13489 Habitat8 Book.indb - Resene

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colourful people
fl oored by great art
Thirty-something years ago, Hugh was a low-country
shepherd – one man, a stock saddle and a dog. That, in a
way, was his introduction to the wool industry, he says; a
real grass roots start.
As he looked for new challenges, he went from working
the land in Southland to learning his trade in a yarn
dealership in Christchurch, sourcing specialist wools from
chosen breeders. From here, his involvement in rugs was
a natural progression.
“We were ending up with a lot of redundant carpet
yarns, and I suppose I was looking for a way to make
them useful,” he explains. “The thing is, carpet fi bres
really don’t translate across to rugs – they are two very
different colour cultures. The more I thought about it,
words: Rachel Macdonald
pictures: Juliet Nicholas
though, the more determined I was to make a really great
Kiwi rug.”
Between the industry knowledge he had garnered himself
and extensive brainstorming with Wool Research New
Zealand, he assembled a short-list of the qualities that
might go into such a product. He even came up with a
name for his new business – Dilana – a synthesis of his
dog’s name, Di, and the Latin word for wool.
And there, despite dollops of dedication, the idea
almost foundered.
“I got some design ideas together with the help of Wools
of New Zealand, and opened a showroom with a workshop
above. And nothing happened,” he remembers. “Then,
Solo by John Reynolds.
Hugh Bannerman Rug-maker