>and</strong> his beatboxing son DAIN, under the name<br />

AVATAR, while RICKY continues <strong>to</strong> perform around the world.<br />

Albums: Soul Fire!!, Burning Soul!


Jazzy Rainbow<br />

93 Smiso Nkwanyana Road<br />

Morningside<br />

+27 31 303 8398<br />

Rivets<br />

Hil<strong>to</strong>n Hotel<br />

12 Walnut Road<br />

+27 31 336 8142<br />

Rainbow Jazz Club<br />

23 Stanfield Lane<br />

Pine<strong>to</strong>wn<br />

+27 31 702 9161<br />

The Willowvale Hotel<br />

406 Umbilo Road<br />

Umbilo<br />

+27 31 205 1291<br />

Zulu Jazz Lounge<br />

Playhouse Complex<br />

231 An<strong>to</strong>n Lembede Street<br />

+27 31 304 2373<br />

Splashy Fen<br />

PO Box 4078<br />

The Square 4021<br />

+27 31 563 0824<br />

Centre for Jazz<br />

University of KZN<br />

Glenwood<br />

+27 31 260 3385<br />

The Bat Deck<br />

Maritime Place<br />

Small Craft Harbour<br />

+27 31 332 0451<br />

Cool Runnings<br />

49 Milne Street<br />

<strong>Durban</strong> City<br />

+27 31 368 5604<br />

Unit 11<br />

190 Stamford Hill Road<br />

Morningside<br />

+27 82 774 6528<br />

Zacks Windemere<br />

Windemere Centre<br />

Morningside<br />

+27 31 312 0755<br />

Zacks Wilson’s Wharf<br />

Boatman’s Road<br />

Maydon Wharf<br />

+27 31 305 1677<br />

Music Venues<br />

Czar<br />

178 Florida Road<br />

Morningside<br />

+27 31 312 8001<br />

KZN Philharmonic Orchestra<br />

29 Acutt Street<br />

<strong>Durban</strong><br />

+27 31 369 9477<br />

Jackie Horner Pub<br />

Cnr Clark & Esther Roberts<br />

Road, Glenwood<br />

+27 31 202 9192<br />

The Wins<strong>to</strong>n Pub<br />

9 Clark Road<br />

Umbilo<br />

+27 76 976 1002<br />

Amsterdam<br />

142 Helen Joseph Road<br />

Glenwood<br />

+27 31 811 5449<br />

Burn Nightclub<br />

16 Walls Avenue<br />

Greyville<br />

+27 82 325 9746<br />

The Rainbow in Pine<strong>to</strong>wn is one of <strong>Durban</strong>’s most important music venues.<br />

Opened by Ben Pre<strong>to</strong>rius in 1981, the venue was one of the very few places<br />

where people of different races could enjoy music <strong>to</strong>gether during apartheid.<br />

As such, it became an important space in which the collective culture of<br />

<strong>Durban</strong> <strong>and</strong> KZN could be appreciated by all. Three decades after first<br />

opening, it remains the most significant music venue in eThekwini <strong>to</strong>day.<br />

Another important musical space is The Bat Centre, in <strong>Durban</strong>’s small craft<br />

harbour, which has hosted many of South Africa’s leading musicians, <strong>and</strong> was<br />

an important engine of creativity in <strong>Durban</strong> in the 1990s. After a period of<br />

dormancy, the venue has recently been reignited by <strong>Durban</strong> musician Philani<br />

Ngidi, <strong>and</strong> is once again providing a strong platform for the best of local music.<br />

71


ALL OVER THE WORLD, TO BE A DANCER<br />

is <strong>to</strong> submit <strong>to</strong> a life of sacrifice. Dancers never<br />

do it for the money, <strong>and</strong> nowhere is this more<br />

true than in <strong>Durban</strong>, where many of our dancers<br />

live close <strong>to</strong> poverty in the shackl<strong>and</strong>s <strong>and</strong> RDP<br />

settlements surrounding <strong>Durban</strong>. Yet despite –<br />

<strong>and</strong> perhaps because of – the challenges<br />

dancers face, local dance companies regularly<br />

produce world-class work that, on occasion,<br />

challenges the very definition of dance.<br />

Often working on the cutting edge of<br />

contemporary practice, <strong>Durban</strong> dancers <strong>and</strong><br />

choreographers are telling their own s<strong>to</strong>ries in<br />

a language that is constantly being rewritten<br />

<strong>and</strong> which is born from the collision between<br />

modernity <strong>and</strong> traditional western, african<br />

<strong>and</strong> eastern forms. It is a language which<br />

increasingly finds <strong>its</strong>elf traversing the world,<br />

as <strong>Durban</strong>’s dancers find themselves on international<br />

stages, from New York <strong>to</strong> Dakar.<br />

72<br />

DANCE<br />

NTSIKELELO ‘BOYZIE’ CEKWANA possesses a remarkable<br />

ability <strong>to</strong> communicate through his body, as well as a radical<br />

intelligence <strong>and</strong> rarified aesthetic, all of which have made him<br />

a dancer <strong>and</strong> choreographer of international acclaim. Cekwana<br />

has danced all over the world <strong>and</strong> heads the aptly named<br />

FLOATING OUTFIT PROJECT. Intended <strong>to</strong> be rootless <strong>and</strong><br />

unaffiliated, the company includes Cekwana <strong>and</strong> his<br />

partner www.siwelasonke.co.za<br />

Désiré Davids as it’s only permanent members.<br />

SIWELA SONKE DANCE THEATRE is headed by creative dynamo JAY<br />

PATHER <strong>and</strong> populated with an extraordinary group of dancers including<br />

NTOMBI GASA <strong>and</strong> NELISWE RUSHUALANG. Siwela’s dancers are never<br />

subservient <strong>to</strong> their roles, embodying the very pulse of South African life<br />

in a dance language that is always shifting in <strong>its</strong> search for emotional<br />

truth in a sea of uncertainty. Often performing in urban settings rather<br />

than on a stage, the company performs in cities all around the world.<br />

www.siwelasonke.co.za


FLATFOOT DANCE COMPANY , named for the challenge it holds up<br />

<strong>to</strong> Western ideals of dance, is a contemporary company offering work<br />

that engages – in poignant <strong>and</strong> beautiful ways – with the emotional<br />

<strong>and</strong> political context in which we live. With dance lecturer LLIANE<br />

LOOTS as the driving force, <strong>and</strong> a troupe of talented <strong>and</strong> idiosyncratic<br />

dancers, Flatfoot produces socially aware <strong>and</strong> globally accessible<br />

dance theatre with <strong>its</strong> roots planted firmly in <strong>Durban</strong>’s fertile soil.<br />

JOMBA! DANCE FESTIVAL , hosted by the Centre for<br />

Creative Arts <strong>and</strong> headed by Lliane Loots is a ten-day<br />

international contemporary dance festival <strong>and</strong><br />

conference that features the cream of South African<br />

dance companies, as well as respected dancers <strong>and</strong><br />

choreographers from around the world with whom<br />

local dancers often collaborate. The festival also hosts<br />

dance workshops <strong>and</strong> technical collaborations.<br />

www.ukzn.ac.za/cca<br />

NATESHWAR DANCE ACADEMY has 12 branches around<br />

KwaZulu-Natal. Every year, under the guidance of SMEETHA<br />

SINGH, the academy teaches the ancient art of Indian dance<br />

<strong>to</strong> hundreds of students who come <strong>to</strong>gether in spectacular<br />

annual productions. Although a bastion of classical Indian<br />

dance, the academy’s dancers often contribute <strong>to</strong> contemporary<br />

productions from other companies, in the spirit of collaboration<br />

www.siwelasonke.co.za<br />

<strong>and</strong> diversity that defines <strong>Durban</strong>’s dance scene.<br />

73


DESIRE DAVIDS is one of several <strong>Durban</strong> dancers who are taking South<br />

African dance <strong>to</strong> the world. She spent much of 2009 in France rehearsing<br />

for her performance in Vincent Mantsoe’s celebrated work San which<br />

had <strong>its</strong> South African debut in Grahams<strong>to</strong>wn. She will continue her<br />

internationalist streak with <strong>to</strong>urs of Europe. Well known <strong>to</strong> <strong>Durban</strong><br />

audiences from her time spent at the Playhouse Dance company, Davids<br />

also performs with Boyzie Cekwana in his Floating Outfit Project.<br />

74<br />

MLU ZONDI won the 2010 St<strong>and</strong>ard Bank Young<br />

Artist of the Year Award for his idiosyncratic blend<br />

of dance <strong>and</strong> fine-art-as-performance. Like Siwela<br />

Sonke, Zondi’s work is as likely <strong>to</strong> appear in a gallery<br />

or public space as on a stage. Zondi came <strong>to</strong><br />

work in the context of visual art because he felt<br />

that his br<strong>and</strong> of performance was not accepted in<br />

the contemporary dance world. The consequences<br />

of that decision continue <strong>to</strong> serve him well.<br />

MUSA HLATSHWAYO is one of <strong>Durban</strong>’s fastest rising dance<br />

stars. Remarkably charismatic, this gifted dancer <strong>and</strong><br />

choreographer is doing much <strong>to</strong> extend the language of<br />

contemporary dance. Currently working as a freelance artist<br />

as well as with his company MHAYISE PRODUCTIONS,<br />

Hla<strong>to</strong>swayo has received much critical recognition <strong>and</strong> a<br />

number of awards, including the 2008/9 Dancelink award for<br />

best choreographer. As well as <strong>to</strong>uring his work around the<br />

world, Hlatshwayo devotes much of his time <strong>to</strong> teaching,<br />

particularly at the development project Ca<strong>to</strong> Manor Vibe.


Dancelink started with the aim of<br />

raising the profile of dance in the<br />

province. Several years later, Dancelink<br />

is an established part of South<br />

Africa’s dance network. As well as<br />

engaging in community work, the<br />

organisation also produces several<br />

performance projects annually,<br />

including the large-scale youth dance<br />

performance project Dance for Youth.<br />

Outreach Programmes form an<br />

integral element of the dance scene<br />

in <strong>Durban</strong>. While these programmes<br />

help dance companies <strong>to</strong> give back<br />

<strong>to</strong> the communities that form the<br />

mostly invisible backbones of our<br />

society, they are also a rich source<br />

of future dance talent. Ca<strong>to</strong> Manor<br />

Vibe is a sterling example of such<br />

programme. Founded by the<br />

seminal dance company Fantastic<br />

Flying Fish <strong>and</strong> men<strong>to</strong>red by some<br />

leading local talents, Ca<strong>to</strong> Manor<br />

Vibe fosters the development of<br />

the self <strong>and</strong> communities while<br />

stressing the vital importance of<br />

education in uplifting the lives of<br />

<strong>its</strong> young <strong>and</strong> talented dancers.<br />

DAVID GOULDIE is a stalwart of the <strong>Durban</strong> dance<br />

scene. Previously a member of the Playhouse Ballet<br />

Company <strong>and</strong> a founding member of the now sadly<br />

defunct Fantastic Flying Fish Dance Company, Gouldie<br />

now has his own company called Urban Edge Productions<br />

which creates corporate theatre, launches <strong>and</strong> br<strong>and</strong><br />

activations. He is still strongly involved with choreography<br />

<strong>and</strong> has recently lent his skills <strong>to</strong> productions<br />

such as The Nutcracker <strong>and</strong> Chess, as well as helping <strong>to</strong><br />

organise art-based events such as Naked <strong>and</strong> Red Eye.<br />

75


UNDER THE OLD APARTHEID DISPENSATION,<br />

theatre attendance was racially delineated <strong>and</strong><br />

black theatre thoroughly marginalised. At the same<br />

time theatre, both in white cities <strong>and</strong> black<br />

<strong>to</strong>wnships, was a major site of political protest <strong>and</strong><br />

activism, producing a rich canon of protest theatre<br />

whose artistic accomplishments still resound.<br />

This is the twin legacy of theatre in <strong>Durban</strong>, <strong>and</strong><br />

the challenge faced by <strong>Durban</strong>’s theatre community<br />

in the 21st century is <strong>to</strong> write <strong>and</strong> produce work<br />

that engages with our past <strong>and</strong> our present, <strong>and</strong><br />

is at the same time relevant <strong>to</strong> the broad spectrum<br />

of the people who live in <strong>and</strong> around the city.<br />

It is a challenge that is still in the process of<br />

being confronted by <strong>Durban</strong>ites, as a new<br />

generation of young ac<strong>to</strong>rs, direc<strong>to</strong>rs <strong>and</strong> theatre<br />

lovers emerges. And while theatre in <strong>Durban</strong> has<br />

still <strong>to</strong> transcend the divisions created by apartheid,<br />

the possibilities for transcendent work remain,<br />

nurtured by the continuing contradictions of South<br />

African society.<br />

76<br />

THEATRE<br />

CHANTAL SNYMAN is a theatre worker who interrogates<br />

<strong>and</strong> celebrates our local reality. A writer, direc<strong>to</strong>r, s<strong>to</strong>ryteller,<br />

ac<strong>to</strong>r <strong>and</strong> teacher, Snyman has added two key works Snapshots<br />

