FILED: NEW YORK COUNTY CLERK 05/09/2011
FILED: NEW YORK COUNTY CLERK 05/09/2011
FILED: NEW YORK COUNTY CLERK 05/09/2011
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the issue of financing. The December 9 e-mail made clear that Ms. Carter purported to terminate<br />
not because she was legitimately concerned about financing, but because she was no longer<br />
satisfied with the contract terms she had negotiated and committed to just months before. 3<br />
75. The December 9 e-mail also helped explain why Ms. Carter sent the purported<br />
termination notice when she did. The only plausible conclusion is that Ms. Carter deliberately<br />
interrupted the financing by purporting to terminate because she thought that would leave Gate<br />
Five with no alternative but to accept the new contract she insisted upon shortly after she<br />
purported to terminate.<br />
76. Ms. Carter’s conduct shocked Alcon. Its senior executive’s e-mail to one of her<br />
agents conveyed both the sense of betrayal that stemmed from her sudden abandonment of the<br />
project, as well as the great personal hardships that her conduct would inflict on the other parties<br />
involved. He emphasized, for example, that her sudden abandonment of the game would force<br />
the development studios to lay off their employees and shut down their businesses, given that the<br />
studios were committed to the project as their only source of revenue. Attaching an e-mail from<br />
Planet Moon’s President begging Ms. Carter to “please, please make a deal today,” the Alcon<br />
senior executive characterized her purported termination as “morally reprehensible.” Moreover,<br />
her demand for a new contract meant that Alcon would have to throw out much of the due<br />
diligence and analysis it had painstakingly prepared over the course of many months, and re-start<br />
the process from scratch.<br />
77. Not long after Ms. Carter’s lawyer sent the December 9 e-mail, Alcon withdrew<br />
from the project because it regarded Ms. Carter as an unreliable and erratic business partner.<br />
3 Contemporaneous text messages from Ms. Carter’s creative director, Frank Gatson, support the same conclusion.<br />
When a Mako employee asked him why Ms. Carter had terminated, he said nothing about Gate Five’s finances.<br />
Rather, he linked her termination with her compensation, stating that “she thought the deal used her instead of pay<br />
her” and that they should give her what she wants because “she is a big star. Very big.”<br />
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