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Clive Cussler and Dirk Pitt Revealed By Clive Cussler with Craig ...

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<strong>and</strong> made them a considerable sum of money. Peter told them in no uncertain terms their train had<br />

jumped the track. Then they came back <strong>with</strong> the same royalty payment as before. I knew deep down<br />

inside that this ridiculous petty haggling was due to the lunch.<br />

CRAIG DIRGO:So it was time to switch publishers again?<br />

CLIVE CUSSLER:It was time. Peter <strong>and</strong> I decided to throw the book on the open market. Michael<br />

Korda of Simon & Schuster offered a much higher amount than Bantam, <strong>and</strong> I changed publishing<br />

houses.<br />

CRAIG DIRGO:Let's talk about the layout of your books <strong>and</strong> your habit of featuring your cars.<br />

CLIVE CUSSLER:I've always had fun <strong>with</strong> the author photos on the books.<br />

OnIceberg , I was pushed by a deadline, <strong>and</strong> since I was into diving but living in Colorado, I put on an<br />

old wet suit <strong>and</strong> talked a friend into shooting a black-<strong>and</strong>-white photo of me from the waist up<br />

surrounded by water. What nobody knew was that I was st<strong>and</strong>ing in a pond in the middle of a golf<br />

course. On the jacket ofRaise the Titanic! I wore an Irish knit sweater that was about two sizes too<br />

large <strong>and</strong> was taken up in the back by seven or eight clothespins.<br />

It wasn't untilDeep Six that I began displaying the cars depicted in the books as driven by <strong>Dirk</strong> <strong>Pitt</strong>,<br />

when in fact they were owned by me.<br />

I thought, <strong>and</strong> still do, that readers would rather see the car while I stood in the background than some<br />

enhanced photo of my ugly mug taken when I was ten years younger. When they were doing the cover<br />

design forDragon , it occurred to me that since they were printing four colors on the front of the jacket, it<br />

would cost them hardly any more to print the back photo in color because it would be on the same print<br />

run. You learn these things in advertising.<br />

To make certain the photo is first-rate quality, I've always had Denver photographer Paul Peregrine<br />

shoot the photo, while Errol Beauchamp, who owns a commercial art studio, does the overlays <strong>and</strong> has<br />

the type set that reads, "<strong>Clive</strong> <strong>Cussler</strong> <strong>with</strong> <strong>Dirk</strong> <strong>Pitt</strong>'s ... year <strong>and</strong> make of car."

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