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Afterword<br />
Will Strunk and E. B. White were unique collaborators.<br />
Unlike Gilbert and Sullivan, or Woodward and Bernstein,<br />
they worked separately and decades apart.<br />
We have no way of knowing whether Professor Strunk<br />
took particular notice of Elwyn Brooks White, a student of<br />
his at Cornell University in 1919. Neither teacher nor pupil<br />
could have realized that their names would be linked as they<br />
now are. Nor could they have imagined that thirty-eight<br />
years after they met, White would take this litde gem of a<br />
textbook that Strunk had written for his students, polish it,<br />
expand it, and transform it into a classic.<br />
E. B. White shared Strunk's sympathy for the reader. To<br />
Strunk's do's and don'ts he added passages about the power<br />
of words and the clear expression of thoughts and feelings.<br />
To the nuts and bolts of grammar he added a rhetorical<br />
dimension.<br />
<strong>The</strong> editors of this edition have followed in White's foot<br />
steps, once again providing fresh examples and moderniz<br />
ing usage where appropriate. <strong>The</strong> <strong>Elements</strong> of <strong>Style</strong> is still<br />
a litde book, small enough and important enough to carry<br />
in your pocket, as I carry mine. It has helped me to write<br />
better. I believe it can do the same for you.<br />
87<br />
Charles Osgood