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in Snippets - LilyPond

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Expressive marks 88<br />

Pr<strong>in</strong>t<strong>in</strong>g hairp<strong>in</strong>s us<strong>in</strong>g al niente notation<br />

Hairp<strong>in</strong> dynamics may be pr<strong>in</strong>ted with a circled tip (“al niente” notation) by sett<strong>in</strong>g the<br />

circled-tip property of the Hairp<strong>in</strong> object to #t.<br />

\relative c'' {<br />

\override Hairp<strong>in</strong> #'circled-tip = ##t<br />

c2\< c\!<br />

c4\> c\< c2\!<br />

}<br />

<br />

<br />

Pr<strong>in</strong>t<strong>in</strong>g metronome and rehearsal marks below the staff<br />

By default, metronome and rehearsal marks are pr<strong>in</strong>ted above the staff. To place them below<br />

the staff simply set the direction property of MetronomeMark or RehearsalMark appropriately.<br />

\layout { ragged-right = ##f }<br />

{<br />

}<br />

% Metronome marks below the staff<br />

\override Score.MetronomeMark #'direction = #DOWN<br />

\tempo 8. = 120<br />

c''1<br />

% Rehearsal marks below the staff<br />

\override Score.RehearsalMark #'direction = #DOWN<br />

\mark \default<br />

c''1<br />

<br />

<br />

<br />

<br />

= 120<br />

Sett<strong>in</strong>g hairp<strong>in</strong> behavior at bar l<strong>in</strong>es<br />

If the note which ends a hairp<strong>in</strong> falls on a downbeat, the hairp<strong>in</strong> stops at the bar l<strong>in</strong>e immediately<br />

preced<strong>in</strong>g. This behavior can be controlled by overrid<strong>in</strong>g the 'to-barl<strong>in</strong>e property.<br />

\relative c'' {<br />

e4\< e2.<br />

e1\!<br />

\override Hairp<strong>in</strong> #'to-barl<strong>in</strong>e = ##f<br />

e4\< e2.<br />

e1\!<br />

}<br />

<br />

<br />

<br />

<br />

A

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