Brazilian literature - Cristo Raul

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xli PREFACE of the Brazilian national personality. As to the representative figures chosen for more Individual treatment, through one trait or another they emerge from the background as Brazil's contributions to something more than an exclusively national Interest, or else afford striking opportunity for studying phases of the national mind. Though none of the text as it here appears has been printed elsewhere, some of the matter has formed the substance of articles that have been published, between 19 14 and the present, In the Boston Evening Transcript, the Christian Science Monitor, the Literary Review of the New York Evening Post, the Nezv York Times, the Bookman, the Stratford Journal and other period- icals, to the management and editors of which I am indebted not only for permission to reprint, but for their readiness to accept such exotic material. For biblio- graphical aid and other favours I am also thankful to the Brazilian Academy of Letters, Carlos de Laet, President; to Manoel de Oliveira Lima, of the Brazilian Academy; Gllberto Freyre; C. J. Babcock, Librarian of the Colum- bus Memorial Library, Washington, D. C; C. K. Jones; Prof. H. R. Lang, Yale; Dr. A. C. Potter and the Harvard Library; to Sr. Hello Lobo, Consul General in New York for Brazil; and to my friend Professor J. D. M. Ford of Harvard. For the Index I am indebted to my wife. Roxbury, Massachusetts, Isaac Goldberg.
CONTENTS FOREWORD BY J. D. M. FORD vii PREFACE ix PART ONE AN OUTLINE HISTORY OF BRAZILIAN LITERA- TURE I Introductory—The Milieu and the Racial Blend—Portuguese Tradition, African AND Native Contribution—Linguistic Modification—Nationalism and Literature—Problems of the Future—Phases of Brazilian Literature 3 II Period of Formation (1500-1750) 28 III Autonomous Development (1750-1830) 53 IV Romantic Transformation (1830-1870) 72 V Critical, Naturalist Reaction, (1870-1900) Parnassians, Symbolists, etc. 102 PART TWO REPRESENTATIVE PERSONALITIES I Castro Alves 129 II Machado de Assis 142 III Jose Verissimo 165 IV Olavo Bilac 188 V Euclydes da Cunha 210 xiii
Page 1 and 2: p «**^ t til. .. t: i^ jmf-9 X *>
Page 5 and 6: BRAZILIAN LITERATURE
Page 7 and 8: BRAZILIAN LITERATURE ISAAC GOLDBERG
Page 9: TO BURTON KLINE of the Philadelphia
Page 12 and 13: viii FOEEWOED censure; and this is
Page 14 and 15: X PREFACE And should this simple fa
Page 18 and 19: xlv CONTENTS VI Oliveira Lima 222 V
Page 21 and 22: I INTRODUCTORY The Milieu and the R
Page 23 and 24: INTRODUCTORY CONSIDERATIONS 5 ered
Page 25 and 26: INTRODUCTORY CONSIDERATIONS 7 the s
Page 27 and 28: INTRODUCTORY CONSIDERATIONS 9 progr
Page 29 and 30: INTRODUCTORY CONSIDERATIONS ii quer
Page 31 and 32: INTRODUCTORY CONSIDERATIONS 13 III
Page 33 and 34: INTRODUCTORY CONSIDERATIONS 15 infe
Page 35 and 36: INTRODUCTORY CONSIDERATIONS 17 long
Page 37 and 38: INTRODUCTORY CONSIDERATIONS 19 sure
Page 39 and 40: INTRODUCTORY CONSIDERATIONS 21 and
Page 41 and 42: INTRODUCTORY CONSIDERATIONS 23 the
Page 43 and 44: INTRODUCTORY CONSIDERATIONS 25 the
Page 45 and 46: , INTRODUCTORY CONSIDERATIONS 27 Ro
Page 47 and 48: PERIOD OF FORMATION 29 verses of th
Page 49 and 50: PERIOD OF FORMATION 31 the imaginat
Page 51 and 52: PERIOD OF FORMATION 33 country by t
Page 53 and 54: PERIOD OF FORMATION 35 The chronicl
Page 55 and 56: PERIOD OF FORMATION 37 out,—was c
Page 57 and 58: PERIOD OF FORMATION 39 his sermons