(1999) <strong>and</strong> Frank (2009) <strong>to</strong> the local canon, both of which she<br />

wrote <strong>and</strong> directed. She has appeared on stage in a wide<br />

range of performances <strong>and</strong> in recent years has started working<br />

with both puppets <strong>and</strong> professional soccer players in order<br />

<strong>to</strong> provide accessible education around HIV <strong>and</strong> Aids.<br />

EDMUND MHLONGO is a shining example of the fact that one person<br />

can make a difference. An award-winning direc<strong>to</strong>r, Mhlongo is the driving<br />

force behind the EKHAYA MULTI-ARTS CENTRE in KwaMashu, which<br />

he founded <strong>and</strong> continues <strong>to</strong> head. In a <strong>to</strong>wnship rich with performing<br />

talent but low on performance spaces, Mhlongo provides much needed<br />

exposure for young dancers, musicians, ac<strong>to</strong>rs <strong>and</strong> production<br />

staff <strong>and</strong> the chance for local audieinces <strong>to</strong> celebrate their culture.<br />

SEEN HERE: Madame President


MBONGENI NGEMA , progeni<strong>to</strong>r of the legendary Sarafina<br />

productions, singer, direc<strong>to</strong>r <strong>and</strong> general creative talent, is one of<br />

<strong>Durban</strong>’s most prolific artists. A champion of local narrative, he has<br />

achieved mainstream success with his epic stage productions as well<br />

as with his recorded output, musicals, television shows <strong>and</strong> films.<br />

He is also a talented <strong>and</strong> hugely successful songwriter, his oeuvre<br />

ranging from jazz <strong>to</strong> gospel <strong>to</strong> R&B, from marabi <strong>to</strong> mbaqanga.<br />

SEEN HERE: Lion of the East<br />

NEIL COPPEN is one of South Africa’s most gifted<br />

theatre talents <strong>and</strong> a frequent contribu<strong>to</strong>r <strong>to</strong> <strong>Durban</strong>’s<br />

broader art scene. Acclaimed for his acting skills from<br />

a young age, Coppen has subsequently established a<br />

solid career for himself as a writer, playwright <strong>and</strong><br />

direc<strong>to</strong>r, with his plays The Tin Bucket <strong>and</strong> Tree Boy<br />

garnering much critical acclaim around the country<br />

<strong>and</strong> beyond. Coppen was recently awarded the 2011<br />

St<strong>and</strong>ard Bank Young Artist of the Year Award for Theatre.<br />

SEEN HERE: The Tin Bucket<br />

KICKSTART , run by GREG KING <strong>and</strong> STEVEN STEAD, is an<br />

independent professional theatre company which regularly<br />

stages world-class productions in <strong>Durban</strong>. The company’s<br />

primary objective is <strong>to</strong> produce the best of internationally<br />

recognised drama. However, just as important is the creation<br />

of <strong>to</strong>p-quality children’s theatre, staged with the intention of<br />

fostering a love of the theatre among young people.<br />

SEEN HERE: The Wizard of Oz<br />

77


JERRY POOE is a well-known force in <strong>Durban</strong> theatre circles as<br />

a writer, direc<strong>to</strong>r <strong>and</strong> playwright. As CEO of his company EAGER<br />

ARTISTS, Pooe’s work provides a bridge between the past <strong>and</strong><br />

the present, in the process attempting <strong>to</strong> forge a new African<br />

theatre. Pooe is also involved in artistic projects in rural<br />

communities <strong>and</strong> has facilitated various projects, including Aids<br />

Awareness education <strong>and</strong> training youths in theatre skills.<br />

SEEN HERE: Sophia<strong>to</strong>wn<br />

78<br />

GAIL SNYMAN began her theatrical career in 1994, after<br />

having raised her family, <strong>and</strong> has subsequently become a<br />

key figure in <strong>Durban</strong>’s theatre scene. Her debut work, the<br />

au<strong>to</strong>biographical one-woman show, Tears in My Navy Blue<br />

Eyes, received critical acclaim <strong>and</strong> <strong>to</strong>ured internationally,<br />

while Sasol Fever is centred around the dislocated family<br />

lives of refinery workers. More recently she has written an<br />

anti-litter play for children which will be animated by<br />

the Centre for Fine Art, Animation <strong>and</strong> Design.<br />

ILLA THOMPSON is an ubiqui<strong>to</strong>us figure on the <strong>Durban</strong><br />

creative scene, bringing support <strong>to</strong> artists <strong>and</strong> performers<br />

above <strong>and</strong> beyond the call of duty. Although her main area<br />

of interest is theatre, Thompson is seen at virtually every ar<strong>to</strong>riented<br />

event <strong>and</strong> she frequently falls in<strong>to</strong> the role of arts<br />

activist. She is also involved with the Performing Arts Network<br />

of South Africa. Together with her company PUBLICITY<br />

MATTERS, Thompson helps <strong>to</strong> keep theatre alive in <strong>Durban</strong>.<br />

SEEN HERE: Frontlines


CLAIRE MORTIMER is one of<br />

<strong>Durban</strong>’s most accomplished ac<strong>to</strong>rs,<br />

as well as a talented direc<strong>to</strong>r <strong>and</strong><br />

playwright. Mortimer is superb in<br />

difficult roles such as the cancerstricken<br />

Vivian in Wit, but also revels<br />

in lighter work in which she shows<br />

off her wickedly comedic streak.<br />

SEEN HERE IN: Wit<br />

Elisabeth Sneddon<br />

Theatre<br />

University of KZN<br />

238 Mazisi Kunene<br />

Road<br />

+27 31 260 2296<br />

Barnyard Theatre<br />

Gateway Theatre of<br />

Shopping<br />

Umhlanga<br />

+27 31 566 3045<br />

Catalina Theatre<br />

18 Boatman’s Road<br />

Maydon Wharf<br />

+27 31 305 6889<br />

Stable Theatre<br />

Cnr Joseph Nduli<br />

Street & Alice Street<br />

City Centre<br />

+27 31 309 2513<br />

THEMI VENTURAS There are few people more committed<br />

<strong>and</strong> active in the theatre community than Venturas. An<br />

accomplished direc<strong>to</strong>r who has been at the helm of many<br />

large-scale productions over the years, Venturas is also the<br />

man behind the CATALINA THEATRE on Wilson’s Wharf. The<br />

Catalina provides an intimate theatre experience in an<br />

accessible space, <strong>and</strong> has entertained theatre goers with such<br />

varied fare as The Man of La Mancha <strong>and</strong> Have You Seen Z<strong>and</strong>ile?<br />

SEEN HERE: Man of La Mancha<br />

Square Space<br />

Theatre<br />

University of KZN<br />

238 Mazisi Kunene<br />

Road<br />

+27 31 260 3133<br />

Ekhaya Multi Arts<br />

Centre<br />

B25 Giya Rd<br />

Kwa-Mashu<br />

+27 31 504 6970<br />

Heritage Theatre<br />

9 Old Main Road<br />

Hillcrest<br />

+27 31 765 4197<br />

Open-Air Theatre<br />

Botanic Gardens<br />

70 St Thomas Road<br />

Musgrave<br />

+27 31 309 1170<br />

Rhumbelow Theatre<br />

Cunningham Road<br />

(off Bartle Road)<br />

Umbilo<br />

+27 31 205 7602<br />

+27 82 499 8636<br />

Open Air Theatre<br />

University of KZN<br />

238 Mazisi Kunene<br />

Road<br />

+27 31 260 3133<br />

The Playhouse<br />

231 An<strong>to</strong>n Lembede<br />

Street, City Centre<br />

+27 31 369 9555<br />

SuperNova Theatre<br />

Suncoast Casino<br />

Suncoast Boulevard<br />

Marine Parade<br />

+27 31 328 3333<br />

Theatres<br />

Courtyard Theatre<br />

<strong>Durban</strong> University of<br />

Technology<br />

R<strong>its</strong>on Campus<br />

Steve Biko Road<br />

+27 31 373 2194<br />

Asoka Theatre<br />

University of KZN<br />

Westville Campus<br />

Essex Terrace<br />

+27 31 204 4111<br />

iZulu Theatre<br />

Sibaya Casino<br />

Umhlanga Rocks<br />

Tel: +27 31 580 5000<br />

Seabrooke Theatre<br />

<strong>Durban</strong> High School<br />

St Thomas Road<br />

Musgrave<br />

+27 31 201 1638<br />

79


ONLY IN THE LAST FEW YEARS HAS SOUTH<br />

Africa started <strong>to</strong> produce a substantial number of<br />

feature films. Now, under the banner of freedom,<br />

<strong>and</strong> with so many s<strong>to</strong>ries <strong>to</strong> tell, local cinema is<br />

quickly growing up <strong>and</strong> beginning <strong>to</strong> make worldclass<br />

contributions <strong>to</strong> global cinema, such as Darryl<br />

Roodt’s Yesterday. Filmed in KwaZulu-Natal it was<br />

the world’s first Zulu language feature film <strong>and</strong><br />

garnered an Oscar nomination, preceding the win<br />

by the more Hollywood-oriented Tsotsi. With <strong>its</strong><br />

affordable labour <strong>and</strong> infrastructure, an incredibly<br />

diverse variety of locations, <strong>and</strong> as<strong>to</strong>undingly good<br />

weather, <strong>Durban</strong> is becoming increasingly popular<br />

with international direc<strong>to</strong>rs <strong>and</strong> producers, with<br />

plans for film studios currently underway.<br />

At the same time the local film culture is getting<br />

stronger, with an increasing number of productions<br />

coming out of <strong>Durban</strong>, aided in no small part by<br />

the work of the <strong>Durban</strong> International Film Festival<br />

<strong>and</strong> the <strong>Durban</strong> Film Office.<br />

80<br />

FILM<br />

JUNAID AHMED of FINELINE PRODUCTIONS specialises in<br />

documentary work that explores marginalised communities.<br />

Fineline’s films are frequently screened on national television <strong>and</strong><br />

syndicated for broadcast around the world. After the awardwinning<br />

Lucky, which looks at the relationship between an Aids<br />

orphan <strong>and</strong> a racist Indian woman, comes STOCKHOLM,<br />

ZULULAND, a cross-cutural romantic comedy with a wicked twist.<br />

Watch: Lucky, Trancing in Dreamtime, S<strong>to</strong>ckholm Zulul<strong>and</strong><br />

Video Mogul is a DVD rental s<strong>to</strong>re in Musgrave that has had a significiant impact on<br />

local film culture. By introducing an extensive selection of world cinema <strong>and</strong> older <strong>and</strong><br />

more obscure films, the s<strong>to</strong>re has helped <strong>to</strong> grow a culture of cinema in eThekwini, in<br />

the process encouraging a new young breed of <strong>Durban</strong> filmmakers. +27 31 202 1520.<br />

The <strong>Durban</strong> Filmmart A joint programme of the <strong>Durban</strong> International Film Festival<br />

<strong>and</strong> the <strong>Durban</strong> Film Office, the <strong>Durban</strong> FilmMart is an annual co-production market<br />

which links filmmakers from Africa with funders <strong>and</strong> producers. The FilmMart<br />

includes a Finance Forum, which provides an opportunity for selected African<br />

filmmakers <strong>to</strong> pitch their projects <strong>to</strong> potential inves<strong>to</strong>rs on a one-<strong>to</strong>-one basis, <strong>and</strong><br />

a four-day specialised workshop programme for producers focusing on pitching<br />

<strong>and</strong> packaging films. The DFM provides an opportunity for international networking<br />

<strong>and</strong> making the case for the support <strong>and</strong> development of African film.


