4th Meeting X-ray techniques in investigations of the ... - CrysAC
4th Meeting X-ray techniques in investigations of the ... - CrysAC
4th Meeting X-ray techniques in investigations of the ... - CrysAC
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THE COMPUTED TOMOGRAPHY OF THE<br />
15 TH CENTURY MADONNA WITH A CHILD<br />
FROM KSIĄŻNICE WIELKIE AS AN EX-<br />
AMPLE OF NON-INVASIVE METHOD OF<br />
EXAMINATION OF A MASTERPIECE<br />
Dagny Dobrowolska<br />
Pri�ate practice <strong>in</strong> <strong>the</strong> sculpture conser�ation�<br />
Krakow� Poland<br />
The goal <strong>of</strong> <strong>the</strong> presentation is to show<br />
scientific possibilities connected with<br />
us<strong>in</strong>g computed tomography as a non<strong>in</strong>vasive<br />
method <strong>of</strong> exam<strong>in</strong>ation <strong>of</strong> a piece<br />
<strong>of</strong> art. Results <strong>of</strong> such exam<strong>in</strong>ation <strong>of</strong> <strong>the</strong><br />
15 th century wooden sculpture <strong>of</strong> Madonna<br />
with Child from Książnice Wielkie<br />
are discussed.<br />
A wooden sculpture <strong>of</strong> Madonna with<br />
Child (2nd and 3rd quarter <strong>of</strong> 15 th century)<br />
has been partly transformed several<br />
times. All <strong>the</strong> transformations may be<br />
divided to at least three stages. The first<br />
one took place probably <strong>in</strong> <strong>the</strong> Baroque<br />
period, <strong>the</strong> second one was a renovation<br />
<strong>of</strong> <strong>the</strong> sculpture that took place <strong>in</strong> 1808,<br />
f<strong>in</strong>ally, probably at <strong>the</strong> very beg<strong>in</strong>n<strong>in</strong>g<br />
<strong>of</strong> <strong>the</strong> 20 th century (<strong>the</strong> last stage), two<br />
wooden crowns were put on Madonna’s<br />
and Child’s heads. Exact changes that<br />
were made – especially <strong>in</strong> <strong>the</strong> 19 th century<br />
– were impossible to establish. In particular,<br />
di�erences between <strong>the</strong> orig<strong>in</strong>al sculpture<br />
and <strong>the</strong> later <strong>in</strong>sertions were obvious<br />
<strong>in</strong> many parts, but <strong>in</strong> some areas it was<br />
difficult to say which part was orig<strong>in</strong>al and<br />
which part was added later. To exam<strong>in</strong>e<br />
30<br />
this problem properly, it was decided to<br />
use <strong>the</strong> computed tomography.<br />
The results <strong>of</strong> <strong>the</strong> exam<strong>in</strong>ation made it<br />
possible to def<strong>in</strong>e <strong>the</strong> precise size <strong>of</strong> each<br />
<strong>of</strong> <strong>the</strong> 19 th century wooden <strong>in</strong>sertions,<br />
<strong>the</strong>ir present position <strong>in</strong>side <strong>the</strong> figure<br />
and <strong>the</strong>ir proportion to <strong>the</strong> preserved,<br />
orig<strong>in</strong>al Gothic part <strong>of</strong> <strong>the</strong> sculpture. They<br />
also gave a lot <strong>of</strong> new <strong>in</strong>formation about<br />
<strong>the</strong> technology <strong>of</strong> <strong>the</strong> Gothic sculpture as<br />
well as <strong>the</strong> technology <strong>of</strong> <strong>the</strong> restoration<br />
that took place <strong>in</strong> 1808. The cross – sections<br />
also showed how well <strong>the</strong> particular<br />
parts <strong>of</strong> <strong>the</strong> sculpture are preserved<br />
– <strong>in</strong>clud<strong>in</strong>g <strong>the</strong> deterioration caused by<br />
<strong>in</strong>sects, <strong>the</strong> rema<strong>in</strong>s <strong>of</strong> pa<strong>in</strong>t and gesso<br />
layers, etc.<br />
The computed tomography <strong>of</strong> <strong>the</strong> 15 th<br />
Madonna with Child from Książnice Wielkie<br />
shows that this type <strong>of</strong> exam<strong>in</strong>ation<br />
can be e�ectively used <strong>in</strong> <strong>the</strong> contemporary<br />
art restoration. The exam<strong>in</strong>ation<br />
is totally non-<strong>in</strong>vasive and as such, it is<br />
safe and it cannot damage a piece <strong>of</strong> art.<br />
Moreover, <strong>the</strong> exam<strong>in</strong>ation parameters<br />
can be precisely chosen and adjusted to<br />
a given object, which enables to exam<strong>in</strong>e<br />
<strong>the</strong> object <strong>in</strong> a very exact way and <strong>in</strong><br />
many aspects. Technology, state <strong>of</strong> preservation,<br />
and possible transformations<br />
can be identified. The tomography may<br />
be used for a wide variety <strong>of</strong> materials<br />
like wood, metal, stone, etc. Moreover, a<br />
3D view <strong>of</strong> an object, created on <strong>the</strong> basis<br />
<strong>of</strong> tomography, gives additional possibilities<br />
for <strong>the</strong> documentation <strong>of</strong> state <strong>of</strong><br />
preservation <strong>of</strong> a piece <strong>of</strong> art.