Page 59 and 60: . tions PERIOD OF FORMATION 41 outs
Page 61 and 62: PERIOD OF FORMATION 43 soon or late
Page 63 and 64: PERIOD OF FORMATION 45 written in o
Page 65 and 66: PERIOD OF FORMATION 47 were formed,
Page 67 and 68:
PERIOD OF FORMATION 49 all that Is
Page 69 and 70:
PERIOD OF FORMATION 51 he was the m
Page 71 and 72:
CHAPTER III PERIOD OF AUTONOMOUS DE
Page 73 and 74:
AUTONOMOUS DEVELOPMENT ^S II Critic
Page 75 and 76:
AUTONOMOUS DEVELOPMENT 57 it, as he
Page 77 and 78:
AUTONOMOUS DEVELOPMENT 59 ism the s
Page 79 and 80:
AUTONOMOUS DEVELOPMENT 6i Tornando
Page 81 and 82:
AUTONOMOUS DEVELOPMENT 63 Esta de A
Page 83 and 84:
AUTONOMOUS DEVELOPMENT 65 Quem fez
Page 85 and 86:
AUTONOMOUS DEVELOPMENT 67 the secon
Page 87 and 88:
AUTONOMOUS DEVELOPMENT 69 first, in
Page 89 and 90:
AUTONOMOUS DEVELOPMENT 71 able succ
Page 91 and 92:
THE ROMANTIC TRANSFORMATION 73 as u
Page 93 and 94:
THE ROMANTIC TRANSFORMATION 75 Port
Page 95 and 96:
THE ROMANTIC TRANSFORMATION 77 In h
Page 97 and 98:
THE ROMANTIC TRANSFORMATION 79 firs
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THE ROMANTIC TRANSFORMATION 8i foun
Page 101 and 102:
THE ROMANTIC TRANSFORMATION 83 muse
Page 103 and 104:
THE ROMANTIC TRANSFORMATION 85 Symb
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THE ROMANTIC TRANSFORMATION 87 Mil
Page 107 and 108:
THE ROMANTIC TRANSFORMATION 89 E so
Page 109 and 110:
THE ROMANTIC TRANSFORMATION 91 In F
Page 111 and 112:
THE ROMANTIC TRANSFORMATION 93 of D
Page 113 and 114:
THE ROMANTIC TRANSFORMATION 95 whic
Page 115 and 116:
THE ROMANTIC TRANSFORMATION 97 mean
Page 117 and 118:
THE ROMANTIC TRANSFORMATION 99 ite
Page 119 and 120:
THE ROMANTIC TRANSFORMATION loi for
Page 121 and 122:
CRITICAL REACTION 103 schools or gr
Page 123 and 124:
CRITICAL REACTION 105 Brazil produc
Page 125 and 126:
CRITICAL REACTION 107 with a more p
Page 127 and 128:
CRITICAL REACTION 109 with the fire
Page 129 and 130:
CRITICAL REACTION in mundo Correia.
Page 131 and 132:
CRITICAL REACTION 113 Fico a ver qu
Page 133 and 134:
CRITICAL REACTION 115 they leaped t
Page 135 and 136:
CRITICAL REACTION 117 also to the s
Page 137 and 138:
CRITICAL REACTION 119 upon form, th
Page 139 and 140:
CRITICAL REACTION 121 beauty, and b
Page 141 and 142:
CRITICAL REACTION 123 any qualities
Page 143 and 144:
CRITICAL REACTION 125 who will brin
Page 145:
PART II REPRESENTATIVE PERSONALITIE
Page 148 and 149:
I30 BRAZILIAN LITERATURE But why? T
Page 150 and 151:
132 BRAZILIAN LITERATURE plete work
Page 152 and 153:
134 BRAZILIAN LITERATURE Night) ; "
Page 154 and 155:
136 BRAZILIAN LITERATURE lie fall f
Page 156 and 157:
138 BRAZILIAN LITERATURE A mancha o
Page 158 and 159:
I40 BRAZILIAN LITERATURE As Napoleo
Page 160 and 161:
II JOAQUIM MARIA MACHADO DE ASSIS A
Page 162 and 163:
144 BRAZILIAN LITERATURE neither ar
Page 164 and 165:
146 BRAZILIAN LITERATURE my offspri
Page 166 and 167:
148 BRAZILIAN LITERATURE poem tells
Page 168 and 169:
150 BRAZILIAN LITERATURE Entre as a
Page 170 and 171:
152 BRAZILIAN LITERATURE As one rea
Page 172 and 173:
154 BRAZILIAN LITERATURE that the r
Page 174 and 175:
156 BRAZILIAN LITERATURE begun anew
Page 176 and 177:
158 BRAZILIAN LITERATURE Ahasverus
Page 178 and 179:
i6o BRAZILIAN LITERATURE little, a
Page 180 and 181:
1 62 BRAZILIAN LITERATURE attendant
Page 182 and 183:
1 64 BRAZILIAN LITERATURE but the u
Page 184 and 185:
1 66 BRAZILIAN LITERATURE betrays o
Page 186 and 187:
1 68 BRAZILIAN LITERATURE the less.
