The Bugnini-Liturgy and the Reform of the Reform - MusicaSacra

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EMINENTISSIMO VIRO PATRI VENERABILI ET MAGISTRO JOSEPHO S. R. E. CARDINALI RATZINGER HOC OPUSCULUM MAXIMAE AESTIMATIONIS AC REVERENTIAE SIGNUM D.D. AUCTOR
Page 1 and 2: in cooperation with the Church Musi
Page 3: THE BUGNINI-LITURGY AND THE REFORM
Page 7: Contents INTRODUCTION Page 9 1. HYM
Page 10 and 11: The following studies 1 contain cri
Page 12 and 13: two requirements. One is that the n
Page 14 and 15: 1. Hymns of the Hours In connection
Page 16 and 17: pers in actual liturgical celebrati
Page 18 and 19: ather than being considered New Tes
Page 20 and 21: 2. The Holy Week In the previous ch
Page 22 and 23: eligious orders up to 1970. There w
Page 24 and 25: a new construction invented on offi
Page 26 and 27: of the Holy Week (particularly in t
Page 28 and 29: procession, to re-arrange the parti
Page 30 and 31: form.) The restauration of the Lita
Page 32 and 33: of the oration and the Gradual Chri
Page 34 and 35: The new reform, however, did not fi
Page 36 and 37: shared in the fate of the other "ac
Page 38 and 39: these "exceptions" are useful not o
Page 40 and 41: nium without any action as early as
Page 42 and 43: tions, so that the faithful could l
Page 44 and 45: To sum up: we have seen that the Bu
Page 46 and 47: sality and spiritual meaning of thi
Page 48 and 49: 2. The formation of the Roman Offic
Page 50 and 51: Three of the psalms in Lauds are un
Page 52 and 53: 2.5. We know from St. Benedict's Ru
Page 54 and 55:
completed with some additions. They
Page 56 and 57:
only way to return to the authentic
Page 58 and 59:
etween the given text and the Hour
Page 60 and 61:
vate readings and prayers rather th
Page 62 and 63:
um is the equal length of psalm por
Page 64 and 65:
nor worse but different from the Ro
Page 66 and 67:
signed biblical reading. The respon
Page 68 and 69:
This continuity excludes two false
Page 70 and 71:
the renaissance and baroque periods
Page 72 and 73:
2. Yolk office, choir office, priva
Page 74 and 75:
individual innovations should be re
Page 76 and 77:
to Sunday and Monday (Sunday: 1-4;
Page 78 and 79:
I. Psalm 91; II-IV: canticle/1-3; V
Page 80 and 81:
5. The character of the Hours The d
Page 82 and 83:
This dilemma could be solved only i
Page 84 and 85:
Office. Let us remember: "Chorus fa
Page 86 and 87:
these is plainly the task of presen
Page 88 and 89:
education, if any "alius cantus apt
Page 90 and 91:
from the direct meaning of the word
Page 92 and 93:
article 32 in Musicam sacram, and o
Page 94 and 95:
content of the feast, by depriving
Page 96 and 97:
96 I offer another example. Most of
Page 98 and 99:
idly that the necessities of the po
Page 100 and 101:
The last Council offered an opportu
Page 102 and 103:
Mass remained a solo chant for a lo
Page 104 and 105:
Before we proceed, two lessons shou
Page 106 and 107:
absence of such singers, however, t
Page 108 and 109:
6. Before we begin to examine the p
Page 110 and 111:
"well-prepared singers" is to chant
Page 112 and 113:
Such a "canon," however, may contai
Page 114 and 115:
sion. Moreover, new vernacular comp
Page 116 and 117:
leads to the notion of "hymn-perico
Page 118 and 119:
"Missa Mundi" includes both the Lat
Page 120 and 121:
16 th to 19 th centuries) they woul
Page 122 and 123:
of the liturgy frequently explained
Page 124 and 125:
are not a replacement for bible rea
Page 126 and 127:
The new Lectionarium permits the pe
Page 128 and 129:
story is read on the third Sunday (
Page 130 and 131:
The fourth problem is that in spite
Page 132 and 133:
emerge on different Sundays in diff
Page 134 and 135:
two above. The third Sunday in East
Page 136 and 137:
Of the parts concerning St. John th
Page 138 and 139:
As regards the Old Testament readin
Page 140 and 141:
The precedent is given in the Old T
Page 142 and 143:
today means the acceptance of a lit
Page 144 and 145:
In this regard, the calendar after
Page 146 and 147:
number of participants is not to ma
Page 148 and 149:
able number of communities in Europ
Page 150 and 151:
actual texts and ceremonies are not
Page 152 and 153:
and the re-wording of the hymn text
Page 154 and 155:
like Milan, Gaul, Spain and others.
Page 156 and 157:
II. The "truth" of the Liturgy I am
Page 158 and 159:
most important and most effective (
Page 160 and 161:
2. It is even more important that t
Page 162 and 163:
The failures of the Tridentine move
Page 164 and 165:
cogent for the maintenance of the "
Page 166 and 167:
while the congregation occupied its
Page 168 and 169:
ut there are also obligatory and op
Page 170 and 171:
tern of associations, a cultic styl
Page 172 and 173:
the Novus Ordo, in order to avoid w
Page 174 and 175:
theologically elaborated terminolog
Page 176 and 177:
to the effect of 50 or 60 Masses in
Page 178 and 179:
copal Church which desire communion
Page 180 and 181:
7. High Church - Low Church: the Sp
Page 182 and 183:
ties are simply uninterested in the
Page 184 and 185:
second, to sing the Divine Office.
Page 186 and 187:
cus, subjected to any manipulation.
Page 188 and 189:
organ mixed with rather poor Ordina
Page 190 and 191:
and these concerts were very succes
Page 192 and 193:
in all Masses of all churches, the
Page 194 and 195:
8. Church Music at the Crossroads (
Page 196 and 197:
approach can be summarized in a par
Page 198 and 199:
unsuited for its intended role. At
Page 200 and 201:
I shall confine myself here to two
Page 202 and 203:
toricity. Folk music, previously th
Page 204 and 205:
What makes them "Hungarian," is not
Page 206 and 207:
But this uniformity was achieved no
Page 208 and 209:
and rehearsed in advance. Though th
Page 210 and 211:
the predominance of liturgical chan
Page 212 and 213:
structure? Or should the text be mo
Page 214 and 215:
saints. Moreover a one-year cycle f
Page 216 and 217:
A Word to the Reader Every honest o
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