MASOOD BOOMGARD is a talented local writer <strong>and</strong> filmmaker. With<br />

a regular column in the Sunday Tribune <strong>and</strong> a popular blog, his following<br />

will no doubt swell with the release of ATTACK OF THE INDIAN WEREWOLF,<br />

a cheerfully irreverant <strong>Durban</strong> flavoured spoof on the werewolf genre. The<br />

film features local DJ <strong>and</strong> comedian Neville Pillay as a timid,<br />

hardworking s<strong>to</strong>re clerk who has been overtaken by a werewolf demon,<br />

<strong>and</strong> includes a cameo from eThekwini’s Municipality’s Speaker Logie Naidoo.<br />

Watch: Attack of the Indian Werewolf<br />

THE DURBAN INTERNATIONAL FILM FESTIVAL is South<br />

Africa’s only international film festival. Started by city<br />

councillor Ros Sarkin in 1979, the festival is now run by<br />

the University of KZN’s Centre for Creative Arts. Under<br />

the direc<strong>to</strong>rship of NASHEN MOODLEY, the DIFF has<br />

exp<strong>and</strong>ed beyond the university, taking <strong>its</strong> exciting<br />

selection of world cinema <strong>to</strong> theatres all over the city.<br />

www.cca.ukzn.ac.za/diff<br />

CLAIRE ANGELIQUE BEZUIDENHOUT is not short of<br />

ambition. Armed with the script for her film MY LITTLE BLACK<br />

HEART she approached Danish superdirec<strong>to</strong>r Lars von Triers<br />

<strong>and</strong> his production company Zentropa Films. Von Triers was<br />

sufficiently impressed <strong>to</strong> take on the project <strong>and</strong> provide his own<br />

cinema<strong>to</strong>grapher. The film subsequently won Bezuidenhout the<br />

2010 St<strong>and</strong>ard Bank Young Artist of the Year Award For Film.<br />

Watch: My Little Black Heart<br />

81


ANANT SINGH , with his company VIDEOVISION, is a key player in the<br />

South African film industry. Both a production house <strong>and</strong> an international<br />

distribution company, Videovision is responsible for the block-busting<br />

explo<strong>its</strong> of Leon Schuster’s MR BONES, as well as for seminal South African<br />

films such as The Stick <strong>and</strong> Sarafina. The company has produced more than<br />

100 films, including the Oscar-nominated Yesterday, the Zulu-language<br />

feature film which gives a face <strong>to</strong> the Aids p<strong>and</strong>emic in South Africa.<br />

Watch: The Stick, Yesterday, Faith’s Corner, Mr Bones<br />

82<br />

THE DURBAN FILM OFFICE is the official advocate for<br />

<strong>Durban</strong>’s film industry. A special-purpose vehicle of the<br />

Municipality, the DFO combines film related activities in<br />

<strong>Durban</strong> under an au<strong>to</strong>nomous organisation which aims<br />

<strong>to</strong> position <strong>Durban</strong> as a globally competitive film city. The<br />

DFO is a facilitating partner in the DURBAN FILMMART.<br />

WATCH: Izulu Lami, Racing Stripes<br />

NASHEN MOODLEY is <strong>Durban</strong>’s foremost film critic, as well<br />

as the manager of the <strong>Durban</strong> International Film Festival. A writer<br />

of great depth <strong>and</strong> insight, Moodley’s reviews appear in the Sunday<br />

Tribune’s SM Mag. It is his job as direc<strong>to</strong>r of the festival, however,<br />

that takes up the bulk of his time. As well as an unflinching<br />

dedication <strong>to</strong> film, the position also requires extraordinary<br />

diplomatic abilities, which Moodley puts <strong>to</strong> good use as direc<strong>to</strong>r<br />

of the Africa-Asia leg of the Dubai International Film Festival.<br />

Watch: At the <strong>Durban</strong> International Film Festival


The Grey Street Cinemas are<br />

significant in the cultural his<strong>to</strong>ry of<br />

<strong>Durban</strong> because they were one of the<br />

very few places in apartheid South<br />

Africa where black people could<br />

access cinema. In the early days of<br />

silent movies, two cinemas – the<br />

Vic<strong>to</strong>ria <strong>and</strong> the African Theatre<br />

Company – operated in the Grey Street<br />

area. They were soon joined by the<br />

Indian-owned cinema nicknamed<br />

Rawat’s Bio, <strong>and</strong> in 1940 the Moosa<br />

family opened the Avalon Cinema.<br />

The Avalon was the first venue <strong>to</strong><br />

host the <strong>Durban</strong> International Film<br />

Festival in 1979. More than three<br />

decades later, the Avalon group now<br />

has <strong>its</strong> flagship theatres at Suncoast<br />

Casino, <strong>and</strong> once more plays host <strong>to</strong><br />

the Film Festival as the premiere<br />

venue for the annual event. Until<br />

recently, a single cinema remained<br />

in the Indian Quarter. The Shiraz,<br />

which opened <strong>its</strong> doors in 1968, <strong>and</strong><br />

moved <strong>to</strong> <strong>its</strong> final location in the<br />

1980s,closed in 2010, <strong>and</strong> with it,<br />

the last cinema in eThekwini that<br />

was not located in a shopping mall.<br />

MADODA NCAYIYANA <strong>and</strong> JULIE FREDERICKSE<br />

of VULEKA PRODUCTIONS are the direc<strong>to</strong>r <strong>and</strong><br />

screenwriter respectively behind the award-winning<br />

film Izulu Lami which tells the s<strong>to</strong>ry of Thembi, a<br />

young rural girl who heads for the city in the wake<br />

of her mother’s death. Sobahle Mkhabase, the young<br />

actress who plays Thembi, will also feature in Vuleka’s<br />

next production, a comedy drama called Mobile Muti.<br />

WATCH: The Sky in Her Eyes, Izulu Lami<br />

Geoff Theys<br />

65 Rockdale Avenue<br />

Westville<br />

+27 31 266 0339<br />

Patrick MgGhee<br />

35 Intersite Avenue<br />

Springfield Park<br />

+27 31 263 0182<br />

Reeltime<br />

15a Burling<strong>to</strong>n Drive<br />

Westville<br />

+27 31 266 0353<br />

Rhubarb Productions<br />

7 Sinembe Crescent<br />

La Lucia Ridge<br />

+27 31 566 5749<br />

SB Productions<br />

Augusta Country Estate<br />

Hillcrest<br />

+27 31 764 3020<br />

Production Companies<br />

Videovision<br />

134 Stephen Dlamini<br />

Road, Berea<br />

+27 31 204 6000<br />

Vuleka Productions<br />

Mazisi Kunene Road<br />

Glenwood<br />

+27 31 261 9650<br />

Forecast Casting<br />

33 Overport Drive<br />

Overport<br />

+27 31 209 9617<br />

DT Video<br />

5 Nunhead Road<br />

Manor Gardens<br />

+27 31 261 6961<br />

<strong>Durban</strong> Motion Pictures<br />

5 Walnut Road<br />

<strong>Durban</strong><br />

+27 31 307 1988<br />

Fine Line Productions<br />

PO Box 30210<br />

Mayville<br />

+27 31 261 1154<br />

Tekweni TV<br />

1 Glenroy Road<br />

Manor Gardens<br />

+27 31 261 1034<br />

Collective Film & Video<br />

236 Lambert Road<br />

Morningside<br />

+27 31 303 9727<br />

BLM Productions<br />

241 Florida Road<br />

Morningside<br />

+27 83 232 1758<br />

Stargate<br />

42 Queen Elizabeth Drive<br />

Westville<br />

+27 31 266 6230<br />

Cane Productions<br />

120 Marianhill Road<br />

Ashley<br />

+27 31 700 4434<br />

Go-Boy<br />

13 Saint Hillier Road<br />

Hillcrest<br />

+27 31 767 2700<br />

Halo Media<br />

12 Knoll Road<br />

Westville<br />

+27 31 266 2309<br />

DIFF<br />

Centre for Creative Arts<br />

University of KZN<br />

+27 31 260 2506<br />

<strong>Durban</strong> Film Office<br />

11th Flr, Rennies House<br />

41 Vic<strong>to</strong>ria Embankment<br />

+27 31 266 2309<br />

83


DURBAN’S MUSEUMS ARE A VITAL LINK TO THE PAST,<br />

both that of the city <strong>and</strong> of South Africa <strong>its</strong>elf, <strong>and</strong> are a<br />

useful <strong>to</strong>ol for visi<strong>to</strong>rs wanting <strong>to</strong> underst<strong>and</strong> our his<strong>to</strong>ry.<br />

For it is in eThekwini that the ‘<strong>Durban</strong> System’ of racial<br />

segregation was invented, <strong>and</strong> while it is something that<br />

many would rather forget, the vignettes of a life dominated<br />

by the Native Affairs Department, as chronicled in the Kwa<br />

Muhle Museum, are an important part of the city’s his<strong>to</strong>ry.<br />

Meanwhile, at the Natural Science Museum, we can<br />

glimpse the world of prehis<strong>to</strong>ry <strong>and</strong> explore a series of<br />

gorgeous dioramas detailing the region’s zoological diversity,<br />

<strong>and</strong> in <strong>Durban</strong>’s Old Court House Museum we get a sense<br />

of the 19th century colonialism which has left a large<br />

footprint on the physical structure <strong>and</strong> collective culture of<br />

our city. In helping us <strong>to</strong> underst<strong>and</strong> our past we can move<br />

in<strong>to</strong> the future with clarity <strong>and</strong> hope, engendered by the<br />

fact that our his<strong>to</strong>ry has, in the long term, been a consistent<br />

but gradual move <strong>to</strong>wards freedom <strong>and</strong> a common humanity.<br />

84<br />

MUSEUMS<br />

THE OLD HOUSE MUSEUM in St Andrew’s Street is a replica<br />

of the original Robinson home built in 1850. It first belonged<br />

<strong>to</strong> George Robinson (founding edi<strong>to</strong>r of the Mercury newspaper)<br />

<strong>and</strong> then <strong>to</strong> his son Sir John Robinson, the first Prime Minister<br />

of Natal during the 1890s. It was reconstructed by the city<br />

council after World War II <strong>and</strong> now houses a collection of<br />

furniture <strong>and</strong> artifacts from the 19th <strong>and</strong> early 20th centuries.<br />

www.durban.gov.za/durban/discover/museums/local_his<strong>to</strong>ry/oldhouse<br />

THE DURBAN NATURAL SCIENCE MUSEUM is a museum<br />

about the earth, <strong>its</strong> his<strong>to</strong>ry, <strong>and</strong> <strong>its</strong> life forms, both past <strong>and</strong><br />

present. The museum, which has just been beautifully renovated<br />

<strong>and</strong> had <strong>its</strong> dioramas res<strong>to</strong>red, houses informative <strong>and</strong><br />

educational displays of mammals, birds, reptiles <strong>and</strong> fish. As<br />

well as being a window in<strong>to</strong> our local prehis<strong>to</strong>ry, there is even<br />

an Egyptian mummy <strong>and</strong> a lifesize replica of a tyrannosaurus.<br />

http://www.durban.gov.za/durban/discover/museums/nsm


THE KWA MUHLE MUSEUM Once the office of the Native Affairs<br />

Department, this museum now displays examples of the oppressive<br />

administration of the black population of <strong>Durban</strong> under apartheid. Corridors<br />

once trodden by apartheid policy makers are now filled with school<br />

children learning about a past that we must never forget. But while the<br />

museum is a window in<strong>to</strong> a dark past, it is also a beacon of hope in the<br />

form of exhibitions which look <strong>to</strong>wards a brighter, collective future.<br />

www.durban.gov.za/durban/discover/museums/local_his<strong>to</strong>ry/kwamuhle<br />

THE CAMPBELL COLLECTION , which includes<br />

the Killie Campbell Africana Library, the William<br />

Campbell Picture Collection <strong>and</strong> the Mashu<br />

Museum of Ethnology, is an internationally<br />

renowned <strong>and</strong> unique collection of rare archival<br />

resources. The Campbell Collection is primarily<br />

known as a centre for high quality research,<br />

attracting post-graduate <strong>and</strong> established<br />

researchers in the fields of social science <strong>and</strong><br />

the humanities from all over the world.<br />

Nonetheless, the broad display of his<strong>to</strong>ric <strong>and</strong><br />

cultural artifacts provides an enriching<br />

experience for anyone with even the vaguest<br />

interest in the his<strong>to</strong>ry of the area. Visi<strong>to</strong>rs<br />

<strong>to</strong> the museum need <strong>to</strong> book in advance.<br />

http://www.campbell.ukzn.ac.za<br />

THE MARITIME MUSEUM harks back <strong>to</strong> a time when<br />

shipping was more about the sea <strong>and</strong> less about logistics.<br />

Located on the edge of the port closest <strong>to</strong> the city<br />

centre <strong>and</strong> backed by a panoramic view, the museum<br />

has an inspiring collection of vessels <strong>and</strong> nautical<br />

artifacts, as well as a freshly renovated in-door museum.<br />

www.durban.gov.za/durban/discover/museums/local_his<strong>to</strong>ry/portnatal<br />

