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The Bugnini-Liturgy and the Reform of the Reform - MusicaSacra

The Bugnini-Liturgy and the Reform of the Reform - MusicaSacra

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To sum up: we have seen that <strong>the</strong> <strong>Bugnini</strong> liturgy tried to adapt <strong>the</strong> Tridentine<br />

rite (<strong>the</strong> branch <strong>of</strong> liturgy belonging to <strong>the</strong> Roman rite but having<br />

somewhat impoverished forms) to <strong>the</strong> supposed conditions <strong>and</strong> requirements<br />

<strong>of</strong> our age, or ra<strong>the</strong>r to <strong>the</strong> categories living in <strong>the</strong> minds <strong>of</strong> <strong>the</strong> reformers.<br />

By doing so it conflicted with <strong>the</strong> frequently mentioned pastoral<br />

benefit, too. In Hungary we managed to include some elements <strong>of</strong> <strong>the</strong> Roman<br />

heritage into <strong>the</strong> new Catholic Hymnal <strong>and</strong>, what is more, <strong>the</strong> full earlier<br />

"ordo" (adapted to present-day conditions) was allowed to be restored<br />

in one church with ecclesiastical approbation ad experimentum. According to<br />

<strong>the</strong> unanimous reaction <strong>of</strong> <strong>the</strong> participants <strong>the</strong> effect <strong>of</strong> <strong>the</strong> rites was fascinating,<br />

<strong>and</strong> <strong>the</strong>y surpassed even <strong>the</strong> Tridentine rite reformed by Pope Piue,<br />

XII, not to mention <strong>the</strong> dry reformed liturgy.<br />

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