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Heide Museum of Modern Art 2010 Annual Report

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8. Communications & Marketing<br />

Market research remains key in<br />

understanding existing and potential<br />

visitors to <strong>Heide</strong> and in <strong>2010</strong> both<br />

Quantitative and Qualitative research was<br />

undertaken. Throughout <strong>2010</strong>, audience<br />

research was collected via surveys,<br />

postcode data collection, purchasing<br />

statistics and in-depth interviews and<br />

focus groups.<br />

In February, <strong>Heide</strong> joined a Newspoll<br />

Omnibus questionnaire to determine<br />

benchmark figures for awareness and<br />

visitation levels amongst all Victorians. The<br />

results indicated that 37% were aware <strong>of</strong><br />

<strong>Heide</strong> and <strong>of</strong> this number, 55% have visited.<br />

With the Newspoll benchmark figures,<br />

we could then explore gathering more<br />

in-depth data with Visitor Monitors. The<br />

key objective <strong>of</strong> the Visitor Monitors is to<br />

understand the <strong>Heide</strong> experience – how<br />

visitors find out about the exhibitions, who<br />

they visit with and what activities they<br />

engaged with whilst on-site to determine<br />

reactions to specific exhibitions and<br />

facilities, measure overall satisfaction and<br />

provide a demographic pr<strong>of</strong>ile <strong>of</strong> audiences.<br />

They were developed to gather information<br />

on gallery audiences, their demographic<br />

pr<strong>of</strong>ile, frequency <strong>of</strong> visitation, actions,<br />

satisfaction levels and their methods for<br />

information gathering. There were two<br />

Visitor Monitors conducted in March and<br />

July to coincide with the Central Galleries<br />

exhibitions; Cubism & Australian <strong>Art</strong> and<br />

Up Close. This research indicated that<br />

<strong>Heide</strong> is a social environment with the<br />

large majority <strong>of</strong> visitors attending with a<br />

Friend or Spouse. Demographics changed<br />

according to the appeal <strong>of</strong> the exhibitions<br />

with Cubism attracting an older audience<br />

<strong>Heide</strong> <strong>Museum</strong> <strong>of</strong> <strong>Modern</strong> <strong>Art</strong><br />

<strong>2010</strong> <strong>Annual</strong> <strong>Report</strong><br />

when compared to Up Close. 60% <strong>of</strong> visitors<br />

to <strong>Heide</strong> in July were first time visitors,<br />

with 41% <strong>of</strong> visitors attending the café and<br />

40% patronising the <strong>Heide</strong> Store.<br />

In April, <strong>Heide</strong> undertook a qualitative<br />

research project to understand and explore<br />

the motivations and barriers to attendance,<br />

determine perceptions <strong>of</strong> the <strong>Heide</strong> brand<br />

among the community and identify key<br />

messages, materials and programs likely to<br />

build the pr<strong>of</strong>ile and patronage among new<br />

audiences. Key insights from the research<br />

indicated how important it was to create an<br />

effective multifaceted campaign to generate<br />

noise and buzz about a specific exhibition;<br />

assessibility, facilities and atmosphere are<br />

all elements that contribute to the decision<br />

making process for attendance; and that<br />

<strong>Heide</strong> is a destination in itself – it is one <strong>of</strong><br />

‘Melbourne’s best kept secrets’. These key<br />

insights were used to develop the successful<br />

marketing campaigns for the year.<br />

This year saw the appointment <strong>of</strong> Janet<br />

Wells as Marketing & Communications<br />

Manager in April and with the departure <strong>of</strong><br />

Jade Enge, Marketing & Communications<br />

Coordinator, Nicole Kenning was appointed<br />

to this position in November.<br />

28

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