85


THE PHANSI MUSEUM is a private museum which<br />

houses one of the biggest <strong>and</strong> most spectacular<br />

collections of African arts <strong>and</strong> crafts in the world. The<br />

collection is held in Roberts House, a fully res<strong>to</strong>red<br />

Vic<strong>to</strong>rian national monument, in Glenwood. Three floors<br />

of the Vic<strong>to</strong>rian mansion are packed with Zulu beadwork,<br />

earplugs, wire baskets, milk-pails, beer-pots <strong>and</strong> fertility<br />

dolls, Ndebele blankets <strong>and</strong> ceremonial items, <strong>and</strong><br />

artifacts from the Eastern Cape, Namibia <strong>and</strong> Kenya.<br />

www.phansi.com<br />

THE CATO MANOR HERITAGE CENTRE Once the site of<br />

forced removals, Ca<strong>to</strong> Manor is an area of great significance<br />

<strong>to</strong> the his<strong>to</strong>ry of <strong>Durban</strong>. The centre chronicles the fascinating<br />

his<strong>to</strong>ry of the area, linking the s<strong>to</strong>ries of past <strong>and</strong> present<br />

Ca<strong>to</strong> Manor <strong>to</strong> the broader his<strong>to</strong>ry of South Africa.<br />

www.durban.gov.za/durban/discover/museums/local_his<strong>to</strong>ry/ca<strong>to</strong>manor<br />

86<br />

THE OLD COURT HOUSE is <strong>Durban</strong>’s oldest surviving public building.<br />

Erected in 1863 as a Courthouse <strong>and</strong> Post Office, it has borne witness<br />

<strong>to</strong> much of the city’s his<strong>to</strong>ry. The building was converted in<strong>to</strong> a local<br />

his<strong>to</strong>ry museum in 1940 <strong>and</strong> has two floors of exhibition space depicting<br />

aspects of <strong>Durban</strong>’s early his<strong>to</strong>ry, including a fine collection of period<br />

costumes, maps, documentation <strong>and</strong> pho<strong>to</strong>graphs. Research facilities<br />

are available for those seeking a more in-depth perspective.<br />

www.durban.gov.za/durban/discover/museums/local_his<strong>to</strong>ry/courthouse


The <strong>Durban</strong> System was the first<br />

incarnation of urban racial segregation.<br />

The purpose of the system was<br />

<strong>to</strong> control <strong>and</strong> moni<strong>to</strong>r the movements<br />

of the African migrant population.<br />

To finance the <strong>Durban</strong> System, the<br />

Native Beer Act was passed in 1908,<br />

giving municipalities in Natal the<br />

sole right <strong>to</strong> brew <strong>and</strong> sell beer within<br />

their boundaries. The <strong>Durban</strong><br />

Municipality began <strong>to</strong> brew <strong>its</strong> own<br />

beer, selling it through a network of<br />

beerhalls which it established. The<br />

first municipal beer-hall opened in<br />

1909 <strong>and</strong> soon the system was<br />

reaping huge prof<strong>its</strong>. Nothing was<br />

allowed <strong>to</strong> threaten this situation<br />

<strong>and</strong> every effort was made <strong>to</strong> stamp<br />

out the illegal brewing <strong>and</strong> sale of<br />

beer, including regular police raids.<br />

The <strong>Durban</strong> Natural Science Museum<br />

First Floor, City Hall, An<strong>to</strong>n Lembede Street<br />

+27 31 311 2256/2241<br />

The Old House Museum<br />

31 Diaconia Street<br />

City Centre<br />

+27 31 311 2261<br />

The Killie Campbell Africana Library<br />

220 Gladys Mazibuko Road<br />

+27 31 260 1720<br />

The Kwa Muhle Museum<br />

130 Bram Fischer Road<br />

City Centre<br />

+27 31 311 2237<br />

The Ca<strong>to</strong> Manor Heritage Centre<br />

Intuthuko Junction, 750 Rick Turner Road, Ca<strong>to</strong><br />

Manor<br />

+27 31 261 3216<br />

The Old Court House<br />

99 Samora Machel Street<br />

City Centre<br />

+27 31 311 2226/7<br />

The Phansi Museum<br />

500 Esther Roberts Road<br />

Glenwood<br />

+27 31 206 2889<br />

Bergtheil Museum<br />

16 Queens Avenue<br />

Westville<br />

+72 31 2037 107<br />

Pine<strong>to</strong>wn Museum<br />

Corner of Joosiah Gumede <strong>and</strong> Cromp<strong>to</strong>n<br />

Street, Pine<strong>to</strong>wn<br />

+27 31 311 6343<br />

J L Dube Interpretation Centre<br />

Ohlange Institute, In<strong>and</strong>a, M-25 (kwaMashu<br />

Highway)<br />

+27 72 503 3495<br />

Museums in <strong>Durban</strong><br />

<strong>Durban</strong> Holocaust Centre<br />

44 K.E. Masinga Road<br />

+27 31 368 6833<br />

Port Natal Maritime Museum<br />

Maritime Place, Small Craft Harbour<br />

City Centre<br />

+27 31 311 3216<br />

Ammazulu African Palace<br />

20 Windsor Road, Kloof<br />

+27 31 206 2889<br />

Geology Education Museum<br />

Science 1 Building, University Road,<br />

University of KZN <strong>Durban</strong>-Westville<br />

+27 31 260 2524<br />

In<strong>and</strong>a Seminary<br />

M-25 (KwaMashu Highway)<br />

Emachobeni, In<strong>and</strong>a Mission 4310<br />

+27 31 510 1011<br />

Warriors Gate Moth Shrine & Museum<br />

1 NMR Avenue, <strong>Durban</strong><br />

(opposite Sahara Kingsmead Cricket Stadium)<br />

+27 31 307 3337<br />

Natural Science Museum Research Centre<br />

151 KE Masinga Road<br />

City Centre<br />

+27 31 322 4210/2<br />

Local His<strong>to</strong>ry Museums Research <strong>and</strong><br />

Enquiries Service The Local His<strong>to</strong>ry Museums<br />

provide an enquiry service for researchers,<br />

students <strong>and</strong> members of the public at the<br />

Old Court House Museum. For those interested<br />

in finding out more about our his<strong>to</strong>ry, the<br />

enquiry section is open between 8.30am <strong>and</strong><br />

3.30pm weekdays. Staff members will make<br />

every effort <strong>to</strong> assist you with information <strong>and</strong><br />

items from the archives. Due <strong>to</strong> the archival<br />

nature of the collections, conditions associated<br />

with their use <strong>and</strong> reproduction are<br />

strictly controlled. Phone +27 31 311 2226/7.<br />

.<br />

87


DURBAN HAS A GENEROUS SELECTION OF PUBLIC<br />

parks <strong>and</strong> gardens as well as an array of nature reserves,<br />

many of them located a short distance from the city centre.<br />

With a sub-tropical climate, more than 300 days of sunshine<br />

a year <strong>and</strong> a generous annual rainfall, the city is lush with<br />

vegetation <strong>and</strong> remains mostly green in <strong>Durban</strong>’s mild<br />

winter. The beautifully maintained Botanic Gardens, Mitchell<br />

Park <strong>and</strong> Jameson Park showcase this verdant heritage<br />

<strong>and</strong> also provide important green open spaces. Burman<br />

Bush, Pigeon Valley <strong>and</strong> the Hawaan Forest are all well<br />

maintained natural areas in residential areas that are<br />

accessible <strong>to</strong> all, while Krantzkloof <strong>and</strong> Shongweni Nature<br />

Reserves provide a window in<strong>to</strong> the profound beauty of<br />

the natural African l<strong>and</strong>scape.<br />

As well as providing beautiful destinations for the many<br />

<strong>to</strong>urists that visit the region, these parks <strong>and</strong> gardens are<br />

integral <strong>to</strong> the quality of life of <strong>Durban</strong>’s residents. Aside<br />

from the broad ecological benef<strong>its</strong> of retaining, maintaining<br />

<strong>and</strong> developing green areas close <strong>to</strong> the city, they also<br />

provide important recreation spaces.<br />

88<br />

GETTING OUT<br />

SHONGWENI RESOURCES RESERVE offers an authentic African<br />

experience. This 1700 hectare reserve includes an incredible<br />

diversity of vegetation <strong>and</strong> bird life, with <strong>its</strong> l<strong>and</strong>scape<br />

encompassing cliffs, waterfalls, rivers, dams, open grassl<strong>and</strong> <strong>and</strong><br />

bushveld. Quality accommodation is available <strong>and</strong>, although only<br />

half an hour away from <strong>Durban</strong>, the reserve offers big game<br />

viewing as well as fishing, water spots <strong>and</strong> a variety of walks.<br />

Phone +27 31 760 1283<br />

PIGEON VALLEY is located near the city centre in the surburb<br />

of Bulwer <strong>and</strong> is readily accessible from Mazisi Kunene Road.<br />

This small park contains many large indigenous trees, including<br />

the Natal Elm, <strong>and</strong> preserves something of the original coastal<br />

forest environment. A good birding site for forest birds<br />

in particular, the park includes short trails on both<br />

sides of the valley, through which a small stream runs.<br />

Phone +27 31 201 1303


DURBAN’S BOTANIC GARDENS was established in 1849. The oldest<br />

such park in Africa, it includes a selection of well established trees<br />

<strong>and</strong> a small indigenous forest. The gardens are home <strong>to</strong> the rare<br />

cycad Encephalar<strong>to</strong>s woodii <strong>and</strong> includes a lovingly maintained orchid<br />

house, an informative visi<strong>to</strong>rs centre <strong>and</strong> a charming coffee shop.<br />

Located on <strong>Durban</strong>’s Berea, with a pond <strong>and</strong> beautifully l<strong>and</strong>scaped<br />

lawn at <strong>its</strong> centre, it’s the perfect place for a stress-free family outing.<br />

Phone +27 31 322 4000<br />

TREASURE BEACH offers a tiny, unspoilt slice of local<br />

paradise. Located on <strong>Durban</strong>’s bluff, <strong>its</strong> mix of beach<br />

<strong>and</strong> coastal dunel<strong>and</strong> is one of <strong>Durban</strong>’s best kept<br />

secrets. Marine life is plentiful in the lovely rock pools<br />

<strong>and</strong> <strong>its</strong> banks offer unparalleled views of the Indian<br />

Ocean. Group accommodation is available, as well as<br />

day <strong>and</strong> night walks along the rocky, wavecut shore.<br />

Phone +27 31 467 8507<br />

KRANTZKLOOF NATURE RESERVE offers breath-taking<br />

views of the spectacular gorge system created by the Molweni<br />

<strong>and</strong> Nqudu Rivers. There are a number of marked self-guided<br />

walks available through this amazing natural l<strong>and</strong>scape. The<br />

reserve includes many rare plants as well as frequent closeup<br />

sightings of eagles <strong>and</strong> falcons. Braai facilities are available,<br />

as well as guided walks <strong>and</strong> guided birding <strong>and</strong> game viewing.<br />

Phone +27 31 764 3515<br />

89


THE HAWAAN FOREST NATURE RESERVE is a 110 hectare stretch of<br />

forest in the middle of residential Umhlanga that has survived the<br />

process of urbanisation. The reserve is a beautiful example of coastal<br />

lowl<strong>and</strong> forest that includes many rare trees as well as a number of<br />

small indigenous animals such as bushbuck, bushpig, duiker, mongoose<br />

<strong>and</strong> guinea fowl. Facilities include a picnic area, guided walks,<br />

birding <strong>and</strong> game viewing. If you’d like a guide, you need <strong>to</strong> book ahead.<br />

Phone +27 31 201 3126/+27 (0) 31 572 6218<br />

90<br />

Green Space Many of <strong>Durban</strong>’s open spaces fall within the<br />

<strong>Durban</strong> Metropolitan Open Space System, which links 2100<br />

hectares of of open space, including nine parks, river valleys<br />

<strong>and</strong> coastal l<strong>and</strong>, <strong>and</strong> is administered by the Parks Department.<br />

PALMIET NATURE RESERVE has a diversity of birds <strong>and</strong><br />

plants living among <strong>its</strong> gentle waterways, grassl<strong>and</strong>s <strong>and</strong><br />

cliffs. With a small area of Saligna woodl<strong>and</strong>, the reserve<br />

is a lovely spot <strong>to</strong> while away an afternoon <strong>and</strong> learn<br />

more about local fauna at the Interpretive Centre. The<br />

reserve is also an his<strong>to</strong>ric site <strong>and</strong> includes part of the<br />

original wagon route from <strong>Durban</strong> <strong>to</strong> Pietermaritzburg.<br />