Page 188 and 189:
lyo BRAZILIAN LITERATURE say that t
Page 190 and 191:
172 BRAZILIAN LITERATURE would have
Page 192 and 193:
174 BRAZILIAN LITERATURE ancholy. H
Page 194 and 195:
176 BRAZILIAN LITERATURE somewhat c
Page 196 and 197:
178 BRAZILIAN LITERATURE understand
Page 198 and 199:
i8o BRAZILIAN LITERATURE down. It i
Page 200 and 201:
i82 . BRAZILIAN LITERATURE "Soon, t
Page 202 and 203:
1 84 BRAZILIAN LITERATURE nation in
Page 204 and 205:
1 86 BRAZILIAN LITERATURE Doing not
Page 206 and 207:
IV OLAVO BILAC full name was Olavo
Page 208 and 209:
I90 BRAZILIAN LITERATURE passion. "
Page 210 and 211:
192 BRAZILIAN LITERATURE Here again
Page 212 and 213:
194 BRAZILIAN LITERATURE Que outro
Page 214 and 215:
196 BRAZILIAN LITERATURE For, behol
Page 216 and 217:
198 BRAZILIAN LITERATURE E mais ele
Page 218 and 219:
200 BRAZILIAN LITERATURE This is im
Page 220 and 221:
202 BRAZILIAN LITERATURE De todas a
Page 222 and 223:
204 BRAZILIAN LITERATURE E a minha
Page 224 and 225:
2o6 BRAZILIAN LITERATURE no less si
Page 226 and 227:
2o8 BRAZILIAN LITERATURE vanity of
Page 228 and 229:
V EUCLYDES DA CUNHA X^ 5 Sertoes, w
Page 230 and 231:
212 BRAZILIAN LITERATURE ried away
Page 232 and 233:
214 BRAZILIAN LITERATURE which the
Page 234 and 235:
2i6 BRAZILIAN LITERATURE And it is
Page 236 and 237:
21 8 BRAZILIAN LITERATURE favourite
Page 238 and 239:
220 BRAZILIAN LITERATURE excepting
Page 240 and 241:
VI MANGEL DE OLIVEIRA LIMA OLIVERIA
Page 242 and 243:
224 BRAZILIAN LITERATURE friend of
Page 244 and 245:
226 BRAZILIAN LITERATURE (The Poet
Page 246 and 247:
228 BRAZILIAN LITERATURE outgrew th
Page 248 and 249:
230 BRAZILIAN LITERATURE "The filia
Page 250 and 251:
232 BRAZILIAN LITERATURE est essay
Page 252 and 253:
GRACA VII GRAgA ARANHA ARANHA, like
Page 254 and 255:
236 BRAZILIAN LITERATURE thralling
Page 256 and 257:
238 BRAZILIAN LITERATURE different
Page 258 and 259:
240 BRAZILIAN LITERATURE dazzled by
Page 260 and 261:
242 BRAZILIAN LITERATURE the rarest
Page 262 and 263:
244 BRAZILIAN LITERATURE different
Page 264 and 265:
246 BRAZILIAN LITERATURE sharper cr
Page 266 and 267:
VIII COELHO NETTO AS Bilac is the p
Page 268 and 269:
250 BRAZILIAN LITERATURE sounds "ma
Page 270 and 271:
252 BRAZILIAN LITERATURE he conside
Page 272 and 273:
254 BRAZILIAN LITERATURE he meets h
Page 274 and 275:
256 BRAZILIAN LITERATURE suffers fr
Page 276 and 277:
258 BRAZILIAN LITERATURE the drama,
Page 278 and 279:
26o. BRAZILIAN LITERATURE with its
Page 280 and 281:
262 BRAZILIAN LITERATURE annals of
Page 282 and 283:
264 BRAZILIAN LITERATURE cisca Juli
Page 284 and 285:
266 . BRAZILIAN LITERATURE of lyric
Page 286 and 287:
268 BRAZILIAN LITERATURE much she w
Page 288 and 289:
270 BRAZILIAN LITERATURE itself, be
Page 290 and 291:
272 BRAZILIAN LITERATURE Empallidec
Page 292 and 293:
274 BRAZILIAN LITERATURE are only o
Page 294 and 295:
276 BRAZILIAN LITERATURE two or mor
Page 296 and 297:
278 BRAZILIAN LITERATURE in Lobato
Page 298 and 299:
28o BRAZILIAN LITERATURE Brazilian
Page 300 and 301:
282 BRAZILIAN LITERATURE acteristic
Page 302 and 303:
284 BRAZILIAN LITERATURE To this ca
Page 304 and 305:
— 286 BRAZILIAN LITERATURE "Nietz
Page 306 and 307:
288 BRAZILIAN LITERATURE In a most
Page 308 and 309:
290 BRAZILIAN LITERATURE There can
Page 310 and 311:
i I
Page 312 and 313:
294 BIBLIOGRAPHY of a departed civi
Page 314 and 315:
296 BIBLIOGRAPHY belief in the "con
Page 317 and 318:
INDEX Abreu, Caplstrano de, 36, 38
Page 319 and 320:
Gracchi, 140 Gsell, 190 Guimaraes,
Page 321:
Scares de Souza, Gabriel, 5, 35, 17
Page 328:
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Brazilian literature - Cristo Raul

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