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Screening Program - I'VE SEEN FILMS - International Film Festival

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I’VE <strong>SEEN</strong> <strong>FILMS</strong> 2010<br />

<strong>International</strong> <strong>Film</strong> <strong>Festival</strong><br />

One Eye Wide Open<br />

Rak Be’Ayin A’Hat<br />

FIlm notes<br />

The story of the cult artist Zvi Lachman, an<br />

Israeli sculptor and painter with a huge talent<br />

and sensitiveness, during the 10 year period<br />

of 1998 to 2008.<br />

In his works, in his exhibitions and in his<br />

explorative thinking about art, Lachman<br />

always challenges the various orthodoxies<br />

currently reigning in contemporary Israeli art.<br />

The stylistic choice of this documentary, by<br />

Aner Preminger and Ami Drodz, is to acquaint<br />

us with the various work steps of this<br />

extremely skilled material shaping artist. Indeed, it is the sculpture material that we see during<br />

all of its shaping steps and it is Lachman’s hand that creates lines on paper, eventually<br />

giving them a definite shape. But what really makes this documentary outstanding is the<br />

profound gravity of feeling nurtured in his works.<br />

The role of Lachman is to explain to us, with the help of a harrowing music score, the deeply<br />

religious feeling harbored in his work. The term ‘religious’ here is used broadly speaking: namely<br />

the awareness regarding the deep mystery of creation which Art, in a sense, tries to capture.<br />

Lachman’s faces are expressing an innermost uneasiness that reflects the artist’s energetic mind.<br />

For sixty minutes, we travel with this artist, and discover his multi-faceted production.<br />

A bounteous artist, who shows his narrating skills, firmly capturing his art’s content.<br />

We also discover his desire to compete with the artists that made the History of Arts by going - in<br />

his own way - over some iconographic themes, such as the ‘Sacrifice of Isaac’.<br />

This is a thorough overview of the artist Lachman, and on the human universe that surrounds him.<br />

Along with his fellow artists, who gladly contribute in shaping Lachman’s ideas, we also find his<br />

father, who sits for him. It is his father who asks him why he focuses his eyes in such a peculiar way<br />

while he is painting.<br />

His son’s reply beautifully encompasses his feelings about art, and - probably - also about his life...<br />

45

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