Phone +27 31 203 7065<br />

MITCHELL PARK & JAMESON PARK are located<br />

at the <strong>to</strong>p of Florida Road. With <strong>its</strong> majestic<br />

trees <strong>and</strong> beautifully manicured flower beds,<br />

Mitchell Park is a popular spot for family outings.<br />

Across the road is Jameson Park, which is home<br />

<strong>to</strong> a mass of beautifully maintained rose bushes<br />

<strong>and</strong> which provides a wonderful view of the city.<br />

Phone +27 31 303 2275


The Ethekwini Parks Department is<br />

responsible for the effective development<br />

<strong>and</strong> management of <strong>Durban</strong>’s<br />

parks, open spaces <strong>and</strong> natural areas in<br />

order <strong>to</strong> meet community needs. The<br />

core functions of the department are <strong>to</strong><br />

develop, maintain <strong>and</strong> control the city’s<br />

open spaces, <strong>its</strong> traffic isl<strong>and</strong>s <strong>and</strong> verges,<br />

suburban sports fields <strong>and</strong> surrounds,<br />

as well as growing <strong>and</strong> maintaining<br />

roadside trees. Other responsibilities<br />

include the development <strong>and</strong> upkeep of<br />

the city’s parks <strong>and</strong> gardens, <strong>its</strong> nurseries<br />

<strong>and</strong> plant production <strong>and</strong> the<br />

conservation of natural areas <strong>and</strong> nature<br />

reserves. The Department provides one<br />

of the most vital services provided by<br />

local councils. The development <strong>and</strong><br />

maintenance of a park <strong>and</strong> open space<br />

system is a key fac<strong>to</strong>r that contributes<br />

<strong>to</strong> quality of life in eThekwini. Scattered<br />

throughout the city are parks <strong>and</strong><br />

recreational open spaces covering over<br />

6 000 hectares. Unfortunately, not all<br />

the residents of the city have equal<br />

access <strong>to</strong> recreational open space <strong>and</strong><br />

<strong>to</strong> rectify this situation the Department<br />

is now also involved in the development<br />

of areas that previously fell outside<br />

the jurisdiction of the Municipality.<br />

<strong>Durban</strong> Botanic<br />

Gardens<br />

70 St Thomas Road<br />

Musgrave<br />

+27 31 322 4000<br />

Burman Bush Nature<br />

Reserve<br />

101 Burman Drive<br />

Morningside<br />

+27 31 312 4466<br />

Japanese Gardens<br />

Tinsley Road<br />

<strong>Durban</strong> North<br />

+27 31 563 1333<br />

Kenneth Stainbank<br />

Nature Reserve<br />

90 Coedmore Avenue<br />

Yellowwood Park<br />

+27 31 469 2807<br />

THE UMNGENI RIVER BIRD PARK is home <strong>to</strong> more than<br />

400 different species of bird. With a strong emphasis on<br />

conservation <strong>and</strong> education, the park features birds from<br />

North <strong>and</strong> South America, Africa, Indonesia <strong>and</strong> Australia<br />

while the Cocka<strong>to</strong>o Café, situated in the heart of the bird<br />

park, provides visi<strong>to</strong>rs with delicious breakfasts <strong>and</strong> light<br />

lunches. In 2009 the eThekwini Municipality agreed <strong>to</strong><br />

purchase the Umgeni River Bird Park from <strong>its</strong> previous owners<br />

Tsogo Sun Gaming, rather than allow it <strong>to</strong> close down.<br />

Phone +27 31 579 4600<br />

Krantzkloof Nature<br />

Reserve<br />

Kloof Falls Road<br />

Kloof<br />

+27 31 764 3515<br />

Mitchell Park<br />

Cnr Innes & Ferndale<br />

Roads<br />

Morningside<br />

+27 31 303 2275<br />

Pigeon Valley Park<br />

Princess Alice Avenue<br />

Bulwer<br />

+27 31 201 1303<br />

Robert Jameson<br />

Park<br />

350 Montpelier Road<br />

Morningside<br />

+27 31 312 2318<br />

Public Gardens<br />

Public Gardens <strong>and</strong> Reserves Outdoor Events<br />

Shongweni<br />

Resources Reserve<br />

Shongweni Dam,<br />

Shongweni<br />

+27 31 769 1283<br />

Umgeni River Bird<br />

Park<br />

Riverside Road<br />

Umgeni<br />

+27 31 579 4600<br />

Ampitheatre Gardens<br />

Snell Promenade<br />

<strong>Durban</strong> beach front<br />

+27 31 311 1111<br />

Silverglen Nature<br />

Reserve<br />

Lakeview Drive<br />

Chatsworth<br />

+27 31 404 5628<br />

Phezulu Safrai Park<br />

5 Old Main Road<br />

Bothas Hill<br />

+27 31 777 1000/ 1464<br />

Umgeni Steam<br />

Railway<br />

66 Old Main Road<br />

Kloof<br />

+27 31 303 3003<br />

Amblers Hiking Club<br />

1 Acacia Avenue<br />

Westville<br />

+27 31 266 8602<br />

Mountain<br />

Backpackers Club<br />

+27 72 226 2772<br />

Ramblers Hiking Club<br />

+27 31 765 5029<br />

91


AFTER THE SUCCESSFUL HOSTING OF<br />

several Fifa World Cup games, <strong>Durban</strong>’s reputation<br />

as a sporting city continues <strong>to</strong> grow, both in terms<br />

of the events hosted by the city <strong>and</strong> the wealth of<br />

sporting talent generated within eThekwini.<br />

This is no doubt related <strong>to</strong> <strong>Durban</strong>’s subtropical<br />

climate which allows avid sportsmen <strong>and</strong> women <strong>to</strong><br />

practise their sport all year round, <strong>and</strong> which<br />

encourages a general outdoor culture <strong>and</strong> physical<br />

exercise. The warm Indian Ocean is the ideal setting<br />

for <strong>Durban</strong>’s many water-sport enthusiasts <strong>and</strong><br />

<strong>Durban</strong>’s beaches are world-renowned for their waves.<br />

Major sporting events such as horse racing’s <strong>Durban</strong><br />

July <strong>and</strong> the Comrades Marathon continue <strong>to</strong> draw<br />

attention from all over the world. Soccer <strong>and</strong> rugby<br />

also play important roles in promoting the city, with<br />

local games attracting crowds of over 50 000 people.<br />

Meanwhile the sports fields <strong>and</strong> parks of <strong>Durban</strong><br />

are filled with friendly games, <strong>and</strong> groups meeting<br />

for a range of organised activities, from yoga<br />

<strong>to</strong> martial arts.<br />

92<br />

SPORT<br />

CLIVE BARKER ensured himself a place in the pantheon of<br />

South African football greats when, as manager, he led Bafana<br />

Bafana <strong>to</strong> the African Cup of Nations title in 1996. Barker is<br />

a born <strong>and</strong> bred <strong>Durban</strong>ite who, as well as his explo<strong>its</strong> on a<br />

national level, has managed a variety of <strong>Durban</strong> clubs. He led<br />

<strong>Durban</strong> City <strong>to</strong> two titles in the now defunct National<br />

Professional Soccer League <strong>and</strong> clinched the inaugural National<br />

Soccer League with <strong>Durban</strong> Bush Bucks. Barker<br />

is currently the head coach of the <strong>Durban</strong> side AmaZulu.<br />

THANDUYISE KHUBONI is a <strong>to</strong>ugh-tackling defensive midfielder who<br />

currently plies his trade for the <strong>Durban</strong>-based side Golden Arrows. He<br />

was included in the Bafana Bafana squad for the 2010 Fifa World Cup,<br />

helping his team <strong>to</strong> a 2-1 win over France. Khuboni made his debut for<br />

the Arrows in 2007 as a 20-year-old <strong>and</strong> has gone on <strong>to</strong> establish himself<br />

as a key member of the squad thanks <strong>to</strong> his superb ability <strong>to</strong> read the<br />

game. Many pund<strong>its</strong> believe he has only just begun <strong>to</strong> tap in<strong>to</strong> his vast<br />

potential <strong>and</strong> that the best is yet <strong>to</strong> come from this modest player.


HASHIM AMLA made cricketing his<strong>to</strong>ry when he became the first<br />

South African of Indian descent <strong>to</strong> be picked for the national cricket<br />

team, the Proteas. Born in 1983, the elegant <strong>and</strong> wristy right h<strong>and</strong><br />

batsman made his debut for KZN cricket team the Dolphins while only<br />

18 years old. His performances soon made him a favourite of the<br />

Kingsmead crowd <strong>and</strong> it was only a matter of time before he achieved<br />

higher honours. Amla, a devout Muslim, has also attracted praise for his<br />

request <strong>to</strong> have logos promoting alcohol removed from his playing gear.<br />

SEWSUNKER ‘PAPWA’ SEWGOLUM was the first person<br />

of colour <strong>to</strong> win a professional golf <strong>to</strong>urnament in South<br />

Africa. Apartheid prevented him from achieving his true<br />

place in golf ’s pantheon of greats, but he is nonetheless<br />

recognised as one of the greatest players of all time.<br />

Despite the challenges, Sewgolum still managed <strong>to</strong> win<br />

three Dutch Opens in the 1960s, as well as two Natal<br />

Opens. The second vic<strong>to</strong>ry resulted in an international<br />

outcry when Sewgolum was forced <strong>to</strong> accept his<br />

trophy outside in the rain, because the laws of the day<br />

prevented him from entering the club house. He died<br />

impoverished in 1978, of a heart attack, at the age of 48.<br />

SHAUN THOMSON was part of the Free Ride generation<br />

which changed the face of surfing. Riding the infamous waves<br />

along Oahu’s legendary North Shore with a style, aggression,<br />

<strong>and</strong> courage previously unseen, they were the first riders <strong>to</strong><br />

really apply themselves as professional surfers. With his looks,<br />

eloquence <strong>and</strong> athleticism, Thomson served as the face <strong>and</strong><br />

voice of this movement, <strong>and</strong> is still viewed as the archetypal<br />

pro surfer. He won the IPS World Championship in 1977.<br />

93


PENNY HEYNS is one of South Africa’s most successful swimming stars.<br />

She is the only woman in the his<strong>to</strong>ry of the Olympic Games <strong>to</strong> have won<br />

both the 100m <strong>and</strong> 200m breaststroke events – at the 1996 Atlanta Olympic<br />

Games – making her South Africa’s first post-apartheid Olympic gold medallist<br />

following the country’s re-admission <strong>to</strong> the Games in 1992. Heyns continued<br />

her swimming career <strong>and</strong> was asked <strong>to</strong> represent the USA in the Olympic<br />

games but chose not <strong>to</strong> let her fellow South Africans down. As a sign of her<br />

commitment, she sports a tat<strong>to</strong>o of the springbok on her shoulder.<br />

94<br />

SIYABONGA SANGWENI was part of the South<br />

African squad that competed in the 2010 Fifa World<br />

Cup, although the imposing defender failed <strong>to</strong> make<br />

an appearance in the <strong>to</strong>urnament. Sangweni is<br />

usually used in the centre of defence by his club<br />

Golden Arrows but is equally adept at playing at<br />

right back. A no-nonsense hard man, Sangweni<br />

made his debut for his country in 2007. As Bafana<br />

Bafana rebuilds after the Fifa World Cup, Sangweni<br />

should find himself playing a more pivotal role.<br />

WENDY KHUMALO is a young, talented rugby player who<br />

has made her mark at both provincial <strong>and</strong> international levels.<br />

Khumalo had her first trial for the KwaZulu-Natal women’s<br />

team while she was still at school. Although she was not picked<br />

initially, her tenacity shone through <strong>and</strong> it wasn’t long before<br />

she gained her provincial colours. The <strong>to</strong>ugh-as-teak flank<br />

forward has already represented her country at a Rugby World<br />

Cup. And despite a serious injury incurred at that competition,<br />

Khumalo shows no sign of slowing down anytime soon.


