in Snippets - LilyPond

Staff notation 121
}
R1
R1
\override Score.MetronomeMark #'extra-spacing-width = #'(0 . 0)
\example
AllegroRall.
A tempo
Rall.
6 2 8 6 2
Glissandi can skip grobs
Allegro
NoteColumn grobs can be skipped over by glissandi.
\relative c' {
a2 \glissando
\once \override NoteColumn #'glissando-skip = ##t
f''4 d,
}
A tempo
How to print two rehearsal marks above and below the same
barline (method 1)
This method prints two ’rehearsal marks’, one on top of the other. It shifts the lower rehearsal
mark below the staff and then adds padding above it in order to place the upper rehearsal mark
above the staff.
By adjusting the extra-offset and baseline-skip values you can increase or decrease the overall
space between the rehearsal mark and the staff.
Because nearly every type of glyph or string can be made to behave like a rehearsal mark it
is possible to centre those above and below a bar line.
Adding the appropriate ’break visibility’ as shown in snippet 1 will allow you to position two
marks at the end of a line as well.
Note: Method 1 is less complex than Method 2 but does not really allow for fine tuning
of placement of one of the rehearsal marks without affecting the other. It may also give some
problems with vertical spacing, since using extra-offset does not change the bounding box of
the mark from its original value.
\relative c'{
c d e f |
\once \override Score.RehearsalMark #'extra-offset = #'(0 . -8.5)
\once \override Score.RehearsalMark #'baseline-skip = #9
\mark \markup \center-column { \circle 1 \box A }
g f e d |
\once \override Score.RehearsalMark #'extra-offset = #'(0 . -8.5)
\once \override Score.RehearsalMark #'baseline-skip = #9
\mark \markup \center-column { \flat { \bold \small \italic Fine. } }
8