The Stars of our Orchestra - Orchestra Nova San Diego
The Stars of our Orchestra - Orchestra Nova San Diego
The Stars of our Orchestra - Orchestra Nova San Diego
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18<br />
Concerts<br />
Wednesday, October 21, 7:30 p.m.<br />
St. Paul’s Cathedral, Downtown<br />
Saturday, October 24, 8:00 p.m.<br />
Irwin M. Jacobs Qualcomm Hall,<br />
Sorrento Valley<br />
Flying<br />
Solo<br />
Guest artist: Norman Krieger, Piano<br />
Divertimento in D major<br />
(Salzburg Symphony No. 1) Wolfgang Amadeus Mozart<br />
Allegro<br />
Andante<br />
Presto<br />
Piano Sonata No. 14<br />
(Moonlight Sonata) Ludwig van Beethoven<br />
Adagio sostenuto<br />
Allegretto<br />
Presto<br />
Intermission<br />
Piano Concerto No. 3 Ludwig van Beethoven<br />
Allegro con brio<br />
Largo<br />
Rondo-Allegro<br />
Monday, October 26, 7:30 p.m.<br />
Sherwood Auditorium, La Jolla<br />
Our players are like a superstar sports team — each person individually strong<br />
and a star in his/her own right, but collectively a winning team. Tonight, <strong>our</strong><br />
leader Maestro Pak lets his stars “fly solo” with Beethoven’s Piano Concerto No. 3.<br />
Who needs a conductor<br />
During the Renaissance period, a choir kept together by tapping each other on the shoulder.<br />
Before the 19th century, the first violinist in an instrumental group usually gave a few<br />
necessary signals with his bow or the keyboard player led them, using his hands and head.<br />
In the 19th century, the larger size <strong>of</strong> ensembles and the growing complexity <strong>of</strong> the music<br />
with its varying tempos and heightened expressiveness made it necessary for a person to<br />
coordinate and interpret the music.<br />
<strong>The</strong> first conductors, including Mendelssohn, Berlioz and Richard Wagner, were composers<br />
themselves; however, by the end <strong>of</strong> the century, conducting had become a specialty and<br />
great conductors had become celebrities in their own right.<br />
Come Together:<br />
A closer look at some <strong>of</strong> <strong>our</strong> stars<br />
John MacFerran Wilds<br />
Trumpet, Principal<br />
Family and heritage have played a<br />
significant role in John’s musical career.<br />
His father, a fan <strong>of</strong> classical music and a<br />
trombonist, introduced John to the basics<br />
<strong>of</strong> music via the Highland bagpipe. To this<br />
day, John’s view <strong>of</strong> music and performance<br />
is strongly influenced by the pride and<br />
tradition <strong>of</strong> a Celtic heritage. John explains,<br />
“I am hopelessly addicted to the heroic/<br />
romantic nature <strong>of</strong> my instrument. I love<br />
to take the ideas <strong>of</strong> composers and give<br />
them life in the present. I love what I<br />
do, I love my colleagues, and I am very<br />
connected to my friends and family.”<br />
Suzanne Kennedy<br />
Flute/Piccolo<br />
Suzanne has a double career as a vocalist<br />
and a flutist. She directs f<strong>our</strong> choirs,<br />
teaches 550 students and arranges<br />
music for her ensembles and students<br />
on a regular basis. Yet, one <strong>of</strong> her fondest<br />
memories is her experience playing with<br />
her favorite rock band, STYX. She also<br />
sang on the David Letterman show when<br />
she was ten and then again in 2003. ”I<br />
love the challenge <strong>of</strong> being a musical<br />
chameleon,” states Suzanne, “changing<br />
from one moment to the next.”<br />
“<strong>The</strong> joy I have with<br />
<strong>Orchestra</strong> <strong>Nova</strong><br />
is that I don’t feel<br />
like a conductor,<br />
but rather another<br />
musician. All <strong>of</strong> <strong>our</strong><br />
musicians are stars,<br />
having individual<br />
personalities and<br />
gifts. It’s a miracle<br />
how they come<br />
together to create a<br />
single splendid voice.”<br />
Jung-Ho Pak<br />
Tricia Lee<br />
Violin<br />
Tricia began playing the piano at age five<br />
but quickly switched over to the violin<br />
when her older brother began to play.<br />
She simply wanted to do everything he<br />
was doing. Years later, Tricia has continued<br />
to perform for “that special moment in a<br />
performance when you experience the<br />
collective, collaborative energy. When it<br />
really happens, there is no high like it.”<br />
Her first chamber music experience was<br />
truly her “eye opener,” Tricia explains. “It<br />
was when I first experienced what it really<br />
means to communicate with another<br />
musician. <strong>The</strong>re can be so much joy!”<br />
19