Moses Mabhida Stadium While this<br />

world-class stadium was specifically<br />

built for the month-long Fifa 2010<br />

World Cup, <strong>its</strong> impact on the city will<br />

be felt for decades <strong>to</strong> come. Not least<br />

of these, should it be successful, will<br />

be the city’s bid <strong>to</strong> host the Olympics<br />

in 2020. The stadium is a state-ofthe-art<br />

multifunctional arena located<br />

in the heart of the Kings Park Sporting<br />

Precinct. It seated 70 000 fans for the<br />

Fifa World Cup, with 54 000 of those<br />

seats permanent, <strong>and</strong> the potential <strong>to</strong><br />

exp<strong>and</strong> <strong>to</strong> 85 000 seats <strong>to</strong> meet the<br />

requirements of large-scale events<br />

such as the Olympics. The stadium<br />

will be the jewel in the crown of the<br />

Kings Park Sporting precinct, once<br />

plans for the precinct are complete.<br />

The precinct will feature additional<br />

sporting arenas <strong>and</strong> facilities, as well<br />

as entertainment facilities, while a<br />

walkway linking the stadium <strong>to</strong> the<br />

beach has already revitalised the area.<br />

Going For Gold <strong>Durban</strong>’s plans <strong>to</strong> bid<br />

<strong>to</strong> host the 2020 Olympics were given<br />

a substantial boost by the decision of<br />

the International Olympic Committee<br />

<strong>to</strong> use the city as the venue for the IOC<br />

General Assembly’s congress in 2011.<br />

JORDY SMITH has set the surfing world alight. The 23-year<br />

old <strong>Durban</strong> local has impressed experts with his fluid style<br />

<strong>and</strong> single-minded determination <strong>to</strong> reach the <strong>to</strong>p. So great<br />

is his potential that he has been likened <strong>to</strong> South Africa’s<br />

only previous world champion, Shaun Thomson. In 2006<br />

Smith showed what he was capable of, when he was crowned<br />

the ASP World Junior Champion. In 2010, he made good on<br />

that promise <strong>and</strong> claimed the ASP World Championship,<br />

as Thomson did more than three decades before him.<br />

95


WALKING AROUND THE CITY OF DURBAN YOU’LL<br />

see several strange <strong>and</strong> unfamiliar sites. What are those<br />

white s<strong>to</strong>ne circles that you see all around the city? What<br />

do the h<strong>and</strong> signals used by people at taxi s<strong>to</strong>ps mean?<br />

And what is that strange prehis<strong>to</strong>ric looking bird that makes<br />

a high, startled cry? Why do so many number plates feature<br />

the numbers 786 <strong>and</strong> why are some women’s faces painted<br />

white or red? Why is there a tree in the middle of that oddlooking<br />

building <strong>and</strong> why do some of the roads have two<br />

names? Read on for answers <strong>to</strong> these questions <strong>and</strong> more<br />

about the mysteries of <strong>Durban</strong>.<br />

96<br />

MYSTERIES<br />

Hidden City <strong>Durban</strong> is a beautiful city on the surface, but,<br />

more than most cities, much of <strong>its</strong> real beauty lies hidden<br />

beneath the <strong>to</strong>urist-friendly mainstream. If you explore the city<br />

on your own terms, you’ll come across unexpected treasure<br />

troves of experience <strong>and</strong> cultural delight. Follow the streets,<br />

talk <strong>to</strong> the locals <strong>and</strong> find out as much as you can about the<br />

rich <strong>and</strong> unusual texture of eThekwini. Doing so will greatly<br />

enhance your experience of this edgy African city. Local <strong>to</strong>ur<br />

opera<strong>to</strong>r ‘Street Scene’ offers alternative <strong>to</strong>urs of <strong>Durban</strong>.<br />

Contact +27 83 320 2765 or go <strong>to</strong> www.streetscene<strong>to</strong>urs.co.za.<br />

SHEMBE TEMPLES The white s<strong>to</strong>ne circles that are seen in<br />

many of <strong>Durban</strong>’s public spaces - <strong>and</strong> even on traffic isl<strong>and</strong>s -<br />

are Shembe Temples. The Shembe religion is an Africanised<br />

Christian theology founded by the prophet Isaiah Shembe at<br />

the end of the 19th century <strong>and</strong> is one of the largest religious<br />

groupings in South Africa. These s<strong>to</strong>ne temples have ‘doors’<br />

which are indicated by a gap in the s<strong>to</strong>nes <strong>and</strong> entering the<br />

temple without using the doors is considered sacrilegious.<br />

WHITE AND RED FACE PAINT The red <strong>and</strong> white face paint<br />

you see on the faces of women in <strong>Durban</strong> <strong>and</strong> KwaZulu-<br />

Natal is actually clay <strong>and</strong> chalk respectively, which women<br />

buy at local markets in round balls, <strong>and</strong> which are<br />

traditionally used for both beauty <strong>and</strong> ritual purposes. The<br />

red clay is used as a natural <strong>and</strong> organic alternative <strong>to</strong><br />

sunscreen while the white chalk indicates that a woman<br />

has entered her training as a sangoma (traditional healer).


TAXI SIGNALS If you see a stranger at the side of the road making<br />

unusual h<strong>and</strong> signals, they’re not being rude. In fact, they are calling<br />

a minibus taxi (one of the primary modes of transport for <strong>Durban</strong>ites)<br />

<strong>and</strong> telling the driver where it is that they want <strong>to</strong> go. If you know<br />

the sign language, it’s like carrying your own bus s<strong>to</strong>p around with<br />

you in the palm of your h<strong>and</strong>. For those <strong>to</strong>urists who favour minibuses<br />

over the more expensive taxis, ask a local about the various<br />

signals. H<strong>and</strong> signals vary from region <strong>to</strong> region in South Africa.<br />

ROAD NAMES You will notice that in some cases there<br />

are two different names for the same road. Many of the<br />

roads in the centre of the city have recently been renamed<br />

<strong>to</strong> honour the heroes of South Africa’s liberation struggle<br />

<strong>and</strong> their international comrades. To facilitate the transition<br />

as smoothly as possible, the old names will remain for a<br />

period of time with a red line drawn through them.<br />

HADEDAS Visi<strong>to</strong>rs <strong>to</strong> <strong>Durban</strong> are often taken aback by<br />

this strange looking bird with <strong>its</strong> curved beak <strong>and</strong> startled<br />

cry which is seen throughout the city. The hadeda (named<br />

for the peculiar sound it makes) is actually a species of<br />

ibis. It is found throughout the open grassl<strong>and</strong>s of central<br />

<strong>and</strong> Southern Africa, but is equally at home in parks <strong>and</strong><br />

gardens throughout urban <strong>Durban</strong>. The Zulu word for<br />

hadeda is iNkankane which is similarly onama<strong>to</strong>peic.<br />

97


786 Observant visi<strong>to</strong>rs <strong>to</strong> <strong>Durban</strong> will notice that among the<br />

proliferation of cus<strong>to</strong>mised number plates, as well as elsewhere in the<br />

city, the number 786 frequently appears. This is due <strong>to</strong> the fact that<br />

the number has great mystical or religious significance in Islam. Some<br />

believe that 786 is the number of days in which Allah created the<br />

world, while others think that it refers <strong>to</strong> the number of days it <strong>to</strong>ok<br />

Muhammad <strong>to</strong> conquer Mecca. Regardless of <strong>its</strong> origin, the number is<br />

displayed in personal <strong>and</strong> public spaces as an expression of faith.<br />

TEMPLES BEING BORN <strong>Durban</strong> has a large Hindu population<br />

<strong>and</strong> there are thus many Hindu Temples in <strong>and</strong> around the<br />

city. Some of these temples began their lives as sites where<br />

auspicious events have taken place. There are several such<br />

sites in central <strong>Durban</strong>. On a traffic isl<strong>and</strong> in Greyville you<br />

will see a structure built around a tree. This temple only<br />

came in<strong>to</strong> existence a few years ago when a snake was<br />

found living there by a priest, at which point it was marked<br />

as a holy site with the simple adornment of a sari <strong>and</strong><br />

coloured powder. On another main traffic route, in Springfield<br />

Park, you will see an anthill (where a snake also appeared),<br />

similarly wrapped in cloth <strong>and</strong> adorned with pink powder.<br />

98<br />

PRAYER FLAGS You might see small red triangular<br />

flags around <strong>Durban</strong> with an image of a<br />

monkey on them or what looks like a swastika.<br />

These flags are Hindu flags named dhvajas, the<br />

monkey is the Hindu deity Hanuman <strong>and</strong> the<br />

reversed swastika is an ancient Hindu symbol.<br />

Prayer flags are thought <strong>to</strong> impart a feeling of<br />

harmony <strong>and</strong> represent an ancient Eastern tradition.


100<br />

WHERE TO STAY<br />

DURBAN HAS A FULL SPREAD OF ACCOMMODATION<br />

options, from affordable backpacker lodges <strong>to</strong> a range<br />

of beautifully decorated boutique hotels, bed-<strong>and</strong>breakfast<br />

establishments <strong>and</strong> world-class high end<br />

hotels, all supported by friendly staff, <strong>and</strong> often<br />

featuring an intimacy that is rare in the world of<br />

travellers’ accomodation.<br />

Agape Backpackers<br />

60 Marine Drive, Bluff<br />

+27 31 466 3960<br />

Afrique Backpackers<br />

1 Princess Alice Avenue<br />

Glenwood<br />

+27 31 205 7072<br />

Angle Rock Backpackers<br />

5 Alcock Road, Warner Beach<br />

+27 31 916 7007<br />

Anstey’s Backpackers<br />

477 Marine Drive<br />

Brigh<strong>to</strong>n Beach<br />

+27 31 467 1192<br />

<strong>Durban</strong> Beach Backpackers<br />

19 An<strong>to</strong>n Lembede Street<br />

+27 31 332 4945<br />

Gibela Backpackers Lodge<br />

119 9th Avenue, Morningside<br />

+27 31 303 6292<br />

Hippo Hide Lodge<br />

2 Jesmond Road<br />

Berea<br />

+27 31 207 4366<br />

Backpackers<br />

Home Backpackers<br />

34 Alcock Crescent, Tollgate<br />

+27 31 208 9522<br />

Illovo Beach Resort<br />

17 Elizabeth Avenue<br />

Illovo Beach<br />

+27 31 916 3472<br />

Nomads Backpackers<br />

70 Stephen Dlamini Rd, Berea<br />

+27 31 202 9709<br />

Smith’s Cottagte<br />

5 Mount Argus Road<br />

Umgeni Heights<br />

+27 31 564 6313<br />

Tekweni Backpackers<br />

169 9th Avenue,<br />

Morningside<br />

+27 31 303 1433<br />

The Valley Trust<br />

Zulu Reserve Road, Botha’s Hill<br />

+27 31 777 1955<br />

Travellers International<br />

743 Currie Road<br />

Morningside


Fairways Golf Lodge *****<br />

Set in one of South Africa’s most pristine golf<br />

estates among the rolling hills of <strong>Durban</strong>’s<br />

coastline, the gracious Fairways Golf Lodge,<br />

offers every comfort <strong>and</strong> luxury one could<br />

desire.<br />

Mt Edgecombe Golf Estate, Course 2<br />

Phone +27 31 538 2900<br />

Riverside Hotel ****<br />

Situated above the Umgeni River, in <strong>Durban</strong>’s<br />

beautiful “green belt”, the Riverside boasts<br />

spectacular views, excellent service <strong>and</strong><br />

sound 4-star accommodation as well as close<br />

proximity <strong>to</strong> most of <strong>Durban</strong>’s great sights<br />

<strong>and</strong> sounds.<br />

10 Kenneth Kaunda Drive, <strong>Durban</strong> North<br />

Phone +27 31 563 0600<br />

Tropicana Hotel ***<br />

Located on the Golden Mile of <strong>Durban</strong>’s sunbaked<br />

beaches, the Tropicana Hotel offers<br />

both the intimacy of family living <strong>and</strong> the<br />

professionalism of conference <strong>and</strong> function<br />

rooms <strong>and</strong> banqueting staff.<br />

OR Tambo Parade, <strong>Durban</strong><br />

Phone +27 31 368 1511<br />

Quarters Hotel ****<br />

Four gracious Vic<strong>to</strong>rian homes have been<br />

wonderfully res<strong>to</strong>red <strong>to</strong> create this charming<br />

yet sophisticated hotel situated in one of<br />

<strong>Durban</strong>’s prime suburbs. Fine décor <strong>and</strong><br />

friendly staff combine <strong>to</strong> make this hotel one<br />

of the city’s best.<br />

101 Florida Road, Morningside, <strong>Durban</strong><br />

Phone +27 31 303 5246<br />

Hotel Izulu *****<br />

This exclusive 5-star property combines allsuite<br />

accommodation with a host of services<br />

<strong>to</strong> pamper <strong>and</strong> create an unashamed<br />

relaxation, making this one of the finest<br />

establishments on KZN’s beautiful North<br />

Coast.<br />

Rey’s Place, Balli<strong>to</strong><br />

Phone +27 32 946 3444<br />

Hotels/Game Lodges<br />

Amakhosi Lodge *****<br />

Amakhosi offers six magnificent 5-star lodges<br />

overlooking the Mkuze River, <strong>and</strong> a game<br />

reserve unrivalled for abundance <strong>and</strong> beauty.<br />

Amakhosi marries the wilderness of Africa<br />

with the majesty of 5-star accommodation.<br />

R69, Magudu<br />

+27 34 414 1157<br />

The Royal Hotel *****<br />

Set in the heart of cosmopolitan <strong>Durban</strong>, this<br />

5-star “haven of grace” is in close proximity<br />

<strong>to</strong> all amenities, <strong>and</strong> is founded on world<br />

class st<strong>and</strong>ards of hospitality <strong>and</strong> service.<br />

