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The Stars of our Orchestra - Orchestra Nova San Diego

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18<br />

Concerts<br />

Wednesday, October 21, 7:30 p.m.<br />

St. Paul’s Cathedral, Downtown<br />

Saturday, October 24, 8:00 p.m.<br />

Irwin M. Jacobs Qualcomm Hall,<br />

Sorrento Valley<br />

Flying<br />

Solo<br />

Guest artist: Norman Krieger, Piano<br />

Divertimento in D major<br />

(Salzburg Symphony No. 1) Wolfgang Amadeus Mozart<br />

Allegro<br />

Andante<br />

Presto<br />

Piano Sonata No. 14<br />

(Moonlight Sonata) Ludwig van Beethoven<br />

Adagio sostenuto<br />

Allegretto<br />

Presto<br />

Intermission<br />

Piano Concerto No. 3 Ludwig van Beethoven<br />

Allegro con brio<br />

Largo<br />

Rondo-Allegro<br />

Monday, October 26, 7:30 p.m.<br />

Sherwood Auditorium, La Jolla<br />

Our players are like a superstar sports team — each person individually strong<br />

and a star in his/her own right, but collectively a winning team. Tonight, <strong>our</strong><br />

leader Maestro Pak lets his stars “fly solo” with Beethoven’s Piano Concerto No. 3.<br />

Who needs a conductor<br />

During the Renaissance period, a choir kept together by tapping each other on the shoulder.<br />

Before the 19th century, the first violinist in an instrumental group usually gave a few<br />

necessary signals with his bow or the keyboard player led them, using his hands and head.<br />

In the 19th century, the larger size <strong>of</strong> ensembles and the growing complexity <strong>of</strong> the music<br />

with its varying tempos and heightened expressiveness made it necessary for a person to<br />

coordinate and interpret the music.<br />

<strong>The</strong> first conductors, including Mendelssohn, Berlioz and Richard Wagner, were composers<br />

themselves; however, by the end <strong>of</strong> the century, conducting had become a specialty and<br />

great conductors had become celebrities in their own right.<br />

Come Together:<br />

A closer look at some <strong>of</strong> <strong>our</strong> stars<br />

John MacFerran Wilds<br />

Trumpet, Principal<br />

Family and heritage have played a<br />

significant role in John’s musical career.<br />

His father, a fan <strong>of</strong> classical music and a<br />

trombonist, introduced John to the basics<br />

<strong>of</strong> music via the Highland bagpipe. To this<br />

day, John’s view <strong>of</strong> music and performance<br />

is strongly influenced by the pride and<br />

tradition <strong>of</strong> a Celtic heritage. John explains,<br />

“I am hopelessly addicted to the heroic/<br />

romantic nature <strong>of</strong> my instrument. I love<br />

to take the ideas <strong>of</strong> composers and give<br />

them life in the present. I love what I<br />

do, I love my colleagues, and I am very<br />

connected to my friends and family.”<br />

Suzanne Kennedy<br />

Flute/Piccolo<br />

Suzanne has a double career as a vocalist<br />

and a flutist. She directs f<strong>our</strong> choirs,<br />

teaches 550 students and arranges<br />

music for her ensembles and students<br />

on a regular basis. Yet, one <strong>of</strong> her fondest<br />

memories is her experience playing with<br />

her favorite rock band, STYX. She also<br />

sang on the David Letterman show when<br />

she was ten and then again in 2003. ”I<br />

love the challenge <strong>of</strong> being a musical<br />

chameleon,” states Suzanne, “changing<br />

from one moment to the next.”<br />

“<strong>The</strong> joy I have with<br />

<strong>Orchestra</strong> <strong>Nova</strong><br />

is that I don’t feel<br />

like a conductor,<br />

but rather another<br />

musician. All <strong>of</strong> <strong>our</strong><br />

musicians are stars,<br />

having individual<br />

personalities and<br />

gifts. It’s a miracle<br />

how they come<br />

together to create a<br />

single splendid voice.”<br />

Jung-Ho Pak<br />

Tricia Lee<br />

Violin<br />

Tricia began playing the piano at age five<br />

but quickly switched over to the violin<br />

when her older brother began to play.<br />

She simply wanted to do everything he<br />

was doing. Years later, Tricia has continued<br />

to perform for “that special moment in a<br />

performance when you experience the<br />

collective, collaborative energy. When it<br />

really happens, there is no high like it.”<br />

Her first chamber music experience was<br />

truly her “eye opener,” Tricia explains. “It<br />

was when I first experienced what it really<br />

means to communicate with another<br />

musician. <strong>The</strong>re can be so much joy!”<br />

19

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