No.1612 BIOMORPHIC MIRROR - Baker

THE TONY DUQUETTE COLLECTION
No.1612
THE TONY DUQUETTE COLLECTION
BIOMORPHIC MIRROR
The Biomorphic Mirror was designed to complement the Biomorphic Console, and once resided in the Charles and Palmer Ducommun estate. The mirror is a
faithful recreation of the original and features a resin frame that draws its inspiration from the console's undulating, organic form. Finished in Silver Gilt or Gold
Leaf, the rectangular frame surrounds a crystal clear mirror. Circa 1965.
W 45" D 6" H 59"
W 114.3cm D 15.24cm H 149.86cm

THE TONY DUQUETTE COLLECTION
No.1616
THE TONY DUQUETTE COLLECTION
MACAO GARDEN SEAT
Cast from resin, the Macao Garden Seat was used extensively in Duquette's interior and outdoor installations. Duquette loved the versatility of the design, which
easily adapted from seating to a table wherever needed. He painted them in brilliant coral or stark white for just a pop of color. The drum-shaped form has a solid
top above a scalloped apron supported by four vertical members that carry to the lower base. A scrolled latticework design decorates the open sides. The stool is raised
on small bun feet. Keeping true to the original, Baker chose Coral or Pearl Lacquer to complete the piece. Circa 1960.
H 20" DIA 19 1/2"
H 50.8cm DIA 49.53cm

THE TONY DUQUETTE COLLECTION
No.1619
THE TONY DUQUETTE COLLECTION
MARSAN CHAIR
The original Marsan Chair was first unveiled as part of Duquette's unprecedented one-man exhibition at the Pavilion de Marsan in the Louvre, Paris. The
designer later selected the chair for some of his interiors. Inspired by 18th century French design, the chair sits low to the floor, giving it a sculptural quality. The
generously sized back and seat add to its commanding silhouette. The front and back are tightly upholstered and surrounded by a wood frame trimmed in nail
head. A slightly crested seat cushion is similarly detailed in nail head trim and rests on an exposed wood base that terminates to cabriole legs. The chair is offered in
Pearl and Coral Lacquer with pink glaze or Silver Gilt. Circa 1951.
W 26" D 24" H 28 1/2"
W 66.04cm D 60.96cm H 72.39cm

THE TONY DUQUETTE COLLECTION
No.1648
THE TONY DUQUETTE COLLECTION
ORGANIC BAROQUE CHAIR
Tony Duquette first conceived the Organic Baroque Chair while serving in the Army during World War II. Duquette finally realized the design in the 1960s,
creating the entire piece from wrought iron. Baker recreates the steel frame by first heating the steel strands and forming it into its sensuous, organic form. The
chair's frame opens up with back and arms curved out, randomly joined by connecting steel members. The seat is constructed in a sunburst pattern - forming a
natural seat - and is supported by curved legs joined by steel cross members before terminating into a straight steel feet. The chair is appointed with a single seat
cushion and is offered in Verdigris Paint or Pearl Paint. Circa 1965.
W 36" D 24" H 40"
W 91.44cm D 60.96cm H 101.6cm

THE TONY DUQUETTE COLLECTION
No.1649
THE TONY DUQUETTE COLLECTION
PALMER CHAIR
Originally designed for the Charles and Palmer Ducommun Bel Air residence, the Palmer Chair has been expertly reproduced by Baker. It has generous back and
seat cushions, both detailed in a plush button tufting and secured to the chair frame by small ties. The chair's back is an intricately woven steel design. The frame
and legs are made from single bars of steel, heated and bent to form its intricate curved base and unique, joined half-moon legs, which are met by a single stretcher.
The chair is offered in a stunning Gold Leaf layered over red - the finish gently rubbed to bring through the red undertones - or in deep, mottled Green Verdigris
with tufted Burnt Orange upholstery. Circa 1965.
W 16 3/4" D 17" H 34 1/2"
W 42.55cm D 43.18cm H 87.63cm

THE TONY DUQUETTE COLLECTION
No.1652
THE TONY DUQUETTE COLLECTION
ABALONE MOSAIC COCKTAIL TABLE
Duquette frequently used abalone shell in his designs, often remarking, "If there were only one abalone shell in the world, wars would be fought over it for its
beauty." The Abalone Mosaic Cocktail table is made from brass and finished in Dark Bronze. The top is slightly raised above the surrounding brass apron and
square straight legs. The tabletop is inset with abalone shell, its random patterning and coloration creating a one-of-a-kind work of art. The naturally forgiving,
hand-polished finish promises its otherworldly luster will not diminish over time. Circa 1959.
W 38" D 22" H 18"
W 96.52cm D 55.88cm H 45.72cm

