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FILED: NEW YORK COUNTY CLERK 05/09/2011

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Nonetheless, even after her betrayal of trust and Alcon’s withdrawal, Gate Five still tried to<br />

continue the project with Ms. Carter. In an e-mail dated December 16, BDJ’s President told her<br />

lawyer that Gate Five would accept her new demands and emphasized that if she would just<br />

reaffirm the Agreement, “our existing investors”—meaning the bridge lenders—“are ready to<br />

begin funding the project tomorrow.” He explained that “up to $3 million” in additional<br />

financing (on top of the money BDJ had invested and the $2 million bridge loans) was<br />

immediately available “to fund development through April 1,” which would “give us ample<br />

opportunity to work with you to secure a mutually agreeable completion financing deal.”<br />

78. Four days later, Ms. Carter’s lawyer responded in writing that Ms. Carter “has no<br />

interest in moving forward ….” Once again, he made no mention of any concern about Gate<br />

Five’s ability to raise financing.<br />

79. With no Beyoncé, millions of dollars in debt to its bridge lenders, millions of<br />

dollars in debt to its developers, and stuck with a Beyoncé-specific game that could not easily be<br />

retooled for a new celebrity, Gate Five was forced to cease work on the project.<br />

Ms. Carter Solicits Mako Employees for Her “New Company”<br />

80. But while Ms. Carter wanted to abandon Gate Five, it now appears that she had<br />

no intention of abandoning the increasingly profitable motion-driven video game business.<br />

Rather, there is evidence that she still intends to work on a game that is like Starpower: Beyoncé,<br />

and perhaps even a derivative of Starpower: Beyoncé. Text messages her creative director wrote<br />

to Mako’s art director in late December confirmed that Ms. Carter still wanted to work on a<br />

game and explained that she was looking to hire people who had worked on Starpower: Beyoncé.<br />

He wrote:<br />

PC Law # 15232 27

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