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Clive Cussler and Dirk Pitt Revealed By Clive Cussler with Craig ...

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They're incredibly cooperative <strong>and</strong> uncomplaining.<br />

They live normal lives <strong>and</strong> never have a bad word to say about anybody.<br />

While I was producing the television commercials, I was creating a radio campaign for a company<br />

called Deep Rock Water. I dreamed up an old guy who lived in Deep Rock's well by the name of Drink<br />

worthy, who spoke <strong>with</strong> a Maine Down easterner accent through the versatile voice of Johnny Harding, a<br />

Denver radio personality. Deep Rock was still running those ads twenty-five years later.<br />

Very quickly, the awards began to roll in for both accounts. Several Cleos <strong>and</strong> International Broadcast<br />

Awards all came to the agency, along <strong>with</strong> first places at both the Venice <strong>and</strong> Chicago film festivals.<br />

Hull/Mefford was on a roll. They merged <strong>with</strong> another agency run by two ladies, Mary Wolfe <strong>and</strong> Jan<br />

Weir, added staff throughout the office <strong>and</strong> began welcoming new clients who walked through the door<br />

now that we had gained a creative reputation.<br />

I was raised to seventeen thous<strong>and</strong> dollars a year, made vice president of the creative department <strong>and</strong><br />

given a company car, which was all very well <strong>and</strong> good but left me little time to write books. My little<br />

creative gang, the art directors George Yaeger <strong>and</strong> Errol Beauchamp, along <strong>with</strong> Ashley O'Neal, our<br />

Southern accountant, always had lunch across 17th Street in downtown Denver at an old hangout called<br />

Shanners. A terrific waitress named Brenda never failed to have our private booth reserved. I always<br />

ordered a tuna s<strong>and</strong>wich, heavy on the mayo, <strong>with</strong> an extra pickle <strong>and</strong> a Bombay gin martini. I really<br />

lived high. The only downside was I had no time for <strong>Dirk</strong> <strong>Pitt</strong>.<br />

Then my ad world came crashing down.<br />

I was offered a promotion to executive vice president but turned it down because I preferred to<br />

remain in the creative end. So the agency heads hired an account supervisor from a New York agency. I<br />

doubt whether he could explain it, I know I can't, but when we shook h<strong>and</strong>s as we were introduced, it<br />

was instant dislike. To this day, I can't put my finger on it.<br />

He was a corporate infighter, <strong>and</strong> I wasn't. It took him only three months to get the ear of the bosses. I

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