THE TONY DUQUETTE COLLECTION
No.1655
THE TONY DUQUETTE COLLECTION
ABALONE MOSAIC END TABLE
The companion Abalone Mosaic End Table is also made from brass finished in Dark Bronze, its square top inset with abalone shell slightly raised above the brass
apron and square straight legs. Circa 1959.
W 22" D 22" H 22"
W 55.88cm D 55.88cm H 55.88cm

THE TONY DUQUETTE COLLECTION
No.1666
THE TONY DUQUETTE COLLECTION
BIOMORPHIC CONSOLE
Considered one of Duquette's most inspired works, the Biomorphic Console was originally designed for the Charles and Palmer Ducommun Bel Air residence in the
1960s. Impeccably recreated by Baker, the console is cast in resin in three separate pieces, then fabricated together to produce its undulating form, which is finished
in Silver Gilt or Gold Leaf. The crystal clear glass top, although anchored in place, gives the illusion that it is just barely perching on top of the base. Circa 1965.
W 70" D 36" H 33"
W 177.8cm D 91.44cm H 83.82cm

THE TONY DUQUETTE COLLECTION
No.1697
THE TONY DUQUETTE COLLECTION
ELSIE TABOURET
The original Elsie Tabouret was designed by Elsie de Wolfe Mendel, the "First Lady of Interior Decoration" and mentor to Duquette. So taken with Duquette's
talent, de Wolfe introduced him into Hollywood society, personally commissioning significant pieces for her home to showcase his abilities. It was through this
recognition that Duquette rose to worldwide fame and established himself as one of the leading designers of his time. This sophisticated replica of the original - which
now resides in Duquette's historic studio - pays homage to this important association and friendship and remarks upon the sophisticated spirit of the woman behind
Duquette's early fame.
H 16" DIA 18"
H 40.64cm DIA 45.72cm

THE TONY DUQUETTE COLLECTION
No.1699
THE TONY DUQUETTE COLLECTION
PARIS SNOWFLAKE SCREENS
Inspired by Duquette's signature snowflake screens, which featured a modern interpretation of 18th century Chinese snowflake patterns, the three-panel Paris
Snowflake Screen reflects the same beauty and intricacy of the original. Squares of cast aluminum frame each panel's five delicate, cascading aluminum snowflakes
before terminating to small, square feet that slightly raise the screen from the floor. The panels are individually hinged, then finished in 14-karat Gold Leaf or
Silver Leaf, with each snowflake tipped in coral for brilliant contrast. Circa 1951.
W 36 1/2" D 1 1/2" H 75"
W 92.71cm D 3.81cm H 190.5cm

THE TONY DUQUETTE COLLECTION
No.TDQ100
THE TONY DUQUETTE COLLECTION
SUNBURST TORCHERE
Baker has meticulously recreated the Sunburst Torchere, which was designed to decorate and illuminate the drawing room at Dawnridge, Duquette's private
residence. Standing a commanding 74 inches in height, the torchere features a sunburst medallion cast in bronze and finished in a clear coat of lacquer. The
medallion rests above a carved wood post, finished in Varnished Silver Leaf, and an Italian-inspired wood base tightly wrapped in creamy beige suede. Backlit for
soft, reflecting light, the torchere accommodates one 40-watt bulb and is fitted with a transparent cord and discreet foot switch. Circa 1949.
W 24" D 13 1/2" H 74"
W 60.96cm D 34.29cm H 187.96cm

THE TONY DUQUETTE COLLECTION
No.TDQ101
THE TONY DUQUETTE COLLECTION
JEWEL VOTIVE TABLE LAMP
The Jewel Votive Table Lamp was inspired by a jewel and pearl brooch that Duquette originally designed in 1972. This functional work of art is completely cast
from bronze. The single tapered spear-like base suspends an egg-shaped medallion surrounded by sun rays - both recurring themes in Duquette's work. Finished in
silver or 24-karat gold plate, the medallion shades a single 40-watt bulb, backlighting the form, capturing and reflecting light off the base, emanating from behind
the medallion and cascading over the rays to create a stunning presentation. Circa 1972.
W 12" D 5 1/2" H 24"
W 30.48cm D 13.97cm H 60.96cm

THE TONY DUQUETTE COLLECTION
No.TDQ103
THE TONY DUQUETTE COLLECTION
TERRAPIN LAMP
The dramatic Terrapin Lamp takes many of its cues from lamps originally designed by Duquette for a private penthouse in Honolulu, Hawaii. Cast from bronze,
the lamp features a large raw bronze shell topped with a unique finial of individual dark bronze shards emanating from a golden bronze and Murano glass center.
An intricate laser-cut brass filigreed column finished in Dark Bronze surrounds and supports the shell, and terminates to a square base covered in beige suede. The
shell is backlit by a single 40-watt bulb, capturing the natural beauty of the shell's luster, deep bronze tones, and touches of incandescent Murano glass. Circa 1960.
W 9 1/2" D 6" H 24"
W 24.13cm D 15.24cm H 60.96cm

