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Entrepreneur roundtable Services with a smile - Perspectives Pictet

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choices for individual customers in<br />

marketplaces <strong>with</strong> a multiplicity<br />

of products. James Daunt said this<br />

curating role was central to his bookselling<br />

business: “Some bookshops<br />

sold the best display places to the<br />

publishers, so the selection process<br />

effectively disappeared. In my own<br />

shops, I aimed to restore the art of<br />

curation—to draw people into the<br />

shops and thus to sell more books.”<br />

Avid Larizadeh said that her business<br />

was also highly curated. “There are<br />

objective criteria based on quality<br />

and certain standards, and subjective<br />

criteria such as the need to have an<br />

inspiring story behind a piece. But<br />

it’s not just my taste: we have a team<br />

of style-hunters who travel the world<br />

and some of them will select pieces<br />

that would not have been my choice.”<br />

Had social media changed the<br />

programmes produced by Theo<br />

Kyriakou’s Antenna media group,<br />

asked Tyler Brûlé? “Is it down to who<br />

is making the programmes, or is it<br />

the pull of the crowd through online<br />

messages and tweeting?”<br />

Social media were an unstoppable<br />

power, Mr Kyriakou said, and his<br />

group had invested in both Facebook<br />

and Twitter. “But the media business<br />

is still nothing more than content<br />

distribution—the best content <strong>with</strong><br />

the best brands through the best<br />

distribution network to reach the<br />

viewers. Our editors are always<br />

customer-oriented, of course: people<br />

change their habits and their media<br />

consumption, and you have to be there<br />

before the competitors.”<br />

Bottica also evolved its business<br />

model, said Avid Larizadeh, to reflect<br />

developments in online browsing<br />

behaviour. But it would not turn into<br />

what Tyler Brûlé described as “a grand<br />

souk” in London or Paris: “It wouldn’t<br />

make sense. Our business model is<br />

based on holding no inventory and<br />

we couldn’t be global if we did that.<br />

The whole point is that you can get<br />

something from the other end of the<br />

world <strong>with</strong>out going there.”<br />

2<br />

For James Daunt, the changing nature<br />

of the global marketplace in books<br />

posed an awkward problem. “You<br />

can get exactly the same product I’m<br />

selling from Amazon and prices are<br />

always driven down to the lowest<br />

common denominator. We don’t own<br />

the content, and Amazon is now trying<br />

to publish its own books to own the<br />

content. It will be interesting to see<br />

whether book retailers seek to follow<br />

suit—if they do, it will be back to the<br />

future: Victorian booksellers were also<br />

publishers.”<br />

When it came to questions from the<br />

audience, the entrepreneurs were<br />

asked what they would define as great<br />

service. Kit Kemp’s answer was that<br />

it is all about people wanting to come<br />

back. “When people travel, they are<br />

often tired and people take 24 hours to<br />

get to know the hotel. It’s a matter of<br />

taking something they are not used to<br />

and turning it around so they enjoy it<br />

and become a friend who believes in<br />

the place.”<br />

Tyler Brûlé asked her about the<br />

honesty bars in Firmdale hotels— fully<br />

stocked bars in a public space <strong>with</strong> a<br />

<strong>Entrepreneur</strong> <strong>roundtable</strong>: <strong>Services</strong> <strong>with</strong> a <strong>smile</strong> | Winter 2012<br />

notebook for people to record what<br />

they had taken. “The reasoning,” Kit<br />

Kemp said, “was that if you’ve been<br />

to the theatre or are going somewhere<br />

and you want a drink, you can serve<br />

yourself, as if you were entertaining<br />

at home. Some people make a great<br />

show of signing the book, but you’re<br />

also going to find those who have half<br />

a bottle of vodka in their pocket—and<br />

I think that’s quite funny!”<br />

“The media business is still nothing<br />

more than content distribution—the<br />

best content <strong>with</strong> the best brands<br />

through the best distribution network<br />

to reach the viewers.”<br />

Theo Kyriakou, CEO of Antenna<br />

“If you’ve got all those, everything else<br />

can still go wrong and you’re OK.”<br />

Theo Kyriakou said that in free-toair<br />

television, his clients were the<br />

advertisers. “We must attract the<br />

audience, the eyeballs, and deliver the<br />

demographics advertisers need at the<br />

right time. As television becomes more<br />

competitive <strong>with</strong> more stations, you<br />

need to be closer to the client and to<br />

deliver every single day.”

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