Elegance <strong>and</strong> luxury make The Royal a muststay<br />

in <strong>Durban</strong>. It is indeed aptly named.<br />

267 An<strong>to</strong>n Lembede Street, City Centre<br />

+27 31 333 6000<br />

Lyn<strong>to</strong>n Hall *****<br />

Set in a spectacular coastal forest near one of<br />

Africa’s most beautiful beaches, Lyn<strong>to</strong>n Hall is a<br />

gracious colonial property. Voted one of the ‘Top<br />

80 hotels in the world’ by Condé Nast, it ranks<br />

as one of the country’s most superb properties.<br />

Umdoni Village, Douglas Road, Scottburgh<br />

+27 39 975 3122<br />

Th<strong>and</strong>a Private Game Reserve *****<br />

Set in one of South Africa’s prime Big Five<br />

game reserves, Th<strong>and</strong>a is dedicated <strong>to</strong> the<br />

rehabilitation of KZN’s natural ecosystems<br />

<strong>and</strong> the celebration of Zulu culture. Nine<br />

luxury private villas set in the heart of pristine<br />

wilderness, make up this beautiful lodge.<br />

Hluhluwe<br />

Phone +27 11 469 5082<br />

Mkuze Falls Private Game Reserve *****<br />

This luxury game lodge overlooks the<br />

waterfalls of the Mkuze River. In the middle<br />

of a 10 000 hectare Big Five game reserve,<br />

this is one of the most exclusive <strong>and</strong> beautiful<br />

lodges in KwaZulu-Natal.<br />

R66, Magudu<br />

+27 34 414 1018<br />

101


102<br />

GOVERNANCE<br />

AS WITH ALL CITIES AND INSTITUTIONS IN SOUTH<br />

Africa, <strong>Durban</strong> has had <strong>to</strong> change fundamentally in order<br />

<strong>to</strong> accommodate <strong>and</strong> assimilate <strong>its</strong>elf within the context of<br />

the new South Africa, <strong>and</strong> provide services <strong>to</strong> all of the<br />

city’s residents.<br />

The organisational transformation agenda of the City<br />

has been driven by an analysis of both what will be delivered<br />

<strong>and</strong> how it will be delivered. In this new model, the City<br />

Manager heads the city management structure, assisted<br />

by six Deputy City Managers. These deputies each lead<br />

one of six clusters supported by technical <strong>and</strong> professional<br />

staff. These clusters are: Sustainable Development <strong>and</strong><br />

City Enterprises; Procurement <strong>and</strong> Infrastructure; Health,<br />

Safety <strong>and</strong> Social Services; Governance; Corporate <strong>and</strong><br />

Human Resources; <strong>and</strong> finally the Treasury.<br />

Political Structure The Municipality has 200 Councillors. 100<br />

are directly elected ward Councillors, <strong>and</strong> 100 are selected<br />

through proportional representation. The Municipality consists<br />

of the Executive Committee that reports <strong>to</strong> the full Council.<br />

Traditional Leadership In the eThekwini Municipality there are 17<br />

Amakhosi (traditional leaders) within the municipal area of<br />

jurisdiction. The Municipality works closely with traditional leadership<br />

<strong>and</strong> has structural communication channels in place <strong>to</strong> ensure<br />

continuous interaction. The Amakhosi meet on a monthly basis in<br />

their chamber in Pine<strong>to</strong>wn. The Council has seconded staff from<br />

the Municipality <strong>to</strong> assist the Amakhosi Chamber with administrative<br />

issues <strong>and</strong> secretariat activities. Given the commitment <strong>to</strong><br />

strengthening the partnership with the Amakhosi, the Municipality<br />

is currently exploring other mechanisms <strong>to</strong> further engage traditional<br />

leadership as the City’s Integrated Development Plan goes forward.<br />

THE SIX CLUSTERS OF CITY GOVERNMENT<br />

The organisational structure of <strong>Durban</strong>’s city government<br />

has been designed so that the the buck s<strong>to</strong>ps at exactly the<br />

right places.<br />

1. Sustainable Development <strong>and</strong> City Enterprises bears<br />

responsibility for development planning <strong>and</strong> management,<br />

economic development, city enterprises, business support,<br />

<strong>and</strong> the development <strong>and</strong> maintenance of markets around<br />

the city.<br />

2. Procurement <strong>and</strong> Infrastructure This cluster is concerned<br />

with procurement as well as housing, electricity, water <strong>and</strong><br />

sanitation, engineering, transport <strong>and</strong> ensuring a clean city.<br />

3. Health, Safety <strong>and</strong> Social Services This cluster looks after<br />

health issues in the city as well as the Metro police, emergency<br />

services, parks, recreation, cemeteries <strong>and</strong> culture.<br />

4. Governance is responsible for City Hall’s administration<br />

<strong>and</strong> secretariat, communications, regional centres, <strong>and</strong><br />

community participation <strong>and</strong> action support.<br />

5. Corporate <strong>and</strong> Human Resources are responsible for HR,<br />

skills development, management services, organisational<br />

development, legal services <strong>and</strong> occupational health <strong>and</strong><br />

safety.<br />

6. The Treasury looks after the city’s finances, <strong>its</strong> real estate<br />

<strong>and</strong> <strong>its</strong> au<strong>to</strong>mobile fleet.


OFFICE OF THE CITY MANAGER<br />

The office of the City Manager is fully staffed with a<br />

Geographic Information <strong>and</strong> Policy Office, an independent<br />

Ombudsperson Office, International <strong>and</strong> Governance<br />

Relations, <strong>and</strong> Audit offices.<br />

Geographic Information <strong>and</strong> Policy Office The Geographic<br />

Information <strong>and</strong> Policy Office (GIPO) was set up <strong>to</strong> spark<br />

a new creative spirit of bold <strong>and</strong> innovative thinking<br />

around corporate policies. It produces research on our<br />

citizens’ quality of life, coordinates local government’s<br />

input in<strong>to</strong> the census, <strong>and</strong> manages the Corporate<br />

Geographic Information Systems <strong>and</strong> Information<br />

Technology outputs <strong>and</strong> operations.<br />

Office of the Ombudsperson The functions of this office,<br />

which was established in December 2002, include defending<br />

citizens’ rights, investigating all complaints, ensuring that<br />

the principles of fairness <strong>and</strong> equity prevail in decisionmaking,<br />

ensuring compliance with transformation legislation,<br />

preparing <strong>and</strong> implementing the “clean administration”<br />

programme, <strong>and</strong> ensuring the develop-ment of programmes<br />

within various un<strong>its</strong> that appropriately deal with racism,<br />

sexism, xenophobia <strong>and</strong> related in<strong>to</strong>lerances.<br />

COUNCIL AND ITS COMMITTEES Council<br />

Committees are made up of elected politicians. It is<br />

through the committee structures that elected<br />

representatives set policies <strong>and</strong> guide implementation<br />

of all aspects of Council delivery. The nature, type<br />

<strong>and</strong> procedures of these committees are governed by<br />

national legislation.<br />

A full meeting of all councillors is held monthly, covering<br />

all committee <strong>and</strong> subcommittee decisions including those<br />

of the Executive Committee. Membership of the ninemember<br />

Executive Committee is based on the number of<br />

votes achieved by parties in local government elections.<br />

Informing <strong>and</strong> advising the Executive Committee is a<br />

International <strong>and</strong> Governance Relations Office As a<br />

result of the establishment of a full-time staffed Office on<br />

International <strong>and</strong> Governance Relations, our Municipality<br />

has been able <strong>to</strong> coordinate <strong>its</strong> efforts relating <strong>to</strong><br />

international liaison. In particular, during the current term<br />

of office numerous partnerships have been entered in<strong>to</strong><br />

with key international agencies <strong>and</strong> sister cities. In addition<br />

<strong>to</strong> international liaison coordination, the newly established<br />

Office has played an important role in ensuring that the<br />

spheres of government align their programmes<br />

<strong>to</strong>wards promoting more holistic development.<br />

Internal Audit <strong>and</strong> Performance Management Office<br />

Over the past few years, this office has been involved<br />

in ensuring that there is a rigorous system of internal<br />

control in the city. This has had a positive effect on the<br />

credit rating status of eThekwini <strong>and</strong> good corporate<br />

governance. Perhaps the most significant achievement<br />

in strategic terms has been the in-house development<br />

of a Performance Management System. The task of<br />

implementing a PMS in a large Municipality without<br />

external assistance <strong>and</strong> expertise is daunting, but<br />

eThekwini Municipality has deliberately chosen <strong>to</strong><br />

develop the system internally.<br />

number of support committees which focus on particular<br />

areas of the Council’s work, for example: Town Planning,<br />

Health <strong>and</strong> Safety, Economic Development <strong>and</strong> Planning,<br />

Infrastructure, Transport, Culture <strong>and</strong> Recreation, Housing,<br />

L<strong>and</strong> <strong>and</strong> Human Resources.<br />

The support committees are themselves further divided<br />

in<strong>to</strong> a number of st<strong>and</strong>ing subcommittees which deal with<br />

specific issues. These committees <strong>and</strong> their subcommittees<br />

meet regularly <strong>to</strong> review issues <strong>and</strong> prepare recommendations<br />

for the Executive Committee <strong>and</strong> full Council.<br />

Public attendance at Council meetings is encouraged<br />

<strong>to</strong> enable citizens <strong>to</strong> observe <strong>and</strong> underst<strong>and</strong> the most<br />

senior decision-making body in the Municipality.<br />

103


TRANSPORTATION<br />

THE KING SHAKA INTERNATIONAL AIRPORT RECEIVES<br />

direct flights from various international destinations. Check<br />

their website for arrivals <strong>and</strong> departures. Various domestic<br />

services also fly frequently from the airport. These include<br />

Kulula, OneTime, SA Express <strong>and</strong> SAA. Inter-city coaches <strong>and</strong><br />

trains are reasonably priced <strong>and</strong> depart daily for various<br />

destinations. Check out the Greyhound, Baz Bus <strong>and</strong> Magic<br />

Bus websites.<br />

Within <strong>Durban</strong> the Mynah Bus <strong>and</strong> the <strong>People</strong> Mover buses<br />

offer a frequent <strong>and</strong> reliable local bus service that ferries<br />

passengers between the north <strong>and</strong> south beaches, the CBD<br />

<strong>and</strong> surrounding suburbs. Visi<strong>to</strong>rs <strong>to</strong> the city are advised <strong>to</strong><br />

use conventional taxi cabs if they are going <strong>to</strong> be traveling<br />

within the city <strong>and</strong> <strong>its</strong> immediate suburbs. For more extensive<br />

driving, a hire-car is the most sensible option.<br />

104<br />

ETCETERA<br />

Your Safety In Our City <strong>Durban</strong>’s CBD in partnership with the Metro<br />

Police, the South African Police (SAP) <strong>and</strong> Tourist Protection Unit,<br />

has gone <strong>to</strong> considerable efforts <strong>to</strong> safeguard <strong>to</strong>urists against crime.<br />

Surveillance cameras <strong>and</strong> improved lighting have been installed on<br />

the beachfront, <strong>and</strong> security guards watch over most shopping<br />

centres <strong>and</strong> large businesses. Nonetheless, visi<strong>to</strong>rs <strong>to</strong> our city should<br />

take the sensible precautions they would in any major city. Avoid<br />

carrying large sums of money, loose cameras or video cameras,<br />

<strong>and</strong> leaving belongings unattended. As in most big cities, it is<br />

sensible <strong>to</strong> take advice from locals about where <strong>to</strong> go after dark.<br />

MONEY MATTERS<br />

Currency The local currency is the South African R<strong>and</strong>.<br />

Au<strong>to</strong>matic Teller Machines (ATMs) will accept most<br />

international bank/credit cards including Visa, Cirrus <strong>and</strong><br />

Maestro.<br />

Credit Cards South Africa has one of the world’s most<br />

sophisticated banking systems, <strong>and</strong> most shops, hotels <strong>and</strong><br />

restaurants will accept credit cards.<br />

VAT South Africa has adopted a Value Added Tax system of<br />

14% on purchases <strong>and</strong> services. If you are a foreign visi<strong>to</strong>r<br />

<strong>to</strong> South Africa, you can reclaim VAT on your purchases,<br />

provided the <strong>to</strong>tal claim exceeds R250. VAT is refunded at<br />

the VAT Refund Office (see below) at King Shaka International<br />

Airport. Ensure that you receive a tax invoice from the s<strong>to</strong>re<br />

where you make your purchase, <strong>and</strong> on departure from South<br />

Africa present your goods <strong>and</strong> tax invoice for inspection at<br />

the VAT refund desk. Then collect your VAT refund cheque.<br />

Be sure <strong>to</strong> have your purchases readily available for inspection<br />

on departure from South Africa.<br />

VAT Refund Office<br />

King Shaka International Airport<br />

+27 32 436 9050<br />

VAT Refund Administra<strong>to</strong>r<br />

+27 11 394 1117 (Johannesburg)


