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A TUNE-UP FOR THE DUAL TURNTABLE - ThaiHDbox

A TUNE-UP FOR THE DUAL TURNTABLE - ThaiHDbox

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PHOTO 8: Board with new capacitors.<br />

in doing this job, showing two exploded<br />

parts views, with a photo of the bottom<br />

mechanism and callouts for each point<br />

of lubrication indicating the type of lubricant<br />

to use (Photo 9).<br />

The service manual called for three<br />

brands of lubricants that are no longer<br />

generally available: a high-performance<br />

oil, a silicon lubricant, and a high-performance<br />

lithium-based grease. I had on<br />

hand modern replacements for all three.<br />

For the oil I used Mobil 1, for the silicon<br />

lubricant I used CRC heavy-duty silicone,<br />

and for the grease I used Panef white lithium<br />

grease. I am sure there are many other<br />

modern lubricants that will work as well.<br />

Before beginning the disassembly of<br />

the turntable, I manually ran it through<br />

its cycles while watching the action of the<br />

components. I had to release the tonearm<br />

to do this. All of the mechanism is<br />

driven through a large plastic cam wheel<br />

connected to a gear at the bottom of the<br />

PHOTO 10: Cam wheel rest position.<br />

motor assembly (Photo 10). At rest, the<br />

cam wheel sits with an open space in the<br />

teeth opposite the motor gear.<br />

To begin operation while the motor<br />

is running, a pivoted arm on the cam<br />

wheel moves against the motor gear<br />

which rotates the cam wheel to a point<br />

where its teeth engage the motor gear.<br />

It will continue to rotate until it again<br />

reaches the rest position where there are<br />

no teeth. During that rotation, depending<br />

on the function selected, levers move<br />

through various slots in the cam wheel.<br />

I will not try to describe all the movements<br />

for the different conditions because<br />

you can see them in action better<br />

than I can describe them.<br />

When I was familiar with the operation<br />

of the various parts, I removed the cam<br />

wheel to access the parts that lie beneath.<br />

The wheel is held in place on its shaft by<br />

a “C” clip as shown in Photo 11. After removing<br />

the wheel, I cleaned the old grease<br />

12 audioXpress 12/10 www.audioXpress.com<br />

PHOTO 9: Lubrication points.<br />

PHOTO 11: “C” clip retainer.<br />

from the wheel and applied a new lubricant.<br />

The bottom of that wheel showing<br />

the actuating levers is shown in Photo 12.<br />

Next, I cleaned and lubricated the<br />

assembly that controls the levers on the<br />

bottom of the cam wheel as shown in<br />

Photo 13. Note that one of the levers is<br />

connected to the tonearm and trips the<br />

cycle at the end of record play. That level<br />

must move very freely or there will be<br />

drag on the tonearm. It originally was<br />

“dry”—that is, it had no lubrication. I<br />

did not apply any lubricant to that lever<br />

to eliminate the possibility of drag that<br />

could result from its use.<br />

The assembly shown in Photo 14 is<br />

central to the operation of the arm in<br />

automatic mode and proved to be the<br />

solution to my arm movement problem.<br />

The photo shows a central horizontally<br />

pivoting plate to which are attached two<br />

vertically pivoting arms. The arm on the<br />

left is actuated by the cam wheel and

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