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Clive Cussler and Dirk Pitt Revealed By Clive Cussler with Craig ...

Clive Cussler and Dirk Pitt Revealed By Clive Cussler with Craig ...

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The climax is pure <strong>Cussler</strong>. The battleship Iowa steams upriver to Washington, D.C. <strong>with</strong> Fawkes at<br />

the helm, determined to deliver his deadly cargo <strong>and</strong> discredit the African Freedom Fighters he believes<br />

murdered his family.<br />

The man-as-a-woman, or, more accurately here, woman-as-a-man, theme used in Iceberg shows up<br />

here as well. A shadowy spy we are led to believe is a man is found out after she is killed to be a woman.<br />

In the next-to-the-last section, <strong>Pitt</strong> travels to Africa <strong>and</strong> buries Fawkes. He then explains that he<br />

knows that Operation Wild Rose was an attempt to topple the current government of South Africa so<br />

that the defense minister could take over. De Vaal, the defense minister, is then killed. The novel ends<br />

<strong>with</strong> Rongelo Isl<strong>and</strong>, the last location in the world <strong>with</strong> any QD, being struck by a nuclear bomb that<br />

eradicates the last trace of the deadly poison.<br />

Night Probe!<br />

Following the publication ofVixen 03 , <strong>Clive</strong> started writingNight Probe! Unlike his normal schedule<br />

of publishing a new <strong>Pitt</strong> book every two years,Night Probe! didn't show up until 1981, three years after<br />

Vixen 03 went on sale. Part of the time lag was due to a switch in publishers. <strong>Clive</strong> had been having<br />

trouble <strong>with</strong> Viking for some time.<br />

The book tour forVixen 03 was a farce, the promotion <strong>and</strong> marketing of the book almost nonexistent.<br />

<strong>Clive</strong> desperately wanted to change publishers, but book contracts specify that the current publisher<br />

has an option on the next book created by the author.<br />

This practice is still widespread in the publishing business. For publishers, it protects them if a writer's<br />

works suddenly become hot.<br />

For writers, it locks them into a first right of refusal on their next work.

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