Consulates<br />

Australia Tel: +27 31 209 7351 Fax: +27 31 209 4081<br />

Belguim Tel: +27 31 303 2840 Fax: +27 31 312 0434<br />

Canada Tel: +27 31 303 9695 Fax: +27 31 303 9694<br />

Chile Tel: +27 31 312 8608 Fax: +27 31 312 8608<br />

Denmark Tel: +27 31 202 9396 Fax: +27 31 202 9399<br />

Germany Tel: +27 31 305 5677 Fax: +27 31 305 5679<br />

Greece Tel: +27 31 301 4880 Fax: +27 31 301 4663<br />

India Tel: +27 31 304 7020 Fax: +27 31 301 4663<br />

Italy Tel: +27 31 368 4388 Fax: +27 31 368 4504<br />

Netherl<strong>and</strong>s Tel: +27 31 202 0461 Fax: +27 31 201 5043<br />

Norway/Sweden Tel: +27 31 207 6900 Fax: +27 31 207 5909<br />

Portugal Tel: +27 31 305 7511 Fax: +27 31 304 6036<br />

Rep. Madagascar Tel: +27 31 312 9704 Fax: +27 31 312 9704<br />

Rep. Mozambique Tel: +27 31 304 0200 Fax: +27 31 304 0774<br />

Spain Tel: +27 31 764 2574 Fax: +27 31 764 2550<br />

United Kingdom Tel: +27 31 305 3041 Fax: +27 31 307 4661<br />

USA Tel: +27 31 305 7600 Fax: +27 31 305 7650<br />

Uruguay Tel: +27 31 362 7331 Fax: +27 31 362 7331<br />

Forex<br />

Rennies +27 31 305 5722<br />

An<strong>to</strong>n Lembede Street, <strong>Durban</strong> Bay House<br />

First National Bank<br />

Main Branch<br />

Corner of An<strong>to</strong>n Lembede <strong>and</strong> Joe Slovo Street +27 31 369 5411<br />

Beach Branch +27 31 337 9464<br />

End of West Street<br />

St<strong>and</strong>ard Bank<br />

Main Branch +27 31 366 3811<br />

St<strong>and</strong>ard House, Dr Pixley KaSeme Street<br />

American Express<br />

Main Branch +27 31 301 5541<br />

No.1 <strong>Durban</strong> Club Place<br />

Musgrave +27 31 202 8733<br />

213 Musgrave Road, Berea<br />

Umhlanga +27 31 566 2620<br />

Shop 3D, 314 Umhlanga Rocks Drive<br />

The Pavilion +27 31 265 1455<br />

Shop 248C, The Pavilion, Spine Road<br />

105


106<br />

TOURIST SERVICES<br />

Tourist Junction +27 31 304 4934<br />

Visi<strong>to</strong>r Information Bureau<br />

Old Station Building, 1st Floor,<br />

160 Monty Naicker Road<br />

Mon-Fri: 08:00-16:30<br />

Sat: 09:00-14:00<br />

Beach Office +27 31 332 2595<br />

Joe Kool’s Complex,<br />

Mon-Fri: 08:00-17:00<br />

Sat: 08:30-16:30<br />

Sun & Pub. Hols: 09:00-16:00<br />

Airport Tourist Info Office +27 32 436 0035<br />

+27 31 451 6950<br />

uShaka Marine World +27 32 436 0013<br />

Metro Info Centre 0800 331 011<br />

City Communications Unit +27 31 311 4827<br />

King Shaka International Airport +27 32 436 6758<br />

KZN Tourism Authority +27 31 366 7500<br />

Thous<strong>and</strong> Hills Tourism +27 31 777 1874<br />

Amanzim<strong>to</strong>ti Tourism +27 31 903 7498<br />

Sugar Coast Tourism +27 31 561 4257<br />

Dolphin Coast Tourism +27 32 946 1997<br />

Parks Board Reservations<br />

South African National Parks +27 31 304 4934<br />

KZN Wildlife +27 31 304 4934<br />

City Walking Tours +27 31 304 4934<br />

Oriental, His<strong>to</strong>rical <strong>and</strong> <strong>Durban</strong> +27 31 332 2595<br />

Experience <strong>to</strong>urs depart from<br />

Tourist Junction daily. Booking<br />

essential. Weather permitting.<br />

Weather Information<br />

General +27 82 162<br />

Maritime +27 31 307 4135<br />

Useful Phone Numbers<br />

GENERAL SERVICES<br />

Computicket +27 83 915 8000<br />

Playhouse Company +27 31 369 9555<br />

City Hall +27 31 111 1111<br />

ICC +27 31 360 1000<br />

Metro Rail +27 31 361 7609<br />

Main Line Enquiries +27 31 361 3388<br />

Main Line Reservations +27 31 361 7464<br />

Au<strong>to</strong>mobile Association (AA)<br />

Shop 317, Musgrave Centre, +27 31 201 5244<br />

Musgrave Road<br />

Shop 255, Pavilion, +27 31 265 0437<br />

Spine Road<br />

The Post Office +27 31 336 3333<br />

Corner Dr Pixley KaSeme &<br />

Dorothy Nyembe Street<br />

Mon-Fri (excl Wed): 08:00-16:30<br />

Wed: 08:30-16:30<br />

Sat: 08:00-12:00<br />

<strong>Durban</strong> Library +27 31 311 2213<br />

Mon-Fri: 09:00-16:30<br />

Sat: 08:30-14:30<br />

Visas +27 31 304 1419<br />

The Visa Shop, 78 Joe Slovo Street<br />

AIDS Counselling +27 31 765 5886<br />

Recommended Taxi Services:<br />

Mozzie cabs +27 31 303 5787<br />

Bunny cabs, +27 31 332 2914<br />

Eagle Taxis +27 31 337 8333<br />

Ucabs +27 31 461 1846


Emergency Numbers<br />

Emergency Services +27 31 361 0000<br />

(Cellphone users: Dial 112.<br />

Opera<strong>to</strong>r will redirect call)<br />

Police Flying Squad 10111<br />

Ambulance Services<br />

Ambulance 10177<br />

City Med +27 31 309 1404/1178<br />

SA Red Cross +27 31 337 6522<br />

St John +27 31 305 6588<br />

Netcare +27 82 911<br />

0800 333 444<br />

Public Hospitals<br />

Adding<strong>to</strong>n +27 31 327 2000<br />

King Edward VIII +27 31 360 3111<br />

Cromp<strong>to</strong>n - Pine<strong>to</strong>wn +27 31 702 0777<br />

Chief Albert Luthuli +27 31 240 1000<br />

Private Hospitals<br />

Entabeni +27 31 204 1300<br />

St Augustine’s +27 31 268 5000<br />

Westville Hospital +27 31 265 0911<br />

Umhlanga Hospital +27 31 560 5500<br />

Kingsway Hospital +27 31 904 3600<br />

107


108<br />

Pho<strong>to</strong> Cred<strong>its</strong><br />

Welcome <strong>to</strong> <strong>Durban</strong><br />

Pages 1-8<br />

All images Peter Machen.<br />

His<strong>to</strong>ry<br />

Pages 10-15<br />

All images courtesy of Allan Jackson, except<br />

Page 14 Statue of John Ross by Peter Machen<br />

Page 14 G<strong>and</strong>hi image from wikicommons.org.<br />

City Plans<br />

Pages 16-25<br />

All images Peter Machen, except<br />

Page 16 ICC courtesy of the ICC<br />

Page 17 N<strong>and</strong>i Drive courtesy of Morel<strong>and</strong><br />

Page 19 Courtesy of ACSA <strong>and</strong> Dube Trade Port<br />

Page 20 Galleria, courtesy of Galleria, Hammarsdale<br />

supplied by eThekwini.<br />

Page 22 Bridge City courtesy of Bridge City; au<strong>to</strong>motive<br />

cluster: Courtesy of eThekwini Municipality<br />

Page 23 The Value of <strong>Durban</strong>’s Open Spaces by Peter<br />

Bendheim<br />

Page 21 King’s Park Sports District supplied by eThekwini.<br />

Faith<br />

Pages 26-29<br />

All images Peter Machen, except<br />

Page 26 Hare Krishna by Val Adamson<br />

Page 27 Judaism by Lizette Gluch.<br />

Commerce<br />

Pages 30-35<br />

All images Peter Machen, except<br />

Page 31 Conferencing courtesy of the ICC<br />

Page 33 Gateway, Connectivity <strong>and</strong> Umhlanga Ridge by<br />

Peter Bendheim.<br />

Eating<br />

Pages 36-41<br />

All images Peter Machen, except<br />

Page 40 Roma Revolving Restaurant courtesy of Roma.<br />

Page 37 Head Markets <strong>and</strong> Mealies on the Street by Val<br />

Adamson.<br />

Building<br />

Pages 40-45<br />

All images Peter Machen, except<br />

Page 45 Moses Mabhida Stadium<br />

Page 45 Design Workshop : SA<br />

Page 46 King Shaka International airport<br />

Page 46 Rodney Choromanski Architects<br />

Page 47 Rodney Harber & Associates<br />

all supplied by the architects.<br />

Design<br />

Pages 48-53<br />

All images Peter Machen, except<br />

Page 49 Christian Mugnai<br />

Page 50 Mr Walker<br />

Page 51 Egg design<br />

Page 52 Disturbance <strong>and</strong> N<strong>and</strong>a Sooben<br />

all supplied by the designers.<br />

Writing<br />

Pages 54-57<br />

All images courtesy of the writers <strong>and</strong> their publishers.<br />

Art<br />

Pages 58-63<br />

All images courtesy of the artists, except<br />

Page 62 Picture of Michael McGarry by Suzy Bernstein<br />

Page 63 Art in Public Buildings by Peter Machen.


Music<br />

Pages 64-71<br />

All images Peter Machen, except<br />

Page 64 Busi Mhlongo by Rafs Mayet, courtesy of Neil<br />

Comfort<br />

Page 65 The South Jersey Pom-Poms courtesy of the<br />

b<strong>and</strong><br />

Page 65 Joseph Shabalala courtesy of Gallo Music<br />

Page 65 Richard Haslop by Harry Locke<br />

Page 66 The Arrows courtesy of the Arrows<br />

Page 67 Guy Buttery courtesy of the Famous Ideas<br />

Company, pic by Suzy Bernstein<br />

Page 67 Phuzekhemisi courtesy of Sony Records<br />

Page 68 Dominion courtesy of the b<strong>and</strong><br />

Page 68 Black Coffee courtesy of the b<strong>and</strong><br />

Page 68 Big Nuz courtesy of the b<strong>and</strong><br />

Page 69 DJ Tira courtesy of the b<strong>and</strong><br />

Page 69 Neli Shabalala courtesy of Gallo Records<br />

Page 69 Martin McHale courtesy of Martin McHale<br />

Page 70 Fruit&Veg by Justin McGee<br />

Page 70 The Fataars courtesy of the The Fataars<br />

Page 70 Nibs van der Spuy courtesy of Nibs van der Spuy<br />

Page 71 Phuzekhemisi courtesy of Sony Records.<br />

Dance<br />

Pages 72-75<br />

All images courtesy of Val Adamson, except<br />

Page 72 Siwela Sonke courtesy of Jay Pather<br />

Page 73 Jomba courtesy of the Centre for Creative Arts<br />

Page 74 Desire Davids courtesy of Desire Davids<br />

Page 74 Mlu Zondi courtesy of Famous Ideas Company,<br />

pic by Suzy Bernstein.<br />

Theatre<br />

Pages 76-79<br />

All images courtesy of the ac<strong>to</strong>rs.<br />

Film<br />

Pages 80-83<br />

All images courtesy of the filmmakers.<br />

Museums<br />

Pages 84-87<br />

All pho<strong>to</strong>s by Peter Machen, except<br />

Page 86 Phansi museum supplied by Phansi.<br />

Getting Out<br />

Pages 88-91<br />

All images supplied by Ethekwini.<br />

Sport<br />

Pages 92-95<br />

All images supplied by the sports people, except<br />

Page 92 courtesy of Independent Newspapers<br />

Page 83 Papwa Sewgolum from wikicommons.org<br />

Page 84 Penny Heyns courtesy of Omni Share Holdings<br />

Page 85 Jordy Smith courtesy of Luellen Smith, pic by<br />

Jeff Ayliffe<br />

Page 85 Moses Mabhida Stadium, supplied by eThekwini.<br />

Mysteries<br />

Pages 96-99<br />

All images Peter Machen, except<br />

Page 97 Hadeda – Wikipedia commons.<br />

Accomodation<br />

Pages 100-101<br />

All images Peter Machen.<br />

Governance<br />

Pages 102-103<br />

All images Peter Machen.<br />

Etcetera<br />

Pages 104-107<br />

All images Peter Machen.<br />

109

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