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THE BOOK WAS DRENCHED - OUDL Home

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2<br />

Plays<br />

Dedication<br />

Sir Francis Stuart, second son to James Stuart, husband of Elizabeth,<br />

Countess of Moray, made Knight of the Bath on 2 June 1610 (Stow,<br />

ed. Howes, 1614, p. 907). 'He was a sea-captaine, and (I thmke) he<br />

was one summer a vice or rere-admirall. He was a learned gentleman<br />

and one of the club at the Mermayd, in Fryday street, with Sir Walter<br />

Ralegh, etc., of that sodahtie heroes and wits of that time. 1 Aubrey,<br />

Brief Lives, ed. Clark, n, p. 239. Aubrey quotes from this dedication.<br />

3. by cause, the earlier form of 'because', in the forms 'by cause<br />

that', 'by cause why', and 'by cause of.<br />

5. makes, causes. So For. xiii. 59, Und. xxiv. 9. O.E.D. s.v. 'make',<br />

52. 10. Vndertaker, a guarantor. Cf. Cat. 111. 18, D. is A. n. i. 36, Disc.<br />

2111.<br />

11. censure, judge.<br />

The Persons of the Play<br />

i. Morose. The character in Libamus on whom he is modelled is<br />

the Latin morosus.<br />

4. Truewit. Dryden twice refers to this character: 'it appears that<br />

this one character of Wit was more difficult to the Author, than all the<br />

images of Humor in the Play • For those he could describe and manage<br />

from his observation of Men, this he has taken, at least a part of it, from<br />

Books witness the Speeches in the First Act, translated verbatim out<br />

of Ovid de Arte Amandi' (An Evening's Love, 1671, B2). 'That the wit<br />

of this Age is much more Courtly, may easily be prov'd by viewing the<br />

Characters of Gentlemen which were written in the last. First, for<br />

Jonson, True-Wit in the Silent Woman, was his Master-piece, and Truewit<br />

was a Scholar-like kind of man, a Gentleman with an allay of<br />

Pedantry: a man who seems mortifi'd to the world, by much reading.<br />

The best of his discourse is drawn, not from the knowledge of the Town,<br />

but Books, and, in short, he would be a fine Gentleman, in an University'<br />

(The Conquest of Granada, n, 1672, 'Defence of the Epilogue',<br />

p. 172).<br />

5. Epicoene, Jonson's only clue to the real sex of the supposed heroine.<br />

Jonson made this the main title of the play, but it has been popularly<br />

superseded by the more picturesque 'Silent Woman'.<br />

7. Amorous La Foole. Cf. Burton, The Anatomy of Melancholy, ed. 5,<br />

1625, pp. 478-9, of a deformed old dotard 'If he be rich, he is the man,<br />

a fine man & a proper man, she'le goe to lackatres or Tidore with him,<br />

Gelasimus de monte aureo, S r Giles Goosecap, S r Amorous La-Foole shall<br />

have her.'<br />

8. Thorn Otter Pepys has a story of Charles II saying of his brother<br />

James, then Duke of York, who was under the control of his wife, 'he<br />

would go no more abroad with this Tom Otter and his wife'. Kilhgrew,<br />

who was standing by, answered, ' Sir, pray which is the best for a man,<br />

to be Tom Otter to his wife or to his mistress ?' a reference to the

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