24.02.2013 Views

4th Meeting X-ray techniques in investigations of the ... - CrysAC

4th Meeting X-ray techniques in investigations of the ... - CrysAC

4th Meeting X-ray techniques in investigations of the ... - CrysAC

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

THE COMPUTED TOMOGRAPHY OF THE<br />

15 TH CENTURY MADONNA WITH A CHILD<br />

FROM KSIĄŻNICE WIELKIE AS AN EX-<br />

AMPLE OF NON-INVASIVE METHOD OF<br />

EXAMINATION OF A MASTERPIECE<br />

Dagny Dobrowolska<br />

Pri�ate practice <strong>in</strong> <strong>the</strong> sculpture conser�ation�<br />

Krakow� Poland<br />

The goal <strong>of</strong> <strong>the</strong> presentation is to show<br />

scientific possibilities connected with<br />

us<strong>in</strong>g computed tomography as a non<strong>in</strong>vasive<br />

method <strong>of</strong> exam<strong>in</strong>ation <strong>of</strong> a piece<br />

<strong>of</strong> art. Results <strong>of</strong> such exam<strong>in</strong>ation <strong>of</strong> <strong>the</strong><br />

15 th century wooden sculpture <strong>of</strong> Madonna<br />

with Child from Książnice Wielkie<br />

are discussed.<br />

A wooden sculpture <strong>of</strong> Madonna with<br />

Child (2nd and 3rd quarter <strong>of</strong> 15 th century)<br />

has been partly transformed several<br />

times. All <strong>the</strong> transformations may be<br />

divided to at least three stages. The first<br />

one took place probably <strong>in</strong> <strong>the</strong> Baroque<br />

period, <strong>the</strong> second one was a renovation<br />

<strong>of</strong> <strong>the</strong> sculpture that took place <strong>in</strong> 1808,<br />

f<strong>in</strong>ally, probably at <strong>the</strong> very beg<strong>in</strong>n<strong>in</strong>g<br />

<strong>of</strong> <strong>the</strong> 20 th century (<strong>the</strong> last stage), two<br />

wooden crowns were put on Madonna’s<br />

and Child’s heads. Exact changes that<br />

were made – especially <strong>in</strong> <strong>the</strong> 19 th century<br />

– were impossible to establish. In particular,<br />

di�erences between <strong>the</strong> orig<strong>in</strong>al sculpture<br />

and <strong>the</strong> later <strong>in</strong>sertions were obvious<br />

<strong>in</strong> many parts, but <strong>in</strong> some areas it was<br />

difficult to say which part was orig<strong>in</strong>al and<br />

which part was added later. To exam<strong>in</strong>e<br />

30<br />

this problem properly, it was decided to<br />

use <strong>the</strong> computed tomography.<br />

The results <strong>of</strong> <strong>the</strong> exam<strong>in</strong>ation made it<br />

possible to def<strong>in</strong>e <strong>the</strong> precise size <strong>of</strong> each<br />

<strong>of</strong> <strong>the</strong> 19 th century wooden <strong>in</strong>sertions,<br />

<strong>the</strong>ir present position <strong>in</strong>side <strong>the</strong> figure<br />

and <strong>the</strong>ir proportion to <strong>the</strong> preserved,<br />

orig<strong>in</strong>al Gothic part <strong>of</strong> <strong>the</strong> sculpture. They<br />

also gave a lot <strong>of</strong> new <strong>in</strong>formation about<br />

<strong>the</strong> technology <strong>of</strong> <strong>the</strong> Gothic sculpture as<br />

well as <strong>the</strong> technology <strong>of</strong> <strong>the</strong> restoration<br />

that took place <strong>in</strong> 1808. The cross – sections<br />

also showed how well <strong>the</strong> particular<br />

parts <strong>of</strong> <strong>the</strong> sculpture are preserved<br />

– <strong>in</strong>clud<strong>in</strong>g <strong>the</strong> deterioration caused by<br />

<strong>in</strong>sects, <strong>the</strong> rema<strong>in</strong>s <strong>of</strong> pa<strong>in</strong>t and gesso<br />

layers, etc.<br />

The computed tomography <strong>of</strong> <strong>the</strong> 15 th<br />

Madonna with Child from Książnice Wielkie<br />

shows that this type <strong>of</strong> exam<strong>in</strong>ation<br />

can be e�ectively used <strong>in</strong> <strong>the</strong> contemporary<br />

art restoration. The exam<strong>in</strong>ation<br />

is totally non-<strong>in</strong>vasive and as such, it is<br />

safe and it cannot damage a piece <strong>of</strong> art.<br />

Moreover, <strong>the</strong> exam<strong>in</strong>ation parameters<br />

can be precisely chosen and adjusted to<br />

a given object, which enables to exam<strong>in</strong>e<br />

<strong>the</strong> object <strong>in</strong> a very exact way and <strong>in</strong><br />

many aspects. Technology, state <strong>of</strong> preservation,<br />

and possible transformations<br />

can be identified. The tomography may<br />

be used for a wide variety <strong>of</strong> materials<br />

like wood, metal, stone, etc. Moreover, a<br />

3D view <strong>of</strong> an object, created on <strong>the</strong> basis<br />

<strong>of</strong> tomography, gives additional possibilities<br />

for <strong>the</strong> documentation <strong>of</strong> state <strong>of</strong><br />

preservation <strong>of</strong> a piece <strong>of</strong> art.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!