THE TONY DUQUETTE COLLECTION
No.TDQ104
THE TONY DUQUETTE COLLECTION
ARROW OF THE SEA
Marrying fine sculpture with abstract practicality, the Arrow of the Sea was first exhibited by Duquette at his one-man exhibition at the Los Angeles Municipal Art
Gallery at Barnsdall Park, and currently resides on display at the Tony Duquette studio. Baker pays homage to this sculptural design, incorporating many of the
original materials and showcasing Duquette's ability to create unconventionally discreet, functional lighting. The statuesque tapered form is cast from brass and
finished in Dark Bronze. A transparent cast resin "swordfish snout" emits light in a soft cast. The lamp requires one LED bulb. Circa 1972.
W 7 3/4" D 5 3/4" H 36"
W 19.69cm D 14.61cm H 91.44cm

THE TONY DUQUETTE COLLECTION
No.TDQ105
THE TONY DUQUETTE COLLECTION
REGENCY PAGODA LAMP
The six-sided Regency Pagoda Lamp was inspired by a pair of small antique lamps owned by Tony Duquette. Altering the size to custom fit client interiors,
Duquette cast his designs from resin. Baker also uses cast resin to create the impressive form, which rises to a commanding 48 inches in height. Cascading light
emanates from within through the dozens of encircling windows. The lamp rests on a black base to elevate it slightly from the floor or table. The finish is handapplied
and gently rubbed so it appears to have been exposed to the elements. The pagoda is offered in Transparent, Opaque White Paint or Opaque Green & Blue
Paint versions. Circa 1970.
W 10" D 10" H 48"
W 25.4cm D 25.4cm H 121.92cm

THE TONY DUQUETTE COLLECTION
No.TDQ201
THE TONY DUQUETTE COLLECTION
GHOST SNAIL
One of Duquette's most beloved and rare designs, the Ghost Snail has been recreated from cast resin using a rare, craft-based process. The resin is poured into an
intricately hand-carved mold, which sets up and self-hardens overnight. The piece is then hand-carved to bring out the elaborate detail, and finally wrapped in
natural pin shell veneer. The interior is fitted with twin frosted 40-watt bulbs, illuminating through the pin shell in a soft, hypnotic glow. The lamp is equipped
with a transparent cord and fitted with a discreet hand switch. Circa 1970.
W 37" D 16" H 19"
W 93.98cm D 40.64cm H 48.26cm

THE TONY DUQUETTE COLLECTION
No.TDQ300
THE TONY DUQUETTE COLLECTION
ABALONE CHANDELIER
Another inspired piece that uses the beauty of abalone shell to decorate its frame, the Abalone Chandelier was originally unveiled as part of Duquette's one-man
exhibition at the Los Angeles County Museum of Art. The chandelier was then part of the Charles and Palmer Ducommun Bel Air residence, appointing its
drawing room along with other designs by Duquette. Years later, Duquette acquired the piece from the estate and hung it prominently in his own home,
Dawnridge, where it remains today. Reproduced in exacting detail, the chandelier is made from steel, heated and bent to create its intricate frame then painted in
green, pink and white. Abalone shells appoint the frame, with clear strands forming a crown around each shell to capture and reflect light. The chandelier
accommodates twelve 15-watt candelabra bulbs. Circa 1952.
H 39" DIA 36"
H 99.06cm DIA 91.44cm

THE TONY DUQUETTE COLLECTION
No.TDQ500
THE TONY DUQUETTE COLLECTION
GOLD TOAD
A recurring theme in Duquette's work, toads of every shape and size were traded back and forth between Duquette and his closest friends as part of a playful ongoing
exchange. His Gold Toad was designed to eclipse all prior versions and was never traded but held in a place of honor in his home. The original Gold Toad still
resides as part of the collection housed at the Tony Duquette studio in Los Angeles. Its complex, skeletal form is cast from bronze then plated in 24-karat gold. The
sculpture rests on a square, transparent base. Circa 1970.
W 12" D 10" H 8 1/2"
W 30.48cm D 25.4cm H 21.59cm

THE TONY DUQUETTE COLLECTION
No.TDQ501
THE TONY DUQUETTE COLLECTION
INSECT MAN
The original Insect Man was unveiled as part of Tony Duquette's first exhibition at the prestigious Mitch Leison Gallery in Los Angeles, and served as a unique
backdrop to present one of Duquette's jewelry designs. Standing over 18 inches in height, the impressive sculpture is crafted from steel strands, which are heated and
manipulated into its complex, organic shape. It is then finished in a choice of Gold Paint or Pearl Paint. Circa 1947.
W 9 1/2" D 4 3/4" H 18 1/2"
W 24.13cm D 12.07cm H 46.99cm